‎Photographie‎

‎CANNAVÒ Alessandro, D’ERRICO Enzo (a cura di).‎

‎11.9 : IL GIORNO CHE HA CAMBIATO IL MONDO. 2 VOLUMI.‎

‎In-8 (cm. 21), 2 volumi (Le Immagini, Le Parole), brossura, titolo al dorso, custodia, pp. 349, 333, con illustrazioni in bianco e nero e a colori. In buono stato di conservazione (good copy).‎

‎Cannilla, Giuseppe (u.a.)‎

‎Ghost Photography. L'illusione del visible. The Illusion of the Visible. Mystfest.‎

‎Idea books; (Mailand), 1989. 78 S.; zahlr. Abb.; 8°; kart.‎

‎Sehr gutes Ex. - Texte italienisch / englisch. - A cura di Curateci by Giuseppe Cannilla Paolo Musu Stella Santacaterina // Prefazione Preface Irene Bignardi // Introduzione Introduction Jon Thompson. - Sommario Contents -- Prefazione/Preface, Irene Bignardi -- L'immagine spettrale, Jon Thompson The Spectral Image -- L'immagine e il fantasma, Giuseppe Cannilla The Image and the Phantasm -- II fantastico fra cinema e fotografia, Paolo Musu The Fantastic in Cinema and Photography -- Filologia dell'immagine, Stella Santacaterina The Philology of the Image -- Un pizzico di trasparenza, Bill Hopkins A Touch of Transparence -- Note biografiche/Biographical Notes. // "The very definition of the Real has become: that of which it is possible to give an equivalent reproduction... The real is not only what can be reproduced, but that which is always already reproduced... the hyperreal, which is entirely in simulation". This definition by Jean Baudrillard belongs to a line of thinking which involves contemporary artistic and aesthetic ideas, but more to the originating conditions of art, photographic art in particular. The main characteristic of reproduction is that of simulation and deceit; they have always belonged to photographic language, which is in fact illusory and real at the sanie time. Let us consider the experiments of the 19th century and if we choose to remain within the British context, the photographic work of artists such as Robinson, Cameron, Carroll and Re-jlander. It is not without reason that the arbitrary nature of the etymological play of the "word-luggage" Kodak brings to mind the psychoanalytic association of the concept of "mimesis" as enigma which devours the real. This research of contemporary authors in the current exhibition brings to attention certain aspects of a poetics which is particularly expressive of today and are connected not only with the history of photography but with the visual arts in general. At the same time this demonstrates how the photographic medium can constitute within a certain line of aesthetic research an ideal place for the development of some narrative themes presenting them in a new light, connected with the nature of the medium and the method of construction of the image. The evolution of modern and contemporary art presents a corrective amendment regarding the function and poetics of the image which always plays with the various implications of the terms of the examples between reality and visible; between likeness and appearances. The post-idealist crisis has completely denied the relationship between the visible and the real in modern painting (from Klee to Duchamp and Man Ray) without pretending to offer a surrogate, after. Pop Art has spendidly demonstrated, that they are the only ones left - and the visible, that part of reality which remains visible (because not everything that is real is visible, and not everything that is visible constitutes reality) but renders possible the denomination. "Surrealism" has remained in certain ways loyal to the real, which it still contests because it maintains a conflicting relationship between the real and the imaginary with the truth of the unconscious. Today the issue at stake is no longer to render visible that which is invisible, given that modern art has already exhausted the ironic dream suspended in the interregnum of the preconscious limbo in the world of the pre-natal and non-living, neither to demonstrate that dream and phantasy are real but visible. This visible which we have barely time to witness, the instant which glances by us, and is gone forever. (S. 26) ISBN 8870170721‎

Referentie van de boekhandelaar : 1043768

‎CANNISTRA' ALESSANDRA - CONTICELLI ROBERTO‎

‎ORVIETO tra sogno e realtà. Between dream and Realty.‎

‎Bross.con cop. ill. a col., cm 21,5x21,5, pp 128, moltissime tavv. a col..‎

‎Cannon-Brookes, Peter‎

‎Czech Sculpture, 1800 - 1938‎

‎Paperback in very good condition. Published for a National Museum of Wales exhibition. Author's preface is dated 1983. Covers are lightly scored and worn. Sticker on rear cover. Page block is lightly marked. Pages are clean and contents are clear throughout. HCW Used‎

‎Canobbio Alberto‎

‎Piccole storie di un fotografo naturalista - coll. “ Fotografi per Natura “ -‎

‎Nuovo‎

‎CANON‎

‎DECOUVREZ UN MONDE MAGIQUE A TRAVERS LES OBJECTIFS EF CANON‎

‎Canon. 1995. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 23 pages, 1er plat illustré, nombreuses illustrations dans et hors texte.. . . . Classification Dewey : 770-Photographie‎

‎Catalogue d'objectifs Canon. Classification Dewey : 770-Photographie‎

Referentie van de boekhandelaar : RO30009783

‎CANON - Henninges, Heiner‎

‎Canon EOS 1000 mit 1000F.‎

‎München : Laterna Magica 1991. 176 Seiten. Mit zahlreichen teils farbigen Abbildungen. Illustrierte Originalbroschur. (Teils mit geringeren Gebrauchsspuren). 19x13 cm .‎

‎* Frühe analoge Autofokus-SLR von Canon, Japan, 1992. Eine Amateurkamera für das Kleinbildformat 24 x 36 mm. Das ?F? steht für Flash (eingebauter E-Blitz mit Leitzahl 14 bei ISO 100, hier aufgeklappt). Prismensucher, manuelle Belichtungssteuerung und Multiprogrammautomatik (Blenden-, Zeit-, Schärfentiefenautomatik und Programmautomatik), Verschlusszeiten: 30 Sekunden bis 1/2.000 Sekunde. Blitzsynchronzeit: 1/90 Sekunde. Belichtungsmessung: Dreizonen-, Selektiv- sowie mittenbetonte Integralmessung. TTL-Blitzautomatik mit systemgerechten Blitzgeräten. Wechselobjektive mit dem neuen EOS-Bajonett (EF-Bajonett) ? hier mit Zoom 1:4-5,6/35-80 mm USM gewissermaßen als Normalobjektiv (gab es im Set zu kaufen). Eingebauter Winder. Kurt Tauber: ?Damals sprach alle Welt von den tollen neuen Autofokuskameras. Da wollte ich mitreden können. Vielleicht wäre das ja etwas für mich? Ich konnte mich aber nicht recht damit anfreunden.? Es blieb bei diesem einen analogen Gehäuse, dazu kam nur noch ein EOS-Zoom 80 bis 200 mm, das er heute noch ab und an an seiner digitalen EOS benutzt.‎

Referentie van de boekhandelaar : 147797

‎CANON T50‎

‎Notice d'emploi de l'appareil photo Canon T50.‎

‎Couverture souple. En bon état. Brochure 32 pages.‎

‎Livre. Editions Canon, 1983.‎

Referentie van de boekhandelaar : 117558

‎CANONNE, Xavier - LEFRANCQ, Michel.‎

‎Marcel-G. Lefrancq. Aux mains de la Lumière.‎

‎in-4, 165 pages entierement illustrees in-t. en noir, broche, couv. ill.- Très bel exemplaire. [P-16]‎

‎CANONNE, Xavier.‎

‎IMAGE (S) D'UNE COLLECTION. MUSEE DE LA PHOTOGRAPHIE CHARLEROI.‎

‎Brussel/Bruxelles, Mercatorfonds / Fonds Mercator, 2010 Relie, hardcover, sous jacquette originale d'editeur, 23.5x17.6 cm., 320 pp., 300 illustrations. ISBN 9782871830634.‎

‎Les photographies de ce livre ont ete choisies minutieusement selon leur representativite de la collection, mais aussi leurs qualites techniques, valeur esthetique ou historique. De Louis Ghemar a Bettina Rheims, en passant par de somptueuses photos anonymes, d'oeuvres connues mais aussi moins connues, portraits, paysages, photos a vocation artistiques mais aussi documentaires ou journalistiques, toute la diversite de cet art se retrouve dans ce veritable guide de l'histoire de la photographie. Premiere grande publication sur le Musee, cet ouvrage en retrace l'historique, des premices en 1975 a l'institution mondialement reconnue qu'il est devenu aujourd'hui.‎

Referentie van de boekhandelaar : 26742

‎Canova, Antonio‎

‎Italiana. L'invenzione della belleza. - The Invention of Beauty.‎

‎Bologna, FMR-Arte, 2009. 32 : 27 cm. 98 pages, 4 leaves, with many, mostly coloured platges and illustrations, and disc. Illustrated original boards.‎

‎With wonderful Illustrations after Photographs, showing the beauties of Italy. With the disc showing the movie, which is also avaiable on YouTube.‎

Referentie van de boekhandelaar : 19287AB

‎CANOVAS DEL CASTILLO (Antonio)‎

‎Photographie de la collection Félix Potin (4 x 7,5 cm) représentant : Antonio Canovas Del Castillo, homme politique espagnol.‎

‎- Photographie 4 x 7, 5 cm. Notice biographique collée au dos.‎

‎Photo. Né à Malaga. (1828-1897). Félix Potin, Début XXe. Vers 1900.‎

Referentie van de boekhandelaar : 51259

‎CANROBERT (François-Certain)‎

‎Photographie de la collection Félix Potin (4 x 7,5 cm) représentant : Maréchal François-Certain Canrobert.‎

‎- Photographie 4 x 7, 5 cm. Notice biographique collée au dos.‎

‎Photo. Né à Saint-Céré. 1809-1895. Félix Potin, Début XXe. Vers 1900.‎

Referentie van de boekhandelaar : 53563

‎CANTARELLA, Aldo,‎

‎Alessandro Nastasio‎

‎Testi di Luigi Cavallo, Franco Russoli, Raffaele De Grada, Francesco De Bernardis, Mercedes Percerruti Garberis. Con 60 fotografie in nero e 7 a colori. Note biografiche. Scritti in italiano e inglese . 8vo. pp. 80. . Ottimo (Fine). . Prima edizione (First Edition). .‎

‎Canter Marc; Porath Jason‎

‎Reckless Road. Guns n'Roses. La genesi di Appetite for destruction. Ediz. a colori‎

‎ill., br. Los Angeles, anni Ottanta. Marc Canter è un giovane fotografo alle prime armi e il suo migliore amico si chiama Saul Hudson, ma è destinato a passare alla storia come Slash: il chitarrista dei Guns N'Roses. Marc si trova così ad assistere, da vicino, alla nascita di una delle rock'n'roll band più grandi, amate e discusse della storia. È sempre insieme a loro, dietro e davanti alle quinte, a partire dal primo concerto, il 6 giugno 1985, Marc scatta fotografie, ritaglia articoli di giornale e registra dichiarazioni, colleziona pass, manifesti, scalette... e intanto assiste alla genesi di Appetite for Destruction. Un periodo intenso e indimenticabile che si conclude nel 1987, quando i Guns tengono l'ultimo show nella loro Los Angeles prima di partire per un trionfale tour internazionale. Il materiale raccolto da Marc Canter ha dato origine a questo libro. Un'opera sorprendente e unica, per chi vuole scoprire e riscoprire la band più pericolosa del mondo, immortalata nel suo momento più magico.‎

‎Cantini,Carlo.‎

‎Fotografare il suono. Un viaggio audiofilo.‎

‎Le fotografie del maestro Carlo Cantini questa volta cercano di rispondere a una sfida davvero ardua: come si può fotografare il suono, ovvero qualcosa di invisibile? Cantini è andato in cerca degli audiofili, ossia gli "amanti del suono", ascoltatori raffinati di musica che sono però più innamorati della qualità del suono e delle tecnologie di riproduzione che di artisti e canzoni. Nel suo viaggi <br/> STATO: NUOVO.<br/> TITOLO: Fotografare il suono. Un viaggio audiofilo. <br/> AUTORE: Cantini,Carlo.<br/> EDITORE: La Casa Usher<br/> DATA ED.: 2022,<br/> EAN: 9788898811694‎

‎Canto Monique (texte de)‎

‎Villégiatures. Photographies d'Anne Garde.‎

‎<p>32 cm, rilegatura editoriale in piena tela verde con titolo impresso in oro al dorso, sovracoperta editoriale illustrata, p. 102. Numerose illustrazioni in nero anche a piena e doppia pagina. Testo in francese diviso su 2 colonne.</p>‎

‎Cantoni Lamberto, Merlo Lorenzo‎

‎Dancing through time. Le emozioni del ballo nelle immagini dei grandi fotografi. Catalogo mostra: Milano, maggio giugno 2000‎

‎29 cm, ril. editoriale illustrata, tit. al piatto e dorso; p. 179, 150 foto in nero e a colori anche a piena pag‎

‎Cantrell, Wilson; Strassberg, Phil; Grey, George, Gordon, Richard M.; Wisdom, John; Callum, Myles; Hartley, Raymond; Canary, Glenn; Hull, Anne; Bloch, Robert; Daniels, Guy; Sharkey, Jack; Gardener, Walter‎

‎The Dude - The Magazine Devoted to Pleasure, September [Sept.] 1960, Volume 5, Number 1: The Unique Peter Ustinov‎

‎An early men's publication in the model of Playboy. 74 pages with color and black and white photos. Features: Pitcher in the Ivy - satire by George Grey; Apres Moi, La Bombe - humor by Richard M. Gordon; The Lonely Crowd - fiction by John Wisdom; Photo feature of Miss Carol Bayne; Only Her Analyst Knows - humor by Myles Callum; Photo essay of film "Tender and Violent", part of the La Nouvelle Vague movement; A Winter's Tale - fiction by Glenn Canary; Madras Madness - Fashion fad for handwoven Indian fabric; Grim Fairy Tales - satire by Robert Bloch; The Unique Peter Ustinov - article; Photo essay on Miss Nadia Jais; Ruddybore! - satire by Guy Daniels; Photo essay of Dore Orlando; Equity - fiction by Jack Sharkey; Hi Fi - article by Walter Gardener; Fantastic color-photo ad for Wrangler jeans on back cover features lady in baby blue jeans and jacket lifting cowboy dressed in black and red; and more. Unmarked with moderate wear. A sound vintage copy. Book‎

‎Cantù, Gianni‎

‎Fotografare Gli Animali‎

‎Mm 140x205 Brossura editoriale di 167 pagine, copertina policroma, numerose tavole in nero e a colori fuori testo, seno di nastro adesivo al contropiatto. Testo in buono stato. Spedizione entro 24 ore dalla conferma dell'ordine.‎

‎Canyon, Brice; Lord, Susan' Watson, Scott‎

‎The Fragility of Origins: Cornelia Wyngaarden Nov 8 - Dec 16, 1994‎

‎Book is in excellent condition. Binding is solid and square, covers have sharp corners, exterior shows no blemishes, text/interior is clean and free of marking of any kind. Bright yellow covers, 48 page catalogue with rice paper at front and back with essays by the above authors and images from Apollos' kiss/Matricide; Forged Subjectivity; The Dead Man Was a Woman; The Fragility of Origins; Forged Subjectivity. Large photos in color and b&w.‎

‎Capa Cornell John Fell Stevenson Inge Morath photography‎

‎Adlai Stevenson's Public Years First Edition‎

‎New York: Grossman Publisher 1966. First Edition. First Edition. The story of Adlai Stevenson's career told through photographs including texts from his essays and speeches. <br/><br/>Near Fine in a Very Good dust jacket. Some light rubbing to the board edges. Jacket has moderate edgewear and rubbing overall. Grossman Publisher unknown books‎

Referentie van de boekhandelaar : 138493

‎CAPA - Whelan, Richard (a cura di)‎

‎This is War! Robert Capa at Work‎

‎Volume realizzato in occasione della mostra tenutasi presso l'International Center of Photography, New York, 26 settembre 2007 - 6 gennaio 2008. Ampio saggio illustrato sul lavoro fotografico di Robert Capa (325 illustrazioni in bianco e nero e a colori) . 4to (25.5x28.5 cm). pp. 288. . Perfetto (Mint). . Seconda edizione (2nd Edition). . Robert Capa, uno dei principali fotografi del ventesimo secolo, è stato un maestro della narrativa fotografica dallo stile cinematografico. Le sue immagini più sorprendenti - della guerra civile spagnola, del conflitto sino-giapponese, della seconda guerra mondiale - apparvero sulle pagine delle principali riviste dell'epoca. Molte delle sue fotografie più note descrivono momenti storici significativi.è stata la loro ampia diffusione nelle riviste internazionali che le ha rese iconiche. Alcune delle riviste europee e americane della metà del secolo più visivamente sofisticate e politicamente impegnate pubblicarono le fotografie di guerra di Capa, tra cui Vu, Regards, Match, Picture Post e, ovviamente, Life. Questo libro e la mostra che accompagna riesaminano le innovazioni di Capa come fotoreporter negli anni '30 e '40. Stampe vintage, provini a contatto, fogli di didascalie, osservazioni scritte a mano, lettere personali e layout di riviste originali rivelano il processo di lavoro di Capa nella costruzione di sei storie fotografiche chiave.Robert Capa, one of the preeminent photographers of the twentieth century, was a master of the cinematic photo narrative. His most striking images-of the Spanish Civil War, of the Sino-Japanese conflict, of World War II - appeared in the pages of the leading picture magazines of the day. Many of his most well-known photographs have come to define significant historical moments. It was their broad circulation in international picture magazines that first made them iconic. Some of the most visually sophisticated and politically engaged European and American magazines of the mid-century published Capa's photographs of war, including Vu, Regards, Match, Picture Post, and, of course, Life. This book and the exhibition it accompanies reexamine Capa's innovations as a photojournalist in the 1930s and 1940s. Vintage prints, contact sheets, caption sheets, handwritten observations, personal letters, and original magazine layouts reveal Capa's working process in the construction of six key photo stories.‎

‎CAPA CORNELL (1918-2008) RICHARD WHELAN (1946-2007)‎

‎Robert Capa and Cornell Capa brothers in photography‎

‎1990 New York, Tokyo, International Center of Photography, Magnum Photos, 1990, 331x257mm,104p, broché, couverture photographique. Imprimé au Japon par Dai Nippon Printing.Catalogue d’une exposition conçue par Cornell Capa et Richard Whelan, mise en page Tomiyasu Shiraiwa. Texte anglais et japonais.Envoi autographe daté 1990 et signé par Cornell et Edie (sa femme) Capa à Catherine et Marc Riboud : «To Catherine and Marc, Tokyo was unforgettable !! During a six-days period sixty thousand silent viewers, young and old, men and women filed by-All touched by the images of human concerns. The spirit of Bob and the pride of mother Julia was much in our hearts…as ever Edie & Cornell November 1, 1990”.Cachet de la bibliothèque Marc Riboud.(102298)‎

Referentie van de boekhandelaar : 102298

‎CAPA Cornell (a cura)‎

‎The Concerned Photographer‎

‎in 8vo b/n‎