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‎Cambridge Theatre‎

‎A Bit Between the Teeth - Theatre Programme - to celebrate 25 laugthing years with Brian Rix‎

‎London: Stilwell Darby & Co Ltd 1975. First Thus. . Paperback. G. 8vo 16pp. A good copy Photos of Cambridge Theatre staff Brian Rix etc. <br/> <br/> Stilwell Darby & Co Ltd paperback‎

Référence libraire : AB7665

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‎Cambridge Theatre‎

‎Antonio and his Spanish Dance Company - Theatre Programme‎

‎London: Cambridge Theatre 1966. First Thus. . Paperback. G-. 8vo. 20pp. A good copy with minor creasing and a little foxing to covers. <br/> <br/> Cambridge Theatre paperback‎

Référence libraire : AB7670

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‎Her Majesty's Theatre‎

‎Bye Bye Birdie - Theatre Programme‎

‎London: H M Tennent 1961. First Thus. . Paperback. Good. 8vo 12pp. A good copy with minor vertical crease in centre and slight wear/creasing to spine. <br/> <br/> H M Tennent paperback‎

Référence libraire : AB7667

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‎Cambridge Theatre‎

‎Little Me - Theatre Programme‎

‎London: Cambridge Theatre 1964. First Thus. . Paperback. Good. 8vo 12pp. A good copy with some scuffing to spine. photos of Bruce Forsyth Eileen Gourlay Swen Swenson <br/> <br/> Cambridge Theatre paperback‎

Référence libraire : AB7663

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‎Whitehall Theatre‎

‎One for the Pot - Theatre programme‎

‎Birmingham: Rix Theatrical Productions 1962. First Thus. . Paperback. G-. 8vo 12pp No date but ca 1962. Internally good but orange covers creased with a number of closed tears to edges and a few minor losses. <br/> <br/> Rix Theatrical Productions paperback‎

Référence libraire : AB7647

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‎Theatre World‎

‎Theatre World Souvenir. Scenes from Henry IV-parts 1 and 2 Oedipus The Critic and Uncle Vanya‎

‎London: Practical Press 1945. First. . Paperback. Good. 12mo. Front cover shows Ralph Richardson as Falstaff.another photo shows Olivier as Oedipus. A nice copy. Rusty staples. Creasing. <br/> <br/> Practical Press paperback‎

Référence libraire : 500017112

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‎Theatre Newsletter‎

‎Theatre Newsletter 25 Issues.No. 1 to 25. from 15th July 1946 to 28th June 1947‎

‎London: Theatre Newsletter 1946. First. . Paperback. Good. 8vo. Wear to edges. No 1 has tanning to pages. All contained in an A4 document wallet. <br/> <br/> Theatre Newsletter paperback‎

Référence libraire : 500007079

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‎Teatro dell' Opera di Roma‎

‎La Sylphide‎

‎Rome: Teatro dell' Opera di Roma 1991. First Edition. . Paperback. Very Good. 4to. 127pp. Illus.col.plates. The programme for the perfomances presented in March and April 1991 at the Teatro dell' Opera di Roma. <br/> <br/> Teatro dell' Opera di Roma paperback‎

Référence libraire : 20470

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‎Theatre Newsletter‎

‎Theatre Newsletter Vol 6 No. 133‎

‎London: Theatre Newsletter 1951. First. . Paperback. Very Good. 8vo. Tanning to edges. Article on Gielgud. <br/> <br/> Theatre Newsletter paperback‎

Référence libraire : 500007066

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‎Theatre Newsletter‎

‎Theatre Newsletter Vol 4 No. 76‎

‎London: Theatre Newsletter 1949. First. . Paperback. Good. 8vo. Tanning to edges.Small tear to leading edge of rear cover. <br/> <br/> Theatre Newsletter paperback‎

Référence libraire : 500007070

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‎Theatre Newsletter‎

‎Theatre Newsletter Vol6. No. 130.‎

‎London: Theatre Newsletter 1951. First. . Paperback. Good. 8vo. creasing to top corner. <br/> <br/> Theatre Newsletter paperback‎

Référence libraire : 500007077

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‎Theatre Newsletter‎

‎Theatre Newsletter Vol 5 No. 122‎

‎London: Theatre Newsletter 1951. First. . Paperback. Good. 8vo. Tanning to edges.Small tear to leading edge of front cover. <br/> <br/> Theatre Newsletter paperback‎

Référence libraire : 500007071

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‎Royal Court Theatre, Liverpool‎

‎Royal Court Theatre Liverpool Glyndebourne Opera Programme Book 1956‎

‎Liverpool: Royal Court Theatre 1956. First. . Paperback. Good. 8vo. A good copy. Stitching a little loose. Light marking to covers light crease to front cover. . B&W photographs of all the Members of the Cast. These performance at the Royal Court Theatre in Liverpool saw Joan Sutherland making her debut with the Glyndebourne Opera Company. Programme gives a synopis of each of the operas. <br/> <br/> Royal Court Theatre paperback‎

Référence libraire : 90014660

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‎Theatre Newsletter‎

‎Theatre Newsletter Vol6. No. 126‎

‎London: Theatre Newsletter 1951. First. . Paperback. Good. 8vo. Tanning to edges. tear to leading edge of one page. Article- Laughton on Shaw <br/> <br/> Theatre Newsletter paperback‎

Référence libraire : 500007072

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‎Theatre Newsletter‎

‎Theatre Newsletter Vol6. No. 130.‎

‎London: Theatre Newsletter 1951. First. . Paperback. Very Good. 8vo. <br/> <br/> Theatre Newsletter paperback‎

Référence libraire : 500007075

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‎Theatre Newsletter‎

‎Theatre Newsletter Vol 6 No. 133‎

‎London: Theatre Newsletter 1951. First. . Paperback. Good. 8vo. Tanning to edges. Article on Gielgud. Small tear to leading edge of pages. <br/> <br/> Theatre Newsletter paperback‎

Référence libraire : 500007068

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‎Theatre Newsletter‎

‎Theatre Newsletter Vol6. No. 131‎

‎London: Theatre Newsletter 1951. First. . Paperback. Good. 8vo. tear to leading edge of a couple of pages. Article- speech by J.B.Priestly. <br/> <br/> Theatre Newsletter paperback‎

Référence libraire : 500007073

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‎Theatre Newsletter‎

‎Theatre Newsletter Vol6. No. 131‎

‎London: Theatre Newsletter 1951. First. . Paperback. Very Good. 8vo. Article- speech by J.B.Priestly. <br/> <br/> Theatre Newsletter paperback‎

Référence libraire : 500007074

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‎The Theatre Museum / V&A‎

‎Surprise Pantomime Spectacular‎

‎London: The Theatre Museum / V&A 1990. 8vo. Die-Cut 14 page Accordian Fold-out Pamphlet on Card Stock. ca. 14 pp. Color Plates Very Good.Provenance: From the Collection of Frederick Gale Ruffner Jr.The Founder of Gale Research Detroit London: The Theatre Museum / V&A, [1990?] unknown‎

Référence libraire : 75-8891

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‎Akteon Theatre‎

‎Le Quebec A l'Akteon Festival de Theatre Les Muses Orphelines Erik Satie Buveur d'Absence Hosanna Les Anciennes Odeurs Quatre a Quatre Aux Hommes de Bonnes Volontes L'Ouvre-Boite du 17 Avril au 27 Mai 2000‎

‎Paris France: Akteon Theatre 2000. 60 x 40 cm. Offset Color Lithograph. Very Good. Paris, France: Akteon Theatre, 2000 unknown‎

Référence libraire : 69-3651

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‎Theatre de la Menagerie du Cirque D'Hiver‎

‎Julie Land chante Julie la Joie‎

‎Paris France: Theatre de la Menagerie du Cirque D'Hiver. 60 x 40 cm. Offset Color Lithograph. Very Good. Paris, France: Theatre de la Menagerie du Cirque D'Hiver unknown‎

Référence libraire : 69-3680

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‎The Gingerbread Players & Jack; Theatre East.‎

‎The Wizard Of Oz.‎

‎Detroit Michigan: Theatre East ca. 1960. Theatre Broadside. Letter-sized. Very Good. Scarce. [Detroit, Michigan]: Theatre East, [ca. 1960]. unknown‎

Référence libraire : 68-7168

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‎Grosse Pointe Children's Theatre‎

‎We're Off To See The Wizard. The Wonderful Wizard Of Oz.‎

‎Grosse Pointe Michigan: Grosse Pointe Children's Theatre ca. 1960. Theatre Program. 8vo. Wraps. 12 pp. Very Good. Scarce. Grosse Pointe, Michigan: Grosse Pointe Children's Theatre, [ca. 1960]. paperback‎

Référence libraire : 68-7158

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‎Stage: The Program For The Fisher Theatre‎

‎Annie Get Your Gun. Volume Six Number One.‎

‎Detroit Michigan: Fisher Theatre 1966. Theatre Program. 8vo. Stapled Wraps. 28 pp. Very Good. Scarce. Detroit, Michigan: Fisher Theatre, 1966. paperback‎

Référence libraire : 68-7167

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‎Magic Box Theatre For Children; Un-stabled Theatre; Sylvia King & Alma Forrest Parks.‎

‎The Emperor's New Clothes.‎

‎Detroit Michigan: Magic Box Theatre For Children ca. 1965. Theatre Program. 8vo. Single Printed Sheet. Good with tear in center. Scarce. [Detroit, Michigan: Magic Box Theatre For Children, ca. 1965]. unknown‎

Référence libraire : 68-7159

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‎Kinney, John (dir.); Un-stabled Theatre.‎

‎Oh Dad Poor Dad. Mamma's Hung You In The Closet And I'm Feeling So Sad.‎

‎Detroit Michigan: Un-stabled Theatre ca. 1965. Theatre Program. 8vo. Single Printed Sheet. Very Good. Scarce. [Detroit, Michigan: Un-stabled Theatre, ca. 1965]. unknown‎

Référence libraire : 68-7165

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‎Genet, Jean; Un-stabled Theatre.‎

‎The Balcony.‎

‎Detroit Michigan: Un-stabled Theatre ca. 1965. Theatre Program. 8vo. Folded Printed Sheet. 4 pp. Very Good. Scarce. [Detroit, Michigan: Un-stabled Theatre, ca. 1965]. unknown‎

Référence libraire : 68-7160

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‎Joe Norris, Kevin Hobbs, Mirror Theatre‎

‎Playbuilding as Arts-Based Research‎

‎new. unknown‎

Référence libraire : 47212361-n ISBN : 0367433621 9780367433628

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‎Theatre, the Firesign,‎

‎Profiles In Barbeque Sauce the Psychedelic Firesign Theatre On Stage - 1967-1972‎

‎new. unknown‎

Référence libraire : 19270185-n ISBN : 159393551x 9781593935511

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‎Play Theatre Co,‎

‎Pocket Plays‎

‎like new. unknown‎

Référence libraire : 29728808 ISBN : 178682261x 9781786822611

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‎Play Theatre Co,‎

‎Pocket Plays‎

‎new. unknown‎

Référence libraire : 29728808-n ISBN : 178682261x 9781786822611

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‎Theatre Sarah-Bernhardt; Sam & Lee Schubert & Wm. F. Connor.‎

‎Souvenir Program. First Only and Farewell Performance of Madame Sarah Bernhardt. April 24 1906.‎

‎Fort Wayne Indiana: Theatre Sarah-Bernhardt 1906. Program. 8vo. Stapled Wraps 8 pp. B&W Photograph on cover. Good with minor splitting along spine.Provenance:Colette Monceau born Nancey 1921-2016. Biographical note: born in Nice in 1921 Colette Monceau was a student of Charles Dullin in the second half of the forties and played in several plays during the same period. At the end of the 1950s she took courses at Pierre Foix's school of graphology in Paris and worked in particular on dance as part of the exam for the Group of Consulting Graphologists of France. Having become a consultant graphologist she also teaches this technique. Particularly interested in the writings of Louis Jouvet and Sarah Bernhardt she wrote three works that remained unpublished as well as several articles. It constitutes a thousand files devoted to actors and actresses as well as personalities from varied backgrounds. Colette Monceau née Nancey 1921-2016. Notice biographique : née à Nice en 1921 Colette Monceau est élève de Charles Dullin dans la seconde moitié des années quarante et joue dans plusieurs pièces à cette même période. À la fin des années cinquante elle suit les cours de l’école de graphologie de Pierre Foix à Paris et travaille notamment sur la danse dans le cadre de l'examen du Groupement des graphologues conseils de France. Devenue graphologue-conseil elle enseigne également cette technique. S'intéressant notamment aux écritures de Louis Jouvet et de Sarah Bernhardt elle rédige trois ouvrages restés inédits ainsi que plusieurs articlesExpertise by Daniel BRUKARZ Expert auprès de la CEA. Paris. Fort Wayne, Indiana: Theatre Sarah-Bernhardt, 1906. paperback‎

Référence libraire : 68-6418

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‎Simon Theatre Francaise Bordeaux‎

‎Telegram to Sarah Bernhardt 1889.‎

‎Paris France: Simon Theatre Francais Bordeaux 1889. Folio. Telegram mounted on illustrated color pencil sheet of backing paper with hand written dated note in black ink. Good with tears & losses. En Francais. Provenance:Colette Monceau born Nancey 1921-2016. Biographical note: born in Nice in 1921 Colette Monceau was a student of Charles Dullin in the second half of the forties and played in several plays during the same period. At the end of the 1950s she took courses at Pierre Foix's school of graphology in Paris and worked in particular on dance as part of the exam for the Group of Consulting Graphologists of France. Having become a consultant graphologist she also teaches this technique. Particularly interested in the writings of Louis Jouvet and Sarah Bernhardt she wrote three works that remained unpublished as well as several articles. It constitutes a thousand files devoted to actors and actresses as well as personalities from varied backgrounds. Colette Monceau née Nancey 1921-2016. Notice biographique : née à Nice en 1921 Colette Monceau est élève de Charles Dullin dans la seconde moitié des années quarante et joue dans plusieurs pièces à cette même période. À la fin des années cinquante elle suit les cours de l’école de graphologie de Pierre Foix à Paris et travaille notamment sur la danse dans le cadre de l'examen du Groupement des graphologues conseils de France. Devenue graphologue-conseil elle enseigne également cette technique. S'intéressant notamment aux écritures de Louis Jouvet et de Sarah Bernhardt elle rédige trois ouvrages restés inédits ainsi que plusieurs articlesExpertise by Daniel BRUKARZ Expert auprès de la CEA. Paris. Paris, France: Simon Theatre Francais Bordeaux, 1889. unknown‎

Référence libraire : 68-6434

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‎Theatre De La Renaissance.‎

‎Program for La Dame Aux Camelias by Alexandre Dumas. L'Illustration. Sarah Bernhardt. Theatre De La Renaissance‎

‎Paris France: Theatre De La Renaissance De Paris ca. 1900. Program. Folded Card 4 pp. 16 x 10.4 cm. Very Good with minor wear to spine. Illustration on cover. En Francais. Provenance:Colette Monceau born Nancey 1921-2016. Biographical note: born in Nice in 1921 Colette Monceau was a student of Charles Dullin in the second half of the forties and played in several plays during the same period. At the end of the 1950s she took courses at Pierre Foix's school of graphology in Paris and worked in particular on dance as part of the exam for the Group of Consulting Graphologists of France. Having become a consultant graphologist she also teaches this technique. Particularly interested in the writings of Louis Jouvet and Sarah Bernhardt she wrote three works that remained unpublished as well as several articles. It constitutes a thousand files devoted to actors and actresses as well as personalities from varied backgrounds. Colette Monceau née Nancey 1921-2016. Notice biographique : née à Nice en 1921 Colette Monceau est élève de Charles Dullin dans la seconde moitié des années quarante et joue dans plusieurs pièces à cette même période. À la fin des années cinquante elle suit les cours de l’école de graphologie de Pierre Foix à Paris et travaille notamment sur la danse dans le cadre de l'examen du Groupement des graphologues conseils de France. Devenue graphologue-conseil elle enseigne également cette technique. S'intéressant notamment aux écritures de Louis Jouvet et de Sarah Bernhardt elle rédige trois ouvrages restés inédits ainsi que plusieurs articlesExpertise by Daniel BRUKARZ Expert auprès de la CEA. Paris. Paris, France: Theatre De La Renaissance De Paris, [ca. 1900]. unknown‎

Référence libraire : 68-6413

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‎Rostand, Edmond; Theatre de la Porte Saint-Martin; Bert, Felix Henri Manuel et Peigne.‎

‎Repetition Generale de Chantecler.‎

‎Paris France: Devambez 1910. Program. 8vo. Hard Covers with gold embossed rooster insignia on front cover. 8 pp. B&W Plates. Very Good with text block laid loosely inside covers. En Francais. Provenance:Colette Monceau born Nancey 1921-2016. Biographical note: born in Nice in 1921 Colette Monceau was a student of Charles Dullin in the second half of the forties and played in several plays during the same period. At the end of the 1950s she took courses at Pierre Foix's school of graphology in Paris and worked in particular on dance as part of the exam for the Group of Consulting Graphologists of France. Having become a consultant graphologist she also teaches this technique. Particularly interested in the writings of Louis Jouvet and Sarah Bernhardt she wrote three works that remained unpublished as well as several articles. It constitutes a thousand files devoted to actors and actresses as well as personalities from varied backgrounds. Colette Monceau née Nancey 1921-2016. Notice biographique : née à Nice en 1921 Colette Monceau est élève de Charles Dullin dans la seconde moitié des années quarante et joue dans plusieurs pièces à cette même période. À la fin des années cinquante elle suit les cours de l’école de graphologie de Pierre Foix à Paris et travaille notamment sur la danse dans le cadre de l'examen du Groupement des graphologues conseils de France. Devenue graphologue-conseil elle enseigne également cette technique. S'intéressant notamment aux écritures de Louis Jouvet et de Sarah Bernhardt elle rédige trois ouvrages restés inédits ainsi que plusieurs articlesExpertise by Daniel BRUKARZ Expert auprès de la CEA. Paris. Paris, France: Devambez, 1910. hardcover‎

Référence libraire : 68-6425

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‎Theatre Sarah-Bernhardt.‎

‎Program for Le Chemineau.‎

‎Paris France: Imprimerie Robert 1905. Program. 8vo. Stapled Wraps 16 pp. B&W Photographs cover in color. Good with minor tears. En Francais.Provenance:Colette Monceau born Nancey 1921-2016. Biographical note: born in Nice in 1921 Colette Monceau was a student of Charles Dullin in the second half of the forties and played in several plays during the same period. At the end of the 1950s she took courses at Pierre Foix's school of graphology in Paris and worked in particular on dance as part of the exam for the Group of Consulting Graphologists of France. Having become a consultant graphologist she also teaches this technique. Particularly interested in the writings of Louis Jouvet and Sarah Bernhardt she wrote three works that remained unpublished as well as several articles. It constitutes a thousand files devoted to actors and actresses as well as personalities from varied backgrounds. Colette Monceau née Nancey 1921-2016. Notice biographique : née à Nice en 1921 Colette Monceau est élève de Charles Dullin dans la seconde moitié des années quarante et joue dans plusieurs pièces à cette même période. À la fin des années cinquante elle suit les cours de l’école de graphologie de Pierre Foix à Paris et travaille notamment sur la danse dans le cadre de l'examen du Groupement des graphologues conseils de France. Devenue graphologue-conseil elle enseigne également cette technique. S'intéressant notamment aux écritures de Louis Jouvet et de Sarah Bernhardt elle rédige trois ouvrages restés inédits ainsi que plusieurs articlesExpertise by Daniel BRUKARZ Expert auprès de la CEA. Paris. Paris, France: Imprimerie Robert, [1905]. paperback‎

Référence libraire : 68-6422

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‎Theatre Montmarte.‎

‎B&W postcard of Sarah Bernhardt 1844 - 1923 at Theatre Montmarte.‎

‎Paris France: Theatre Montmarte ca. 1890. B&W Photograph on Blank Post Card. 14 x 9 cm. Very Good. En Francais.Provenance:Colette Monceau born Nancey 1921-2016. Biographical note: born in Nice in 1921 Colette Monceau was a student of Charles Dullin in the second half of the forties and played in several plays during the same period. At the end of the 1950s she took courses at Pierre Foix's school of graphology in Paris and worked in particular on dance as part of the exam for the Group of Consulting Graphologists of France. Having become a consultant graphologist she also teaches this technique. Particularly interested in the writings of Louis Jouvet and Sarah Bernhardt she wrote three works that remained unpublished as well as several articles. It constitutes a thousand files devoted to actors and actresses as well as personalities from varied backgrounds. Colette Monceau née Nancey 1921-2016. Notice biographique : née à Nice en 1921 Colette Monceau est élève de Charles Dullin dans la seconde moitié des années quarante et joue dans plusieurs pièces à cette même période. À la fin des années cinquante elle suit les cours de l’école de graphologie de Pierre Foix à Paris et travaille notamment sur la danse dans le cadre de l'examen du Groupement des graphologues conseils de France. Devenue graphologue-conseil elle enseigne également cette technique. S'intéressant notamment aux écritures de Louis Jouvet et de Sarah Bernhardt elle rédige trois ouvrages restés inédits ainsi que plusieurs articlesExpertise by Daniel BRUKARZ Expert auprès de la CEA. Paris. Paris, France: Theatre Montmarte, [ca. 1890]. unknown‎

Référence libraire : 68-6379

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‎Abbey Theatre.‎

‎Black and white postcard of Sarah Bernhardt 1844 - 1923 in the title role of Izey at the Abbey Theatre Dublin Ireland.‎

‎Dublin Ireland: Abbey Theatre 1896. B&W Photograph on Blank Post Card. 14 x 9 cm. Very Good. En Francais.Provenance:Colette Monceau born Nancey 1921-2016. Biographical note: born in Nice in 1921 Colette Monceau was a student of Charles Dullin in the second half of the forties and played in several plays during the same period. At the end of the 1950s she took courses at Pierre Foix's school of graphology in Paris and worked in particular on dance as part of the exam for the Group of Consulting Graphologists of France. Having become a consultant graphologist she also teaches this technique. Particularly interested in the writings of Louis Jouvet and Sarah Bernhardt she wrote three works that remained unpublished as well as several articles. It constitutes a thousand files devoted to actors and actresses as well as personalities from varied backgrounds. Colette Monceau née Nancey 1921-2016. Notice biographique : née à Nice en 1921 Colette Monceau est élève de Charles Dullin dans la seconde moitié des années quarante et joue dans plusieurs pièces à cette même période. À la fin des années cinquante elle suit les cours de l’école de graphologie de Pierre Foix à Paris et travaille notamment sur la danse dans le cadre de l'examen du Groupement des graphologues conseils de France. Devenue graphologue-conseil elle enseigne également cette technique. S'intéressant notamment aux écritures de Louis Jouvet et de Sarah Bernhardt elle rédige trois ouvrages restés inédits ainsi que plusieurs articlesExpertise by Daniel BRUKARZ Expert auprès de la CEA. Paris. [Dublin, Ireland: Abbey Theatre, 1896] unknown‎

Référence libraire : 68-6369

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Alan Wofsy Fine Arts
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‎Theatre Sarah-Bernhardt.‎

‎Theatre Sarah-Bernhardt. Saison 1922-23.‎

‎Paris France: L'Edition Artistique 1922. Program. 12mo. Stapled Wraps 16 pp. B&W Photographs cover in color. Good with minor tears. En Francais.Provenance:Colette Monceau born Nancey 1921-2016. Biographical note: born in Nice in 1921 Colette Monceau was a student of Charles Dullin in the second half of the forties and played in several plays during the same period. At the end of the 1950s she took courses at Pierre Foix's school of graphology in Paris and worked in particular on dance as part of the exam for the Group of Consulting Graphologists of France. Having become a consultant graphologist she also teaches this technique. Particularly interested in the writings of Louis Jouvet and Sarah Bernhardt she wrote three works that remained unpublished as well as several articles. It constitutes a thousand files devoted to actors and actresses as well as personalities from varied backgrounds. Colette Monceau née Nancey 1921-2016. Notice biographique : née à Nice en 1921 Colette Monceau est élève de Charles Dullin dans la seconde moitié des années quarante et joue dans plusieurs pièces à cette même période. À la fin des années cinquante elle suit les cours de l’école de graphologie de Pierre Foix à Paris et travaille notamment sur la danse dans le cadre de l'examen du Groupement des graphologues conseils de France. Devenue graphologue-conseil elle enseigne également cette technique. S'intéressant notamment aux écritures de Louis Jouvet et de Sarah Bernhardt elle rédige trois ouvrages restés inédits ainsi que plusieurs articlesExpertise by Daniel BRUKARZ Expert auprès de la CEA. Paris. Paris, France: L'Edition Artistique, 1922. paperback‎

Référence libraire : 68-6419

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Alan Wofsy Fine Arts
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‎Theatre Sarah-Bernhardt.‎

‎Repetition Generale De La Gloire. Piece en 3 Actes en vers de M. Maurice Rostand. With signed & dated dedication by Rostand.‎

‎Paris France: Theatre Sarah-Bernhardt 1921. Program. Folded Card 4 pp. 13.7 x 10.7 cm. Very Good. En Francais. Provenance:Colette Monceau born Nancey 1921-2016. Biographical note: born in Nice in 1921 Colette Monceau was a student of Charles Dullin in the second half of the forties and played in several plays during the same period. At the end of the 1950s she took courses at Pierre Foix's school of graphology in Paris and worked in particular on dance as part of the exam for the Group of Consulting Graphologists of France. Having become a consultant graphologist she also teaches this technique. Particularly interested in the writings of Louis Jouvet and Sarah Bernhardt she wrote three works that remained unpublished as well as several articles. It constitutes a thousand files devoted to actors and actresses as well as personalities from varied backgrounds. Colette Monceau née Nancey 1921-2016. Notice biographique : née à Nice en 1921 Colette Monceau est élève de Charles Dullin dans la seconde moitié des années quarante et joue dans plusieurs pièces à cette même période. À la fin des années cinquante elle suit les cours de l’école de graphologie de Pierre Foix à Paris et travaille notamment sur la danse dans le cadre de l'examen du Groupement des graphologues conseils de France. Devenue graphologue-conseil elle enseigne également cette technique. S'intéressant notamment aux écritures de Louis Jouvet et de Sarah Bernhardt elle rédige trois ouvrages restés inédits ainsi que plusieurs articlesExpertise by Daniel BRUKARZ Expert auprès de la CEA. Paris. Paris, France: Theatre Sarah-Bernhardt, 1921. unknown‎

Référence libraire : 68-6414

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Alan Wofsy Fine Arts
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[Livres de Alan Wofsy Fine Arts]

€ 338,44 Acheter

‎Theatre De La Renaissance De Paris; M. Victor Ullmann (prod).‎

‎Program For La Tosca. Programme Edite Par La Soiree Parisienne. Representations De Mme. Sarah Bernhardt.‎

‎Paris France: Theatre De La Renaissance De Paris 1887. Program. 12mo. Stapled Wraps. 8 pp. Good with covers split along spine toning. B&W photo on cover. Advertisements throughout. En Francais. Scarce.Provenance:Colette Monceau born Nancey 1921-2016. Biographical note: born in Nice in 1921 Colette Monceau was a student of Charles Dullin in the second half of the forties and played in several plays during the same period. At the end of the 1950s she took courses at Pierre Foix's school of graphology in Paris and worked in particular on dance as part of the exam for the Group of Consulting Graphologists of France. Having become a consultant graphologist she also teaches this technique. Particularly interested in the writings of Louis Jouvet and Sarah Bernhardt she wrote three works that remained unpublished as well as several articles. It constitutes a thousand files devoted to actors and actresses as well as personalities from varied backgrounds. Colette Monceau née Nancey 1921-2016. Notice biographique : née à Nice en 1921 Colette Monceau est élève de Charles Dullin dans la seconde moitié des années quarante et joue dans plusieurs pièces à cette même période. À la fin des années cinquante elle suit les cours de l’école de graphologie de Pierre Foix à Paris et travaille notamment sur la danse dans le cadre de l'examen du Groupement des graphologues conseils de France. Devenue graphologue-conseil elle enseigne également cette technique. S'intéressant notamment aux écritures de Louis Jouvet et de Sarah Bernhardt elle rédige trois ouvrages restés inédits ainsi que plusieurs articlesExpertise by Daniel BRUKARZ Expert auprès de la CEA. Paris. Paris, France: Theatre De La Renaissance De Paris, [1887]. paperback‎

Référence libraire : 68-6409

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Alan Wofsy Fine Arts
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[Livres de Alan Wofsy Fine Arts]

€ 84,61 Acheter

‎Theatre Montmartre‎

‎Scenes de Coeur!‎

‎Paris: Theatre Montmartre 2000. 70x50 cm. Color poster. Very good. Slight tear on bottom right edge. Paris: Theatre Montmartre, 2000 unknown‎

Référence libraire : 69-1209

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Alan Wofsy Fine Arts
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[Livres de Alan Wofsy Fine Arts]

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‎yale/theatre‎

‎yale/theatre Volume 5: Watergate Classics‎

‎New Haven CN: Yale School of Drama 1974. 8vo. Soft covers. Very Good. 126 pp.Black and white plates throughoutPresentation copy signed by author to Larry Gelbart creator of MASH television show. There might be an additional charge due to the large size of the book. New Haven, CN: Yale School of Drama, 1974 paperback‎

Référence libraire : 75-2130

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Alan Wofsy Fine Arts
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[Livres de Alan Wofsy Fine Arts]

€ 126,91 Acheter

‎Shakespeare Memorial Theatre‎

‎Shakespeare Memorial Theatre 1948-1950: A Photographic Record‎

‎Reinhardt and Evans 1951. First Edition. Hardcover. Good/No Jacket. The boards are shelf rubbed with light knocks. The binding is secure. The pages are lightly wavy but there are no ink inscriptions or annotations. Tall and heavy book extra postage required unless posted within South Africa. JHK. Our orders are shipped using tracked courier delivery services. Reinhardt and Evans hardcover‎

Référence libraire : g96gb

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Chapter 1 Books
South Africa Sudáfrica África do Sul Afrique du Sud
[Livres de Chapter 1 Books]

€ 7,61 Acheter

‎[National Ensemble of the Republic of Guinea#29;; Barrymore Theatre (New York City)‎

‎Les Ballets Africains De La Republique de Guinea Theatre Programme‎

‎New York: National Ensemble of the Republic of Guinea 1966. First Edition First Printing. Stapled Wraps. Unpaginated pp. 16. 4to. measuring 8.5" x 11". Twice-stapled pictorial card covers illustrated in black-and-white. Striking black-and-white photographs group portraits and illustrations throughout capturing views of the live performance those of the performers shots of dignitaries and VIP's backstage etc. Additionally comprises of a detailed programme of events featruing a rich commentary and history by various contributors on the founding and importance of the troupe and their perforamance. Bright clean and unmarked; fine. While other editions of such programmes exist we could not locate any instances of this programme particular edition. Charming and scarce. <br/><br/>Commemorative programme book published upon the occasion of the 1966 performance of the African Ballet by the National Ensemble of the Republic of Guinea held at the Barrymore Theatre in New York City. It would coincide with the nineteenth anniversary of the troupe. National Ensemble of the Republic of Guinea paperback‎

Référence libraire : 6940

‎[Theatre du Palais Royal.]‎

‎B&W Photo of French opera singer Fillipi.‎

‎Paris France: Theatre du Palais Royal. ca. 1946. 9 x 14 cm. B&W glossy photograph. Very Good.Provenance Paul Paulet French actor from the 1930s-1970s [Paris, France: Theatre du Palais Royal., ca. 1946?] unknown‎

Référence libraire : 68-4303

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Alan Wofsy Fine Arts
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‎Queen's Theatre and Opera-House.‎

‎Queen’s Theatre and Opera-House Authorized to perform all the Pieces of the Dramatic Authors’ Society; First Appearance of Mr. Charles Cotton of the Philharmonic Rooms London; Wonderful Woman; Mr. Charles Cotton--Nelson!; Private Affairs.‎

‎Edinburgh: Queen’s Theatre and Opera-House circa 1840. Broadside. 43 x 23 cm. sheet. Very Good. Light toning along sheet edges. Edinburgh: [Queen’s Theatre and Opera-House, circa 1840]. unknown‎

Référence libraire : 71-4483

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Alan Wofsy Fine Arts
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‎Theatre Du Chatelet; Georges Guetary.‎

‎Program for Pour Don Carlos by Maurice Lehmann. Autographed dedication to Hazeler by singer dancer caberet performer and film actor Georges Guetary known for his role in the 1951 musical An American In Paris.‎

‎Paris France: Theatre Du Chatelet 1950. Theatre Program. 8vo. 28 pp. Stapled Wraps. Very Good with some notes penciled in margins. B&W photos. En Francais.Provenance: Madame Odette HAZELER 1928-2007Lived in the 10e Arrondissement Paris. Paris, France: Theatre Du Chatelet, 1950. paperback‎

Référence libraire : 68-4397

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Alan Wofsy Fine Arts
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[Livres de Alan Wofsy Fine Arts]

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‎Children's Theatre Company‎

‎The Face of America: Plays for Young People‎

‎University of Minnesota Press 2011. Paperback. Very Good. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More Spend Less.Dust jacket quality is not guaranteed. University of Minnesota Press paperback‎

Référence libraire : G0816673136I4N00 ISBN : 0816673136 9780816673131

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ThriftBooks
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[Livres de ThriftBooks]

€ 5,57 Acheter

‎LA PETITE ILLUSTRATION : THEATRE N° 404 - NOE Yvan‎

‎La Petite illustration théâtrale N° 404 : Christian comédie de Yvan Noé. Créée en novembre 1936 au théâtre des Variétés avec Harry Baur. 16 janvier 1937. Théâtre Périodiques Periodicals‎

‎La Petite Illustration. Théâtre 1937. 1937. La Petite Illustration. Théâtre unknown‎

Référence libraire : 300010995

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Démons & Merveilles
France Francia França France
[Livres de Démons & Merveilles]

€ 4,70 Acheter

Nombre de résultats : 110.446 (2209 Page(s))

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