New York: Overlook Press. Fine in Fine dust jacket. 2018. Hardcover. 1468315137 . Clean and pristine with no markings or signs of prior use. Fast shipping with tracking number provided. ; 6.7 X 2.05 X 9.5 inches; 592 pages . Overlook Press hardcover
Paperback / softback. New. Philosophy: The Power of Ideas offers a comprehensive overview of Western Philosophy Eastern Influences Feminist Philosophy and Postcolonial thought. Known for its engaging conversational writing style each chapter provides clear introductions to even the most difficult philosophical concepts and includes selected primary readings from some of the most important thinkers of all time. Available exclusively through McGraw-Hill Create R Discourses: A Database of Classical and Contemporary Readings for Philosophy by Donald C. Abel is an online collection of more than 450 readings that can be customized for your course. paperback
Hardback. New. Argues that the left-right divide in politics connects the local national and global into a world debate that for more than two centuries has structured domestic and international affairs. The authors contend that the opposition between left and right is here to stay. hardcover
Hardback. New. This book treats the modern liberal and conservative ideologies as the driving forces behind our modern political parties. Liberalism and conservatism emerged in the twentieth century as important forces independent of existing political parties. These ideologies then reshaped parties in their own image. hardcover
Paperback / softback. New. Published in 1849 this two-volume set examines how popular mythology kept alive beliefs about the occult alchemy and the paranormal. Examining witchcraft astrology mesmerism alchemy and much more Henry Christmas shows how some of these beliefs were so entrenched that they were held almost as facts even influencing rational thought. paperback
Hardback. New. Countering conventional aesthetic theories that maintain that authorial intention art history morality and emotional responses are irrelevant to the experience of art Carroll argues that all of these factors can play a legitimate role in our encounter with art works. hardcover
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