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ARTS-N°67-10 MAI 1946
6 PAGES FORMAT JOURNAL-LES BIENFAITS DE RODIN PAR CLAUDE ROGER MARX-A CARNAVALET TROIS SIECLES DE DESSIN PARISIEN PAR FRANCOIS BOUCHER-EN TUNISIE ARCHITECTURE RELIGIEUSE-PICABIA PAR DENYS CHEVALIER-JEAN DUBUFFET PAR PIERRE DESCARGUES-PIERRE LAPRADE PAR K.GRANOFF-LA DANSE CREATIONS A MONTE CARLO PAR MAURICE POURCHET/LIFAR-CINEMA: LA FEMME FATALE/JACQUELINE GAUTHIER-RETOUR DE TOSCANINI A LA SCALA DE MILAN-UN POEME INEDIT DE RAYMOND SCHWAB/PRIERE D'IL Y A UN AN-GUY LAVAUD PAR JEAN LEBRAU-JANINE SOLANE PAR CATHERINE VALOGNE-D.H.LAWRENCE NOUS PARLE PAR GABRIEL D'AUBAREDE-RETOUR DE TOSCANINI QUI DIRIGERA DEMAIN L'ORCHESTRE DE LA SCALA DE MILAN DONT CE SERA LA REOUVERTURE
Bookseller reference : ABE-7603712415
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ARTURO Toscanini. Bologna 30-04-904.
Milano, Edizioni Beatrice d'Este n. 1126 - Arti Grafiche Ricordi, [anni '70 del'900], grande poster murale che riproduce un ritratto fotografico in bianco e nero, autografato, del maestro; mm. 980x680. Ottime condizioni.
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BEAUX-ARTS-N°207-18 DECEMBRE 1936
8 PAGES-43 CM X 60 CM-LA CREATION DU MUSEE DE L'ART FRANCAIS ET L'EXPOSITION DE 1937, PAR GEORGES WILDENSTEIN-BOLETTE NATANSON, PAR CLAUDE ROGER-MARX, SUITE P8-LES 75 ANS DE MAILLOL, 3 PHOTOS-LE BAL GAUGUIN, PAR PIERRE IMBOURG, SUITE P5-LA MUSIQUE PAR ANDRE COEUROY: TOSCANINI-MARQUET, GALERIE DRUET, PAR JACQUES DE LAPRADE, ILL "SAN GIORGIO"-VICTOR CHARRETON, DECES
Bookseller reference : ABE-1488885119736
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JOURS DE FRANCE-N°120-2 MARS 1957
76 PAGES-27 CM X 35,5 CM-EN COUVERTURE "LA RENCONTRE DE LISBONNE: TOUTE LES PHOTOS"-LEUR PREMIER SOURIRE, ELIZABETH ET PHILIP-AU SAHARA LES CITES DE L'OR NOIR-APRES LE VOTE DE L'O.N.U., POUR LA FRANCE EN ALGERIE L'HEURE DE L'ACTION, PAR JACQUES SOUSTELLE-AVEC MARIE-HELENE ARNAUD DE MIDI A MINUIT LA MODE NOUVELLE MISE EN VEDETTE, EN MOUSSELINE BLANCHE DEVANT BUFFET, 2P-AVEC LA COMEDIE DE L'OUEST SUR LES ROUTES DE BRETAGNE HAMLET AU VILLAGE, 5P-L'ESCORTE DE MILAN A TOSCANINI, 4P-L'EQUIPE DE RADIO EUROPE N°1 MET EN FETE LA VILLE DE CHAMONIX
Bookseller reference : ABE-1521928566486
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JOURS DE FRANCE-N°120-SAMEDI 2 MARS 1957
76 PAGES-27 CM X 35 CM-ELIZABETH ET PHILIP-10 JOURS APRES LES BOMBES D'EL-BIAR, LES TERRORISTES SOUS LES VERROUS-AVEC MARIE-HELENE ARNAUD DE MIDI A MINUIT LA MODE NOUVELLE MISE EN VEDETTE, 9P-AVEC LA COMEDIE DE L'OUEST SUR LES ROUTES DE BRETAGNE HAMLET AU VILLAGE, 5P, LANNION, HUBERT GIGNOUX-A TRAVERS LA VILLE SILENCIEUSE L'ESCORTE DE MILAN A TOSCANINI, 6P-8 PAGES DETACHEES-COUVERTURE LEGEREMENT FROTTEE
Bookseller reference : ABE-17624012518
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L'Europeo. 10 luglio 1949.
In folio (cm ), , pagg.16 mancano le pagg. 3-14. Tra gli articoli: "Solo la onorevole Jotti commossa al pricesso Pallante", "L'estate di Maria Jos?", "Toscanini svegliato da un suo nuovo disco". Interessante l'ultima pagina tutta illustrata con quattro fotografie b.n. relative al "gioco della pallacanestro sott'acqua".
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L'ILLUSTRAZIONE ITALIANA. 13 Aprile 1930. Anno 57 - N. 15.
In-4, brossura. In buono stato di conservazione. In questo numero: “Arturo Toscanini e Paolo Claudel decorati con medaglie accademiche dal Rettore dell’Università di Georgetown negli Stati Uniti”.
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LA DOMENICA DEL CORRIERE. 12 Maggio 1946. Anno XLVIII - N. 7.
In-4, brossura, in buono stato di conservazione. In questo numero: "Fuori programma! Durante uno spettacolo a Lisbona, un serpente portato sulla scena per un numero di varieta scattava come una molla contro il suggeritore e gli si attorcigliava al collo. A stento la domatrice riusciva a liberare il poveraccio dalla terribile stretta. Passato lo spavento generale lo spettacolo riprendeva, ma il suggeritore aveva perduto la voce.." "Due innamorati sostano nell'atrio oscuro di una casa, a Roma. Ad un tratto uno sconosciuto entra dal portone, intravvede le ombre e pensa alla presenza di ladri. Lo stesso sospetto colpisce i due innamorati. Intimazioni e minacce s'incrociano nel buio, finché i due uomini si lanciano l'uno contro l'altro, azzuffandosi. Qualche inquilino interviene armato di una lampadina tascabile. E il giovanotto - ahime - riconosce nell'avversario nientemeno che il padre della ragazza, il futuro suocero.. Allora con ammirevole faccia tosta lo aiuta a rialzarsi, gli spolvera la giacca e gli domanda ufficialmente la mano della ragazza..".
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LA DOMENICA DEL CORRIERE. 27 gennaio 1957. Anno 59 - N. 4.
In-4, brossura, in buono stato di conservazione. In questo numero: "Il braccio e la mente. La TV ha lanciato una nuova rubrica di giochi e indovinelli, Telematch. Il più spettacolare dei giochi e quello affidato a due telespettatori in coppia, rappresentanti la mente l'uno, il braccio l'altro. Se il primo, sottoposto a domande di carattere culturale, sbaglia la risposta, entra in azione il secondo, il quale rimette in campo il compagno battuto, esibendosi in una disciplina sportiva. Davanti al presentatore Enzo Tortora vediamo la mente Corradini, interrogato sui funghi, e il braccio il sollevatore di pesi Massei." "E' morto Toscanini. Il più grande direttore d'orchestra del secolo si è spento, a 89 anni, nella sua villa di Riverdale (Nuova York), lontano dall'Italia che amo quanto la musica. La scomparsa del Maestro ha suscitato vivissima impressione e profondo cordoglio in tutto il mondo. Qui noi lo vediamo mentre, già vecchio, guida da un invisibile podio una delle sue meravigliose esecuzioni e già sembra che il coro e le trombe degli angeli gli facciano eco dai cieli.".
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La lezione di Toscanini Atti del Convegno di studi toscaniniani al XXX Maggio musicale fiorentino
Bross. edit. in-8, sovrac. trasparente, pp. X-(2)-387-(5), coll. La cultura e il tempo n. 29. A cura di F. d'Amico e R. Paumgartner con app.ci a cura di F. Serpa, G. Gualerzi, R. Vègeto. Ottimo.
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La lezione di Toscanini. Atti del Convegno di studi toscaniniani al XXX Maggio musicale fiorentino.
In 8°, br. edit., pp. XII,387,(5).
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LE FIGARO LITTERAIRE-N°562-26 JANVIER 1957
12 PAGES-FORMAT 42X60-APPEL PRESSANT DU Pr DEBRE: SAUVER LA MEDECINE FRANCAISE!/LA LECON D'UN PRIX NOBEL/PHOTO AVEC ANDRE COURNAND ET RENE DUBOS/SUITE P7/LA MEDECINE FRANCAISE EN PERIL/PHOTO-ALERTE! ON ARRETE LES ECRIVAINS A BUDAPEST/SUITE P4-LE "SECRETAIRE DE LA COUR" OU L'ECOLE DE LA MUFLERIE/PAR PIERRE GAXOTTE-ET VOICI "PATATE"/PHOTO PIERRE DUX-UN SCULPTEUR BOULEVERSERA-T-IL LE DECOR DE THEATRE?/EDOUARD SANDOZ/ARTICLE PIERRE MAZARS/SUITE P4-LE PRIX DES DEUX MAGOTS A WILLY DE SPENS/PHOTO-LES PORTRAITS INTERVIEWS DE PAUL GUTH/HIRSCH SCAPIN AURAIT VOULU ETRE LIFAR/1P/3 PHOTOS-ETES VOUS D'ACCORD POUR UNE REFORME DISCRETE DE L'ORTHOGRAPHE?-MIGUEL ANGEL ASTURIAS EST A PARIS/PAR CLAUDE COUFFON/PHOTO-CENDRARS NOUS FAIT BOURLINGUER AUX QUATRE COINS DU MONDE/PHOTO-LE GENIE DE TOSCANINI/PAR CLAUDE BAIGNERES/PHOTO-CINEMA: LE CINERAMA/PAR CLAUDE MAURIAC-"CESAR ET CLEOPATRE" DE BERNARD SHAW AU THEATRE SARAH BERNHARDT/PHOTO JEAN MARAIS
Bookseller reference : ABE-8750377677
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LE FIGARO LITTERAIRE-N°638-12 JUILLET 1958
16 PAGES FORMAT 42X60-DANS LES MEMOIRES DE CHALIAPINE MA PREMIERE RENCONTRE AVEC TOSCANINI/PHOTO/SUITE P12-PROPOS DU SAMEDI PAR ANDRE BILLY: "FLAUBERT ETAIT AUSSI CHAMPENOIS."-UN ADMINISTRATEUR CIVIL AU TCHAD D'UN "TRIOMPHE" ELECTORAL A LA LOI CADRE/PAR CLAUDE ENER/1P/3 PHOTOS/SUITE P11-GLOIRE ET HONTE DU GRAND PARIS LE PLUS MODERNE PALAIS DU MONDE CROIT RAPIDEMENT AU COEUR D'UN BIDONVILLE/PAR BERNARD CHAMPIGNEULLE/PHOTO-THEATRE PAR JACQUES LEMARCHAND: GIRAUDOUX AUX FESTIVALS DE LYON CHARBONNIERES ET DE BLOIS
Bookseller reference : ABE-9565770023
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LE MONDE ILLUSTRE-N°2774-28 MAI 1910
28 PAGES FORMAT 38 CM X 29 CM-EN COUVERTURE "LA SAISON ITALIENNE AU THEATRE DU CHATELET",PHOTOS DE CARUSO ET EMMY DESTINN DANS AIDA-EN COUVERTURE INTERIEURE "LES FUNERAILLES D'EDOUARD VII D'ANGLETERRE"-L'ARRESTATION DE LA DIRECTRICE DE L'OEUVRE D'ORMESSON,1P,5 PHOTOS,SOEUR CANDIDE-LA COMETE DE HALLEY ET LES OBSERVATOIRES DE PARIS ET DE MEUDON,2P,7 PHOTOS-LA DEUXIEME TRAVERSEE DE LA MANCHE,2 PHOTOS,JACQUES DE LESSEPS-LES FUNERAILLES DU ROI EDOUARD VII,8P,20 PHOTOS-MUSIQUE,"AIDA",PHOTO LOUISE HOMER,PHOTO TOSCANINI
Bookseller reference : ABE-10708551566
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PARIS MATCH-N°412-2 MARS 1957-ZIZI JEANMAIRE
EN COUVERTURE "LA NOUVELLE MISS", RENEE JEANMAIRE, TENUE DE DANSEUSE AVEC PLUMES-MONSIEUR JE SAIS TOUT FAIT FORTUNE, CHARLES VAN DOREN, 4P, PHOTOS-LES RETROUVAILLES DE LISBONNE-AU TOURNANT DU KREMLIN UN REVENANT: MOLOTOV, 4P PAR RAYMOND CARTIER-LA CUISINE DE DEMAIN AVEC ZIZI JEANMAIRE ET ROLAND PETIT, PUBLIREPORTAGE FRIGIDAIRE, 8P-A L'HOTEL DE LA MODE 1957, 7P, DIOR-TOUT MILAN AUX FENETRES PLEURE TOSCANINI, 4P-AU MUSEE GREVIN BRIGITTE JOUE: "ON PLATRE B.B.", PHOTO PLEINE PAGE AVEC LEGENDE-LES INCONNUS DE CALUIRE, 5P, JEAN MOULIN
Bookseller reference : ABE-1565021053627
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Tempo. A. X - N. 8 - 9-16 Luglio 1949.
In 4? (cm 34), Graffato, pagg.36 con ill. b.n. n.t., copertina ill. b.n., piccoli strappi e menda alla cop., ma buon es. All'interno, tra l'altro, una breve intervista con foto a Toscanini e un articolo sulla caccia subacquea e Raimondo Bucher.
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Toscanini alla regia scuola di musica di Parma
<p>20x21 cm, br. illustrata, p. 311, diverse foto</p>
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(GUARNIERI Antonio).
Concerto Sinfonico diretto da Antonio Guarnieri. Teatro Comunale, 4 Aprile 1943 ore 16,30. Programma: A. Vivaldi (nella revisione di A. Casella: 1a esecuzione a Firenze), J. Brahms, R. Wagner, R. Strauss.
Firenze, E. A. Teatro Comunale (Tip. A. Vallecchi), 1943, in-8, br. editoriale, pp. (12). Programma di sala con note illustrative di Guido Piamomte. L'esordio nella direzione del maestro veneziano, anche compositore e violoncellista, fu a Siena nel 1904, ma il punto di svolta della sua carriera fu l'arrivo al Teatro alla Scala nel 1922, chiamato da Toscanini (che presto divenne suo grande rivale). Negli anni 1939-46 tenne corsi di direzione orchestrale alla Chigiana (si ricorda una memorabile Juditha vivaldiana del 1941); nel 1942 coll'Orchestra del Maggio era a Vienna per il centenario dei Wiener Philarmoniker. Considerato uno dei più grandi direttori del '900.
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(Sibelius; Furtwangler; Kapell; Horowitz; Heifetz; Villa-Lobos; Porter, Cole; Tcherepnin; Toscanini; Landowska; Count Basie; Sol
FACSIMILE OF AN ALBUM OF 255 LETTERS BY MANY OF THE GREATEST MUSICAL ARTISTS OF THE DAY HONORING THEODORE E. STEINWAY ON THE OCCASION OF THE CENTENARY OF THE HOUSE OF STEINWAY. Together with: A VINTAGE GELATIN SILVER PHOTOGRAPH OF FRANZ LISZT WITH HIS STUDENT ALEXANDER SILOTI.
1953 2000. 1953 2000. Very good. - A collection of facsimile letters consisting of 256 sheets of watermarked paper reproducing the title page and 255 letters addressed to Theodore E. Steinway which formed an album created in 1953 honoring the centenary of the House of Steinway. The individual leaves are here laid loose in the sleeves of a binder. The original album from which this facsimile was produced was sold at auction circa the year 2000 and 3 sets of facsimiles of the letters were created by the new owner. The album was subsequently broken up and the pages sold separately. The album in in fine condition.<p>This set of facsimiles of the letters are being sold together with an original 10 inch by 8 inch vintage gelatin silver print of Franz Liszt with his famous student Alexander Siloti. The photograph was purchased at auction with other items from the Steinway collection. The top corners of the vintage photo are chipped with small pieces out and a tiny piece is out from the bottom right corner. A heavy crease along the left edge has been reinforced with archival linen tape from the verso. The verso of the photograph is soiled with an early glue stain. This striking image is in good condition. <p>The album was sold at auction circa the year 2000 and 3 facsimiles of the letters were created by the new owner. The album was subsequently broken up and the pages sold separately. This is one of two sets of the facsimiles that are being offered for sale. This set is being sold with the Liszt-Siloti photograph. Another copy of this photo is on display at the Isabella Stewart Gardner Museum. It was inscribed to Gardner by Siloti in 1898. Siloti states that the photo was created in 1883. The photograph is the work of Liszt protege Louis Held 1851-1927. The Russian virtuoso pianist Alexander Siloti 1863-1945 was a student of Franz Liszt and is said to have been particularly proud of this photograph.<p>Among the musicians included in the album are: Walter Piston Fritz Reiner Pablo Casals Percy Grainger Sammy Kaye Cab Calloway Samuel Barber with a musical quotation Lauritz Melchior Morton Gould Richard Rodgers Wilhelm Kempff with a musical quotation Gerald Moore Henry Cowell Ernest Bloch Count Basie Gary Graffman Ernest Krenek Leon Fleisher Egon Petri Yehudi Menuhin Eugene List William Kapell Isaac Stern Gaby Jean and Robert Casadesus on one sheet with a musical quotation Artur Rodzinski Eileen Joyce Wilhelm Furtwangler Vladimir Horowitz Hector Villa-Lobos Rudolf Serkin George Szell Jascha Heifetz Josef Hofmann Shura Cherkassky Myra Hess Arthur Rubenstein Alexander Tcherepnin with 6 musical quotations Gina Bachauer Fritz Kreisler Bruno Walter Jean Sibelius Cole Porter Gian Carlo Menotti Gregor Piatigorsky Xavier Cugat with his self-portrait Byron Janis Arturo Toscanini Wanda Landowska Mischa Elman Howard Hanson with a musical quotation and Solomon. 1953 [2000]. unknown
Bookseller reference : 98026
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(Toscanini, Arturo). Gara, Emmerich.
A SUPERB ORIGINAL PHOTOGRAPH OF THE LEGENDARY CONDUCTOR ARTURO TOSCANINI AT THE KEYBOARD.
Carnegie Hall November 1947. 1947. Fine. - A powerful 14 inch high by 11 inch wide photograph by Emmerich Gara depicting the legendary maestro Arturo Toscanini. Standing at the keyboard Toscanini is depicted in profile with columns at the right. Attired in black against a black background the conductor's head and hands stand out ethereally from the background. Photographed by Cellist Emmerich Gara with his name & address stamped on the verso. Signed by Gara in pencil on the verso. Fine. <p>Emmerich Gara b.1901 d.1963. Born in Vienna Austria in 1901 Gara established lifelong careers as a portrait photographer and professional cellist. Before the outbreak of the Second World War he and his wife emigrated to the United States where he was hired as cellist for the NBC Orchestra led by Arturo Toscanini. He performed with the orchestra later called The Symphony of the Air until his death.<p>From his seat in the front row of the orchestra Gara was in the unique position to photograph all the great conductors and soloists who appeared with the orchestra during this extraordinary period of musical activity. His subjects were captured in performance rehearsal and in candid moments during recordings and while socializing.<p>Gara's action portraits were used for record covers for the Book of the Month Club and in articles in Time Life and other major magazines around the world. Carnegie Hall, November, [1947]. unknown
Bookseller reference : 29337
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(Toscanini, Arturo). Genovese (Gazzale), Nana; Perera, Carolina Allen; Berizzi, Paola de; Vecchi, Margherita.
EARLY ITALIAN WELFARE LEAGUE MATERIAL FROM THE ESTATE OF OPERATIC MEZZO-SOPRANO NANA GENOVESE GAZZALE.
<p>1916-1922. 1916-1922. Very good. - A fascinating archive consisting of autograph letters signed by Carolyn Perera Nana Genovese Gazzale and others typed letters signed autograph notes flyers and other ephemera including a letter about securing Arturo Toscanini to conduct a benefit concert which was to be Toscanini's Carnegie Hall debut.</p><p>Following is a detailed description of the material covering the period during and following the First World War:</p><p>1. A receipt for a donation given by Miss Genovese to the "Italian Bazaar for the Benefit of War Sufferers". The receipt is dated October 30 1916 and is signed by Arturo Di Pietro as secretary of the Italian Bazaar Committee. Di Pietro later was a contributor to "Il Nuovo Mondo" the anti-Fascist newspaper.</p><p>2. Undated circa 1916-17 Italian Red Cross flyer signed in print by its President Gian Giacomo Cavazzi Della Somaglia. Cavazzi 1869-1918 was a Senator of the Kingdom of Italy and from 1913 until the end of the war he was President of the Italian Red Cross. He actively collaborated with Tito Ricordi for the creation of the Hospital of the French Cities housed from January 1916 in a part of the Officine Ricordi. On the verso of the flyer are 2 handwritten columns of names and addresses of Italian Americans possibly members or potential donors.</p><p>3. Three items related to the Italian Red Cross: a A fund raising flyer in Italian translated: Those wounded in battle await proof of our sacred brotherhood. b A flyer in English from the American Red Cross - Italian Auxiliary requesting aid in "making surgical dressings hospital garments and knitted articles for our fighting men". c A receipt dated 1916 for a donation from Mme Genovese Gazzale signed with a stamp by Lionello Perera the Italian Delegate for the American Red Cross. Perera 1873-1942 was a prominent New York banker who had a prominent role in the creation of the Italian Welfare League.</p><p>4. A form letter addressed to "Mrs. Gazzale" asking her to become a member of the Italian Welfare League "And give it your support". "The Italian must be helped to understand America and America to understand the Italian so that he may become a self-respecting citizen and an integral part of the civic life of New York the second largest Italian city in the world." The letter is signed in ink "Luigina Littlefield / Chairman mem Com".</p><p>5. An autograph letter signed "Carolyn A. Perera" thanking Mme. Genovese for 2 tickets to a concert she was unable to use: "I should have loved to have heard you. May we make you a Director of the Italian League. I know your heart is with us." The wife of Lionello Perera Carolina Allen Perera 1883-1966 served from 1920 to 1942 as the League's first president.</p><p>6. Undated autograph letter signed "Carolyn A. Perera" thanking Mrs. Genovese for becoming "one of the Directors of the League for we need you and want you". She mentions a meeting Friday and asks her to "Bring in a list of possible members.". On the verso of the letter Genovese has written the names and addresses of 11 possible members.</p><p>7. An undated autograph letter on Italian Welfare League letterhead to Mme. Genovese signed "Carolyn A. Perera" soliciting money "to be sent thru the Italian Consulate to Italy for the earthquake sufferers." She mentions that Mrs. Wm. Guggenheim donated $500.00. The Garfagnana and Lunigiana regions were struck by a powerful earthquake on 7 September 1920.</p><p>8. A letter to Madame Genovese on Italian Welfare League letterhead dated September 22 1920. The letter signed by Margherita De Vecchi one of the founding members of the I.W.L. thanks Mme. Genovese for her contribution to the special fund for the earthquake victims.</p><p>9. A typed letter signed by Marie Di Giorgio a Vice-President of the Italian Welfare League. In the letter dated November 22 1920 she informs Mrs. Genovese that the I.W.L. "has secured Maestro Toscanini and the La Scala Orchestra for a Benefit Concert to be held at Carnegie Hall on the evening of January third." She asks for her "able assistance on the Committee of Arrangements". The January 3 1921 concert would be Toscanini's Carnegie Hall debut.</p><p>10. An undated receipt for $30.00 for three tickets from Nana Genovese. Signed probably with a stamp by Mrs. Stefano Paola Berizzi a founder and Treasurer of the I.W.L.</p><p>11. A pair of typed letters signed by the Italian baritone Ferruccio Corradetti are dated January 12 and February 4 1921. The letters in Italian concern business matters and are addressed to Signora Genovese. They are on "Lega Musicale Italiana Inc. New York" letterhead.</p><p>12. A third item signed in ink by Corradetti is a form letter inviting Nana Genovese to serve "as a member of the Honorary Dinner Committee" for Arturo Toscanini. The letter on "Lega Musicale Italiana" letterhead is subtitled "Banquet In Honor of Arturo Toscanini and La Scala Orchestra". The banquet is being planned for March 17 1921 the evening before Toscanini's second concert in Carnegie Hall.</p><p>13. A typed letter dated February 18th 1921 and signed "Vera L. Albore R.N." informs Mme. Genovese that "I have taken up the case of the Cuzzi family with Dr. and Mrs. Previtali and they do not know the exact physical condition of Mr. Cuzzi.Mrs. Previtali wishes me to thank you for the interest you have taken in this family.".</p><p>14. In a typed letter dated Oct-21 Albore asks Mme Genovese to speak to a Mr. Ely at the Rutherford Post Office on behalf of Mr. Cuzzi. She signs "Vera L. Albore R.N. / Headworker".</p><p>15. In an autograph letter signed "Vera L. Albore" she writes Mme. Genovese that Mr. Ely "will try to get Mr. Cuzzi work." She thanks Genovese for all she has done and implores "Please dont forget me and my dear people as I am anxious to help and with help from our ladies I can do more- I will do all I can for Mrs. Cuzzi". Although Albore signs with the terminal vowel "e" her name on the league's letterhead reads "Miss V. Albori R.N. Head Worker".</p><p>16. An autograph letter signed "Luigina Littlefield / Chairman mem Com" asks Mme Genovese to join the membership committee and "appeal to all the Italians you come across and to all lovers of our beautiful Italy to help us in this great work which is so much needed." On April 25 1921 Littlefield sends Genovese a thank you note "for the check and the new members".</p><p>17. In an autograph letter on her 38 West 83rd Street letterhead Carolyn Perera asks Mme. Genovese to help in the current membership campaign "by asking a few of your frinds to join. I note neither M. Scaramelli or the Antolinis are members."</p><p>18. In a response to Perera Genovese sends a draft of a letter she has written to Mrs. Antolini. "Mrs. L. Perera has kindly asked me to write you about our membership campaign.We cared for or investigated for relief over 250 Italian families last month as a part of our work". She signs "Nana Gazzale". On the verso of the letter is a draft of a note she has written to Mrs. Perera dated April 18 1921 letting her know she has written to Mrs. Antolini and to Mrs. Scaramelli. She signs the note "Nana Genovese".</p><p>19. The printed membership application for the Italian Welfare League. Annual membership dues were $5.00 and Life membership was $100.00.</p><p>20. A densely written autograph letter realized on both sides of Italian Welfare League letterhead and signed "Carolyn A. Perera". In her letter addressed to Mrs. Genovese Perera asks if she can help "a Miss Le Conte an Italian 21 years who is ambitious to become a singer." "Perhaps you could persuade someone to teach her or if you are sufficiently interested maybe you will give her some instruction.I forgot to say Miss Le Conte is one of 10 children & absolutely without means." Nana Genovese has scrawled a draft of her reply in the empty spaces on the verso of the letter. "I had promised Miss Labori ie Albori to secure her a place in the Metropolitan Opera Chorus."</p><p>21. A form letter dated April 8 1925 on Italian Welfare League letterhead. Signed in ink by Nan Ceribelli the letter is soliciting contributions to an "Emergency Fund" by having a "Renewal Membership Drive".</p><p>22. There are 3 lists of names and addresses one identified as "Life Members" with 14 names a second with 19 names identified on the verso as "For Benefit of Red Cross' and a third with 13 names and no further identification.</p><p>23 "The Christmas Work of the Italian Welfare League" an undated 4-page brochure describing the donations given "twenty families so poor that they would have had no Christmas except what we gave them" and the "Christmas party on Ellis Island" undertaken because of an appeal made by Concert Soprano Alma Simpson. The various donors and the categories of their gifts are listed.</p><p>24. An April 19 1920 receipt for a donation made by Mrs. Gazzale to the Sunshine Settlement. Sunshine Settlement was a society formed in 1900 to provide education health services and seaside visits for poor children and their mothers. The receipt is signed by the treasurer S.E. Furry with his note turning down the idea of a concert benefit proposed by the singer.</p><p>25. Three autograph letters circa February 1920 in Italian soliciting funds for discharged Italian solders. Two of the letters are on cards with black borders and the third is on "Italian Committee for Discharged Italian Soldiers" letterhead. The three letters are signed by Paola Berizzi a founding member if the Italian Welfare League. Also included is a receipt for a ten dollar donation signed by Berizzi.</p><p>26. Three letters related to a benefit concert given by Nana Genovese for the "Paterson NJ Committee Near East Relief Formerly American Committee for Armenian and Syrian Relief / Operating in Armenia the Caucasus Persia Syria and Greece". All three of the letters are signed "D. A. Kurk" ie Diran A. Kurkjian. A May 5 1922 autograph letter thanking Genovese for sending the program for her concert and identifying her accompanist as Alberto Bimboni. "If personal efforts mean anything this mass meeting should be a real big thing." The "Mass Meeting" with the concert took place on Mother's Day May 14 1922. A typed letter dated May 15 thanks Genovese for helping make the event a complete success. "Results secured in pledges and cash totaled nearly $1000. You had an important part in the success of this meeting and in the name of the starving children in the Near East." An autograph note on a following Tuesday sends clippings not here presentand states that the correspondent will telephone her about an upcoming meeting in Morristown.</p><p>Unique.</p> [1916-1922].
Bookseller reference : 99891
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(Toscanini, Arturo). Gara, Emmerich.
RARE CANDID PHOTOGRAPH OF LEGENDARY CONDUCTOR ARTURO TOSCANINI WITH HIS ENTOURAGE DURING HIS WESTERN TOUR.
Sun Valley California 1950. 1950. Fine. - A superb 10 inch high by 8 inch wide candid photograph by Emmerich Gara depicting Arturo Toscanini attired in striped dark pants held up by suspenders over a striped white shirt & tie a beret upon his head. His jacket over his arm the conductor holds an "RCA Victor" program in his hand as he stands in front of 4 others including members of the orchestra. A small mountain one of the peaks still bearing snow is in the background. A beautifully composed and rare candid image of the great conductor photographed by cellist Emmerich Gara during the orchestra's Western tour. Gara's name & address are stamped on the verso of the photograph. Gara's signature has also been stamped on the verso by the estate. Fine. <p>Emmerich Gara b.1901 d.1963. Born in Vienna Austria in 1901 Gara established lifelong careers as a portrait photographer and professional cellist. Before the outbreak of the Second World War he and his wife emigrated to the United States where he was hired as cellist for the NBC Orchestra led by Arturo Toscanini. He performed with the orchestra later called The Symphony of the Air until his death.<p>From his seat in the front row of the orchestra Gara was in the unique position to photograph all the great conductors and soloists who appeared with the orchestra during this extraordinary period of musical activity. His subjects were captured in performance rehearsal and in candid moments during recordings and while socializing.<p>Gara's action portraits were used for record covers for the Book of the Month Club and in articles in Time Life and other major magazines around the world. Sun Valley, California, 1950. unknown
Bookseller reference : 97103
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(Toscanini, Arturo) Fredenthal, David
Toscanini Conducting
N.P. New York. Covers a bit marked toned toward extremities; short tear to rear wrap. 8vo unpag. pamphlet in printed wrappers stapled. Published as an insert to the magazine Gentry no. 21 1956 Fredenthal's sketchbook comprises fourteen depictions of Toscanini in action surreptitiously drawn from life during recording sessions where the artist had snuck in aided by a friend in the control booth. unknown
Bookseller reference : 207377
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, , , Keizo Horiuchi Shinobu Kusa Toscanini 1/2 page, Samitaro Uramatsu New Japan See Muroran 3 pages, , (serial) Eiji Yoshikawa
Weekly Asahi February 3 1957 Cover picture Zenzaburo Kojima Kinuko Ito <Japanese Version>
Asahishinbunsha 1957. Soft Cover. Fine. Volume: 1 Asahishinbunsha paperback
Bookseller reference : 2110502150414816
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[Fusi Francesco]
Bibliografia od elenco ragionato delle opere contenute nella Collezione de'Classici Italiani
In-8°, pp. VII, 260, (2), legatura coeva m. pelle con dorso adorno di titolo e filetti in oro e di decori a freddo. Piatti marmorizzati, tagli azzurri a spruzzo. Bell'ex-libris di Walter Toscanini (1893-1971), figlio di Arturo Toscanini, raffigurante una donna intenta a suonare il pianoforte. Etichetta ottocentesca di libreria milanese. Bell'esemplare marginoso con fioriture usuali. Edizione originale; il nome dell'autore è in calce all'avviso agli editori. Per ogni opera descritta si dà conto dei prezzi di vendita al tempo, della collazione bibliografica, ecc. Alle pp. 199 e sgg., prospetto della collana editoriale e indice alfabetico-cronologico degli autori inseriti nella stessa. Il Fusi, libraio milanese, aveva assunto nel 1807 la rappresentanza sociale della Società Tipografica de'Classici Italiani. Da ciò l'idea di un'organica bibliografia da offrire come donoagli associati sottoscrittori della "Collezione de' Classici Italiani", edita tra il 1802 e il 1814. Il programma editoriale, avviato nel luglio del 1802 sotto gli auspici del Ministro della Cultura e favorito dal Melzi, prevedeva la realizzazione della prima grande biblioteca letteraria italiana, composta da 250 opere che abbracciassero cinque secoli di tradizione letteraria. Il presente volume si poneva programmaticamente come strumento da affiancare alla "Collezione" per rendere "ragione del metodo seguito" e per dar conto delle varie edizioni precedenti di ogni singola opera. Nell'"Avviso degli Editori", che compare ad inizio volume, il Fusi sintetizza le ragioni dell'opera: fornire una bibliografia di supporto alla collezione basata sui "migliori Cataloghi" e sullo spoglio delle "migliori librerie di questa Città [Milano]", arricchita da una selezione delle varie "Raccolte" di poeti e prosatori e da puntuali biografie direttamente mutuate dalla "Serie delle edizioni di testi di Lingua Italiana" di Bartolomeo Gamba. Petzholdt, p. 356. Vallée, n. 624.
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[Toscanini, Arthuro]
Martucci. Concerti Celebrativi Bologna 14-16 Maggio 1931- Anno IX. Numero Unico.
<p>A very rare souvenir of a concert that did not happen but which had profound implications on the classical music world and on Italian politics. </p><p>Ostensibly the event was a tribute to local composer Giuseppe Martucci 1856-1909 with biographical formation essays and testimonials from various musicians and conductors. However the conductor of this tribute concert was to be Arturo Toscanini once a favorite of the Fascist Party-- Mussolini had proclaimed him to be "the greatest conductor in the world." But then again Toscanini WAS possibly the greatest conductor at this time without the dictator's hollow approbation. And the esteem in which Toscanini was held is evident in this program which opens with a full-page portrait of the conductor followed by a full-page poem "Saluto a Toscanini." </p><p>On the evening of May 14 1931 the program was slated to open with the Royal March and then with "Giovanezza" the Fascist's Party's unofficial hymn. But at the last minute from the stage Toscanini refused to conduct either of these politically charged tunes. From that moment the historical record is murky-- </p><p>In an article from 1991 when the concert program was finally performed as intended one historian described it was such:</p><p><i>The "slap" to Toscanini:</i></p><p><i>On the evening of May 14 a concert is scheduled at the municipal theater directed by Arturo Toscanini in memory of Giuseppe Martucci emeritus conductor of the Bolognese orchestra at the end of the 19th century. The maestro refuses to conduct the Fascist hymn Giovinezza and the Royal Hymn in the presence of Minister Ciano and Leandro Arpinat the local Fascist boss. He is attacked and slapped by some black shirts at a side entrance to the theater. Among the squadristi is the young Leo Longanesi according to I. Montanelli but for others this is "a legend without confirmation".</i></p><p><i>Giving up the concert Toscanini takes refuge at the Brun hotel. The Federale Mario Ghinelli with a following of troublemakers joins him at the hotel and orders him to leave the city immediately if he wants his safety guaranteed. Ottorino Respighi mediates with the hierarchs and obtains to accompany the director to the train that same evening.</i></p><p><i>On May 19 the regional assembly of professionals and artists will deplore the "absurd and anti-patriotic demeanor" of the Parmesan master. On the "Assalto" Longanesi wrote: "Every protest from that of the first violin to that of the cymbal player leaves us indifferent".</i></p><p><i>Toscanini for his part will write a ferocious letter of protest to Mussolini already his teammate in Milan in 1919. From the "crime" of Bologna he will make his decision to leave Italy where he will return to direct only after the war. </i>From website of <i>Biblioteca Salaborsa</i></p><p>AND MORE RECENTLY THIS APPRAISAL. May 16 1991 section <i>La Repubblica by </i>FABRIZIO FESTA</p><p>Two days of talks and concerts finally repaired sixty years after the events that slap that Arturo Toscanini suffered in Bologna on 14 May 1931 by squadristi for refusing to conduct the hymns at the Teatro Comunale national. What were then Giovinezza and Marcia Reale. The two cities of Bologna and Parma have united in the remedial gesture. The first hosted the international conference dedicated to Bologna for Toscanini on Tuesday the second yesterday a round table. Both in the Comunale and Regio theaters hosted the concert which directed by Riccardo Chailly saw Raina Kabaivanska and the Orchestra of the Bolognese opera house interpret those pages by Giuseppe Martucci that Toscanini could not perform. </p><p>The starting point of the investigation by historians and musicologists to which the testimonies of Walfredo Toscanini and Gottfried Wagner were added was therefore the insult to the master. Luciano Bergonzini who dedicated an essay to the reconstruction of that insult published in these days by the <u>Mulino</u> <i>The slap in Toscanini. Fascism and culture in Bologna at the beginning of the Thirties</i> presented his thesis which is substantially new. </p><p>In summary the leaders of the regime first of all Leandro Arpinati very close to Mussolini at the time and Mario Ghinelli federal in Bologna were not the promoters of the action. Rather Arpinati tried to the last to reach a solution that would thwart the direct confrontation a compromise that would allow the regular performance of the concert in memory of Giuseppe Martucci knowing full well that Toscanini would never perform either the Royal March nor Giovenezza as the protocol required. In fact he made the simplest decision: Costanzo Ciano and he would not go to the Municipal Theater. The evening would thus lose its official character freeing Toscanini from any obligation. Furthermore although it is still not easy to reach a definitive conclusion on the subject among the attackers there were no prominent personalities of Bolognese fascism. Certainly there was no Ghinelli; Probably also absent Leo Longanesi who even later would have boasted that he was the one who struck the musician. His role again according to Bergonzini would have been only that of the inspirer through newspaper articles and speeches. </p><p>However the suspicion remains that it all originated within the feuds that were dividing the fascist hierarchies and of which Arpinati himself will be the victim himself. If the Bolognese scholar's proposal were the most likely reconstruction then the slap planning and execution of the aggression would have arisen precisely from that consent to the regime which had found fertile ground not only in the middle classes but also in the urban subaltern ones. Toscanini would appear to them a banner to be demolished regardless of what was being decided in the upper echelons of the regime. </p><p>This is a finding that would reopen a controversy that has never been resolved: that of the role of intellectuals on the one hand and of the support that fascism was able to find albeit unevenly distributed in the most diverse strata of Italian society. On the opposite side the accent has rightly been shifted from the offense itself an always vile act to the gesture of Toscanini to that refusal of the conductor which constitutes as Harvey Sachs pointed out in his concluding speech a rare example certainly little imitated in those years of courage. Humanity of music a definition with which Sachs well summarized the strong ethical component of Tuscan art a component that combined artistic needs and moral convictions. </p><p>Finally attention has returned to the pages of Giuseppe Martucci interpreted in Bologna and Parma by Riccardo Chailly on the podium of the Teatro Comunale Orchestra entrusted to the voice of Raina Kabaivanska The song of memories. Pages of an Italian symphony now forgotten which Fiamma Nicolodi highlighted by sketching the composer's musical itinerary brings the Romantic and Late Romantic German tradition closer to the French one to Saint-Saens and to Franck. Difficult to assess the results. In reconstructing the history of musical Italy one cannot ignore it however by playing Martucci and with him the Sgambati the Mancinelli the Bossi a role that is anything but secondary.</p> Comitato Provinciale del Turismo, paperback
Bookseller reference : NYBF18
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[Toscanini, Arturo] Sachs, Harvey
Toscanini: Musician of Conscience
Liveright 2017. First Edition. Hardcover. Near Fine. 923 pages. A biography of the Italian conductor 1867-1957. First edition first printing. Near fine in a near fine dust jacket. Minor edge wear and a light crease to the front flap. Former owner's name on front free endpaper.<br> <br> <p>It may be difficult to imagine today but Arturo Toscanini--recognized widely as the most celebrated conductor of the twentieth century--was once one of the most famous people in the world. Like Einstein in science or Picasso in art Toscanini 1867-1957 transcended his own field becoming a figure of such renown that it was often impossible not to see some mention of the maestro in the daily headlines.</p> <p>Acclaimed music historian Harvey Sachs has long been fascinated with Toscanini's extraordinary story. Drawn not only to his illustrious sixty-eight-year career but also to his countless expressions of political courage in an age of tyrants and to a private existence torn between love of family and erotic restlessness Sachs produced a biography of Toscanini in 1978. Yet as archives continued to open and Sachs was able to interview an ever-expanding list of relatives and associates he came to realize that this remarkable life demanded a completely new work and the result is Toscanini--an utterly absorbing story of a man who was incapable of separating his spectacular career from the call of his conscience.</p> <p>Famed for his fierce dedication but also for his explosive temper Toscanini conducted the world premieres of many Italian operas including Pagliacci La Boheme and Turandot as well as the Italian premieres of works by Wagner Brahms Tchaikovsky and Debussy. In time as Sachs chronicles he would dominate not only La Scala in his native Italy but also the Metropolitan Opera the New York Philharmonic and the NBC Symphony Orchestra. He also collaborated with dozens of star singers among them Enrico Caruso and Feodor Chaliapin as well as the great sopranos Rosina Storchio Geraldine Farrar and Lotte Lehmann with whom he had affairs.</p> <p>While this consuming passion constantly blurred the distinction between professional and personal it did forge within him a steadfast opposition to totalitarianism and a personal bravery that would make him a model for artists of conscience. As early as 1922 Toscanini refused to allow his La Scala orchestra to play the Fascist anthem "Giovinezza" even when threatened by Mussolini's goons. And when tens of thousands of desperate Jewish refugees poured into Palestine in the late 1930s he journeyed there at his own expense to establish an orchestra comprised of refugee musicians and his travels were followed like that of a king.</p> <p>Thanks to unprecedented access to family archives Toscanini becomes not only the definitive biography of the conductor but a work that soars in its exploration of musical genius and moral conscience taking its place among the great musical biographies of our time.</p> Liveright hardcover
Bookseller reference : 235102 ISBN : 1631492713 9781631492716
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[Toscanini, Arturo.] Chotzinoff, Samuel.
TOSCANINI: An Intimate Portrait.
New York:: Alfred A. Knopf 1956. Hardcover -. Good in red boards with black cloth spine rubbing to spine lacking the dj. Book of the Month Club edition same size and quality as trade edition. A warm memoir of the brilliant conductor illustrated with photographs by Adrian Siegel. 148 pp. Alfred A. Knopf, hardcover
Bookseller reference : 41183
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[TOSCANINI] - DELLA CORTE (Andréa).-
Toscanini.
1948 Lausanne, Rouge, 1948, in 8° broché, 181 pages ; quelques rousseurs.
Bookseller reference : 38628
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A.A. V.V.
La lezione di Toscanini. Atti del Convegno di Studi toscanini al XXX maggio musicale fiorentino.
In 8° pp. 387, br. e sovr. edit. perfetto.
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Aa Vv.
L'illustrazione Italiana Anno 84 (1957) Febbraio N. 2
Mm 240x310 Brossura editoriale di pp. 92, con belle immagini in bianco e nero e a colori, anche a piena pagina. In buono stato di conservazione, minimo distacco al dorso. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE.
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Aa Vv.
La Lezione Di Toscanini Atti Del Convegno Di Studi Toscaniniani al XXX Maggio Musicale Fiorentino
Mm 145x225 Brossura editoriale con bandelle di pp.367, a cura di Fedele D'Amico e Rosanna Paumgartner, con appendici a cura di Franco Serpa, Giorgio Gualerzi, Raffaele Vegeto, in buono stato. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE.
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AA. VV ..
Toscanini nella pittura di Caselli.
In-4°, leg. in scamosciato e sop.c. edit. ill. a col., pp. 97(3). Testi di Orio Vergani, Emilio Radius e Waldemar George. Con molte ill. in nero e a col. applicate a collage. Edizione limitata e numerata; il nostro esemplare (n° 17) è uno dei 250 fuori commercio con copertina scamosciata 'Storey'. Fioriture ai contropiatti, ai fogli di sguardia, e ad altre carte; ma buon esemplare.
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Aa. Vv.
Torino Fotografia '91: Alle Americhe e Ritorno. Biennale Internazionale
Mm 100x115 Catalogo della mostra di Torino Fotografica, Biennale Internazionale. Brossura editoriale, 223 pagine con immagini fotografiche in nero e a colori, testo italiano e francese - french-italian texts. Libro in ottimo stato. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE.
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AA.VV
Arturo Toscanini Parma nel centenario della nascita (1867 - 1967)
Sovracopertina usurata con strappetti, interno molto buono, rilegatura solida libro perfettamente fruibile
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AA.VV
TOSCANINI TRA NOTE E COLORI
In-8 (cm 28x25), pp. 159, brossura edit. (con alette) ill. "Collezione Toscanini. Catalogo dei dipinti e delle sculture". Catalogo della mostra "Toscanini tra note e colori", Fondazione Biblioteca di via Senato, Milano, 31 marzo - 7 ottobre 2007. Minimi e lievi segni d'uso, Molto Buono.
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AA.VV.
ARTURO TOSCANINI.LA VITA, LA FAMIGLIA, GLI AFFETTI.
IN 4°, pp.62. COPERTINA EDITORIALE ILLUSTRATA A COLORI CON TITOLO SU FONDO NERO.<BR>CATALOGO RICCAMENTE ILLUSTRATO CHE PROPONE ALL'ASTA 72 LOTTI RIGUARDANTI ARTURO TOSCANI TRA AUTOGRAFI, SPARTITI, CIMELI, FOTO, ECC. PRECEDE LA DESCRIZIONE DEI LOTTI UNA INTRODUZIONE A TOSCANIN DI ANDREA PENNA. TESTO BILINGUA, ITALIANO - INGLESE. PERFETTA CONSERVAZIONE SENZA ANNOTAZIONI E SOTTOLINEATURE. RARO CATALOGO. ID, 5962.
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AA.VV.
TORNI TOSCANINI" - Stelloncino in corsivo in prima pagina (Aspra e pungente polemica col Maestro che in USA dava concerti a favore delle spese di guerra )
Il Resto del Carlino di un solo foglio del 25/4/1944
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ALLEGRI RENZO.
TOSCANINI DOLCE TIRANNO. LA VITA, L'ARTE, LA FEDE NEL RACCONTO DELLE FIGLIE E DEGLI AMICI.
In 8°, br. edit. ill. con ali, pp.239,(1); coll. "Maestri di Frontiera", copia molto buona. (LU010) (La spedizione standard è SEMPRE tracciata con raccomandata - piego di libri, eventuale FATTURA da richiedere all'ordine)
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Andrea Della Corte
Toscanini
Librairie F. Rouge & Cie S.A 2026 181 pages in8. 2026. Broché couverture rempliée. 181 pages. Biographie du chef d'orchestre Arturo Toscanini écrite par Andrea Della Corte et traduite de l'italien par A. Jacquemard. L'ouvrage publié en 1948 à Lausanne par la Librairie F. Rouge & Cie fait partie de la collection "Musiciens et leurs Œuvres". Il s'agit d'un in-12 broché de 181 pages
Bookseller reference : 8576
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Arturo Toscanini Performer; NBC Symphony Orchestra Performer; Eileen Farrell Performer;
Arturo Toscanini Conducts Beethoven Vol. 4 Symphony No. 9 : "Choral
Dante Records Lys. audioCD. New. 5x4x0. Brand New factory sealed in original shrink wrap. Dante Records Lys unknown
Bookseller reference : c15159
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Arturo Toscanini; Giuseppe Verdi [Composer]; Arrigo Boito [Composer]; Modest Mussorgsky [Composer];
Arturo Toscanini e l'Orchestra del Teatro alla Scala Wagner VerdiMussorgsky and Boito Rare and Unreleased Recordings Box Set Including outer Red La Scala Box FONO 081 82
La Scala 2001-01-01. Audio CD. Very Good. Includes 2 clean audio CD's and artwork in the original jewel case along with booklet in the slipcase. La Scala unknown
Bookseller reference : 148639
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Arturo Toscanini
Beethoven Symphony No. 7 in a Major Op.92 With Arturo Toscanini Conducting the Nbc Symphony Orchestra
Vinyl. Very good. Beethoven Symphony No. 7 in A Major op.92 with Arturo Toscanini conducting the NBC Symphony Orchestra: LP record. Olympic Records/Arturo Toscinini Society ATS 1117 a nice LP record in it's slipcase no owner's mark edge wear and rubbing on slipcase. unknown
Bookseller reference : 4F-00GB-YA24
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Arturo Toscanini
Beethoven: Symphonies 1-9
Sony Classical 2001-02-20. audioCD. New. 5x5x0. Sony Classical unknown
Bookseller reference : 240321029
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Arturo Toscanini & NBC Symphony Orchestra
Great Conductors - Toscanini Music CD
<p>1 Audio CD Cat # 8.110818 Naxos Historical Germany 1999. The plastic case is intact. The artwork is complete. The disk may have minor marks. Sent within 24 hours. Ref: C748. International buyers a very substantial postage discount is available on this item. Please contact me.<br /><br /></p> Naxos Historical
Bookseller reference : JSB-C-748 ISBN : 0636943181823 0636943181
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Arturo Toscanini; Harvey Sachs (compiled, Edited and Translated by)
THE LETTERS OF ARTURO TOSCANINI
GB: Faber & Faber 2002. Navy blue cloth. Book is in excellent condition BUT a bit skewed. Dustwrapper/dustjacket is in very good condition with minor signs of wear and/or age. 1st Edition. Hardback. VG/VG DW. Faber & Faber Hardcover
Bookseller reference : v001.122 ISBN : 0571196292 9780571196296
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Arturo Toscanini, Harvey Sachs (editor)
THE LETTERS OF ARTURO TOSCANINI
New York: Knopf 2002. First Edition; First Printing. Hardcover. Very Good in a Near Fine dust jacket. Knopf hardcover
Bookseller reference : 197073
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Arturo Toscanini Harvey Sachs
The Letters of Arturo Toscanini
Univ of Chicago Pr 2006. Paperback. New. 0002- edition. 494 pages. 9.00x6.00x1.25 inches. Univ of Chicago Pr paperback
Bookseller reference : 1-0226733408 ISBN : 0226733408 9780226733401
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Arturo Toscanini; Harvey Sachs, ed
THE LETTERS OF ARTURO TOSCANINI
New York: Alfred A. Knopf 2002. First Edition First Printing. Hardcover. Very Good. 468p. A hardcover book in near-fine condition with a fine dustjacket. Very faint stain at bottom of spine; otherwise clean and tight. Jacket fully intact. The letters of Arturo Toscanini 1867-1957 the music director for the NBC Symphony Orchestra on radio. Alfred A. Knopf hardcover
Bookseller reference : 184875 ISBN : 0375404058 9780375404054
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Arturo Toscanini
The Letters of Arturo Toscanini
Knopf Doubleday Publishing Group 2002. Hardcover. Good. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More Spend Less.Dust jacket quality is not guaranteed. Knopf Doubleday Publishing Group hardcover
Bookseller reference : G0375404058I3N00 ISBN : 0375404058 9780375404054
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