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[Victoria Arduino, machines à café, Foire de Paris, 1955], Photographie prise lors de la foire de Paris en 1955, stand de Victoria Arduino.
[Victoria Arduino, machines à café, Foire de Paris, 1955], Photographie prise lors de la foire de Paris en 1955, stand de Victoria Arduino.
[Victoria Arduino, machines à café, Foire de Paris, 1955], Photographie prise lors de la foire de Paris en 1955, stand de Victoria Arduino. 184*240mm. [189-2] 15
Référence libraire : 011085
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[Victoria Arduino], Roberto Benzi, photographie du chef d'orchestre à 12 ou 13 ans lors du 1er salon du Tourisme et de l'Industrie hôtelière, au stand Juvara - Victoria Arduino (machines à café).
[Victoria Arduino], Roberto Benzi, photographie du chef d'orchestre à 12 ou 13 ans lors du 1er salon du Tourisme et de l'Industrie hôtelière, au stand Juvara - Victoria Arduino (machines à café).
[Victoria Arduino], Roberto Benzi, photographie du chef d'orchestre à 12 ou 13 ans lors du 1er salon du Tourisme et de l'Industrie hôtelière, au stand Juvara - Victoria Arduino (machines à café). Photographie 242*183mm. [189-2] 15
Référence libraire : 011079
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[Victoria; Photography]
The Grange Strathkellar Victoria. 6 Albumen photographs
1885. Very good overall. Large albumen photographs of the Grange station north of Hamilton which was first settled in 1838. The Wedge brothers established the Grange in what is now called Old Strathkellar on Mill Road. It was the first pastoral holding established in the area with a long history as a pastoral property and of note for its fine gardens.<br /> <br /> The imposing images include "The Grange" a photograph of the two story homestead with a man and woman seated on the ground floor veranda a sweeping drive in front and tall trees; "The Drive Grange" an image of the curved drive flanked by mature trees; "Stables the Grange" showing a large two story stable with horse & rider and carriage in front and a flock of sheep; "Pampas Grass the Grange" depicting a woman and man flanking the very tall grass; "The Blue Gum Avenue the Grange" showing a lovely avenue of tall gums; and "View on the Grange estate" a landscape view taken across an open field with rows of trees in the far distance.<br /> <br /> The photographs taken by an unidentified photographer; each titled in period ink at the lower right. 9 1/2 x 7 1/4" unknown
Référence libraire : 25543
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[VIGNEAU (André)].-
Encyclopédie photographique de l'art. Le MUSEE du CAIRE. Photographies inédites d'André Vigneau. Préface et notices par Etienne Drioton.
1949 Paris, Editions TEL, 1949, in 4°, cartonnage demi-toile écrue de l'éditeur, 47 pages de texte et 223 photographies.
Référence libraire : 78023
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[VIGNES]
Moyens préservatifs des dommages causés sur les vignes par les gelées printanières. Arrêté du Préfet de la Drôme du 22 germinal, an onze de la République.
Valence, Viret, (1803). Placard de 20 x 30 cm sur vergé (petits accrocs avec manque de quelques lettres).
Référence libraire : 7420
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[VILLEBON-SUR-YVETTE - ESSONNE] Collectif
ALBUM PHOTO : CHATEAU DE VILLEBON(-SUR-YVETTE) : MAISON DE CONVALESCENCE MISE A LA DISPOSITION DE M. LE MINISTRE DE LA GUERRE (ALEXANDRE MILLERAND) PAR LE DOCTEUR CHARLES BONNET - [(Hôpital de Classe C) a du être ouvert en complément de l'Hopital Auxiliaire 49 (Maison de Santé du Docteur BONNET) situé au 7, rue de la Chaise à Paris VIIème] MAI 1915 (AUJOURD'HUI CENTRE DE RETRAITES DES PÈRES LAZARISTES)
Villebon-sur-Yvette 1915 -in-4 plein-veau 1 album, reliure plein veau havane marbré in-quarto à l'italienne (28,5 x 19 cm), dos 4 nerfs (spine with raised bands) muet (spine - no title), décoration "or" et à froid (gilt and blind stamping decoration), filet perlé "or" en place des nerfs avec un filet à froid et un filet "or" de part et d'autre des nerfs, double filet "or" en tête et en pied, premier plat décoré "or" , titre frappé "or" dans un encadrement d'un filet "or", 4ème plat décoré "or" , d'un filet "or" en encadrement, dentelle "fleuron or" sur les chasses (lace-like gilt decoration on the turn-ins), toutes tranches découpées "à la ficelle", album de 25 photographies albuminées en noir et montées sur onglets de cuir marron du CHATEAU DE VILLEBON-SUR-YVETTE : MAISON DE CONVALESCENCE MISE A LA DISPOSITION DE M. LE MINISTRE DE LA GUERRE (ALEXANDRE MILLERAND) PAR LE DOCTEUR CHARLES BONNET - MAI 1915 (AUJOURD'HUI CENTRE DE RETRAITES DES PÈRES LAZARISTES), 1915 sans nom de photographe,
Référence libraire : 26402
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[VINTIMILLE - ITALIE] PHOTOGRAPHE INCONNU
PHOTOGRAPHIE STÉRÉO ORIGINALE : VINTIMILLE, ENFANTS ET BATEAUX DANS LE PORT (TRÉS ANIMÉE), 1880
VINTIMILLE - ITALIE 1880 une photographie stéréo originale albuminée en noir contrecollée sur carton fort, format : 17,5 x 8,5 cm, PHOTOGRAPHIE STÉRÉO ORIGINALE : VINTIMILLE, ENFANTS ET BATEAUX DANS LE PORT (TRÉS ANIMÉE), 1880 VINTIMILLE - ITALIE PHOTOGRAPHE INCONNU,
Référence libraire : 27041
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[VOGUE].
Vogue, 90 ans d'audace. Supplément au n° 911 Vogue octobre 2010.
Paris, Vogue, 2010 ; in-folio en feuilles (35 x 37 cm), sous chemise imprimée. 50 ff. soit 92 photographies en noir et en couleurs, dont 5 doubles pages en couleurs. Très bon état.
Référence libraire : 15165
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[VOLTAIRE] BARTE (Alexandre).
La Princesse de Babylone.
Aquarelle originale en couleurs au pochoir signée en bas à droite. Une feuille de 187 x 234 mm, sujet de 120 x 150 mm sur papier au filigrane des Editions René Kieffer, bon état. Au verso le cachet rouge de la collection Piclin vendue en 2003 à Rouen.
Référence libraire : 22302
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[VOYAGES].-
Le Panorama. Merveilles de France, Belgique, Suisse, Algérie et Tunisie. Photographies Neurdein Frères.
Paris, Baschet, sans date, in 4° à l'italienne, relié demi basane cerise, dos à nerfs orné. Album contenant une photo légendée à chaque page.
Référence libraire : 2520
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[VUE D'OPTIQUE - ROUEN].
Vue d'optique nouvelle représentant les ruines du Pont de pierre à Roüen, avec le superbe Pont de Bateaux dans l'éloignement.
Paris, Veuve Chapoulaud, s.d. (fin XVIII ème siècle). Vue d'optique gravée et mise en couleurs, 51 x 32,5 cm, bon état.
Référence libraire : 16773
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[Waidhofen an der Ybbs]
?Waidhofen a. d. Ybbs?.
Wien, Helm?s phot. Kunstverlag, o. J. (um 1880). Orig.-Photographie (14 x 21,4 cm) auf Untersatzkarton (25 x 33 cm).
Référence libraire : 43891
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[Waidhofen an der Ybbs]
?Waidhofen a. d. Ybbs?.
Wien, Helm?s phot. Kunstverlag, o. J. (um 1880). Orig.-Photographie (15,5 x 21,2 cm) auf Untersatzkarton (25 x 33 cm).
Référence libraire : 43890
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[Waidhofen an der Ybbs]
?Waidhofen a. d. Ybbs?.
Wien, Helm?s phot. Kunstverlag, o. J. (um 1880). Orig.-Photographie (15,9 x 21 cm) auf Untersatzkarton (25 x 33 cm).
Référence libraire : 43889
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[Waidhofen an der Ybbs]
?Waidhofen a. d. Ybbs?.
Wien, Helm?s phot. Kunstverlag, o. J. (um 1880). Orig.-Photographie (14 x 21,4 cm) auf Untersatzkarton (25 x 33 cm).
Référence libraire : 43888
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[Waidhofen an der Ybbs]
?Waidhofen a. d. Ybbs?.
Wien, Helm?s phot. Kunstverlag, o. J. (um 1880). Orig.-Photographie (13,9 x 21,3 cm) auf Untersatzkarton (25 x 33 cm).
Référence libraire : 43886
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[Walt Disney] [Disneyana] [Wildlife Photography] Algar, James
Walt Disney's African Lion A True-Life Adventure
New York: Simon and Schuster in collaboration with Marc Barraud 1956. Simon and Schuster edition in English. Hardcover. Very Good. 74pp. Quarto 29.5 cm White cloth spine with photographically illustrated paper over boards. Covers rubbed. With tipped-in illustrations all present. Designed by Armand A. Bigle and produced by Marc Barraud from the original French language edition "Walt Disney's Lions d'Afrique."<br /> <br /> An account which is not only a biography of the King of Beasts but of all unique wildlife inhabiting his domain. The story first appeared as a True-Life Adventure film and is now presented here in book form. The color photographs were taken by famed Ketchikan wildlife cinematographers and wildlife photographers Alfred and Elma Milotte who spent three years following lions in Africa. The Milottes were first hired by Disney to film the Alaska wilderness. Alfred and Elma created the True-LIfe Adventure series for Walt Disney and won six Academy Awards while working for Disney. The couple married for fifty-five years traveled the world for four decades. They strangely died within a week of each other in 1989.<br /> <br /> Walt Disney produced thirteen True-Life Adventure series films in the 1950s. The films were shown in public schools for decades and it is thought that some students were even influenced to go into environmental careers as a result of seeing these films.<br /> <br /> "If there is a note of grimness here it stems from reality of life; if there is a touch of humor it comes from the genuineness of rich materials for Nature can be both cruel and kind. both macabre and beguiling. and infinitely eternally strange." - Walt Disney. Simon and Schuster in collaboration with Marc Barraud hardcover
Référence libraire : 67306
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[WALT DISNEY].-
Désert vivant. Textes de Marcel Aymé - Louis Bromfiel - Albert Camus- Julian Huxley - François Mauriac - André Maurois - Henry de Montherlant.
P., SFL, 1954, in 4° cartonnage illustré de léditeur, 75 pages ; illustré de nombreuses photos couleurs contrecollés.
Référence libraire : 47700
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[WARHOL (Andy)] KOCH (Stephen).
Andy Warhol Photographs.
New York. Robert Miller, 1987. In-4 cartonnage éditeur jaune. Texte en anglais de S. Koch. Photographies d'Andy Warhol. Edited and Designed by John Cheim. E.O.
Référence libraire : L15225
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[Warhol, Andy] Scherman, Tony and David Dalton
POP: The Genius of Andy Warhol / Tony Scherman
New York:: Harper Collins 2009. Hardcover first edition -. Fine in fine dust jacket a new copy. First printing. "A major reassessment of the most influential and controversial American artist of the second half of the twentieth century . . . Based on extensive new interviews and insight from those who knew him best." Illustrated throughout with black and white photographs plus 16 pages of glossy full color plates of Warhol's work. Notes index. xv 509 pp Harper Collins, hardcover
Référence libraire : 57934 ISBN : 006621243x 9780066212432
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[Warhol, Andy] The Andy Warhol Foundation For The Visual Arts
The Andy Warhol Foundation For The Visual Arts 1987-2007 Three Volumes In Slipcase
The Andy Warhol Foundation for the Visual Arts 2007. 1st Edition 1st Printing. Soft cover. Fine/Slipcase. Three Volumes Fine In Fie Slipcase With A Tiny Tear Right At The Lower Right Corner Of The Open End. <br/> <br/> The Andy Warhol Foundation for the Visual Arts paperback
Référence libraire : 047890 ISBN : 097652631X 9780976526315
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[Warhol]:
Egoïste n° 10 - Andy Warhol.
Egoïste, 1987. In-folio en feuilles, 155 pages. Couverture très légèrement jaunie en bords, légères traces de plis, belle condition générale. Splendide.
Référence libraire : 21949
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[Wartburg]
?Nr. 11. Die Wartburg von Süden?.
Eisenach, G. Jagemann, Hofphotograph, vor 1879. Orig.-Fotografie (5,9 x 9,3 cm), mont. auf Untersatzkarton (6,8 x 10,7 cm).
Référence libraire : 46042
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[Wartburg]
Bankettsaal in der Wartburg.
Eisenach, G. Jagemann, Hof-Photograph, vor 1875. Orig.-Fotografie (5,8 x 8,7 cm), mont. auf Untersatzkarton (6,2 x 10,2 cm).
Référence libraire : 46038
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[Wartburg]
Wartburg vom Norden.
Eisenach, G. Jagemann, Hof-Photograph, vor 1875. Orig.-Fotografie (5,8 x 8,9 cm), mont. auf Untersatzkarton (6,2 x 10,1 cm).
Référence libraire : 46037
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[Wartburg]
Wartburg vom Westen.
Eisenach, G. Jagemann, Hof-Photograph, vor 1875. Orig.-Fotografie (5,8 x 8,8 cm), mont. auf Untersatzkarton (6,2 x 10,1 cm).
Référence libraire : 46036
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[Wartburg]
Wartburg.
Ohne Ort, ohne Fotograf bzw. Verlag, vor 1875. Orig.-Fotografie (8,3 x 5,4 cm), mont. auf Untersatzkarton (10,1 x 6,3 cm).
Référence libraire : 46043
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[Washington State] [Mountaineering] [Vernacular Photography]
CLIMBING OLD BALDY. JULY 1912
Small album containing 12 photographs captured during an ascent of "Old Baldy" which looms majestically above Spokane Washington at 5883 feet. The southernmost mountain in the Selkirk Range it was known as Mount Carlton until August 1912 when it was renamed Mount Spokane.<br /> <br /> The images show a party of eight men at the start of their journey and at various points along the way including Sky Line Spring Brickell Creek and the summit. All the photographs are accompanied by holographic captions and two are identified as the work of Joe Shields. Notably there is an image of Cook's Camp and a portrait of Francis H. Cook.<br /> <br /> A pioneering figure in Spokane's history Cook 1851-1920 published the city's first newspaper The Spokan Times before setting his sights on developing an area on Spokane's South Hill. He purchased 680 acres and platted it out for development and in 1888 started the first steam-powered street railroad to move residents up and down the hill. Later Cook purchased the top of Old Baldy and set about securing the rights of way in order to build a road to the summit. Though he did not live to see it his vision was realized with the establishment of the Mt. Spokane State Park in 1927.<br /> <br /> The photographs are pasted to leaves of an oblong album which is bound with string in brown paper wrappers 8 1/2" x 5 1/4". The front panel features black titles and an original white ink and watercolor rendering of Old Baldy framed by tall trees. Some mild edgewear; else very good. unknown
Référence libraire : 77773
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[Werner Bischof, Robert Frank et Pierre Verger] Arnaud (Georges)
Indiens pas morts.
français Paris, Delpire, 1956. In-4 de 165-(8) pp.; album relié toile sous jaquette illustrée. Photographies de Werner Bischof, Robert Frank et Pierre Verger. Très bon état.
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[Western Australia; Photography]
Albany West Australia
1900. Very good condition. Gelatin photograph with exceptional clarity a view of Albany from lower down Mt. Clarence with boulders framing the roof tops and the long jetty into the bay at center. Mounted on stiff board as found in photo albums of the time with title hand written below "Albany". Image 8 x 6". not found on Trove. unknown
Référence libraire : 21019
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[Western Americana] [Vernacular photography] [Education]
Dress-Up-Day Pictures Original string bound photograph album
St. Croix Falls WI: N.p. 1940. Vintage string bound photograph album containing 31 black-and-white snapshot photographs including four hand-tinted in blue and yellow documenting a school costume day. Manuscript ink annotation to the inside front cover provides the date and album title: "Dress-Up-Day Pictures / April 5 1940". <br /> <br /> Many photographs with manuscript ink annotation captions to the bottom edges identifying the subjects. <br /> <br /> The outfits run the gamut: while some teens opted for simple cross-dressing costumes many were more creative dressing as cowboys hula girls hoboes married couples and the like. Notably unusual costumes include an ice box Life Magazine a beer barrel a telephone directory several rolls of Tums and a record player with a paper sign noting the record title as Rhapsody in Blue. A humorous assortment. <br /> <br /> Photographs generally 2.5 x 3.5 inches. Mounted on black cardboard album leaves rectos and versos. Near Fine. N.p. unknown
Référence libraire : 154291
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[Weyer]
?Weyer?.
Wien, Helm?s phot. Kunstverlag, o. J. (um 1880). Orig.-Photographie (14 x 21,3 cm) auf Untersatzkarton (25 x 33 cm).
Référence libraire : 43892
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[Wiesbaden]
?Wiesbaden. Panorama vom Neroberg. Die Rheinlande. 78?.
Berlin, Phot. u. Verl. v. Sophus Williams, 1878. Orig.-Fotografie (6,2 x 8,5 cm), mont. auf Untersatzkarton (6,7 x 10,6 cm).
Référence libraire : 46045
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[William BURROUGHS - Brion GYSIN] LAGARDE François et Gérard Georges LEMAIRE
Le Colloque de Tanger -
1976 Genève - Editions Ottezec - 1976 - Portfolio de 10 Photographies (de François Lagarde) en noir et blanc format 31 x 24 cm marges comprises, 1 page de texte ( de Gérard Georges Lemaire) et une page d'achevé d'imprimer - Cachet "Le Colloque de Tanger" et monogramme au dos de chaque photographie -
Référence libraire : GF30732
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[Williams, Christopher]
FAMA & FORTUNE BULLETIN. Wien. Herbst 1995. Heft 16. Timothy Martin - Helmut Draxler - Christopher Williams.
Wien., Verlag Pakesch & Schlebrügge., 1995. 24 x 17 cm. [14] unpaginierte Blätter. OKarton mit Klammerheftung., 69641A Erste Auflage. Innen papierbedingt teilweise nachgedunkelt, sonst noch sehr gutes Exemplar.
Référence libraire : 69641AB
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[Wisconsin; Early Photography]; La Crosse Illustrated Historical, Picturesque, And Descriptive
LA CROSSE ILLUSTRATED HISTORICAL PICTURESQUE AND DESCRIPTIVE.
NP La Crosse WI: Art Publishing Company. 1887. First Edition. Rare. OCLC cites ONLY four copies of the original edition. Published in eight individual parts. With a total of 54 photogravures most full page of La Crosse and surrounding area. 4to bound in the original stiff printed staple wrappers. A fine set of the photographs and text-blocks some edge wear to the covers four covers detached but a rare and elusive work. FIRST EDITION RARE EARLY PHOTOGRAPHY OF LA CROSSE WISCONSIN. No photographic credits are given but the quality is excellent with shots of downtown streets with people congregating. The printed text describes places photographed. They are exquisitely crisp 19th century artistic black and white photographs that showcase picturesque views. Many of these sites have changed physically since these were taken so these photos document an earlier environment. Art Publishing Company. unknown
Référence libraire : 27858
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[WOODMAN Francesca]
Francesca Woodman. Photographische Arbeiten - Photographic Works.
In-4, 111p. Catalogue de l'exposition itinérante qui s'est tenue à Zurich, Munster et Helsinki entre juin 1992 et mars 1993. Tirage 3000 exemplaires. Textes en allemand et en anglais. Bon exemplaire.
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[WORKSHOP PHOTOGRAPHY SCHOOL]. TOMATSU, Shomei; MORIYAMA, Daido; ARAKI, Nobuyushi; HOSOE, Eikoh; FUKASE, Masahisa; YOKOSUKA, Nor
Workshop 1-8 all published.
Tokyo Workshop Shashin Gakko September 1974-July 1976. . First editions; issue 1 loose sheets folded horizontally as issued 390 x 267 mm 15¼ x 10½ in issues 2-4 tabloids folded horizontally as issued 436 x 280 mm 17¼ x 11 in issues 5-8 narrow 4to 281 x 148 mm 11 x 5¾ in; black-and-white photographs printed in offset; issues 1-4 lightly toned occasional very minor spotting issues 3 and 4 with light wear to edges and short tear to spine at fold issues 5-8 wire-stitched photo-illustrated wrappers white printed in black lightly rubbed light handling marks oxidation to staples issue 8 with an abrasion to upper top right corner an excellent to near-fine set; 16; 16; 16; 16; 72; 80; 72; 72pp.<br /> Workshop was the eponymous journal of Workshop Shashin Gakko. This independent photography school taught limited-enrolment classes by its co-founders Tomatsu Shomei Moriyama Daido Araki Nobuyushi Hosoe Eikoh Fukase Masahisa and Yokosuka Noriaki. Each photographer taught a workshop for a period of one year with a strong emphasis on one-to-one teacher-student relationships. During the first year Nakahira Takuma and Narahara Ikko also taught two additional two-month courses. The journal actively explored new trends in photography through essays and criticism by members of the group and others. Issue 4 was edited by Araki and was based on the simple theme of 'making photography' for this issue he contributed an essay on how to shoot good portraits. Issue 6 was the most controversial issue published in January 1976 which announced 'We Will Sell Photographs: An Exhibition of Photographs Selected by Twelve Photographers' which was issued to accompany an exhibition in February 1976 as an attempt to present photographs as commodities. At that time in Japan as elsewhere sales of photographs as works of art were virtually non-existent and there was some resistance to the idea most notably from Norio Asaki in Asahi Camera.<br /><br />The Workshop Photography School lasted from April 1974 until March 1976 but one last journal issue was issued in July 1976. This eighth issue featured 'A Roundtable Discussion with Names Withdrawn: Bashing Photography Magazines' in which the Workshop teachers set about challenging the conventional views of photography put forward by Asahi Camera and other photography magazines as well as criticising popular photographers including Kitai Kazuo and Shinoyama Kishin.<br /><br />The school continued briefly as Araki's Private Photo School until 1977 when Araki offered another one-year workshop. The Workshop Photography School paved the way for several independent galleries and organisations that followed such as Image Shop Camp Photo Gallery Prism and Photo Gallery Put.<br /> For a New World to Come 354-358. Tokyo, Workshop Shashin Gakko, September 1974-July 1976. unknown
Référence libraire : 110755
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[World War II] : [Photography] : [Military Intelligence]
Prints from Partially Burned Negatives Seized from a Japanese Soldier
Japan ca. 1944. 16 black and white silver print photographs. Dimensions range from approximately 6 1/2" x 4 1/2" to approximately 5" x 3 3/4." Two with ink notations to versos. All about fine. <br/><br/>A remarkable group of original photographs developed from partially burnt negatives confiscated from Japanese forces on Saipan during World War II. <br /> <br />These were acquired by us from a dealer in militaria who identifies them as sourced from the estate of an American GI serving with the 881st Bombardment Squadron 500th Bomb Group which flew missions out of Saipan following its capture by Allied forces in July of 1944. <br /> <br />Two prints have neatly printed captions to their versos: <br /> <br />"Captured Jap Film: / Army family sent too Siapian sic before War. Cheerful looking lot. The black part is where the Japs tried to burn the film." <br /> <br />"Jap officers and Geisha girls. Rough customers - / Captured film." <br /> <br />The burnt film surrounds often banal though occasionally menacing images ranging from what appear to be everyday gatherings to a startling street scene of soldiers with bayonets seemingly trained on a small child. The effect is captivating and the group a powerful physical relic with relation not limited to military intelligence censorship and manipulated photography. unknown
Référence libraire : 3151
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[World's Fair] [Photography]
THE GRAY'S HARBOR TOOTHPICK
A black-and-white photograph of the Gray's Harbor Toothpick a unique exhibit offered by the state of Washington for the 1904 World's Fair held in St. Louis. The "toothpick" began as a 270-foot-tall Drummond Spruce that was growing in a forest near Aberdeen and was estimated to be 440 years old. It was donated by Weyerheauser Timber company. After being moved from the forest a 38-foot section of the log was hollowed out and mounted on two flat railroad cars. In the hollowed-out trunk an office was set up along with an animal den used to house two Washington bears. Another section of the log was fitted with living accommodations for the people hired to transport it on a tour of the United States with a final stop in St. Louis.<br /> <br /> The photographer of the 10" x 4" image is unknown. It has remnants of black paper on the verso as if it was removed from an album; otherwise very good. unknown
Référence libraire : 76949
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[Worms]
?Das Lutherdenkmal zu Worms?.
Worms, Photographisches Atelier A. Schimmer, um 1870. Orig.-Fotografie (5,2 x 9,8 cm), mont. auf Untersatzkarton (6,2 x 10,1 cm).
Référence libraire : 46021
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[Worms]
Dom zu Worms.
Worms, Hofphotograph C. Holzamer, um 1870. Orig.-Fotografie (9,2 x 5,7 cm), mont. auf Untersatzkarton (10,1 x 6,2 cm).
Référence libraire : 46013
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[WWI / PHOTOGRAPHY / MILITARY HISTORY / UNIVERSITY OF TORONTO]; Henry Harrison Madill (1889-1988); Arthur D'Orr LePan (1885-1976
No. 2 Platoon School of Infantry April 3rd 1917: Original World War I Presentation Photograph Inscribed to the Commanding Officer Lieut. Col. A. D. Le Pan
Toronto Ontario Canada: Photographer Not Identified 1917. First Edition. Original Photograph on Mount. Original silver gelatin photograph measuring 7.5" x 9.5" mounted on its original heavy card mat to an overall size of 13.75" x 11.75". Bears a printed label identifying the unit: "No. 2 PLATOON / SCHOOL OF INFANTRY / APRIL 3RD 1917" and its instructors "LIEUT. J. L. LEWIS MAJOR H. H. MADILL SRGT.-MAJOR T. RANSOM." A superb period ink inscription in the lower margin makes this a highly unique presentation copy: "To Lieut. Col. Le Pan / C.O. School of Infantry / Toronto Ont. / April 10th 1917." <br /> <br />A remarkable and historically significant group portrait of Canadian officers and NCOs taken on the home front in the midst of the First World War. The photograph is staged on the steps of the iconic Norman-Romanesque entrance to University College at the University of Toronto which served as a central hub for the Canadian Officers Training Corps C.O.T.C. and other military training schools for the Canadian Expeditionary Force C.E.F. The men pictured were part of an advanced "School of Infantry" learning the brutal arts of trench warfare and command before being sent to the front. <br /> <br />The photograph's date is especially notable: dated April 3rd 1917 the portrait was captured a mere six days before the launch of the Battle of Vimy Ridge April 9 1917. It captures a moment of intense final preparation on the home front as the men completed their training at the very same time their compatriots in France were moving into position for Canada's most defining battle of the war. <br /> <br />Inscribed to Lieut. Col. A.D. Le Pan. The recipient Lieut. Col. Arthur D'Orr Le Pan 1885-1976 was the C.O. of the School of Infantry and a major figure at the University. An engineer and the university's Assistant Superintendent of Buildings he oversaw the C.O.T.C. program which trained thousands of officers. Later in 1917 he would command the Polish Army Camp at Niagara-on-the-Lake a service for which he was later decorated by the French and Polish governments. <br /> <br />Instructor Major H. H. Madill: One of the named instructors Major Henry Harrison Madill 1889-1988 was a Toronto architect who served overseas. After the war he would have a distinguished academic career at the University of Toronto eventually becoming the Dean of the School of Architecture. <br /> <br />A rare and personal artifact connecting the C.E.F.'s training infrastructure the University of Toronto's immense wartime contribution two highly significant Canadian officers and the eve of the Battle of Vimy Ridge. <br /> <br />The silver gelatin print retains exceptional clarity and full tonal range. The original embossed mat is in very good condition with some light soiling and minor wear to the corners. The inscription is clear and bold. Very Good. <br/><br/> Photographer Not Identified unknown
Référence libraire : 7622
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[WWI; Photography] Hamilton, John G.
World War I photographs possibly the 23rd Battalion AIF identifying John G. Hamilton of Victoria
Australia 1915. Two albumen prints of Australian soldiers one a group shot the other of men on horses in formation. Notes on the verso of an image of 20 mounted cavalry state the date erroneous "Rightmost rider is John G. Hamilton Australia 1920s" and a group shot of 54 men in 4 rows with the caption "John G. Hamilton with Egyptian Force of Australian Army Egypt 1920's and John may be on the 3rd row from the bottom 4th man from the right. " This photo is posed in front of a stone building. <br /> <br /> There is a record of a John George Hamilton of the 23rd Infantry Battalion embarking in Melbourne on 10 May 1915. The 23rd Battalion of the Australian Army was raised in 1915 as part of the Australian Imperial Force for service during World War I and formed part of the 6th Brigade attached to the 2nd Division. After being formed in Australia the battalion was sent to Egypt to complete its training before being committed to the Gallipoli Campaign as reinforcements in September 1915. They remained on the peninsula until the evacuation of Allied troops in December when they were withdrawn back to Egypt where they were reorganized before being transferred to the Western Front in March 1916. Over the course of the next two-and-a-half years the 23rd took part in a number of significant battles in France and Belgium before being disbanded in mid-1919 following the conclusion of hostilities. <br /> <br /> Images approx. 8 x 6" mounted on brown card. Images bright with some slight lightening at the margins card bright lower corners a little bumped. unknown
Référence libraire : 21375
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[WWII / RCAF. (WOMEN'S DIVISION) / PHOTOGRAPHY / TORONTO] R. C. A. F.
We Serve That Men May Fly": No. 4 Squadron R.C.A.F. Women's Division No. 6 Manning Depot Toronto - March 18 1942
Toronto Ontario Canada: R.C.A.F. Women's Division Photographer Unidentified 1942. Original Photograph. Original silver gelatin photograph long panoramic format measuring 17" x 7". Bears a detailed white inscription along the bottom identifying the unit and its command. The caption reads: "No. 4 SQUADRON. FROM FEB. 21ST TO MARCH 18TH 1942. NO. 6 M. DEPOT. TORONTO MARCH 18th 1942." It proceeds to list the N.C.O.s and Officers of the squadron including: "Cpl. UGLOW" "CPL. GRINKE" "CPL. HUNTER" "A/S/O. GODDARD" "A/S/O/ MACDONALDE" "S/O. COLLIER" "A/S/O. CAMERON" "Sgt. RITCHIE" "CPL. LONG" and "CPL. MILLIGAN." An exceptional and historically important photograph documenting one of the very first cohorts of women to serve in the Royal Canadian Air Force R.C.A.F. during the Second World War. The unit is definitively identified as the R.C.A.F. Women's Division by the unique rank structure detailed in the caption. The ranks "A/S/O." Acting Section Officer and "S/O." Section Officer were officer designations used exclusively by the R.C.A.F. WD and were not present in the Army CWAC or Naval WRENS services. The unit pictured No. 6 Manning Depot "No. 6 M. Depot" in Toronto served as the primary basic training centre for all R.C.A.F. Women's Division recruits in Eastern Canada. The "WDs" as they were colloquially known were officially authorized in July 1941 and No. 6 Manning Depot itself opened in October 1941. This March 1942 graduating class therefore represents perhaps the absolute vanguard of the service - true pioneers who were among the first women in Canadian history to go through military basic training. The panoramic image captures the new recruits of No. 4 Squadron and their leadership upon completion of their intensive four-week basic training course running "From Feb. 21st to March 18th". Following graduation the women would have been posted to air bases and training schools across the country serving in dozens of trades and fulfilling the service's famous slogan: "We Serve That Men May Fly." A powerful visual record of the massive mobilization of Canadian women into the armed forces taken at the very beginning of that movement. The photograph retains excellent detail and strong contrast showing some edgewear creasing and surface emulsion cracks particularly to the right and left margins although the primary image content of the women remains clear and strong. A significant and rare visual artifact of Canadian women's military history. Good. <br/><br/> R.C.A.F. (Women's Division) [Photographer Unidentified] unknown
Référence libraire : 7625
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[Wyoming Photography], WH. Jackson & Co W. H.
William Henry Jackson Albumen Photograph of "The Paint Pot" Yellowstone National Park 1890-1900
Wyoming Photography Western Americana Original albumen photograph of "The Paint Pot" a boiling mud spring located in the Lower Geyser Basin of Yellowstone National Park Wyoming. The scenery is presented as "4035. 'The Paint Pot' Boiling Mud Spring" on the lower margin. Circa 1890-1900. 7" x 4.5". Presents a captivating view of the notable "Paint Pot" located in the lower geyser basin of Yellowstone National Park. Esteemed American photographer William Henry Jackson captures a boiling mud pot steaming profusely as acidic mixtures blend into one. In the foreground he captures a glimpse of the mud banks that surround a boiling spring. A dark mountain range clouds and tall trees peer subtly in the background. An official photography stamp reads "W.H. Jackson & Co. Photographers of Rocky Mountain Scenery Denver Colorado." on the verso. William Henry Jackson established established a studio in Denver Colorado and produced a huge inventory of national and international views. He incorporated himself as W.H. Jackson Photograph and Publishing Company in 1883. Very minor chips to the photograph's edges and missing part of bottom right corner not affecting text or photograph. In very good condition. unknown
Référence libraire : 19031
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[Yvon].
Album Deauville. "La Douce France"; 20 cartes postales en bistre.
Paris, Yvon, vers 1920 ? Un album de 20 cartes postales en bistre très animées pour la plupart. Couverture verte cartonnée. Petit manque angulaire à la couverture, sinon bon état.
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[ZOLA (Emile)] - CARJAT - Galerie Contemporaine.
Portrait photographique d'Emile ZOLA, cliché de Carjat.
Photoglyptie sur papier fin contrecollé sur carton fort titré, tirée de l'ouvrage "La Galerie Contemporaine littéraire, artistique, Publication hebdomadaire formant album de luxe", Paris, 126 boulevard de Magenta, 1876.Photo Goupil & Cie - Cliché CARJATDimensions de la photoglyptie : 24 x 19 cmDimensions du carton : 34 x 25,5 cmTrès bon état (marges du carton massicotées légèrement de travers d'origine).On joint le texte qui accompagnait le cliché (biographie, reproduction autographe), 4 pages.
Référence libraire : 13442
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[ZOLA Emile] ZOLA François Emile & MASSIN
Zola photographe
Paris, Denoël, 1979, 21,5 x 27,5, 192 pages sous toile éditeur et jaquette illustrée. Contient 480 documents noir & blanc.
Référence libraire : LITTFRA65565650000825
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[«Occhio magico»] (Bernardi, Emanuelli, Mollino, Scopinich, Ridenti, Vender)
«Occhio magico» - collezione completa della serie storica (voll. 1-4): Immagini di Ridenti; Bimbi e paesi; Ritratti femminili; Ritratti ambientati
Edizione originale. Eccellenti esemplari, freschi, puliti e completi: rarissimi in queste condizioni. Raro insieme dei primi quattro volumi della pionieristica collana creata da Vanni Scheiwiller: Marziano Bernardi «Immagini di Ridenti» (es. 79/500), Enrico Emanuelli «Bimbi e paesi» (es. 33/600), E.F. Scopinich «Ritratti femminili di Federico Vender» (es. 136/600), Id. «Ritratti ambientati di Carlo Mollino» (es. 108/600). La casa editrice Garotto fu creata da Vanni Scheiwiller durante la guerra: sfollato con la famiglia nel 1940 a Garotto, piccolo centro vicino a Cernobbio, l’editore diede vita a due edizioni, ovvero «Garotto» (attiva dal 1943 al 1945) e «Scalini di Grigna» (attiva dal 1945 al 1951 e così chiamata pensando alla baita di sua proprietà posta alle falde del monte Grigna). Cfr. Patrizia Caccia, «Repertorio degli editori milanesi del primo ‘900”», pp. 40 - 41 (http://www.ilscmilano.it/wp-content/uploads/2017/01/6_caccia_repertorio-degli-editori-milanesi-del-primo-900.pdf). 4 voll.
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