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Bannet, Ivor & Webb, Clifford (Engravings)
The Amazons : Deluxe Edition With The Publisher's Prospectus
<p>The First UK printing published by The Golden Cockerel Press London in 1948. Number '36' of only 80 specially bound copies signed by both the author and artist to the limitation page. The BOOK is in Very Good or better condition. Full brown morocco binding by Sangorski & Sutcliffe with five raised bands gilt spine titling and large gilt designs by the artist on the upper and lower covers. Gilt ruled turn-ins. top edge gilt and others uncut. 3 maps by Mina Greenhill and 10 wood engravings by Clifford Webb 8 full page. Some discolouration and light marking to the outer fore edge of the front board and some light fading to the outer fore edge of the rear cover with a neat previous owner's bookplate to the front pastedown. The book is protected in loose Mylar archival cover. Loosely inserted is the 4 page publisher's prospectus. A very handsome production - 'Clifford Webb's wood engravings seemed to me the finest yet produced by this master of black and white.' COCKALORUM 181. More images available on request. Ashton Rare Books welcomes direct contact.</p> The Golden Cockerel Press hardcover
書籍販売業者の参照番号
: 11111112222233547
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BAR, Jacques Charles.
Colección de los trajes de todas las órdenes religiosas y militares de todo el mundo, traducción del francés.
(Madrid, Sancha, 1788 y años siguientes), 40,5 x 25,5 cm., cartoné moderno, 130 hojas + 192 láminas iluminadas a mano representando la historia y hábitos de 96 órdenes. (Una de las obras más espléndidas y raras salidas de la imprenta de Sancha. La edición original francesa fue emprendida por Bar en 1778. Sancha empezó a publicar la versión española en 1788 en cuadernos de 6 láminas y quedó sin terminar. Según Cotarelo, a la muerte de Sancha llevaba entregados al público unos 20 cuadernos y posteriormente su hijo tiró algunos más. Ningún bibliógrafo sabe cuantas láminas llegaron a imprimirse. Así, por ejemplo, en El Grabado en España se afirma ?Parece que se publicaron únicamente 188 estampas?. El Catálogo Colectivo solo registra 4 ejemplares pero existe uno más en la Academia de la Historia que utilizó Rodríguez Moñino para su bibliografía de Sancha. Todos estos ejemplares tienen diferente número de láminas. El que mas tiene es el de la Biblioteca Episcopal del Seminario de Barcelona con 203 láminas, el de la Academia de la Historia 188, el de la Biblioteca Lázaro Galdiano 186 y el de la Biblioteca de Navarra sólo 94. Según el WorldCat, esta obra no tiene portada y contiene 97 órdenes y 192 láminas).
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Barbeau, Marius
Medicine Men on the North Pacific Coast : National Museum of Canada Bulletin No. 152 Anthropological Series No. 42
A clean, unmarked book with a tight binding. 6 1/2"w x 9 3/4"h. 96 pages. Age-toned paper. Many b&w illustrations and photographs. Beautiful color map endpapers. "In this volume, native medicine itself is considered from the standpoint of plastic arts, mostly in Haida carvings of argillite and soft wood."
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Barbeau, Marius
Tsimsyan Myths Illustrated
A clean, unmarked book with a tight binding. 6 1/2"w x 9 3/4"h. 96 pages. Age-toned paper. Many b&w illustrations and photographs. Beautiful color map endpapers. National Museum of Canada Bulletin no. 174.
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Barbin, Madeleine & Bouret, Claude
Inventaire du fonds français . Tome 15 . Graveurs du XIXe siècle . Mabille - Marville.
This is a very good hardcover copy, without dust jacket, as issued, with just light cover wear. Completely clean. This copy was released long ago from a major museum non-lending library and bears two marks: a small museum boopkplate and withdrawn stamp on it, to the inside front cover, and a small number on the base of the spine. This is Volume 15: Mabille-Marville, only of this monumental multi volume survey. Illustrated in black & white. 11" high X 8" wide, 367 pages. This book will be securely wrapped and packed in a sturdy box and shipped with tracking. Ex-Library
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BARBUSSE (Henri)
Le Feu. Journal d'une escouade. Gravures sur verre de André Collot
Angoulême Jean Emery, Editions d'art, Collection "L'Heptameron" 1949
書籍販売業者の参照番号
: 001610
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Barclay, John; Turner, Paul (translation); Harris, Derrick (wood engravings)
Euphormio's Satyricon Euphormionis Satyricon
Great Britain: The Golden Cockerel Press 1954. Book. Very Good. Hardcover. 158 pages 4to. No DJ. Missing prospectus. Shelfwear: scuffing along edges and covers many smudges and some staining on cover boards light tanning and foxing. Tight binding. Volume is in Very Good condition. The Golden Cockerel Press Hardcover
書籍販売業者の参照番号
: 064381
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Barnard, John (ed) [Simon Brett (engravings)]
John Keats: The Complete Poems
London: Folio Society 2001. 1st edition. As New. tall octavo. 1/4 leather xix 472pp. illusts. notes index Bound with an emerald green leather spine over decorated green boards. In nice slip-case as issued Folio Society hardcover
書籍販売業者の参照番号
: 152920
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Barnard, John (ed) [Simon Brett (engravings)]
John Keats: The Complete Poems
London: Folio Society 2001. 1st edition. As New. tall octavo. hardback in original cloth xix 472pp. engravings Leather spine over decorated boards. In sturdy card slip-case as issued Folio Society hardcover
書籍販売業者の参照番号
: 154417
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Barnes, Jeremy
The Pictorial History of the American Civil War
208 pages including index. From the first firing of guns at Fort Sumter to the ultimate surrender of the South, richly illustrated with many contemporary engravings and rare photographs as well as many colour illustrations and maps. A must for every Civil War Buff. Clean and unmarked. Very light wear. Gorgeous copy of this handsome work. Book
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Barth, Josef
Muskellehre nach den zwey Hauptverhältnissen, ihrer Lage und Verbindung untereinander, wie auch nach ihren allgemeinen und besonderen Verrichtungen. 2. Aufl. Mit 53 nach der Natur auf das genaueste entworfenen Kupfertafeln.
Wien, Michael Lechner, 1819. XX, [96] Text-S. u. [45] Taf. Mit insgesamt 61 Radierungen, davon 45 auf Taf. u. 16 im Text. Folio. 35,5 cm. Pp. d. Zt. m. RSch.
書籍販売業者の参照番号
: 97430
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Bartlett, William Henry. Engraved by E. Smith.
[Syria, Holy Land, Asia Minor] Bazzar at Jaffa, the Ancient Joppa (caption title). [ORIGINAL STEEL ENGRAVED PRINT].
Original single-sheet steel engraving of a very fine quality. Overall size ca. 215 x 270 mm. Image size ca. 130 x 190 mm. A two-line caption engraved at bottom in elegant handtooled open-face and italic types. Engraved Artist's and Engraver's signatures underneath image. Engraved Publisher's line below. The print is in its original state, trimmed and gilded on three sides. It is printed with warmer ink, somewhat more dramatic in mood, with fine, crisp detail, subtlety and elegance. In overall fine condition. Preserved in pH-balanced, acid-free Renaissance archival paper. ~ A delicately executed steel engraving, representing a major illustrative work on 19th century Palestine, Syria, and Asia Minor. William Henry Bartlett (born London, 1809) was one of the foremost illustrators of topography of his generation. He travelled extensively throughout Britain, the Americas, and the Middle East, producing his work on location. In 1854 he made his last trip to the Holy Land; he died of fever on board a French ship on his return voyage to England. Bartlett's primary concern was to extract the picturesque aspects of a place and render "lively impressions of actual sights", as he wrote in the preface to "The Nile Boat" (London, 1849). His work became widely known through the numerous engravings after the original drawings and paintings he made. The interest in these engravings today is as much for the exquisite quality of the rendering and presentation of the architecture of the period, as it is for the representation of the landscape. Published in 1836 by Peter Jackson, Late Fisher, Son & Co. of London, it was originally accompanied by descriptions written by John Carne.
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Bartlett, William Henry. Engraved by J. C. Bentley.
[Syria, Holy Land, Asia Minor] Approach to Antioch, the Ancient Anathoth, from Aleppo (caption title). [ORIGINAL STEEL ENGRAVED PRINT].
Original single-sheet steel engraving of a very fine quality. Overall size ca. 215 x 270 mm. Image size ca. 130 x 190 mm. A two-line caption engraved at bottom in elegant handtooled open-face and italic types. Engraved Artist's and Engraver's signatures underneath image. Engraved Publisher's line below. The print is in its original state, trimmed and gilded on three sides. It is printed with warmer ink, somewhat more dramatic in mood, with fine, crisp detail, subtlety and elegance. In overall fine condition. (Some marginal spotting.) Preserved in pH-balanced, acid-free Renaissance archival paper. ~ A delicately executed steel engraving, representing a major illustrative work on 19th century Palestine, Syria, and Asia Minor. William Henry Bartlett (born London, 1809) was one of the foremost illustrators of topography of his generation. He travelled extensively throughout Britain, the Americas, and the Middle East, producing his work on location. In 1854 he made his last trip to the Holy Land; he died of fever on board a French ship on his return voyage to England. Bartlett's primary concern was to extract the picturesque aspects of a place and render "lively impressions of actual sights", as he wrote in the preface to "The Nile Boat" (London, 1849). His work became widely known through the numerous engravings after the original drawings and paintings he made. The interest in these engravings today is as much for the exquisite quality of the rendering and presentation of the architecture of the period, as it is for the representation of the landscape. Published in 1836 by Peter Jackson, Late Fisher, Son & Co. of London, it was originally accompanied by descriptions written by John Carne.
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Bartlett, William Henry. Engraved by J. H. Kernot.
[Syria, Holy Land, Asia Minor] Ruins of Soli, or Pompeiopolis - Asia Minor (caption title). [ORIGINAL STEEL ENGRAVED PRINT].
Original single-sheet steel engraving of a very fine quality. Overall size ca. 215 x 270 mm. Image size ca. 130 x 190 mm. A two-line caption engraved at bottom in elegant handtooled open-face and italic types. Engraved Artist's and Engraver's signatures underneath image. Engraved Publisher's line below. The print is in its original state, trimmed and gilded on three sides. It is printed with warmer ink, somewhat more dramatic in mood, with fine, crisp detail, subtlety and elegance. In overall fine condition. (Some spotting.) Preserved in pH-balanced, acid-free Renaissance archival paper. ~ A delicately executed steel engraving, representing a major illustrative work on 19th century Palestine, Syria, and Asia Minor. William Henry Bartlett (born London, 1809) was one of the foremost illustrators of topography of his generation. He travelled extensively throughout Britain, the Americas, and the Middle East, producing his work on location. In 1854 he made his last trip to the Holy Land; he died of fever on board a French ship on his return voyage to England. Bartlett's primary concern was to extract the picturesque aspects of a place and render "lively impressions of actual sights", as he wrote in the preface to "The Nile Boat" (London, 1849). His work became widely known through the numerous engravings after the original drawings and paintings he made. The interest in these engravings today is as much for the exquisite quality of the rendering and presentation of the architecture of the period, as it is for the representation of the landscape. Published in 1836 by Peter Jackson, Late Fisher, Son & Co. of London, it was originally accompanied by descriptions written by John Carne.
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Bartlett, William Henry. Engraved by J. P. Heath.
[Syria, Holy Land, Asia Minor] Castle Near Pambouk (caption title). [ORIGINAL STEEL ENGRAVED PRINT].
Original single-sheet steel engraving of a very fine quality. Overall size ca. 215 x 270 mm. Image size ca. 130 x 190 mm. A two-line caption engraved at bottom in elegant handtooled open-face and italic types. Engraved Artist's and Engraver's signatures underneath image. Engraved Publisher's line below. The print is in its original state, trimmed and gilded on three sides. It is printed with warmer ink, somewhat more dramatic in mood, with fine, crisp detail, subtlety and elegance. In overall fine condition. (Few marginal spots, not affecting image.) Preserved in pH-balanced, acid-free Renaissance archival paper. ~ A delicately executed steel engraving, representing a major illustrative work on 19th century Palestine, Syria, and Asia Minor. William Henry Bartlett (born London, 1809) was one of the foremost illustrators of topography of his generation. He travelled extensively throughout Britain, the Americas, and the Middle East, producing his work on location. In 1854 he made his last trip to the Holy Land; he died of fever on board a French ship on his return voyage to England. Bartlett's primary concern was to extract the picturesque aspects of a place and render "lively impressions of actual sights", as he wrote in the preface to "The Nile Boat" (London, 1849). His work became widely known through the numerous engravings after the original drawings and paintings he made. The interest in these engravings today is as much for the exquisite quality of the rendering and presentation of the architecture of the period, as it is for the representation of the landscape. Published in 1836 by Peter Jackson, Late Fisher, Son & Co. of London, it was originally accompanied by descriptions written by John Carne.
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Bartlett, William Henry. Engraved by J. Redaway.
[Syria, Holy Land, Asia Minor] Turkish Burying Ground at Sidon (caption title). [ORIGINAL STEEL ENGRAVED PRINT].
Original single-sheet steel engraving of a very fine quality. Overall size ca. 215 x 270 mm. Image size ca. 130 x 190 mm. A two-line caption engraved at bottom in elegant handtooled open-face and italic types. Engraved Artist's and Engraver's signatures underneath image. Engraved Publisher's line below. The print is in its original state, trimmed and gilded on three sides. It is printed with warmer ink, somewhat more dramatic in mood, with fine, crisp detail, subtlety and elegance. In overall fine condition. Preserved in pH-balanced, acid-free Renaissance archival paper. ~ A delicately executed steel engraving, representing a major illustrative work on 19th century Palestine, Syria, and Asia Minor. William Henry Bartlett (born London, 1809) was one of the foremost illustrators of topography of his generation. He travelled extensively throughout Britain, the Americas, and the Middle East, producing his work on location. In 1854 he made his last trip to the Holy Land; he died of fever on board a French ship on his return voyage to England. Bartlett's primary concern was to extract the picturesque aspects of a place and render "lively impressions of actual sights", as he wrote in the preface to "The Nile Boat" (London, 1849). His work became widely known through the numerous engravings after the original drawings and paintings he made. The interest in these engravings today is as much for the exquisite quality of the rendering and presentation of the architecture of the period, as it is for the representation of the landscape. Published in 1836 by Peter Jackson, Late Fisher, Son & Co. of London, it was originally accompanied by descriptions written by John Carne.
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Bartlett, William Henry. Engraved by J. Redaway.
[Syria, Holy Land, Asia Minor] Village of Brumhanna, in Mount Lebanon (caption title). [ORIGINAL STEEL ENGRAVED PRINT].
Original single-sheet steel engraving of a very fine quality. Overall size ca. 215 x 270 mm. Image size ca. 130 x 190 mm. A two-line caption engraved at bottom in elegant handtooled open-face and italic types. Engraved Artist's and Engraver's signatures underneath image. Engraved Publisher's line below. The print is in its original state, trimmed and gilded on three sides. It is printed with warmer ink, somewhat more dramatic in mood, with fine, crisp detail, subtlety and elegance. In overall fine condition. (Light spot or two.) Preserved in pH-balanced, acid-free Renaissance archival paper. ~ A delicately executed steel engraving, representing a major illustrative work on 19th century Palestine, Syria, and Asia Minor. William Henry Bartlett (born London, 1809) was one of the foremost illustrators of topography of his generation. He travelled extensively throughout Britain, the Americas, and the Middle East, producing his work on location. In 1854 he made his last trip to the Holy Land; he died of fever on board a French ship on his return voyage to England. Bartlett's primary concern was to extract the picturesque aspects of a place and render "lively impressions of actual sights", as he wrote in the preface to "The Nile Boat" (London, 1849). His work became widely known through the numerous engravings after the original drawings and paintings he made. The interest in these engravings today is as much for the exquisite quality of the rendering and presentation of the architecture of the period, as it is for the representation of the landscape. Published in 1836 by Peter Jackson, Late Fisher, Son & Co. of London, it was originally accompanied by descriptions written by John Carne.
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Bartlett, William Henry. Engraved by J. Tingle.
[Syria, Holy Land, Asia Minor] Zarephath or Zarapha, the Ancient Sarepta (caption title). [ORIGINAL STEEL ENGRAVED PRINT].
Original single-sheet steel engraving of a very fine quality. Overall size ca. 215 x 270 mm. Image size ca. 130 x 190 mm. A three-line caption engraved at bottom in elegant handtooled open-face and italic types. Engraved Artist's and Engraver's signatures underneath image. Engraved Publisher's line below. The print is in its original state, trimmed and gilded on three sides. It is printed with warmer ink, somewhat more dramatic in mood, with fine, crisp detail, subtlety and elegance. In overall fine condition. Preserved in pH-balanced, acid-free Renaissance archival paper. ~ A delicately executed steel engraving, representing a major illustrative work on 19th century Palestine, Syria, and Asia Minor. William Henry Bartlett (born London, 1809) was one of the foremost illustrators of topography of his generation. He travelled extensively throughout Britain, the Americas, and the Middle East, producing his work on location. In 1854 he made his last trip to the Holy Land; he died of fever on board a French ship on his return voyage to England. Bartlett's primary concern was to extract the picturesque aspects of a place and render "lively impressions of actual sights", as he wrote in the preface to "The Nile Boat" (London, 1849). His work became widely known through the numerous engravings after the original drawings and paintings he made. The interest in these engravings today is as much for the exquisite quality of the rendering and presentation of the architecture of the period, as it is for the representation of the landscape. Published in 1836 by Peter Jackson, Late Fisher, Son & Co. of London, it was originally accompanied by descriptions written by John Carne.
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Bartlett, William Henry. Engraved by J. W. Lowry.
[Syria, Holy Land, Asia Minor] Ferry Over the Orontes (caption title). [ORIGINAL STEEL ENGRAVED PRINT].
Original single-sheet steel engraving of a very fine quality. Overall size ca. 215 x 270 mm. Image size ca. 130 x 190 mm. A three-line caption engraved at bottom in elegant handtooled open-face and italic types. Engraved Artist's and Engraver's signatures underneath image. Engraved Publisher's line below. The print is in its original state, trimmed and gilded on three sides. It is printed with warmer ink, somewhat more dramatic in mood, with fine, crisp detail, subtlety and elegance. In overall fine condition. Preserved in pH-balanced, acid-free Renaissance archival paper. ~ A delicately executed steel engraving, representing a major illustrative work on 19th century Palestine, Syria, and Asia Minor. William Henry Bartlett (born London, 1809) was one of the foremost illustrators of topography of his generation. He travelled extensively throughout Britain, the Americas, and the Middle East, producing his work on location. In 1854 he made his last trip to the Holy Land; he died of fever on board a French ship on his return voyage to England. Bartlett's primary concern was to extract the picturesque aspects of a place and render "lively impressions of actual sights", as he wrote in the preface to "The Nile Boat" (London, 1849). His work became widely known through the numerous engravings after the original drawings and paintings he made. The interest in these engravings today is as much for the exquisite quality of the rendering and presentation of the architecture of the period, as it is for the representation of the landscape. Published in 1836 by Peter Jackson, Late Fisher, Son & Co. of London, it was originally accompanied by descriptions written by John Carne.
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Bartlett, William Henry. Engraved by R. Dawson.
[Syria, Holy Land, Asia Minor] Djebel Sheich and Mount Hermon (caption title). [ORIGINAL STEEL ENGRAVED PRINT].
Original single-sheet steel engraving of a very fine quality. Overall size ca. 215 x 270 mm. Image size ca. 130 x 190 mm. A three-line caption engraved at bottom in elegant handtooled open-face and italic types. Engraved Artist's and Engraver's signatures underneath image. Engraved Publisher's line below. The print is in its original state, trimmed and gilded on three sides. It is printed with warmer ink, somewhat more dramatic in mood, with fine, crisp detail, subtlety and elegance. In overall fine condition. (A spot.) Preserved in pH-balanced, acid-free Renaissance archival paper. ~ A delicately executed steel engraving, representing a major illustrative work on 19th century Palestine, Syria, and Asia Minor. William Henry Bartlett (born London, 1809) was one of the foremost illustrators of topography of his generation. He travelled extensively throughout Britain, the Americas, and the Middle East, producing his work on location. In 1854 he made his last trip to the Holy Land; he died of fever on board a French ship on his return voyage to England. Bartlett's primary concern was to extract the picturesque aspects of a place and render "lively impressions of actual sights", as he wrote in the preface to "The Nile Boat" (London, 1849). His work became widely known through the numerous engravings after the original drawings and paintings he made. The interest in these engravings today is as much for the exquisite quality of the rendering and presentation of the architecture of the period, as it is for the representation of the landscape. Published in 1836 by Peter Jackson, Late Fisher, Son & Co. of London, it was originally accompanied by descriptions written by John Carne.
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Bartlett, William Henry. Engraved by S. Bradshaw.
[Syria, Holy Land, Asia Minor] Convent of Mount Carmel (caption title). [ORIGINAL STEEL ENGRAVED PRINT].
Original single-sheet steel engraving of a very fine quality. Overall size ca. 215 x 270 mm. Image size ca. 130 x 190 mm. A two-line caption engraved at bottom in elegant handtooled open-face and italic types. Engraved Artist's and Engraver's signatures underneath image. Engraved Publisher's line below. The print is in its original state, trimmed and gilded on three sides. It is printed with warmer ink, somewhat more dramatic in mood, with fine, crisp detail, subtlety and elegance. In overall fine condition. Preserved in pH-balanced, acid-free Renaissance archival paper. ~ A delicately executed steel engraving, representing a major illustrative work on 19th century Palestine, Syria, and Asia Minor. William Henry Bartlett (born London, 1809) was one of the foremost illustrators of topography of his generation. He travelled extensively throughout Britain, the Americas, and the Middle East, producing his work on location. In 1854 he made his last trip to the Holy Land; he died of fever on board a French ship on his return voyage to England. Bartlett's primary concern was to extract the picturesque aspects of a place and render "lively impressions of actual sights", as he wrote in the preface to "The Nile Boat" (London, 1849). His work became widely known through the numerous engravings after the original drawings and paintings he made. The interest in these engravings today is as much for the exquisite quality of the rendering and presentation of the architecture of the period, as it is for the representation of the landscape. Published in 1836 by Peter Jackson, Late Fisher, Son & Co. of London, it was originally accompanied by descriptions written by John Carne.
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Bartlett, William Henry. Engraved by S. Bradshaw.
[Syria, Holy Land, Asia Minor] Encampment at Ras-El-Ain, Near Balbec (caption title). [ORIGINAL STEEL ENGRAVED PRINT].
Original single-sheet steel engraving of a very fine quality. Overall size ca. 215 x 270 mm. Image size ca. 130 x 190 mm. A two-line caption engraved at bottom in elegant handtooled open-face and italic types. Engraved Artist's and Engraver's signatures underneath image. Engraved Publisher's line below. The print is in its original state, trimmed and gilded on three sides. It is printed with warmer ink, somewhat more dramatic in mood, with fine, crisp detail, subtlety and elegance. In overall fine condition. (Few marginal spots.) Preserved in pH-balanced, acid-free Renaissance archival paper. ~ A delicately executed steel engraving, representing a major illustrative work on 19th century Palestine, Syria, and Asia Minor. William Henry Bartlett (born London, 1809) was one of the foremost illustrators of topography of his generation. He travelled extensively throughout Britain, the Americas, and the Middle East, producing his work on location. In 1854 he made his last trip to the Holy Land; he died of fever on board a French ship on his return voyage to England. Bartlett's primary concern was to extract the picturesque aspects of a place and render "lively impressions of actual sights", as he wrote in the preface to "The Nile Boat" (London, 1849). His work became widely known through the numerous engravings after the original drawings and paintings he made. The interest in these engravings today is as much for the exquisite quality of the rendering and presentation of the architecture of the period, as it is for the representation of the landscape. Published in 1836 by Peter Jackson, Late Fisher, Son & Co. of London, it was originally accompanied by descriptions written by John Carne.
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Bartlett, William Henry. Engraved by T. Turnbull.
[Syria, Holy Land, Asia Minor] Seleucia (caption title). [ORIGINAL STEEL ENGRAVED PRINT].
Original single-sheet steel engraving of a very fine quality. Overall size ca. 215 x 270 mm. Image size ca. 130 x 190 mm. A two-line caption engraved at bottom in elegant handtooled open-face and italic types. Engraved Artist's and Engraver's signatures underneath image. Engraved Publisher's line below. The print is in its original state, trimmed and gilded on three sides. It is printed with warmer ink, somewhat more dramatic in mood, with fine, crisp detail, subtlety and elegance. In overall fine condition. Preserved in pH-balanced, acid-free Renaissance archival paper. ~ A delicately executed steel engraving, representing a major illustrative work on 19th century Palestine, Syria, and Asia Minor. William Henry Bartlett (born London, 1809) was one of the foremost illustrators of topography of his generation. He travelled extensively throughout Britain, the Americas, and the Middle East, producing his work on location. In 1854 he made his last trip to the Holy Land; he died of fever on board a French ship on his return voyage to England. Bartlett's primary concern was to extract the picturesque aspects of a place and render "lively impressions of actual sights", as he wrote in the preface to "The Nile Boat" (London, 1849). His work became widely known through the numerous engravings after the original drawings and paintings he made. The interest in these engravings today is as much for the exquisite quality of the rendering and presentation of the architecture of the period, as it is for the representation of the landscape. Published in 1836 by Peter Jackson, Late Fisher, Son & Co. of London, it was originally accompanied by descriptions written by John Carne.
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Bartlett, William Henry. Engraved by W. F. Starling.
[Syria, Holy Land, Asia Minor] Castle Near Tripoli, On the River Kadesha (caption title). [ORIGINAL STEEL ENGRAVED PRINT].
Original single-sheet steel engraving of a very fine quality. Overall size ca. 215 x 270 mm. Image size ca. 130 x 190 mm. A two-line caption engraved at bottom in elegant handtooled open-face and italic types. Engraved Artist's and Engraver's signatures underneath image. Engraved Publisher's line below. The print is in its original state, trimmed and gilded on three sides. It is printed with warmer ink, somewhat more dramatic in mood, with fine, crisp detail, subtlety and elegance. In overall fine condition. Preserved in pH-balanced, acid-free Renaissance archival paper. ~ A delicately executed steel engraving, representing a major illustrative work on 19th century Palestine, Syria, and Asia Minor. William Henry Bartlett (born London, 1809) was one of the foremost illustrators of topography of his generation. He travelled extensively throughout Britain, the Americas, and the Middle East, producing his work on location. In 1854 he made his last trip to the Holy Land; he died of fever on board a French ship on his return voyage to England. Bartlett's primary concern was to extract the picturesque aspects of a place and render "lively impressions of actual sights", as he wrote in the preface to "The Nile Boat" (London, 1849). His work became widely known through the numerous engravings after the original drawings and paintings he made. The interest in these engravings today is as much for the exquisite quality of the rendering and presentation of the architecture of the period, as it is for the representation of the landscape. Published in 1836 by Peter Jackson, Late Fisher, Son & Co. of London, it was originally accompanied by descriptions written by John Carne.
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Bartlett, William Henry. Engraved by W. Hill.
[Syria, Holy Land, Asia Minor] Halt of a Caravan in the Desert of Girgola, Near Mt. Amanus (caption title). [ORIGINAL STEEL ENGRAVED PRINT].
Original single-sheet steel engraving of a very fine quality. Overall size ca. 215 x 270 mm. Image size ca. 130 x 190 mm. A two-line caption engraved at bottom in elegant handtooled open-face and italic types. Engraved Artist's and Engraver's signatures underneath image. Engraved Publisher's line below. The print is in its original state, trimmed and gilded on three sides. It is printed with warmer ink, somewhat more dramatic in mood, with fine, crisp detail, subtlety and elegance. In overall fine condition. (A light spot.) Preserved in pH-balanced, acid-free Renaissance archival paper. ~ A delicately executed steel engraving, representing a major illustrative work on 19th century Palestine, Syria, and Asia Minor. William Henry Bartlett (born London, 1809) was one of the foremost illustrators of topography of his generation. He travelled extensively throughout Britain, the Americas, and the Middle East, producing his work on location. In 1854 he made his last trip to the Holy Land; he died of fever on board a French ship on his return voyage to England. Bartlett's primary concern was to extract the picturesque aspects of a place and render "lively impressions of actual sights", as he wrote in the preface to "The Nile Boat" (London, 1849). His work became widely known through the numerous engravings after the original drawings and paintings he made. The interest in these engravings today is as much for the exquisite quality of the rendering and presentation of the architecture of the period, as it is for the representation of the landscape. Published in 1836 by Peter Jackson, Late Fisher, Son & Co. of London, it was originally accompanied by descriptions written by John Carne.
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Bartlett, William Henry. Engraved by W. J. Cooke.
[Syria, Holy Land, Asia Minor] The Ladder of Tyrus - A Pass "On the Sea Coast. Near Tyre" (caption title). [ORIGINAL STEEL ENGRAVED PRINT].
Original single-sheet steel engraving of a very fine quality. Overall size ca. 215 x 270 mm. Image size ca. 130 x 190 mm. A two-line caption engraved at bottom in elegant handtooled open-face and italic types. Engraved Artist's and Engraver's signatures underneath image. Engraved Publisher's line below. The print is in its original state, trimmed and gilded on three sides. It is printed with warmer ink, somewhat more dramatic in mood, with fine, crisp detail, subtlety and elegance. In overall fine condition. (Few marginal spots.) Preserved in pH-balanced, acid-free Renaissance archival paper. ~ A delicately executed steel engraving, representing a major illustrative work on 19th century Palestine, Syria, and Asia Minor. William Henry Bartlett (born London, 1809) was one of the foremost illustrators of topography of his generation. He travelled extensively throughout Britain, the Americas, and the Middle East, producing his work on location. In 1854 he made his last trip to the Holy Land; he died of fever on board a French ship on his return voyage to England. Bartlett's primary concern was to extract the picturesque aspects of a place and render "lively impressions of actual sights", as he wrote in the preface to "The Nile Boat" (London, 1849). His work became widely known through the numerous engravings after the original drawings and paintings he made. The interest in these engravings today is as much for the exquisite quality of the rendering and presentation of the architecture of the period, as it is for the representation of the landscape. Published in 1836 by Peter Jackson, Late Fisher, Son & Co. of London, it was originally accompanied by descriptions written by John Carne.
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Bartolomeo Pinelli
Nuova raccolta di Cinquanta costumi pittoreschi incisi all’acqua forte ... dedicati a sua eccellenza il cavaliere Hitroff
In-4° oblungo; frontespizio inciso e 50 tavole incise all’acquaforte da Pinelli (1781-1835), raffiguranti scene di costume ambientate nella campagna romana; i personaggi sono dediti a giochi, lavori, attività varie della vita quotidiana, anche a Roma e nel regno di Napoli; le ambientazioni sono in Ciociaria, Cerbara, Tivoli, Albano, Fracati, Pietra Terrazzana, Roma. L’indicazione di responsabilità presente su quasi tutti i rami è “Pinelli Fece 1815 Roma”. Buona copia.
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Bartolomeo Pinelli - Giuseppe Berneri
Il Meo Patacca o vero Roma in feste nei trionfi di Vienna poema giocoso nel linguaggio romanesco Edizione seconda arricchita di num. 52 tavole
In4° grande oblungo, legatura solida in mezza pelle rossa con angoli, fregi dorati al dorso, tasselo con titolo in oro al piatto superiore. Seconda edizione la prima completa con tutte le tavole. PP. (6), 170, più 52 tavole. Buon esemplare. I dodici canti del poema eroicomico, in dialetto romanesco, che diede la notorietà a Giuseppe Berneri (1637-1701) pubblicato insieme alle famose incisioni all’acquaforte di Pinelli (1781-1835) che ritraggono vivide scene popolari, con personaggi e costumi contemporanei, iconografia della Roma ottocentesca.
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Bartolomeo Vitturi - Bartolozzi
La serenata di Ciapino e il lamento della ghita. Stanze rusticali
In-4°; pp. (32), con 2 tavole f.t. incise da Francesco Bartolozzi (1727-1815), una vignetta incisa su rame al frontespizio, una testatina e 3 grandi finalini, di cui due da invenzioni di Piazzetta, incise da Fiorenza Marcello e Felicita Sartori. Sonetto introduttivo di Gasparo Gozzi, al termine una poesia di Giovanni MArsili. Legatura in cartonato colorato. Gamba p. 613.
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Bartsch, Friedrich Ritter von
Die Kupferstichsammlung der K. K. Hofbibliothek in Wien. In einer Auswahl ihrer merkwürdigsten Blätter.
Wien, Braumüller 1854. XIII, 312 S. HLdrBd. d. Zt. mit Rückengoldpräg.
書籍販売業者の参照番号
: EEzz2582
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based Noah Webster, illustrated with 670 engravings, blank endpapers former owner name, preface Charles Walter Brown
Donohues Websters Handy American Dictionary of English Language comprehensive Lexicon containing over 32000 words & phrases Correctly defined to which is added a list of foreign words phrases & quotations from ancient & modern languages Re
M. A. Donohue Chicago. HB NODJ No Date Early Vintage 1st edition Thus Purple with Black decorated cloth Cover minor rub & Wear & tiny Chips Extremities NF/VG NODJ back cover couple stains . First Thus. Hard Cover. M. A. Donohue Chicago hardcover
書籍販売業者の参照番号
: 9248
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BATES H. E.
Through the Woods.. The English Woodland - April to April. With Engravings by Agnes Miller Parker. [Second Edition] NEAR FINE COPY IN UNCLIPPED DUSTWRAPPER
8vo., Second Edition, with title-vignette and 73 fine wood-engravings by Parker; green cloth, gilt back, a near fine copy in unclipped dustwrapper. Long-awaited reissue of the original edition of 1936. THIS EDITION IS NOW ELUSIVE IN ITS OWN RIGHT.
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Bates, H E and Agnes E Bates (Wood Engravings)
Through the Woods: the English Woodland-April to April
London: Frances Lincoln Publishers 1995. First Thus 1st Printing. Hardcover. New/New. Hardcover with Dust Jacket. Published by Frances Lincoln Publishers. First printing thus. About 10 x 8 inches bound in green cloth with title information to spine in gold. With beautifully rendered and printed wood engravings throughout. NEW. Not read. Binding firm and square. All corners pointed. Without bumps or creases. Not marked in any way and very clean and bright. Dust jacket same. All items carefully wrapped and sent boxed. <br/> <br/> Frances Lincoln Publishers hardcover
書籍販売業者の参照番号
: 20053005
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Bates, HE, Wood Engravings by Agnes Miller Parker H E
Through the Woods; The English Woodland April to April
London: Victor Gollancz 1936 1st edition. Cloth 142pp. Very good plus. Terracotta boards with gilt lettering to spine. Small sticker on front end-paper otherwise near fine. Victor Gollancz Hardcover
書籍販売業者の参照番号
: 112903
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Bath - England; Guidebook.
THE IMPROVED BATH GUIDE, or, Picture of Bath and its Environs : Describing every Institution in the City that regards either Charity, Science, or Amusement; and Comprising All other Particulars necessary to the Visitor or Resident. A New Edition.
pp. [4], 140 + Engraved frontis and a folding plate of buildings. The folding engraved map lacks the upper and lower thirds. Foxed. Disbound. Mildly XLib. SWAF. **PRICE JUST REDUCED!JUN5 BOX 2
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Baud-Bovy, Auguste (Roger Marx, introduction) (Charles Morice, poem) (Maurice Baud, wood engravings)
Vingt oeuvres du peintre Baud-Bovy 1848-1899
Genève Geneva: Cercle des Arts & des Lettres 1901. A stunning suite of TWENTY LARGE FOLIO WOOD ENGRAVINGS by Maurice Baud after paintings executed by Auguste Baud-Bovy between 1886 and 1898 depicting 19th-century Alpine life and landscapes in all of their picturesque austerity. 28 pages plus 20 full-page hors-texte wood-engravings. Complete with detailed letterpress descriptions. Edition limited to 171 copies of which this is number 41 one of 150 on fine wove paper printed for M.C. François and SIGNED BY BAUD. Absolutely complete with ALL PRINTED TISSUE-GUARDS PRESENT. Large folio 51.9 x 39.7 cm. Loose as issued in publisher's attractive cloth portfolio. Half-title spotted last leaf wood engraving no. 20 with some small marginal tears else FINE AND BRIGHT. A rare and important collection of Alpine prints. <br/><br/> Cercle des Arts & des Lettres hardcover
書籍販売業者の参照番号
: 38254
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BB, pseud.
The White Road Westwards. 67 Engravings by Denys Watkins -Pitchford. NEAR FINE COPY IN DUSTWRAPPER
8vo., First Edition, with coloured frontispiece and numerous fine engravings in monochrome (a number full-page) in the text, small neat contemporary signature on front free endpaper; green cloth, backstrip lettered in silver, grey endpapers, a near fine copy in price-0clipped dustwrapper. SCARCE IN THIS CONDITION.
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BEAUMONT-MAILLET, Laure.
La guerre des sexes.
Paris, Albin Michel, 1984, 29,5 x 24 cm., tela original con sobrecubiertas, 109 págs. incluso 101 ilustraciones facsímiles + 1 h. (Les Albums du Cabinet des Espampes de la Bibliothèque Nationale).
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Bechstein, J M, Illustrated by Wood and Steel Engravings
Cage and Chamber-Birds Their Natural History Habits Food Diseases Management and Modes of Capture. With considerable Additions on Structure Migration and Economy Compiled from Various Sources by H. G. Adams
London: H. G. Bohn 1853. FIRST EDITION first printing collated and complete. Full elaborately blindstamped decorated blue cloth which has aged to a brown at the extremities minor chip to the bottom of the spine with a litth fraying of the cloth previous owner's bookplate behind front cover some pages unopened plates lightly foxed and/or age-toned. Title condinues: ".incorporating the whole of Sweet's British Warblers; with numerous illustrations." Bechstein J. M. Illustrated by wood and steel Engravings Cage and Chamber-Birds Their Natural History Habits Food Diseases Management and Modes of Capture. With considerable Additions on Structure Migration and Economy Compiled from Various Sources by H. G. Adams." Collated and complete. Overall in VERY GOOD condition. . First Edition. Full Cloth. Very Good. 12mo - over 6¾" - 7¾" tall. Hardcover. H. G. Bohn Hardcover
書籍販売業者の参照番号
: 010881
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Beecroft, Glynis
Carving Techniques
142 pages including index. Deals with a wide range of media: from the very soft, such as soap and salt, whose carving needs no special equipment and which therefore are suitable to the less accomplished of every age, to the opposite extreme, when an understanding of the correct use of hammer and chisel is essential for the production of satisfactory work. Plentiful diagrams and photographs illustrate a text which concentrates on individual techniques rather than on completed carvings. Price-clipped dust jacket shows only light to moderate wear. Gift greetings upon front endpaper. Nice copy. Book
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BEEVERELL, James.
Les Délices de la Grand Bretagne & de l'Irlande où sont exactement décrites les Antiquitez, les Provinces, les Villes (...) [Tome IV]
1727 Couverture rigide Leyde, Pierre Vander Aa, 1727. Tome IV seul sur huit parus, un volume in-12 (16 x 10 cm), reliure plein veau fauve marbré de l'époque, dos à 5 nerfs orné, tranches rouges (avec décoloration en pied), coiffes arasées, manquent les pièces de titre et de tomaison, charnières fendues en pied et en tête, épidermures. Frontispice gravé sur double page, feuillet de titre, pagination de 815 à 997, 51 planches sur double page dont 2 plans, passage au crayon sur les les lettres de la page de titre, traces d'humidité dans la marge extérieure, petite galerie de vers sur quelques feuillets, petit manque de papier dans la marge des premiers feuillets (sans atteinte au texte). Il est traité dans ce volume du Kent, Surrey, Barkshire et Middlesex. Les planches représentent des vues des principales résidences et monuments. Traduction française de cette "nouvelle édition, retranchée, corrigée et augmentée". Bon état du texte et des planches, et malgré les défauts de la reliure, bon exemplaire.
書籍販売業者の参照番号
: 1717
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BEEVERELL, James.
Les Délices de la Grand Bretagne & de l'Irlande où sont exactement décrites les Antiquitez, les Provinces, les Villes (...) [Tome VI, Ecosse]
1727 Couverture rigide Leyde, Pierre Vander Aa, 1727. Tome VI seul sur huit parus, un volume in-12 (16 x 10 cm), reliure plein veau fauve marbré de l'époque, dos à 5 nerfs orné, tranches rouges, coiffes arasées, manque la pièce de tomaison, charnières fendues et fragiles, épidermures. Frontispice gravé sur double page, feuillet de titre, pagination de 1106 à 1302, une carte géographique et 41 planches sur double page, passage au crayon sur les les lettres de la page de titre, traces d'humidité dans la marge extérieure, petit manque de papier dans la marge sur quelques feuillets (sans atteinte au texte). Il est traité dans ce volume de l'Ecosse. Les planches représentent des vues des principales résidences et monuments. Traduction française de cette "nouvelle édition, retranchée, corrigée et augmentée". Bon état du texte et des planches, et malgré les défauts de la reliure, bon exemplaire.
書籍販売業者の参照番号
: 1718
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Beguillet Edme; Martinet F. N. Francois Nicolas engravings
Description Historique de Paris et de Ses Plus Beaux Monumens Complete Set of 3 Volumes
Paris et Dijon: les Auteurs et Frantin 1779-1781. First Edition. Hardcover. Very Good. Contemporary mottled calf lavishly gilt-stamped spine gilt-stamped lettering in red leather spine label original decorative endpapers; 8vo 120x 202 mm 3 volumes; with half-titles 3 additional titles 2 allegorical frontispieces 50 plates 39 of them with double views of Paris and 2 full-page vignettes. Some very light scuffing at spine tips and along joints; occasional light toning and marginal soiling. A handsome set with the bookplates of John D. Rockefeller Jr. and Abby Aldrich. Cohen-de Ricci 692. <br/><br/> les Auteurs, et Frantin hardcover books
書籍販売業者の参照番号
: D7139
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Beguillet, [Edme]; Martinet, F N [Francois Nicolas] (engravings)
Description Historique de Paris et de Ses Plus Beaux Monumens Complete Set of 3 Volumes
Paris et Dijon: les Auteurs et Frantin 1779-1781. First Edition. Hardcover. Very Good. Contemporary mottled calf lavishly gilt-stamped spine gilt-stamped lettering in red leather spine label original decorative endpapers; 8vo 120x 202 mm 3 volumes; with half-titles 3 additional titles 2 allegorical frontispieces 50 plates 39 of them with double views of Paris and 2 full-page vignettes. Some very light scuffing at spine tips and along joints; occasional light toning and marginal soiling. A handsome set with the bookplates of John D. Rockefeller Jr. and Abby Aldrich. Cohen-de Ricci 692. <br/><br/> les Auteurs, et Frantin hardcover
書籍販売業者の参照番号
: D7139
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Being a Series of Engravings on Wood
Religious Emblems
paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
書籍販売業者の参照番号
: 025947262X.G ISBN : 025947262X 9780259472629
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Bellangé, Hippolyte.
[Histoire de l'Empereur Napoléon] "Légion polonaise, 1810. Régiment de la Vistule" (caption title). [Collection des types de tous les corps et des uniformes militaires de la République et de l'Empire.] [ORIGINAL HAND-COLOURED PRINT].
Original single-sheet, hand-coloured print of fine quality. Overall size 24.5 x 16.5 cm, printed on heavy paper with ample margins. Bearing at foot the legend "Légion polonaise, 1810. Régiment de la Vistule". Excellent. - - Beautiful, exquisitely produced print from a highly acclaimed work, Bellangé's hallmark series of Napoleonic military uniforms. It is rich in fine details and delicately hand-coloured by contemporary hand. Preserved in acid-free, pH-balanced archival paper. Colas 287. Glasser p. 59/60.
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Bellangé, Hippolyte.
[Histoire de l'Empereur Napoléon] "Mameluck, Garde Impériale" (caption title). [Collection des types de tous les corps et des uniformes militaires de la République et de l'Empire.] [ORIGINAL HAND-COLOURED PRINT].
Original single-sheet, hand-coloured print of fine quality. Overall size 24.5 x 16.5 cm, printed on heavy paper with ample margins. Bearing at foot the legend "Mameluck, Garde Impériale". Fine (marginal spotting). - - Beautiful, exquisitely produced print from a highly acclaimed work, Bellangé's hallmark series of Napoleonic military uniforms. It is rich in fine details and delicately hand-coloured by contemporary hand. Preserved in acid-free, pH-balanced archival paper. Colas 287. Glasser p. 59/60.
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Bellangé, Hippolyte.
[Histoire de l'Empereur Napoléon] "Régiment des Dromadaires, 1798. Armée d'Égypte" (caption title). [Collection des types de tous les corps et des uniformes militaires de la République et de l'Empire.] [ORIGINAL HAND-COLOURED PRINT].
Original single-sheet, hand-coloured print of fine quality. Overall size 24.5 x 16.5 cm, printed on heavy paper with ample margins. Bearing at foot the legend "Régiment des Dromadaires, 1798. Armée d'Égypte". Fine (very light marginal soiling, far away from image area). - - Beautiful, exquisitely produced print from a highly acclaimed work, Bellangé's hallmark series of Napoleonic military uniforms. It is rich in fine details and delicately hand-coloured by contemporary hand. Preserved in acid-free, pH-balanced archival paper. Colas 287. Glasser p. 59/60.
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BELLMER (Hans) KLEIST (Heinrich von)
Les Marionnettes
Paris, Georges Visat, 1969. In-folio, 56 pp., en feuilles, couverture originale rempliée, étui et chemise de toile rose (très léger ternissement de la toile).
書籍販売業者の参照番号
: 19724
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BELLORI (Giovanni Pietro)
Veteres arcus Augustorum triumphis insignes. Ex Reliquiis quae Romae adhuc Supersunt cum Imaginibus Triumphalibus restituti antquis nummis notisquae Io: Petri Bellorii illustrati Nunc prim?m per Io: Iacobum de Rubeis Aeneis typis vulgati.
Folio (480 x 310 mm), engraved dedication portrait frontispiece, 44 ENGRAVINGS OF 46 (LACKING PLATES 9 & 10), 22 of which are double-page, the plates and the text pages are paginated continuously from 1 to 52, faint staining to blank upper margins, some light browning, nineteenth-century half calf, covers detached. Berlin Catatalogue, 1864.
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