‎École‎

‎GOYA Y Lucientes Francisco de (Fuente de Todos 1746 - Bordeaux 1828)‎

‎Tan barbara la seguridad como el delito (Il prigioniero)‎

‎Acquaforte e bulino, circa 1810/15. Il titolo dell’opera è tratto da una scrittura a mano in una prova di stampa dell’opera che Goya include nell’album dei “Disastri della guerra” che donò al suo amico Ceán Bermúdez e che ora è conservato al British Museum di Londra. Il disegno preparatorio dell’opera è conservato al Prado di Madrid.   Esemplare nel terzo stato di quattro, inserito nella Gazette des Beaux-Arts (1867); si tratta della prima vera edizione dell’opera, conosciuta altrimenti solo attraverso due prove di stampa. "A seated prisoner raises his clasped hands, both fastened with chains, in a gesture of supplication. We cannot see his features since his face is hidden beneath his long, dark hair. His feet are fastened in large shackles. Both the chains and the shackles are of considerable size, underlining their importance in any interpretation of the print. In fact, just as the title of the etching shows, the painter is comparing the excessive zeal employed in preventing the prisoner from escaping to the brutality of the crime he is accused of. It is possible that the way in which the prisoner is secured in this work by Goya was habitual at the time, an idea which is supported by certain passages of Forensic Discourses (Discursos forenses), by Juan Meléndez Valdés (Ribera del Fresno, Badajoz, 1754- Montpellier, 1814), whose portrait Goya painted in 1797. This book, published in Madrid in 1821, speaks of the cumbersome chains and shackles used to hold one María Vicente, put to death on the 23rd April 1798. Goya could well have known of her story: "But it is said that Doña María Vicente must have been treated, as the noblewoman that she is, in a very different manner, and not locked in shackles; and even thus fettered it was the judge's responsibility to examine their state and quality beforehand, to order them put on correctly". The painter has made extensive use of the etching technique here, building up the background with short, horizontal lines, whilst leaving large areas on the prisoner's clothing untouched and white, underlining his innocence. This etching would have been made at the same time as two others: The custody of a prisoner does not call for torture and If he is guilty, let him die quickly. In these images, Goya openly expresses his repulsion of the way in which prisoners were treated, as well as his opposition to the death penalty, echoing the ideas of Cesare Beccaria (Milan, 1738- Milan, 1794). In the pages of the work entitled Dei deliti e delle pene, published between 1763 and 1764, the Milanese talks of the need to modify the penal system, to lessen the severity of punishments and to seek out mechanisms for preventing crime. It is possible that these etchings also contributed to the debate on the abolition of torture which was being discussed in the Courts of Cádiz. Goya reiterates this same topic in some of the prints in his Disasters of War series, such as no. 15, And it can't be helped, no. 31, That's tough!, no. 32, Why?, no. 34, On account of a knife, no. 35, One can't tell why and no. 36, Not in this case either. Despite the gritty subject matter, the figure depicted in this etching possesses great dignity, recalling some earlier precedents which Goya may have been familiar with. One of these is an anonymous print based on Interior of a Prison (16th century, Museum of Fine Arts, Boston), by Giulio Romano (Rome, 1499-Mantua, 1596). When he was making this print, Goya may also have had in mind the disturbing, gloomy ambience of the prisons of Giambattista Piranesi (Mogliano Veneto, Treviso, 1720- Roma, 1778)." (cfr. https://fundaciongoyaenaragon.es/eng/obra/tan-barbara-la-seguridad-como-el-delito/712). Tomás Harris ritiene che la matrice di rame si trovi in una collezione privata di Parigi. Bibliografia Harris 26 III/IV; Delteil 31. Etching and engraving, circa 1810/15. The title of this work is taken from the handwritten title of a state proof that Goya included in the album of his Disasters of War prints which he gave to his friend Ceán Bermúdez and which is now in the British Museum, London. The preparatory drawing for this etching is in the Prado Museum, Madrid. Example of the third state of four, form the Gazette des Beaux-Arts (1867), firts edition of this work, before known only for proof states. "A seated prisoner raises his clasped hands, both fastened with chains, in a gesture of supplication. We cannot see his features since his face is hidden beneath his long, dark hair. His feet are fastened in large shackles. Both the chains and the shackles are of considerable size, underlining their importance in any interpretation of the print. In fact, just as the title of the etching shows, the painter is comparing the excessive zeal employed in preventing the prisoner from escaping to the brutality of the crime he is accused of. It is possible that the way in which the prisoner is secured in this work by Goya was habitual at the time, an idea which is supported by certain passages of Forensic Discourses (Discursos forenses), by Juan Meléndez Valdés (Ribera del Fresno, Badajoz, 1754- Montpellier, 1814), whose portrait Goya painted in 1797. This book, published in Madrid in 1821, speaks of the cumbersome chains and shackles used to hold one María Vicente, put to death on the 23rd April 1798. Goya could well have known of her story: "But it is said that Doña María Vicente must have been treated, as the noblewoman that she is, in a very different manner, and not locked in shackles; and even thus fettered it was the judge's responsibility to examine their state and quality beforehand, to order them put on correctly". The painter has made extensive use of the etching technique here, building up the background with short, horizontal lines, whilst leaving large areas on the prisoner's clothing untouched and white, underlining his innocence. This etching would have been made at the same time as two others: The custody of a prisoner does not call for torture and If he is guilty, let him die quickly. In these images, Goya openly expresses his repulsion of the way in which prisoners were treated, as well as his opposition to the death penalty, echoing the ideas of Cesare Beccaria (Milan, 1738- Milan, 1794). In the pages of the work entitled Dei deliti e delle pene, published between 1763 and 1764, the Milanese talks of the need to modify the penal system, to lessen the severity of punishments and to seek out mechanisms for preventing crime. It is possible that these etchings also contributed to the debate on the abolition of torture which was being discussed in the Courts of Cádiz. Goya reiterates this same topic in some of the prints in his Disasters of War series, such as no. 15, And it can't be helped, no. 31, That's tough!, no. 32, Why?, no. 34, On account of a knife, no. 35, One can't tell why and no. 36, Not in this case either. Despite the gritty subject matter, the figure depicted in this etching possesses great dignity, recalling some earlier precedents which Goya may have been familiar with. One of these is an anonymous print based on Interior of a Prison (16th century, Museum of Fine Arts, Boston), by Giulio Romano (Rome, 1499-Mantua, 1596). When he was making this print, Goya may also have had in mind the disturbing, gloomy ambience of the prisons of Giambattista Piranesi (Mogliano Veneto, Treviso, 1720- Roma, 1778)." (cf. https://fundaciongoyaenaragon.es/eng/obra/tan-barbara-la-seguridad-como-el-delito/712). Tomás Harris believes that the plate for this etching may be in a private collection in Paris. Literature Harris 26 III/IV; Delteil 31. Harris 26, III/IV; Delteil 31.‎

‎GOYA Y Lucientes Francisco de (Fuente de Todos 1746 - Bordeaux 1828)‎

‎Ysele quema la Casa‎

‎Opera tratta dai "Los Caprichos", per la prima volta pubblicati nel 1799. Prova della quarta edizione di dodici, stampata dalla calcografia di Madrid, circa 1870. Aquaforte, acquatinta brunita e puntasecca, in perfetto stato di conservazione. La serie chiamata Los Caprichos, è composta da ottanta incisioni, la cui prima edizione [l’unica a non essere pubblicata postuma] venne alla luce ne 1799. Curata in fase d’edizione dallo stesso artista, la serie fu commercializzata e dopo poco tempo ritirata dal mercato. Infatti, a causa dei numerosi soggetti che ironizzavano sulla società spagnola di fine secolo, il Goya subì una censura. L’interpretazione dei soggetti rappresentati su queste lastre, sempre enigmatiche, è spesso controversa. Etching with burnished aquatint and engraving, 1799. From the fourth edition of twelve of the so-called "Los Caprichos" series, edited by the Madrid Calcografia [circa 1870].A very good impression, with good contrast, printed on contemporary paper, customary margins, in very good conditions. The series called Los Caprichos, consists of eighty etchings. This first edition of 1799, the only one not to be published posthumously, is imprinted on soft laid pape. Cured in phase edition by the same artist, the series was marketed and before long withdrawn from the market. In fact, because of the many subjects that mocked the Spanish society of the century, Goya suffered censorship. The interpretation of the subjects represented on these plates, always enigmatic, is often controversial. Harris 53, Delteil 55.‎

‎GOYTISOLO, Juan‎

‎CHRONIQUE D'UNE ILE - Gallimard 1961‎

‎París, Gallimard, 1961. Traduit de l'Espagnol par Robert Marrast. Préface de M.-E. Coindreau. 220 p. 1 h. 8º. Cubiertas originales levemente rozadas. Ejemplar levemente mareado. 1ª edición francesa. Traducción de la novela "La isla".‎

‎Grace Hospital School‎

‎YEARBOOK LAVENDER AND LACE. 1968‎

‎Richmond: Grace Hospital School 1968. Hard Cover. Very Good binding. The 1968 Lavender and Lace the yearbook for the Grace Hospital School in Richmond Virginia. With no marks. Some spots of discoloration to the boards. Purple cloth printed white. Very Good. Very Good binding. Grace Hospital School unknown books‎

書籍販売業者の参照番号 : 287508

‎Grace Petman:‎

‎ONLY HELEN!‎

‎Vg (clean rust-coloured cloth with black lettering and ruled borders spine and front board, stiff pages clean bright and crisp, clean Sunday School prize plated dated 1939 front free endpaper, a very clean bright copy, all colour plates are clean and bright, binding just a touch loose at central hinge and one plate partly disbound bottom 3")12mo 186pp. Colour frontis and 4 colour plates, all in orange/grey/black in distinctive 1930s style.‎

‎Grade 2 Students Ecole Forest Hill, Saint-Lazare Quebec‎

‎What Makes Us Happy‎

‎Scholastic Inc. Used - Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Scholastic Inc unknown‎

書籍販売業者の参照番号 : 53426508-75 ISBN : 0439947448 9780439947442

‎Graduate School Announcements, 1938-1939‎

‎Boston College Bulletin Vol. 10‎

‎paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback‎

書籍販売業者の参照番号 : 1390473317.G ISBN : 1390473317 9781390473315

‎Graduate School of Literature, Meiji University‎

‎Collection of Cultural Succession Studies 1‎

‎Graduate School of Literature Meiji University 2005. Soft Cover. Fine. Page size: 196 pages Size: B5 size Graduate School of Literature, Meiji University paperback‎

書籍販売業者の参照番号 : 2080202102706969

‎Graduate School of Design, Harvard University, Cambridge; George Notter, compiler‎

‎COMPARATIVE HOUSING STUDY: Analyses of Housing Types and Comparative Designs of Dense Urban Residential Sectors. May 1958‎

‎Graduate School of Design Harvard University 1958. Plastic Comb. Used - Very Good. 163 pages. Plans sections elevations perspective drawings. 11 x 14" plastic comb stiff paper covers. 'Dober' on cover Richard P. Dober. Cover rubbed soiled creased text VG. Graduate School of Design, Harvard University unknown‎

書籍販売業者の参照番号 : 87084

‎Graduate School of Journalism, University of California, Berkeley‎

‎En Charette/On Deadline:An Architectural History of North Gate Hall University of California Berkeley.‎

‎Berkeley: Graduate School of Journalism University of California Berkeley 1993. 8vo. circa 50 pp. Soft Cover Very Good. B&W Plates. Berkeley: Graduate School of Journalism, University of California, Berkeley, 1993. paperback‎

書籍販売業者の参照番号 : 69-1967

‎Graduate School of History and Folklore, Kanagawa University‎

‎History and Folk in Dialogue Etude of History and Folklore Materials <Japanese Version>‎

‎Not Available 2005. Soft Cover. Fine. Number of books: 1 Not Available paperback‎

書籍販売業者の参照番号 : 2110502151110101

‎Graduate School Issue, 1952-1953‎

‎Illinois State Normal University Bulletin; July 1952 Vol. 50‎

‎paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback‎

書籍販売業者の参照番号 : 1334754195.G ISBN : 1334754195 9781334754197

‎Graduate School of law and Politics‎

‎Journal of national The journal of the Association of Political and Social Sciences 　 Volume two: Volume 32 Jewish People Japanese Book‎

‎National Society 1918. Soft Cover. Fine. KOS01400052 National Society paperback‎

書籍販売業者の参照番号 : KOS01400052

‎Graduate School of Japanese Language / Edited by Kyushu Eigakukan‎

‎Kyushu Eigakukan Graduate School of Japanese Language Modern Japanese Language‎

‎Not Available N.A. Soft Cover. Fine. The book is in fine condition. Not Available paperback‎

書籍販売業者の参照番号 : 2090502113702108

‎Graduate School of Literature, Nishogakusha University‎

‎Nimatsu Vol.6 Bulletin of the University <Japanese Version>‎

‎Nishogakusha University 1992. Soft Cover. Fine. Volume: 1 Nishogakusha University paperback‎

書籍販売業者の参照番号 : 2110502150902977

‎Graduate School‎

‎Plaire et instruire: Essays in Sixteenth and Seventeenth-Century French Literature in Honor of George B. Daniel Jr‎

‎Peter Lang Gmbh Internationaler Verlag Der Wissenschaften 1994-02-01. New. hardcover. Used: Good. 6.50x0.75x9.50. Buy with confidence. Excellent Customer Service & Return policy. Peter Lang Gmbh, Internationaler Verlag Der Wissenschaften hardcover‎

書籍販売業者の参照番号 : SONG0820419982 ISBN : 0820419982 9780820419985

‎Graduate School of Medicine, Nagoya University‎

‎Professor Kazunori Watanabe Retirement Commemorative Research Achievements <Japanese Version>‎

‎Not Available 2003. Soft Cover. Fine. Number of pages: 139 Not Available paperback‎

書籍販売業者の参照番号 : 2111902160101753

‎Graduate School of Journalism‎

‎THE RECORD: '46 POSTWAR BABY‎

‎New York City . no date stated but 1945 from the text "Our classes oened only a few days after the end of WWII." "This is the story of our year at Columbia." Hardcover 4to. Pale blue-grey cloth. Fully bw photo illustrated; text describes a typical week - day by day. Lengthy descriptions and humorous details about each professor and all 61 students. Each teacher and each student is shown with a very professionally-drawn caricature portrait by unnamed artist. Throughout the book are very neatly rendered corrections to the text for the printer - all done in the same black ink by the same person. Good spine ends and cover tips worn; cover cloth faded. Text lightly evenly toned; binding quite secure; hinges not cracked. Rare. . hardcover‎

書籍販売業者の参照番号 : a110226

‎Graduate School Announcement, 1947-1948‎

‎University of Illinois Departments of Urbana‎

‎paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback‎

書籍販売業者の参照番号 : 1528535057.G ISBN : 1528535057 9781528535052

‎Graebner, Theodore‎

‎Concordia Seminary; its history, architecture, and symbolism.‎

‎Saint Louis, Concordia Pub. House 1926. 128 pages illustrations, portraits 20 cm Softcover/Paperback, book in good condition, Exemplar in gutem Erhaltungszustand‎

‎School of the Lutheran Church, Amerika / USA +++ Das Concordia Seminar befindet sich in Clayton, Missouri, einem westlich liegenden Vorort von St. Louis, Missouri. Die primäre Aufgabe der Institution ist die Ausbildung von Pastoren, Diakonissen, Missionaren, Kaplänen und die Ausbildung von Kräften für die Kirchenleitung der Lutherischen Kirche ? Missouri-Synode. USA +++++ 30 Jahre Antiquariat Christmann in Wiesbaden +++++ Wir liefern außer nach Deutschland, nur noch nach Schweiz / Holland / Belgien / Italien / GB / USA / +++ We now only deliver to Switzerland / Holland and Belgium / Italy / GB / USA +++ Keine Lieferung nach Österreich ++++‎

書籍販売業者の参照番号 : 49805

‎Grafton Grace editor Students Grades 1 3 Lakeshore School contributors‎

‎You see me as a wolf; poems by students Grades 1-3 Lakeshore School 1998-99 San Francisco California‎

‎San Francisco: California Poets in the Schools 1999. Spiral_bound. 118p. 8.5x11 inches lots of kid-sketched illustrations spiral-bound covers. California Poets in the Schools unknown books‎

書籍販売業者の参照番号 : 152144

‎Grafton High School‎

‎The Spotlight 1940 Classic Reprint‎

‎paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback‎

書籍販売業者の参照番号 : 0266034659.G ISBN : 0266034659 9780266034650

‎Grain? Sai Tomokushi School Note‎

‎Honcho weighing and weighing in 2 volumes‎

‎Heibonsha 1991. Soft Cover. Fine. The book is in fine condition. Heibonsha paperback‎

書籍販売業者の参照番号 : 2090502130501399

‎Grainger High School‎

‎Kay-Aitch-Ess 1938 Vol. 14 Classic Reprint‎

‎hardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover‎

書籍販売業者の参照番号 : 0267081308.G ISBN : 0267081308 9780267081301

‎Grainger High School‎

‎Kay-Aitch-Ess 1939 Vol. 15 Classic Reprint‎

‎paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback‎

書籍販売業者の参照番号 : 0483371017.G ISBN : 0483371017 9780483371019