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Afanador, Ruven
Torero
Edition Stemmle 2001. This is a very good hardcover copy with a very good dust jacket with almost no wear. Light even toning to the edges of the ivory dust jacket. Light barely visible damp staining to bottom edges of dust jacket. Small dampstain to bottom edge of back cover near spine. Completely clean inside page edges starting to yellow a bit. Red silk pagemark fine. Illustrated throughout in black & white with Ruven Afanador's photographs of matadors. 13" high X 11" wide. Scarce. Large heavy book foreign postage will be extra. This book will be securely wrapped and packed in a sturdy box and shipped with tracking. . First Edition. Hard Cover. Very Good/Very Good. Edition Stemmle Hardcover
书商的参考编号 : 017187 ???????? : 390816348X 9783908163480
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Afanador, Ruven
Torero
This is a very good hardcover copy with a very good dust jacket with almost no wear. Light even toning to the edges of the ivory dust jacket. Light barely visible damp staining to bottom edges of dust jacket. Small dampstain to bottom edge of back cover, near spine. Completely clean inside, page edges starting to yellow a bit. Red silk pagemark fine. Illustrated throughout in black & white with Ruven Afanador's photographs of matadors. 13" high X 11" wide. Scarce. Large heavy book foreign postage will be extra. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
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AFELTRA GAETANO
Farabola fotografo d'assalto. Cronaca di Milano negli anni Quaranta.
in 4°, cop. edit. ill., pp. 143,(1), con num. ill. n.t., ottimo es.
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Affri, Dimitri - Callegari, Paola (a cura di)
Studi d'artista. Fotografie d'atelier tra '800 e '900
Mm 295x210 Brossura editoriale in formato album, 72 pagine con riproduzioni fotografiche fuori testo. Esemplare in ottime condizioni. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE.
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AFIP Associazione Fotografi Italiani Professionisti
Fotografia: professione, mito e responsabilità
Catalogo di mostra, Rotonda di Via Besana, Milano dicembre 1978 - gennaio 1979. Testi di Gabriele Basilico, Annibale Pepe, Fabio Emilio Simon, Ando Gilardi. Foto in nero e a colori . 8vo. pp. 112. . Ottimo (Fine). . . .
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Afonso Manuel Alves Luís Leiria de Lima
Sintra: À Sombra da Serra
DIFEL 1988 95 pages in8. 1988. Cartonnage editeur. 95 pages. Ce livre est une exploration photographique et littéraire de la région de Sintra au Portugal présentée comme une symphonie de verdure et de pierre. Il s'agit d'un voyage à la fois spirituel et physique à travers l'une des plus belles zones du pays avec des photographies d'Afonso Manuel Alves et Luís Leiria de Lima accompagnées d'un texte de Margarida Bico
书商的参考编号 : 8961
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AFP
Photographie noir et Blanc d'époque années 70 AFP Jacques CHIRAC Agricole 1976
Photographie noir et Blanc d'époque années 70 AFP Jacques CHIRAC Agricole 1976 Dimensions : ??? État : Voir photos pour plus de détails.
书商的参考编号 : boz_001743
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AFP
Photographie noir et Blanc d'époque années 70 AFP Jacques CHIRAC Bal d'Avril 78
Photographie noir et Blanc d'époque années 70 AFP Jacques CHIRAC Bal d'Avril 78 Dimensions : Voir photos État : Voir photos pour plus de détails.
书商的参考编号 : boz_004356
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AFP
Photographie noir et Blanc d'époque années 70 AFP Jacques CHIRAC, Paris
Photographie noir et Blanc d'époque années 70 AFP Jacques CHIRAC à l'Élysée Dimensions : Voir photos État : Voir photos pour plus de détails.
书商的参考编号 : boz_005027
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AFP - Agence France-Presse
Photos Insolites
Assouline 1996 In-4 broché 27 cm sur 21. Bon état d’occasion.
书商的参考编号 : 100407
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AFPPI
LA PHOTOREPRODUCTION ET L IMPRESISON OFFSET SUR ROTATIVES VOLUME 1 CONNAISSANCES GENERALES
EDITIONS FRANCOIS ROBERT. 1987. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 241 pages augmentées de nombreuses photos et illustrations en couleur et en noir et blanc dans le texte. Une page a été découpé.. . . . Classification Dewey : 770-Photographie
书商的参考编号 : RO80169231
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African American Photography
African American Family Life and Social Mobility in Grand Rapids: Photograph Archive ca. 1930s-1960s
1930. Unidentified photographers African American family photograph archive ca. late 1930s-mid 1960s documents Black family life social organization and upward mobility in Grand Rapids Michigan following the Great Migration supporting research into African American urban history community formation in northern cities and mid-twentieth-century Black middle-class experience. The photographs trace multiple decades of domestic social and professional activity showing participation in church education formal events and leisure gatherings. Produced in a state where anti-discrimination laws existed but were unevenly enforced until the early twentieth century the archive provides visual evidence of African American life shaped by both opportunity and constraint in the urban North.<br /> Twenty-eight black-and-white silver gelatin photographs ranging in size from approximately 3.5 x 5.25 inches to 8 x 10 inches several bearing studio stamps for "Robinson Studio Grand Rapids Mich." The archive includes four large-format images of formal gatherings including what appears to be a church banquet with racially mixed attendees seated at arranged tables as well as two related images of a women's social event showing African American and possibly mixed-race women dressed in formal evening wear with jewelry posed in an upscale dining interior. Two photographs document separate weddings one a posed formal portrait and another capturing a church ceremony in progress. A real photo postcard shows five African American men in suits posed around a central microphone identified in manuscript with the central figure noted as "Prof. U.K. Ward - Radio Announcer in Shenandoah Iowa." Additional images depict outdoor barbecues with multi-generational family groups interior domestic scenes with children and young adults and travel or relocation imagery including views associated with Grand Rapids and New York City. One photograph shows a young woman entering an automobile identified on the verso as "Miss Levenia Robinson."<br /> Spanning the decades between the Great Migration and the Civil Rights Movement the archive situates African American life in the Midwest within broader patterns of migration institution-building and community visibility. The photographs emphasize continuity of family structure participation in religious and social institutions and engagement with professional and public life including media presence through radio. Minor edge wear light creasing and some foxing to larger prints; images remain clear with strong tonal range. Overall in very good condition. unknown
书商的参考编号 : 20682
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African American Photography
African American Family Life and Mobility Early 20th Century Photo Album with Travel and WWI Context
1910. African American family photo album 1910s documenting domestic life social relationships and travel among a Black family during the early twentieth century. The album records moments of leisure movement and community interaction providing visual evidence of African American middle-class or aspirational life during the Jim Crow era. The material captures women's social networks family structure and engagement with broader public spaces including travel religious institutions and wartime presence.<br /> <br /> Album comprises 89 original silver gelatin photographs mounted on black pages. The opening image shows a well-dressed Black couple posed in front of a house followed by sequences featuring three young women likely family members pictured in outdoor settings including picnics and leisure gatherings while wearing Edwardian day dresses. Multiple photographs depict these women in relaxed and social poses smiling embracing and interacting closely. One image includes a Black man in a sailor's uniform among a group of women suggesting a connection to World War I-era military service. Additional photographs show the family residence as well as a white family possibly neighbors or acquaintances including a young white man in U.S. Army uniform. Travel is a recurring theme throughout the album with images of beach outings urban views from elevated vantage points and varied landscapes including snowy residential scenes and subtropical vegetation such as palm and banana plants. Several photographs depict the women in the company of nuns alongside churches and religious shrines indicating engagement with Catholic institutions or schooling. A parade of sailors marching through a city street is also captured. Later images show boating scenes including a rowboat and a larger ship identified in one photograph as "U.S.S. Salem" a naval vessel in service between 1908 and 1921 suggesting geographic movement along the Eastern seaboard.<br /> <br /> Created during a period of legalized racial segregation and restricted social mobility these photographs provide a record of African American life that emphasizes leisure travel and social connection. The repeated depiction of young women in varied environments highlights patterns of movement and participation in public and semi-public spaces not often preserved in visual records of the period. Album pages exhibit fragility with some detachment from the string binding; photographs remain well-preserved and adhered; overall good condition. This album offers an extended visual record of African American family life and social experience in the 1910s. unknown
书商的参考编号 : 21161
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African American Photography
African American Youth Culture Photo Album Documenting Black Middle Class Social Life in the 1920s
1920. Archive of original vernacular photographs documenting the social world and self-presentation of a group of young African American men and women during the 1920s capturing leisure friendship fashion and upward mobility within the emerging Black middle class of the interwar period. The photographs record a confident and socially connected cohort of well-dressed young adults posed in domestic and outdoor settings reflecting the expanding educational and social opportunities available to some African Americans in the decades following the Great Migration. The material documents African American youth culture and middle-class identity formation through informal portraiture handwritten captions fashionable clothing and scenes of sociability providing insight into how young Black Americans represented dignity aspiration and companionship during an era marked by segregation and racial exclusion. The recurring appearance of a large residence together with the formal dress and group compositions suggests a milieu connected to higher education boarding life or organized social circles within Black urban or collegiate communities.<br /> <br /> Archive consists of 23 original silver gelatin photographs mounted on 11 black paper album leaves most photographs measuring approximately 3.5 x 2 inches. Images depict groups of African American men and women standing arm-in-arm seated on grassy lawns gathered on porches and posed before a substantial multi-story home appearing repeatedly throughout the album. The men wear tailored three-piece suits ties polished shoes brimmed hats and long overcoats while the women appear in cloche hats belted coats white dresses and other fashionable attire associated with 1920s urban style and flapper-era dress. Several photographs contain handwritten captions in white ink directly on the image surface including one affectionate couple portrait labeled "Secrets of Success" and another humorous group image captioned "Chief Hot Mud-Draw backs or money backs" revealing playful social banter among the sitters. One photograph mounted on the verso of an album leaf depicts a woman holding an infant introducing evidence of familial transition and suggesting the album may have evolved from a record of youthful friendship into broader personal documentation. The photographs emphasize camaraderie poise and deliberate presentation with subjects frequently facing the camera directly in relaxed but carefully composed poses.<br /> <br /> The archive provides valuable visual evidence of African American social and cultural life during the 1920s when Black educational attainment professional mobility and urban migration were reshaping middle-class identity in cities and college communities across the United States. Unlike commercial studio portraits these informal vernacular images preserve interpersonal dynamics humor and friendship networks within a self-defined Black social environment. The clothing gestures and handwritten captions collectively document how young African Americans used photography to assert refinement sophistication and modern identity during the Jim Crow era. Album leaves exhibit chipping and edge wear with occasional wear to several photographs; images themselves remain clear and well preserved overall. Very good condition. A rare and expressive vernacular photographic archive documenting African American youth culture fashion and social identity during the interwar years. unknown
书商的参考编号 : 22468
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African American Photography
African American Diplomat Family International Travel 250 Vernacular Photographs Archive 1960s-1970s
1960. African American Travel Extensive vernacular photo archive of an upper class Black family's global travel. Circa 1960s-1970s. Archive of approximately 250 original vernacular photographs the majority in color. Most measure 3.5" x 4.5". Some bear date stamps ranging from 1960 to 1973. A remarkable visual record of mid-century African American upward mobility transnational leisure and diplomatic life abroad this extensive archive documents the travels and social life of a Black family possibly connected to the U.S. diplomatic corps across Europe Africa Latin America and the American West during the 1960s and 1970s.<br /> These photographs highlight visits to global landmarks including the Pyramids of Teotihuacan in Mexico Sacré-Cœur in Paris and the Piazza San Marco in Venice. One particularly vivid image shows the couple in a rooftop café with the backdrop of the French or Italian Riviera others depict them in bathing suits by private pools walking through bustling urban centers and exploring ancient ruins. The archive also documents urban views from hotel balconies stylish poolside gatherings and intimate couple portraits. A group of children appears in several frames in what may be Mexico City identifiable by signage and architectural clues. Many other photos show candid shots and some posed portraits capturing every day life in homes and in front of cars suggesting prosperity and status during an era still marked by domestic segregation and civil rights struggle<br /> <br /> A portion of the photographs show mild curling or fading consistent with age but the photographs remain clear and vivid overall very good condition. Together these photographs chronicle the life of a family that traversed international borders at a time when legal and social segregation still constrained the lives of many African Americans at home. unknown
书商的参考编号 : 22458
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African American Girls Education Photography
African American Schoolgirl Class Photo Archive 1950s
1950. African American Education Photo archive of African American schoolgirls in the 1950s. 15 silver gelatin print photos. Photos range in size from 3" x 3" to 4.25" x 3" all are black and white silver gelatin prints printed on Kodak Velox paper. These vernacular photos document jovial times at the end of the school year for a group of African American girls. It is around the beginning of June and the students are congregating outside of the school auditorium hugging and rejoicing before summer break sets in. This school seemed to be predominately Black but there also seem to be some white students photographed. The fashion of the students pictured suggests this was taken in the mid to late 1950s and the Kodak Velox paper was very popular at that time. Some of the students are wearing semi-formal clothing. There are also three group photos taken elsewhere which appear to depict a school field trip for younger African American students two of which have a photographers timestamp stating "Mar 1956." Location unclear. In very good condition overall. unknown
书商的参考编号 : 17832
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African American Family Life Photography
African American Family Life and Domestic Culture Vernacular Photo Album 1940s to 1950s
1940. Unidentified compiler photograph album pages 1940s to 1950s documenting African American family life across domestic social and community settings in the mid-twentieth-century United States. The material provides primary visual evidence of kinship structures self-presentation and everyday experience supporting research into African American social history family dynamics and cultural expression during a period shaped by wartime and postwar transitions. The images collectively present a sustained view of one family's lived experience across multiple environments including home church school and leisure spaces.<br /> <br /> Archive of 27 original silver gelatin photographs mounted on seven black album pages. The photographs depict a range of individuals and groupings including couples siblings children and extended family members. One sequence shows a young couple posed formally the woman's engagement ring visible followed by a second image of the pair in a close embrace turned away from the camera suggesting both public presentation and private intimacy. Another grouping of five photographs presents four women posed individually before a house each facing the camera with similar posture and expression indicating familial resemblance and coordinated self-presentation. Additional images include family scenes with small children a man in a suit and hat posed beside the polished hood of an automobile and a line of women in tailored suits and hats dressed for an outing. A photograph of a woman seated on a small pier her hair blown back as she looks toward the water bears the inscription "To Mary Sincerely Gladys" indicating personal exchange and memory-making within the album's compilation.<br /> <br /> 27 photographs mounted on seven pages measuring approximately 14 x 11 inches; individual photographs range from approximately 3.25 x 4 inches to 3 x 2.5 inches. Mid-twentieth-century vernacular photography of African American families contributes to the documentation of everyday life beyond institutional archives capturing moments of aspiration stability and interpersonal connection during decades marked by migration and social change. Light sunning visible on some images mounts stable and photographs clear; overall very good condition. A cohesive family-centered visual record illustrating African American domestic and social life in the 1940s and 1950s. unknown
书商的参考编号 : 18202
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African American Woman Photography
African American Woman Cabinet Card Photo
1870. 19th century original Cabinet card photo of a young African American woman most likely from 1870s or 1880s shortly following the emancipation of slaves and the 13th amendment. This picture captures the young woman staring starkly off-camera wearing a formal high-collared button-up dress and her hair done up in a style which was typical for African American women of the time. Measures 4.5" x 6.5" and Back of card reads: "C. Jackson's Old Reliable Gallery 105 North Main Street. Hannibal MO. and is in very good condition. unknown
书商的参考编号 : 18648
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African American Photography
African American Woman California Cabinet Card Photograph
African American Photography Cabinet card original photograph of beautifully dressed African American woman. Los Angeles California. 7.5" x 5.2." An African-American woman wears a ruffled white gown and decorative spring hat. Next to her is a table covered with ornate blankets. Studio blindstamp underneath image reads "Bijou Studio Los Angeles CA" and bears logo. Some wear and staining but otherwise in very good condition. unknown
书商的参考编号 : 18888
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African American Photography
African American Studio Portraiture and Self-Presentation in the Interwar Period Wallet Photograph Archive ca. 1920s-1930s
1920. Archive of fourteen small-format studio portrait photographs depicting African American men women and children during the interwar period offering a focused visual record of self-representation dress and identity formation within Black communities in the era of segregation. Produced within commercial studio settings the portraits reflect the role of photography as a means of asserting dignity respectability and participation in modern visual culture at a time when mainstream representations of African Americans were limited and often distorted. The sitters appear in a range of composed poses including formally dressed men in suits and ties-some wearing brimmed hats associated with urban style and aspirational identity-and women presented with direct composed gazes emphasizing self-possession and presentation. Additional images include subjects in more casual or work attire indicating a spectrum of social and occupational identities while maintaining the shared conventions of studio portraiture. Two photographs of children extend the archive across generations underscoring the importance of photographic images within family and community networks.<br /> <br /> Fourteen original photographs ca. 1920s-1930s primarily sepia-toned silver gelatin prints with one example featuring hand-colored background elements. Each photograph is small "wallet-size" ranging approximately from 1.25 x 1.25 inches to 2.5 x 1.25 inches. The images are tightly framed consistent with commercial studio production and feature neutral or lightly decorative backdrops. Several subjects appear in multiple poses suggesting a shared studio session or related photographic context. The format indicates intended use as personal keepsakes exchanged portraits or album inserts within kinship and social networks. General wear consistent with age and handling including creasing edge wear and surface abrasions; two images exhibit notable fading and reduced contrast. The remaining photographs retain clear detail and tonal range. Overall condition good. A cohesive vernacular archive documenting African American portrait practices and social identity in the early twentieth century. unknown
书商的参考编号 : 19004
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African American Photography
African American Portraiture Tintype of Young Black Woman in Lace Collar Case Photograph Neff Patent 1856
1856. Neff Hamilton L. tintype portrait circa mid-1850s documents early photographic representation of an African American woman during the formative period of American vernacular portraiture when free Black individuals increasingly participated in studio photography as a means of self-presentation and social visibility. The image situates the sitter within mid-nineteenth-century photographic practice associated with Neff's patented tintype process which expanded access to portraiture beyond elite clientele. The subject's composed seated pose formal dress and direct presentation align with conventions of dignity and respectability that characterized Black studio portraiture in the antebellum and immediate pre-Civil War period.<br /> <br /> Ninth plate tintype photograph measuring approximately 2 1/2 x 2 2/3 inches. The image depicts a young African American woman seated with arms crossed in her lap wearing a dress with a lace collar. The plate bears the stamp "Neff's Pat. Feb. 56" along the upper edge indicating production within the period following Hamilton L. Neff's 1856 patent associated with early tintype processes. The photograph is housed in a full wooden case with a gold velvet interior on the opposing side and a gold-toned metallic mat surrounding the image. The portrait is taken at midlevel and presents the sitter against a darkened field consistent with early tintype tonal characteristics.<br /> <br /> Tintype photography introduced in the 1850s enabled more affordable and portable portrait production contributing to the broader inclusion of African American subjects in photographic archives during a period otherwise marked by limited formal representation. Portraits such as this one provide visual evidence of self-fashioning dress and studio conventions among Black sitters in the antebellum United States offering material for the study of race identity and visual culture. Image slightly dark with expected tonal depth; case intact with light wear; overall very good condition. unknown
书商的参考编号 : 18590
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African American Woman Tintype Photography
Full length Tintype of Attractive African American Woman
19th century Tintype photograph of lovely young African American woman. Size 3.5" x 2.5." A young woman wearing a fashionable two-piece gown stands upright. Her dress has a high collar with intricate ruffles along the bodice. She rests one hand on the back of a cushioned chair and looks directly in the camera. The room or studio background behind her appears ornate with indoor plants thick brocade curtains and a hand painted mural on the wall. Very good contrast and condition. unknown
书商的参考编号 : 18947
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African American House Servant Photography
Stereoview of an African American House Servant Holding a Tray
Albumen stereoview of an African American house servant holding a tray. 6" x 3 1/8". The subject of this photograph is an older African American woman dressed in housemaid attire. She holds a duster upright in one hand. With the other she balances a tray of indiscernible objects on her lap. There is a basket of various spools in the background. This is possibly from George Barnard's "South Carolina Views" series 1873-1880 a collection that focused on Black laborers in the Reconstruction South. Barnard is perhaps most famous for his photographic documentation of Civil War ruination and hardship most of which he captured while under General Sherman's command. This inch picture is in very good condition; it is an fascinating cultural artifact of African-American domestic workers in the postwar South. unknown
书商的参考编号 : 18593
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African American Photography
Tintype Photograph of African American Baby C. 1870
Tintype photograph of African American baby. C. 1870. Measuring 2.5" x 4.5" inches. The baby wears a white smock and sits propped in a chair eyes wide and focused off camera expression curious. This photo comes from a time just after emancipation when African Americans were creating new lives for themselves since Tintypes were invented in 1855 and used mostly during the 1860s and 1870s and is an original photographic image on a thin sheet of metal or iron that has been coated with a dark lacquer or enamel. Photography was one way to commemorate freedom and memorialize family life a practice not possible under slavery when African Americans did not have access to photography or the means to procure it. Minor bending to tintype wear and some scratches. 3 corners clipped. The image focus and clarity is very good. In good condition overall. unknown
书商的参考编号 : 17944
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African American Photography
Young African American Mother and Child Tintype
1860. African American Sixth plate tintype featuring a young African American woman and an African American girl likely mother and daughter posed before a wall covered with floral wallpaper. Both of them wear light cotton dresses the woman dons an updo hair style with ringlet bangs the young girl's hair scalp length. Measures 3.25" x 4". Housed in a half pressed paper case. These portraits come from a time just after emancipation when African Americans were creating new lives for themselves. Photography was one way to commemorate freedom and memorialize prosperity the formerly impossible made possible. Overall very good condition. unknown
书商的参考编号 : 21505
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African American Interest Photography
Archive of photographs and letters regarding a pair of African American twin child actors
Los Angeles: N.p. 1935. Archive of material regarding a pair of prospective African American child actors including four black and white photographs of the children four autograph letters signed from a "Madame Fay" variously addressed to Mr. and Mrs. Martin Smith and an unnamed "Mr. Agent" and one typescript letter unsigned but seemingly from one of the Smiths responding to Fay's previous correspondence. Two photographs with the stamp of Adair's Studio at 4105 Central Avenue on the verso. <br/><br/>Fay's letters which identify the children as twins broadly discuss her hopes of securing acting representation for the twins facilitated by the Smiths who seem to have had some connections within the film industry. The letters also frankly address Fay's financial hardships noting "I don't expect much for myself in the start buy if I only know that I have a Dependance I will feel safer. I don't think I shall ever be able to go into any ones kitchen and the lisence is so high for readings that unless I can't find any other sorce of Deasent living I hardly know what to do" sic all. Fay's note about licenses for readings as well as her distinctive moniker suggests that she also worked as a medium or psychic in addition to having previously worked for the Smiths.<br/><br/>In her single letter to the unnamed agent Fay reiterates her desperation and states that she previously took the children to noted film and television comedy producer Hal Roach. She goes on to state her preference for the children working with a white agent and avoiding "the Central ave. agents". Central Avenue and 41st Street was the heart of African American life in Los Angeles in the early and mid-20th century a populous region commonly referred to as the "Black belt of the city" home to a rapidly growing African American community as well as numerous Black-owned enterprises. <br/><br/>As a whole the archive presents an interesting and emotive glimpse into life on the edges of Depression-era Hollywood as well as the numerous difficulties and limitations faced by African Americans in gaining entry into the film industry.<br/><br/>Photographs approximately 7.5 x 9.75 inches. Letters varying sizes. All materials generally Very Good plus lightly age-toned with some dampstaining to the letters. N.p. unknown books
书商的参考编号 : 152255
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African American Photography
TWO STEREOVIEWS FEATURING AFRICAN-AMERICAN SUBJECTS
New Jersey; n.p.: Underwood & Underwood; n.p. 1895. Two stereoviews on card each 3 1/2 x 7 inches. Minor edge wear. Very good. A pair of stereoviews featuring African- American subjects. The first was published by Underwood & Underwood in New Jersey and features several men women and children picking cotton in Georgia. The caption reads "Cotton is King - Plantation Scene Georgia" and is copyrighted 1895. The second image is a color-printed stereoview showing seven African-American men posing with sugar cane. This image is captioned "Native Cane Grinders in Sunny Florida." It is no. 299 of a series though the maker is not identified. A nice pair of stereo cards featuring African-American laborers in the American South. Underwood & Underwood; [n.p.] unknown books
书商的参考编号 : WRCAM54582
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African-American 19th Century Photography
African-American Woman 19th Century Cabinet Card Photograph
1880. African American Photography Cabinet card photograph depicts an attractive young African American woman in formal dress. She wears a high collar with a golden brooch and has a serious expression. Circa 1880s. Photography studio is C. Jackson's located in Hannibal Missouri. 6.5" x 4." Card bears front gilt caption: "Hannibal Mo. Jackson. Pittsfield MS." On the back is the photography studio's address and logo printed in ornate gilt. Very good condition. unknown
书商的参考编号 : 18884
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African-American Baptism Photography
African-American Baptism on a Charlotte NC Farm 1921
1921. African-American Photography A silver gelatin photograph of an African-American baptism held on Charlotte North Carolina farmland. Dated July 3 1921. Measuring at 3" x 4.5". A multitude of African-American families congregate beside a lake on a lush farm witnessing a baptism. African-American baptisms in the South were typically held in summer months often in rivers lakes and bayous. In the photo both men and women wear large hats to obstruct the Southern summer heat. In the foreground alongside the lake a woman holds her child in arms whilst others stand to bear a clearer view. In the lake church officials dressed in all white garments baptize an African-American baby. Families alongside the outer parts of the lake attempt to catch a better glimpse by hovering closer to the area in which the baptism is being held. Lush trees appear in the background revealing the vast nature of the farmland. Penciled writing on the verso reads "Negro Baptism on Daddy's Farm Charlotte NC July 3rd 1921" suggesting that it was written by the child of the farm owner. In very good condition. unknown
书商的参考编号 : 18965
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Afrika - (LIVINGSTONE David)
David Livingstone and the Victorian Encounter in Africa. National Portrait Gallery. Published for the exhibition
London, 26 July to 7 July 1996. 296 pages. With a lot of facs. illustrations, partially in colour. Original softcover binding. 28x22 cm
书商的参考编号 : 62928
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Afrika - Blum, Dieter
africa DIETER BLUM. Textes (Preface) Leopold Sedar Senghor, Gisela Bonn. Von Dieter Blum auf dem Titelblatt eigenhändig signiert. (French édition. Französische Ausgabe).
Montrouge. Draeger Éditeur. 1976. 206, (2) Seiten. Mit zahlreichen, teils doppelblattgroßen u. farbigen Fotografien. Schwerer Original-Leinwand-Einband mit Deckelprägung im Original-Leinwand-Schuber mit farbigem Titelbild. Schönes Exemplar. Großformat 43x31 cm
书商的参考编号 : 142175
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Afrika im Aufbruch
Bildband. Mit 332 Farbtafeln und einigen Textteilen. Herausgegeben von einem Autorenkollektiv: Klaus Ullrich, Eberhard Heinrich, Heinrich Leber, Wolfgang Meyer und Peter Seifert. Zeichnungen der Textkarten von K.-H. Döring. Flaggenzeichnungen von J. Borleis und K. Thieme.
Leipzig, VEB Brockhaus, 1980. 4°. [30 x 27 cm]. Unpaginierter Band. Mit einem Faltblatt im Anhang. Originalleinenband mit farbig illustriertem Schutzumschlag. In Schuber. - Wohlerhalten bis neuwertig. 1. Auflage.
书商的参考编号 : 18394AB
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AGACHE, Roger
Nouveaux apports des prospections aériennes en archéologie Pré-romaine et Romaine de la Picardie (Extrait des Cahiers Archéologiques de Picardie n° 6, 1979) - Complément au volume "La Somme Pré-romaine et Romaine" publié par la société des Antiquaires de Picardie
1980 In-4 broché - 90 pages - Illustré de reproductions photographiques en N&B in et hors texte
书商的参考编号 : 126032
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AGACINSKI, Sylviane.
Le Passeur de Temps. Modernité et nostalgie.
in-8°, 207 pp., photos hors-texte en n/b, notes, index, broche, couv., jaquette illustree plast. Bel exemplaire. [MI-9]
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Agamben Giorgio.
Il Giorno del Giudizio. Con quattro fotografie di Mario Dondero e un dagherrotipo. Seguito da Gli aiutanti.
R. B2.
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AGATA (Antoine d')
Paraiso
Marseille, André Frère Editions, 2013. 220 g In-8 broché, [32] ff., illustrations. Edition originale. . (Catégories : Photographie, )
书商的参考编号 : 11175
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Agathe Dupire ; Melanie Ashton ; Mothmeister ; Nandrysha ; etc.
Dark and Dystopian PostMortem Fairy Tales
Hardcover, 272 pages, English, 285 x 245 mm, book is as New !, with very special photographs in colour !! gorgeous clothings and masks.. ISBN 9789401473644. In Dark & Dystopian Post-Mortem Fairy Tales, Mothmeister - the two-headed alter ego of the anonymous Belgian artistic duo - pays tribute to the many muses that incited its unsettling and eccentric dreamworld. These range from artists around the globe, legendary figures and myths and a quirky taxidermy collection to desolate places where its most grotesque and often melancholic characters were born, such as the macabre Capuchin Catacombs of Palermo, the abandoned unearthly town of Pyramiden in Spitsbergen and the site of the Chernobyl disaster. All of this flows into a unique fairyland that flirts with the morbid, religious and often clownish, in which taxidermy animals are brought back to life in the most unusual ways.
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Agathe et Damien Langlet
Douai - Des hommes & des lieux
éditions invenit, Tourcoing, 2016. In-12, format à l'italienne, broché sous couverture rempliée et illustrée en couleur, 2016. Avant-propos, par Michel Claes - Administrer - Aller et venir - Produire et échanger - Juger - Etudier et transmettre - Fêter - Chercher et prier - Défendre - Se cultiver et créer - Etre ensemble - Se souvenir - ...
书商的参考编号 : 3729
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Agazzani Alberto; Zannoni Alice
Un Secolo e 7. Premio Fabbri quarta edizione. [Ed. Italiana e Inglese], Milano, Skira, 2011
Bologna, Accademia di Belle Arti, 28 gennaio - 28 febbraio 2012. Testo Italiano e Inglese. Milano, 2011; br., ill., tavv. col., cm 24x28.
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AGEE (James) & EVANS (Walker).
Une saison de coton. Trois familles de métayers.
Christian Bourgois, 2014. In-8 br. Reportages de J. Agee accompagnés de photographies en noir & blanc de W. Evans, commandés par la revue FORTUNE en 1936, finalement refusés ! Ouvrage édité par J. Summers et préfacé par A. Haslett. Traduit par H. Borraz. E.O.
书商的参考编号 : L16297
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AGEE James - EVANS Walter
LOUONS MAINTENANT LES GRANDS HOMMES. Alabama : Trois familles de métayers en 1936.
Plon, collection Terre humaine 1972 Paris, librairie Plon, collection Terre humaine, 1972. In-8 de 450 pp., comprenant 40 photographies hors texte. Reliure de l'éditeur, pleine toile noire, jaquette illustrée. Des petits accrocs en coiffes, sans manque. Le livre lui-même est en très bon état. Sans annotations ni soulignements.
书商的参考编号 : 19198
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Agee James; Evans Walker
Sia lode ora a uomini di fama
ill., br. Nell'estate del 1936 la rivista Fortune invia in Alabama un giovane scrittore, James Agee, e un fotografo, Walker Evans, per lavorare a un articolo sulla «vita quotidiana e l'ambiente di una famiglia media bianca di contadini fittavoli». Sono gli ultimi anni della Grande depressione, ma la morsa che stritola i coltivatori di cotone non accenna ad allentarsi. Agee ed Evans decidono di immergersi in quel mondo, di abitare nelle case dei contadini condividendo ogni aspetto della loro esistenza, per cercare di trasmettere ciò di cui sono stati testimoni. Ben presto devono però rendersi conto che il rapporto con un'umanità così esausta, la bruciante vicinanza col reale sono impossibili da restituire attraverso i mezzi espressivi tradizionali. «Impubblicabile» è il giudizio di Fortune sul materiale raccolto: troppo vero e diretto, troppo complesso e vasto. Quella che doveva essere una semplice inchiesta si è trasformata in un oggetto letterario che sfugge a qualsiasi catalogazione. Romanzo, saggio, reportage appassionato e stravolto, Sia lode ora a uomini di fama è soprattutto un'illuminazione poetica, in cui visione e linguaggio coincidono con l'impegno più rigoroso nei confronti della materia narrata. Accolto con entusiasmo dalla critica, il libro incontra una fortuna crescente, fino a elevare Agee tra i grandi cantori dell'America, insieme a William Faulkner e John Steinbeck. A decenni di distanza, il viaggio di Agee ed Evans nel cuore del Sud rimane un'opera fondamentale che trascende il tempo e le generazioni: un immenso paesaggio con figure, dipinto di polvere e luce, in cui gli inganni che coscienza e percezione giocano all'osservatore sono indagati con un'attenzione tanto spietata quanto è pudica e rispettosa quella riservata agli osservati: esseri umani feriti, eppure misteriosamente sfiorati da nobiltà e grazia. Prefazione di Luca Briasco.
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Agee, James (1909-1955) with Photography of Helen Levitt
A Way of Seeing NYC Street Photography
Durham: Duke University Press 1989. Fine/A Near Fine Slipcase. <br /> HELEN LEVITT & THE POETRY OF THE SIDEWALK - THE QUIET DRAMA OF ORDINARY LIFE.<br /> A pristine copy of the 1989 Duke University Press edition. This 'Third Edition' kept Levitt's work in print for a new generation of photographers featuring corrected text and 20 additional photographs not found in earlier versions.<br /> <br /> Key Features:<br /> Content: The definitive 'reader's edition.' It includes the seminal James Agee essay and an expanded selection of Levitt's 1940s street photography.<br /> Edition: Third Edition 1989 published in association with The Center for Documentary Studies at Duke University.<br /> Provenance: From the library of Ben Raeburn Levitt's former publisher at Horizon Press. It is significant that he retained this copy from the rival press in his personal collection.<br /> Visuals: High-quality duotone reproductions of children masks and street theatre in Harlem and the Lower East Side.<br /> <br /> Physical Specs:<br /> Date: 1989<br /> Dimensions: 9 x 11.5 inches.<br /> Format: Stiff pictorial softcover wraps.<br /> <br /> Condition: Fine -- Gift Quality. The wraps are bright and glossy with sharp corners. The binding is tight and uncreased. The pages are clean and unmarked. A superior copy of a book often found well-worn by students. By 1989 Helen Levitt was no longer a 'rediscovered' artist but an acknowledged master. This Duke University Press edition marks the moment her work transitioned from the world of fine-press rarities like the 1981 Horizon edition into the academic canon.<br /> <br /> Published in association with the Center for Documentary Studies this volume solidified A Way of Seeing as a required text for students of photography and sociology alike ensuring that Agee's prose and Levitt's 'anti-journalistic' vision would influence the 1990s generation of artists.<br /> <br /> Keywords: Helen Levitt James Agee Duke University Press Street Photography Documentary Studies New York School Harlem 1940s Photography Ben Raeburn Estate. Duke University Press unknown
书商的参考编号 : 21465 ???????? : 0822310058 9780822310051
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Agee, James (1909-1955) with Photography of Helen Levitt
A Way of Seeing with an Essay by James Agee
New York: Horizon Press 1981. First Trade Edition of the Enlarged Edition. Fine/Near Fine. <br /> THE THEATER of CHILDHOOD <br /> The First Trade Edition Hardcover of the 1981 expanded reissue featuring 24 new images not found in the 1965 original; the definitive 1981 expanded edition a dual-masterpiece of 20th-century street photography and American criticism.<br /> <br /> Sourced directly from the estate of the publisher Ben Raeburn and bearing the ownership signature of his partner Pat Percy this copy represents the primary lineage of the book's production. While James Agee's 1946 essay is widely considered the most penetrating text ever written on the medium this specific Horizon Press edition-printed by the legendary Meriden Gravure Company-was the first to successfully marry Agee's poetic vision with Helen Levitt's expanded portfolio of 24 additional images.<br /> <br /> KEY FEATURES:<br /> Visuals: High-quality halftone reproductions printed by the Meriden Gravure Company superior to the later Duke reprints.<br /> Content: The expanded layout designed by Marvin Hoshino featuring the complete unedited text of James Agee's seminal essay.<br /> Provenance: From the estate of Ben Raeburn with the ownership signature of his life-partner Pat Percy on the front free endpaper.<br /> Format: Hardcover in gray cloth with the original photo-illustrated dust jacket.<br /> <br /> Physical Specs: Hardcover with Dust Jacket. - 1981 - 9.5 x 10.75 inches.<br /> Condition: Fine in Near Fine Dust Jacket. The binding is tight and square with sharp corners. The text block is crisp. The dust jacket is remarkably fresh with the price intact showing only the faintest hint of shelf handling. A superior copy preserved within the publisher's estate. Historical Significance:<br /> A Way of Seeing is unique in the canon of photobooks because it is a true dual-masterpiece. James Agee wrote the accompanying essay around 1946 specifically to champion Levitt's work though the book remained unpublished until after his death in 1955. <br /> <br /> Agee's text is widely considered one of the most penetrating essays on photography ever written; in it he defines the camera not as a tool of journalism but as "the central instrument of our time" for capturing the lyrical fleeting beauty of the everyday. <br /> <br /> He praises Levitt's ability to remain "invisible" on the street allowing the raw unposed theater of New York children to unfold before her lens. This 1981 Horizon Press edition was crucial in re-establishing this collaboration presenting Agee's poetic criticism alongside Levitt's expanded portfolio in a quality that finally matched their original vision.<br /> <br /> Helen Levitt 1913-2009 is revered as one of America's great street photographers best known for her lyrical black-and-white images of New York children and city life. James Agee 1909-1955 was an influential American writer and critic; his essay in A Way of Seeing is widely regarded as among the most penetrating written on photography. <br /> <br /> Subjects: Helen Levitt street photography James Agee photographic criticism/essay New York City street life American 20th-century photography Fine book design Photography monograph Art book Limited edition collectible. Horizon Press unknown
书商的参考编号 : 21679
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Agee, James and Helen Levitt
A WAY OF SEEING.
Viking Press: 1965. 78 pages with b&w photographs of New York by Helen Levitt and with an essay by James Agee. VERY GOOD- HARDCOVER some wear to lower corners of book black cloth lettering is bright on the spine and over. Ex-library withdrawn. No library marking on spine. Overall a nice clean tight copy minimal library markings. Hard Cover. Very Good-/No Dust Jacket Present. 8vo - over 7¾" - 9¾" tall oblong. Ex-Library Withdrawn. Viking Press: Hardcover
书商的参考编号 : 034060
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Agee, James & Evans, Walker
Let us now praise famous men [by] James Agee [and] Walker Evans
471p., illus. Hardcover Very good condition good At head of title: Three tenant families. "This volume is designed in two intentions: as the beginning of a larger piece of work; and to stand of itself, independent of any such further work as may be done ... The title of the work as a whole, this volume included, is 'Three tenant families"."--Pref.
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Agee, James und Walker Evans
Preisen will ich die grossen Männer : 3 Pächterfamilien. James Agee ; Walker Evans. Aus d. Amerikan. von Karin Graf. Mit Essays von Walker Evans u. Joachim Sartorius
München : Schirmer-Mosel 1989. 534 S. : Ill. ; 24 cm, mit Schutzumschlag, SU vorne mit tieferen Abschabungen Pp., gebundene Ausgabe, Hardcover/Pappeinband, sonst Exemplar in gutem Erhaltungszustand
书商的参考编号 : 42263
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Agello Francesco (1902-1942)
Firma e data autografa su fotografia che ritrae il celebre aviatore. Datata 11 maggio 1933
CON DEDICA Firma autografa: “F. Agello / Desenzano 11 maggio 1933”. Sulla fotografia, a stampa, è indicato: “Record A. V. 10.4.1933 / Maresc. F. Agello” - “Ripr. autor. Foto Ventrinielli [?] / Desenzano”. Agello, militare e aviatore, fu autore del primato mondiale di velocità su idrovolanti (ottobre 1934) tuttora insuperato.
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AGENCE DE PRESSE MEURISSE
GUERRE DE 1914-1918.
Paris Meurisse 390 photographies originales, format 13cm x 17cm, tirage argentique, couvrant la période de 1914 jusqu'en 1917, rassemblées en dix classeurs modernes.
书商的参考编号 : 1573
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AGENCE DE REPORTAGE PHOTOGRAPHIQUE MEURISSE PARIS
PHOTOGRAPHIE ORIGINALE : " DÉPART DU DERBY DE LA MARCHE (11.11.1935)" - PHOTO MEURISSE
Paris 1930 une photographie originale albuminée en noir, format : 18 x 13 cm pour la photo, sans date (1930), commentaire tapé à la machine au dos en bleu : " DÉPART DU DERBY DE LA MARCHE (11.11.1935)" - PHOTO MEURISSE,
书商的参考编号 : 28006
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