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CELÂL ESAD [ARSEVEN], (1876-1971), (Turkish painter, writer and politician).
[Photograph of Celâl Esad Arseven].
Very Good Turkish Original b/w photograph. (18 x 12 cm). A copy for Turkish Byzantologist and art historian Semavi Eyice, (1922-2018) by (Istanbul Üniversitesi Tip Tarihi Enstitüsü Merkez Teknofotografi Laboratuvari) Istanbul University Institute of History Institute Central Techno-Photography Laboratory in 1972. Stamp of institute on verso besides name of Semavi Eyice. Photo shows the youth of Arseven with his wearing medal and military clothes. He made contributions to various fields, including photography, literary art history, theater, cinema, architecture and urbanism. He was one of the first to introduce the scholastic disciplines of history of art and architecture and urbanism to Turkey. He pioneered a unique "Turkish art" and pioneered the acceptance of the Turkish art concept. His 5-volume Art Encyclopedia is his most recognizable work. In 1908, with his friend Selah Cimcoz, Arseven released a comic magazine called Kalem. In the same year, he was sent to Europe by the Ministry of War to expose the works of Turkish painters and to give concerts with the Mabeyn orchestra. In 1910 he wrote the game "Selim-i Salis" with Selah Cimcoz. The game, which received great interest, was published in 1958 as "Selim III" and was staged at the State Theater. In 1917 he wrote and directed Koruyan olu and in 1918 he wrote Alemdar Mustafa Pasa (play). During World War I, he was at Kadiköy Municipality Branch Directorate, and then organized exhibition arrangements for artists in Europe. Also during World War I, while in Germany he and his friends founded a company called Transorient Film. In 1917, a contemporary adaptation of Goethe's Faust was filmed in Munich in the name of "Die Tote Watch."... (Source: Wikipedia).
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CELÂL ESAD [ARSEVEN], (1876-1971).
[Photograph of Celâl Esad Arseven].
Very Good Turkish Original b/w photograph. (18 x 12 cm). A copy for Turkish Byzantologist and art historian Semavi Eyice, (1922-2018) by (Istanbul Üniversitesi Tip Tarihi Enstitüsü Merkez Teknofotografi Laboratuvari) Istanbul University Institute of History Institute Central Techno-Photography Laboratory in 1972. Stamp of institute on verso besides name of Semavi Eyice. Photo shows with a fez on his head and in plain clothes. He made contributions to various fields, including photography, literary art history, theater, cinema, architecture and urbanism. He was one of the first to introduce the scholastic disciplines of history of art and architecture and urbanism to Turkey. He pioneered a unique "Turkish art" and pioneered the acceptance of the Turkish art concept. His 5-volume Art Encyclopedia is his most recognizable work. In 1908, with his friend Selah Cimcoz, Arseven released a comic magazine called Kalem. In the same year, he was sent to Europe by the Ministry of War to expose the works of Turkish painters and to give concerts with the Mabeyn orchestra. In 1910 he wrote the game "Selim-i Salis" with Selah Cimcoz. The game, which received great interest, was published in 1958 as "Selim III" and was staged at the State Theater. In 1917 he wrote and directed Koruyan olu and in 1918 he wrote Alemdar Mustafa Pasa (play). During World War I, he was at Kadiköy Municipality Branch Directorate, and then organized exhibition arrangements for artists in Europe. Also during World War I, while in Germany he and his friends founded a company called Transorient Film. In 1917, a contemporary adaptation of Goethe's Faust was filmed in Munich in the name of "Die Tote Watch."... (Source: Wikipedia).
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CEMAL GÜLAS.
Asia: Lost geographies.= Asya: Kayip cografyalar. Photographic editor: Seçil Ikiz. Marblings by Hikmet Barutçugil.
New English Original bdg. HC. Folio. (37 x 28 cm). In English and Turkish. 203 p., ills. Asia: Lost geographies.= Asya: Kayip cografyalar. Photographic editor: Seçil Ikiz. Marblings by Hikmet Barutçugil.
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CEMAL REFIK DELIBAS, (1904-1959), (Turkish journalist and author).
[Photograph of Cemal Refik Delibas].
Very Good Turkish Original b/w photograph. (14 x 9 cm). [Photograph of Cemal Refik Delibas].
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CEMIL AGAÇIKOGLU.
Jerusalem. [Album of photographs].
Fine English Paperback. Pbo. Oblong 4to. (30 x 32 cm). In Turkish. [83] p. Signed and dedicated by the photographer. Fully b/w ills. Jerusalem. [Album of photographs].
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CEMIL SAHIN.
Istanbul in photographs from the lens of Cemil Sahin.= Cemil Sahin'in objektifinden fotograflarla Istanbul. Edited by Firuze Suer.
New New English Original bdg. Dust wrapper. 4to. (28 x 25 cm) In English and Turkish. 269 p., color photos. Istanbul in photographs from the lens of Cemil Sahin.= Cemil Sahin'in objektifinden fotograflarla Istanbul. Edited by Firuze Suer.
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Cena, Olivier
Les jardins de la sociale
Du May - Album de famille 1992 In-4, 115 pp. Cartonnage éditeur sous jaquette . Illustrations en noir Comme neuf.
Riferimento per il libraio : 2400
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Cenci Mauro
Biblioteche domestiche-Home libraries. Ediz. illustrata
ill., ril. "Biblioteche domestiche" è un libro che parla di libri, di librerie e di lettori; una vertigine intima e fantastica come ne "La Biblioteca di Babele" di Jorge Luis Borges. L'autore ci propone una selezione di biblioteche particolarmente significative appartenenti a intellettuali e artisti, evidenziando il legame tra i luoghi, i libri e coloro che, pur non comparendo mai nelle foto, abitano quotidianamente quegli spazi. Si tratta di veri e propri ritratti dove il fotografo, ponendosi come osservatore discreto, ci permette di entrare negli spazi privati e capire qualcosa di più sui libri e sulle persone a cui appartengono. Ogni dettaglio è l'inizio di una storia: dall'architettura agli arredi; dagli oggetti personali (testimonianze intime e segrete) alle costole dei volumi; spesso la storia di una vita. Nel libro sono presentate ben 35 biblioteche, tra cui quella di Paolo Barbaro, Sergio Caruso, Sergio Givone, Dora Liscia Bemporad, Lara-Vinca Masini, Alessandro Pagnini, David Palterer, Daniela Tartaglia, Luigi Zangheri e molti altri.
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Cenci Mauro
Biblioteche domestiche. Home libraries, Pistoia, Metilene, 2022
Testo Italiano e Inglese. Pistoia, 2022; br., pp. 184, ill., cm 22x29.
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Cenciarelli Paolo Emilio; Gazzilli Guido
After tears party, Borgo San Giovanni, Agenzia NFC, 2022
Testo Italiano e Inglese. Borgo San Giovanni, 2022; ril., pp. 232, ill., cm 21,5x27.
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CENDRARDS, Blaise.
La Banlieue de Paris. Photographies de Robert Doisneau.
Paris, Denoël 1983, 290x215mm, 106pages, reliure d'éditeur sous jaquette. Bel exemplaire.
Riferimento per il libraio : 104653
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CENDRARS (Blaise)
Moravagine
Paris Club des Amis du Livre 1962 In-12 Cartonnage toilé, illustré Edition originale
Riferimento per il libraio : 014221
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CENDRARS (Blaise)
Trop c'est trop
Paris Denoël 1957 In-8 Broché Edition originale
Riferimento per il libraio : 005582
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CENDRARS (Blaise) / DOISNEAU (Robert)
La banlieue de Paris.
Gr. In-8, 55 + 135p. Edition pré-originale numérotée 1/4300 exemplaires. Illustré de 130 photographies en noir et blanc reproduites en hélio. de Robert Doisneau. Un classique. Nom de possesseur en page de faux-titre, bel exemplaire.
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CENDRARS (Blaise) / DOISNEAU (Robert)
La banlieue de Paris.
Gr. In-8, 55 + 135p. Edition pré-originale numérotée 1/4300 exemplaires. Illustré de 130 photographies en noir et blanc reproduites en hélio. de Robert Doisneau. Un classique. Exemplaire à l'état de neuf.
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CENDRARS (Blaise) DUCHATEAU (Raymone)
Blaise Cendrars - Raymone Duchâteau : Correspondance 1937-1954
ZOE 2015 fort in-8 Broché
Riferimento per il libraio : 009786
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CENDRARS - MANZONI.
Le Brésil.Des hommes sont venus…Texte de Blaise Cendrars.105 photographies inédites de Jean Manzoni.
Monaco,Les Documents d’Art,1952 ; grand in-8°,broché,couverture illustrée en couleurs; XXXIIpp.,115pp.1f.;exemplaire très légèrement débroché,infimes accrocs à la couverture,mais bon exemplaire.
Riferimento per il libraio : cROU-1815
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CENDRARS Blaise VOLTA Pablo
Portrait photographique de Blaise Cendrars
- 1956, 12,2x14,4cm , une photographie. - Photographie originale de Blaise Cendrars par Pablo Volta en tirage argentique d'époque. Tampon "Photographie de Pablo Volta" ainsi qu'une discrète annotation au crayon au verso. Charmant portrait au miroir de Blaise Cendrars pris par Pablo Volta en janvier 1956, rue Jean-Dolent où habite l'écrivain. Ce cliché fut pris par le photographe Pablo Volta (1926-2011) en compagnie de sa femme Ornella. Un des cinq membres fondateurs de l'agence photographique italienne, I Fotografi associati, Pablo Volta se fit connaître par ses portraits d'écrivains et d'artistes, tels Aragon, Breton, Ionesco, Tzara, Vian, Duchamp, Foujita, Calder... Très satisfait de cette séance photo, Cendrars a adressé une lettre au couple Volta après leur visite : "Merci de ces photos qui nous font grand plaisir et nous amusent beaucoup. Ma main amie, Blaise Cendrars" La photographie fut reproduite dans Continent Cendrars, Bulletin annuel du Centre d'études Blaise Cendrars de l'Université de Berne, n°3, 1988, p. 63. [ENGLISH DESCRIPTION ON DEMAND]
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CENDRARS Blaise:
Panorama de la pègre.
Grenoble, B. Arthaud, coll. Arc-en-ciel, [1935]. In-8 broché de 114-[4] pages, couverture couleurs illustrée par Cassandre au premier plat, d'une photographie au second.
Riferimento per il libraio : 20625
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CENDRARS, Blaise ; DOISNEAU, Robert
La Banlieue de Paris. Photographies de Robert Doisneau
1 vol. petit in-8 oblong reliure demi-basane verte, dos à 4 nerfs orné, Seghers, Paris, 1966, 141 pp. Bon exemplaire bien relié Français
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CENDRARS, Blaise.
Continent Cendrars No 2/1987 : 33 visages de Blaise Cendrars.
Boudry, La Baconnière 1987, 295x185mm, 33pages, broché. Bel exemplaire.
Riferimento per il libraio : 18482
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CENDRARS, Blaise.
La Banlieue de Paris. 130 Photos de Robert Doisneau.
Lausanne, La Guilde du Livre 1949, 240x180mm, 54pages, cartonnage de l'éditeur. Tirage numéroté 1925 / 4300. Très bel exemplaire.
Riferimento per il libraio : 19520
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CENDRARS, Blaise.
La Banlieue de Paris. 130 Photos de Robert Doisneau.
Lausanne, La Guilde du Livre 1949, 240x180mm, 54pages, cartonnage de l'éditeur. Tirage numéroté 4128 / 4300. Ex-libris (fourni par la Guilde du livre) collé sur le bas de la page de faux-titre avec la signature de l’auteur (Blaise Cendrars) dessus. Très bel exemplaire.
Riferimento per il libraio : 118471
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CENGIZ KAHRAMAN.
Hos geldin gazi: Atatürk'ün Istanbul günleri, (1927-1938). [Exhibition catalogue].
New Turkish Paperback. 4to. (29 x 23 cm). In Turkish. 192 p., ills. Hos geldin gazi: Atatürk'ün Istanbul günleri, (1927-1938). [Exhibition catalogue].
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CENGIZ KAHRAMAN.
Istanbul kis günlügü 1929 ve 1954.
New English Original bdg. HC. 4to. (30 x 24 cm). In Turkish. 320 p., b/w and color photos. Istanbul kis günlügü 1929 ve 1954. Photography of Istanbul during the harsh winters of 1929 and 1954. A heavy volume. ISTANBUL Social history Winter Urban history Photography.
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Cenicacelaya, Javier; Ramon Esparza; Christian Caugolle
Ría de Hierro / Burdinezko Itsas-Adarra / Iron River: Exhibition organized by Bilbao Metropoli: 30 December 1993 - January 1994 .
Bilbao: Ediciones Laga. Near Fine. 1993. First Edition. Soft Cover. 8488541066 . Tight bright book still stiff to open in lightly rubbed card covers with just a touch of corner bumping; unmarked but for "booksale" stamp to front endpaper; photographers: John Vink; Gabriele Basilico; Carlos Canovas; John Davies; Bruce gilden; Carlos De Andres.191 pp. . Ediciones Laga paperback
Riferimento per il libraio : 21577 ISBN : 8488541066 9788488541062
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CENNAMO MICHELE (TESTI DI)
Le "stelle" di Bruno Oliviero. 10 anni di bellezza femminile.
In 4°, br. edit. ill., prevalentemente ill. b/n, fotografie di Bruno Oliviero, copia molto buona. (m204) (spedizione standard SEMPRE tracciata con raccomandata-piego di libri, eventuale FATTURA da richiedere all'ordine)
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Cenni Nino
La Verona di Ieri, Verona, Fondazione Cassa di Risparmio di Verona Vicenza Belluno e Ancona, 1974
Testo e ricerca iconografica di Nino Cenni. Introduzione di Renzo Chiarelli. Verona, 1974; cartonato, pp. 335, ill., cm 25,5x30. italiano
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CENNI Nino
LA VERONA DI IERI. Introduzione di Renzo Chiarelli.
In-4 (cm. 29), tela editoriale, con cofanetto, pp. 333, in gran parte illustrato con immagini in bianco e nero. In ottimo stato (nice copy).
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CENNI NINO (A CURA)
Verona nelle immagini degli Archivi Alinari
8° bross. edit. pp. 126, con 108 foto d'epoca della città.
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Cenni Nino (a cura)
Verona nelle immagini degli Archivi Alinari Premessa di P. Brugnoli
28 cm, br. ill; pp. 126, 108 tav. con didascalia, 3 righe sottolineate a penna
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CENNI, Nino
Verona fra Ottocento e Novecento
1 vol., pagine non numerate (180 circa), ill. in nero; 17 cm. Brossura editoriale. Leggere tracce d'uso in copertina, angolo del prezzo del risvolto di copertina tagliato. Buono
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Censi Maria
1910-1920 a Cento. Dalle fotografie di Gaetano Falzoni-Gallerani
foto in nero
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CENTAURO GIUSEPPE A.
TOSCANA IMMAGINATA. Ambiente urbano.
In-4 (Cm.31,5 x 25) , pp.429, centinaia di tavv.a col.nt. leg.ed.in t.tela,soprac.fig.a col. Conserva l'astuccio editoriale. OTTIMO (FINE) WORLDWIDE DELIVERY
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Center for Railroad Photography and Art
After Promontory: One Hundred and Fifty Years of Transcontinental Railroading
Indiana University Press 2019-03-01. hardcover. New. 10.20x10.30x1.30. Buy with confidence. Excellent Customer Service & Return policy. Indiana University Press hardcover
Riferimento per il libraio : DADAX0253039606 ISBN : 0253039606 9780253039606
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Center for Railroad Photography & Art (Corporate Author)
After Promontory – One Hundred and Fifty Years of Transcontinental Railroading
Indiana Univ Pr 2019. Hardcover. New. 319 pages. 10.25x10.25x1.25 inches. Indiana Univ Pr hardcover
Riferimento per il libraio : __0253039606 ISBN : 0253039606 9780253039606
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Center for Creative Photography, University of Arizona
Aquisitions 1975-1977 Compiled by Sharon Denton. Guide Series Number Four.
Tucson: Center for Creative Photography University of Arizona 1977. 4to. Stapled Wrap ca. 30 pp. Very Good ToningProvenance: Richard A. Lorenz 1952-2001 author art conservator curator and artist Berkeley California. As a trustee of The Imogen Cunningham Trust Mr. Lorenz organized and curated exhibitions of Cunningham's photographs. Tucson: Center for Creative Photography, University of Arizona, 1977 unknown
Riferimento per il libraio : 75-4324
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Center for Creative Photography, The University of Arizona
Center for Creative Photography The University of Arizona. No. 6 April 1978. "Alfred Steiglitz: Photographs from the Herbert Small Collection"
Tucson: Center for Creative Photography The University of Arizona 1978. 4to. Stapled Wrap. ca. 20 pp. B&W Plates. Very good with Age Toning. Tucson: Center for Creative Photography, The University of Arizona, 1978 unknown
Riferimento per il libraio : 75-5019
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Center for Creative Photography, University of Arizona
Center for Creative Photography University of Arizona Tucson Arizona 85721 No. 3 Nov. 1976: "Weston to Hagemeyer: New York Notes"
Tucson: Center for Creative Photography University of Arizona 1976. 4to. Stapled Wrap ca. 15 pp. B&W Plates. Very Good with Toning Creasing Minor Spotting.Provenance: Richard A. Lorenz 1952-2001 author art conservator curator and artist Berkeley California. As a trustee of The Imogen Cunningham Trust Mr. Lorenz organized and curated exhibitions of Cunningham's photographs. Tucson: Center for Creative Photography, University of Arizona, 1976 unknown
Riferimento per il libraio : 75-4694
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Center for Creative Photography, University of Arizona
Center for Creative Photography University of Arizona: Wynne Bullock American Lyric Tenor 1917-1932. No. 2 Sep. 1976
Tucson: Center for Creative Photography University of Arizona 1976. 4to. Stapled Wrap ca. 50 pp. Very Good B&W Plates. Toning Provenance: Richard A. Lorenz 1952-2001 author art conservator curator and artist Berkeley California. As a trustee of The Imogen Cunningham Trust Mr. Lorenz organized and curated exhibitions of Cunningham's photographs. Tucson: Center for Creative Photography, University of Arizona, 1976 unknown
Riferimento per il libraio : 75-4318
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Center for Creative Photography, The University of Arizona
Center for Creative Photography The University of Arizona. No. 1 March 1976. "Alfred Steiglitz: A Talk"
Tucson: Center for Creative Photography The University of Arizona 1976. 4to. Stapled Wrap. ca. 10 pp. Text only. Very good with Age Toning. Tucson: Center for Creative Photography, The University of Arizona, 1976 unknown
Riferimento per il libraio : 75-5018
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Center for Creative Photography, University of Arizona
Center for Creative Photography University of Arizona: The Early Work of Laura Gilpin 1917-1932. Research Series No. 13 Apr. 1981
Tucson: Center for Creative Photography University of Arizona 1981. 4to. Stapled Wrap ca. 50 pp. Very Good B&W Plates. Toning Some FoxingProvenance: Richard A. Lorenz 1952-2001 author art conservator curator and artist Berkeley California. As a trustee of The Imogen Cunningham Trust Mr. Lorenz organized and curated exhibitions of Cunningham's photographs. Tucson: Center for Creative Photography, University of Arizona, 1981 unknown
Riferimento per il libraio : 75-4315
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Center for Creative Photography, University of Arizona
Center for Creative Photography University of Arizona. Weston to Hagemeyer: New York Notes. No. 3 Nov. 1976
Tucson: Center for Creative Photography University of Arizona 1976. 4to. Stapled Wrap ca. 50 pp. Very Good B&W Plates. Toning Some Foxing StainingProvenance: Richard A. Lorenz 1952-2001 author art conservator curator and artist Berkeley California. As a trustee of The Imogen Cunningham Trust Mr. Lorenz organized and curated exhibitions of Cunningham's photographs. Tucson: Center for Creative Photography, University of Arizona, 1976 unknown
Riferimento per il libraio : 75-4323
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Center for Creative Photography, University of Arizona
Edward Weston: Photographs and Papers: Guides Series Number Three Center for Creative Photography University of Arizona
Tucson: Center for Creative Photography University of Arizona 1980. 4to. Stapled Wrap ca. 20 pp.Very Good with Sunning along Spine Toning Creasing.Provenance: Richard A. Lorenz 1952-2001 author art conservator curator and artist Berkeley California. As a trustee of The Imogen Cunningham Trust Mr. Lorenz organized and curated exhibitions of Cunningham's photographs. Tucson: Center for Creative Photography, University of Arizona, 1980 unknown
Riferimento per il libraio : 75-4697
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Center for Creative Photography, University of Arizona
Edward Weston: Photographs and Papers: Guides Series Number Three Center for Creative Photography University of Arizona
Tucson: Center for Creative Photography University of Arizona 1980. 4to. Stapled Wrap ca. 20 pp.Very Good with Sunning along Spine Toning.Provenance: Richard A. Lorenz 1952-2001 author art conservator curator and artist Berkeley California. As a trustee of The Imogen Cunningham Trust Mr. Lorenz organized and curated exhibitions of Cunningham's photographs. Tucson: Center for Creative Photography, University of Arizona, 1980 unknown
Riferimento per il libraio : 75-4696
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Center for Creative Photography, University of Arizona
Ernest Bloch Archive Compiled by Sharon Denton. Guide Series Number One.
Tucson: Center for Creative Photography University of Arizona 1979. 4to. Stapled Wrap ca. 30 pp. Very Good Toning CreasingProvenance: Richard A. Lorenz 1952-2001 author art conservator curator and artist Berkeley California. As a trustee of The Imogen Cunningham Trust Mr. Lorenz organized and curated exhibitions of Cunningham's photographs. Tucson: Center for Creative Photography, University of Arizona, 1979 unknown
Riferimento per il libraio : 75-4325
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Center for Creative Photography
Journal of the Center for Creative Photography July 1980 No. 12: W. Eugene Smith Early Work.
Tucson: Center for Creative Photography 1980. . 4to. 142 pp. Very good. Highlights multiple works by W. Eugene Smith. Also includes essay on Smith and chronological biography by William Johnson and note by John Morris . Also features works Robert Frank. First edition. Tucson: Center for Creative Photography, 1980. unknown
Riferimento per il libraio : 19-9070
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Center for Creative Photography, University of Arizona
Louis Carlos Bernal March 23 - April 12 1992. Lot #s 1-133
Tucson Arizona: University of Arizona 1992 . 4to. Soft Cover. ca. 40 pp. Good. Some wear along front and back cover bottom of book has water damage. Sunning. Crease on back cover. B&W Plates. Tucson, Arizona: University of Arizona, 1992, paperback
Riferimento per il libraio : 75-9444
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Center for Creative Photography, University of Arizona
Marion Palfi Archive Compiled by Roger Sorgenfrei and David Peters Denton. Guide Series Number Ten.
Tucson: Center for Creative Photography University of Arizona 1979. 4to. Stapled Wrap ca. 75 pp. Very Good B&W Plates. Toning CreasingProvenance: Richard A. Lorenz 1952-2001 author art conservator curator and artist Berkeley California. As a trustee of The Imogen Cunningham Trust Mr. Lorenz organized and curated exhibitions of Cunningham's photographs. Tucson: Center for Creative Photography, University of Arizona, 1979 unknown
Riferimento per il libraio : 75-4326
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Center for Creative Photography, University of Arizona
Paul Anderson: Photographs: Guides Series Number Seven Center for Creative Photography University of Arizona
Tucson: Center for Creative Photography University of Arizona 1983. 4to. Stapled Wrap ca. 40 pp. B&W Plates. Very Good with Sunning along Spine Toning Creasing. Minor Spot n Back.Provenance: Richard A. Lorenz 1952-2001 author art conservator curator and artist Berkeley California. As a trustee of The Imogen Cunningham Trust Mr. Lorenz organized and curated exhibitions of Cunningham's photographs. Tucson: Center for Creative Photography, University of Arizona, 1983 unknown
Riferimento per il libraio : 75-4695
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