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Charles VI, Emperor.
Printed mandate for a "Turk tax" to be levied in Upper Austria. Wien, 25 Jan. 1738.
Folio, ca. 58 x 44 cm. 1 p. At the beginning of the third year of war against the Ottoman army in the Austro-Russian-Turkish War of 1735-39: a mandate to the Upper Austrian Estates and their subservients regarding an extraordinary tax to be raised for the support the Imperial army. "We [the Emperor] should have wished nothing better, from the time that we were obliged to take arms against the hereditary enemy, than to re-establish the peace, and effect this either through the force of weapons or by kind acts; however, as during the time of our recent campaign our so numerous and well-equipped armies have much suffered from illnesses, long and tiring marches, and other hardships which must needs accompany a war, and thus have been hindered in achieving the desired further successes, and peace negotiations are yet distant, though We do not desist in pursuing all means conducive to achieving such an end, all that is now necessary is to replenish our forces, and convey here the necessary tools, in other words, to make our forces capable of effectively preventing all enemy action, and to bring peace and safety to our kingdom and dominions; all of which, as everybody will readily acknowledge, cannot be done without great expenditure, for which our treasury and the ordinary grants from the estates are not sufficient, We have found Ourselves compelled, even if against our own wishes, to apply a general contribution, or Turk tax [...]". - Traces of folds with slight tears and paper defects; captioned on reverse by a contemporary hand.
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Kindleben, Christian Wilhelm.
Galanterieen der Türken. "Frankfurt und Leipzig" [= Altona, J. H. Kaven & Comp.], 1783.
8vo. 2 parts in 1 vol. XVI, 340 pp. (3)-136 pp. With engr. frontispiece by Wentzel (counted in the pagination) and 40 folding costume plates by Endler, in original hand colour. Modern marbled boards retaining original giltstamped red spine label. First edition. - A frequently loose account of oriental conditions and excesses; "based exclusively on earlier travel publications" (cf. Chatzipanagioti-S.). The appendix of pt. 2 has a separate title: "History of a noble Turkish lady who, dressed as a man, found her fortune and death amongst weaponry in Europe". The prologue admits that this appendix "bears no connexion with the preceding matter" - indeed, it has nothing to to with Ottoman history at all, but is a satire on German conditions during the Seven Years' War, replete with allusions which would bear closer study. The author, Christian Wilhelm Kindleben (1748-85), was sometime assistant to Basedow at the Philanthropinum reform school in Dessau. - The engravings show costumes for gentlemen and ladies; "the images of the Sultana combine elements drawn from various illustrations found in Ferriol's 'Recueil'" (cf. Chatzipanagioti-S.). - Evenly browned throughout. German postwar trade records cite a single coloured copy. Chatzipanagioti-S. 481 (= 482; citing merely 39 plates). Frauen reisen 316. Lipperheide 1419 (Lb 3). Colas 1607. Hiler 496. Hayn/Gotendorf III, 559 (and V, 111; VII, 723). Goedeke IV/1, 929, 33.
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Kotzebue, Moritz von.
Voyage en Perse, a la suite de l'Ambassade Russe, en 1817 ... Traduit de l'Allemand par M. Breton. Paris, A. Nepveu, 1819.
8vo. II, 286 pp. Half title. 4 engraved plates, printed in sepia and hand-coloured, each plate depicting 2 images. Contemporary calf-backed pink paper covered boards, flat spine divided by gilt roll tools in six compartments, lettered in the second compartment, the others with a repeat decoration in gilt. First edition in French of a journal of travels in Persia, illustrated with hand coloured plates. In 1817, Moritz Kotzebue, the brother of explorer Otto van Kotzebue, "as a young lieutenant in Russian service, he travelled to Persia in the cortege of a Russian embassy sent to the encampment of Fatha-al-Shah at Soltaniyeh. He kept an informative journal of this embassy, which was afterwards published by his father in Weimar" (Howgego). French, English, Dutch and other editions followed; the present French edition is prized for its hand colored plates, not found in other editions. Provenance: Baron du Puget (period ink stamp on title). Howgego K19. Abbey, Travel 390 (English edition with uncoloured aquatints).
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La Mottraye, Aubry de.
Voyages en Europe, Asie & Afrique. Den Haag, Johnson & van Duren, 1727.
Folio (200 x 315 mm). 2 vols. (14), 472, 23 pp. (6), 496, 39 pp. With 2 engr. frontispieces, 2 engr. title vignettes, 47 engr. plates (some folding) after Hogarth, Picard and others, and 4 folding engr. maps. Modern half calf. First edition in French. "This important work describes La Mottraye’s travels over a 26-year period which took him through Northern Europe to Tartary and the Levant. The plates are of particular interest and include many signed by Hogarth which form part of his early work. They illustrate antiquities, objets d’art, and scenes of the eastern life. Especially interesting is a plate showing a dance at a Greek wedding, with each member of the party dressed in a different costume" (Blackmer). Chapter XII of vol. 1 discusses the Quran, and the Appendix contains extracts from a manuscript on the Muslim faith as well as a section on the Islamic calendar. "Aubry de la Mottraye, a Huguenot, travelled extensively throughout Europe, Asia and Africa during the years 1696 to 1729, beginning in Scandinavia, where he became a confidant of Charles XII. He then went on to Tartary and the Levant. The work contains several notable costume plates, particularly relating to the Levant, some of which may have been inspired by Ferriol and Le Hay's 'Recueil de cent estamped représentant différentes nations du Levant' (1714)" (Atabey). - Occasional edge defects, repaired. Slight brownstaining. Formerly in the Ottoman collection of the Swiss industrialist Herry W. Schaefer. Blackmer 946. Weber II, 443. Röhricht (Palästina), p. 287. Tobler 116. Chatzipanagioti-S. 504. Hage Chahine 2602. Lipperheide Cl 6. Graesse IV, 90.
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Laborde, Léon de, French archaeologist (1807-1869).
Five autograph letters signed (two "Léon de Laborde" and three "Cte de Laborde"). No place, 1858, 1861, 1865 and undated.
Altogether 4 ½ pp. on 6 ff. Various 8vo formats. Three on letterheads of the Cabinet du Directeur Général des Archives de l'Empire Paris. Three addressed to "Monsieur", one to "Monsieur et cher Collègue", and one to "mon cher Monsieur". I: Apologising for "la nullité de ce volume. Le temps, mon zèle et surtout vos encouragements m'aideront à accomplir ma tâche" (29 April 1839, 8 lines). - II: "Je voudrais avoir le temps, monsieur, de faire des articles pour la revue du centre, mais au milieu des richesses, dont on m'a confié la garde, je souffre le supplice de Tantale en me consacrant uniquement à faciliter les travaux des autres". Sends a message to be passed on to "Mr D'auvergne"' (23 February 1858, 15 lines). - III: Concerning "la correspondence relative à la vente du cabinet de Mr de Julienne" (25 May 1861, 8 lines). - IV: He is too busy to undertake any enterprise "en dehors de mes travaux commencés, mais je viendrai à la fin de l'année réclamer la place que vous m'offrez dans votre journal" (1 September 1865, 8 lines). - V: Thanks the recipient for the information relating to letters by Napoleon Bonaparte in the British Museum. Asks him to continue his work "dans la même forme et me le renvoyer pour que je puisse, pendant votre séjour a Londres, vous signaler ce qui est à transcrire" (undated, 18 lines). Asks whether the volume the recipient refers to is the same as that described by Panizzi. - All very good, on lightly aged paper.
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Lacroix, A[uguste] de.
Storia privata e politica d' Abd-el-Kader. Bologna, Giuseppe Tiocchi, 1846.
8vo. 277, (3) pp. With engraved portrait and folding lithographed manuscript facsimile. Contemporary marbled green half cloth with giltstamped spine title. Early study of the Algerian rebel Abd el-Qadir, the Emir of Mascara (1807-83), published at the height of his insurrection against the French invaders. On 21 December 1847, after being denied refuge in Morocco because of French diplomatic and military pressure on its leaders, `Abd al-Qadir surrendered to General Louis de Lamoricière in exchange for the promise that he would be allowed to go to Alexandria or Acre. Two days later, his surrender was made official to the French Governor-General of Algeria, Henri d'Orléans, duc d'Aumale. The French government refused to honour Lamoricière's promise and `Abd Al-Qadir was exiled to France. - Binding rubbed; some brownstaining to interior. Rare. OCLC 48656095.
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Lang, Heinrich.
The Bosporus and Istanbul. [Istanbul], 1875.
Oil on wood. Signed and dated. Framed (455 x 258 mm). Museum-quality panoramic painting of Istanbul with steamships and sailboats on the Golden Horn and the Hagia Sophia in the background. The foreground is dominated by the Grand Vezier Hüseyin Avni Pasha in a coach, escorted by horsemen, surrounded by a crowd. - The Regensburg-born Heinrich Lang, noted painter of horses and battles as well as writer and illustrator, studied with Karl Steffek in Berlin, Friedrich Voltz and Franz Adam in Munich and Adolf Schreyer in Paris. He travelled to Greece and Turkey and proved himself a careful observer of Ottoman costume and culture. His colourful paintings of Turkish tradesmen, camel drivers, donkey-drawn wagons and splendidly decorated carriages show his great attention to detail and were greeted by contemporaries as a much-welcomed relief from the grey military scenes that had dominated the previous years (cf. ADB Ll, 551).
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Lawrence, T[homas] E[dward], British explorer, intelligence officer, and writer (1888-1935).
Autograph letter signed ("TE Shaw"). Plymouth, 10. VI. 1931.
4to. 1 p. To a Mr. Bain, apparently a bookseller: "I am unfortunate: I need one of my own rotten books - a Revolt in the Desert, any late edition. Can you find one cheap? Send me those Irish Memories, too, about which you sent me a chit ... and are there any of S. Sassoon's skits on Wolfe (Pinchbeck Lyre's) to be got? Any edition. I wanted two. There is also a book called 'Juan in America' which I must read. Nothing else, I hope [...]". - Traces of folds.
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Lawrence, T[homas] E[dward], British explorer, intelligence officer, and writer (1888-1935).
Autograph letter signed ("TE Shaw"). Clouds Hill, Moreton, Dorset, 15. X. 1924.
8vo. 2 pp. With autogr. envelope. Includes TDS by G. E. B. Bromley-Martin, of the Bank of Liverpool and Martin, London (dated 22 Dec. 1924). To Whitney H. Shepardson of New York, who had inquired as to how he might obtain a copy of the "Seven Pillars of Wisdom" when the book was finally published: "The Prophet has sent me on your letter, with instructions to deal with it: - and I'm puzzled. Really you know you are foolish to want a copy. It's a thirty guinea book, of which so many copies are being sold as will meet the printing bills (about 120 copies perhaps) with some off-prints of the unadorned text for the twenty or thirty fellows who shared the campaign with me. I can't give them 30-guinea presents: they can't buy 30-guinea books. So I want the subscribers to pay for my generosity in giving them free copies. The prime cost lies in the pictures (about 60, many in colour, at 10/- a print!) and the pictures are only an unjustifiable whim of mine. They have been done by British artists whom I liked, + who would work for me. Such a luxury book is for the idle rich. Mrs. Lamont is getting one. Huntingdon [!] + Pierpont Morgan aren't...! ... Do you feel justified in chucking away so much on an amateur production? The writing is pretentious, dull, hysterical, egotistical, + preternaturally long. No human being has ever been to the end of it [the 335,000 word ms.]. They return it, thumbed to about half way, with pretty speeches. So long as I hold it secret, the sight of it is a boast, so long it will be praised. Seriously, it isn't any earthly good. It costs as I have said, may be a year yet in printing, + is horrible in parts. Eleanor (beg her pardon, but that's her only possible name. The proper ones only indicate her wayward choice of parents etc.) would be sick over it. The thing will not be reprinted entire in my life-time: you suggest 'for a long time.' ... but the prospect isn't pleasing. There will be an American Edition, to secure copyright. Doubleday, probably. He has made a reasonable estimate. It would be printed at my expense, two copies for the Library of Congress, or whatever the show is, + eight for sale: + the sale price will be prohibitive, so that they will never sell, + the edition will never be exhausted, + no one may pirate! I suggest 10,000 dollars, but F.N.D. hasn't yet considered what is above-high-water-mark in U.S.A. Tell me, please, if you are knowing! If despite all faults (my most honest dissuasion puts people on sometimes!) you want a copy: then you'll have to send fifteen guineas, half price - E. will know the size of the extinct coin - to: Manager / Bank of Liverpool + Martins / 68 Lombard St. / London, E.C.3, payable to TE Lawrence, + 'Seven Pillars account'. Balance when you get the book. Let me strongly urge you not to. I have 90 subscribers, so there is no urgency - on the point of helping lame dogs! [...]". - When the book finally appeared in 1926, the cost of each copy to Lawrence was triple the selling price, and it was not until the fourth reprint of the 1927 abridgement "Revolt in the Desert" that his debts were paid off. As the included receipt shows, Shepardson was undeterred and duly transferred the £15. 15/- to Liverpool & Martins' (the last copy of the 1926 "Pillars" at auction commanded £30,000 at Sotheby's in 2009). - The U.S. businessman Whitney Hart Shepardson (1890-1966), educated at Colgate, Balliol (as a Rhodes Scholar), and Harvard, had served as aide to the State Department at the 1919 Paris Peace Conference, where he may have met Lawrence. Between 1925 and 1927 he served as director on J. D. Rockefeller's General Education Board. A leading O.S.S. operative in WWII, he was the first London head of Secret Intelligence and remained with the organization soon to become the C.I.A. until 1946.
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Lechevalier, [Jean Baptiste].
Voyage de la Propontide et du Pont-Euxin. Paris, Dentu, 1800-1802.
8vo. 2 vols. XII, 168 pp. (4), (169)-416 pp. With 6 folding engr. maps. Contemp. marbled calf with gilt cover borders and double labels to gilt spines. Marbled endpapers. Variant issue of the first edition, probably the second issue altogether. "Le Chevalier had assisted Choiseul-Gouffier in his 'Voyage pittoresque de la Grèce', and was then sent to Jassy to observe Russian troop movements. His work is an account of a journey round the shores of the Sea of Marmara and the Black Sea" (Atabey). While Chatzipanagioti-S. differentiates between the first and the second edition, the present variant is not described: the verso of the half-title of vol. 1 shows only the "avis au relieur"; p. 168: "Fin du tome premier"; p. 169 (beginning of text in vol. 2) is unpaginated. Thus, this apparently constitutes the second issue of the first editon. - Lechevalier stood in the service of Choiseul-Gouffier; from 1787 onwards he accompanied Alexander Ipsilanti on a tour of the Mediterranean which lasted several months. The maps show the Sea of Marmara, the Dardanelles, the Black Sea, the Bosporus, Constantinople, and Brussa. - Both title pages have contemporary ownership stamps ("S" with princely crown); a few minor tears to maps have been professionally repaired; some staining to title page of vol. 2. A prettily bound copy, formerly in the Ottoman collection of the Swiss industrialist Herry W. Schaefer. Blackmer 995. Weber II, 649. Atabey 697. Graesse IV, 137. Cf. Chatzipanagioti-S. 538f.
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Lord, Charles Al[fred].
3 partly autograph letters of a jockey. Maisons-Laffitte and other places, 1883/84.
8vo. Altogether 6 pp. Each with envelope. Together with a calling card (also with envelope). 3 letters by the French jockey Charles Alfred Lord about his own horses and races performed: "J'ai lessé Landrail là [à Rochefort], ayant à la faire courir à Fontenay-le-Comte, Sables d'Olonne et Chalans. Mais il ses trouvé de bon chevaux engager dans les deux premières réunions et ayant lessé un garçon avec la jument, je m'atander qu'il aurais fait ce que je lui avais dit, de la promener matin et soir en main; comme il n'étais pas assez fort pour la tenir, je lui ais enlevez la selle afin qu'il ne la monte pas pour ne pas quelle s'emballe. Si il avez fait ce que je lui avais dit, elle aurais été prete à courir comme elle été assez prete lorsque je lais monté. Il ny avais qu'à la maintenir par des promenades. Faites en ce que vous voudrais. Elle s'atellera bien j'en suis sur. Faites en votre jument de service et lorsque je viendrai je vous aporterai selle et bride pour la monter et la tenir. Si je vais à Pau cet hivert, on la fera saillir par Lord-Sting pour faire un demi sang. Si non vous la ferais saillir par un troteur et comme elle a de bonne dispositions pour troter, cela vous fera un troteur [...]". - On headed paper.
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Lucas, Paul.
Voyage [...], fait en M.DCCXIV, &c. par ordre de Louis XIV. dans la Turquie, l'Asie, Sourie, Paléstine, Haute et Basse Égypte, &c. Amsterdam, Steenhouwer & Uytwers, 1720.
12mo. 2 vols. (20), 436, (8) pp. (2), 345, (26) pp. Title pages printed in red and black. With 32 engr. plates, some folding, and 2 folding engr. maps. Contemp. full calf, cover blindstamped and gilt, spine and leading edges gilt, inner dentelle gilt. Marbled edges and endpapers. Second edition (first published in 1719). "Paul Lucas (1664-1737), merchant, naturalist, doctor and antiquary, made many visits to various parts of the Levant following his service with the Venetians at Negroponte in 1688. [...] This work describes Lucas's third voyage of 1714 to 1717 during which he visited Constantinople, Syria, Palestine and Egypt, and also includes a list of the antiquities discovered" (Blackmer). Edited and co-written by Antoine Banier. The plates show Tyre, Damascus, the Great Pyramid and numerous other antiquties, flora and fauna; the maps show Asia Minor and the Nile Delta. "Many commentators have criticised Lucas for the often fabulous nature of his accounts, but his writings convey a vivd sense of the nature of the East, laced with considerable classical erudition" (ibid.). - Occasional insignificant browning. A fine copy from the library of Henry Blackmer with his bookplate on the pastedowns; latterly in the Ottoman collection of the Swiss industrialist Herry W. Schaefer. Atabey 734. Blackmer 1038 (this copy). Weber II, 472. Ibrahim-Hilmy I, 394. Gay 2122. Röhricht 2145. Tobler 122. Henze III, 289. Chatzipanagioti-S. 569. Paulitschke 663 (note). OCLC 832706737. Cf. Aboussouan 579 (1719 Rouen ed.).
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Lyon, George Francis.
A Narrative of Travels in Northern Africa, in the Years 1818, 19, and 20. Accompanied by Geographical Notices of Sudan, and of the Course of the Niger. London, John Murray, 1821.
4to. XII, 383, (1) pp. Folding engr. map frontispiece ("Map of a Route through the Regency of Tripoli and Kingdom of Fezzan"), 17 chromolithogr. plates drawn by Lyon and lithographed on stone by G. Harley or D. Dighton, M. Gauci, as well as a text illustration. Modern red cloth with gilt-stamped black spine labels. First edition of Lyon's account of his botched Timbuktu expedition, finely illustrated with 17 plates (created by M. Gauci and D. Dighton after Lyon's own drawings) showing the Arabian desert culture. - In 1818, G. F. Lyon (1795-1832) was sent with surgeon-explorer Joseph Ritchie by Sir John Barrow to find the course of the Niger River and the location of Timbuktu. A year later they had only got as far as Murzouk where they both fell ill. Ritchie never recovered and died, but Lyon survived and continued his travels. After a year he returned to Tripoli, the expedition having failed utterly. Upon return, he was promoted and in 1821 - the same year this book was published - given the command of HMS Hecla on his second attempt. Lyon was reputed to have a genuine informed interest in the culture and inhabitants of the lands he visited. Wearing Arab/Muslim dress and speaking fluent Arabic, he managed to blend in with the inhabitants of North Africa. "An important work. Lyon joined the British government scientific mission headed by Ritchie, taking place of Captain Frederick Marryat. They met at Tripoli in November 1818. Ritchie died in 1819 and Lyon took over command of the expedition. He returned to London in July, 1820. Shortly after that he joined Parry's arctic expedition. The fine plates illustrate mostly costumes, and are all after drawings by Lyon" (Blackmer). Fergus Fleming characterizes the relationship between Ritchie and Lyon, who was a "moustachioed extrovert aged twenty-two [...] Lyon was not, on the face of it, suited to African exploration". By his own confession, his main interests were "balls, riding, dining & making a fool of myself". - The plates include: Costume of Tripoli (2 types), Triumphal Arch - Tripoli, Arabs Exercising, The Castle of Bonjem, A Sand Wind on the Desert, Piper and Dancer - Tripoli, The Castle of Morzouk, Tuarick in a Shirt of Leather & Tuarick of Aghades, Tuaricks of Ghraat, Costume of Soudan, Negresses of Soudan, Tibboo Woman in Full Dress, Tibboo of Gatrone, A Tuarick on his Maherrie, camel Conveying a Bride to her husband, A Slave Kaffle. - Offsetting on title from map; map tears repaired. Altogether in very good condition. Blackmer 1044. Abbey Travel 304. Howgego II, L52 (p. 376). Henze III, 318. Lipperheide Ma 14 (note). Colas 1920. Hiler 556. Ibrahim-Hilmy I, 397. Lambert I, 147. Tooley 311. Fergus Fleming, Barrow's Boys: A Stirring Story of Daring, 2001, pp. 956. Brunet III, 1254. Graesse IV, 312.
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Masha'allah Ibn-Atari / Heller, Joachim.
De elementis et orbibus coelestibus, liber antiquus ac eruditus Messahalae laudatissimi inter Arabes Astrologi. Nuremberg, Johann vom Berg & Ulrich Neuber, 1549.
4to. (100) ff. With several woodcut astronomical diagrams in text. Modern marbled boards with morocco label to gilt spine. Marbled endpapers. A collection of astrological writings in Latin translation first published in 1504 as "De scientia motus orbis". The work provides a comprehensive account of the whole cosmos along Aristotelian lines. The 8th-century Persian Jewish astrologer and astronomer Maša'allah ibn Atari "wrote on virtually every aspect of astrology [...] His brief and rather primitive 'De scientia motus orbis' [or 'De elementis et orbibus coelestibus'] combines Peripatetic physics, Ptolemaic planetary theory, and astrology in such a way that, in conjunction with its use of the Syrian names of the months, one strongly suspects that it is based on the peculiar doctrines of Harran, to which al-Kindi and Abu Masar were also attracted [...] This important Latin translation by Gerard of Cremona of the lost Arabic original of this exposition was published by J. Stabius (Nuremberg, 1504) and by J. Heller (Nuremberg, 1549)" (DSB). - Bookplate of the Marques de Viana, Conde de Urbasa on front pastedown. In excellent condition. VD 16, ZV 10470. DSB IX, 160 & 162. Zinner p. 211, 1962. Lalande, Bibliographie Astronomique, p. 68. Sarton I, 531. Graesse IV, 503.
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Mareschal, Marien de.
Mémoire sur l'éducation des chevaux. (Moulins, L. Desrosiers, 1820).
Small 4to. 8 pp. Study on the training of horses, submitted and presented to the Agricultural Society of Allier, by Marien de Mareschal, Mayor of Deux-Chaises (France). The author tries to demonstrate the benefits of horse breeding. - Small defects to edges; slight dust-soiling.
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Mayer, Luigi.
A Selection of the Most Interesting of Sir Robert Ainslie's Celebrated Collection of Views in Turkey in Europe, and in Asia. London, T. Bensley f. R. Bowyer, 1811.
Folio (340 x 490 mm). 2 ff, 24 coloured aquatints (1 folding). Contemp. half calf with giltstamped red morocco label to marbled front cover, spine rebacked and gilt. "The plates in this selection are not re-engraved, but plates available from the stock originally printed for Bowyer, with new title page" (Atabey). Includes views of Constantinople, the Voivode palace of Bucharest, Tripoli and Tortosa, a mosque in Laodicea, as well as antiquities from the Eolian Islands and Ephesus. - The German-Italian artist Luigi Mayer (1755-1803) was one of the foremost late 18th-century European painters of the Ottoman Empire. He was a close friend of Sir Robert Ainslie, British ambassador to Turkey between 1776 and 1792, and the bulk of his paintings and drawings during this period were commissioned by him. Mayer travelled extensively throughout the Ottoman Empire and became well known for his sketches and paintings of panoramic landscapes of ancient sites from the Balkans to Turkey and Egypt, particularly ancient monuments and the Nile. Many of the works were amassed in Ainslie's collection, which was later presented to the British Museum, providing a valuable insight into the Middle East of that period. - Occasional insignificant brownstaining. Formerly in the Ottoman collection of the Swiss industrialist Herry W. Schaefer. Atabey 790. Chatzipanagioti-S. 631. Hage Chahine 56. Cf. Blackmer 1100. Abbey 369.
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[Moseman & Brother].
Mosemans' Illustrated Guide for Purchasers of Horse Furnishing Goods. Novelties and Stable Appointments. Imported and Domestic. New York, E. D. Slaiter, [ca. 1893].
Folio (286 x 390 mm). Colour lithogr. title, 303 [i.e., 305], (1) p. With 7 leaves of plates, illustrated throughout (some in colour). Colour advertisement bound after p. 70. Modern red cloth with giltstamped spine title and original giltstamped cover title inset on upper board. Original edition of the Moseman Brothers' sumptuously produced sales catalogue of luxury horse tack and equipment. Dated from a printed letter (March 6, 1893), appearing on p. 67. Contains more than 1000 detailed illustrations of all items relating to the horse including halters, muzzles, halter ties, hitching weights, oils, dressings, stallion shields, boots, toe weights, bitting harness, hopples, spreaders, cart saddles, collars, riding & driving bits, whip sockets, whips, hunting crops, ornaments, chains, snaps, clothing, saddles, veterinary preparations, stable requisites such as brushes, curry cards, brooms, forks, and much more. One of the finest equestrian trade catalogues of the 19th century produced by a leading New York City concern, C. M. Moseman and Brother, offering a vast range of high-quality equestrian goods. Rare, most libraries hold copies of the late 20th century reprints only. OCLC 24193302.
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Muhammad Asad (Leopold Weiss).
Arabische Reise. No place, 1927-1928.
Large 8vo (172 x 240 mm). Scrapbook containing clippings of the newspaper series "Arabische Reise" and other articles on Arabia, along with various illustrations and music. 80 pp., each sheet covered on one side with coloured paper or cloth. Contemporary green library cloth with cover label. Original clippings of Muhammad Asad's "Arabian Journey", serialized in the "Neue Zürcher Zeitung" in 1927, and including other early newspaper articles by Asad (as well as an essay by Hermann Hesse). The handsome album, apparently assembled by a German or Swiss traveller, Georg Hartmann (whose ownership is inscribed on the pastedown and initialled to the upper cover), is decorated with numerous illustrations cut from contemporary magazines, including several showing camel-mounted bedouins in the desert, a view of Mecca, portraits of Abdul Aziz ibn Saud, the muezzin's call to prayer (arranged in musical notes), and the original business wrapping paper of the Istanbul confectioner Hajji Bekir, whom Hartmann seems to have visited during a 1928 visit to Turkey. On the pastedown, Hartmann has entered a table of contents (with a - possibly slightly later - portrait of Ibn Saud as King). - Muhammad Asad (previously, Leopold Weiss) was a leading traveller and journalist of the 20th century who, in 1926, converted to Islam from Judaism, eventually becoming a diplomat for Pakistan and a best-selling author. His enthusiasm for Wahhabism is evident from these early travel reports from the Arabian Peninsula, where Ibn Saud had just captured Mecca and proclaimed independence in the Hejaz and Nejd, but had not yet united his dominions into the Kingdom of Saudi Arabia. Indeed, Asad's feature on Ibn Saud (also included here) constitutes nothing less than a hagiographic portrait of the ideal ruler, and his incisive writings on Islam aim to familiarize western audiences with what he perceived as the purest and truest form of the religion he had come to embrace, criticizing occidental images of the Muslim faith gleaned from the Ottoman or Persian tradition, which he viewed as corruptions.
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Munnings, A. J., one of England's finest painters of horses (1878-1959).
Autograph letter signed. Dedham, Essex, 22. X. 1937.
8vo. 1 p. To the council of the Omar Khayyam Club: "Please forgive my delay but the [...] paper was mislaid & I had forgotten the date of dinner. I shall be happy to attend alone, no guest [...]". - On headed paper.
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Muybridge, Eadward.
Animal Locomotion. An Electro-Photographic Investigation of Consecutive Phases of Animal Movements. 1872-1885. Author's Edition. Philadelphia, published under the Auspices of the University of Pennsylvania, plates printed by the Photo-Gravure Company, 1887.
Large folio. Half morocco, retaining the original cloth covers and gilt cover label. 11 (instead of 21) plates. Author's Edition. Landmark collection of Muybridge's revolutionary "instantaneous photography", a self-developed technique that allowed for high-precision series of high shutter speed stop-motion photographs. He began his work with photographing horses, but in time it would also include athletes, birds, lions, and even camels. Muybridge first photographed a horse with all 4 hooves off the ground in 1872, after Leland Stanford (later the Governor of California) hired Muybridge to determine whether a horse leaves the ground completely when running, a hotly debated issue at the time. (Stanford believed they did, and Muybridge won Stanford a $25,000 bet.) By 1885, Muybridge had accumulated over 20,000 photographic negatives, or 781 sequential series of photo-plates, shot from multiple cameras at carefully planned locations and angles, each of which showed a human and/or animal engaged in a continuous motion. This required Muybridge to develop cameras for faster shutter closure. In cases where a human or animal moved any great distance, photographing the movement required a team of photographers, rather than a single photographer. Muybridge and H. Allen, a physiology professor at the University of Pennsylvania, published 37 eleven-volume sets which contained a collotype of every one of the 781 photographic series. This "Author's Edition" consists of a selection of the most important collotypes contained in the full work; the present set includes all the plates to show animals: No. 565. Horse trotting. - 616. Horse and rider, trotting more rapidly. - 626. A third horse and rider, running, including several frames with all 4 hooves off the ground. - 647. A horse jumping a hurdle at high speed, with a bareback jockey. - 659. Mule jumping and kicking with his hind limbs. - 710. Race hound at high speed, including frames with all 4 feet off the ground. - 721. Lion circling along the wall of a small enclosure. - 739. Camel walking. - 755. Bird flying, including swoops down. - 3. Runner. - 152. Runner jumping a hurdle. - The combined illustrated area of any given plate varies, but is typically about 21 x 30 cms. Muybridge had focused his early photographic work on San Francisco and Yosemite, but had later been sent by the Federal Government to photograph Alaska for the High Sierra Survey. (The latter project was in 1868, shortly after the territory was purchased. He was later sent on a second trip to Alaska to photograph the Tlingit tribe and the Modoc War.) During his time as a photographer, Muybridge owned a racetrack. Late in life, he invented the zoopraxiscope, a primitive forerunner of the motion picture camera. Analyses made possible by the technique later had a wide range of implications for sports, podiatry, physical therapy, vertebrate paleontology, and other fields. - Pastedowns and spine renewed, otherwise an excellent, clean copy in the original boards. Grolier, Truthful Lens, 123. Parr/Badger, The Photobook I, 52.
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Nagel, Ludwig von.
Skizzen für Reiterei. Landshut, J. B. Zabuesnig, 1862/1863.
Oblong folio (430 x 280 mm). Illustrated t. p. and 32 plates, lithographed throughout. With a supersized letterpress table of contents. Stored loosely in original printed half cloth portfolio. First edition, dedicated to Baron Ludwig von der Tann. The fine outline lithographs show the Bavarian military's riding exercises and were probably intended for the instruction of the Bavarian cavalry's recruits. Ludwig von Nagel (1836-99) served as a lieutenant in the second Royal Bavarian Cuirassier Regiment. - Slight browning; occasional duststaining to edges. A fine set. Anderhub collection 211. OCLC 907714135. Not in Huth.
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[Nicolay d'Arfeuille, Nicolas / Artus, Thomas].
Plusieurs descriptions des accoustremens, tant des magistrats et officiers de la porte de l'Empereur des Turcs, que des peuples assujectis à son Empire. [Paris, Guillemot, 1632].
Folio (240 x 376 mm). 65 ff., 66-114, (4) pp. With 79 (incl. 1 repeat) engravings in the text. Contemporary leather binding over wooden boards (restored) with 8 brass bosses to corners. Remains of clasps. These explanations of the Ottoman and Arabian costume engravings based on the account of Nicolas Nicolay d'Arfeuille and on the Byzantine prophecies of Thomas Artus, Sieur d’Embry (c. 1550-after 1614), who is known for his satirical take on the French court, "Les Hermaphrodites", were variously published throughout the 17th century as an appendix to the history of the Ottoman Empire of Chalkokondyles, but were also issued separately, as is the case with the present copy. The repeated plate 60/61 and the duplicated plate number 64 identify this as Guillemot's 1632 Paris edition. Among the plates are an "Arabic merchant", an "Emir, descended from Muhammad", "Pilgrims returning from Makkah", a "Persian gentleman", a "Turkish lady dressed for going to town" etc.; at the end: prophecies foretelling the downfall of the Ottoman Empire. - Occasional insignificant brownstaining; some slight worming (also touching text and images); some repaired edge defects. Formerly in the Ottoman collection of the Swiss industrialist Herry W. Schaefer. Colas 2207 (note). OCLC 83490314. Cf. Hage Chahine 860. This edition not in Hiler or Lipperheide.
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Obicini, Tommaso.
Thesaurus Arabico-Syro-Latinus. Rome, Sac. Congreg. de Propaganda Fide, 1636.
8vo. (6), 447, (22) pp. Woodcut printer's device to title page. Contemp. vellum. First edition of this Syriac glossary (rather than a thesaurus proper), arranged by subject rather than by alphabet: "Neque vero thesaurus est, sed verius nomenclator, non quidem ordine alphabetico, sed per materias dispositus. Verus auctor est Elias Barsinaeus, Metropolita Sobae seu Nisibis, undecimo saeculo clarus" (Schnurrer). - Edited by Tommaso Obicini da Novara (1585-1632), "one of the figures at the background of the Propaganda Press, abbot of the Franciscan convent at Aleppo from 1613-16 and 1619-20, and in 1620 elected Custode di Terra Santa e Commissario Apostolico per tutto l’Oriente. In 1621 he returned to Rome, and became the first lector of Arabic in the St. Peter Convent at Rome" (Smitskamp 222). - Evenly browned throughout due to paper. Title page shows stamp of the Franciscan Convent of St. Anthony in Breslau-Karlowitz. BM-STC 624. Smitskamp 223. Schnurrer 63. Fück 77. Zaunmüller 372. Vater/Jülg 24. Graesse V, 1. Ebert 14920.
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Odescalchi, Victor, Prince (1833-1880).
Mein Marsch von Kloster Ostrog nach Zdrebanik. Montenegro 8. August 1858. Montenegro, 1858.
Pen-and-ink drawing on wove paper, monogrammed "VO". 142 x 182 mm. Matted. Depicting the artist's "March from Ostrog Monastery to Zdrebanik, Montenegro, 8 August 1858". Prince Odescalchi, member of a Vienna-based family of the Roman high nobility, painted genre as well as military scenes. Himself a military officer, he captured many events of his active years in drawings and paintings. He remains a conspicuous figure in art history especially by virtue of the portrait Friedrich von Amerling painted of the orientally garbed five-year-old prince. - From the Ottoman collection of Herry W. Schaefer.
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Odescalchi, Prince Victor.
Kunststücke Abdi Pascha's, Gouverneur von Albanien bei unserer Audienz. - Scutari August 1858. Probably Vienna, between 1847 and 1874.
Pen-and-ink drawing on wove paper, monogrammed "VO". 142 x 182 mm. Matted. "A demonstration given by Abdi Pasha, governor of Albania, during our audience (Scutari, August 1858)". Prince Odescalchi, member of a Vienna-based family of the Roman high nobility, painted genre as well as military scenes. Himself a military officer, he captured many events of his active years in drawings and paintings. He remains a conspicuous figure in art history especially by virtue of the portrait Friedrich von Amerling painted of the orientally garbed five-year-old prince. - With Odescalchi's autogr. note on the reverse: "begun on the 12th at 8 p.m., finished on the 13th, 11 a.m., 5 hrs". From the Ottoman collection of Herry W. Schaefer.
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[Oriental metal crafts]. - K. K. Österreichisches Handels-Museum.
Sammlung von Abbildungen türkischer, arabischer, persischer, centralasiatischer und indischer Metallobjecte. Vienna, Verlag des k. k. österreichischen Handels-Museums, 1895.
50 plates with 5 ff. of letterpress text. In original half cloth portfolio. Folio (340 x 465 mm). A fine collection of Arabic, Persian, and Ottoman as well as Indian and Asian decorated metal objects, including bowls, basins, water pitchers, and tea pots. Several separate plates show details of the elaborate ornamentation. - Some foxing; slight defects to portfolio flaps. Removed from the Vienna University of International Trade with their cancelled stamps on the portfolio. OCLC 3124615.
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[Oriental Porcelain and Ceramics].
Sammlung von Abbildungen aus dem Nahen und Fernen Oriente. Vienna, Orientalisches Museum, 1885.
Large folio (approx. 33 x 49 cm). (4), 41, (3) pp. With 58 plates (all with tissue guards; all edges gilt). Contemporary cloth portfolio. A fine set of plates, with extensive scholarly commentaries by three specialists, showing not only a wealth of Chinese and and Japanese, but also Arabic ceramics from Austrian princely and noble collection. The Middle-Eastern works are mainly in the Hispano-Mauric tradition of mediaeval Spain. Includes an illustrated essay by Josef Karabacek on Muslim ceramics. - Occasional slight foxing to wide margins of plates, otherwise well-preserved.
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[Palestine].
Collection of 27 cardboard-backed photographs by Félix Bonfils (24), Jakob August Lorent (1), the brothers Zangaki (1) and an unknown artist (1). Palestine, c. 1875.
C. 258 x 325 mm (cardboard); image dimensions c. 222 x 284 mm. Albumen prints (vintage) on cardboard. By Bonfils, from Bethlehem: "Tombeau de Rachel" (no. 336); "Puits des Mages" (889); "Entrée des pèlerins à Bethléem, le jour de Noël" (892, illustrated in Wieczorek/Sui, "Ins Heilige Land", p. 106); "Vue générale de Bethléem, du puits de David" (1225) and interior of the Church of the Nativity (uncaptioned); from Jaffa: "Place du marché vue générale" (238, ill. with alternative caption in W./S., p. 67); from Jerusalem: "Porte de Jaffa" (244, ill. with alternative caption in W./S., p. 73); "Mur des Juifs en vendredi" (245); "Façade du St-Sépulcre" (246); "Prison de St. Pierre" (250); "Arc de l'Ecce Homo" (252); "Ruelle allant au palais d'Hérode" (259); "Coupoles du St.-Sépulcre" (274); "Vue générale de la mosquée d'Omar" (278); interior of the Dome of the Rock ([279], illustrated with caption but trimmed in W./S., p. 85); "Porte donnant accès au-dessous du rocher" (280); "Vue générale de l'emplacement du temple de Salomon" (285); "Porte de Damas" (287); "Jardin de Gethsemané, vue générale" (303, ill. trimmed in W./S., p. 76); "Vallée de Josaphat" (310); "Intérieur du St-Sépulcre avec ornements" (850); "Grotte de Sainte-Hélène, intérieur" (855 bis); "Entrée de Jérusalem près de la porte de Jaffa" (1037) and "Rue de la Porte de Jaffa" (1038). - By Lorent: "Tombeau de David sur le Mont Sion" (288). This is apparently a print of the 1864 image illustrated in Wieczorek/Sui (p. 88), made by Bonfils and supplied with a caption. Curiously, that image is trimmed by several centimeters on the left, as compared to our print. - By the Zangakis: "Jerusalem", "Eglise du Pater couloir" (1018). - Anonymous: "Juive, costume riche" (1). - 4 photographs show slight edge defects. Occasional staining to cardboard edges, but mainly clean and well-preserved, with German ms. pencil captions.
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[Pedigree].
3 documents on the pedigree of a foal born to the royal stallion stud Pompadour (Corrèze). Limoges, 1848.
Small 4to. Altogether 3 pp. 1. Birth certificate of the foal Tulip, born of a thoroughbred mare "d'espèce de Selle" and a royal stud of the same stud farm, Pompadour (document partly printed, signed by the domain administrator de Pompadour). 2. Certificate of Affiliation. 3. Document concerning the mare's sale.
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[Persian grammar - Dieu, Lodewijk de].
Rudimenta grammaticae persicae ad usum seminarii Patavini. [Padua, 1789].
4to. 70 pp. Contemporary Italian boards with papered spine. Only issue of this Persian grammar for the use of the Padua seminary, ascribed to Lodewijk de Dieu (1590-1642) by the State and University Library of Göttingen. Without a title page as issued. - Old monastic library stamp at bottom of final page; 19th c. note of donation (a gift of Cardinal Barberini) on front flyleaf. OCLC 461040960.
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Peters, J. G.
A treatise on equitation or the art of horsemanship, simplified progressively for amateurs. London, Whittaker and Co., 1835.
4to. (4), LV, (3), 1-312, 10, 312-316 pp. With lithogr. frontispiece and 27 plates. Marbled half calf with 5 raised bands and gilt label to giltstamped spine. First edition; very rare. Peters' work was published on the same day in English in London, in French in Paris, and in German in Frankfurt (cf. Mennessier de la Lance II, p. 306). In addition to treating the principles of riding, the work discusses horse grooming and the use of weapons on horseback. - Untrimmed copy, slightly browned, otherwise in excellent condition. Huth 127. OCLC 18787323. Cf. Mennessier de la Lance II, 305 (22 plates only, French ed.).
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[Horse racing].
Two albums with black-and-white photographs. Berlin, 1939-1972.
2 albums containing a total of 49 large-format black-and-white prints (measuring up to 18 x 24 cm), some signed "Freund". Contemporary percaline (245 x 350 mm). High-quality photographs, mainly showing the winners of harness races driven by Harry Myrcik, including the horses Editor, Poldi, Aeolus, Burgschwester, Ester Cane, Norina, Cila, Fulklapp, Herbstwind, Cape Horn, Cedar, Ambrina, Akkord, Quarminus, Miami II, Sonnenmeister, Quintaner, Marie, and Oheim. Also, several offical finishing line photos and a few portraits. The collection is arranged chronologically; the 30 images in the first volume are tipped in, while the 19 in volume 2 are loose. Often, the image is captioned in calligraphy, citing the name of the winning horse and its owner, the measured time, the place and date of the race, etc., some signed by photographer (and stamped: "Foto - Freund, Berlin / Charlottenburg"). Most photos were taken at the Berlin's Mariendorf trotting course, founded in 1913 and revived in the 1960s after war damage was repaired. - Three smaller photos have been removed; otherwise perfect.
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Pons-d'Hostun, L[ouis] H[enri].
L'écuyer des dames, ou lettres sur l'équitation. Paris, Huzard, 1806.
8vo. (4), II, 140 pp. With 3 engr. plates by Horace Vernet. Contemporary straight-grained red morocco, elaborately gilt on covers and spine; leading edges and inner dentelle gilt. Blue endpapers. All edges gilt. First edition of this manual of riding instruction for ladies. The fine engravings by the young Horace Vernet (1789-1863), later the 19th century's foremost master of equestrian illustration, include the earliest depiction of a lady sitting astride the horse. A second edition was published in 1817. The author, Louis Henri II, marquis de Pons d'Hostun (1750-1820?), was inspired by the works of Newcastle and La Guérinière. Exceedingly rare; a sumptuously bound copy. Schrader 1452. Mennessier de la Lance 336. Huth 75.
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[Prayer book].
Manuscript Arabic prayer book. No place, [1830/31 CE] = 1246 H.
8vo (135 x 90 mm). 11 pp. Ink on paper, written space 110 x 65 text area approx. Text in black with "points" in gold within the framework of various colours. Pages mounted within coloured rules. Title page in red, purple and gold (worn with some losses). Contemporary leporello binding. Devotional manuscript, bound as a leporello. Begins with "bi-hawli llah wa-quwwatihi" ("with God's power and strength"); text has been separated and continues on a previous page. Elaborately decorated title and chapter heading within ornamental borders, gilt and coloured. The name of the scribe, Muhammad Ja'far al-Lahijani (from Lâhîjân in northern Iran on the Caspian Sea), as well as the date 1246, are stated on the final page. - Partially worn and damaged; front cover shows a floral design on cloth (rubbed and chafed); the back cover is missing. Some brownstaining and chipping; a few leaves show old repairs and marginal defects.
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[Quadrant].
Paper-covered wood showing coloured scales. Ottoman Empire, 19th century.
18.9 x 19.8 cm. Gouache with some gilt dots and ink on paper. Quadrants were simple measuring devices used in astronomy, field measurements, and navigation. Based on the position of the sun or the polar star, the user is able to determine his position without difficulty. - The papered covers show occasional defects and slight waviness in places. While functional, the present instrument is probably a simpler copy of an older model, not actually intended for use but rather for representational purposes. Some of the Arabic lettering is missing or illegible, and the highlights are not executed with genuine gilding but in gold paint. Cf. Heritage Library, Islamic Treasures, s. v. "Instruments" (illustration).
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Raswan, Carl.
The Arab and his Horse. Oakland, the author, 1955.
XII, (2), 148 pp. With hand mounted coloured frontispiece of Fa Serr and a folding map. Profusely illustrated throughout. Original cloth with dust jacket. 8vo. Limited second edition. Number 204 of 1000 copies. Signed by Carl Raswan in Arabic and English on front flyleaf. The sum of Raswan's research into and knowledge about Arabian horses among the Bedouin and of his visits to Arabian Studs in Egypt and other parts of the Near East. - Very rare as all of Raswan's works, an excellent copy. Boyd/P. 99. OCLC 401346888.
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Raynal, Guillaume Thomas / [Bonne, Rigobert].
Histoire philosophique et politique des établissements et du commerce des Européens dans les deux Indes. Geneva, Pellet, 1780.
10 vols (8vo) and atlas (4to) in 11 vols. With engr. portrait, 9 frontispieces, 50 engr. maps, and 23 folding tables. Contemp. half calf with spine label; atlas bound in contemp. full calf. First ten-volume edition of this famous work on the European trade with the East and America. The atlas includes the well-known map of the Arabian Peninsula by Rigobert Bonne (1725-95). "This map covers from 25'-60' E and 10'-50' N. It shows the north east of Africa and the Arabian Peninsula with its three classic divisions, Arabia Deserta, Arabia Petraea and Arabia Felix. On the part showing the Arabian Peninsula, [... the data] is concentrated in the west" (Al Ankary coll.). - Primarily written by Diderot and the encyclopédists, this the work saw no less than 12 editions until 1821. The text deals with the commercial relations between Europe and their colonies. Raynal’s treatises on the evils of slavery and the moral obligation to aid the underprivileged were ahead of their time, and Raynal was harshly criticised and forced into exile. - Contemporary ownership "Hippolyte Cazenove" to endpapers; atlas volume slightly browned. Formerly in the Ottoman collection of the Swiss industrialist Herry W. Schaefer. Sultan Bin Muhammad Al-Qasimi, The Gulf in Historic Maps, p. 198. Khaled Al Ankary Collection p. 388. McMinn 56. Sabin 68081. Feugère 51. Phillips 652. Brunet IV, 1126. Graesse VI, 40. Cf. Kress B 314 & 315.
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Reinhard, Max (ed.).
Das Pferd in der Kunst. Erinnerungsband der Ausstellung "Das Pferd in der Kunst". Hrsg. vom Kulturamt der Hauptstadt der Bewegung, München, Direktor Max Reinhard. Munich, Schmidt, 1936.
Large folio (450 x 330 mm). 114 ff., illustrated throughout with original photographs, with tissue guards. Original padded cloth with inlaid cast metal coverpiece. Stunning album commemorating the National Socialist exhibition on the history of the horse as represented in art from the stone age to the 20th century, held in Munich's Residenz from July 22 until November 15, 1936. Only 300 copies were produced (this copy is numbered 220). Perfectly preserved. Cf. OCLC 162880518 (4to).
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[Request for horses].
Letter signed by the Government commissioner of Clichy (France). Clichy, "25 pluviose", c. 1795 (thus, 13 or 14 February).
Folio. 2 pp. Clichy provides 25 horses in fulfilment of a mandate issued on September 4, concerning the requisition of 40,000 horses. - Somewhat spotty and browned.
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Richardson, John.
A dictionary, Persian, Arabic, and English. To which is prefixed a dissertation on the languages, literature, and manners of Eastern nations. Oxford, printed at the Clarendon Press, sold by J. Murray and D. Price, 1777-1780.
Folio (275 x 407 mm). 2 vols. (4), XLVIII, (16) pp. 2144 (but: 2136: skipping 441-448) cols. (4) pp., XX cols., (6) pp., 2286 cols. 19th century English calf. First edition of the first Persian-Arabic-English dictionary, edited by the orientalist Sir John Richardson (1740/41-1795). The first volume includes a dissertation on the languages, literature and manners of Eastern nations. ''An excellent work. As the first vol. or Persian, Arabic and English part was published separately, many more copies were sold than of the second or English, Persian, and Arabic. A few broken sets of the first volume being left, the booksellers were led to reprint several deficient sheets, and so with the copies left on hand of the second vol. they made up some perfect sets. But these are easily known from the original'' (Clarke), as they are printed in London in 1800. - "On 12 November 1767 [Richardson] was proposed for the Society of Antiquaries of London as of Furnival's Inn. In London he pursued both the law and the study of Arabic and Persian. In his oriental interests Richardson was much influenced by another young man, William Jones, who was already coming to be regarded as a prodigy of learning in Asian languages. With the growth of British territorial power in India the potential market for a Persian dictionary had aroused the interest of London publishers and by 1770 Jones and Richardson were working on a new version of Franciscus Meninski's 'Thesaurus linguarum orientalium', first published in 1680-87. Progress was very slow, and Jones withdrew to concentrate on his legal career, leaving the field to Richardson. Thanks to his 'ingenuity and perseverance' (memorial of A. Hamilton and G. Nicol to East India Company, 6 Feb 1776, BL OIOC, E/1/60, no. 26), an abridged version of the original project eventually appeared in two volumes in 1777 and 1780 as A Dictionary, Persian, Arabic and English. Fundamentally revised by others, notably by Charles Wilkins in 1806 and 1810, the dictionary was to have a long life, but although the company took 150 sets, there were few other subscribers and Richardson got little reward for the huge effort he had expended on it" (Marshall). - Bindings rubbed and worn, inner hinges partly split, endpapers renewed. Some staining and marginal repairs to interior; larger tears to 5 leaves, staining to both titles, ownership inscriptions partly inked out; both titles showing central repaired clipping as well as marginal strenghtening and collector's stamp. A large part of both volumes shows worming to gutter; a few leaves with repairs. Zaunmüller 189. Vater/Jülg 25. Graesse VI, 113. Cf. Brunet IV, 1285 (later ed. only, 1806-1810). Clarke, John. (1806). The Bibliographical Miscellany - Supplement, vol. 1 (London, 1806) pp. 273-274; for Richardson: Marshall, "Richardson, John [styled Sir John Richardson, ninth baronet] (1740/41-1795), orientalist", in: ODNB (online ed.).
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Roberts, David, Scottish painter (1796-1864).
Autograph letter signed. Fitzroy Street, [15 March 1849].
8vo. 1 p. on bifolium. To his son-in-law Henry Bicknell, making arrangements to meet: "I have unfortunately accepted an invitation to dine with Lord Tenterden on Wednesday, had it been an other I would have endeavoured to get off - as it is I have done as you desired an pop'd Marochetti into the fire. With the exception of that and Saturday I am disengaged the rest of the week [...]". - In a postscript, he adds that "Turner called on Monday to say he would dine with you tomorrow having mistaken the day - he is to dine with your Governor [Henry Bicknell's father, the art collector Elhanan Bicknell] on Saturday". - Roberts enjoyed a close and warm relationship with his daughter and her husband, no doubt a compensation for his own unhappy marriage.
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Röhm, Hans, painter (1877-1956).
Sketchbook. Munich, September 1925-June 1926.
Small 8vo (143 x 110 mm). 32 ff. of sketches in coloured chalk pastels and charcoal on bluish-grey laid paper. Contemp. half cloth. Contains 19 pp. of sketches showing the Keferloh horse market (some dated September 14), the others mostly showing landscape views from the environs of Munich (captioned Herrsching, Großhesselohe, Grünwald, Solln, Karlsfeld, Allach etc.). Inside front cover has Röhm's autograph name and address in pencil. - The painter, etcher, and lithographer Röhm studied at Nuremberg and the Munich Academy (1898-1902) with Wilhelm von Diez war. In 1927 he became professor in Munich (cf. Thieme/Becker and Nürnberger Künstlerlexikon). - The Keferloh horse market (known as "Keferloher Montag") was the largest of its kind in the German Reich until the Second World War. - Binding somewhat stained and rubbed; interior very well preserved.
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[Roux, Joseph] / Allezard, Jean Joseph.
Recueil de 163 principaux plans des ports et rades de la Mediterranée. Leghorn, Giacopo Aliprandi, 1817.
Oblong 4to. Coloured engraving of flags (civil and war ensigns) as frontispiece, engraved title page and 163 engaved maps (some lightly coloured). With 2 letterpress pp. of index at the end and a folding engr. plan of the harbor of Odessa (not belonging to this work). Contemprary half calf. Pocket-size atlas of the principal harbour installations and bays of the Mediterranean, many of which at the time were still in Ottoman possession. They include numerous ports on the Barbary Coast (Tanger, Oran, Algiers, Tunis, Monastir, Sfax, Tripoli, Bengasi, Essaouira), the Greek islands, and the Eastern coast of the Mediterranean (Beirut, Tyre). - Long the principal route for merchants and travellers between Europe and the East, allowing for trade and cultural exchange between the many peoples of the region, the development of a sea route to the Indian Ocean from the late 15th century onwards made possible the importation of Asian spices and other goods through the Atlantic ports of western Europe and diminished the importance of the Mediterranean route. Only in the second half of the 19th century would it once more become an important passageway for goods and travellers: after the opening of the Suez Canal half a century after the present publication, it enabled ships to reach the Eastern world in record time, with dramatic effects on world trade. - Binding slightly rubbed; handwritten ownership "L. Falciola" on flyleaf. A good, clean copy, formerly in the Ottoman collection of the Swiss industrialist Herry W. Schaefer. Scheepvaart Mus. 62. OCLC 560616922. Cf. Phillips 196, 3974 & 5172; Zacharakis 1967-2040 (other eds.).
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(Saintine, X[avier] B[oniface] [i. e. Joseph Xavier Boniface], ed.).
Histoire scientifique et militaire de l'éxpedition française en Égypte. Paris, Dénain, 1830-1836.
10 text volumes bound in 11 (8vo) and 2 atlas vols. (oblong folio), altogether 13 vols. With a total of 300 engr. plates (13 folding, 2 in original hand colour, some with touches of colour) and 160 engr. portraits as well as 6 (1 folding) facsimiles, almost all on China paper. Green grained half morocco, spines gilt. First edition, almost never encountered complete as thus. Important source for the history and activities of the 1798 French expedition to Egypt, published in ten text volumes by Louis Reybaud and two atlas volumes. The portraits of the members of the expedition (usually forming part of the text volumes) have here been bound separately; also contains two additional portraits (not counted). "The 160 profile portraits by Dutertre [...] are of particular interest" (Blackmer). Many of the plates showing views, antiquities, maps etc. were engraved after drawings by Vivant Denon, whose work opened up the Middle East for western eyes as no other had done before (cf. Henze II, 50). - Plates numbered 1-309 (each of the 13 folding plates counting as a double), followed by "dernière planche" and 3 maps. Five of the facsimiles have been bound at the end of the second atlas volume, another in vol. 3. The text volumes contain the "Histoire ancienne" (vols. 1-2) and the "Histoire moderne de l'Égypte" (vols. 9-10) as well as the expedition report proper (vols. 3-8). All text volumes have four title pages (slightly departing from those in Blackmer's copy). Vol. 1 also contains a "Rapport" of the work for the Académie by G. Saint-Hilaire, dated Nov. 1836, which names Louis Reybaud as "principal rédacteur". - A magnificent set in period bindings, interior clean and spotless throughout. No complete copy recorded at auction within the last decades. Blackmer 1476. Gay 2209. Cf. Hage Chahine 4277 and Ibrahim-Hilmy I, 80 (both citing individual text volumes only).
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Schenk, Pieter.
Gamron, een groot vlek in het Lantschap Kirman, niet verre van Ormus, gelegen aen den Perziaenschen zeeboezem. Gamron, sinus Persici vicus olim exiguus nunc vero maxime opulentus. Amsterdam, [1702].
Engraved view (265 x 215 mm) in contemporary hand-colour. Beautifully hand-coloured decorative view of Bandar Abbas (Gamrun) in the Arabian Gulf. Slightly age-toned and stained; repaired tears in the lower blank margin and in the text, otherwise in good condition. Alai, Special maps E.538. Not in Al Ankary. Al-Qasimi.
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Selden, John.
De di[i]s Syris snytagmata II. Editio omnium novissima, opera Andreae Beyeri. Leipzig, Sigismund Cörner , 1668.
8vo. 2 vols. in one. (38), 373, (51) pp. (6), 338, (36) pp. With engr. t. p. (wants the table). Contemp. auburn morocco, richly gilt. All edges gilt. Third edition, the second edited by Andreas Beyer (first published in London in 1617). Selden (1584-1654) "first won fame in Europe as an orientalist by his treatise 'De Diis Syris', the first of his oriental studies [...] use was also made of it by Vossius in his great treatise on idiolatry" (DNB). - Elaborately bound gilt binding; insignificantly rubbed with minute restoration to upper spine-end. VD 17, 23:320175K. DNB 1161. Graesse VI/1, 343. Cf. STC S 1861.
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Seydlitz, Melchior von.
Gründtliche Beschreibung der Wallfart nach dem heiligen Lande, neben Vermeldung der jemmerlichen und langwirigen Gefengnuß derselben Gesellschafft [...]. Auffs newe vom Authore ubersehen und corrigirt [...]. Allen Christen, und insonderheit denen vom Adel zu guter Nachrichtung in Druck gefertiget. (Görlitz, Ambrosius Fritsch, 1584).
4to. 160 unnumbered pp. Title page printed in red and black. With a large title woodcut in red and black and 3 woodcuts in the text (1 page-sized cut, 2 repeats). Modern vellum bound to style, stored in custom cloth-lined slipcase. Scarce account of a 1556/59 journey to the Holy Land by the Silesian nobleman Melchior von Seydlitz. First published in 1580, the work begins with the events of the trip from Venice via the Greek islands to Cyprus, where the pilgrims stayed from July 4 through 14, 1556. An entire chapter is devoted to the description of the island, its geography, agriculture, salt works, etc. Substantive chapters are dedicated to Jerusalem, Damascus, and Constantinople. Also mentions Mecca, "16 days from Jerusalem". "Seylitz's party was taken captive in Palestine; the 'honourable warrior' Hand von Ehrenberg visited them in Ramleh" (cf. Tobler). The fine title woodcut shows the travellers' capture; the full-page illustrations depicts te Holy Sepulchre in Jerusalem. - Several contemporary underlinings and marginalia in red ink. Small, faint erased stamp to reverse of title. A fine copy. VD 16, ZV 14388. Röhricht 710. Yerasimos p. 245. Cf. Tobler 76.
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[Seymour, James, and Thomas Spencer (artists).
Portraits and Pedigrees of the Most Celebrated Racers from Paintings by Eminent Artists, with portraits of the Jockeys. Arundel and London, Thomas Butler, 1751-1753].
Oblong folio (310 x 370 mm). 30 engraved sheets, with 30 (of 34) portraits of thoroughbred race-horses (lacking nos. 10, 15, 31 and 34). Old half calf with marbled covers. A spectacular, exceedingly rare album illustrating the starting point of horse racing in England, when native mares were crossbred with imported oriental stallions. W. S. Sparrow notes, in 1922, "rare, no doubt, because so many copies have been broken up in order that the prints might be sold one by one". The integral engraved text surrounding the image of horse and jockey provides the history and breeding of the subjects of the portraits. The first three horses depicted in this charming album are direct descendants of the three foundation stallions of the modern Thoroughbred breed, namely the Godolphin Arabian (Bajazet, plate 2), the Darley Arabian (Childers, plate 3), and the Byerly Turk (Old Partner, plate 1). All of the other 23 race horses described here trace back to these three stallions just imported into England from the Middle East, as well. According to Pickerell, "all 500,000 of the world's thoroughbred racehorses are descended from 28 ancestors, born in the 18th century", of which, according to Peter Willett, about 50% have Arabian bloodlines, with the remainder evenly divided between Turkoman and Barb breeding. - James Seymour is recognized as one of the earliest English sporting artists. He was the son of a wealthy goldsmith and diamond merchant who supplied the plate for racing trophies. Seymour was passionate about racing and, in addition to drawing and painting them, he is believed to have owned racehorses himself; he was considered one of the most eminent horse painters of his age, and this important and rare album of charming engravings offers a true sampling of his work. - With armorial bookplate with cipher of George Simon Harcourt, Earl Harcourt (1736-1809) on front pastedown. Some early ms. annotations at beginning, some tears and repairs extending into text, first plate laid down. Sparrow, p. 77. Cf. Lane British Racing Prints Seymour 2, nos. 1-7, 11-18, 20-24, 26, 28-33. Mellon Sporting and Animal Prints Seymour 13, nos. 1-7, 11-18, 20-24, 26, 28-33. Cf. Siltzer British Sporting Prints, 389.
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Shaw, Thomas.
Reisen oder Anmerkungen verschiedene Theile der Barbarey und der Levante betreffend. Nach der zweyten engländischen Ausgabe ins Deutsche übersezt. Leipzig, Bernhard Christoph Breitkopf & Sohn, 1765.
Large 4to. (20), 424, (22) pp. With 20 (4 folding) engr. plates and 12 (8 folding) engr. maps. Later marbled half vellum with ms. title to spine. First German edition, translated by J. H. Merck. "Has been praised by Dibdin and others. It is especially esteemed for its botanical and zoological plates, in addition to the information Shaw imparts on the antiquities, geology and geography of the areas he visited" (Navari, Blackmer). "Cet ouvrage est estimé tant pour ses observations relatives à l'histoire naturelle, que pour son exactitude. L'auteur visita pendant douze ans l'Afrique septentrionale" (Gay). "During the period of his chaplaincy to the English factory at Algiers from 1720 to 1733, Shaw travelled in Egypt, Palestine, Cyprus and through much of North Africa. His work is valuable for its accurate descriptions of antiquities, geography and the natural history specimens he observed" (Aboussouan). Shaw (1694-1751) was professor of Greek at Oxford. The maps show parts of Arabia, the Mediterranean, and the environs of Algiers and Tunis. - Binding somewhat rubbed; some browning throughout due to paper; a large tear to one plate repaired. 1840 ownership "A. Lutz" to flyleaf; armorial bookplate "S. G. Koenig, V.D.M." to pastedown. Later in the Ottoman collection of the Swiss industrialist Herry W. Schaefer. Howgego I, S92. Weber II, 501. Gay 391. Röhricht 1352. Tobler 124. Nissen, ZBI 3840. Chatzipanagioti-S. 1028. Cf. Blackmer 1533-1535. Aboussouan 842. Graesse V, 362.
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Sionita, Gabriel.
Arabia, seu Arabum vicinarumque gentium Orientalium leges, ritus, sacri et profani mores, instituta et historia: accedunt praeterea varia per Arabiam itinera, in quibus multa notatu digna enarrantur [...]. Amsterdam, Johann Jansson, 1633.
12mo. 297 (but: 287) pp. With engraved, illustrated title page. Contemporary limp vellum with traces of ties. First edition of the collection. Contains: 1. Sionita & Hesronita. De nonnullis orientalibus urbium. "This important work contains early descriptions of Baghdad, Bokhara, Damascus, Medina, Mecca, and Aleppo" (Blackmer). 2. "De moribus atque institutis Turcarum" by the French diplomat C. Richier. 3. W. Drechsler's "Historia Arabum". - Slight worming to first pages; some waterstaining near end. Contemporary ink ownership to pastedown: "Ex libris Bibliothecae S. Dominici Ferrariae"; old stamp to first half-title. An appealing little volume. Macro, Bibliography of the Arabian Peninsula, 2084 (erroneously "1653"). Blackmer 1544 (note). Weber II, 697. Gay 3452 (erroneously 1653). Hage Chahine 4533. The Heritage Library: Treasures of Islamic and Arabic Heritage (Qatar 2006), s. v. "Travels", with illustration.
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