‎Manuscrit‎

‎Révolution dans le Var‎

‎Authentiques documents historiques concernant le Var sous la Révolution.‎

‎Lettre circulaire manuscrite signée par BERNE, agent national du district de Marathon (St Maximin). Berne était l'agent national que Lucien Bonaparte, voulant prendre sa place, avait dénoncé en 1794 à la Société Populaire. Lettre du 16 germinal an 2 (5 avril 1794) portant obligation de faire disparaître tous les signes de royauté et de féodalité. en feuille Très bon St Maximin 1794‎

‎édition originale‎

Référence libraire : 11791

‎Révolution dans le Var‎

‎Authentiques documents historiques concernant le Var sous la Révolution.‎

‎Lettre circulaire manuscrite signée par BERNE, agent national du district de Marathon (St Maximin). Berne était l'agent national que Lucien Bonaparte, voulant prendre sa place, avait dénoncé en 1794 à la Société Populaire. À propos des réquisitions des denrées coloniales. en feuille Très bon St Maximin 1794‎

‎édition originale‎

Référence libraire : 11794

‎Révolution dans le Var‎

‎Authentiques documents historiques concernant le Var sous la Révolution.‎

‎Lettre circulaire manuscrite rédigée et signée par les administrateurs du district de Marathon (St Maximin) le 6 Floréal an 2 (25 avril 1794). Ils s'adressent à la municipalité de MEINARGUETTES, à propos du recenssement des cochons … en feuille Très bon St Maximin 1794‎

‎édition originale‎

Référence libraire : 11815

‎Révolution dans le Var‎

‎Authentiques documents historiques concernant le Var sous la Révolution.‎

‎Lettre manuscrite signée (très beau cachet de cire rouge) par VINOT, voyageur pour les achats de l'armée d'Italie le 15 pluviose an 2 (3 février 1794). Il s'adresse à la municipalité de MEINARGUETTES, afin d'obtenir des mulmets pour porter du fourrage à Port la Montagne. Vinot est alors en poste à Nans. Probablement le futur Général Vinot qui s'est rendu célèbre en Espagne ... en feuille Très bon St Maximin 1794‎

‎édition originale‎

Référence libraire : 11818

‎Röhn, Gisela, Malerin und Grafikerin (1921-1993)‎

‎Tristan Blue und Isolde Puss. Tristans Kindheit und Jugend. Katzenmäßig gezeichet und erzählt.‎

‎o.J. Hamburg, Christians, 1987, Qu.-4° (19 x 22,5 cm). Reich illustriert. 40 nn. Bl. Illustr. OPp..‎

‎Vorzugsausgabe mit einem eigenh. bezeichneten und signierten, aquarellierten und goldgehöhten Siebdruck in Klappkarton, dazu ein weiterer kolorierter und goldgehöhter Siebdruck (einer von 30 Ex.) mit umfangreicher eigenh. Beschriftung und U. sowie 3 gezeichneten Katzen: "Eine Art Selbstporträt aus meiner Kinderzeit". Rückseitig Brief an einen Buchhändler mit U., dat. 25. 12. 1984: "[...] Ein weiches Katzenpfötchen möchte ich auch Ihrem Freund zum Glückwünschen reichen [...]".‎

Référence libraire : 58148

‎Röhrig, Tilman, Schriftsteller (geb. 1945)‎

‎Eigenh. Manuskriptseite und eigenh. Brief, jeweils mit U.‎

‎o.J. Hürth, 17. II. 2004, Fol. 2 Seiten. In adressiertem Umschlag.‎

‎Auszug aus "Wir sind das Salz von Florenz": "[...] Geißel Liebe! Im Obergeschoss des Klosters San Marco, in der siebten Zelle [...] lag Frau Gerolamo vor dem Fresco des verhöhnten Christus auf den Knien [...]". - Dazu ein Begleitbrief an einen Autographensammler.‎

Référence libraire : 52479

‎RÖMER Franz‎

‎Die handschriftliche Überlieferung der Werke des heiligen Augustinus - Band II/1 Grossbritannien und Irland : Verzeichnis nach Bibliotheken‎

‎Wien, Böhlaus 1972 340pp., in the series "Österreichische Akademie der Wissenschaften, philosophisch-historische Klasse" 276 (Veröffentlichungen der Kommission zur Herausgabe des Corpus der lateinischen Kirchenväter" Heft IV), stamp on titlepage, VG‎

Référence libraire : R42841

‎Rössler von Eichenfeld, Josef, Bibliothekar (1782-nach 1851)‎

‎Eigenh. Brief mit U.‎

‎o.J. Wien, 5. VII. 1851, 8°. 1 Seite.‎

‎Wegen der Benutzung griechischer Handschriften in der Wiener Hofbibliothek, wo Eichenfeld Kustos war. - Eckfehlstelle.‎

Référence libraire : 57324

‎Röttger, Karl, Schriftsteller (1877-1942)‎

‎Eigenh. Brief mit U.‎

‎o.J. Düsseldorf, 8. I. 1931, Gr.-4°. 1 Seite.‎

‎An den Redakteur Hans Reyhing mit der Übersendung von anderenorts bereits gedruckten Beiträgen.‎

Référence libraire : 42924

‎Rüdel, Hugo, Chorleiter und Dirigent (1868-1934)‎

‎Eigenh. Albumblatt mit U.‎

‎o.J. Stettin, 6. XII. 1931, Gr.-4°. 1 Seite.‎

‎Aus Anlaß eines Weihnachtskonzerts des Staats- und Domchors sowie mit einem Cosima-Wagner-Zitat.‎

Référence libraire : 49276

‎Rühm, Gerhard, Schriftsteller und Komponist (geb. 1930)‎

‎Eigenh. Manuskript wit Widmung und U.‎

‎o.J. , Ohne Ort und Jahr (ca. 1995), Fol. 1 Seite.‎

‎"Das Tor", ein kurzes Prosastück auf "Knochenspielzeug" (1995). Geschrieben in Versalien. - Beiliegend ein signiertes Porträtfoto.‎

Référence libraire : 49805

‎Rühmkorf, Peter, Schriftsteller (1929-2008)‎

‎2 eigenh. Manuskripte mit Widmungen und U.‎

‎o.J. Ohne Ort und Jahr [Hamburg, ca. 1980], Gr.-8°. Zus. ca. 12 Seiten.‎

‎Notizzettel zu Aufsätzen: "Die Kundschaft muß ja sonst unvermittelt denken: die Kunst ist asozial [...] so ist es aber nicht [...] was sich Leben nennt [...]" - Mit Grußworten an eine Sammlerin.‎

Référence libraire : 43279

‎Rühmkorf, Peter, Schriftsteller (1929-2008)‎

‎Eigenh. Albumblatt mit Selbstkarikatur und U.‎

‎o.J. Ohne Ort, Ohne Jahr, Fol. 1 Seite. - Im Halbprofil..‎

Référence libraire : 59873

‎Rühmkorf, Peter, Schriftsteller (1929-2008)‎

‎Eigenh. Brief mit U.‎

‎o.J. Hamburg, 2. XII. 1989, Fol. 1 Seite. - Gruß mit mont. Zeitungsausschnitt. - Mit eigenh. Umschlag.‎

Référence libraire : 60643

‎Rühmkorf, Peter, Schriftsteller (1929-2008)‎

‎Porträtpostkarte mit eigenh. U. in rotem Filzstift.‎

‎o.J. , Ohne Ort und Jahr, 1 Seite. - Nach einer Porträtzeichnung..‎

Référence libraire : 56767

‎S. Cantelli;‎

‎Hrabani Mauri Opera exegetica. Repertorium fontium. I,‎

‎Turnhout, Brepols, 2006 Hardback, XXXIV+392 p., 1 b/w ill., 160 x 240 mm. ISBN 9782503510644.‎

‎Riconosciuto ed acclamato, sulla scia di una tradizione erudita affermatasi all'inizio del secolo scorso, quale 'praeceptor Germaniae', Rabano fu mandato dall'abate Baugulfo - gia destinatario dell' Epistola de litteris colendis - a studiare a Tours presso Alcuino. Tornato a Fulda, prima come maestro e poi, a partire dall' 822, nella veste di abate, egli fece dell'abbazia la sede di una delle piu importanti scuole del regno. Ma Rabano non lavoro solo per i suoi monaci. Vero erede dalla tradizione culturale alcuiniana - e interpretato dai suoi stessi contemporanei come tale - egli porto avanti il piano di politica culturale promosso da Carlo. A tal fine realizzo una glossa sistematica alla sacra Scrittura che, concepita come raccolta ordinata delle spiegazioni dei Padri, conobbe uno straordinario successo. Dopo Rabano, per generazioni, studiare il testo sacro significo, sopratutto, leggere, interpretare, rielaborare le raccolte di expositores da lui messe a punto. L'opera esegetica di Rabano Mauro costituisce pertanto un passaggio obbligato non solo per comprendere quello che fu lo studio della Bibbia durante l'alto medioevo, ma anche per farsi un'idea delle letture patristiche alla base della formazione di molti dei maestri che operarono in questi secoli. Tuttavia, sopratutto a ragione del suo carattere compilativo, essa e stata completamente trascurata dalla critica. Il presente lavoro si propone di colmare tale lacuna. Basato su un'indagine sistematica delle fonti, esso tenta una prima lettura complessiva dell'impegno interpretativo dell'abate di Fulda, assegnandogli un preciso posto nella storia dell'esegesi latina. Con i tre volumi dei Hrabani Mauri Opera Exegetica escono per la prima volta su supporto cartaceo alcuni dei risultati rielaborati nel contesto del progetto di ricerca 'La Tradizione dei Padri nell'Europa del Primo Millennio' (TRAPEM). Iniziato verso la meta degli anni '90, TRAPEM consiste nello studio sistematico delle fonti di tutte le opere a soggetto teologico, morale, dottrinale ed esegetico prodotte entro l'arco di tempo compreso tra il sec. VII e la fine del sec. XI. I dati raccolti vengono immagazzinati in un apposito data base, che consente di circoscrivere l'edizione a stampa ai soli apparati delle fonti relativi all'opera di singoli autori (o alla tradizione interpretativa di singoli libri della Scrittura), accompagnati da un ampio ed articolato studio introduttivo. Nella fattispecie i Hrabani Mauri Opera Exegetica comprendono, oltre agli apparatus fontium di tutti i commentari alla Bibbia di Rabano e relativi indici (voll. II e III), uno studio articolato in tre sezioni: 'Rabano esegeta', 'Le fonti', 'I Commentari'. Nella sezione relativa a 'Le fonti' si fornisce un quadro della conoscenza che Rabano aveva degli autori e delle opere che risultano impiegate nei suoi commentari. La sezione 'I Commentari' consiste in una serie di schede, una per ciascun commentario, in cui le fonti vengono illustrate in rapporto ai contenuti del libro commentato. Languages : Italian.‎

Référence libraire : 39133

‎S. Cantelli;‎

‎Hrabani Mauri Opera exegetica. Repertorium fontium. III ,‎

‎Turnhout, Brepols, 2006 Hardback, 566 p., 160 x 240 mm. ISBN 9782503510668.‎

‎Riconosciuto ed acclamato, sulla scia di una tradizione erudita affermatasi all'inizio del secolo scorso, quale 'praeceptor Germaniae', Rabano fu mandato dall'abate Baugulfo - gia destinatario dell' Epistola de litteris colendis - a studiare a Tours presso Alcuino. Tornato a Fulda, prima come maestro e poi, a partire dall' 822, nella veste di abate, egli fece dell'abbazia la sede di una delle piu importanti scuole del regno. Ma Rabano non lavoro solo per i suoi monaci. Vero erede dalla tradizione culturale alcuiniana - e interpretato dai suoi stessi contemporanei come tale - egli porto avanti il piano di politica culturale promosso da Carlo. A tal fine realizzo una glossa sistematica alla sacra Scrittura che, concepita come raccolta ordinata delle spiegazioni dei Padri, conobbe uno straordinario successo. Dopo Rabano, per generazioni, studiare il testo sacro significo, sopratutto, leggere, interpretare, rielaborare le raccolte di expositores da lui messe a punto. L'opera esegetica di Rabano Mauro costituisce pertanto un passaggio obbligato non solo per comprendere quello che fu lo studio della Bibbia durante l'alto medioevo, ma anche per farsi un'idea delle letture patristiche alla base della formazione di molti dei maestri che operarono in questi secoli. Tuttavia, sopratutto a ragione del suo carattere compilativo, essa e stata completamente trascurata dalla critica. Il presente lavoro si propone di colmare tale lacuna. Basato su un'indagine sistematica delle fonti, esso tenta una prima lettura complessiva dell'impegno interpretativo dell'abate di Fulda, assegnandogli un preciso posto nella storia dell'esegesi latina. Con i tre volumi dei Hrabani Mauri Opera Exegetica escono per la prima volta su supporto cartaceo alcuni dei risultati rielaborati nel contesto del progetto di ricerca 'La Tradizione dei Padri nell'Europa del Primo Millennio' (TRAPEM). Iniziato verso la meta degli anni '90, TRAPEM consiste nello studio sistematico delle fonti di tutte le opere a soggetto teologico, morale, dottrinale ed esegetico prodotte entro l'arco di tempo compreso tra il sec. VII e la fine del sec. XI. I dati raccolti vengono immagazzinati in un apposito data base, che consente di circoscrivere l'edizione a stampa ai soli apparati delle fonti relativi all'opera di singoli autori (o alla tradizione interpretativa di singoli libri della Scrittura), accompagnati da un ampio ed articolato studio introduttivo. Nella fattispecie i Hrabani Mauri Opera Exegetica comprendono, oltre agli apparatus fontium di tutti i commentari alla Bibbia di Rabano e relativi indici (voll. II e III), uno studio articolato in tre sezioni: 'Rabano esegeta', 'Le fonti', 'I Commentari'. Nella sezione relativa a 'Le fonti' si fornisce un quadro della conoscenza che Rabano aveva degli autori e delle opere che risultano impiegate nei suoi commentari. La sezione 'I Commentari' consiste in una serie di schede, una per ciascun commentario, in cui le fonti vengono illustrate in rapporto ai contenuti del libro commentato. Languages : Italian.‎

Référence libraire : 39135

‎S. Keefe;‎

‎catalogue of works pertaining to the explanation of the creed in Carolingian manuscripts,‎

‎Turnhout, Brepols, 2012 Hardback, 402 p., 160 x 240 mm. ISBN 9782503544076.‎

‎The catalogue identifies works used to explain the creed in Carolingian collection volumes compiled for the instruction of the clergy. It includes both edited and unedited works and some recently edited in a companion volume to this one, Explanationes Symboli aeui Carolini (CC CM, 254). The catalogue shows that the teaching of the creedal faith was assembled from snippets of, or whole, patristic works, homilies, personal professions of faith, and works of many other genres. In the past, we have had little concept of the range of works known to those responsible for teaching the faith at the parish and missionary level of the Carolingian world. In this catalogue crucial attention is paid to the contents of the manuscripts as a whole in which the creed explanation is found and how these collection volumes may have functioned. It is hoped that the manuscript descriptions will be of benefit to students and specialists working on other kinds of texts for the education of the clergy. Languages : English, Latin.‎

Référence libraire : 39178

‎S. Luiz, Fr. Antonio de‎

‎Mestre de Ceremonias, que ensina o rito romano, e serafico aos religiosos da reformada, e Real Provincia da Conceição no Reino de Portugal, exposto em duas unicas classes. Terceira Impressão, mais correcta, e notavelmente accrescentada com algumas Lições, varias Doutrinas, muitas Declarações da Sagrada Congregação, e Determinações novissimas do N. SS. P. Pio VI. Por um filho da sobredita Provincia.‎

‎Lisboa, Na officina de Simão Thaddeo Ferreira, 1789. 4° 450 S. / Pag. Orig. - Lederband / Encadernação da época inteira de pele. [2 Warenabbildungen] Exlibris auf dem vorderen Innendeckel. Handschriftl. Eintrag auf dem Vortitel / Manuscritos na página de ante-rosto. Gut erhalten / Bom estado.‎

Référence libraire : 41455

‎S. Panayotova, N. Morgan (eds.)‎

‎Catalogue of Western Book Illumination in the Fitzwilliam Museum and the Cambridge Colleges. Part One: The Frankish Kingdoms, the Netherlands, Germany, Bohemia, Hungary and Austria + the Meuse region Southern Netherlands.‎

‎two volumes; 292 + 255 =560 p., 750 colour ill., 230 x 330 mm, Languages: English, Hardback wih dusjackets , fine condition !. ISBN 9781905375479. This publication is the first to appear in a major new series of catalogues covering all Western medieval illuminated manuscripts in Cambridge, excluding only the manuscripts in the University Library which are being catalogued separately. The entries are based on the most recent studies undertaken by the Cambridge Illuminations Research Project; they are organised geographically by place of origin, and, within that grouping, listed chronologically. The present two-volume catalogue deals with the early manuscripts produced in the Frankish Kingdoms, the splendid, richly illustrated books from the Northern and Southern Netherlands ranging from the thirteenth to the sixteenth century, illuminations from the Meuse region, manuscripts both in Latin and the vernacular from the late eleventh to the end of the sixteenth century from Germany, and lastly an interesting group of books from Bohemia, Austria and Hungary. The focus of the catalogue is on the illumination, and includes detailed listings of all miniatures, decoration and ornamentation, which are made easily accessible by the inclusion of an exhaustive iconographic index. Entries also include much information on the textual contents of the manuscripts and on their provenance, as well as the most recent bibliographical references. Every manuscript catalogued is also illustrated, generally with several images, providing readers with a corpus of some 750 illustrations which are all reproduced in full colour.‎

‎S. Panayotova, N. Morgan (eds.)‎

‎Catalogue of Western Book Illumination in the Fitzwilliam Museum and the Cambridge Colleges. Part One: The Frankish Kingdoms, the Netherlands, Germany, Bohemia, Hungary and Austria SET‎

‎Hardback, 2 volumes ., 560 p., 750 colour ill., 230 x 330 mm. ISBN 9781905375479. This publication is the first to appear in a major new series of catalogues covering all Western medieval illuminated manuscripts in Cambridge, excluding only the manuscripts in the University Library which are being catalogued separately. The entries are based on the most recent studies undertaken by the Cambridge Illuminations Research Project; they are organised geographically by place of origin, and, within that grouping, listed chronologically. The present two-volume catalogue deals with the early manuscripts produced in the Frankish Kingdoms, the splendid, richly illustrated books from the Northern and Southern Netherlands ranging from the thirteenth to the sixteenth century, illuminations from the Meuse region, manuscripts both in Latin and the vernacular from the late eleventh to the end of the sixteenth century from Germany, and lastly an interesting group of books from Bohemia, Austria and Hungary. The focus of the catalogue is on the illumination, and includes detailed listings of all miniatures, decoration and ornamentation, which are made easily accessible by the inclusion of an exhaustive iconographic index. Entries also include much information on the textual contents of the manuscripts and on their provenance, as well as the most recent bibliographical references. Every manuscript catalogued is also illustrated, generally with several images, providing readers with a corpus of some 750 illustrations which are all reproduced in full colour. Languages: English.‎

‎S. Panayotova, N. Morgan (eds.)‎

‎Catalogue of Western Book Illumination in the Fitzwilliam Museum and the Cambridge Colleges. Part One: The Frankish Kingdoms, the Netherlands, Germany, Bohemia, Hungary and Austria SET 2 VOLUMES.‎

‎, Brepols, 2012 Hardback in cloth + dusjacket, 2 vol., 560 pages., 750 colour ill., 230 x 330 mm., Languages: English, fine condition !. ISBN 9781905375479.‎

‎This publication is the first to appear in a major new series of catalogues covering all Western medieval illuminated manuscripts in Cambridge, excluding only the manuscripts in the University Library which are being catalogued separately. The entries are based on the most recent studies undertaken by the Cambridge Illuminations Research Project; they are organised geographically by place of origin, and, within that grouping, listed chronologically. The present two-volume catalogue deals with the early manuscripts produced in the Frankish Kingdoms, the splendid, richly illustrated books from the Northern and Southern Netherlands ranging from the thirteenth to the sixteenth century, illuminations from the Meuse region, manuscripts both in Latin and the vernacular from the late eleventh to the end of the sixteenth century from Germany, and lastly an interesting group of books from Bohemia, Austria and Hungary. The focus of the catalogue is on the illumination, and includes detailed listings of all miniatures, decoration and ornamentation, which are made easily accessible by the inclusion of an exhaustive iconographic index. Entries also include much information on the textual contents of the manuscripts and on their provenance, as well as the most recent bibliographical references. Every manuscript catalogued is also illustrated, generally with several images, providing readers with a corpus of some 750 illustrations which are all reproduced in full colour. Review "These volumes triumphantly justify 'paper cataloguing'. [...] The authors and sponsors are to be warmly congratulated and urged to complete a series that makes a fundamental contribution to knowledge." (Catherine Reynolds, in The Burlington Magazine CLIII, March 2011, p. 182) On ne peut que se r jouir de la qualit de ces deux premiers volumes et souhaiter la parution rapide des tomes suivants. (A. Ch telet, dans Art et M tiers du Livre 31, D c 2009-f v 2010, p. 91-92) "The first two beautifully designed volumes of Illuminated Manuscripts in Cambridge have all the indices and finding aids (including an index of biblical and non-biblical iconography) to facilitate further research. They are brimming with ideas, are full of dissertation topics, and are testaments to the bounty ? intellectual and sensuous or even sybaritic ? spread out before students of medieval manuscripts." (Kathryn M. Rudy, in HNA Review of Books) "This updating of the traditional manuscript catalogue is a very useful addition to the scholarship on manuscripts in English collections, in part because of the precision and brevity of the updated information, but especially because of the sumptuous illustrations, which provide the irreplaceable visual context for the textual information the catalogue presents." (Stephen Clancy, in Speculum 86/3, July 2011, p. 789) "The series will be a landmark in manuscript studies, and one can only hope that further support will hasten further projected volumes." (Rowan Watson, in: The Burlington Magazine, vol. CLIV, 2012, p. 847) "Esta calidad editorial y cient fica, presentes en los dem s tomos y vol menes que conforman la serie Illuminated Manuscripts in Cambridge de Harvey Miller/Brepols, es un excelente modelo a tener en cuenta para la edici n de futuros cat logos de manuscritos iluminados." (Isabel Escandell Proust, in: Codex Aquilarensis, 29, 2013, p. 289-304) (?) un instrument de travail pr cieux pour le chercheur et l?amateur clair . (Marc Gil, dans Le Moyen Age, 1, 2017, p. 207)‎

Référence libraire : 35786

‎S. Panayotova, N. Morgan, S. Reynolds (eds.)‎

‎Catalogue of Western Book Illumination in the Fitzwilliam Museum and the Cambridge Colleges. Part Two: Italy and the Iberian Peninsula‎

‎Hardback, 2 vol., 720 p., 900 colour ill., 230 x 330 mm. ISBN 9781905375851. This new publication constitutes Part Two of the multi-volume Cambridge Illuminations Research Project cataloguing all western illuminated manuscripts in the Fitzwilliam Museum and the Cambridge Colleges. It covers manuscripts produced in Italy and the Iberian Peninsula, ranging from the early Gospels of St Augustine made in sixth-century Rome, through the carefully designed patristic texts from twelfth-century Tuscany and Lombardy, the great law books of thirteenth- and fourteenth-century Bologna, the opulent Books of Hours, elegant Humanistic volumes and enormous Choir Books of the fifteenth century, and finally to the richly decorated and densely ornamented books of sixteenth-century Spain. In addition to the famous treasures, these catalogues include a considerable number of previously unpublished cuttings, among them new attributions to leading artists and exciting discoveries, all of which offer a stimulating source for further research. Every manuscript catalogued is also illustrated, frequently with several images, all reproduced in full colour. Entries for Italian manuscripts are arranged chronologically in the period up to 1200, while manuscripts produced after 1200 are catalogued by region of origin and within that division again by sequence of date. Manuscripts that cannot at present be allocated to a particular region are grouped in a special section, and Spanish books are again catalogued in chronological order. Languages: English.‎

‎S. Papadaki-Oekland;‎

‎Byzantine Illuminated Manuscripts of the Book of Job A Preliminary Study of the Miniature Illustrations. Its Origin and Development,‎

‎Turnhout, Brepols, 2009 Hardback, 478 p., 127 b/w ill. + 285 colour ill., 23 x 30. ISBN 9782503532325.‎

‎Of all the Old Testament books, the Book of Job remains acutely contemporary today. Written between the 6th and 3rd c. B.C., it deals with subjects such as the presence of evil in the world, the misery, the quest for justice, the faith, and the behavior of people when they face sudden twists and turns of life. It seems that the ancient text had been illustrated since the Early Christian period because of its fascinating novel-like narrative style. In her own study on the Book of Job, Stella Papadaki-Oekland probes into all the Byzantine illuminated manuscripts of the illustrated Greek text. The number of miniature illustrations included in these fifteen manuscripts, dating from the 9th to the 16th century, comes to more than 1800 of which 2/3 of the about 380 illustrated herein are previously unpublished manuscript images. The book is an unabridged version with minor changes of Papadaki-Oekland?s Inaugural Dissertation at Heidelberg University (1979) and is published posthumously by her daughters, Helen-Aina and Astrid-Zoe -in homage to Byzantine Art. The fifteen Byzantine Illuminated Manuscript Illustrations of the 'Book of Job' studied, illustrated and discussed are: Biblioteca Apostolica Vaticana, Rome: cod. Vat. gr. 749; cod. Vat. gr. 751; cod. Vat. gr. 1231 and cod. Vat. Pal. gr.230 - The Monastery of St. John the Theologian, Isle of Patmos: cod. Patmos 171 - Biblioteca Nazionale Marciana, Venezia: cod. Marc. gr. 538 - Monastery of St. Catherine, Sinai, Egypt: cod. Siena 3 - Orthodox Patriarchate of Jerusalem and All Palestine, Jerusalem: MS. Taphou 5 - Monastery of Vatopedi, Mount Athos: Vatopedi 590 - Monastery Magisti (Great) Lavra, Mount Athos: Lavra B100 - Byzantine and Christian Museum, Athens: MS. 62 - Bodleian Library, Oxford: MS. Barocci 201 and MS. Laud gr. 86 - Bibliothegue nationale de France, Paris: MS. gr. 134 and MS. gr. 135 - National Library of Russia, St. Petersburg: MS gr. 382 (former folio of Taphou 5) The study of the Septuagint Book of Job in Byzantine tradition include comparative analysis of the interrelationship of the individual miniature cycles, their general arrangement and artistic character, the origin and development as well as its contents and significance in the literary and popular tradition. Finally, the six Comparative Tables presented at the end of the volume provide the reader for the first time a complete cross reference interrelationship between the individual 1800 images of the 15 manuscripts and 'Sir Lancelot C. L. Brenton's' English translation of the Septuagint 'Book of Job' passages. Further examples of images discussed herein of early Christian 'Job' representations include: Biblioteca Apostolica Vaticana, Rome, MS.Reg.gr.1 ? known as the Bible of Queen Christina of Sweden; Bibliotheque nationale de France, Paris, MS gr. 510, MS syr. 341-the Syriac Bible and MS.gr. 923- Sacra Parallela; Biblioteca Nazionale 'Vittorio Emanuele III', Naples, Coptic MS IB 18, Catacomb of the Via Latina, Rome and the Sarcophagus of Junius Bassus, Basilica di San Pietro, Rome. Furthermore, the book is of invaluable importance due to its methodological approach. As the leading art historian Hans Belting points out, the study of Stella Papadaki-Oekland calls in question Kurt Weitzmann's rigid theory about the process of the Byzantine illuminated manuscripts production. There?s no doubt that, even though it was written a lot of years ago, this remains the most complete and comprehensive study about the Book of Job in Byzantine art. Languages : English.‎

Référence libraire : 40469

‎S.S. TARSUS, (1931-1961) TRAVEL LETTER.‎

‎[TRAVEL TO MARSEILLES BY S.S. TARSUS -EXOCHORDA-] Autograph letter signed 'Y. Küm?'.‎

‎Very Good Turkish Original autograph letter signed (ALS) 'Y. Küm?' sent to his mother from S.S. Tarsus. 21,5x28 cm. In Turkish. Written by a pencil. 1 p. Full. Dated 8-12-1957. He describes his travel route to his mother in Marseilles, to Spain by train, etc. [TRAVEL TO MARSEILLES BY SS TARSUS -EXOCHORDA-] Autograph letter signed 'Y. Küm?'. S / S Tarsus was launched in 1931 by "New York Shipbuilding Co.1" for "American Export linen New York" and was launched under the name SS Exochorda. The ship, which has a capacity of 879 passengers, is 140 meters long and 19 meters wide. Its water section was 8.3 meters. It had 7200 HP steam turbine machine weighing 9298 Groston. Exochorda, previously carrying passengers and cargo, was placed under the order of the United States Land Forces as "Harry E. Lee-AP17" as of 27 December 1940. After being used in logistics services during the Second World War, it was connected to the Toothshipyard in Baltimore on May 9, 1946 and taken out of service. In April 16, 1948, after it's purchased by Turkey, it was named Tarsus by Turkish politician Kasim Gürlek.‎