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[SAVOIE].-
Panorama pris du sommet du BREVENT.
1900 Genève, Julien Frères Photographes, sans date (vers 1900), plaquette in 8° oblong, couverture illustrée.
Referentie van de boekhandelaar : 88030
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[Schieberth, Hermann]
Photo-Bildnisse aus dem Atelier Herm. Schieberth, Wien I, Opernring 11. (Mit einem Vorwort von Siegfried Wachtl, Herausgeber der ?Kamera-Kunst?).
Wien, Eigenverlag, o. J. (um 1915). 4°. Mit 24 Portraittafeln. 1 Bl. Text, OKart.
Referentie van de boekhandelaar : 63938
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[Schmidt, Hannes]
Sampa: sagt Paul.
Düsseldorf, Selbstverlag/Sampa GmbH. Groß-4°. Original-Halbleinenband. Illustrierter Pappschuber. Unpaginiert.
Referentie van de boekhandelaar : 40331AB
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[SCHNEIDER (Romy) & TRINTIGNANT (Jean-Louis) - DEJEAN (Alain, photographie de).
Photographie originale figurant Romy Schneider et Jean-Louis Trintignant.
1821. Dimensions : 298 x 202 mm. Tirage argentique du temps. Photographie originale figurant les deux acteurs en 1973 au cours du tournage d'une scÂne du film Le Train de Pierre Granier Deferre. Tampon d'Alain Dejean de l'agence Sygma au verso. TrÂs belle condition. b42961 unknown
Referentie van de boekhandelaar : 14765
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[SCHNEIDER (Romy) & TRINTIGNANT (Jean-Louis) - DEJEAN (Alain, photographie de).
[Photographie originale figurant Romy Schneider et Jean-Louis Trintignant].
Dimensions : (298 x 202 mm).
Referentie van de boekhandelaar : 14765
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[Schnyder Albert] Max Huggler, Georges Peillex:
Albert Schnyder.
Frauenfeld und Stuttgart, , Verlag Huber & Co., [1978]. In-4, pleine toile titrée, jaquette couleurs. Petits frottements à la jaquette. Nombreuses reproductions en noir et en couleurs, quelques photographies.
Referentie van de boekhandelaar : 21889
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[Schulz, Gustav]
Hamburg - Valparaíso. Illustriert von Gust. [Gustav] Schulz.
[Leipzig, gedr. von Giesecke & Devrient, 1895]. 21 schwarz-weiße Foto-Tafeln in Kupfertiefdruck (Blattgröße ca. 23 x 28,5 cm; Bildgr. ca. 13,5 x 19 cm) (= Süd-America, Nr. 2). Lose in olivgrüner OLn.-Taschenmappe mit reicher Goldprägung (Mappe ca. 29,5 x 24 cm).
Referentie van de boekhandelaar : 55215
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[Schüttwehr im Ybbstal bei Waidhofen an der Ybbs]
?Schütt-Wehr?.
Wien, Helm?s phot. Kunstverlag, o. J. (um 1880). Orig.-Photographie (14,9 x 21,2 cm) auf Untersatzkarton (25 x 33 cm).
Referentie van de boekhandelaar : 43898
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[Science et Vie]
SCIENCE et VIE - n° 379 - Avril 1949
Une revue de 96 pages, format 165 x 245 mm, illustrée, brochée couverture couleurs, bon état
Referentie van de boekhandelaar : LFA-126735061
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[SCIENCE NATURELLE] - GISSY (Michel)
Séquence de chasse photo, de l'Alsace à l'Afrique.
Strasbourg, Éditions la Nuée Bleue, 1986; in-4, 102 pp., broché. Envoi de l'auteur. État neuf.
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[SCIENCE]
Image et science.
BPI-Centre Georges Pompidou/Herscher, 1985. In-8 cartonnage éditeur. Coll. " Sémaphore ". Préface : M. Melot. Introduction : F. Dagognet. Nombreuses contributions. Importante iconographie : dessins, photos, bibliographie. E.O.
Referentie van de boekhandelaar : L11872
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[SCULPTURE] JONCHERY (Charles Emile).
Album de photographies en noir et blanc de l'atelier de sculpture de Charles Emile Jonchery.
1918 Album en carton recouvert de tissu gris, avec 23 photographies 15 x 10 cm environ et 1 photographie 4 x 16 cm environ. Les photographies sont collées sur les pages en carton de l'album. Elles représentent des modèles en plâtre ou en terre ayant le plus souvent trait à la guerre de 1914-1918. Certaines de ces scuptures sont des oeuvres de propagande traitées parfois comme des caricatures (soldat allemand sur le point de violer une femme nue à ses pieds, etc.), d'autres plus réalistes sont commémoratives (plaques de villes martyres comme Ypres, Reims, Arras). Les dimensions réelles sont indiquées à la plume dans les marges. Tampon "Cheret Lanterne magique" sur les pages de garde.
Referentie van de boekhandelaar : 336
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[SCULPTURE]. [STATUAIRE]. - Ensemble de 7 photographies originales d'OEUVRES DE GASTON DUMONT. - DUMONT, Gaston. -
[book photo : présentation d'oeuvres de et par Gaston Dumont]. -
Ensemble de 7 photos originales (dont 1 en couleurs)contrecollées et légendées sur 2 feuillets (25 x 19 cm), avec tampon de l’artiste : GASTON DUMONT « STATUAIRE » 7 impasse Nansouty Paris XIVe. - Provenance : « book » de l’artiste sculpteur. .. - Très bon état (voir photos). -
Referentie van de boekhandelaar : 192
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[SEATTLE, WASHINGTON -- PHOTOGRAPHY]. NEWCOMB, T. (Photographer).
Night in Seattle.
New York: Newcomb Publishing Co. 1913. Oblong 8vo. 10 x 6.75 in. 16 pp unpaginated. photo-illustrated throughout. Self-printed softcovers photo cover art front & back of Seattle skyline at night Smith Tower on back cover minot closed tear at gutter margin first leaf minor age toning edgewear still VG- copy. First edition of this installment in Newcomb’s series of publicity land promotional “Night†scenes in big cities across the country including New York Chicago Portland Los Angeles Memphis Denver and Kansas City as municipalities moved towards substantial displays of incandescent lighting to increase downtown trade. Views include night scenes advertising the City Light power system and displays on the Smith Tower Court House Second Ave. with Rainier Beer neon illuminating the night Pioneer Square and more. Worldcat locates 2 copies Bancroft WI Hist. Soc. Newcomb Publishing Co., paperback
Referentie van de boekhandelaar : 60716
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[SECOND EMPIRE] - MIQUEL (Pierre).-
Le Second Empire. Texte de Pierre Miquel. Notes d'Antoine Longuépée.
1979 Paris, André Barret (Collection "Trésors de la Photographie"), 1979, in 4°, reliure illustrée de l'éditeur, 222 pages ; importante documentation photographique.
Referentie van de boekhandelaar : 88168
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[SEGALEN (Victor)] - DOUMET (Christian).-
Passage des oiseaux pihis. Photographies de Chine de Victor Segalen. Texte de Christian Doumet.
Cognac, Le Temps Qu'Il Fait, 1996, in 8° broché, 109 pages ; couverture illustrée.
Referentie van de boekhandelaar : 61893
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[Selby Shaver] Tim Chambers; Greg Rannells [photography]; Tyler Stallings [design]
The Art of the Game: A Collection of Vintage Board Games from the Collection of Selby Shaver Inscribed and Signed by Chambers
West Boylston MA: Selby Shaver and Tim Chambers / Mercantile/Image Press 2001. Very Good/Very Good. West Boylston MA: Mercantile/Image Press 2001. First Edition. Large square quarto 31cm; publisher's cloth in pictorial dust jacket; xi1215pp.; full color photographs throughout. Moderate wear and wrinkling to dust jacket margins corners very slightly nudged else Very Good and sound. Inscribed and signed by the author Tim Chambers on title page "To John & Colleen -- Two great people who make the business great! Thanks and enjoy -- Tim. Selby Shaver and Tim Chambers / Mercantile/Image Press unknown
Referentie van de boekhandelaar : 46408
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[Semmering]
?Semmering-Jubilaeum 1904?.
Abbazia (Semmering), Hof-Photograph E. Jelussich, (1904). Orig.-Fotografie (18,1 x 24 cm), mont. auf bedrucktem Untersatzkarton (25 x 30,7).
Referentie van de boekhandelaar : 52723
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[Sender] Collectif
Zeitgenossen. August Sender und die der 20er Jahre im Rheimland
Steidl 2000 Livre en allemand. In-4 relié. Jaquette en état moyen. 253 pages. Bon état d’occasion.
Referentie van de boekhandelaar : 100230
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[SHANGHAI] [PHOTOGRAPHIES}
Shanghai 1911-1940 - Photographies du Musée d'Histoire de Shanghaï
Paris, Editions Findakly, 2003. 1 album in-4, 125 pp., illustré de photographies anciennes de Shanghaï. Album publié à l'occasion de l'Exposition de photos du Musée Carnavalet (décembre 2003-mars 2004). A l'état de neuf, as new.
Referentie van de boekhandelaar : 7843
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[SHANGHAI] [PHOTOGRAPHIES}
Shanghai 1911-1940 - Photographies du Musée d'Histoire de Shanghaï
Paris, Editions Findakly, 2003. 1 album in-4, 125 pp., illustré de photographies anciennes de Shanghaï, reliure moderne plein cuir, couverture illustrée conservée. Album publié à l'occasion de l'Exposition de photos du Musée Carnavalet (décembre 2003-mars 2004). A l'état de neuf, as new. Un autre exemplaire, broché, couverture à rabats, est vendu 30 euros.
Referentie van de boekhandelaar : 12107
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[Shepp, Alan] Jo Farb Hernandez, curator. Essays by Mark Levy and Phyllis Tuchman
ALAN SHEPP: THE LANGUAGE OF STONE.
Monterey CA:: Monterey Peninsula Museum of Art 1991. First edition -. Fine in plain white inner wrappers with stone illustrated wrappers with oversized self flaps. First printing in wrappers. Catalogue for November 1 1991-February 2 1991 exhibition at the Monterey Peninsula Museum of Art curated and with an introduction by Jo Farb Hernandez who notes that Shepp created some new pieces specifically for this installation. Essays by Mark Levy and Phyllis Tuchman. 36pp. Includes exhibition checklist and history. Illustrated with both full color and black and white photographs of indoor and outdoor installed sculpture works. Slightly oversized format 36 pp. Monterey Peninsula Museum of Art, unknown
Referentie van de boekhandelaar : 82238
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[SIAM] [PHOTOGRAPHIES]
Album Photographique d'un voyage au Siam
Siam, 1929-1930 1 petit album relié en cuir bleu (13*19 cm) contenant 96 petites photos en noir et blanc (5*8 cm)
Referentie van de boekhandelaar : 8540
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[Sibley (Brian)] Collectif
Chicken Run. L’eclosion d’un film
La Martiniere 2000 In-4 cartonné, sous jaquette illustrée, 191 pp. Préface de Mel Gibson.
Referentie van de boekhandelaar : 26345
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[SIDIBE Malick] COLLECTIF
Malick Sidibé - Mali Twist
Paris, Editions Xavier Barral / Fondation Cartier pour l'art contemporain, 2017, 20 x 26,5, 296 pages sous cartonnage éditeur illustré. Contient 250 reproductions noir & blanc et couleurs. Ouvrage publié à l'occasion de l'exposition éponyme à la Fondation. "Hommage au grand photographe malien Malick Sidibé (1935-2016), l’exposition Malick Sidibé, Mali Twist, présentée en 2017 à la Fondation Cartier pour l’art contemporain, offre une plongée historique dans le Bamako des années yéyé, au temps du twist et du rock’n’roll, alors que le Mali vient d’accéder à l’indépendance. À travers plus de 250 photographies, la vaste monographie publiée à cette occasion montre comment Malick Sidibé a saisi la joie de vivre et l’élégance de la jeunesse bamakoise, que ce soit dans son studio de la rue Bagadadji ou lors des nombreuses surprises-parties qui se prolongeaient le dimanche sur les rives du fleuve Niger. Dirigé par André Magnin et Brigitte Ollier, cet ouvrage réunit les photographies les plus remarquables et iconiques de Malick Sidibé, des tirages d’époque inédits réalisés entre les années 1960 et 1980, ainsi qu’une sélection de pochettes dans lesquelles le photographe archivait ses reportages de soirées. Il présente également pour la première fois un ensemble de portraits d’une beauté intemporelle. Témoignage fabuleux, Malick Sidibé, Mali Twist dévoile ainsi la sensibilité d’un homme généreux et bienveillant, qui a fait de la photographie un art de l’échange. Malick Sidibé a exposé pour la première fois hors du Mali en 1995 à la Fondation Cartier pour l’art contemporain à Paris. Accédant peu à peu à une reconnaissance internationale, il a été en 2003 le premier photographe africain à se voir décerner le prestigieux prix Hasselblad. En 2007, il a reçu un Lion d’or d’honneur pour l’ensemble de sa carrière à la Biennale de Venise. Il s’est éteint le 14 avril 2016 à Bamako, où il vivait et travaillait."
Referentie van de boekhandelaar : PHOTOGRAPH777770924
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[Silvers] Hawley
Photomosaiques. Robert Silvers
France loisirs 1999 In-4 reliure éditeur sous jaquette, 77 pp.
Referentie van de boekhandelaar : 4272
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[Simchoni, S.] [Ed.]
The Great Victory in Pictures
220X250 mm. Unpaginated. Hardcover. Cover scratched. Cover edges worn and bumped. Spine edges worn and bumped. Inner cover wrinkled. Binding loose. Binding visible between a few pages. A few pages are aged-stained. Pen inscription on rear white page. Else in good condition.
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[SIMENON (Georges), photographie]
Portrait.
1 tirage (175 x 230 mm) noir & blanc, dédicace autographe signée en marge supérieure gauche. Photographie dédicacée à Claude Menguy, son bibliographe, depuis " Bruxelles 1966". L'encre a passé et ne nous a pas permis de déchiffrer la teneur exacte de la dédicace. Simenon, en juin, passe par Bruxelles, pour un voyage qui le conduira jusqu'à Delfzil, petite ville du nord des Pays-Bas, où une statue du commissaire Maigret va être inaugurée, sur la place centrale du bourg où Simenon plaça l'intrigue de son premier roman, en 1929. C'est à l'issue de ce voyage qu'il entame la rédaction de son prochain, Le Chat, qui sera adapté par Pierre Garnier-Deferre, avec l'inoubliable interprétation de Jean Gabin et Simone Signoret. Pour l'heure, c'est La Mort d'Auguste, imprimé pendant l'été, qui consacre sa rentrée littéraire.
Referentie van de boekhandelaar : 17169
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[SIMENON (Georges)]
Portrait de Georges Simenon.
Photographe anonyme, s.d. [probablement années 60]. Photographie originale, tirage argentique 17,8 x 12,5 cm. Simenon lisant des cartes de France et atlas.
Referentie van de boekhandelaar : L10669
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[SIMENON (Georges)].
[Photographie originale figurant Georges Simenon conversant avec un homme].
Dimensions : 304 x 208 mm.
Referentie van de boekhandelaar : 14583
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[SINGAPORE - PHOTOGRAPHS] [SACHTLER August, and others].
PHOTOGRAPHIE ORIGINALE : (N°139) VIEWS OF SINGAPORE AND SURROUNDINGS - SINGAPORE - 1870 [PLANTATION DE JUNGLE EN ACTIVITE AVEC 4 BATEAUX - a jungle plantation in operation (with 4 boats)]
singapour 1870 une photographie originale : photographie positive montée sur carton : papier albuminé, d'après négatif sur plaque de verre au collodion, format de la photo seule : 27 x 21 cm, format total avec le carton : 27 x 35 cm, PROVENANCE ; Views of Singapore and surroundings.[Singapore - Photographs]. Sachtler, August, and others. Edité à Singapour, ca. 1870.,
Referentie van de boekhandelaar : 26803
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[SMITH (Patti)] GASSIAN (Claude).
Patti Smith. Horses-Paris 1976.
Gallimard, 2025. In-4 cartonnage éditeur illustré. Photographies de prises par Gassian lors du voyage et de la tournée de P. Smith en France en 1976 pour la sortie de son disque Horses. Préface de Patti Smith. Texte et photographies de C. Gassian. E.O. Envoi autographe de Claude Gassian.
Referentie van de boekhandelaar : L17087
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[SMITH]. CATALOGUE D’EXPOSITION
Michael A. Smith: a Visual Journey. Photographs from Twenty-Five Years.
Revere, PA, Lodima Press, 1993. In-4 oblong, rel. d’éditeur pleine toile grise sous jaquette ill. rempliée, 191 pp., 176 il. photographiques dont 48 à pleine page, certaines dépliantes.
Referentie van de boekhandelaar : 568489 ISBN : 960564640
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[SOLDAINI, ANTONELLA - COLOMBO, PAOLO (CATALOGO A CURA DI)]
L'IMMAGINE RIFLESSA: UNA SELEZIONE DI FOTOGRAFIA CONTEMPORANEA DALLA COLLEZIONE LAC, SVIZZERA. CATALOGO MOSTRA: MUSEO PECCI, PRATO: 1 APRILE - 28 MAGGIO 1995. PRIMA EDIZIONE.
IN-8°, PP. 157 (3), ILL. B.N. E COL. N.T, BROSS. EDIT., COP. (LIEVISSIME TRACCE D'USO E DI POLVERE), TESTO BILINGUE (ITALIANO, INGLESE), COME NUOVO (M). A 108AC
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[SOUBIROUS Bernadette] BILLARD-PERRIN Auguste
Portrait photographique de Bernadette Soubirous
- Billard-Perrin & Cie, Pau s.d. (1865), 6,2x10cm, une photographie au format carte de visite. - Photographie originale sur papier albuminé, au format carte de visite, contrecollée sur un carton de l'atelier palois d'Auguste Billard-Perrin. Quelques taches. [ENGLISH DESCRIPTION ON DEMAND]
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[SOUDAN] [PHOTOGRAPHIES]
Auteur non identifié - Esquisses soudanaises, 1905.
Album in 4° oblong toilé bleu se dépliant en accordéon renfermant 12 tirages argentiques d’époque légendés à l’encre sur les montages. Epreuves 13 x 18 cm. Maures marchands d’Autruches, Marché de Kayes, Salam autour de la mosquée à Kayes, Joueur de Balafon, Départ du train de Médine en gare de Kayes…
Referentie van de boekhandelaar : 9882
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[SOUGEZ, Emmanuel [Photography] & KUNSTLER, Charles [Intro]]
La Sculpture Contemporaine 1900-1960 Sculpture francaise
c. Bobigny: Éditions De L'Illustration 1961. 1961. Cover Title. folio. ff. x 2. 44 plates 4 tipped-in colour & 7 text illus. gatherings & plates loosely inserted in wrs. small tapestain to lower covers institutional bookplate & slipcase. [c. Bobigny]: Éditions De L'Illustration, [1961]. unknown
Referentie van de boekhandelaar : AOUS[SOU18
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[SOUGEZ, Emmanuel [Photography] & GOLDSCHEIDER, Cecile [Intro]]
La Sculpture Contemporaine 1900-1960 Sculpture étrangère
c. Bobigny: Éditions De L'Illustration 1961. 1961. Cover Title. folio. ff. x 2. 44 plates 4 tipped-in colour & 8 text illus. gatherings & plates loosely inserted in wrs. two tears across width of spine short tear to upper edge institutional bookplate & slipcase. [c. Bobigny]: Éditions De L'Illustration, [1961]. unknown
Referentie van de boekhandelaar : AOUS[SOU21
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[sous la direction d'] Isabelle Dulac-Rooryck ; [photographies de] Jean-Francois Amelot ; Bernadette Barriere, Jean-Paul Besse,
L'art religieux en Bas-Limousin : peintures sculptures et mobilier
Toulouse: Le Tournefeuille ; Jouanaud 1997. Hardcover. Very good/Not issued. 205 x 245 x 20 cm. Hardcover • Illustrations • <b><i>French text original</i></b>. Le Tournefeuille ; Jouanaud hardcover
Referentie van de boekhandelaar : PM409305U ISBN : 2911378164 9782911378164
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[South Africa; Photography]
Photograph of Adderley Street Cape Town South Africa
1870. Ephemera. Good overall. Albumen photograph of Adderley Street in Cape Town South Africa. A man in bowler hat stands in the foreground clock tower over J. Curtis Draper on left many horse carriages lined up on the opposite side of street. Caption on verso "Atherley Street Cape Town". Approximately 9 1/4 x 4 3/4" three small spots on right where paper has thinned one slight dark spot at center. Backed with tissue paper. unknown
Referentie van de boekhandelaar : 21170
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[South Dakota]. [Photography]
Two Annotated Photographs of Early Groton South Dakota
N.p. likely Groton SD: October 1885. Very good. Two mounted albumen photographs 5.5 x 8.25 inches on 8-x-10-inch plain cardstock. Small chip to bottom edge of each mount some edge wear dust-soiling and rubbing. A highly-informative pair of original photographs of two different areas of Groton South Dakota just four years after its founding each identified in the lower margin both taken in October 1885 both from a slight elevation and each with numerous manuscript captions in the margins identifying various locations in the images. The first photograph pictures "Central Part of Groton. October 1885." Manuscript captions point to the bank post office "Trinity Church" the Presbyterian Church "Presbyterian Parsonage" and an "X" on the Brunswick Hotel identifying "Will's room formerly at the hotel." The second photograph is titled "Northern Part of Groton Dakota. In Oct. 1885." Among the buildings identified here are "Will's home" "School house" "New College Buildings" "Bank Building" and the location of Main Street. Each photograph pictures many more buildings than are identified through the captions and juxtapose the town's collection of buildings against a wide and empty prairie beyond. Together the photographs provide a rare and early city view of the still-remote city of Groton located in the north-eastern part of South Dakota and numbering just 1380 residents as of the 2020 census. October unknown
Referentie van de boekhandelaar : 3348
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[SOVIET UNION] [PHOTOGRAPHY]
Commemorative Photo Album of the 50th Anniversary of the Russian Revolution
Druskininkai Lithuania 1968. Large oblong folio 30x41.50cm.; commemorative postbound photo album of brown blind-embossed cloth; 29 grey card leaves to which are mounted 30 original photographs measuring ca.15x24cm or the inverse to 30x24cm all captioned in neat manuscript Russian though the opening statement on front pastedown in manuscript Lithuanian of the same hand. Corners a bit bumped pastedown endpapers starting to peel from boards light occasional soil to leaves else Very Good the photographs all in fine condition. Collection of neatly compiled but rather amateurish photographs taken during the 50th anniversary of the Russian Revolution celebration in the Lithuanian spa town of Druskininkai featuring members of both the military the Young Leninists Komsomol and the Pioneers. The earliest photos show the visit of Anna Vasil'evna mother of the fallen hero Petr Naboichenko at the company with which he served her face shown weeping before an oversized portrait of her son. Vasil'evna reappears in one more photograph towards the end of the album sitting in a classroom surrounded by listeners as she wipes her eyes with a handkerchief. The photos also depict the march to the burial place of Naboichenko at which is held a rally of soldiers and members of the Pioneers in memory of those who fell during the liberation of Druskininkai. Other photos show members of the party in an empty field "the site of a fierce battle" our translation. The final photographs promote the importance of the press as a man in military uniform reads from the day's newspaper to a small cluster of soldiers some of them looking as young as fourteen. The final photo taken at the evening's banquet show a four-man military band on maracas bass accordion and guitar the caption describing them as the prizewinners of a televised competition. Kind thanks to our colleague Dr. Joseph Kellner for his assistance in the translating and cataloging of this item. unknown
Referentie van de boekhandelaar : 49884
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[SOVIET UNION] [PHOTOGRAPHY] RODCHENKO, Alexandr
Moscow
Moscow and Leningrad: State Art Publishers 1939. No Edition Stated. Quarto. 26cm. Publisher's ribbed maroon leatherette with the title embossed in gilt to the front board gilt decoration to spine. Approx 250pp.Some wear and rubbing to the extremities most noticeable at the spine ends strong robust and handsome internally clean a very good smart looking copy. Complete with the two tipped in fold-out panoramas of historical renderings of Moscow intended to allow readers to compare the vibrant new Moscow to the less streamlined and progressive city of the past.<br /> <br /> With photography by Rodchenko during a period when he was more concerned with painting and text by his wife Vavara Stepanova this volume of stridently energetic images of Moscow Muscovites and the general beauty and order of the urban jewel of the Soviet Union was created for the New York World's Fair of 1939. This use of Rodchenko's photography occured during a time when criticism of his work as being 'too aesthetic' and not adequately serving the cause of Socialist Realism was causing him some professional and political problems. His desire "to search inquisitively for new riches in the language of photography" frequently put him in a position where the taking of a photograph that fulfilled his artistic requirements placed him at odds with the artistic requirements of the Soviet artistic monolith or at least the monolith it aspired to represent.<br /> No expense seems to have been spared for this volume and no publicity trope of Soviet Reality tm seems to have been overlooked; from clean streets and punctual public transport to racks of healthy babies in a Moscow maternity ward and laughing children behind the scenes at the State Theatre. Access is given to the production lines of the mighty factories of the Soviet industrial behemoth with special emphasis on the way in which the workers of the USSR are encouraged to streamline and develop their own working methods and procedures with the aim of constantly striving to increase productivity and labor output. Workers are smiling proud and uniformly enthusiastic schoolchildren are clean and respectful and avidly consuming Pushkin at age 7 and the rest of the world looks grubby cluttered and chaotic in comparison which was presumably the idea. Impressive somewhat awe inspiring and from a 21st century perspective rather grim considering the carnage and chaos that was about to overwhelm the world. Fairly well represented in institutions with some visible gaps clean tidy copies can be elusive. KARASIK: The Soviet Photobook 1920-1941. Pages 464-465. State Art Publishers unknown
Referentie van de boekhandelaar : 82929
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[SOVIET UNION] [PHOTOGRAPHY - COLLECTIVIZATION] Unidentified photographer
СОВКОЗ No.1 ИМ Серго ОрджоникидÑе - ÐКВД - ГРУЗИÐСКОЙ ССР- ТБИЛИСИ 1938 = SOVKHOZ NO. 1 Sergo Ordzhonikidee - NKVD - GEORGIAN SSR - TBILISI 1938. Presentation Photograph Album of a Soviet State Farm Sovkhoz Tblisi 1938
Tblisi: NKVD 1938. A magnificent grand-format presentation album ca 35cm x 42cm bound in full calf with heavy gilt titling to front cover; containing 113 original photographs including 90 large-format gelatin-silver prints most about 22cm x 29cm ca 8-1/2" x 11-1/2" a few slightly larger or smaller; four folding panoramas and 19 smaller-format portraits 10cm x 7cm ca 4-1/2" x 3". Rubbing to covers; mild staining to some of the mounts occasional surface scuffs to photographs; two of the panoramas have mended tears at folds. Overall a complete well-preserved album with the photographs in generally excellent condition. A complete list of captions translated into English is included. <br /> <br /> The movement for rural collectivization in the Soviet Union began in earnest in the late 1920s and reached its peak in the mid-1930's under the second Five Year Plan. In every Soviet state hundreds of thousands of rural peasants were moved off their own small holdings and relocated to one of the large collective farms kohlkozy or as here to State-run agricultural factories sovkhozy. State-owned farms like the one portrayed in this album operated under somewhat stricter conditions – in the words of one contemporary observer ".it is perhaps incorrect to speak of 'forced' labor in connection with the sovkhozy.but it is quite reasonable to designate this labor as 'militarized'." The fact that this farm was run by the NKVD the Soviet internal security apparatus means its residents were almost certainly present on a punitive or at least rehabilitative basis: as the agency principally responsible for ferreting out and suppressing counter-revolutionary tendencies among the vast Soviet populace the NKVD would have had little other reason to be involved in the operation of an agricultural enterprise. The use of the sovkhoz as a tool of repression especially in the early days of collectivization is well documented: the collective system was coercive and unwelcome to many if not most of the peasants whom it affected. "What is especially dangerous for the stability of the new agricultural system in Soviet Russia – introduced in such a hurry – is the fact that it was put into effect with coercive methods the system being forced on the peasantry and being accompanied by a cruel campaign against the well-to-do peasantry i.e kulaks quoted from Vladimir Timoshenko "The New Agricultural Policy of Soviet Russia" in Journal of Farm Economics v.13 no.2 April 1931.<br /> <br /> To counter some of the negative views of collectivization a large-scale propaganda campaign was initiated and some of the leading Soviet photographers of the period including Georgy Petrusov Evgeny Khaldei V. Teterin Ivan Shagin Arkady Shaikhet among others were employed to present an idealized version of life on the collective farms. The current album clearly intended to convey this sense of the rural ideal was likely produced by the Directors of the Sovkhoz Sergo Ordzhonikidze named ironically for a one-time ally of Stalin's who had been assassinated in the Great Purge for presentation to a regional state official. In more than 100 hand-captioned images the album portrays every aspect of the enterprise from fields of dairy cattle to chicken hatcheries to leisure-hour activities. The workers are uniformly happy and well-fed their surroundings ideally pastoral the machinery clean new and efficient. One can only speculate what conditions prevailed in the absence of a photographer's lens. <br /> <br /> The photographs themselves are clearly professional: technically and compositionally sophisticated they are exemplars of the form produced in an era when the Soviets had raised the photographic arts to a high level in service to their considerable propaganda needs. Of particular interest are numerous interior photographs documenting industrial activities at the farm – maintenance of the boiler rooms and garages; canning operations; the blacksmith's shop etc: even though staged these are extraordinary photographs of a depth and quality one would associate with the flagship Soviet photographic magazines of the period and there were several the most prominent being Sovetskoe Foto which ran from 1926-1977 and USSR in Construction 1930-1941. <br /> <br /> Despite our belief that these images were likely the work of one of the prominent Soviet photo-documentarians of the period attempts to match the images to a known photographer have proved fruitless. Of the names listed above these images most resemble the work of Evgeny Khaldei who would become famous for his photojournalism during the Second World War; but we find no evidence within the album attributing the work to him or any other photographer. Nonetheless a valuable documentation of pre-War Soviet agricultural life and a quite remarkable collection of images. unknown
Referentie van de boekhandelaar : 61757
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[SPANISH CIVIL WAR - PHOTOGRAPHY] CAPA, Robert and Gerda TARO; text translated by Jay Allen
Death in the Making
New York: Covici-Friede 1938. First Edition. First Printing. Quarto 28cm; taupe cloth blocked and titled in black on spine and front cover; dustjacket; unpaginated 96pp; photographically illustrated. Gently spine-sunned lightly shelfworn with foxing to spine joints board edges and upper edge of textblock; pronounced offsetting to gutters at endpapers from binder's glue though text and illustrations are mostly clean; triangular loss to upper right corner of p.50-51 3.5" x 3.25" x 1 5/8" with the torn corner loosely laid in; just Very Good. Dustjacket is unclipped priced $2.50 spine-sunned showing moderate wear several chips tears and attendant creases with a half-dozen or so tears archivally reinforced on verso; Good or better. <br /> <br /> One of the definitive photobooks of the 20th century and an essential title in any collection of books on the Spanish Civil War. The untitled jacket image capturing the moment of death of a militiaman on the Cordoba front established Capa's reputation as one of the great battlefield photographers of all time and remains one of the most recognizable photographs of the Twentieth Century. PARR-BADGER I:139. 81496. Covici-Friede unknown
Referentie van de boekhandelaar : 81496
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[SPENGLER (Huguette)] PACADIS (Alain) & IONESCO (Irina).
Il est interdit d'assassiner Huguette Spengler.
Catalogue biographique édité par maître Binoche à l'occasion de la vente qu'il organisa à Drouot le 12 juin 1974 pour venir en aide à l'artiste surréaliste Huguette Spengler. Plaquette 13,5 x 9,5 cm. de 48 pages agrafées. Préface d'Alain Pacadis, reporter de l'Underground. Photographies d'Irina Ionesco, Bernard Faucon, Michel Berger. Divers textes dont un entretien d'Huguette Spengler avec Alain Pacadis. E.O.
Referentie van de boekhandelaar : L13450
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[Speyer]
?Speyer. Der Kaiserdom. Vorderansicht?. (= Vues du Rhin Nr. 30).
Berlin, E. Linde, um 1875. Orig.-Fotografie (8,5 x 6,3 cm), mont. auf Untersatzkarton (10,6 x 6,7 cm).
Referentie van de boekhandelaar : 46015
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[SPIESS] GODEL Vahé:
Henry Spiess poète survivant.
Genève, Georg, 1963. In-12 de format carré, broché de 130-[2] pages, couverture verte pomme.
Referentie van de boekhandelaar : 21607
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[SPILLER (Willy)] - NIZON (Paul).
Adieu à l'Europe.
Arles, Actes Sud, 2003, 1 vol. in-8 (205 x 150) broché sous couverture illustrée d'une photographie en noir et blanc, à rabats, de 64 pp. Bel exemplaire.
Referentie van de boekhandelaar : 6777
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[SPORT - GOUVERNEMENT DE VICHY] FULGUR PHOTO PRESSE
PHOTOGRAPHIE ORIGINALE DE JEAN BOROTRA , COMMISSAIRE GENERAL AUX SPORTS "DONNANT L'EXEMPLE" EN PRENANT PART A UN MATCH DE FOOTBALL SUR TERRAIN GELE, PARIS LE 22 FEVRIER 1942
paris 1942 une photographie originale en noir, format : 18 x 13 cm, avec une étiquette d'explication de la photo tapée à la machine en noir, collée en bas de la photo, LE 22 FEVRIER 1942, avec cachet violet au dos "autorisé par la censure Allemande le 22 FEVRIER 1942 " et cachet de l'agence "FULGUR" photo presse du gouvernement de vichy,
Referentie van de boekhandelaar : 21580
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