|
|
|
[Printing for the Blind] [Bible - Psalms]
The Book Of Psalms Translated Out Of The Original Tongues & with the former translations diligently compared & revised
New York: American Bible Society 1867. 3/4 cloth. Very Good . 12 1/2 x 15 1/2 inches. Folio. 1 872 974 leaves. Printed in raised letters for the blind. Tears to upper margin of front endpapers and edges lightly soiled. Bound in contemporary 3/4 black leather and black cloth which is worn at edges. A scarce early American edition of its kind. In the late 18th and early 19th centuries several decades before the widespread adoption of Braille printers and educators in France and Britain began developing a variety of tactile reading systems for the visually impaired making independent reading among the blind possible for the first time in history. The results of an important competition at the Royal Society of Arts in Edinburgh in 1832 inspired the American activist Samuel Gridley Howe to research and develop his own embossed reading system for the blind which emerged in 1835 as "Boston Line Type." Drawing upon the methods of James Gall an entrant in the Edinburgh competition Howe created an alphabet of angular raised roman letters that "was said to be far less bulky and therefore less expensive than contemporary European roman-letter systems" PRINTING HISTORY p. 20. With the aid of a $1000 grant from the American Bible Society Howe purchased the first printing press for the New England Institution for the Education of the Blind today the Perkins School for the Blind and produced the country's first complete raised-letter Bible for the American Bible Society in 1842. The present Book of Psalms appears to have been printed with the first complete Howe-ABS Bible retaining the pagination of that production and was published separately with a new title page. ABS had published Selections of Psalms in 1835 and the Pennsylvania Institution for the Instruction of the Blind a Psalms and Hymns in 1840 and 1848 this is a very early edition of the Psalms. A rare work. Elizabeth M. Harris IN TOUCH: PRINTING AND WRITING FOR THE BLIND IN THE NINETEENTH CENTURY Smithsonian 1981. Elizabeth M. Harris "Inventing Printing for the Blind" PRINTING HISTORY Vol. VIII No. 2 American Printing History Association 1986 pp. 15-25. "The First Books Embossed in the U.S. for Blind Readers 1833-1880" compiled by the Callahan Museum of the American Printing House for the Blind. Bible Resource Center "Translation through Multimedia American Bible Society unknown
Référence libraire : 711
|
|
|
[PRINTING HISTORY] Thomas Hughes and others:
The Cooperative Printing Company Printed Letter Signed printed signatures by Thomas Hughes author of "Tom Brown's Schooldays" and others
176 Fleet St E.C. London no date. Four pages fol. tear on fold marks other defects but text clear and complete. The ten signatories also include W. Morrison presumably the philanthropist Walter Thomas. Brassey R.M. Castor Auberon Herbert "the originator of Voluntaryism" Wikipedia - see also DNB Hodgson Pratt Peace advocate DNB P.H. Hillard Edw. Owen Greeening Tito Pagliardini and another undeciphered. A socialist project concerning which I have found little information. They use and explainthe phrase "Industrial Partnership" the worker investing in "the work where he is employed" putting an end to industrial strife and motivating them with a share of the profits. They anticipate a benign influence on human character a blurring of class barriers. On the first page is printed in red a statement about the division of profits etc. Presumably the Company was too Utopian to last. No other copy traced. 176 Fleet St, E.C. London, no date. unknown
Référence libraire : 4925
|
|
|
[PRINTING -- TYPOGRAPHY]. DE VINNE, Theodore Low
The practice of typography: modern methods of book composition. A treatise on type-setting by hand and by machine and on the proper arrangement and imposition of pages.
New York: The Century Co. 1910. 8vo. xi 3 477 1 pp. With 100’s of text illustrations type specimens diagrams woodcut engravings 1 in colour historiated vignettes decorated initials. Brown publisher’s cloth gilt lettering on spine gilt & red morocco spine label t.e.g. minor bumping to corners edgewear some rubbing still a VG copy. Second edition of this classic and surprisingly scarce printer’s manual originally issued in 1904 and the third title in De Vinne’s unexcelled series on typography. This work devoted to mechanical methods of book composition encompasses chapters on equipment composition of books composing & printing mathematics and music books foreign languages such as Greek Hebrew & German stone work and more. De Vinne 1828-1914 was often designated the “Dean of American Printers†founded the Grolier Club collaborated with Robert Hoe to advance fine printing and presses and embraced the concept of the book as objet d’art. The Century Co., hardcover
Référence libraire : 58183
|
|
|
[PRINTING -- SAMPLE BOOK]. [JOACHIM, Leo H (Ed & Publisher).]
The seventh annual advertising and publishing production yearbook: the reference manual of the graphic arts. . . .
New York: Colton Press Inc. 1941. Thick 4to. 468 pp. With sample papers colour print samples type sets illustrated ads divider sheets w/ die-cut folding thumb tabs and text illustrations throughout. Black pictorial publisher’s cloth hand holding two pieces of type on front cover surrounded in gilt logos minor sunning to spine 1 minor soil spot upper right corner still VG copy. First edition of this relatively uncommon reference for printing and advertising design work on the eve of World War II including sections on art -- Faber Birren on Colour advice on art techniques and photography; Engraving & Duplicates - essential information on engraving techniques colour reproduction photo-engravings and Aluminotypes; Paper & Ink; Printing Processes - including sections on lithography collotypes silk screen and copper engraving and more. Colton Press, Inc., hardcover
Référence libraire : 63576
|
|
|
[PRINTING & TYPOGRAPHY] TECHNICAL Composition Company
Type Faces For Book Work
Boston: Technical Composition Company 1940. Quarto. Tan linen hardcover; 386pp. Small tear to upper margin of first two preliminary leaves else Fine and unmarked. A specimen book containing "Linotype and Monotype faces suitable for book work and available to customers of the Technical Composition Company. There is illustrated also a selection of foundry type for title pages and special work" from Foreword. Technical Composition Company unknown
Référence libraire : 63235
|
|
|
[PRINTING -- TYPOGRAPHY].
Type specimen book; Type identifier. . . .
Kansas City MO: Western Typesetting Co. 1936. Two vols. 1st. - 4to. 220 pp. Title and section titles printed in colour on thick cover stock typefaces throughout. Black pictorial cloth Western motif cowboy riding typeface on front cover silver Art Deco lettering slight shelfwear; 2nd - 8vo. 81 1 pp. Typeface alphabets throughout self-printed black & silver softcovers minor shelfwear inserted into front pocket of Specimen book NF set. First editions of both these excellent volumes on American type faces produced by the noted company during the 1930s. Western offered Linotype Monotype Ludlow and Hand-set types reproduction proofs long wearing unconditionally guaranteed types and other advantages towards their clients. The type specimens included hear encompass Scripts Gothics Spartans Bodoni Moderns extensive special figures and more. The Type Identifier lists over 400 different faces from ATF Baltimore Bauer Continental Intertype Monotype Ludlow and other sources. Western Typesetting Co., paperback
Référence libraire : 56351
|
|
|
[PRINTING & TYPESETTING]. JOHNSON, J[ohn].
Typographia or the printers instructor: including an account of the origin of printing with biographical notices of the printers of England from Caxton to the close of the Sixteenth century: a series of ancient and modern alphabets and Domesday characters. . . .
London: Longman Hurst Reese Orme Brown & Green 1824. Two vols. Thick 8vo. 7 x 4.25 in. Engraved frontisp. each vol. extra-engraved title pages woodcut-engraved borders throughout numerous illusts. diagrams woodcuts. Contemporary diced olive-green calf raised bands on spine gilt decorated red & gilt morocco spine labels fore-edges of textblock speckled red very minor shlefwear slight rubbing & wear to couple corners lower front hinge vol. II a little tender still an excellent set. First edition of this famed set providing an excellent history of the origins of English Printing and typography to 1599 and including an extensive sections on various alphabets including Hebrew Aramaic Greek Russian Irish Old Irish Gothic German and many others. The sections on printing typography forging types typesetting and various presses are extensive and detailed. Johnson 1777-1848 worked for a private press at Lee Priory Kent which published limited editions of poetry prose and pamphlets but eventually failed. Longman, Hurst, Reese, Orme, Brown & Green, hardcover
Référence libraire : 53328
|
|
|
[PRINTING: FIRST WORLD WAR] William Archibald Clowes (1866-1937), Chairman, William Clowes & Sons Ltd, English printers:
Clowes Printer; Royal Society of Arts 12 Typed Letters and one Autograph Letter re the printing of the 'Society of Arts Journal' addressed to Sir HT. Wood and G.K.Menzies Secretaries Royal Society of Arts together with one printed circular.
10 August 1915 to 23 November 1917. Clowes is an eminent firm of English printers founded in London in 1803 and still thriving in Suffolk. The twelve typed letters are each one page quarto on the firm's Duke Street letterhead. The autograph letter is one page 12mo with mourning border. The collection in good condition overall with a few items aged and lightly creased. Most items docketed and bearing the Society's stamp. All items except the circular signed by 'W A Clowes' who he informs Wood in his first letter has taken over from his cousin Captain W. C. Knight Clowes whose copy of the First Folio was subsequently bought by William Foyle. The collection provides an fascinating insight into the effect of the Great War on the printing trade with Clowes reluctantly announcing repeated increases in costs. In the third letter 21 October 1915 he states: 'We wish to wait and see what the effect of Lord Derby's recruiting scheme will be on the printing trade because if many more men are taken from it the cost of production will again be greatly increased . I am glad to say that for the moment we have a stock of the old Journal paper at the usual price'. Letter four 14 August 1918 warns of 'another large rise in wages in the London District in the near future' and letter five 27 March 1918 confirms 'the large increase in wages that the printing and binding trades have been compelled to grant their workpeople. All materials used in printing and binding have again risen and are still rising . we shall be obliged to raise our prices to you for printing and binding by a considerable percentage'. Letter six 20 March 1918 responds to a complaint from Menzies regarding the printing of the Journal's wrappers: 'I . cannot in any way defend the printing. I was having the matter thoroughly looked into before your letter came and the type renovated'. He complains that 'labour is so scarce' but promises that he will be 'keeping an eye on it until it is done properly'. Letter of 13 June 1917 announces '15% extra on composition machining and binding owing to the increases in wages which took place previously to October 1916 and the large increase that took place then and the still larger increase which had to be paid on this June 1st'. A printed circular announces another rise of 15% from 31 October 1917 'owing to the further increases in War Bonuses and the never ceasing increases in the cost of all materials'. On 28 March 1917 Clowes warns that the firm has 'only sufficient paper in stock to take us to about June 30th' and that 'prices will rise very sharply immediately owing to the great scarcity of materials'. In the handwritten letter which ends the series Clowes thanks Menzies for his 'kind letter of sympathy with us on the sad loss we have sustained by the death of my Cousin Mr Knight Clowes. I note with pleasure that you intend to insert a short obituary notice of him in your Journal. You may have seen the one in "The Times" for Wednesday last'. 10 August 1915 to 23 November 1917. unknown
Référence libraire : 5025
|
|
|
[PRINTING]. RYDER, John
A Suite of Fleurons or A Preliminary Enquiry into the History and Combinable Natures of Certain Printers' Flowers.
Phoenix House London: Tinlings of Liverpool 1956. 11 specimens of printers’ ornaments including various arabesques flowers and shapes with an explanation accompanying each one. Drawings on pages 38 and 53 by Heather Copley. Set in monotype Bell and printed on Basingwerk Parchment. 12mo. original quarter parchment over marbled paper boards lettering and decorative design in gilt to spine. Slightly darkened at spine and rubbed at extremities but generally a very good copy.With the booklabel of Robert Elwell. Tinlings of Liverpool hardcover
Référence libraire : 8475
|
|
|
[PRINTING]. JOHNSTON, Paul
Biblio-Typographica. A Survey of Contemporary Fine Style.
New York: Covici-Friede 1930. Illustrated with more than 100 reproductions of text and title pages. One of 1050 copies of which 50 were special copies. Set in Baskerville type and printed by the Southworth Press Portland Maine. Sm. 4to. 18.5 x 27 cms specially bound for the author in half brown morocco over marbled paper boards fore and lower edges uncut lacking the label on the book spine housed in the original brown cloth slipcase. A partly unopened copy in a mildly rubbed slipcase. Original prospectus inserted loose. Inscribed by the author to friend and printer of the book Fred Anthoenson of The Southworth Press ‘with appreciation of his help and kindness’. Inscribed by the author to the printer Covici-Friede hardcover
Référence libraire : 8416
|
|
|
[Printing]. Wolf, Gustav
Das Zeichen-Büchlein.
Jena: Eugen Diederichs n.d. ca. 1921. Original edition. Decorated Boards. Very Good. Octavo pp. 23 and 3 Plates. Illustrated with b/w woodblock prints. Text in German Gothic script. A very nice copy. Eugen Diederichs hardcover
Référence libraire : 14224
|
|
|
[PRINTING]. PARTRIDGE, CS C S
Electrotyping. A practical treatise on the art of electrotyping by the latest known methods. Containing historical review of the subject full description of the tools and machinery required and complete instructions for operating an electrotyping plant. . . .
Chicago: Inland Printer Co. 1908. 8vo. 213 3 pp including publisher’s ads. Numerous text illusts. of apparatus & equipment. Burgundy linen white lettrng mnr soilng staining occasional interior soilng still a G copy. Second edition revised & expanded of this exceedingly scarce reference work on electrotyping which was used for making duplicate plates for letterpress printing and especially for finely engraved plates. It was a far superior process to stereotyping. Inland Printer Co., unknown
Référence libraire : 40636
|
|
|
[PRINTING] Henry Sandon, Victorian engraver:
Henry Sandon Victorian engraver Engraved trade card with illustration Proof
Without date circa 1850; 60 Wellington Street Goswell Street London. On good thick wove paper roughly six and a quarter inches by four and three-quarters wide. Dimensions of plate indentation five inches by three wide. Good on aged and lightly-foxed paper left edge irregular indicating extraction. A very attractive card carrying an engraving of a sylvan scene giving a very good idea of Sandon's qualities. Reads in a variety of hands 'EVERY Description OF ENGRAVING & PRINTING Neatly executed. vignette HENRY SANDON 60 Wellington Street Goswell Street London.' Sandon does not feature in BBTI. See Image Without date [circa 1850?]; 60, Wellington Street, Goswell Street, London. unknown
Référence libraire : 5081
|
|
|
[Printing]: [Marketing]
Large Scrapbook Archive of Undergarment Packaging Samples from Consolidated Lithographing Corporation
Brooklyn NY: Consolidated Lithographing Corp 1958. Near fine. An enormous scrapbook of chronologically-arranged printing samples from the Consolidated Lithographing Corporation of Brooklyn preserving the company's packaging work for the undergarment industry. Labels include bands tags wraps and labels from predominantly women's products: stockings hosiery lingerie bras panties and the like. Men's and children's products also represented however socks undershirts etc. The printing processes evident in the samples evolve from chromolithography to color lithography to photo mechanical in the later examples - all vivid and exhibiting elegant postwar design. Hundreds of brands and products in total: Regent Hosiery Artemis Underthings Treo Undergaments Spick and Span Hosiery Lowenstein Fabrics Sport-Wear The Lone Ranger and Superman Branded Socks among many others. Consolidated Lithographing Corporation was founded by Jacob A. Voice around 1925 and operated as one of the finest and most prolific American commercial printers of the era specializing in cigar labels dust jackets for Doubleday liquor labels garment packaging and more. This rich archive likely containing the only extant examples of numerous works offers numerous worthy avenues for future study: from commercial printing methods to mid-century design and marketing. Hardcover. Elephant folio. Grey cloth screw-bound boards. Measuring approximately 24" x 16.5" containing 350 color lithographed and chromolithographed paper packaging elements in a wide variety of sizes adhesive mounted recto and verso to 38 paper leaves. Additional 65 leaves blank. Top board stamped "Consolidated Lithographing Corporation." Pencil notations recording catalog numbers and dates throughout. Mild handling wear to exterior. Penned notation to cover notes "Set 5 Book 5." Likely one volume from larger company archive. Contents clean well preserved and apparently complete. Near fine overall. Consolidated Lithographing Corp paperback
Référence libraire : 41578
|
|
|
[Printing]. Parkhill, Charles Lothrop Dexter
Late 19th - Early 20th Century Printer's Scrapbook.
Boston 1888 - 1917. Good. 9" x 7-7/8". 50 leaves of which 30 have been used. Stab-bound green and brown paper-covered boards white title label on burgundy paper burgundy paste-downs. Contains 53 clippings plus 21 other pieces: an S. J. Parkhill & Co. business card an insurance document for Charles L. D. Parkhill several printed announcements and poems a three page typed poem on the back of Parkhill letterhead flyers etc. Light wear; paper of front joint cracked; leaves and clippings toned and somewhat brittle with occasional short tears and chips to edges; tears and wear to some laid in material. One leaf shows evidence of an item having been removed. A scrapbook apparently compiled by printer Charles L. D. Parkhill the son of Samuel James Parkhill who founded S. J. Parkhill & Co. Printers in Boston in 1875; by the 1910s the firm was primarily known for its publication of textbooks. The scrapbook is a compilation of clippings printed matter and a few holograph scraps affixed tipped-in and laid into the album many of which are notices of the death or bankruptcy notices of other local printers and publishers: Louis Prang Edgar O. Silver William E. Cochrane employed by Prang Dana Estes Moses King Josiah Stearns Cushing and of course Samuel James Parkhill. Other Parkhill material includes a business flyer for James Duffy an employee of Parkhill & Co. as well as a newspaper clipping of his death notice and a newspaper clipping announcing the marriage of another Parkhill employee.Several newspaper clippings pertain specifically to Charles L. D. Parkhill which with the aforementioned Parkhill material and the insurance document lead us to believe the scrapbook was created by Charles Parkhill. In 1911 he was arrested for speeding and he appears to have enjoyed a fast lifestyle in other areas as well: several non-printing related items attest to his love for horseracing drinking literature and dogs not necessarily in that order.Overall an interesting and somewhat morbid collection of material by one printer about his fellows in early 20th century Boston. hardcover
Référence libraire : 1261
|
|
|
[Printing]
M & H Type Catalogue
San Francisco: M & H Type 1994. Limited Edition. Hardcover. Fine. M & H Type. Narrow 4to 10 3/4" x 4 3/4" Pp. vii 119 5 for notes. With introduction and index. Illustrated with 12 photographs in b/w. Bound in moss green cloth with title and decoration stamped in black. Laid in is a letterpress broadside featuring company history and information regarding tours location etc. A handsome copy of book limited to 1000 copies with 12 photographs in b/w by San Francisco photographer Dennis Hearne interspersed throughout. M & H Type hardcover
Référence libraire : 12285
|
|
|
[PRINTING]. SCHMIT, J[ean]-P[hilippe].
Nouveau manuel complet du decorateur-ornementiste du graveur et du peintre en lettres. . . ; Atlas. . . .
A la Librairie Encyclopedique de Roret Rue hautefeuille 10 bis.; Rue hautefeuille 12 1848-1850. Two vols. 1st - 12mo. 4 248 pp. Contemporary quarter brown-morocco over marbled boards marbled endpapers raised bands gilt ruling & lettering on spine wear rubbing edgewear some scuffing occasional foxing still VG- copy w/ former ownership markings of the noted illustrator Henri Stein 1843-1919 whose illustrations graced the El Mosquito a “satirical-burlesque with caricatures†newspaper appearing weekly from 1863 to 1893; 2nd - 4to. 4 pp. with 30 double-page engraved plates all mounted on paper stubs at gutter margin. Quarter plum-coloured pebbled publisher’s cloth over marbled boards edgewear rubbing minor bumping to corners ex-lib stamps on a few leaves still VG set. First edition of the first volume and early printing of the companion atlas of this scarce Roret set on decorative lettering geometrical details perspective and ornamental details. The alphabets encompass a variety of printer’s and sign painter’s fonts ornamental and historiated letters cursives Spencerian scripts and more. A la Librairie Encyclopedique de Roret, Rue hautefeuille, 10 bis.; Rue hautefeuille 12, hardcover
Référence libraire : 59211
|
|
|
[PRINTING]. FRESHWATER, GJ & BASTIEN, Alfred G J
Pitman’s dictionary of advertising and printing. A complete work of reference to the advertising and printing arts. . . .
London: Sir Isaac Pitman & Sons Ltd. 1930. Tall thick 4to. ix 1 447 1 pp. 100s of text illusts. photos diagrams colour plates colour printing samples and more. Three-quarter red calf over red cloth raised bands gilt lettrng on frnt cvr & spine w/ d.j. chipping head & foot of spine corners minor creasing closed tears NF/G- copy. First edition of this invaluable reference work including sections on advertising and printing terms typography and type faces commercial art and presentation window displays business planning & promotion specimens of printing writing papers cards and much more. Of particular interest are the tipped-in marbled paper and binding material samples with exceptional colours and quality. Exceedingly scarce with the original dustjacket. Sir Isaac Pitman & Sons, Ltd., hardcover
Référence libraire : 41599
|
|
|
[PRINTING] MORISON, Stanley DAY, Kenneth
The Typographic Book 1450-1935. A Study of Fine Typography Through Five Centuries.
London: Ernest Benn 1963. First edition. 377 plates of books dating from 1450 to 1935. 2 wood engraved title pages and engraved initial by Reynolds Stone. Introductory essay by Stanley Morison. 4to. original black cloth lettered in gilt grey endpapers in original printed dust jacket. Housed in original brown textured paper slipcase. Small tear to the jacket spine and a mark to rear panel otherwise a bright fresh copy in a worn slipcase.A superb and important examination of typography. With many fine examples of typography Ernest Benn hardcover
Référence libraire : 8297
|
|
|
[PRINTING].
Type faces specimen catalogue: machine composition hand composition.
Vancouver WA: Pioneer Printing & Stationery Co. ca. 1955. 4to. 60 pp assorted pagination. type specimen samples & layouts throughout printed in blue & black. Colour-illustrated softcovers w/ type faces cover art and company logo of covered wagon w/ oxen minor shelfwear rubbing pencil MS annotations on first leaf still VG copy. First edition of this scarce Pacific Northwest type specimen catalogue featuring machine composition and hand composition typefaces. Machine was primarily confined to such typefaces as Bodoni Century Garamond Gothic Paragon Spartan and a few others. The Hand composition encompassed a much wider range from Balloon to Cloister Black Entravers Text to Pirannesi and even included a Wood Type face section. Pioneer Printing operated on Columbia Street in Vancouver from 1944 until 2008 when the business finally closed. No copies in Worldcat. Pioneer Printing & Stationery Co., paperback
Référence libraire : 57818
|
|
|
[Printing] [Magic]
Warren's Flokote Vintage Advertising Samples
Warren 1975. Very Good Plus. Stamped May 14 1975 on the versos stapled softcover 8vo varying page count and format all full-color on white stock of varying weights: 70-pound Bk 3 80-pound Bk 1 100-pound Bk 4 and Cover 8 pt Bk 2. Warren has done paper for many years and these "salesman's" samples come from a period of popularity and high production of common papers later offering only specialty and packaging products. These samples feature the "legendary Great Goofoni.and his choice of female assistant" mention of the "Warrenflo" process great color photos of Goof doing slight-of-hand and other tricks and playful illustrations by Isadore Seltzer. This is a near complete set with at the least 5 being seen.Book 1: 2 sheets 8pp card tricks s-o-h. Book 2: 1 sheet folded with pop-up thicker stock.Book 3: 2 sheets 8pp with 1 fold-out card tricks s-o-h.Book 4: 1 sheet folded with 1 fold-out thicker stockAll Very Good Plus overall light foxing rubbing toning a few faint creases. Warren paperback
Référence libraire : 128951
|
|
|
[PUBLICITÉ] SAVON "LA ROUE" MARSEILLE
TIRAGE D'ESSAI D'UNE ÉTIQUETTE DE GALETTES BRETONNES "AR GUELLA" YVES CREAC'H - PLACE DE L'EGLISE - CARANTEC (FINISTERE) 1930
Nantes imprimerie chambon 1930 un tirage d'essai pour un couvercle de boite de Galettes Bretonnes avec illustrations en COULEURS représentant : "l'Ile Louët et le Chateau du Taureau", sur papier mat blanc pour la Marque : GALETTES BRETONNES "AR GUELLA" YVES CREAC'H - PLACE DE L'EGLISE - CARANTEC (FINISTERE) , certainement à l'occasion d'un devis demandé par la Maison GALETTES BRETONNES "AR GUELLA" YVES CREAC'H - PLACE DE L'EGLISE - CARANTEC (FINISTERE) à l'Imprimerie Chambon à Nantes, Format : 29 x 16,5 cm, sans date (1930) sans nom d'imprimeur (Nantes - imprimerie Chambon [LOUIS CHAMBON était le successeur d'Alfred RIOM industriel Nantais ferblantier, imprimeur sur métaux]) pour GALETTES BRETONNES "AR GUELLA" YVES CREAC'H - PLACE DE L'EGLISE - CARANTEC (FINISTERE),
Référence libraire : 25638
|
|
|
[Périgueux].
Le quatrième centenaire de l'introduction de l'imprimerie en Périgord. Périgueux
Périgueux, Imprimerie de la Dordogne, 1898, brochure in-8, 39 pp. et une planche hors-texte.
Référence libraire : 200483
|
|
|
[REY A.] Jean ETEVENAUX & al.
1791 - 1991, bicentenaire des Ets A. Rey - Editeur-Imprimeur. Avec douze peintres lyonnais
Villeurbanne, Ets A. Rey, 1991, 21 x 30, 154 pages cousues sous couverture souple imprimée. Préface de Charles Juliet. Iconographie noir & blanc et couleurs. Un des 650 exemplaires numérotés.
Référence libraire : IMPRIMEDITION1014
|
|
|
[revue] Commercial Art October 1926, Volume 1 Number 4
[revue] Commercial Art. October 1926, Volume 1 (New Series) Number 4.
London: The Studio, 1926 in-4, pp.145-192 + xii pages d'annonces, illustrations dans le texte et 4 planches hors texte en couleurs. Broché, couv. défraichie, dos cassé, avec manques. Sommaire: HAMILTON: F. Gordon Crosby a draughtsman of cars. Jiro HARADA: Modern Japanese posters. Wilhelm LOTZ: German industry, training the designer. J.M. BOWLES: The Ovington campaign. Aspects of the selling art. The Royal Society of Arts exhibition. Horace TAYLOR: The Cloister Press, a bold venture. Gerald REITLINGER: Machine production, a warning and a panagyric. R. P. GOSSOP: Holiday posters.
Référence libraire : 13978262
|
|
|
[REGIONALISME - MARSEILLE] Imprimerie Moullot Fils Aîné
CARTE DE VISITE PUBLICITAIRE DE LA MAISON PASCAL [RESTAURANT]- Place Thiars - Marseille (1916)
Marseille Imprimerie Moullot Fils Aîné 1916 une carte de visite double page (un bristol plié en deux) sur papier bristol, format : 13 x 9 cm, imprimée en rouge et chocolat, 1ère page : Maison pascal créée en 1829 et tenue de tout temps de père en fils, bouillabaisse à partir de 9h du matin avec la moitié gauche montrant une gravure représentant la mer devant le Fort Saint-Jean, les deux parties centrales de la carte donnent un plan de la Maison PASCAL pour rejoindre l'exposition COLONIALE (de Marseille) 1916 avec un tracé en rouge sur fond chocolat, la 4ème page décline les spécialités de la maison en rouge et chocolat avec une gravure animée de la Maison PASCAL en partie gauche, dans un encadrement d'un double filet rouge, Marseille Imprimerie Moullot Fils Aîné 1916,
Référence libraire : 24393
|
|
|
[REGIONALISME - Nantes ] Imprimerie Jules Péquignot et Clouet
CARTE DE VISITE PUBLICITAIRE : MAISON CHANROUX (fondée en 1890) MODES - 11 . RUE LAFAYETTE NANTES - 1910 -
nantes Jules Pequignot et Clouet 1910 une carte de visite sur papier bristol blanc, format : 12 x 15,5 cm, imprimée en noir et illustrée en partie gauche, d'une gravure représentant une tête de femme avec un trés grand chapeau à plumes en noir, 1910 Nantes Imprimerie Jules Pequignot et Clouet Editeurs,
Référence libraire : 26880
|
|
|
[REVOLUTION] / [IMPRIMERIE]
Loi portant que les Imprimeurs & Ouvriers des Imprimeries nécessaires au service public, sont tenus, dans les dangers de la patrie, de rester attachés à leurs travaux, qui deviennent pour eux le poste du Citoyen. Du 18 Septembre 1792, l'an quatrième de la Liberté.
Paris, Imprimerie Nationale, 1792. In-4° de 2 pp.[D46]
Référence libraire : 21697
|
|
|
[Reinhard I, Graf zu Solms-Lich].
Besatzung. Ein kurtzer bericht, wie Stätt, Schlösser oder Flecken, mit kriegs volck sollen besetzt sein, daß sie sich vor dem Feinde erhalten mögen. Frankfurt, (Feyerabend & Hüter, 1564).
Folio (189 x 290 mm). XVI, (1) pp. With large woodcut title illustration and 6 woodcut illustrations in the text, all by Jost Amman. Modern marbled boards with cloth spine, new endpapers. All edges red. Second independent edition of this "short account of the manner how towns, castles, and other places are to be garrisoned with soldiers in such a way that they may withstand the enemy". Formerly attributed erroneously to Fronsperger's "Kriegßbuch", from which Amman's fine title woodcut was taken, the treatise was first published privately in 1560 as the 8th volume of the monumental military encyclopedia by the imperial field marshal and fortification architect Reinhard count Solms (1491-1562); Feyerabend issued it separately in 1563. The text woodcuts show siege engines and instruments. - Leaves XIII and XIIII transposed. Colophon leaf repaired at foot and spotted. - Provenance: the library of Heinrich Stiebel, Frankfurt (his bookplate on pastedown, numbered 5272). Later in the collection of Thomas Fremantle, 3rd Baron Cottesloe (1862-1956), commander of the Territorial Army and president of the Society for Army History Research (purchased from Sotheran's, December 1936). VD 16, R 940. Jähns I, 550 (and cf. 509-514). Cf. Cockle 530 (1563 ed.).
|
|
|
[Reisch, Gregor].
[Margarita philosophica.] Aepitoma omnis phylosophiae. Alias margarita phylosophica tractans de omni genere scibili. Cum additionibus: que in aliis non habentur. (Strasbourg, Johann [Reinhard, gen.] Grüninger, 23 February 1504).
4to. [287] ff. (B-C6, D-E8, F28 [!], G8, H6, J8, K4, L-N8, O6, P-Q8, R6, S-V8, X6, Y-Z8, a8, b4, c7 [6+1: includes "c medium" between c2 and c3], d-e8, f6, g-h8, i4, k-l8, m6, n-p8; published thus without a gathering A, agreeing with ÖNB copy). With title woodcut, 8 pp. of musical notes, and numerous (32 large, 12 almost full-page, and hundreds of small) woodcuts in the text (wanting the woodcut map and the folding plate on musical theory). Contemp. wooden boards with blindstamped pigskin spine and one central brass clasp. The first encyclopedic work in modern European history. The first Strasbourg edition, a revision of the Freiburg first edition published the previous year. In the manner of a dialogue between teacher and student, the book discusses the sciences and liberal arts, including music (with notes), medicine, geometry, surveying, etc. Grüninger modified several woodcuts from the first edition and added others; he also incorporated a brief Hebrew grammar by Conrad Pellicanus, making this the first Strasbourg-printed book to include Hebrew type (cf. Schmidt). - Among the illustrations are a map of the world on f. c6r and many charming miniature woodcuts in the margins. Occasionally, details of the initials (F11r) and woodcuts (e.g., F18v, c2v [salamander], and c3v [dragon]) have been coloured in red. Several contemporary underlinings and marginalia, including a lengthy note on earthquakes that supplements the printed text by additional sources, such as the Arabian astronomer Abu Ma'shar: "Erdbebung bedeute straff Gottes. Naturliche Ursachen nemlich die Hitz und würckung etlicher Planeten, mit der Sonnen, als Martis, Iovis, Saturni, und sönderlich sagt Albumasar vom Saturno. Bedeuten stets künfftig Unglück, wie auch Plinius danen saget, das kein Erdbidem zu Rom geschehen sey one Bedeutung künfftiger ding [...]" (c5v). Some browning and fingerstaining; quires S and e misbound; several small edge defects (larger in d5, k6); paper defects to D4 and (almost touching text) d6. Some worming near beginning and end of volume, also concerning the binding; some damage to spine-ends. VD 16, R 1034. BM-STC 731. Proctor 9891. Schmidt (Grüninger) 66. Ritter 1984. Muller 24, 26. Smith, Rara, 82. Sabin 69123. Ferguson (Reisch) 201f. Alden/L. 504/2. Zinner 849. Eitner VIII, 183. Not in Adams.
|
|
|
[Reuchlin, Johannes]. Colonna Galatino, Pietro.
Opus de arcanis catholicae veritatis [...]. Ad haec, Ioannis Reuchlini de Arte Cabalistica, libri tres. Basel, Johann Herwagen, 1561.
Folio (230:340 mm). (18) pp., 1 bl. f., 551 (but: 549), (4), 552-651, (41) pp. Attractively blindstamped contemp. pigskin binding over bevelled wooden boards. 2 brass clasps. Second issue by Herwagen (printed by him previously in 1550), first published at Ortona in 1518. The author "defends Catholicism against Judaism and also stands up for Reuchlin as regards the assaults of his contemporaries" (cf. Fürst). With many Hebrew passages and quotations. At the end: Reuchlin's "De arte cabbalistica" (not included in the first edition). This famous work on cabbalistic art is written in the form of a discussion between three men: the Jew Simon, the Muslim Marranus, and the Pythagorean Philolaus, who come together for talks at Frankfurt/Main, the residence of the Jew. - Altogether well-preserved. Very rare. VD 16, C 4616. Adams C 2420. Benzing 102. Goed. I, 416, 20. Fürst I, 314.
|
|
|
[RICOUX DU FORT (Jean-Louis)].
Maximes, réflexions, caractères, ou Ébauche des moeurs du siècle.
Arles, Jacques Mesnier, 1762. In-12 de (8)-235-(1) pp. maroquin rouge, dos lisse orné, roulette, filet et frise dorés d'encadrement sur les plats, armes et devise dorées de la ville d'Arles frappées au centre, tranches dorées (reliure de l'époque).
Référence libraire : 44592
|
|
|
[Rouault, Georges]; Chapon, François
Le livre des livres de Rouault. The illustrated books by Rouault.
Monaco, Editions Andre Sauret et Editions Michele Trinckvel, 1992. 4°. 32 cm. 247 Seiten. Original-Leinenband mit Original-Schutzumschlag.
Référence libraire : 45401AB
|
|
|
[Ruscelli, Girolamo (ed.)].
Delle lettere di principi. Venice, Francesco Ziletti, 1581.
4to (152 x 208 mm). 3 volumes. (6), 236 ff. (6), 203 ff. (8), 284 ff. With woodcut printer's device to title-pages. Early 19th century full vellum with giltstamped spines and double labels. All edges gilt and goffered with a floral design. Rare collection of correspondence by significant personalities and rulers, including Andrea Doria, Annibale Caro, Baldassare Castiglione, Bernardo and Pietro Bibiena, Cardinal Bessarion, Lorenzo and Cosimo de' Medici, Pietro Gonzaga, Hieronimo Fracastoro, Giovanni Bembo, Francesco Guiccardini, Emperor Charles V, Pope Clement VII (Giulio de' Medici), etc. Important both as historical and linguistic documents; the definitive edition. - Ruscelli was a prolific and versatile Italian scholar who published on topics ranging from cartography to alchemy. A native of Viterbo, he eventually settled in Venice, where the first edition of "Delle Lettere Di Principi" was published in 1562 in a single volume. The collection demonstrates the rich social context of 16th century Venice, as Ruscelli himself is a classic example of the multidisciplinary Renaissance man. - Light foxing throughout and occasional light soiling or waterstaining. A prettily bound set with 19th century collection stamp to title-pages of vols. 1 and 3. Edit 16, CNCE 16617. Adams L 564. BM-STC Italian 376. Melzi II, 115f. Gamba 1470 ("a very valuable collection").
|
|
|
[RÉGIONALISME - FOUGEROLLES] Imprimerie R.O.F. A. BURIOT à FOUGEROLLES
CARTE DE VISITE PUBLICITAIRE DE REPRESENTANT DE LA MAISON : GIRARDIN-AUBRY - DISTILLERIE DU CLOS DE FOUGEROLLES A FOUGEROLLES (HAUTE-SAONE) - 1900 -
FOUGEROLLES Imprimerie R.O.F. A. BURIOT 1900 une carte de visite sur papier bristol blanc, format : 13,2 x 9,5 cm, imprimée en noir et illustrée en partie gauche, d'une gravure représentant la vue générale de la Distillerie d'aprés une photographie, Imprimerie R.O.F. A. BURIOT à FOUGEROLLES,
Référence libraire : 26879
|
|
|
[RÉGIONALISME PARIS ] IMPRIMERIE LITHOGRAPHIQUE DE SAUNIER (Jacques), RUE SAINT HONORÉ, N°320 - PARIS
CARTE DE VISITE : IMPRIMERIE LITHOGRAPHIQUE DE SAUNIER (Jacques), RUE SAINT HONORÉ, N°320 - PARIS, (1830)
Nantes 1860 une carte de visite ORIGINALE, imprimée en noir sur papier fin blanc, format : 6,2 x 8,8 cm, IMPRIMERIE LITHOGRAPHIQUE DE SAUNIER (Jacques), RUE SAINT HONORÉ, N°320 - PARIS, (1830)
Référence libraire : 28599
|
|
|
[RÉGIONALISME CHATEAUBRIANT ] IMPRIMERIE LIBRAIRIE HENRI BOURGEOIS - RUE DE L'HÔTEL DE VILLE A CHATEAUBRIANT (44)
FACTURE ACQUITTÉE A EN-TÊTE DE L'IMPRIMERIE LIBRAIRIE HENRI BOURGEOIS - RUE DE L'HÔTEL DE VILLE A CHATEAUBRIANT (44)
Chateaubriant 1900 1 document ORIGINAL, à en-tête illustrée art-nouveau en orange et noir, pré imprimée en noir et manuscrite à l'encre brune d'une page, format : 18,8 x 22 cm, sur papier crème, facture adressée à Mr ESNAULT au bourg à Saint-Julien de Vouvantes, 1900 IMPRIMERIE LIBRAIRIE HENRI BOURGEOIS - RUE DE L'HÔTEL DE VILLE A CHATEAUBRIANT (44),
Référence libraire : 28367
|
|
|
[RÉGIONALISME NANTES ] A. CHARPENTIER ET FILS, IMPRIMEUR ÉDITEUR A NANTES, 30, 32 et 34 RUE DE LA FOSSE
FACTURE A EN-TÊTE VIERGE DE : IMPRIMERIE EN CARACTERES, GRAVURE ET LITHOGRAPHIE - A. CHARPENTIER ET FILS, IMPRIMEUR ÉDITEUR A NANTES, 30, 32 et 34 RUE DE LA FOSSE [1876]
Nantes 1876 une facture (vierge) ORIGINALE, à en-tête illustrée en noir en haut , format : 32,7 x 22 cm, sur papier velin blanc de 4 pages, une grande feuille pliée en deux, 1876 NANTES A. CHARPENTIER ET FILS, IMPRIMEUR ÉDITEUR ,
Référence libraire : 28625
|
|
|
[Rüdinger, Esrom].
Disputatio grammatica. De interpretatione Graecorum verborum. Wittenberg, J. Schwertel, 1571.
4to. 12 unnumbered ff. With a woodcut initial. Modern boards. First edition. - A polemical piece of textual criticism directed against Nicolaus Selneccer and his interpretation of Greek works pertaining to the resurrection of Christ. The Bamberg theologian Rüdinger (1523-91) was a tutor at Joachim Camerarius's home; he later taught physics at Wittenberg, where he joined the Moravian Brethren and was evicted from Saxony as a crypto-Calvinist. - Some brownstaining; occasional underlinings by a contemporary hand. A large tear to f. A3 has been repaired by an earlier owner, resulting in the loss of a line of text. VD 16, R 3478. Cf. ADB XXIX, 470.
|
|
|
[SAUGRAIN Claude Marin].
Code de la librairie et imprimerie de Paris.
Paris, aux dépens de la Communauté, 1744. In-12 (164 x 100 mm), XXIV pp., 496 pp., 15 ff. n. ch., 1 f. (carton des pp. 265-266). Cartonnage d'attente recouvert de papier vert gaufré imitant le grain long, titre manuscrit à l'encre sur étiquette de papier, usures à une charnière, quelques frottements, déchirure sans manque p. 369, quelques rares rousseurs, déchirure dans la marge en gouttière p. 417, mouillure marginale aux deux derniers feuillets (cartonnage d'attente du début du XIXe siècle).
Référence libraire : 10692
|
|
|
[SAINT GERMAN (Christopher)]
The Dialogue in English, betweene a Doctor of Divinity, and a Student in the Lawes of England. [with the second Dialogue].
8vo (140 x 90 mm), newly corrected & imprinted, with new additions, 176, [9]pp., title within a decorative border, black letter throughout, 3 contemporary ink notes in the blank margins, small pieces missing from lower blank margins of P1, Z3 & Z4 (just touching the text), with the 4 final contents leaves, faint pink stain (ink?) on tip of lower corner of 25 leaves, later vellum, new endpapers and ties, a nice copy. The first dialogue is a modified translation of his "Dialogus de fundamentis legum Anglie et de conscientia." STC, 21577.
|
|
|
[Schede-Melissus, Paul]
Melissi Schediasmata poetica. Secundo edita multo auctiora.
Paris, Arnould Sittart, 1586, deux volumes in-12 ; plein veau glacé caramel, pièces de titre et tomaison de maroquin grenat, tranches rouges (rel. du XVIIIe siècle) ; (1) f., 562 pp., (7) ff. d'index ; 157 pp., (2) pp. d'index, 325 pp., (10) ff. d'index, privilège, Melissus lectori, epigrammata ad Paulum Melissum Schedium. Trois parties en deux volumes.
Référence libraire : 1231
|
|
|
[SCOTT (Thomas)]
The substance of a public discussion between Mr. Carlile, and a Dissenting Minister : occasioned by some remarks made by Mr. Carlile, in his lecture on theology, delivered at the Free Mason's Arms, Norwich, April 23rd, 1834.
Second edition, 12mo, 18pp., quarter calf.
|
|
|
[Seattle Printing] Robison, Gregory F
Archive of Job Printing Fine Printing and Short Works from a Seattleite
Seattle 1981. Archive of ephemeral printed materials and two typed essays both with hand drawn or colored illustrations. Generally very good or better with the occasional scuff or crease. <br /> <br /> An attractive and varied set of materials mainly consisting of "copies of jobs done" as labeled on the folder housing the collection. Gregory Francis Robison attended Seattle Prep School and apparently began printing at a fairly early age; we find in newspapers he likely graduated ca. 1972 and the earliest piece in this collection is dated 1967. From small senior prom keepsakes to finely printed party invitations there is a definite sense of progression of artistry and technique in the items. Interestingly this archive also contains two manuscript essays on Pacific Northwest Coast Indians both copyrighted in 1968 and one with a Library of Congress Cat. No. no less. The Archive includes:<br /> <br /> 1. 9 Small tickets business cards announcements etc. for local events several for clubs at Seattle Prep including Harlequin Club productions. A couple are dated in 1971 and 1972.<br /> <br /> 2. 2 small Seattle Prep Prom keepsakes from 1967 and 1971 both bound in blue card covers with blue string ties.<br /> <br /> 3. 9 Larger format finely printed invitations programs advertisements Christmas cards etc. a couple dated from 1971-1981. A couple are from Seattle Prep events and several are for family gatherings. <br /> <br /> 4. 7 letterheads printed envelopes printed invoices and a notice of various sizes. Most are for Seattle area individuals and businesses. <br /> <br /> 5. 2 essays: "A Brief Study of the Culture of the Pacific Northwest Coast Indians" 7 typed pages staple bound front cover hand lettered and illustrated with a few interior illustrations copyright 1968 LOC Cat. No L258499. "The Indian Struggle For Survival" 8 mimeographed pages tape bound with tables 3 hand-drawn maps at rear copyright 1968.<br /> <br /> <br /> <br /> <br /> <br /> . unknown
Référence libraire : 6617
|
|
|
[Silk Printing] Birthday Celebration
Celebration of the Birthday of Robert Eadon Leader B.A. On His Attaining His Majority Jan. 2 1860
No Place: No Publisher 1860. Single-sided silk printing approximately 220mm x 315mm in size. Very slightly soiled and creased minor fraying to top edge generally in good order. Celebrating the twenty-first birthday of Robert Eadon Leader with a dinner at the Black Swan Hotel. With an attractive vignette of a printing press to head of the decorative frame which exemplifies his and his family's trade as he was the son of Robert Leader who was the proprietor of the Sheffield and Rotherham Independent and he himself was a journalist who published many books on the history of Sheffield. First Edition. Unbound. Good. Folio. Silk Printing. No Publisher Paperback
Référence libraire : 001128
|
|
|
[Soierie]
Reglemens et status, concernans le commerce, art et fabrique des draps, or, argent et soye et autres etoffes mélangées, qui se font dans la ville de Lyon et faux bourgs d’icelle, et dans tout le Païs de Lyonnais.
Lyon, Rolin Glaize, 1693 (i.e. 1679) ; in-8, veau épidermé de l’époque, dos à nerfs décoré et doré, sans pièce de titre ; 88, [7] pp. de Table.
Référence libraire : 21679
|
|
|
[Solomon Henkel] [New Market, Virginia] [Printing]
1840 hand written letter with New Market stampless cover signed by Solomon Henkel. Letter addressed to Solon P. C. Henkel Medical Student Philadelphia Pennsylvania
New Market Virginia: N/A 1840. Letter. Good. Letter. Folded lined paper measures approximately 9.5" x 7.75". One page of content. Address and New Market postal mark located on the back. "Free" is stamped on the paper next to the address. Paper is chipped on the far edge from opening. Light toning to the paper. Good condition. <br /> <br /> Contents of the letter most likely in the German language and not transcribed. It is signed by Solomon Henkel at the bottom of the letter. Solomon Henkel was the oldest son of Paul Henkel a prominent Lutheran Minister in New Market. He was a Doctor and cofounder of the Henkel Press. He was also a Post Master in New Market. This letter is addressed to his son Solon who later graduated from medical school in Philadelphia. N/A unknown
Référence libraire : 36650
|
|
|
[Southern Rhodesia Department of Publicity and Printed by Art Printing Works Limited, Salisbury]
Flora and Fauna of Southern Rhodesia Modern-day Zimbabwe
Salisbury Rhodesia Zimbabwe: Southern Rhodesia Department of Publicity and Printed by Art Printing Works Limited Salisbury N.D. Circa 1960's. First printing. Card Covers. Pamphlet folded into four pages with printing to both sides; published by the Southern Rhodesia Department of Publicity. Included are sections on "The Birds of Southern Rhodesia" "Some Indigenous Rhodesian Flowers" "Wild Life Shooting and Fishing". Replete with photographs of flora and animals native to this region of modern day Zimbabwe. Light rubbing a few small chips along the bottom margin of the first page otherwise the contents are clean and unmarked. Overall very good. Rare with no indication of this title in search results on the market or OCLC/WorldCat. <br/><br/> Southern Rhodesia Department of Publicity and Printed by Art Printing Works Limited, Salisbury unknown
Référence libraire : 602
|
|
|
[Staphylus, Friedrich].
Aigentliche, unnd warhaffte Beschreibung, weß bey der herrlichen Besingknuß, so [...] Kaiser Ferdinand etc. jrer May. lieben Brüder unnd Herrn Kayser Carlen dem fünfften [...] am 24. und 25. Februarii, des 59. Jars, zu Augspurg [...] gehalten, sich allenthalben [...] zugetragen [...]. (Dillingen, Sebald Mayer), 1559.
4to. (24) ff. (last blank). With large title woodcut (catafalque, signed C.S.) and one heraldic woodcut initials. Papered spine. One of two printings of the first German edition; a report by the Imperial councillor Staphylus about the exequies, funeral procession and festivities arranged at Augsburg in February 1559 by Ferdinand I, following the death of Emperor Charles V at the monastery of San Jerónimo de Yuste in September 1558. First published as "De exequiis Caroli V. quas Ferdinandus freatri suo carissimo Augustae Vindelicorum fecit fieri" (Augsburg 1559). Charles had abdicated in 1556 in favour of his brother Ferdinand. - Dusty and with edge defects; one large tear restored with Japanese paper. Rare. VD 16, ZV 14661; cf. E 707. BMC German 300. Bucher (Dillingen) 111.
|
|
|
[STENCIL PRINTING] SERIZAWA Keisuke; YOSHIDA Kogor
KIRISHITAN MONOGATARI
1985. STENCIL PRINTING SERIZAWA Keisuke; YOSHIDA Kogor. KIRISHITAN MONOGATARI. Tokyo Gohachi Showa 60 1985. Bound Western-style in wrappers large 26.7 x 26.3 cm album of bw stencil prints by Serizawa illustrating a brief text by Yoshida a famous scholar and historian. Pictorial vignetttes of the 16th century introduction of Christianity to feudal Japan. One of 200 copies. In about new condition in the original wraparound cover with a printed paper title label and shipping slipcase. unknown
Référence libraire : 89267
|
|
|
Recevoir par e-mail
Télécharger en PDF
Flux RSS
Lien permanent
