‎Photographie‎

‎CARELL Ghitta‎

‎Signori d' Italia nei fotoritratti di Ghitta Carrel a cura di M. F. Occhipinti‎

‎in 8° numerose b/n‎

‎CARELL, Ghitta (Szatmar, 1899 - Haifa, 1972)‎

‎Signori d'Italia nei fotoritratti di Ghitta Carell‎

‎A cura di Maria Francesca Occhipinti. Presentazione di Adele Cambria. Fotografie in bianco e nero di Ghitta Carell con ampie descrizioni . 4to (30x21 cm). pp. 96. . Ottimo (Fine). . Prima edizione (First Edition). .‎

‎Carena Giorgia‎

‎Immagini dal silenzio, Milano, M-House Editrice, 2014‎

‎Milano, 2014; ril., ill., cm 23x30.‎

‎Carey, Brian; Guay, Louise‎

‎Kryn Taconis - Photojournalist / Photojournaliste‎

‎viii, 146 pages. Text in English and French. Profusely illustrated with glossy black and white reproductions of photos. "Dutch-born Kryn Taconis has left us as his legacy a body of work that stretches over thirty-five years - from 1944 to 1979. As a member of the Resistance, he cast a special light upon the grave privation of the people of Amsterdam, who were starved by the German occupiers during the winter of 1944-1945. He was later associated with the Magnum agency for ten years during which he proved himself as an independent photographer and displayed his sympathies and his humanist affinities in numerous stories from all over the world. Finally, his twenty years of association with Canadian illustrated magazines such as the Star Weekly gave him the occasion to wield great influence in establishing new standards of quality in Canadian photojournalism." - Preface. Clean and unmarked with moderate wear. Binding sound. A quality copy of this impressive work. Book‎

‎Carey-Kent, Paul‎

‎Piers Secunda: A Retrospective‎

‎Paperback. Good condition. A few slight scores on rear cover. Pages are clean, and the contents are clear. AF Used‎

‎Carey-Thomas, Lizzie (ed.)‎

‎Migrations: Journeys Into British Art‎

‎Paperback with french flaps, very good condition. Generously illustrated and including artist interviews and texts by leading curators and art critics, published on occasion of the exhibition "Migrations: Journeys into Brtisih Art" at Tate Britain January 31 - August 12, 2012. No notable flaws. AD Used‎

‎Caribbean; Travel Photography‎

‎Caribbean Travel Photo Album Recording Colonial Port Cities and Canal Zone Circulation from Jamaica to Panama 1910s-20s‎

‎1914. Caribbean photograph album likely compiled by a person connected to the Panama Canal Zone and the Caribbean documenting how steamship mobility port circulation and U.S. imperial presence linked Jamaica Venezuela Trinidad Barbados Cuba Puerto Rico the Bahamas Florida and Panama in the years after the canal opened. The felt cover lettered "PANAMA" and bearing the Seal of the Canal Zone places the album within the new travel geography created by U.S. control of the Canal Zone and the canal's 1914 opening when Panama became a central hinge between Atlantic and Pacific movement and a major point of contact between North American travelers and Caribbean port cities. Photos show passengers on steamers and docks markets and streets forts and government buildings and repeated encounters between white visitors and Afro Caribbean and mixed-heritage residents across multiple colonial and semi-colonial settings.<br /> <br /> Panama Canal Zone travel photograph album. Caribbean and circum-Caribbean locations including Kingston Jamaica; La Guaira and Caracas Venezuela; Trinidad; Key West and Palm Beach Florida; Havana Cuba; Barbados; Panama City Balboa and Colón Panama; Nassau Bahamas; and San Juan Puerto Rico. Likely circa mid 1910s to early 1920s. Oblong felt-covered album measuring 6.5" x 11" with "PANAMA" stitched in large letters on the front cover and photographs pasted to grey leaves. Contains more than 160 black-and-white photographs most approximately 2.5 x 4.5 inches many with handwritten captions identifying locations activities and occasional names. The sequence opens in Kingston with captions including "Kingston JA" and "on the steamer" then moves through island and mainland stops; "Port of Spain Trinidad" "Market at Barbados" "Rapid Transit Barbados" "Havana Cuba" "San Juan Porto Rico" "Morro Castle" "Balboa" and "Colon R.P." Repeated figures especially a young college-aged woman and an older woman appear throughout. Notable images include a group of locals in shallow water at Barbados sifting for tossed coins from rowboats; a large crowd scene in San Juan gathered for what appears to be a public speech or civic event; battlements cannon and stone defenses in Havana; vernacular dwellings and children in impoverished conditions in Balboa; posed visitor photographs in what is labeled a "bull ring"; and numerous street dockside market and architectural views that juxtapose local populations with hotels public buildings ruins and newer urban construction.<br /> <br /> The album's historical force comes from the way it captures the social landscape of Caribbean travel under early twentieth-century U.S. power. After 1914 the Canal Zone intensified Panama's role within a wider American maritime sphere while Caribbean travel increasingly moved through port infrastructures shaped by empire commerce military strategy and tourism; this album records that world at eye level with photographs of docks steamers fortifications government sites public squares and local street life rather than limiting themselves to family snapshots alone. At the same time the images preserve the unequal human encounters built into that system especially where visitors photograph Black children boatmen market crowds and working neighborhoods as part of the travel experience. Felt cover worn and soiled with losses at edges and stitching strain; leaves brittle with chipping and tears; photographs generally present and legible with silvering fading corner wear and occasional losses or lifting. Overall fair to good condition. A substantial early twentieth-century visual record of Canal Zone connected Caribbean travel with dense captioning and wide geographic reach from Jamaica and Barbados to Havana San Juan and Panama. unknown‎

Riferimento per il libraio : 23155

‎Carin Verbruggen & Ferry Drenthem Soesman‎

‎Under - Exposed‎

‎Rilegato, cartonato, sovracoperta, formato 24x32, pagine nn, illustrato con fotografie a colori, ottime condizioni - 36563‎

‎CARISA Renato fotografo.‎

‎Villa Tornabuoni Lemmi di Careggi.‎

‎.In-8° gr. carrè pp. 231 con molte suggestive foto a colori. Bross. edit. ill. Ottimo stato.‎

‎Carita, Helder; Homen Cardoso (fotografia)‎

‎Oriente e Ocidente nos Interiores em Portugal‎

‎Livraria Civilização Editora 288 pages; more than 200 illustrations most are color photographs. Copy no. 6591 signed on the verso opposte the title page by Carita and Cardoso. Portuguese text; illustration captions in Portuguese and English. Signed by Authors. First Edition. Cloth. Very Good/Very Good. Large 4to. Livraria Civilização Editora Hardcover‎

Riferimento per il libraio : 002762

‎Carita, Helder ; Cardoso, António Homem [Ill.] ; Jordan, André‎

‎André Jordan, 25 anos de realizações em Portugal‎

‎[Lisboa]: Ed. Invesplano. 1999. 319 Seiten. 31x26cm. Zustand: Gut bis Sehr Gut min. gebräunt (Innen); Einband (Außen) hat geringe Gebrauchsspuren; Schutzumschlag (hat mind. leichte Gebrauchsspuren - einige Knickspuren, bzw. Wellen im Hinterdeckel); Gewebe (Blauer Leinen)‎

Riferimento per il libraio : 461072

‎CARJAT‎

‎Photographie ancienne de Jules Simon - Cliché Carjat.‎

‎Photographie ancienne de Jules Simon (1814-1896). Contrecollé sur le carton d'origine.Cliché Carjat. Paris, Galerie contemporaine. Photo Goupil et cie. Vers 1885.Photographie : Format in-4°(34x25) pour le carton. Format in-8°(24x19) pour la photo. Petite déchirure sur un coin du carton. Très bon état.‎

Riferimento per il libraio : 19508

‎CARJAT, Etienne‎

‎1 Lettre autographe signée, à en-tête de Et. Carjat & Cie, datée de Veules, le 8 septembre 1884 : "Cher Ami, Je t'écris à la hâte de ce charmant pays ou Alexis Bouvier nous donne, à ma femme, à Ninie et à moi, une hospitalité cordiale et plantureuse, pour te prier de vouloir bien remettre ou faire remettre en mains propres au Ministre, la lettre ci-jointe, que tu cachèteras bien sûr, après l'avoir lue. A mon retour, nous causerons un peu de la mer que j'ai pu voir enfin, comme le Père Duchène : bougrement en colère. Grâce à la nourriture pantagruélique de mon généreux amphytrion, j'engraisse et j'oublie par moment les ennuis qui m'attendent au retour. Je te la serre bien fort et te remercie d'avance. Ton vieux fidèle"‎

‎1 L.A.S. format in-8 d'une page, sur papier à en-tête des Et. Carjat et Cie, traces d'ancien montage sur onglet : 1 Lettre autographe signée, à en-tête de Et. Carjat & Cie, datée de Veules, le 8 septembre 1884 : "Cher Ami, Je t'écris à la hâte de ce charmant pays ou Alexis Bouvier nous donne, à ma femme, à Ninie et à moi, une hospitalité cordiale et plantureuse, pour te prier de vouloir bien remettre ou faire remettre en mains propres au Ministre, la lettre ci-jointe, que tu cachèteras bien sûr, après l'avoir lue. A mon retour, nous causerons un peu de la mer que j'ai pu voir enfin, comme le Père Duchène : bougrement en colère. Grâce à la nourriture pantagruélique de mon généreux amphytrion, j'engraisse et j'oublie par moment les ennuis qui m'attendent au retour. Je te la serre bien fort et te remercie d'avance. Ton vieux fidèle" L'un des plus fameux photographes de son temps, mais aussi journaliste et caricaturiste, Etienne Carjat (1828-1906) fut aussi un poète, membre avec Verlaine et Rimbaud, auprès de Gill, Banville ou Fantin-Latour, du groupe des "Vilains Bonshommes". Jolie lettre adressée à Gustave Lévy, haut fonctionnaire au ministère de la Marine, dans laquelle il évoque l'écrivain Alexis Bouvier (1836-1892), connut pour recevoir chaque été une dizaine de convives dans sa propriété de Veules-les-Roses (Seine-Maritime). Français‎

‎Carl Adam Johan Nordenfalk‎

‎Celtic and Anglo-Saxon Painting: Book Illumination in the British Isles 600-800‎

‎New York: George Braziller 1977. First Printing. Paperback. Fine. 11x8x1. Color and black and white illustrations. Bound with gold glossy covers. Front cover has a large Celtic illustration. Featuring 11 black and white figures and 48 color plates from important examples of illuminated manuscripts produced in the British Isles between 600 and 800 A.D. accompanied by descriptive historical and appreciative commentaries. 127pp.<br><br>CONDITION: Covers have light shelf wear otherwise fine. Pages are crisp and clean. Binding and text block are tight. Full refund if not satisfied. George Braziller paperback‎

Riferimento per il libraio : 076126 ISBN : 0807608262 9780807608265

‎Carl Bernard- Karen Norquay‎

‎Practical Effects in Photography‎

‎Volume della serie The Practical Photography Series, I edizione. Legatura tutta tela nera, con titoli in oro solo al dorso, ben preservata da sovraccoperta con alette, illustrata, con leggera usura lungo i margini. Pagine ottime, con ampio margine e riccamente illustrate nel testo, a colori ed in bianco e nero. Numero pagine 168. USATO‎

‎Carl De Keyzer/David Van Reybrouck‎

‎The First World War: Unseen Glass Plate Photographs of the Western Front by Carl De Keyzer‎

‎Chicago: University of Chicago Press 2015. 1st. Hardcover. Very Good/Very Good. Hardcover in a bright dust jacket. 280 pages. Preface by Geoff Dyer. Essay by David Van Reybrouck. Includes 20 color plates and 80 halftones. Still in publisher's shrinkwrap. The First World War presents a startlingly different perspective one based on rare glass plate photographs that reveals the war with previously unseen even uncanny clarity.Scanned from the original plates with scratches and other flaws expertly removed these oversized reproductions offer a wealth of unusual moments including scenes of men in training pictures of African colonial troops on the Western front landscapes of astonishing destruction and postmortem portraits of Belgian soldiers killed in action. Readers previously familiar with only black-and-white or sepia-toned prints of the hostilities will be riveted by the book’s many authentic color photographs products of the early autochrome method. From children playing war games to a wrenching deathbed visit these images are extraordinary not only for their subject matter but also for the wide range of emotions they evoke. Record # 380158 University of Chicago Press hardcover‎

Riferimento per il libraio : 380158 ISBN : 022628428x 9780226284286

‎Carl de Keyzer, David van Reybrouck‎

‎14-18 La Guerre en Images‎

‎Couverture reliee, 239 pages, Illustrated. ISBN 9782804702359. Carl De Keyzer pose un regard contemporain sur une centaine de photographies, pour la plupart inédites, datant de la Première Guerre mondiale. En compagnie de David Van Reybrouck, il a sélectionné des négatifs sur plaques de verre glanés dans le monde entier. Des images fortes, surprenantes, qui montrent autre chose que les clichés de boue, de cratères de bombes et de cadavres de chevaux. Il les a numérisés et restaurés de façon à obtenir des tirages aussi fidèles que possible. Le livre expose ainsi, en grand format - pour la première fois -, des photographies poignantes du front occidental, notamment des images aux couleurs étonnantes. Le résultat impressionne par son actualité. Grâce à ces agrandissements, des détails qui n'étaient pas censés être révélés apparaissent au grand jour. De son côté, David Van Reybrouck propose, dans un texte interpellant, sa lecture de ces photographies et de la Grande Guerre. Il invite à commémorer 14-18 autrement et à se « réapproprier » ce conflit, loin de l'industrie du souvenir qui occulte les problèmes actuels. Il met ainsi en lumière le décalage qui existe entre les célébrations de la Grande Guerre et de ses jeunes victimes tombées au front, et le tabou qui pèse aujourd'hui autour du phénomène - alarmant - du suicide chez les jeunes. Une invitation à observer ces images, et les émotions qu'elles suscitent, en regard de notre époque.‎

‎Carl De Keyzer, David Van Reybrouck‎

‎ALBUM 14-18, Carl De Keyzer / David Van Reybrouck‎

‎Hardcover.239 pages, Illustrated. Nederlandstalig. 30x333x248 mm ISBN 9789492081063. Carl De Keyzer & David Van Reybrouck. Het fotoboek van de Eerste Wereldoorlog: Magnum fotograaf Carl De Keyzer selecteerde en bewerkte honderd originele glasplaten uit de Eerste Wereldoorlog uit diverse archieven in binnen- en buitenland.‎

‎Carl De Keyzer, Inge Braeckman‎

‎Putin's Dream (signed)‎

‎, Self published. , 2024 Hardback, 192 pages, high quality reproductions, 297 x 235 mm, 180 images. First edition : 500 copies. Signed. As new. .‎

‎In 1997, the Russian chess grandmaster Garri Kasparov lost to the chess computer Deep Blue and regarded his loss as a tremendous success of human ingenuity. That moment marked a historic turning point in the development of artificial intelligence, although Alan Turing and David Champernowne had already designed the Turochamp in 1948, the first algorithm that assigned a value to chess pieces and was supposed to determine the best possible chess move. AI has been closely intertwined with everyone?s existence for much longer than we realize. Just think of the smartphone, the search engines on the internet, the translation software, even washing machines use AI to increase efficiency, to save energy,? Certain AI applications detect fake news and disinformation. When Carl De Keyzer was about to travel to Russia in 2021 as a kind of revisiting of Homo Sovieticus (1989) and had received the official permission to do so, had already arranged his tickets, visa and guide, tensions quickly rose and tanks were suddenly amassed at the border. Fortunately, De Keyzer decided not to travel there after an attempt that had already been postponed due to Covid, because war broke out shortly after. With Putin?s Dream, Carl De Keyzer shows us in an innovative way that remains true to his oeuvre and his artistic personality, how photography and AI can form and become a symbiosis. Although AI is used and the photographer?s gaze is absorbed by the algorithmic data of the computer, De Keyzer remains the designer, the builder and the user of AI. He directs, decides, creates and makes choices based on the computer images, as befits an artist who works with available material and new technology. He not only feeds the machine with his own images (such as from Zona, 2003), with photographs of previous projects for which he traveled abroad, he ultimately adjusts AI by, for example, teaching the system to think asymmetrically. This is how AI learns from what De Keyzer decides and does as a photographer. The power and the essence of documentary photography, which De Keyzer has been associated with for decades and in which he is a grandmaster, is like hyperrealism: collecting and revealing (the truth of) the reality that the photographer was confronted with at a certain time in the given circumstances, without staging, as a kind of statement against fake news. But now the computer has become the camera as a journey through the virtual that Carl De Keyzer can make in his living room, so to speak, without having to travel and while he can visit locations repeatedly on the screen. Independent of time and circumstance, the image/imagination is created. A new reality emerges, while at the same time that reality reveals what may be unfolding in Putin?s head as a fictional story. War, power and politics (common threads in De Keyzer?s oeuvre) are propaganda and are directed, manipulated, and play with the (un)reality and eroticism. They are guilty of spreading incorrect messages. Even in war there is often a kind of unreality in all the horror. In Putin?s Dream, Carl De Keyzer takes us into the horror and unreality of this fairytale, aesthetic seductiveness, which often borders on perfection and contemporary cinematography of an image. We see, as it were, perfect people ? with white teeth, beautiful blond hair, blue eyes ? in flawlessly composed settings, as every dictator might want. We get a suggestion of how Putin wants to see the victory in and from Russia, how he dreams his Russia. Not only in the past and present, but also in the future. At the same time, De Keyzer?s critical, ironic view is omnipresent. There are not only the counterattack in Crimea, but also the gay community, the penthouses in Moscow, the private yachts and parties, the postcards of an idealized Kremlin,? Of a reality that simultaneously exists there and is nonetheless non-existent. Like the beauty of another world, no matter how gruesome the subject. Paul Val ry stated in his notebooks (Cahiers), which were published in 1973 and 1974, that works of art that were created with the greatest compulsion to regulate are also the works that require and provide the greatest freedom of mind. Just as important as coincidence, as the artist?s idea, is the making of the choice, the feeling of the look and the thoughts, linked to the consciousness for a specific moment. More specifically, art is a means of making the invisible real. And that is precisely what Carl De Keyzer does in Putin?s Dream. Inge Braeckman‎

Riferimento per il libraio : 69672

‎Carl Hackl,‎

‎Gevaert handbuch Kleine ausgabe, Geavaert papieren‎

‎Antwerp- Berlin , Gevaert Photo-Producten, Original publishers paper-covered boards, 64 pages, .‎

‎Gevaert celloidin papier, mattpapier und kunstdruck papier etc ; etc.‎

Riferimento per il libraio : 52557

‎Carl Haenlein; Angelika Stricker‎

‎Anton Josef Trcka, Edward Weston, Helmut Newton : The Artificial of the Real‎

‎, Scalo Publishers, 1998 Hardcover, 208 pages, ENG, 280 x 230 x 25 mm, dustjacket, in fine condition, photographs in colour / b/w . ISBN 9783931141882.‎

‎This book presents 3 important photographers--Anton Josef Trcka, Edward Weston, and Helmut Newton, and explores the relationships between reality and representation. ? ====================== ? In the works of Anton Josef Trcka nature is picturesque, an embellishment atmospherically enhancing his portraits. In Edward Weston's work it appears in its most basic, purest forms, as both reality and its metaphor. And for Helmut Newton nature is the hyper-real backdrop against which he stages the pictorial worlds which accompany and pursue us today. Body: Trcka uses the body as a vehicle for a new expressiveness, a new gesture, a new image of mankind, which at the turn of this century could only be created by means of a photography both so close to, yet so remote from reality. For Weston the body is pure form, one of the world's primordial forms, an abstract representation of human, physical existence. And Newton: here bodies are creations invented by the director behind the camera, manifestly rooted in reality, but nevertheless vigorously detached from it for the sake of art and artificiality. The Artificial of the Real is about the art of perceiving reality and representing it. Three photographers show how human beings have experienced themselves in their world at different moments during this century. For this, photography is how the artificiality of the real is rendered perceptible.‎

Riferimento per il libraio : 62208

‎Carl Norac, Stephane Poulin‎

‎Au pays de la memoire blanche‎

‎Couverture reliee, ALBUM. 25,2 cm x 31,8 cm x 1,8 cm 123 PAGES. ISBN 9782848654683. Le livre est beau, la couverture intrigue. Ce n?est pas une bande dessinee, mais un album avec des dessins splendides et des phrases profondes. Au debut, c?est blanc dans ma tete. Je ne pense a rien et ce rien parait blanc. Pareil a la page ou l?on a envie de dessiner. Ou semblable aux nuages les plus lents. J?ai un poids un milieu du cerveau ou les pensees ne passent pas. Premiers dessins sur fond blanc, un plan de moins en moins flou, on voit une main bandee. Seconde page, nous passons au fond noir qui continuera jusqu?a la fin de l?album. Les bandages de la tete laissent deviner des oreilles, chien ou chat ? L?etre se reveille. Il est dans une chambre d?hopital. Un policier l?interroge et lui apprend qu?il a ete victime d?un attentat et qu?il est un chien. Il va pouvoir retourner chez lui. ?« Chienne de vie, que fais-je dans cette ville ? On dirait que la haine commence ici ?». Il retourne dans un monde ou le voisin pourrait etre son ennemi, ou le chien domine et extermine le chat, tiens, ca titille du cote des reminiscences, un pays ou les reves de jour sont interdits !! Nous traversons des dessins qui pourraient faire penser, au ghetto de Varsovie, tout au moins comme je me l?imagine. L?angoisse et la peur suent, les regards sont fuyants. Chaque phrase de cet album est un coup de poing dans le plexus ou dans la memoire. Peu de texte, mais, il va droit au but, sans fioriture. Carl Norac, en phrases tres courtes, nous fait sentir le malaise de Rousseau, sa quete, son angoisse. Carl Norac et Stephane Poulin nous parlent de tolerance, du racisme, de la peur, de la quete et que ce soit les pages dessins ou les pages textes, l?emotion est toujours omnipresente et nous happe. La memoire blanche permet d?ecrire un nouveau livre de sa vie, de regarder les autres sans aucun a priori ni sectarisme. Oui, vraiment un tres, tres bel et bon album emprunt de beaucoup de poesie. Vous le relisez, une autre face apparait. Maintenant, il faut que je le rende a la bibliotheque, mais je l?aurais bien garde celui-la aussi. Je vous en recommande vivement la lecture.‎

‎Carl Uytterhaeghen‎

‎Urban cave drawings‎

‎Paperback, slap kaft, met illustraties, 188 gram, 172 x 115 x 13 mm. Nieuw. ISBN 9789491775772. URBAN CAVE DRAWINGS by Ghent-based photographer Carl Uytterhaegen (B) With over 150 photographs taken criss cross across our urban tissue, Uytterhaegen directs our gaze towards todays hidden caves and canvasses: abandoned stations, derelict bridges, desolate concrete sites. In an uncanny and witty way Uytterhaegen bridges the gap between the age-old Altamira cave drawings and contemporary graffiti drawings that cover parcels of many town across the globe. What URBAN CAVE DRAWINGS reveals, is that the painted traces we leave behind in our cities today, share many themes ... Belgian press has picked up the book already, international press is soon to follow!‎

‎Carl Zeiss‎

‎Appareils pour la microphotographie , Carl Zeiss Jena 1926 (Imprimé Mikro 401) + plaquette Mikro 414 , Photographie , Optique , Collection appareils anciens‎

‎Catalogue cartonné référencé Mikro 401 accompagné de sa plaquette complémentaire agrafée désignée Mikro 414. Présentant les appareils fabriqué par la société Carl Zeiss en 85 figures pour Mikro 401 et 10 figures pour Mikro 414. Exceptionnel ensemble dans un état proche du neuf, 115 p. et 12 p.‎

‎Frais de port indiqués par défaut en Colissimo de la Poste, je peux aussi vous proposer à votre convenance une expédition en point relais (Mondial Relay, Shop2Shop...). Pour l'international, me contacter afin de définir le mode de livraison le mieux adapté à la destination et la valeur de l'ouvrage (Colissimo international, Mondial Relay, Happy-Post...)‎

Riferimento per il libraio : LR23-R-R50

‎Carl Zeiss. Milano -‎

‎Obiettivi fotografici.‎

‎Milano, 1912, pp. 16 con due ill.‎