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Gebhard, Elizabeth R.
THE THEATER AT ISTHMIA
Scholars' name to ffep (Mark Golden). Light dustsoiling to top of textblock. DJ spine a bit sunned. DJ has a couple of tiny chips. ; Oblong 8vo.; 154 pages
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Gebhard, Elizabeth R.
THE THEATER AT ISTHMIA
Very light shelfwear to book. Else fine. DJ has light rubbing, soiling and is a bit faded. ; Oblong 8vo.; 154 pages
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Euripides; A. C. Pearson
EURIPIDES: THE PHOENISSAE
Some pencil notes and marginalia to a few pages. Writing in pencil to endpapers. Spine slanted. Slight fraying to spine ends. Mild rubbing to boards. Corners rounded. ; Pitt Press Series; 246 pages
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Aeschylus; Gilbert Murray (translated)
AESCHYLUS: PROMETHEUS BOUND Translated Into English Rhyming Verse with Introduction and Notes
Light Chipping to spine ends. Heavy foxing to textblock and edges of some pages. Former owner's name on inner cover. ; 80 pages
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Wiles, David
TRAGEDY IN ATHENS Performance Space and Theatrical Meaning
Former classics scholar's bookplate on ffep (John H. Betts) else Fine. ; 244 pages; David Wiles explores the performance of tragedy as a spatial practice specific to Athenian culture, at once religious and political. After reviewing controversies and archaeological data regarding the fifth-century performance space, Wiles turns to the chorus and shows how dance mapped out the space for the purposes of any given play. He shows how performance as a whole was organized and, through informative diagrams and accessible analyses, brings the theater of Greek tragedy to life.
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Page, D. L.
A NEW CHAPTER IN THE HISTORY OF GREEK TRAGEDY
Chipping and tears to wraps. Spine has been reinforced with tape along with gutters. ; Inaugural Lecture delivered in 1951. ; 46 pages
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Seale, David
VISION AND STAGECRAFT IN SOPHOCLES
Foxing/dustsoiling to top of textblock. Scholar's bookplate to inner cover (G. P. Goold). Minor shelfwear to book. DJ has foxing to DJ flaps. ; 272 pages
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Segal, Erich (Ed. )
EURIPIDES A Collection of Critical Essays. Twentieth Century Views
Scholar's name to ffep (Philippa Goold née Forder). Gift inscription from Segal to Goold on ffep. Creasing to spine. Foxing/dustsoiling to top of textblock. ; Collection of Critical Essays by Richmond Lattimore, Charles W. Eckert, W. B. Stanford, Cedric H. Whitman, Jasper Griffin, F. M. Combellack, Dorothea Wender. ; A Spectrum Book; 177 pages; Signed by Editor
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Wilson, John R. (Ed. )
TWENTIETH CENTURY INTERPRETATIONS OF EURIPIDES' ALCESTIS A Collection of Critical Essays
Pages browned. Spine a bit creased. Scholar's name to ffep (Philippa Goold née Forder). ; The myth and its adaptation / D. J. Conacher --Greek tragicomedy / Hazel E. Barnes --"Conversion" in Eurpidies / William Arrowsmith --The ironic structure in Alcestis / Wesley D. Smith --Euripides' Alcestis / D. M. Jones --The chorus and Admetus / Thomas G. Rosenmeyer --Heracles and Pheres / Thomas G. Rosenmeyer --The happy ending of Alcestis / Kurt von Fritz --The mute Alcestis / Erna P. Trammell --Alcestic and The cocktail party / Robert B. Heilman --The turbulence of Euripidean tragedy --An inverted tragedy / Richmond Lattimore --The importance of Admetus / Ivan M. Linforth --Rhetoric and characterization / A. M. Dale --The rose of the house / Hans Diller --Hospitality (Xenia) / Richmond Lattimore --A convention of Greek tragedy / Thomas G. Rosenmeyer --The Agon / William Arrowsmith --On beating death / Robert B. Heilman --Charis (Grace) in Eliot and Euripides / Kenneth J. Reckford. ; 122 pages
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Jocelyn, H. D.
THE TRAGEDIES OF ENNIUS The Fragments. Edited with an Introduction and Commentary
Notes in ink and pencil by G. P. Goold (? ) to some pages. Light bumping to a couple of corners. ; Cambridge Classical Texts and Commentaries; 482 pages; The Tragedies of Ennius were theatrical adaptations of Attic originals. None has survived; but fragments of twenty-two of them can be found in the work of other writers. Dr Jocelyn prints all the identifiable fragments, substantial extracts from the works which quote them and, where necessary, a critical apparatus. The long introduction discusses the early history of Roman public spectacles; the physical conditions of the theatre in the third and second centuries; the effect these had on the poets who had to adapt the scripts of Attic tragedies; the general character of the Latin plays thus produced; and the fate of these scripts (particularly those of Ennius) in later antiquity. The commentary is both detailed and discursive. Besides glossing and interpreting in the usual way, it considers the problems of restoring individual fragments and of using these fragments to reconstruct both the plays from which they came and the Attic originals. It also elucidates the methods used by Ennius to reproduce the effects of language and style of the classical Athenian dramatists.
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Walton, J. Michael
THE GREEK SENSE OF THEATRE Tragedy Reviewed
Foxing to textblock. ; 8.3 X 5.3 X 0.4 inches; 177 pages
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Turyn, Aleksander
THE MANUSCRIPT TRADITION OF THE TRAGEDIES OF AESCHYLUS
Spine sunned. Minor spotting to boards. Scholar's name to ffep (Philippa Goold née Forder). Upper corners bumped. ; 141 pages
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Buxton, R. G. A.
PERSUASION IN GREEK TRAGEDY A Study of Peitho
Light foxing to top of textblock. Scholar's bookplate to inner cover (G. P. Goold). Minor shelfwear to book. Dustjacket spine is sunned. ; One of the difficulties in appreciating the literature of a foreign culture, and even more that of an ancient one, is to be sensitive to the overtones that certain concepts held for the original audience. A distinctive feature of Greek culture was an awareness of the power of words, and an interest in the interrelationships between persuasion (peitho) , deception and violence. These issues figured with some prominence in Greek plays. Dr Buxton maintains that certain aspects of classical tragedy become clearer if we recognise what peitho meant to the Greeks. In the first part of his book, he attempts to 'excavate' the concept of peitho, uncovering its various associations in different areas of experience - politics, rhetoric, love, morality and philosophy. Armed with what he has discovered, he turns in the second part to an analysis of selected plays by Aischylos, Sophokles and Euripides in which persuasion plays a major role. ; 260 pages
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Ley, Graham
A SHORT INTRODUCTION TO THE ANCIENT GREEK THEATER
Ink Initial to inner cover. Else fine. ; 8.0 X 5.3 X 0.3 inches; 118 pages
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Paine, Wesley & Brad Forrister (Eds. )
THEATRE PARTHENOS An Introduction to Greek Theatre
16 pp pamphlet put out for introducing readers to the Greek Theatre. ; 4to 11" - 13" tall; 16 pages
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Green, J. R. & F. Muecke, K. N. Sowada, M. Turner, E. Bachmann
ANCIENT VOICES, MODERN ECHOES Theatre in the Greek World: Exhibition Catalogue
A bit of creasing to wraps. Else minor shelfwear. ; 83 pages
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Gebhard, Elizabeth R.
THE THEATER AT ISTHMIA
Front hinge a bit strained. DJ spine dampstained. Old price sticker to front panel. Minor creasing to DJ. ; Oblong 8vo.; 154 pages
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Lawler, Lillian B.
THE DANCE OF THE ANCIENT GREEK THEATRE
Upper corners lightly bumped. Long note to ffep (gift inscription to scholar Emmett Robbins) in pen. ; Reprint of the 1964 ed. 160pp, illustrated.; 135 pages
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Sophocles; J. T. Sheppard, (translated)
THE OEDIPUS TYRANNUS OF SOPHOCLES Translated
book has been rebound in maroon buckram. Ex-library copy with usual stamps, call numbers and pocket. 4 pages are loose but present. ; English translation; 48 pages
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Bacilieri, Cinzia
LA RAPPRESENTAZIONE DELL'EDIFICIO TEATRALE NELLA CERAMICA ITALIOTA
1 lower corner creased. Lower corners have laminate lifting (1 cm). ; BAR International Series 997; 11.7 X 8.3 X 0.3 inches; 110 pages
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Stephanes / Stefanis, I. E.
DIONYSIAKOI TECHNITAI Symboles Sten Prosopographia Tou Theatrou Kai Tes Mousikes Ton Archaion Hellenon
Front hinge is broken and has been crudely repaired with clear tape. Scholars' bookplate to inner cover (Slater & Dunbabin). Minor edgewear to boards. Some ink and pencil marginalia (by Slater). Rear hinge is strained. 1 corner a bit edgeworn. ; 616 pages
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Wilson, Peter (Ed. )
THE GREEK THEATRE AND FESTIVALS Documentary Studies
Minor bumping. Light shelfwear to DJ and book. ; A collection of essays, by leading international scholars, on the history of the Greek theatre, and on the wider context of festival culture in which theatrical activity took place in the Greek world. The emphasis is on the documentary material - inscriptions, archaeological remains and monuments - which provides so much of our 'hard' evidence for the activities of the theatre. Much of the important material discussed here is unknown except to specialists, and these studies offer access to its interpretation to a wider audience. They cover a wide range of time and place, from the earliest days of the Greek theatre to the Roman period, with special emphasis on the neglected Hellenistic period, which is especially rich in documentary evidence. ; Oxford Studies In Ancient Documents; 8.6 X 5.7 X 1.2 inches; 400 pages
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Domergue, Claude; Christian Landes, Jean-Marie Pailler (Eds. )
SPECTACULA - I: GLADIATEURS ET AMPHITHÉÂTRES (Actes Du Colloque Tenu à Toulouse Et à Lattes Les 26, 27, 28, Et 29 Mai 1987)
Creasing to corners of wraps. Minor shelfwear. ; 316 pages
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Hanson, John Arthur
ROMAN THEATER-TEMPLES
Bumping to upper corners. Faint bump to head of spine. DJ is present but missing rear panel. DJ is in poor condition. Scholar's name to ffep (G. M. Paul). ; Princeton Monographs in Art and Archaeology XXXIII; 112 pages
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Goldhill, Simon & Robin Osborne (Eds. )
PERFORMANCE CULTURE AND ATHENIAN DEMOCRACY
Book is fine. DJ spine is sunned and discolored. ; 9.3 X 6.1 X 1.1 inches; 430 pages
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Hart, Mary Louise
THE ART OF ANCIENT GREEK THEATER
Gift inscription from author to Jenifer [Neils] on titlepage. Notes by book by Neils tipped in for a review. Very light shelfwear to DJ. ; 11.2 X 9.8 X 0.7 inches; 176 pages; Signed by Author
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Gianni Rodari
Gli esami di arlecchino
form. 19,5X11,5. Brossura edit. Pp. 182. Bella copia
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Eduardo De Filippo
Questi fantasmi
form. 16,5X11. Brossura edit. Pp. 109. Prima edizione. Bella copia
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Dario Fo
Johan Padan
form. 46X32,5. Legatura edit cartonata pp. 128. con un testo di Fo e moltissime sue tavole a colori. Prima edizione. Bella copia
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Marco Praga
L innamorata. Dramma in 4 atti
form. 18,5X11,5. Brossura edit. Pp. 156. Bella copia
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Felice Cavallotti
I pezzenti. Dramma storico in 5 atti in versi di Felice Cavallotti con note storiche
form. 15,5X10 pagine 160. Brossura editoriale. Galleria Teatrale N.57-58. Bella copia
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P.M. Arzibaschev - Raissa Olkienizkaja traduzione di
La gelosia. Dramma in 5 atti
form. 19X13. Brossura edit. Pp. 158. Con bella copertina di Cisari. Collezione del Teatro. Bella copia
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John Galsworthy - Valentina Capoccii traduzione di
Un po d amore. Dramma in tre atti
form. 19X13. Brossura edit. Pp. 166. Con bella copertina di Cisari. Collezione del Teatro. Bella copia
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N. Jevrieinov - Raissa Olkienizkaja traduzione di
La gaia morte tra le quinte dell anima cio che piu importa
form. 19X13. Brossura edit. Pp. 230. Con bella copertina di Cisari. Collezione del Teatro. Bella copia
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Dario Fo
Il Fanfani rapito
form. 22X12. Brossura edit. Pp.176. PRIMA EDIZIONE. Bella copia
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Marco Praga
L amico (dramma in un atto) - La morale della favola (commedia in tre atti)
form. 19,5X13. Brossura edit. Pagine 270. Bella copia
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Luigi De Lise
La cieca di Sorrento. Dramma diviso in un prologo e due parti in sei quadri
formato 16X11, Brossura editoriale pagine 96. Bella copia
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G.Morazzoni a cura di
La Scala attraverso limmagine. Saggio iconografico di G.Morazzoni
form. 24,5X34,5. Brossura in cartoncino editoriale con sovraccoperta piegata a busta pagine 36 + 30 tavole in fotoincisione B/N. Edizione fuori commercio in 500 esemplari numerati (269) Bella copia
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Giuseppe Berto
L uomo e la sua morte. Dramma in due parti
form. 21,5X14,5. Brossura edit.con sovraccoperta pagine 154. Prima edizione. FIRMA AUTOGRAFA di G.Berto. Bella copia
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Leonello Vincenti
Il teatro tedesco del Novecento
formato 19,5X11,5. Brossura edit. Pagine 52. Firma di appartenenza. Bella copia
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Horst Denkler - Lia Secci a cura di
Il teatro dell Espressionismo. Atti unici e drammi brevi a cura di Horst Denkler e Lia Secci
formato 21x13,5. Brossura editoriale pagine 374. Bella copia
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Apollinaire
Les mamelles de Tiresia
formato 20X15. Brossura editoriale pagine 108. Con 7 composizioni sul testo di S.Ferat. Tiratura numerata non specificata. Prima Edizione. Bella copia
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Arthur Miller da Henrik Ibsen
Un nemico del popolo
formato 21X12. Brossura editoriale pagine 188. Testo di Sergio Romano e Masolino d Amico Con molte fotografie di scena in B/N. Bella copia come nuova
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E.Sanguineti
L amore delle tre melarance. Un travestimento fiabesco da un canovaccio di Carlo Gozzi
formato 21X12. Brossura editoriale pagine144. Testo di Sergio Romano e Masolino d Amico Con molte fotografie di scena in B/N. Bella copia come nuova
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Magazzini criminali - Gianni Manzella a cura di
Nascita della visione. Verso il teatro di poesia
formato15,5X24. Brossura editoriale pagine 165. Fotografie di G.Marini. Postfazione di Lorenzo Mango. Bella copia
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Angelo Maria Ripellino
Il processo di Franz Kafka
formato 23X24.Brossura in cartoncino editoriale e sovraccoperta pagine 28. Con diverse fotografie di scena in B/N. Bella copia
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F.Parenti - C.Garboli - R.Shammah - P.Guadagnolo
Quaderno di critica per la messa in scena dell Arialda di Giovanni Testori. Teatro Pie rLombardo
formato 23X24. Brossura editoriale con diverse fotografie di scena in B/N. bella copia
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Giovanni Testori
Edipus
formato 23X24. Brossura in cartoncino con sovraccoperta. Testo di Testori e P.Guadagnolo. Molte fotografie di scena in B/N. Bella copia
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Maurice Maeterlink - Luca Ronconi traduzione di
L uccellino azzurro
formato 21X21. Brossura in cartoncino editoriale. Con molte fotografie a colori dei personaggi. Lieve traccia di umidita alle pagine ma buona copia. Con una conversazione con Luca Ronconi
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Massimo Bontempelli
La guardia alla luna. Sette quadri. In Comoedia. Fascicolo periodico di commedie e di vita teatrale. (fascicolo N.7).
formato 24,5X17. Brossura editoriale. Rivista Teatrale. Preedizione del testo di Bontempelli rappresentato a Milano il 15 marzo 1920 e raccolto successivamente nel 1927 insieme a SIEPE A NORDOVEST nella Biblioteca Teatrale della Mondadori. Bella copia
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