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Gorky, Maxim, i. e. Alexei Maximovitch Peshkov, Russian writer (1868-1936).
Autograph letter signed ("A. Peshkov"). Sorrento, 20. VIII. 1924.
4to. ¾ page. In Russian. To Solomon Gitmanovich Kaplun: "I am sending a letter to V. F. Khodasevich which was requested to be published in Beseda. I am asking you to advance me money against the fee for my 'Book about Blok' and all five children's books. M. I. [i.e. Moura Budberg] said that I received not a single letter from you over the entire summer. You replied that letters had been sent to me and that you had copies of them. Since I am still awaiting the reply to questions I asked you, perhaps you will send me the copies of your letters. I will not discuss how surprised I am at your attitude towards me". - S. G. Kaplun (1891-1940) was a journalist and publisher, the owner of the Berlin publishing house "Epoch" and from 1922 to 1925 the publisher of Gorky's literary and scientific journal "Beseda". - Left margin with punched holes (not touching text). Provenance: Hermitage auction, Monaco, 25 April 2019, lot 306.
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Gorky, Maxim, i. e. Alexei Maximovitch Peshkov, Russian writer (1868-1936).
Autograph manuscript signed (in Cyrillic, "M. Gorky") Berlin, 9. XI. 1921.
4to. ¾ page. In German. Addressed to the editor of a newspaper, Gorky's statement repudiates remarks that have been attributed to him in various newspapers: "From Maxim Gorki, who is staying in Berlin at present for a short time, we have received the following note: / Allow me, dear editor, the polite communication that the interviews with me which have appeared in various journals are to be considered as apocryphal, and that I can in no way assume responsibility for their content. My current state of health does not allow me to undertake conversations with gentlemen of the press; I will however not fail to accede to your wishes as soon as I have the strength to do so" (transl.). - Disenchanted with Lenin's regime and suffering from tuberculosis, Gorky had left Russia in September 1921, initially staying in Berlin; ultimately he was to settle in Sorrento, with an extended household which now included Moura Budberg, his secretary and lover. - Provenance: Sotheby's, 25 May 1983; Heritage, 6 April 2016, lot 49152.
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Holmes Sr., Oliver Wendell, American physician, poet, and polymath (1809-1894).
Autograph letter signed. Beverly Farms (Massachusetts), "Sept 16".
Small 8vo. 1½ pp. on bifolium. Apologizing to an unnamed recipient for being unable to answer his questions: "I regret that I am unable to attend to the numerous questions which are asked by my correspondents and which it would take all my time to answer". - Traces of folds. Minimally stained. With collector's notes in pencil.
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Labiche, Eugène, French playwright (1815-1888).
Autograph letter signed. Rueil, 2. VIII. 1869.
8vo. 2 pp. on bifolium. In French. To a colleague about a family council he is required to attend on Friday as acting guardian, hoping to be able to join the booksellers' commission afterwards, encouraging him to continue his work, and mentioning editorial work as the sole issue to be discussed by the commission: "Mon cher confrère elle n'a pas de chance notre commission de librairie! je reçois ce matin une lettre qui me convoque pour vendredi, 1h ½, à un conseil de famille dans le quel je jeux le rôle de subrogé-tuteur. il m'est impossible d'y manquer, mais j'espère être libre à 2h ½ pour la commission. faites donc votre travail, nous sommes d'accord sur le fond, il n'y aura donc qu'une question de rédaction qui sera discutée par la commission [...]". - On stationery with blindstamped initials. Small marginal tears to centrefold and upper edge; slightly creased.
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Lavedan, Henri, French playwright (1859-1940).
Autograph calling card signed ("H. L."). 15, Boulevard des Invalides [Paris], no date.
Calling card format. 1½ pp. In French. To an artist or publisher with thanks for an excellent copy of a book on Japanese paper appointed with a watercolour on the first page, announcing to pay him a visit on one of the following afternoons: "Merci, mon cher ami, du superbe exemplaire Japon que je n'attendais pas et de la gentille aquarelle qui l'accapagne [!] en première page. C'est moi qui vous suis redevable de la bonne réclame que me fait votre talent. J'irai un de ces après-midi vous serrer la main de vive voix [...]".
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Legouvé, Ernest, French dramatist (1807-1903).
Autograph letter signed. 14, Rue St. Marc, no date.
8vo. 1 page on bifolium. To an actor about an upcoming rehearsal, mentioning that Couchard believes that ten days of hard work will suffice: "Nous répétons Lundi. J'ai vu Couchard. Il pense qu'en dix jours de bon travail nous pourrions passer [...]". - On stationery with blindstamped initials and blue stamped address. Slightly browned.
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Lewis, Sinclair, American writer and Nobel laureate (1885-1951).
Autograph inscription signed. N. p., 1. VII. 1923.
Ca. 45 x 47 mm. 6 lines. "To Tom Jarvis, with the greetings fraternal & next door to national". - On trimmed stationery with letterhead from "Cherkley, Leatherhead, Surrey". Traces of former mounting.
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Malot, Hector, French writer (1830-1907).
Autograph calling card signed ("M. H."). 3, Avenue de Fontenay / Fontenay-sous-Bois, no date.
Calling card format. 1 page. Condolatory note to a friend, presumably on the loss of a child, mentioning his own fatherhood: "C'est un père qui vous envoie l'expression de sa douloureuse et cordiale sympathie [...]". - Upper left corner folded. Two tiny spots.
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Monnier, Henry, French playwright, caricaturist and actor (1799-1877).
Autograph letter signed. No place, [1866].
8vo. 1 page on bifolium. In French. To the journalist and editor Albéric Second (1817-87) about his latest work "Paris et la province" (Paris, Garnier frères, 1866), the preface of which, written by Théophile Gautier (1811-72), as well as an advertising article he would like to see published in his periodical: "Sois assez bon pour me mettre dans ton journal la préface de Theophile Gautier puis me faire, toi-même un article sur mon nouveau livre [...]". - Slightly foxed; 2 small marginal tears, not touching text.
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Noriac, Jules (i. e. Claude Antoine Jules Cairon), French journalist, playwright, writer, librettist and theatre director (1827-1882).
Autograph letter signed. [Paris, after 1855].
12mo. 1 page on bifolium. With autograph address. In French. To the playwright Albéric Second (1817-87) with a recommendation of a young man who would like to produce a tailcoat for him, threatening no longer to support his 1855 burlesque play "English Spoken" if he does not allow the tailor to realise his dream: "Voici un brave garçon, un vrai garçon, qui a un rève il voudrait faire un habit à Mr Albéric Second. Si tu ne réalise pas le rève que je trouve tout naturel je ne mets plus English au tableau [...]". - On blindstamped stationery of the Théâtre des Variétés, where Noriac was co-managing director from 1856 to 1859. - Slightly creased and spotted.
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Ostrovsky, Alexander, Russian playwright (1823-1886).
Autograph letter signed ("A. Ostrovsky") Shchelykovo, 28. VII. 1885.
8vo (215 x 135 mm). 2 pp. on a bifolium with Ostrovsky's printed monogram. In Russian. To Ivan Maximovich Kondratiev on his struggles with ill health. Ostrovsky excuses himself for writing only a shorter letter, having "no stomach" for writing more. He had caught a bad cold on coming to his country estate at Shchelykovo, "and the consequences turned out to be just awful. I was overcome with a fierce malignant pyrexia [i.e. fever] and despite the tropical heat of this year's summer, it resumed up to seven times. The paroxysms lasted no more than one or two days but were absolutely awful [...] the tongue was bursting and the inside of the mouth was cracking. / Now I am recovering bit by bit; as soon as I have grown stronger I will write a longer letter; there are plenty of things to write about [...]". - A leading proponent of realism, Alexander Ostrovsky is considered the founder of the Russian national theatre repertoire, and was the author of 47 original plays, in spite of his lifelong struggles against official censorship. His last years were beset by struggles with money and, as here, health problems: he died almost exactly a year after the present letter. No records for autographs by Ostrovsky at international auction.
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Prévost-Paradol, Lucien-Anatole, French journalist and essayist (1829-1870).
Autograph letter signed. No place, "Jeudi 20".
8vo. 1 page. In French. To a writer, asking him to have a bookseller mail two copies of an unidentified work for Martineau and himself, but to address both copies to Martineau: "Aie l'obligeance de prier le libraire d'envoyer ici deux volumes l'un pour M. Martineau l'autre pour moi, mais tu adresseras les deux à M. Martineau [...]". - Slightly creased; a little toned.
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Richepin, Jean, French poet, novelist and dramatist (1849-1926).
Autograph calling card signed. No place or date.
Calling card format. 1 page. To a friend with kind regards upon his return from Fontainebleau: "[Jean Richepin] retour de Fontainebleau; avec nos meilleurs souhaits, de tout coeur [...]".
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Sainte-Beuve, Charles-Augustin, French literary critic (1804-1869).
Autograph calling card signed. 11, rue Mont Parnasse [Paris], no date.
Calling card format. 1 page. In French. To an acquaintance with thanks and regards: "avec tous mes remerciemens & mes amitiés [...]".
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Silvestre, Paul Armand, French poet (1837-1901).
Autograph calling card. 52, Rue de Douai [Paris], no date.
Calling card format. ½ page. To an admirer about an alleged first edition of his volume of poems "La Chanson des Heures", published by Gervais Charpentier in April or May 1875, suggesting he contact the editor for the exact date: "La chanson des Heures a paru, pour la première fois, dans la bibliothèque Charpentier, en 1875 (avril au mai, mais le renseignement exact vous sera donné chez l'Editeur [...]". - An edition of "La Chanson des Heures" prior to 1878 could not be traced, nor does the full title of the 1878 edition ["La Chanson des heures, poésies nouvelles (1874-1878)"] suggests a prior edition. However, extracts of the work might have been published as early as 1875. - Traces of former mounting; somewhat fingerstained.
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Stolberg-Stolberg, Friedrich Leopold zu, Schriftsteller und Übersetzer (1750-1819).
Eigenh. Brief mit U. ("F. L. St."). Münster, 20. II. 1811.
1½ SS. auf Doppelblatt. 4to. Mit eh. Adresse (Faltbrief). Wasserzeichen "T & K". An Werner von Haxthausen in Bökendorf mit Dank für übersandte "Heiligthümer", zu der glücklichen Geburt seines Enkelsohns Johann von Stolberg-Wernigerode (1811-62) und zu Verspätungen bei Postzustellungen: "So wie ich auch gestern erst einen Brief vom 30ten Jänner der eilenden Post aus Wernigerode, u. zugl. [einen] vom 16ten Febr. aus Schlesien erhielt. Die Unordnung der Posten ist abgeschmackt u. ärgerlich. Meine Frau hat grosse Freude über das Kreu[z] und wird dir ihren Dank selbst sagen [...]". - Friedrich zu Stolberg hatte in jungen Jahren mit Goethe die Schweiz bereist, später jedoch eher Kontakt zu den religiösen Gruppierungen des Münsterschen Kreises (u. a. Herder), die ihn auch zu seinem großen Werk "Geschichte der Religion Jesu Christi" (15 Bde.) inspirierten. Werner von Haxthausen wurde durch Kontakte seiner Halbschwester Therese von Droste-Hülshoff um 1800 in der Familie Stolbergs in Münster erzogen. Haxthausen war 1810 an der Verschwörung Wilhelm von Dörnbergs gegen die Franzosenherrschaft in Westphalen beteiligt gewesen, weswegen er für einige Zeit nach England flüchten musste. - Mit Ausriss durch Brieföffnung, Poststempeln, Siegelrest und Federproben von weiterer Hand. Stellenweise größere Randläsuren mit einigen Ein- und Ausrissen (geringf. Textverlust) und stellenweise knittrig. Leicht braunfleckig.
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Stolberg-Stolberg, Friedrich Leopold zu, Schriftsteller und Übersetzer (1750-1819).
Eigenh. Brief mit U. ("F. L. Stolberg"). Münster, 10. II. 1810.
1½ SS. auf Doppelblatt. 4to. Mit eh. Adresse (Faltbrief). Wasserzeichen "J. Honig & Zoonen". An Werner von Haxthausen in Halle, zur Geburt seines Enkelsohns Richard zu Stolberg-Wernigerode (1810-27) und zu einem Kredit von 400 Reichsthalern, die ein Edelmann aus dem westfälischen Adelsgeschlecht Wintgen einem gewissen Bernhard geborgt und für den Stolberg gebürgt habe: "Zuvörderst, liebster Werner, melde ich Dir, daß meine Mariagnes am 31sten Jänner glückl. von einem Knaben entbunden worden. Er heißt Richard. Das ist nun schon ihr fünftes Kind. Da ihres Mannes Brief an mich an eben dem Tage geschrieben war, sehne ich mich sehr nach ferneren Nachrichten, doch mit guter Hofnung, da sie mir noch am 26sten schrieb, daß sie sich gesunder und stärker fühle als seit 5-6 Jahren [...]". - Friedrich zu Stolberg hatte in jungen Jahren mit Goethe die Schweiz bereist, später jedoch eher Kontakt zu den religiösen Gruppierungen des Münsterschen Kreises (u. a. Herder), die ihn auch zu seinem großen Werk "Geschichte der Religion Jesu Christi" (15 Bde.) inspirierten. Werner von Haxthausen wurde durch Kontakte seiner Halbschwester Therese von Droste-Hülshoff um 1800 in der Familie Stolbergs in Münster erzogen. Anfang des 19. Jhs. hatte Haxthausen vorübergehend die Dompräbende in Paderborn übernommen (so auch die Adresse) und studierte Orientalistik in Paris, Göttingen und Halle. Er sollte 1810 an der Verschwörung Wilhelm von Dörnbergs gegen die Franzosenherrschaft in Westfalen beteiligt sein, weswegen er einige Zeit nach England flüchten musste. - Mit Ausriss durch Brieföffnung, Poststempeln und Siegelrest. Stellenweise kleine Randläsuren bzw. Ein- und Ausrisse. Leicht braunfleckig.
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Taillandier, Saint-René, French writer and critic (1817-1879).
Autograph letter signed. Montpellier, 27. XII. 1856.
8vo. 4 pp. on bifolium. To the playwright and poet Salomon Hermann Mosenthal (1821-77) in Vienna about his mother's death and the limited number of subjects he is allowed to write about in the "Revue des deux mondes". Taillandier reassures Mosenthal of the independence of his criticism, pointing out that their friendship will not prevent him from seriously assessing his work, and hopes soon to discuss a new oeuvre of his in the Revue. He signs off with regards to the composer Josef Dessauer (1798-1876) and the writer Leopold Kompert (1822-86): "Je suis bien en retard avec vous, mais ce papier entouré d'un signe de deuil vous donne déja l'explication et l'excuse de mon silence. un coup terrible m'a frappé, j'ai eu le malheur de perdre ma mêre, jeune encore, et dans tout la face de l'age et de la santé [...] Par malheur je ne suis pas aussi libre que vous paraissez le croire. je suis obligé de me conformer aux exigences ou aux convenances de l'important recueil où j'écris. il y a des sujets qui, par leur nature même, attirent plus vivement l'attention de la France, ce sont ces sujets-là qu'on m'indique à la Revue des deux mondes et que je traite pour obéir aux voeux du directeur [...] je n'ai pas besoin, d'ailleurs, de vous dire que je réclame toute l'indépendance de ma critique. je vous jugerai en toute liberté, en toute franchise, comme si je ne vous connaissais pas, comme si je n'avais pas été reçu par vous avec une charmante et cordiale hospitalité [...] je désire surtout qu'un ouvrage nouveau, un ouvrage important, signé de votre nom, me fournisse une occasion naturelle de vous consacrer un article et de vous revenir en vos oeuvres passés [...] Veuillez aussi me rappeler au souvenir [...] de M. Dessauer, dont j'ai été si heureux de faire la connaissance [...] bien des amitiés à M. Léopold Kompert [...]". - On mourning paper. Small marginal flaws.
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Taillandier, Saint-René, French writer and critic (1817-1879).
Autograph letter signed. No place, "Samedi".
12mo. 1 page on bifolium. In French. To his son Georges with regrets over being unable to see him at the moment, as he is about to depart town and shall not return before Monday: "Je pas à l'instant peux venir. Parts et n'en reviendrai que Lundi soir. C'est vous dire que je vous envois à tous mes regrets bien vifs [...]". - Slightly toned and creased.
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Uchard, Mario, French writer (1824-1893).
Autograph letter signed. No place, "Dimanche matin".
8vo. 2½ pp. on bifolium. In French. Emotional letter to a friend, announcing to come for lunch to explain his behaviour at a council meeting and to prove that he is safe from the accusations of a "delirious capuchin", speaking of "revolt", "insolence" and a "monkey whistling the Marseillaise": "De la révolte et des insolences!!! Mon singe favori sifflant la Marseillaise!!!!! Alors c'est la guerre? Soit! Je me jetterai dans les bras de l'ours! A moi mes fidèles cannibales! A onze heures ½ je monterai à cheval, et j'arriverai déjeuner vers midi, car je ne pourrais venir diner ce soir. J'expliquerai alors ma conduite au conseil des sages assemblés par les bambous, et je démontrerai que si des incidents imprévus ont pu déranger ma politique, je suis néanmoins à l'abri des accusations démagogiques d'un sapajou en délire [...]". - Slightly spotty; small marginal tear in the centrefold; angular crease on second page.
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Vernoy de Saint-Georges, Jules-Henri, French playwright (1799-1875).
Autograph letter signed. No place, "Dimanche".
8vo. 1 page on bifolium. In French. To a friend, rescheduling their "literary breakfast" and about finishing his "charming" book: "Voulez vous remettre à mercredi prochain, notre petit déjeuner littéraire, de demain lundi. J'aurai eu le tems d'achever votre livre, que je trouve charmant [...]". - On stationery with stamped coronet.
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Xanrof, Léon, French humourist, musical artist, playwright and songwriter (1867-1953).
Autograph calling card. 10, rue Cholozé [Paris], no date.
Oblong calling card format. 2 pp. On mourning paper. In French. To an acquaintance, urging him to set a date for his visit to Borginal, as he is about to leave for a vacation, asking him to repeat the name of the station at which he must disembark: "Il faut absolument que je vous voie. Quel jour puis je aller à Borginal, si vous ne pouvez venir à Paris? Je vous en supplie, repondez moi, car je pars bientôt en vacances! Affectueusement à vous [...] Ah! Et puis soyez assez aimable pour me rappeler le nom de votre station?". - "Gil Blas" printed below the name: a reference to Xanrof's two-year involvement with the literary periodical of the same name. The Montmartre address is significant in that it is an area where the Chat Noir establishment first gained popularity and where Xanrof performed.
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Bahr-Mildenburg, Anna, Sopranistin (1872-1947).
Portraitpostkarte mit eigenh. U. O. O., 1911.
Qu.-8vo.
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Bernstein, Leonard, Komponist, Dirigent und Pianist (1918-1990).
Aushangzettel mit eigenh. U. [Washington, D.C., 27. X. 1979].
1 S. Folio. Aushangzettel zu einem Gastspiel der Wiener Philharmoniker in Washington, wo Bernstein am 27. Oktober Beethovens "Fidelio" dirigierte.
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Brahms, Johannes, German composer and pianist (1833-1897).
Autograph postcard signed ("J. Brahms"). [Postmarked: Ischl, 15 August 1896].
Oblong 8vo. 1 page. With autograph address. To Gustav Ophüls, telling him where to find his folk songs, "namely in Nicolay's Almanack, as well as in Kretzschmer and Zuccalmaglio's collection". For some songs Brahms does not know the source: "Erlauben Sie in aller Kürze: meine Volkslieder finden sie zum größten Theil in Nicolay's feinem Almanach u. in Kret[z]schmer's und Zuccalmaglio's Volksliedersammlung (je 2 Theile) für einige (z. B. 'Erlaube mir', 'In stiller Nacht') weiß ich keine gedruckte Quelle [...]". - The pianist and music critic Gustav Ophüls (1866-1926) was director of the district court in Düsseldorf and published a collection of texts set to music by Brahms ("Brahms-Texte. Vollständige Sammlung der von Johannes Brahms componirten und musikalisch bearbeiteten Dichtungen", 1898). In 1921 he also published his memoirs of Brahms ("Erinnerungen an Johannes Brahms"). - In perfect condition.
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Britten, Benjamin, English composer, conductor, and pianist (1913-1976).
8 autograph (7 lettercards and 1 letter) signed ("Ben"). Apparently Aldeburgh, Suffolk, ca. 1969.
Oblong (small) 8vo. 16 pages on 8 ff. All with printed letterhead. Interesting, apparently unpublished correspondence detailing Britten's collaboration with the Revd. Kenneth Sherlock (1901-90), rector of St Bartholomew's Church, Orford, in Woodbridge, Suffolk, where all three "Parables for Church Performance" ("Curlew River", "The Burning Fiery Furnace", and "The Prodigal Son") were performed. Britten is very warm in tone to Sherlock and, in a number of letters, alludes to his declining health, which continued to deteriorate until his death in 1976. - 1) A somewhat philosophical letter about Russia, the Russian people and the human spirit generally and further mentioning a forthcoming tour of Germany and Austria. 2 pp. On headed paper ("The Red House, Aldeburgh, Suffolk"). - The remainder on personalised correspondence cards. - 2+3) About Curlew River: "It was wonderful being able to do Curlew River in your wonderful church […] I'm just off to Holland, after having whizzed up north with Rostropovich […]"; "It is lovely that Curlew River can be back where it belongs in 1965!". - 4) Mentioning "The Prodigal Son": "All goes well here now - only a lot of patience is needed! Don't worry - somehow there will be a Prodigal Son in Orford Church in time! [...]". - 5) Thanking Sherlock for his support: "It is always a real joy for us to come and work in Orford Church - not least because of your own unfailing kindness and deep understanding of what we are trying to do [...]". - 6) "Peter and I are just off to USSR via London for a month or so, so I am afraid a meeting about next year will have to wait till September. But Stephen R. can in the meantime give you all our proposals for next year's Festival at Orford [...]". - 7) "I am here for a week or so (before going off to Helsinki, + to USSR again) [...]". - 8) "What a wonderful lot of flowers - how cheering to be reminded that spring and health will not be far away! I was very touched by them [...]". - Letter 1 shows slight separation to the lower fold; 2 to 8 in excellent condition. Not in the Collected Letters, Volume 6 (1966-1976), ed. by Philip Reed & Mervyn Cooke.
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Destinn (Destinnová), Emmy, Sängerin (1878-1930).
Eigenh. Albumblatt mit U. London, Juli 1905.
½ S. Kl.-4to. Die letzten zwei Zeilen aus Arno Holz' Gedicht "Dafnis - Er spricht noch auß dem Grabe": "O Adam, o Eve! / Vita somnium breve!!". - Stellenweise gering fleckig und leicht lichtrandig.
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Judic, Anna, French opera singer (1850-1911).
Autograph letter signed. No place, 29. IV. 1873.
12mo. 1 page on bifolium. In French. To Duval, cancelling her rehearsal due to a severe cold, and mentioning that she cannot see clearly: "Excusez-moi auprès de ces messieurs, mais je ne puis aller repeter. J'ai un rhume de cerveau, je ne vois pas clair [...]". - Somewhat toned.
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Lanza, Mario, Opernsänger (1921-1959).
Portraitphotographie mit eigenh. U. O. O., 1953.
127:98 mm.
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Liszt, Franz, Austro-Hungarian composer (1811-1886).
Autograph letter signed ("F. Liszt"). No place, 21. X. 1851.
8vo. 3¾ pages on bifolium. In French. According to an early collector's note, the present letter was written to his friend Ernst Weyden, a scholar and member of the Faculty at the University of Cologne. Liszt discusses his planned marriage to Carolyne Sayn-Wittgenstein, Richard Wagner, and a planned collaboration with Weyden: "Je suis très sensible à vos bons souhaits pour mon quarantième anniversaire, lesquels se résument pour moi tous dans un seul : c'est que la femme qui s'est absolument dévouée à moi qu'elle est devenue à la fois et la racine et la fleur de ma vie, me soit conservé. Grâces au Ciel j'ai tout lieu d'espérer que ce voeu suprême de mon coeur sera exaucé, - et d'après les nouvelles que j'ai trouvé ici il est très probable que dans peu de mois mon mariage aura lieu [...]" ("I am very sensitive to your good wishes for my 40th birthday, which can be summarized for me in one thing: that the woman who has been absolutely devoted to me and who has become both the root and the flower of my life, be kept for me. Thanks be to Heaven that I have every reason to hope that this supreme wish of my heart will be granted - and from the news I have found here it is very likely that in a few months my marriage will take place [...]" (transl.). - Liszt is grateful to Weyden for having reported on his brochure on Lohengrin and Tannhäuser in the Kölnische Zeitung. "It is to be presumed that my brochure will contribute to spreading the understanding of Wagner's works, which, in order to be greatly admired, only need to be understood from a higher point of view than one is accustomed to judge ordinary operas. You have thus done art a service, as well as me, by contributing your share to the propagation of these two eminent works of which Germany will be able one day to be proud [...]". Liszt treasures his memories of their architectural trip and hopes that they will one day resume their peregrinations: "In the meantime, please do not forget our collaboration project in honour of the Duomo; I hope that you will be able to send me the stanzas I have requested before the end of the year [...]. - On blue paper. Slightly wrinkled, otherwise in good condition.
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Poise, Ferdinand, French composer (1828-1892).
Autograph letter signed. [Paris], "ce dimanche".
8vo. 2 pp. on bifolium. In French. To "Cadol", announcing that he shall call at 4 o'clock the next afternoon, mentioning an appointment he forgot he had at the Avenue de l'Impératrice at 2 o'clock, and asking the recipient to let him know if this change of plans does not suit him: "Je serai demain chez vous vers quatre heures. Je suis obligé d'aller avenue de l'impératrice à deux heures. Je l'avais oublié. Peut-être ce changement va déranger vos projets. Dans ce cas un mot je vous prie [...]". - Slightly toned.
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Schumann, Robert, German composer (1810-1856).
Autograph letter signed ("Robert"). Teplitz, 19 Aug. 1842.
8vo. 1 page on bifolium. To his brother Carl in Schneeberg. Clara and he have been hiking; they are thinking of going as far as Carlsbad and then returning via Schneeberg, where they hope to see Carl and his family. They will be in Schneeberg on Thursday at the latest: "Wir haben einen Ausflug gemacht, denken heute von hier nach Carlsbad, und von da über Schneeberg zurückzureisen, wo wir dann Dich und die Deinigen zu sehen hoffen. Bis spätestens Donnerstag sind wir in Schneeberg. Wir werden uns freuen, Euch alle wohl und zu Hause zu treffen. Es ist ein langer Wunsch von mir, Dich einmal aufzusuchen. Das schönste Wetter hat uns immer begleitet; hier dachte ich unserer lieben Eltern oft. Erinnerst Du Dich noch unsrer Fußreise durch die Böhmischen Berge [...]". - Slightly wrinkled and spotty; a small tear to fol. 2 due to breaking the seal.
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Strauss, Richard, composer (1864-1949).
2 autograph letters signed an one autogr. musical quotation signed. Garmisch, May 1945.
4to. (½+1 =) 1½ pages on 2 ff. With two autogr. envelopes. The musical quotation on 4 pages in-8 mimeographed concert programme. Several addenda. Interesting set addressed to the American commander of Garmisch, after the defeat of Germany. Major Herbert L. Snapp (1901-91) was the officer of the American occupation troops, appointed "Stadtcommandant" of Garmisch, where Strauss resided. - 1) Garmisch, 8 May 1945. On the very day of the armistice and the end of the war, Strauss greets Commander Snapp as the representative of the great American people ("als hiesiger Repräsentantendes grossen amerikanischen Volkes") on this day of peace ("zu dem heutigen Friedenstage") and warmly expresses the wish that America, friend to the arts, as it has delivered Germany from an undignified slavery, will in a beautiful future extend its protection to the descendants of Goethe and Wagner for the reconstruction of the country and its culture. - 2) Garmisch, 12 May 1945. Strauss asks for driving licenses and, for his son, daughter-in-law and grandson Richard, hunting licenses, so that his family can feed itself. - On a mimeographed concert programme, given by the students of the Music Department of St. Mary of the Springs on 12 April 1945, Richard Strauss inscribed a 3-bar quote from the beginning of the Rosenkavalier, with the inscription and signature. - Attached is an autograph letter from "Daddy" (i. e. Snapp) to his daughter Nancy, sending her, with comments, these documents, and a letter draft to Strauss in which the American military government makes three reassurances, "all of which will be in direct contrast to the period 1933-45" (written on the reverse of a stationery with printed letterhead of the Reichsministerium des Innern).
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Strauss, Richard, composer (1864-1949).
Autograph letter signed. Apparently Bad Wiessee (Tegernsee), 19 Sept. 1933.
4to. 2 pages. Curious letter about Strauss's attitude under Nazism. The letter shows Strauss's activity to create the STAGMA (Staatlich genehmigte Gesellschaft zur Verwertung musikalischer Aufführungsrechte) to replace the GEMA (Genossenschaft zur Verwertung musikalischer Aufführungsrechte), a governmental institution for the management of musicians' copyrights, and his attempt to compose the board of directors of the new society in such a way as to satisfy the Nazi leaders, who should not be part of it, while he himself wanted to be its president. Dr. Schmidt-Leonhardt must prepare the minister for Strauss's position. The early foundation is a chance for them, and if Dr. Goebbels confirms to give Strauss full powers according to the "Führer principle", Strauss will immediately determine autocratically (after liquidation of the last GEMA General Assembly) the board and the statutes of the Stagma: "Inhalt beiliegenden nicht abgesandten Briefes können Sie vielleicht vertraulich für Herrn Dr. Schmidt[-]Leonhar[d]t benützen, damit er in meinem Sinne den Herrn Minister schon präparieren kann. Wenn ich recht überlege, ist die voreilige Gründung für uns ein Glück u. wenn Dr. Goebbels Stand hält u. mir alle Vollmachten 'laut Führerprinzip' bestätigt, bestimme ich (nachdem die letzte Gemageneralversammlung liquidiert hat) nun Vorstand u. Statuten der Stagma selbstherrlich. Ich habe Kopsch telegrafisch nach Berlin beordert u. mir seine neuen fertigen Statuten nach hieher erbeten, damit ich Samstag ganz im Bilde bin. Bitte versichern Sie sich noch des Herrn Havemann, damit uns nicht von der Partei (etwa Herr Hinkel oder sonst wer) in den Rücken fällt u. dann will ich versuchen, Herrn Keudell ganz auszuschalten, den Vorstand u. die Geschäftsführung der Stagma neu zu ernennen. Vorher waren es doch drei bei der Gema: Ritter, Schmeling, Lehar? Kann man in die Stagma nicht 2 coordinierte Geschäftsführer: Kopsch - Stagma / Ritter - Gema [...] hineinnehmen? u. den ganz unnötigen Präsidenten Gräner mit dem hohen Gehalt einfach ausschiffen? [...]". - On headed paper ("Kurheim Rex"); left margin with punched holes (not touching text).
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Coquelin Cadet [i. e. Ernest Alexandre Honoré Coquelin], French actor (1848-1909).
Autograph letter signed. No place or date.
8vo. 2½ on bifolium. To a physician with apologies that he was not at home when he called, mentioning his mother-in-law having told him that he was displeased, about the recovery of his child and a visit by Dr Roger, with thanks for his kindness towards the child as well as himself: "Ma belle-mère me dit que vous avez été contrarié de ne pas me rencontrer. Je vous en fais toutes mes excuses et vous prie de croire qu'elles sont sincères. Le bébé va mieux ce matin, le Docteur Roger trouve la fièvre très diminuée et espère que le petit catharre ne poussera pas plus. Je vous remercie encore de la bonne grâce parfaite avec laquelle vous nous êtes mis à la disposition de mon enfant et de son père [...]". - After referring to Pierre's offer of one stall for mass the next day, he offers his own two stalls to make up for their missed encounter and promises to be at home if he comes by the next day: "Pierre vous avait promis une stalle pour demain. Je l'en décharge et me permets de vous offrir les deux miennes [...] Demain vers midi si vous passez par chez moi, vous m'y trouverez [...]". - Tear in upper margin repaired with adhesive tape.
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Dall'Argine, Giuseppe, Italian librettist and draughtsman (fl. 1821-1825).
"Amelia e Leandro, ossia, Il trionfo della rassegnazione: melodramma". Manuscript signed. Parma, 1821.
Folio. Italian manuscript in brown and pink ink on paper. (50) pp. on 30 ff. With calligraphed title and 7 hand-drawn illustrations, comprising a dedication portrait of Marie Louise, Duchess of Parma, her coat of arms on the title-page, 4 scenic designs for the play, and a final vignette with motto. Contemporary giltstamped full calf with pink endpapers. All edges gilt. Beautiful dedication manuscript of Giuseppe dall'Argine's romantic drama that was set to music by count Germano Liberati Tagliaferri (1795-1870) and premiered in 1821 at the Teatro Sanvitale in Parma. Dall'Argine dedicated his play to the ruling Duchess of Parma and second wife of Napoleon, archduchess Marie Louise (1791-1847), who is represented in a fine pen drawing that serves as frontispiece. All illustrations are signed by the author. - This manuscript is probably the only surviving copy of dall'Argine's play. Himself largely forgotten, Giuseppe dall'Argine stems from a leading family of musicians and librettists in Parma, the most prominent members of which were the tenor Luigi dall'Argine (1808-69) and his son Costantino (1842-77), a highly successful composer in his time. Giuseppe dall'Argine is known as the author of another libretto, the comedy "Castello di Valbruno" that was published in Parma in 1825 and again set to music by Germano Liberati Tagliaferri. - Well preserved.
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Déjazet, Pauline Virginie, French actress and singer (1798-1875).
Autograph letter signed. No place, "Samedi".
8vo. 1 page on bifolium. In French. To the playwright and theatre director Charles Antoine Cabot (1806-86), asking for a box for her friends: "Mon cher Cabot est il bien indiscret de Vous demander Une loge pour des amis? Vous M'obligerez particulièrement à Vous [...]". - Top edge slightly frayed.
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Leloir, Louis, French actor and member of the Comédie Française (1860-1909).
Autograph letter signed. No place, "Dimanche".
8vo. ½ page. To a president, looking forward to seeing him at the opera the next day: "Très heureux de vous avoir et de causer avec vous demain à 4 heures à L'Opéra [...]". - On stationery with engraved monogram. Slightly creased.
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Abel, Sir Frederick Augustus, English chemist (1827-1902).
Autograph letter signed. "The Arsenal", 3. III. 1885.
8vo. 2 pp. on bifolium. With autograph address. To the engineer J. Thorne with thanks for his letter of condolence: "I am grateful to you for your friendly expressions of sympathy with reference to the recent most distressing calamity. Colonel Lyre [...] especially was a very very old Friend & Colleague, & all these Officers were endeared to us all. With many thanks I remain [...]". - Abel, in collaboration with Sir James Dewar, invented cordite (1889), which was adopted as the standard explosive of the British Army. He also carried out studies relating to dust explosions in coal mines and in the process developed a device for testing the flashpoint of petroleum. Abel also found a way to prevent the spontaneous explosion of gun cotton. From 1854 to 1888 he served as Ordnance Chemist at the Chemical Establishment of the Royal Arsenal, where he established himself as the leading British authority on explosives. - On stationery with blindstamped arms. Small cut from breaking the seal; small tear in the upper centerfold. Somewhat toned.
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Cicogna, Emmanuele Antonio, Historiker (1789-1868).
Eigenh. Brief mit U. Venedig, 27. II. 1863.
1 S. 4to. Mit eh. Adresse verso. An Theodor Mommsen in Berlin mit Dank für zwei Werke, die ihm Julius Friedländer hat zukommen lassen: "Mille e mille grazie del dono dei due opuscoli che ebbi per mezzo del signore dottore Friedlaender. Subito che io vi vegga questo signore [...] mi prefesso pieno di [...] amicizia [...]". - Ein kleiner Ausriss durch Siegelbruch (kein Textverlust); kleine Randläsuren.
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Pineux, Charles-Alexandre-Amaury (known as Amaury-Duval), French lawyer, historian, diplomat, writer and scholar (1760-1838).
Autograph letter signed. Paris, 27. X. 1818.
4to. 1 page on bifolium. With autograph address verso. In French. To the civil servant and scientist Charles Athanase Walckenaer (1771-1852) in Paris with a recommendation of Marrand, a refugee from St. Domingue (Haiti) seeking employment in a casino in order to support his family. Pineux points out that his request was already presented to the official Gaspard de Chabrol (1773-1843): "Ma famille m'a prié de vous recommander avec instances, la demande que fait M. Marrand refugié de St. Domingue, d'un emploi de commissaire de Surveillance dans une maison de Jeu. Cette demande a été remise à M. le Conte de Chabrol, par M. Baron Directeur, général du Mont. de piété, qui s'intéresse au pétitionaire. J'ai eu dernièrement occasion de voir M. Marrand. Sa Situation m'a touché. Il est obligé de Subvenir aux besoins d'un père octogénaire, d'une femme et de trois enfants, et les circonstances l'ont privé de toutes les ressources, dont Naguères il Jouissait. D'après cela, Je n'hésite point à appeller toute votre bienveillance sur cet homme aussi honnête que malheureux [...]". - Slightly spotty.
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Savory, William Scovell, British surgeon (1826-1895).
Autograph letter signed. 66, Brook Street, Grosvenor Square [London], 3 Nov. (no year).
8vo. 2 pp. on bifolium. To the renowned physician George Johnson (1813-96) about his latest book: "Many thanks for the copy of your work I shall read upon the first opportunity with great interest and pleasure and I congratulate you on its publication [...]". - On stationery with stamped address. Second page somewhat toned.
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Witte, Jean-Joseph-Antoine-Marie de, Belgian archaeologist, epigraphist and numismatist (1808-1889).
Autograph letter signed. Paris, 18. I. 1850.
8vo. 3½ pp. on bifolium. In French. To the archaeologist Theodor Panofka (1800-58) about his family's illness, his own injury after having suffered a fall, and a death in the family of their mutual friend, the archaeologist Charles Lenormant (1802-59), who has lost his youngest granddaughter: "Je commencerais par vous dire que depuis mon retour de la campagne jusqu'à ce moment je n'ai vu autour de moi que des malades & encore à l'instant où je trace ces lignes, c'est blessé au pied par suite d'une chute [...] J'ai été aussi péniblement affecté par le malheur qui a frappé la famille Lenormant, nos amis ont perdu au commencement du mois de Fevrier leur dernière petite fille [...]". - About a visit of Stanislaus von Wallenberg, Consul in Palermo, who delivered a copy of his essay on antique vases, mentioning some Germans arriving in Paris: "J'ai reçu au mois de Nov. dernier la visite de M. de Wallenberg, porteur [...] d'une exmpl. de votre beau mémoire académique sur les artistes, peintres de vases [...] Les Allemands arrivont à Paris y rencontrant beaucoup de leurs compatriotes & une fois entourés des leurs, il est impossible de les faire sortir de leur société habituelle [...]". - Further with thanks for a Hercules medal, mentioning their 21-year friendship which has outlasted two revolutions, and praising his articles in the German "Archäologische Zeitung" edited by Eduard Gerhard (1795-1867): "J'ai bien des remercements à vous faire pour la médaille de Héraclée que je garde précieusement comme souvenir de votre vieille amitié. Il y a aujourd'hui 21 ans que vous m'avez connu pour la première fois [...] Deux revolutions, sans compter les accidents particuliers, c'est beaucoup dans la vie de l'homme! [...] Je lis certainement la Gazette Arch. de Gerhard. Je suis un des abonnés dès l'origine. J'ai lu avec le plus grand plaisir vos articles sur les vases comiques [...]".
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[Belgian surrealists].
Autograph inscription on a booklet for a Magritte exhibition by Paul Colinet with the signatures of René Magritte, Paul Colinet, Irène Hamoir, and Jean Émile Louis Scutenaire. The Hague, 14. XI. 1936.
Large 8vo. (4) pp. 5 handwritten lines. Original cardboard wrappers. Interesting inscription to the painter James William Frater (1887-1969), who is addressed as the "corrector of Heraclitus' Bridge", one of Magritte’s paintings on view at the exhibition: "A James Frater (ou, plutôt à Jim) le correcteur du Pont d'Heréclite, l’allègre chiffoneur des papiers bruns, le nouveau Jéovah qui fait un homme rapide du carton immobile". The booklet entitled "Bulletin Internationale Kunst", no. 9, of the Esher Surrey Art Galleries, had been printed for a Magritte exhibition in The Hague (14 November to 5 December 1936). Frater was a student of Jan Toorop and collaborated with Mondrian and Escher. Apparently he had contributed in some form to the painting mentioned in the inscription. The assembled signatures of the writers Paul Colinet (1898-1957), Jean Émile Louis Scutenaire (1905-87), his wife Irène Hamoir (1906-94), and the painter Magritte (1898-1967) bear beautiful testimony to the early years of the Belgian Surrealist movement. - The four-page booklet contains a portrait of Magritte, a short text on the artist, a list of 26 works on display, and two reproductions of paintings on display. Several addenda, including a page of the "Nieuwe Rotterdamsche Courant", 25 November 1936, with a review of the exhibition entitled "Plastische Kunsten, Rene Magritte, Kunstzaal Esher Surrey". - Booklet shows some browning to the upper margins and a rust stain from the staple.
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Blanche, Jacques-Émile, Maler (1861-1942).
Eigenh. Brief mit U. O. O., 16. IV. 1924.
1 S. Qu.-8vo. In französischer Sprache an den Schriftsteller und Verleger Jacques Chardonne (1884-1968) mit der Bitte um seine Meinung zu einem Roman, den er auf Anraten des Schriftstellers Pierre Mille (1864-1941) komplett überarbeitet hat, um ihn in der Zeitschrift "Oeuvres Libres" zu veröffentlichen: "Je vous apportais ce petit roman - non pas pour que vous le publiez - mais pourque vous m'en disiez, avec votre intelligence et votre expérience - ce que j'en dois penser. Ca fut une longue histoire, trop longue, de 100 pages, pour les Oeuvres Libres, où je l'avais destinée, que Pierre Mille m'a conseillé de raccourcir pour qu'il pût la donner. Depuis lors, j'ai laissé dormir, puis j'ai tout récrit. Dites-moi quel est votre avis [...]". - Zuschreibung an Blanche in Bleistift von alter Sammlerhand. Mit Randläsuren und einem kleinen Loch (kein Textverlust).
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Ciry, Michel, Maler, Kupferstecher, Schriftsteller und Komponist (1919-2018).
5 eigenh. Briefe mit U. und eh. Zeichnung. Chatou und o. O., 1941-1943.
Zus. (1+1+½+1+1+1 =) 5½ SS. auf 7 Bll. 4to und 8vo. Mit eh. adr. Kuvert. An den Schriftsteller und Verleger Maurice Delamain (1883-1974) mit der Bitte um eine Bescheinigung seiner Beschäftigung als Kupferstecher: "Pourriez-vous me faire rédiger, une attestation, selon laquelle je suis attaché à votre maison d'édition, en qualité d'artiste (je n'aime pas beaucoup cette attestation!) graveur. Je prends mes précautions contre toute eventualité [...]" (16. II. 194[3]). - An denselben mit Dank für seinen Brief und einer Beileidsbekundung zum Tod der Madame Delamain, über dringend benötigten Urlaub, und in der Hoffnung, ihn bei seinem Konzert begrüßen zu dürfen, wo er ihn als Musiker ebenso zu schätzen lernen würde wie als Kupferstecher: "Je ne saurais vous dire combien votre lettre m'a touché [...] L'atroce nouvelle que vous m'y donnez. Je n'avais pas l'honneur de connaitre Madame Delamain, mais je vous prie de croire à toute ma respectueuse amitié en de pareils moments [...] Je vais repartir en août dans le midi. J'ai besoin d'un assez grand repos de plusieurs semaines [...] A la rentrée, dès que je serai au programme d'un concert je vous ferai signe et je serai heureux si vous aimez autant le musicien que le graveur [...]" (9. VII. 1943). - An denselben über seine Arbeit am Frontispiz und der Umschlaggestaltung für "Princesse des Elèves": "Mon voyage est encore reussi et je ne partirai pas avant janvier, aussi me suis-je mis dès aujourd'hui au frontispiece de la Princesse de Elèves. J'aurais egalement le temps d'exécuter le petit dessin destiné à venir sur la couverture du livre dont vous m'avez parlé [...]" (o. O. u. D.). - Die beiden übrigen Briefe mit der Ankündigung, ihm vollendete Frontispize zu überbringen. Die Zeichnung zeigt eine Skizze für den "Arlequin". Das Kuvert adressiert an das Ehepaaar Delamain mit Poststempel vom 14. I. 1964. Mit Stempeln der Librairie Stock in Paris. Teils größere Randläsuren; ein Brief mittig gerissen und alt mit Klebeband repariert.
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Grau-Sala, Emilio, Maler (1911-1975).
Eigenh. Grußkarte mit U. O. O., [1952].
1 S. auf Doppelblatt. 8vo. An einen Freund mit guten Wünschen: "Meilleurs voeux 1952 [...]". - Die Bildseite mit einer signierten Originallithographie Grau-Salas.
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Vlaminck, Maurice de, French painter (1876-1958).
Autograph letter signed. [Postmark: Verneuil sur Avre], 13. VII. 1955.
8vo. 1½ pp. With autograph envelope. To the poet and chansonnier Camille François, concerning designs for lithographs for a book published by André Sauret and an encounter with the sister of the recipient: "Merci pour votre amicale lettre. J'ai donné les dessins à Sauret et la fabrication du livre va Suivre son cours. Dimanche dernier nous avons eu la visite de Marcel et la surprise de faire connaissance avec votre gentille sœur et Calotte! - - et nous avons bavardé jusequ'à minuit. Il fait chaud et orageux par ici, mais nous espèrons bien, que nombreux seront les applaudissements, à votre grand succes". - The forthcoming book was probably Vlaminck's "La Tête tournée" that was published by Sauret in Monte Carlo in 1956 with twelve original lithographs. - Well preserved.
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Vlaminck, Maurice de, French painter (1876-1958).
Typed letter signed. Rueil-la-Gadelière, 1. I. 1935.
8vo. 1 p. on bifolium. To an art dealer, probably Georges Wildenstein, accepting a proposal to participate in an exhibition in London and inviting the recipient to his house in Rueil-la-Gadelière: "Je vous remercie de votre lettre et suis très heureux de participer à la manifestation artistique que vous organisez dans votre Galerie de Londres pour Janvier prochain. Dès aujourd'hui, je donne à Monsieur Metthey tous les renseignements utiles pour cette manifestation. J'aurai grand plaisir à vous recevoir à La Tourillière, s'il vous est possible de venir jusqu'ici [...]". - No 1936 exhibition of Maurice de Vlaminck's works in London is known, but Wildenstein's gallery exhibited de Vlaminck in 1937. It is thus most likely that the preparations for the exhibition announced in the letter took longer. A less likely scenario is that letter was written to confirm participation in a modern art exhibition at the Leger Gallery in London, also held in 1937. The business partner mentioned in the letter as "Metthey" cannot be identified with certainty: de Vlaminck might be referring to the art historian and critic Jacques Mathey. - Traces of folds. With punch holes.
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Barras, Paul, French politician (1755-1829).
Autograph letter signed twice "P. Barras". Château aux Aygalades [Marseille], 28. III. 1813.
Folio. 3½ pp. on bifolium. Historically significant letter written to defend himself against charges of espionage for the exiled Bourbons and their British allies. The letter was probably addressed to the military commission that had been installed in 1813 to try lieutenant Joseph Charabot, a central figure of the plot. Barras complains of having to defend himself against "allegations as disgusting as calumnious" made by a man who tries "disgracefully to ransom his life" by "spilling his own crimes" onto other people: "il m'est bien pénible Messieurs d'être obligé de me justifier d'imputations aussi degoûtantes que calumnieuses, d'un homme qui pour racheter honteusement sa vie, cherche à déverser ses propres délits sur des personnes qui comme moi ne l'ont jamais connu : je veux parle de Mr. Charabot fils". Barras admits that Charabot had visited him once or twice several years ago, but he underlines that there was no private contact and no exchange of money between them. The letter continues with short descriptions of Barras's relations to several of the accused. General Maximin-Joseph Emmanuel Guidal (1764-1812), who had been arrested on 22 January 1812, was the most important conspirator. During Malet's coup, Guidal was briefly released from prison on 23 October 1812. After the coup was quashed, Guidal was executed along 23 co-conspirators. - The affair of Marseille is little researched, and it is not known whether Paul Barras was an active participant in the conspiracy or not. The arrogant tone of this letter certainly would have done little to help his case, and it might have been merely his role in the ascent of Napoleon Bonaparte that saved his life, apart from an apparent lack of evidence. While Joseph Charabot was executed, Napoleon exiled Barras to Rome, from where he returned in the wake of the Bourbon Restoration. - Some browning and very slight foxing.
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