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PLANTIN Christophe [Plantijn] & VAN DURME M., ed.
Supplement a la correspondance de Christophe Plantin
408pp., br.orig., 22cm., bel état, [contient: supplément aux huit volumes de la "Correspondance de Christophe Platin" édités de 1883 à 1920 par M.Rooses et J. Denucé], B61944
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LECHENE Robert (& CAIN Julien, préface)
L'imprimerie de Gutenberg à l'électron
207pp.avec ills., toile, jaquet (qqs.rousseurs), 27.6x22.6cm., bon état
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DÉDAME Roger (& Delord André, collab.)
Memoire des metiers du livre, Tome I.La Lettre
193pp.avec ills.+ 12pp.ills.hors-texte
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TIERIE-HOGERZEIL E.
Hoe men het ABC begeerde en leerde
48pp.geïll.tekst + 48pp.buitentekstills., met afbeeldingen "meest in de oorspronkelijke kleuren naar de oude originelen", gecart.band, stofwikkel (wat roest)
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LHOTE Amedee
Histoire de l'imprimerie a Chalons-sur-Marne. Notices biographiques et bibliographiques sur les imprimeurs, libraires, relieurs et lithographes (1488-1894) avec marques typographiques et illustrations
xii + 230 + [6] pp. illustré de figures dans le text et d'une frontispice en couleurs et plusieures planches hors-texte (dont quelques-unes dépliantes et un blason en couleurs), Edition originale de 1894, tirage numéroté de 210 exemplaires: ceci porte le no. 49/210, 26cm., br.orig. (qqs. manques de papier aux bords sans perte de texte, dos renforcé, bien protégée par une couv. de papier cristal), imprimé sur papier de luxe, texte et intérieur frais et en très bon état, rare, G92113
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Diverse auteurs
Typografie. Uitgangspunten, richtlijnen, techniek
288pp. met zw/w ills., gecart. uitgeversband, 30cm., goede staat, [Studie- en referentiewerk voor typografie], V94941
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MARGRAFF Pierre
Histoire sérieuse et curieuse de la presse quotidienne et de la composition typographique
219 + [iv] pp. avec de nombreuses illustrations, reliure toile d'éditeur avec titre doré, in oblong (23x25cm.), tirage numéroté et limité à 1000 exemplaires: ceci est le no. 320/1000, bon état, G94942
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VAN HAVRE G.
Marques typographiques des imprimeurs et libraires anversois [2 volumes]
Complet en 2 tomes: + pp., illustré de plus de 400 reproductions de marques typographiques, 23cm., reliures uniformes d'époque (plats marbrés, dos en cuir brun avec titre et décorations dorées), feuilles de garde marbrées, exemplaire provenant de la collection de l'historien belge de livres Prosper Verheyden (avec sa signature sur la fausse page de titre & quelques annotations discretes de sa main en crayon), publication par le "Maatschappij der Antwerpsche Bibliophilen" nos.13-14 (exemplaire non-numéroté), bon état, B102467
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GRUEL Leon
Recherches sur les origines des marques anciennes qui se rencontrent dans l'art et dans l'industrie du XVe au XIXe siècle par rapport au Chiffre Quatre
111pp. Avec de nombreuses illustrations dans le texte, 28cm., brochure originale, bon état, G102475
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PLANTIN [PLANTIJN] Christophe (ROOSES Max & DENUCE J., eds. & VAN DURME M., suppl.)
Correspondance de Christophe Plantin [9 volumes + 1 supplement, complete]
Complete series of 9 volumes + 1 supplement ; v,320 + 320 + 371 + xii,331 + viii,331 + xi,334 + xi,363 + ix,637 pp. + Supplement: 408pp. (Antwerp, 1955), original softcovers, vols. 1-9 are printed by J.E. Buschmann in Antwerp, published in the series "Uitgaven der Antwerpsche Bibliophilen" nos.12-15-26-29-30-31-32-33-34, Vols.1-7-8-9 are still uncut, Vol.8-9 in one physical volume, printed on handmade paper (except for vol.1), vols.3-6 with wide margins ; 26x18cm., weight: 7kg., [Rare complete set of the first and only edition of correspondence by Chr. Plantijn, 1555-1589], B102944
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NIJHOFF Wouter
L'art typographique dans les Pays-Bas pendant les années 1500 à 1540. Reproduction en fac-simile des caractères typographiques, marques d'imprimeurs, gravures sur bois et autres ornements employés pendant cette période [3 volumes]
Complete in 3 volumes: viii,vii,18 + xxiii,40 + ix,11 pp. + 465 unbound plates (facsimiles of 2272 examples of typography and woodblock illustrations from the period 1500-1540 in the Netherlands), in 3 uniform cloth-backed portfolio's from the publisher (with a few traces of use), text in French, limited edition (most probably 200 copies), rare complete set in very good condition, weight: 10 kg., [Content: Vol.I: Les Pays-Bas septentrionaux, II: Les Pays-Bas meridionaux, 3: Supplement], S102956
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ENSCHEDE Charles
Fonderies de caractères et leur matériel dans les Pays-Bas du XVe au XIXe siècle. Notice historique de la collection typographique de Joh. Enschedé en zonen à Haarlem
XXXIV + [2] + 404pp., with ca. 520 illustrations of type specimens etc. (many of them are full-page) + 4 colour ills. (mounted on 1 plate), text in French, original publishers's hardcover in gilt tooled cloth, folio (38x30cm.), printed on handmade paper, very good condition, [Original edition of a richly illustrated and learned history of printing-types and vignettes used in the Netherlands from the 15th till 19th cy.], weight: 3,7kg., V102974
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HELLINGA W.Gs
Kopij en druk in de Nederlanden. Atlas bij de geschiedenis van de Nederlandse typografie
xxviii + 254pp. + 218 illustraties buiten tekst (waaronder enkele uitvouwbare en enkele in kleur), 30cm., linnen uitgeversband, goede staat, N102988
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UPDIKE Daniel Berkeley
Printing types : their history, forms, and use. A study in survivals [2 volumes]
Complete in 2 volumes: xl,292 + xix,326 pp., with 367 bl/w illustrations, 2nd edition 2nd printing, 24cm., publisher's hardcover bindings in blue cloth with gilt lettering on spines, dustwrappers (with few traces of use, bit stained), good condition, weight: 2.8kg., V102992
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HLASTA Stanley C.
Printing types & how to use them
x + 304pp., 26cm., publisher's hardcover, text clean and bright, good condition, V103000
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ANTHOENSEN Fred (& CHAPLIN Ruth A.)
Types and Bookmaking containing Notes on the books printed at the Southworth-Anthoensen Press, and a bibliographicalcatalogue, with specimens of its work, types, borders, etc.
x + 170pp. + sompe plates out of text, limited edition of 500 copies, 26cm., publisher's ardcover binding in green cloth, in publisher's slipcase, few foxing, very good, G103123
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ENSCHEDE Joh. & zonen
Proef van Nederduitsche letters en gothische initialen uit de XVde eeuw. Specimen of Dutch black-letters and gothic initials of the XVth century. Spécimen de caractères flamands et d'initiales gothiques du XVme siècle. Probe Niederdeutscher Schriften und gothischer Initialen aus dem XVten Jahrhunderts
52pp. + corrigenda slip, printed on handmade paper, marbled cart. cover (bit sunfaded), printed in red and black, 29cm., very good, V103140
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KRONENBERG M.E.
Campbell's 'Annales de la Typographie néerlandaise au XVe siècle'. Contributions to a new edition
168pp., 28cm., publisher's hardcover in green cloth with gilt lettering, good condition, T107797
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RIDOLFI Filippo direttore.
L'industria della stampa, pubblicazione mensile e ufficiale della fedrazione fascista dell'industria grafica e affini anno II° 1929 n° 12. Il viaggiatore grafico; l'evoluzione della scrittura attraverso i secoli; l'organizzazione industriale; leggi, giurisprudenza, recenzioni.
In-4° pp. Da 375 a 408 più 12 pubblicitarie, con 3 tav. f.t. Bross. edit. Illustrata. Rare fioriture del tempo.
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MARIETTI Pietro.
Oratio Dominica in CCL linguas versa et CLXXX characterum formis vel nostratibus vel peregrinis expressa…equite typographo pontificio socio administro typographei S. Consilii de Propaganda Fide. Ristampa dell'edizione romana del 1870 dell'orazione domenicale in duecentocinquanta lingue del mondo, latino, arabo, svedese, slava, ecc.
in-4°, pp. 319-(9). Leg. in similpelle con tit. in oro al dorso e tra cornice decorativa al piatto anteriore. Buono stato.
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GODFREY J. W. e PARR G.
The Technical Writer an aid to the presentation and production of technical literarture.
In-8° pp. 340 con moltissime ill. n.t. Leg. edit. con sovrac. ill. manuale sulla tecnologia per la stampa.
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MÜLLER Friedrich.
Die Papierfabrication und ihre Maschinen. Ein Lehr- und Handbuch. 1er Band: Die Roh- und Halbstoffe, sowie der Ganstoff. 346 im Text eingedruckte Skizzen, 4 Skizzen als Kunstdrucjkblatt, 8 Faserarten als Kunstdruckblatt. Dritte, neubearbeitete Auflage.
in-4° piccolo pp. (8)-XVII-578. Tela e oro edit. (con tracce d'uso). Buono l'interno, salvo per timbri alle prime e ultime pp.
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ALIPRANDI Giuseppe.
Giosue Carducci e l'arte dell'imprimere. Pensieri dedicati alla Tipografia ed il richiamo alle circostanze che indussero il Carducci all'elogio dell'arte gutenbergeriana.
In-8° gr. pp. 153 con 8 pag. f.t. di colore celeste e marrone, olte a numerose riproduzionidi bross. e frontespizi n.t. Legatura in cartonato edit. con lievi guasti alle cuffie e titolo al piatto. Timbri all'interno. Pubblicazione fuori commercio per gli amanti dell'arte della stampa.
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Le quinze joyes de mariage, preface de Robert Brun, bois originaux de René Ben Susan. Opera medievale satirico erotica di autore anonimo.
In-4° pp. 312 con 15 tav. a col. n.t. Bross. edit. con sovracopreta in velina trasparente più cartella protettiva ed in custodia. Ottima la conservazione, tiratura di 640 copie numerate 374.
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Anonimo
L'industria della stampa. Anno VII n. 1
In 4°, pp. 40. Brossura editoriale. Fascicolo n. 1 dell'anno 1934. Illustrazioni in nero nel testo. Il numero è dedicato all'Orlando furioso e alle sue edizioni a stampa.
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Statuto
Società napoletana tipografica (anonima per azioni)
In 8°, pp. 13. Brossura.
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RIMBAUD (Arthur) - [JAMAR (Michel)].
Poèmes. Burins originaux de Michel Jamar.
Paris, Editions de France, " Joyaux de la typographie ", 1960. Grand in-4, en feuilles, couverture illustrée et rempliée, chemise et étui éditeur, (ex-libris). Tirage limité à 490 exemplaires. Un des 425 ex n° sur vélin d'Arches. 25 burins originaux de Michel Jamar, dont un sur la couverture, un frontispice et 23 hors-texte. Bel exemplaire. Artiste de talent, le graveur lorrain Michel Jamar (1911-1997) est l’auteur de nombreuses illustrations, gravures, peintures et ex-libris. Formé à L’Ecole des Beaux-Arts de Nancy où il est l’élève de Victor Prouvé, il allie les talents du peintre, du sculpteur, du céramiste, du décorateur, du buriniste mais c’est surtout comme graveur sur bois qu’il donne naissance à des œuvres des plus originales. Récompensé en 1981 par le grand prix de la gravure sur bois de l’Académie des beaux arts de France, son travail s’inscrit parmi l’œuvre des grands graveurs lorrains.
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MALO-RENAULT Jean.
L'Art du Livre.
Paris, Librairie Garnier Frères, " Collection Artistique ", 1931. In-8, broché, 280 pp. Illustrations dans le texte. Bon ex. Chapitres : Les caractères mobiles, propagation de l'imprimerie, Les débuts du l'Art du livre en France, en Italie au XVè siècle, en france au XVIè siècle, l'Art du livre au XVIè siècle en Flandre, en Italie et en Angleterre, l'Art du livre au XVIIè, XVIIIè, XIXè siècle, la reliure, table.
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Caddeo Rinaldo
LA TIPOGRAFIA ELVETICA DI CAPOLAGO. Uomini, Vicende, Tempi.
Volume in 4° grande, legatura in mezza pergamina con unghie e cartonato editoriale, decorato ai piatti, titolo al tassello al piatto ed inciso al dorso, sguardie, occhiello, tavola d'antiporta, frontespizio con al verso giustificazione della tiratura, 4 cc., 588 pp., 31 tavole ft. con illustrazioni fotografiche in b/n e a colori (ritratti, documenti, frontespizi, ecc.). Edizione originale di mille copie num. (ns. 680), con 170 documenti inediti, pubblici, privati e lettere inedite di G. Mazzini, C. Cattaneo, F. Crispi, F. De Boni, G. Perlasca-Bonizzoni, F. Dall'Ongaro, L. Dottesio, A. Repetti, G: Ferrari, E. Guastalla e altri. Importante monografia dedicata alla tipografia elvetica di Capolago, d'importanza storica, sede della stampa di libelli e testi di propaganda durante il Risorgimento italiano e che cessò di stampare il 12 marzo 1853. In bello stato.
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Donati Sebastiano
DE' DITTICI DEGLI ANTICHI, PROFANI E SACRI. Libri III. Coll' Appendice d'Alcuni Necrologi e Calendari finora non pubblicati.
Volume in 4° antico, legatura coeva in piena pergamena, titolo manoscritto al dorso, sguardie (antica firma a pennino), frontespizio con bella marca tipografica lucchese, ampia dedicatoria al principe Querini, prefazione dell'autore, sommario, XXXII, 491 pp., errata. Quattro tavole ft. (su sei) di cui due grandi ripiegate. Opera davvero particolare ed interessante questa dell'abate ed archeologo lucchese, prende spunto da alcune osservazioni dell'autore sopra un Dittico d'avorio del 506 all'epoca rinvenuto in Lucca, unendo in questo compendio tutte le notizie, alcune riprese da vari e autorevoli autori, sull'argomento. La prima parte dell'opera è a carattere storiografico e tratta i Dittici in genere con un interessante disanima su alcune specifiche, come ad esempio, sulle materie adoperate per formare i Caratteri, con una succinta notizia di tutte quelle materie su cui un tempo scrissero gli Ebrei, gli Egizi, gli Etruschi, i Greci ed i Latini, ricercandone l'invenzione, l'uso e la durata, con l'indicazione di alcuni ritrovamenti, oppure sulla diversa Forma dei Libri antichi e dei molti e diversi nomi che furono loro dati, ancora sulle diverse specie di dittici e loro vario e differente uso, con la spiegazione degli strumenti usati per formare e sugellare i caratteri, sull'origine dei Calendari, dei Martirologi e delle Canonizzazioni da' Dittici; la seconda parte tratta dei dittici in particolare, prendendone in esame più di venticinque; mentre nella terza parte l'autore spiega alcuni Dittici e Trittici qui pubblicati per la prima volta, di cui molti conservati in Lucca. A completare l'opera un appendice su alcuni Necrologi e Calendari inediti. Splendida edizione originale, corredata di note e notizie bibliografiche, stampata a grandi margini su carta greve. Un vero peccato la mancanza delle due tavole, ma l'opera resta di indubbio valore ed interesse. In ottimo stato di conservazione.
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Ruffini Mario
INFLUENZA DELLA TIPOGRAFIA VENETA SULLA CULTURA DELL'ORIENTE EUROPEO
Fascicolo in 8º, brossura editoriale, titolo al piatto inquadrato, occhiello, 24 pp., ricca iconografia nel testo. Una lezione dell'VIII corso superiore di Cultura grafica inerente gli stampatori veneti. Assai poco comune, di grande interesse, in perfetto stato.
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LECLERC (Emile)
Nouveau Manuel de typographie.
Pt. In-8, 655p. Orné de nombreuses figures in-texte.
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[TYPOGRAPHIE] - ATTINGER (V.)
Annuaire graphique 1909. Revue annuelle des arts et des industries graphiques.
In-4, 210p. Intéressante revue illustrées de nombreuses reproductions in- et hors-texte en noir et en couleurs. Contient notamment: "Les principes de la typographie des groupes" par F. Thibaudeau; "La première exposition de l'Imprimerie en France" par J. Sabatou; "La lithographie d'art en France: L'atelier Eugène Verneau et les estampes d'Henri Rivière" par F. Thibaudeau; etc...
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KUNDIG (André)
Initiation à l'art typographique. L'imprimerie, ses procédés et ses moyens.
Gr. In-8, 67p. Deuxième édition. Intéressant petit ouvrage pour une première approche de la typographie. Avec de nombreuses illustrations et surtout divers échantillons de papiers contrecollés.
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[GID (Raymond)]
Evangile selon Saint Luc.
In-4, non paginé Edition originale numéroté 1/100 exemplaires sur vélin pur fil justifié et signé par le typographe. Intéressante mise en page.
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***
La sagesse des nations.
In-8 carré, 342p. Edition hors commerce numérotée 1/4000 exemplaires. Rassemble 2000 proverbes du monde entier choisis par Claire Vervin. Présentation et préface de Claude Roy. Illustré de 18 jeux typographiques de Pierre Faucheux. Bel ouvrage.
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THIREAU (Maurice)
L'art moderne et la graphie, suivi de considérations sur l'art et la technique typographique.
Gr. In-8, 131p. Très bel ouvrage sur l'art typographique. Tirage limité à 2000 exemplaires sur papier blanc surglacé Navarre (après 162 ex. sur divers papiers). Illustré de nombreuses planches en noir et en couleurs ainsi que de 2 exemples de cartes contrecollées. Couverture piquée.
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BRAILLARD (Etienne)
Typographie genevoise.
Gr. In-8, 43p. Edition originale numérotée 1/150 exemplaires [tirage total]. Très bel ouvrage publié à l'occasion de l'Assemblée des délégués du personnel dirigeant FST de l'imprimerie, à Genève, les 7 et 8 avril 1962. Importante iconographie en noir et en couleurs relatant par l'exemple l'histoire de l'imprimerie à Genève, des origines au 18e siècle. Contient notamment 3 cartes dépliantes de Genève. Exemplaire à l'état de neuf.
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VALOTAIRE (Marcel), dir.
L'imprimerie et les métiers graphiques.
In-4, 168p. Ouvrage très complet sur toutes les méthodes d'imprimerie (de l'époque). Illustré de très nombreux documents en noir. En parfaite condition.
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KLEUKENS Ch. H.
Die Kunst Gutenbergs.
4to., Sole Edition, with title and head-text in red and black, and numerous fine full-page facsimiles printed in red and black (a number heightened with colours); original decorative boards, paper label mnounted on upper cover, a near fine copy of an uncommon work. A copy of the original promotional flier, including a fine extract from the Bible in facsimile (printed in colours and heightened with gold), together with the presentation envelope from 'Der Oberbugermeister der Stadt Mainz', is loosely inserted. Published to commemorate the five hundredth anniversary of the famous Bible, this charming work is a valuable introduction to the Gutenbergs and their place in the history of printing and typography.
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JAY L.
Letters of the famous 18th Century Printer John Baskerville of Birmingham. Together with a Bibliography of Works printed by him at Birmingham. Collected, compiled & printed under the Direction of Leonard Jay.
Roy. 8vo., First Edition, with a portrait frontispiece; cloth, gilt back, covers lightly age-marked else a very good, bright, clean copy. With the separately printed corrigenda slip loosely inserted. The wood-engraved frontispiece is by Joyce Francis. The works collects fifteen Baskerville letters followed by the first substantial bibliography of Baskverville's Birmingham editions. Scarce.
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BUHLER Curt F.
On the Horace printed in Rome by Wendelinus de Wila or Bartholomaeus Guldinbeck. NEAR FINE COPY
Roy. 8vo., First Edition thus, with full-page facsimile in the text; original printed wrappers, sewed as issued, a near fine copy. This study of the undated Horace printed with the de Wila-Guldinbeck type 1: 108R (Proctor 3559) brings to light important points relating to the early history of printing in Rome. The study is based partly on the Pierpont Morgan copy. Offprinted from Bibliofilia, vol. XXXVII. VERY SCARCE.
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CAXTON] [William
The Dictes and Sayings of the Philosophers. A Facsimile Reproduction of the First Book printed in England by William Caxton, in 1477. [With a Preface by William Blades]. [Second facsimile re-issue].
8vo., on laid paper, black-letter throughout, neat signature on front free endpaper; original buckram, gilt back, a near fine copy in publisher's board slip-case. The first facsimile of Caxton's famous work was published by Elliot Stock in 1877.
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DEACON Richard
A Biography of William Caxton. The First English Editor, Printer, Merchant and Translator. EDITOR'S WORKING COPY WITH A.L.s
8vo., First Edition, with a portrait frontispiece and numerous illustrations and plans (a number full-page) in the text; cloth, a very good, clean copy. EDITOR'S WORKING COPY, WITH NUMEROUS ANNOTATIONS AND REVISIONS IN A NEAT HAND THROUGHOUT; PAGES 97-98 CUT TO EXCLUDE ONE ILLUSTRATION ('Caxton and his Press from a painting by Vivian Forbes). SOLD WITH TWO A.L.s. FROM THE AUTHOR TO HIS EDITOR AUDREY WILLIAMSON (AT FREDERICK MULLER) DISCUSSING WORKS IN PROGRESS (IN PARTICULAR THE AUTHOR'S 'THE HISTORY OF THE JAPANESE SECRET SERViCE' ALSO PUBLISHED BY MULLER IN 1982) AND A RELEVANT CUTTING.
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HARLING Robert
The Letter Forms and Type Designs of Eric Gill. Notes by Robert Harling.
Sm. 4to., with a portrait frontispiece and numerous illustrations and facsimiles in the text, signature on front free endpaper and title; original pictorial wrappers, wire-stitched as issued, a very good, bright, clean copy. Harling's study was first published in 'Alphabet & Image 6' (1948); this is a considerably revised and expanded edition
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SABBE M.
Die Civilite-Schriften des Robert Granjon in Lyon und die Flamischen Drucker des 16 Jahrhunderts. 250 COPIES WERE PRINTED
Sm. folio, First Edition, on laid paper, with title-vignette and 29 full-page facsimiles in the text; original blue-grey boards, backstrip with paper-label lettered in black, uncut, a near fine copy. EDITION LIMITED TO 250 COPIES (THIS COPY NO. 153).
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PRINTING AND THE MIND OF MAN
Catalogue of a Display of Printing Mechanisms and printed Materials arranged to illustrate the History of Western Civilisation and the Means of the Multiplication of literary Texts since the XVth Century.
8vo., with 49 plates (one in colour); original printed wrappers, a fine copy.
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JEFFERIES Richard
Field and Hedgerow. Being the Last Essays of Richard Jefferies. Collected by his Widow. LARGE PAPER COPY
Roy., 8vo., First Edition, Large Paper, on laid paper, with a fine etched portrait by Strang on vellum as frontispiece (original tissue guard present but heavily spotted), title in red and black, neat contemporary inscription on front free endpaper, free endpapers (only) lightly browned; original half vellum gilt, straw boards, gilt back, gilt top, uncut, covers mildly age-marked and scuffed else a very good, clean copy. LARGE PAPER EDITION LIMITED TO 200 COPIES (THIS COPY NO. 84). MILLER & MATTHEWS RECORDS THAT OF THE 200 COPIES PRODUCED A TOTAL OF ONLY 102 COPIES WERE ACTUALLY ISSUED. Miller & Matthews, B26.2; NCBEL III, 1061.
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BLADES William
The Pentateuch of Printing, with a Chapter on Judges. With a Memoir of the Author and a List of his Works, by Talbot R. Reed. LARGE PAPER 'PENTATEUCH'. 100 COPIES WERE PRINTED.
4to., First Edition, LARGE PAPER, with a frontispiece, decorative and printed titles, and numerous plates (a number folding) and illustrations in the text; publisher's binding of boards, calf back gilt, gilt top, covers lightly rubbed and age-marked else a very good, clean copy. EDITION LIMITED TO 100 COPIES SIGNED BY THE PUBLISHER. Sold from an institution with its stamps and accession data. 'The best brief outline of the history of printing. This was the first comprehensiove primer in the English language on the subject and it may still be considered invaluable to the student of historical typography. As the title suggests, the history of the chosen art is traced in its various stages as the great Pentateuch traced the origin and wanderings of the chosen people.'. W. Turner Berry, 1924
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WHITBREAD AND CO
Catalogue of the Collection of Items at the Printer's Devil, Fetter Lane London EC4, illustrating the History of Printing. With Essays and a Glossary of Terms. NEAR FINE COPY
8vo., First Edition, with frontispiece, illustrated title, 16plates on 14 and numerous facsimiles (a number full-page) in the text, presentation inscription on front free endpaper; original pictorial wrappers, a near fine copy. Catalogue of the collection of printing specimens and artefacts at the famous Fleet Street pub. Lists 140 items together with essays on The Printed Page by A. Lloyd-Taylor and The Printed Illustration by John Lewis.
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