‎Théâtre‎

‎MOZART, W.A. - SCHURIG, ARTHUR.‎

‎Wolfgang Amade Mozart. Sein Leben, seine Persönlichkeit, sein Werk. 2 Bde.‎

‎Leipzig, Insel, 1923. Orig. cloth, spines faded. 461, 513 pp. With 41 plates and 2 facsimiles.‎

書籍販売業者の参照番号 : 38714

‎RAHBEK, K.L.‎

‎Bidrag til den danske Skuepladses Historie i dens første Aarhundrede, fra den aabnedes den 23de September 1722 indtil dens Jubilæum den 23de September 1822.‎

‎Kjøbenhavn, Schultziske Officin, 1822. Lille 8vo. Ubeskåret i orig. blåt kardusomslag. Omslaget lidt flosset i kanter. (4),124 pp.‎

書籍販売業者の参照番号 : 41428

‎KRUSE, L.‎

‎Theatret. Første Bind (af 2).‎

‎Kiøbenhavn, Beekens Forlag, 1819. Orig. blå kartonnage. Ryggen noget slidt. Ubeskåret. (4),380 pp. Trykt på skrivepapir.‎

書籍販売業者の参照番号 : 41895

‎"SAUVEUR, (JOSEPH).‎

‎Systeme général des Intervalles des Sons, & son Application à tous les Systèmes & à tous les Instrumens de Musique. Par M. Sauveur. - [ THE SCIENTIFIC FOUNDATION OF HARMONICS - COINING THE TERM ""ACOUSTICS""]‎

‎Paris, Jean Boudot, 1704. 4to. Without wrappers. Extracted from ""Mémoires de l'Academie des Sciences. Année 1701"". Title-page to Année 1701 with an engraved vignette. Pp. 297-364 a. Corrections & Remarques Pour le Systeme de Musique (2) pp. With 3 large folded engraved plates. A few scattered brownspots. Wide-margined.‎

‎First appearance of a founding paper in musical theory and the physics of acoustics, in which the term ""acoustique"" is coined. The paper deals with the relations of the tones of the musical scale. It established the practice of music upon a science superior to it which Sauveur calls ""Acoustics"", the subject of which is sound in general. This is Sauveur's main paper on acoustics in which he states the first clear recognition of the composite nature of the vibration of strings.""Like Mersenne and others in the Seventeenth century, Sauveur used musical experience to obtain information on sound and vibration. According to Fontenelle, Sauveur was fascinated by music, even though he had no ear for it, and consulted frequently with musicians. Despite the musical foundation of his work, Sauveur proposed the development of a new subject, which he named ""acoustique"", dealing with sound in general rather than with the ""son agréable"" of music."" (DSB XII, p. 127).""Joseph Sauveur (1653-1716) introduces the term ""acoustics"" for the study of sound and examines the relations of the tones of the musical scale in the memoir ""Systeme général des intervalles...."" (General System of sound intervals and its application to all musical systems and instruments) - the paper offered - He shows that a string can vibrate at integral multiples of a a fundamental frequency simultaneously with vibrating at the fundamental frequency itself, callinf the toned produced by the vibrations at the multiples the ""harmonics"" of the fundamental tone.""(Parkinson ""Breakthroughs"" 1701 P.‎

書籍販売業者の参照番号 : 44381

‎"SAVART, FELIX. - THE RATIONALIZED VIOLIN AND THE PHYSICS OF THE VIOLIN.‎

‎Sur la Communication des mouvemens vibratoires entre les corps solides.‎

‎Paris, Crochard, 1820. Uncut with orig. printed wrappers (Juin-issue). In ""Annales de Chimie et de Physique, Par MM. Gay-Lussac et Arago"" Tome XIV, Juin issue, pp. 113-222. (Entire issue in orig. wrappers). Savart's paper: pp. 113-172 and 3 folded engraved plates.‎

‎First printing of a pioneer paper on the acoustics of the violin and on the construction of the Trapezoidal Fiddle.""In his earliest work Savart gave the first explanation of the function of certain parts of the violin. To learn how vibrations are transmitted from the strings to the rest of the instrument, he induced vibrations in a free wood plate by passing a vibrating string over a bridge at its center" he also used Chladni’s sand-pattern technique to observe the resulting nodal lines. Savart showed that the bridge transmits the string’s vibrations that the plate can be made to vibrate at any frequency" and that the corresponding mode is a modification of an unforced mode. He demonstrated that the sound post also serves to transmit vibrations, and he explained that it therefore should not be placed under a nodal line. Thinking that symmetry and regularity would produce the best tone, Savart built a trapezoidal violin with rectangular sound holes. When the instrument was played before a committee that included Biot, the Composer Cherubini, and other members of the Academy of Sciences and the Académie des Beaux-Arts, its tone was judged as extremely clear and even, but somewhat subdued.""(DSB).The issue also contains Eilhard Mitscherlich' famous paper in the first French version ""Sur la Relation qui existe entre la forme cristalline et les proportions chimiques"", pp. 172-190.‎

書籍販売業者の参照番号 : 46032

‎SCHNEIDER, GOTTL. CARL WILH.‎

‎Das Attische Theaterwesen. Zum Verstehen der griechischen Dramatiker nach der Quellen dargestellt. Mit einer Abbildung.‎

‎Weimar, Wilhelm Hoffmann, 1835. Small 8vo. Contemp. hcloth. Spine gilt. A small tear on hinge at top of spine. IV,268 pp. and 1 engraved plate. small stamp on titlepage.‎

‎First edition.‎

書籍販売業者の参照番号 : 47586

‎WIESELER, FRIEDRICH.‎

‎Theatergebäude und Denkmäler des Bühnenwesens bei den Griechen und Römern. Mit 14 Kupfertafeln.‎

‎Göttingen, Vandenhoeck und Ruprecht, 1851. Small folio. Contemp. hcalf. Spine somewhat worn. A tear to top of spine. IV,118 pp., 14 engraved plates with many figs. 83 of the plates handcoloured, among these 2 fine plates with many costumes). Scattered brownspots to textleaves.‎

‎First edition.‎

書籍販売業者の参照番号 : 47618

‎"HØEDT, F.L.‎

‎Aphorististiske Bemærkninger om ""Trolddom.""‎

‎Kjøbenhavn, 1847. 8vo. Indbundet med blanke kardusomslag i et senere papbd. med skindtitel på forpermen. 36 pp. Eksemplaret har tilhørt den kendte skuespiller C.N. Rosenkilde som har forsynet bogen med en del noter i blyant.‎

書籍販売業者の参照番号 : 50316

‎HERING, CARL GOTTLIEB.‎

‎Neue sehr erleichterte, praktische Generalbassschule für junge Musiker, zugleich als ein nöthiges Hülfsmittel für diejenigen, welche den Generalbass ohne mündlichen Unterricht in kurzer Zeit leicht erlernen wollen. 3 Bde. (1. Dritte vermehret und verb...‎

‎Zittau und Leipzig, bey dem Verfasser/ Gerhard Fleicher, (ca. 1822) - 1821. 4to-oblong. Bound in one contemp. hcalf. Gilt spine and with gilt lettering. X,81,(1)XII,764,80 pp. Scattered faint brownspots. With music.‎

書籍販売業者の参照番号 : 52980

‎BRAMSEN, JENS ANDREAS.‎

‎Ni og fyrretyve af de meest brugte Choral=Melodier, efter H.O.C. Zincks Choralbog, med Texter af den evangelisk=kristelige Psalmebog. Tostemmig satte af.... A.D. heger. Overførte i Ziffersyngetegn af ... Bramsen.‎

‎Kjøbenhavn, Opmuntrings=Selskabets Forlag, 1829. Lille tvær-8vo. Samtidigt hldrbd. 32 pp.‎

‎Yderst sjælden.‎

書籍販売業者の参照番号 : 56088

‎"THOMISSØN, HANS.‎

‎Den ny Danske Psalmebog/, met mange Christelige Psalmer: Ordentlig tilsammenset/formeret oc bedret/ Aff Hans Thomissøn. Oc nu paa ny Prentet igen/ alle Gudfryctige Christne till Nytte Gaffn oc Gode. - [THE FIRST AUTHORIZED DANISH/NORWEGIAN HYMN BOOK]‎

‎Kiøbenhaffn, Henrich Waldkirch, 1611. 12mo (ca. 10 x 5,5, cm). Near contemporary black full calf with brass clasps. All edges beautifully and elaborately chiselled. New end-papers and title-page re-enforced et edges, from verso, no loss of text. 2nd leaf and 2nd leaf of Register with small marginal restorations, no loss of text. Apart from the small restorations, an exceptionally well preserved copy. Title-page printed in red and black, and many woodcut musical notes throughout. Title-page + pp. (XIII) - (XXX) (i.e. lacking the first three leaves of the preface - ""Fortalen""), 653, (11) pp. (= register). - I.e. a lovely copy only lacking the first 6 leaves (ff. (A)1-6) of the preface.Withbound at the end are the 18 first text-pages of ""En Bøn at bede om Morgenen"" (presumably also by Thomissøn, ca. 1600) - these 9 leaves are not in particularly good condition.‎

‎Extremely scarce first 17th century-edition of the first authorized Danish hymn-book. This seminal collection of the scattered psalms of the Reformation, the very first of its kind in Denmark, was originally printed in 1569 and remained the authoritative hymn-book for Danmark and Norway for a century and a half, until Kingo's in 1699. All editions of the book are extremely scarce - the 16th century ones are known in 1-2 copies each, and most of them are incomplete" the 17th century-editions are also of the utmost scarcity, with ab. 5-7 copies known of each, and almost all being incomplete. Most copies known are in institutional holdings, and only very few remain on private hands. The present copy is one of the more complete copies known, as most copies lack several leaves of the text itself, musical notes, title-page, register etc. Thomissøn's hymn-book constitutes an invaluable source to Scandinavian musical life of the Reformation, and ab. 200 of the 269 hymns are put to music and supplied with musical scores. Bibl. Danica I:326. - Thesaurus II: 637. - Åke Davidsson: 34.‎

書籍販売業者の参照番号 : 58820

‎JOHANNES REUCHLIN.‎

‎De Accentibus et Orthographia, Linguae Hebraicae [i.e.“Accents and Spelling of the Hebrew Language”]. - [THE FIRST EXAMPLE OF NOTATED ASHKENAZI TORAH CANTILLATION]‎

‎(Colophon:) Hagenau, Thomas Anshelm, 1518. Small folio. Bound in a recent full vellum binding with gilt lines and gilt lettering to spine. Title-page re-hinged, affecting neither printing nor woodcut. First leaves with light dampstaining to lower blank margin, far from affecting text. Last portion of leaves with small single worm-holes, mostly marginal, but touching the woodcut at the end. Neat marginal annotations. All in all a very nice copy. Magnificently printed, with three pages with the terms of the Hebrew cantillation printed in red and black, nine pages of musical scores (printed from right to left), extensive use of distinctive Hebrew type, large title-woodcut, and Anshelm's magnificent, large woodcut Printer's device at the colophon (presumably by Anshelm himself, after Dürer). 83, (5) ff.‎

‎Scarce first – and only edition – of this groundbreaking work in Jewish musical tradition, being the first work with printed Hebrew music - Reuchlin’s last work of Hebrew grammer, considered a masterpiece of Hebrew typography. Johannes Reuchlin (1455-1522), the important German humanist from the city of Pforzheim, might not be a famous name today, but he played a significant role in his time and was greatly admired by thinkers such as Erasmus, Münster and Melanchthon. He was known as the father of Christian Hebrew studies as well as for his controversial fight against the Dominicans and their attempt to confiscate and burn Jewish books in the early 16th century. Thus, he became a symbol of interreligious tolerance during a period of growing anti-Semitism in Germany. The “De Accentibus” contains a transcription of Hebrew cantillation for four voices. There are 9 pages of musical notes with Hebrew text for Tenor, Discantus, Altus, and Bassus, and the notes are to be read from right to left. Scholars believe the notation was provided by the eminent Christian Hebraist Johann Boschenstein (1472-1540). “In his last work of Hebrew grammar, De Accentibus... (1518), Reuchlin published the first example of notated Ashkenazi Torah cantillation, presenting thirty-four tropes set to four voices. Although this setting is often regarded as a misunderstanding of Jewish monophonic tradition, it gives us an insight to a phenomenon that goes beyond liturgical practice. This musical experiment was meant to serve Hebrew students in their learning of a long lost language among Christians. It combines Jewish and German musical traditions, but also two of Reuchlin's mystical passions: the secrets found in the Hebrew words and letters as proposed in the Kabbalah and the magical effect of harmonies and proportions of Phythagoreanism.” Adams: R:380.‎

書籍販売業者の参照番号 : 59259

‎TEATERPROGRAMMER‎

‎Teaterprogrammer - omfattende samling af teaterprogrammer fra primært 1950erne og 1960erne.‎

‎Samling af i alt 55 forskellige teaterprogrammer samt mange dubletter (primært fra Det Kongelige Teater), i alt ca. 180 teaterprogrammer. Indlagt i 15 nydelige ensartede bogæsker med læderryg.‎

‎Omfattende samling af teaterprogrammer fra 1950erne og 1960erne fra følgende teatre: Det Kongelige Teater, Herman Gellin’s Teaterseksab, Det Ny Teater, Folketeatret, Tivoli, Allegadeteatret Riddersalen, Dansk Skoleteater, Folketeatret, Frederiksberg Teater, Dansk Skolescene, Odense Teater, Ungdommens Teater, Apollo Theatre, The Old Vic Company.‎

書籍販売業者の参照番号 : 60494

‎BACH, J.S. - SPITTA, PHILIPP.‎

‎Joh.Seb.Bach. 2.Aufl. 2 Bde.‎

‎Lpz., 1916. Lex8vo. 2 orig.hcloth. XXVIII,856,1014 pp. and music.‎

書籍販売業者の参照番号 : 6160

‎COHEN (Gustave).-‎

‎Etudes d'histoire du théâtre en France au Moyen-Age et à la Renaissance. Septième édition.‎

‎1956 Paris, NRF, Gallimard, 1956, in 12 broché, 452 pages ; planches hors-texte, couverture illustrée.‎

‎Bel exemplaire Fermeture du 1er au 23 Août‎

書籍販売業者の参照番号 : 531

‎[CORNEILLE] - SCHNEIDER (Reinhold).-‎

‎Grandeur de Corneille et de son temps. Traduit par Maurice de Gandillac.‎

‎1943 P., Alsatia, 1943, in 8 broché, 157 pages‎

‎Exemplaire enrichi d'un bel envoi autographe signé du traducteur ; on joint le "Prière d'Insérer" Fermeture du 1er au 23 Août‎

書籍販売業者の参照番号 : 607

‎GAIFFE (Félix).-‎

‎Le drame en France au XVIIIe siècle. Ouvrage orné de seize planches hors-texte, en phototypie.‎

‎1910 Paris, Armand Colin, 1910, fort in 8 broché, 601 pages ; couverture légèrement ternie.‎

‎Fermeture du 1er au 23 Août‎

書籍販売業者の参照番号 : 1135

‎LE BRETON (André).-‎

‎Le théâtre romantique.‎

‎1935 Paris, Boivin, 1935, in 8° broché, 251 pages ; cachets, dos abimé, renforcé au scotch.‎

‎Fermeture du 1er au 23 Août‎

書籍販売業者の参照番号 : 1998

‎BRETTY (Béatrice).-‎

‎La Comédie Française à l'envers.‎

‎1957 P., Fayard, 1957, in 8, broché, 283pp.‎

‎Fermeture du 1er au 23 Août‎

書籍販売業者の参照番号 : 2720

‎JOUVET (Louis).-‎

‎Réflexions du comédien.‎

‎Paris, NRC, Nouvelle Revue Critique, in 8, broché, 209 pages ; illustrations hors-texte, non coupé, couverture illustrée.‎

‎Edition Originale sur papier d'édition. Fermeture du 1er au 23 Août‎

書籍販売業者の参照番号 : 2774

‎[SHAKESPEARE] - DUVAL (Georges).-‎

‎L'Oeuvre Shakespearienne, son histoire (1616-1910).‎

‎1911 Paris, Flammarion, sans date (1911), in 12 broché, 339 pages‎

‎Fermeture du 1er au 23 Août‎

書籍販売業者の参照番号 : 3496

‎[SHAW (G. Bernard)] - CLOSSET (F.).-‎

‎G. Bernard Shaw. Son oeuvre. Portrait et autographe.‎

‎1935 Paris, Nouvelle Revue Critique, NRC (Collection des "Célébrités étrangères"), 1935, petit in 8 broché, 80 pages ; qq. infimes défauts.‎

‎Fermeture du 1er au 23 Août‎

書籍販売業者の参照番号 : 3501

‎bainville (Jacques).-‎

‎Une saison chez Thespis.‎

‎1929 Paris, Editions Prométhée, 1929, in 12 broché, 268 pages.‎

‎Edition originale tirée à 1247 exemplaires numérotés, celui-ci un des 1000 sur Alfa. Fermeture du 1er au 23 Août‎

書籍販売業者の参照番号 : 3769

‎[ROBAUDI] - champeville (Paul de).-‎

‎Les rebelles. Nouvelle édition illustrée de onze compositions par A. ROBAUDI gravées au burin et à l'eau-forte par H. Manesse.‎

‎1903 Paris, Bélinac, 1903, grand in 8 broché, 114 pages ; couverture rempliée.‎

‎Tirage unique à 100 exemplaires numérotés sur Japon impérial ; notre exemplaire comporte une suite des gravures avec remarques. Fermeture du 1er au 23 Août‎

書籍販売業者の参照番号 : 3774

‎CRAIG (Gordon).-‎

‎Ma vie d'homme de théâtre. Traduit de l'anglais par Charles Chassé. Ouvrage illustré de 18 héliogravures.‎

‎1962 Grenoble, Arthaud, 1962, in 8 broché, 289 pages.‎

‎Fermeture du 1er au 23 Août‎

書籍販売業者の参照番号 : 3776