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APPLIED THEATRE: PERFORMING HEALTH AND WELLBEING -
Applied Theatre: Performing Health and Wellbeing
like new. unknown
Referentie van de boekhandelaar : 27538999 ISBN : 1472584562 9781472584564
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Association Of British Theatre Technicians,
Theatre Buildings
new. unknown
Referentie van de boekhandelaar : 46129417-n ISBN : 1032355298 9781032355290
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Theatre Francais
Repertoire General du Theatre Francais Tome XXV
1813. Gebunden. unknown
Referentie van de boekhandelaar : 19152
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Theatre Francais
Repertoire General du Theatre Francais Tome XXXIX
1813. Gebunden. unknown
Referentie van de boekhandelaar : 19155
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Theatre Francais
Repertoire General du Theatre Francais Tome XXXV
Grondeur: Muet 1813. Gebunden. Muet unknown
Referentie van de boekhandelaar : 19161
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Theatre Francais
Repertoire General du Theatre Francais Tome XLIV
1813. Gebunden. unknown
Referentie van de boekhandelaar : 19149
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Theatre Francais
Repertoire General du Theatre Francais Tome XXXVII
1813. Gebunden. unknown
Referentie van de boekhandelaar : 19157
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Theatre Francais
Repertoire General du Theatre Francais Tome IX
1813. Gebunden. unknown
Referentie van de boekhandelaar : 19150
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Theatre Francais
Repertoire General du Theatre Francais Tome XLVI
1813. Gebunden. unknown
Referentie van de boekhandelaar : 19147
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Theatre Francais
Repertoire General du Theatre Francais Tome XLVIII
1813. Gebunden. unknown
Referentie van de boekhandelaar : 19145
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Theatre Francais
Repertoire General du Theatre Francais Tome XLI
1813. Gebunden. unknown
Referentie van de boekhandelaar : 19153
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Theatre Francais
Repertoire General du Theatre Francais Tome XL
Dissipateur: Fausse Agnes 1813. Gebunden. Fausse Agnes unknown
Referentie van de boekhandelaar : 19163
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Theatre Francais
Repertoire General du Theatre Francais Tome XXXIII Second Ordre Dancourt
1813. Gebunden. unknown
Referentie van de boekhandelaar : 19160
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Theatre Francais
Repertoire General du Theatre Francais Tome XXXVIII
1813. Gebunden. unknown
Referentie van de boekhandelaar : 19159
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Theatre Francais
Repertoire General du Theatre Francais Tome XXXII
1813. Gebunden. unknown
Referentie van de boekhandelaar : 19156
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Theatre Francais
Repertoire General du Theatre Francais Tome XXVIII
Hypermnestre: La Veuve du Malabar La Harpe 1813. Gebunden. La Veuve du Malabar La Harpe unknown
Referentie van de boekhandelaar : 19151
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Theatre Francais
Repertoire General du Theatre Francais Tome XXIV
1813. Gebunden. unknown
Referentie van de boekhandelaar : 19146
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Theatre Francais
Repertoire General du Theatre Francais Tome XXX
Eugenie: Mere Coupable Harpe 1813. Gebunden. Mere Coupable Harpe unknown
Referentie van de boekhandelaar : 19154
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Theatre Francais
Repertoire General du Theatre Francais Tome XXVII
Spartacus: Blanche et Guiscard 1813. Gebunden. Blanche et Guiscard unknown
Referentie van de boekhandelaar : 19144
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Theatre Francais
Repertoire General du Theatre Francais Tome VII
Iphigenie: Phedre 1813. Gebunden. Phedre unknown
Referentie van de boekhandelaar : 19162
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ABBEY THEATRE, DUBLIN
Unsigned Programme for a performance at the Abbey Theatre
where they are performing "The Rising of the Moon A Play in One Act by Lady Gregory" then "Meadowsweet A Play in One Act by Seumas O'Kelly" and finally "The Shewing-up of Blanco Posnet A Sermon in crude Melo-drama by George Bernard Shaw" under the directorship of W. B. Yeats and Lady Gregory 4 pages 4to. Dublin 1st August The Abbey Theatre also known as the National Theatre of Ireland in Dublin Ireland is one of the country's leading cultural institutions. First opening to the public on 27th December 1904 and moved from its original building after a fire in 1951 it has remained active to the present day. unknown
Referentie van de boekhandelaar : 42934
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Play Theatre Co,
Pocket Plays
like new. unknown
Referentie van de boekhandelaar : 29728808 ISBN : 178682261x 9781786822611
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(ABTT), Association of British Theatre Technicians
Theatre Buildings: A Design Guide
Routledge 2024-02-20. 2. hardcover. New. 8.66x1.10x10.87. Buy with confidence. Excellent Customer Service & Return policy. Routledge hardcover
Referentie van de boekhandelaar : DADAX1032355298 ISBN : 1032355298 9781032355290
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Grant Guangren Shen Guangren Shen Grant Theatre Studies Grant Guangren Shen
Elite Theatre in Ming China 1368-1644
Taylor & Francis Group pp. 204 . Papeback. New. Taylor & Francis Group unknown
Referentie van de boekhandelaar : 62142162 ISBN : 0415545897 9780415545891
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Theatre Guild
The Theatre Guild Anthology V2
Kessinger Publishing 2007-07-25. hardcover. New. 6.00x1.19x9.00. Buy with confidence. Excellent Customer Service & Return policy. Kessinger Publishing hardcover
Referentie van de boekhandelaar : DADAX0548075506 ISBN : 0548075506 9780548075500
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[British Theatre]
Group of Four Original Playbills: New Theatre Bridgnorth 1834
Minor creasing; light scattered foxing and toning. Very good. <p>British Theatre Group of Four Original Playbills: New Theatre Bridgnorth 1834 </p> <br /> <p>Four Original Playbills from the New Theatre Bridgnorth Shopshire UK 1834. Titles include: Hofer! The Tell of the Tyrol February 4th; Invincibles February 6th; Mary Queen of Scotland March 4th; and Hunchback March 18th. </p> <br /> <p>Shropshire UK: Gitton printer 1834. Each measuring approx. 10 x 7.5 inches. Blank to versos.</p> . unknown
Referentie van de boekhandelaar : 1369
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New Theatre Bridgnorth
Group of Six Original Playbills 1829 - 1834
Minor creasing; light scattered foxing and toning. Very good. <p>British Theatre Group of Six Original Playbills: New Theatre Bridgnorth 1829 - 1834 </p> <br /> <p>Six Original Playbills from the New Theatre Bridgnorth Shopshire UK 1829 - 1834. Titles include: John Bull: or An Englishman's Fireside; Invincibles; Mary Queen of Scotland; Hunchback; George Barnwell The London Apprentice; and Wedding Gown.</p> <br /> <p>Shropshire UK: Gitton printer 1829 -1834. Each measuring approx. 10 x 7.5 inches. Blank to versos.</p> . unknown
Referentie van de boekhandelaar : 1448
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Heilig Theatre Portland, Oregon
D.W. Griffith Presents "The Birth of a Nation
Good. Broadsheet printed on both sides. 16 x 24 cm. Horizontal crease. Light foxing and wear. Movie flyer for a three week engagement at the Heilig Theatre with a daily matinee at 2 pm and an evening showing at 8 pm. Griffith's racist masterpiece demonized African American men but this promotional flyer has a section promoting the film as conveying a message of peace which concludes with: "Armies seldom settle disputed questions of state. But where they accomplish this much in the wake of a conflict arise newer and more terrible questions. But for the hatreds engendered in the Civil War the suffering of the Reconstruction period would never have been known. unknown
Referentie van de boekhandelaar : 91954
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American Negro Theatre
The American Negro Theatre presents Freight a New One Act Play by Kenneth White preceded by Riders to the Sea . Presented by the Harlem Children's Center . February 3 to February 27 1949
New York 1946. Good. Folded program. 4p. Wear along three later horizontal folds. Some foxing and soiling. Sidney Poitier was cast as Lottie in "Riders to the Sea. unknown
Referentie van de boekhandelaar : 91671
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Instituto Nacional de Estudios de Teatro
Boletin de Estudios de Teatro. 21 issues of this quarterly periodical: Nos. 1-17 1943-1947 and 26-29/30 1949-1950
Buenos Aires 1950. Paperback. Good. Original wrappers. 29cm. Some cover soiling. Lower right corners curling. Contents of almost all issues browned. Spanish text. paperback
Referentie van de boekhandelaar : 62698
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Black Theatre Archive
Black Theatre in Atlanta Photo Archive 1970s
1970. African AmericanTheatre Black Theatre Production Archive ca. 1970s. Three silver gelatin prints. Each approx. 5 x 7 in. Photographer: Paul Buckholdt Atlanta Georgia. An evocative photographic archive capturing Black stage performance in mid-century Atlanta these three images-Circa 1970s-offer a rare and powerful visual document of regional Black theater. Shot by Atlanta-based photographer Paul Buckholdt the photographs document an ensemble of African American actors engaged in emotionally intense and physically expressive performances. The productions are unidentified but exhibit hallmarks of experimental and socially conscious theater with strong visual affinities to works influenced by the Black Arts Movement and Southern community theater traditions. The photographs appear to be of different productions but share some of the same actors possibly a repertory cast. The first photograph depicts a barefoot actor at center draped in classical robes surrounded by fellow performers in matching garments adopting stylized poses of deference or resistance-suggestive of ritual theater potentially a mythic drama. The second image features a domestic interior: a woman in a plaid dress is caught in a moment of confrontation flanked by two men-one seated behind a wooden chest the other looming behind her-capturing a charged tableau of familial or communal tension. The third image shows a five-man cast in a living room set gathered around a piano and seated furniture the action centered on a standing figure in suspenders gesturing emphatically suggesting a naturalistic setting with underlying political or intergenerational themes. Faint discoloration marks to two prints otherwise clear and well preserved. Overall very good condition. This small but significant archive offers an uncommon glimpse into Black theatrical productions in the American South presenting a visual record of cultural expression identity and resistance staged before predominantly local audiences. unknown
Referentie van de boekhandelaar : 21838
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American Ballet Theatre
TWYLA THARP 1970s-2000s Photo archive
American Ballet Theatre. No binding. Fine. New York: American Ballet Theatre 1970s-2000s. Group of five vintage original 8 x 10" 20 x 25 cm black-and-white glossy print still photos. Photo stamps and blurbs on versos fine. Twyla Tharp b. 1941 is an American dancer choreographer and author who lives and works in New York City. In 1965 she formed the company Twyla Tharp Dance which merged with American Ballet Theatre in 1988. She regrouped the company in 1991. Her work often uses classical jazz and contemporary pop music. She is renowned as an innovative American choreographer known for her unique blending of classical ballet modern dance and popular styles often incorporating elements of jazz social and even street dance. She is also recognized for her Broadway work including choreographing Movin' Out and Come Fly Away and her contributions to film and television. Wikipedia Four photos show the Tony Award-winning choreographer/dancer/writer of American Ballet Theatre in portrait and at work. One is for her ballet How Near Heaven. American Ballet Theatre unknown
Referentie van de boekhandelaar : WALTER-FILM007297
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Elaine Aston (Professor Of Contemporary Performance), Geraldine Harris (Senior Lecturer In Theatre Studies),
Feminist Futures Theatre Performance Theory
Palgrave 2006. 1st. Hardcover. New/New. Palgrave hardcover
Referentie van de boekhandelaar : AME_9781403945327 ISBN : 1403945322 9781403945327
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Walden Theatre Conservatory Play Writing
Sometimes I Wake Up in the Middle of the Night
paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Referentie van de boekhandelaar : 0871293765.G ISBN : 0871293765 9780871293763
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Theatre, Breach
TANK Oberon Modern Plays
paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Referentie van de boekhandelaar : 1786821532.G ISBN : 1786821532 9781786821539
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Theatre Montmartre
Scenes de Coeur!
Paris: Theatre Montmartre 2000. 70x50 cm. Color poster. Very good. Slight tear on bottom right edge. Paris: Theatre Montmartre, 2000 unknown
Referentie van de boekhandelaar : 69-1209
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Theatre Montmarte
B&W postcard of Sarah Bernhardt 1844 - 1923 at Theatre Montmarte.
Paris France: Theatre Montmarte ca. 1890. B&W Photograph on Blank Post Card. 14 x 9 cm. Very Good. En Francais.Provenance:Colette Monceau born Nancey 1921-2016. Biographical note: born in Nice in 1921 Colette Monceau was a student of Charles Dullin in the second half of the forties and played in several plays during the same period. At the end of the 1950s she took courses at Pierre Foix's school of graphology in Paris and worked in particular on dance as part of the exam for the Group of Consulting Graphologists of France. Having become a consultant graphologist she also teaches this technique. Particularly interested in the writings of Louis Jouvet and Sarah Bernhardt she wrote three works that remained unpublished as well as several articles. It constitutes a thousand files devoted to actors and actresses as well as personalities from varied backgrounds. Colette Monceau née Nancey 1921-2016. Notice biographique : née à Nice en 1921 Colette Monceau est élève de Charles Dullin dans la seconde moitié des années quarante et joue dans plusieurs pièces à cette même période. À la fin des années cinquante elle suit les cours de l’école de graphologie de Pierre Foix à Paris et travaille notamment sur la danse dans le cadre de l'examen du Groupement des graphologues conseils de France. Devenue graphologue-conseil elle enseigne également cette technique. S'intéressant notamment aux écritures de Louis Jouvet et de Sarah Bernhardt elle rédige trois ouvrages restés inédits ainsi que plusieurs articlesExpertise by Daniel BRUKARZ Expert auprès de la CEA. Paris. Paris, France: Theatre Montmarte, [ca. 1890]. unknown
Referentie van de boekhandelaar : 68-6379
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Abbey Theatre
Black and white postcard of Sarah Bernhardt 1844 - 1923 in the title role of Izey at the Abbey Theatre Dublin Ireland.
Dublin Ireland: Abbey Theatre 1896. B&W Photograph on Blank Post Card. 14 x 9 cm. Very Good. En Francais.Provenance:Colette Monceau born Nancey 1921-2016. Biographical note: born in Nice in 1921 Colette Monceau was a student of Charles Dullin in the second half of the forties and played in several plays during the same period. At the end of the 1950s she took courses at Pierre Foix's school of graphology in Paris and worked in particular on dance as part of the exam for the Group of Consulting Graphologists of France. Having become a consultant graphologist she also teaches this technique. Particularly interested in the writings of Louis Jouvet and Sarah Bernhardt she wrote three works that remained unpublished as well as several articles. It constitutes a thousand files devoted to actors and actresses as well as personalities from varied backgrounds. Colette Monceau née Nancey 1921-2016. Notice biographique : née à Nice en 1921 Colette Monceau est élève de Charles Dullin dans la seconde moitié des années quarante et joue dans plusieurs pièces à cette même période. À la fin des années cinquante elle suit les cours de l’école de graphologie de Pierre Foix à Paris et travaille notamment sur la danse dans le cadre de l'examen du Groupement des graphologues conseils de France. Devenue graphologue-conseil elle enseigne également cette technique. S'intéressant notamment aux écritures de Louis Jouvet et de Sarah Bernhardt elle rédige trois ouvrages restés inédits ainsi que plusieurs articlesExpertise by Daniel BRUKARZ Expert auprès de la CEA. Paris. [Dublin, Ireland: Abbey Theatre, 1896] unknown
Referentie van de boekhandelaar : 68-6369
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Theatre Sarah-Bernhardt
Theatre Sarah-Bernhardt. Saison 1922-23.
Paris France: L'Edition Artistique 1922. Program. 12mo. Stapled Wraps 16 pp. B&W Photographs cover in color. Good with minor tears. En Francais.Provenance:Colette Monceau born Nancey 1921-2016. Biographical note: born in Nice in 1921 Colette Monceau was a student of Charles Dullin in the second half of the forties and played in several plays during the same period. At the end of the 1950s she took courses at Pierre Foix's school of graphology in Paris and worked in particular on dance as part of the exam for the Group of Consulting Graphologists of France. Having become a consultant graphologist she also teaches this technique. Particularly interested in the writings of Louis Jouvet and Sarah Bernhardt she wrote three works that remained unpublished as well as several articles. It constitutes a thousand files devoted to actors and actresses as well as personalities from varied backgrounds. Colette Monceau née Nancey 1921-2016. Notice biographique : née à Nice en 1921 Colette Monceau est élève de Charles Dullin dans la seconde moitié des années quarante et joue dans plusieurs pièces à cette même période. À la fin des années cinquante elle suit les cours de l’école de graphologie de Pierre Foix à Paris et travaille notamment sur la danse dans le cadre de l'examen du Groupement des graphologues conseils de France. Devenue graphologue-conseil elle enseigne également cette technique. S'intéressant notamment aux écritures de Louis Jouvet et de Sarah Bernhardt elle rédige trois ouvrages restés inédits ainsi que plusieurs articlesExpertise by Daniel BRUKARZ Expert auprès de la CEA. Paris. Paris, France: L'Edition Artistique, 1922. paperback
Referentie van de boekhandelaar : 68-6419
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Theatre De La Renaissance De Paris; M Victor Ullmann (prod).
Program For La Tosca. Programme Edite Par La Soiree Parisienne. Representations De Mme. Sarah Bernhardt.
Paris France: Theatre De La Renaissance De Paris 1887. Program. 12mo. Stapled Wraps. 8 pp. Good with covers split along spine toning. B&W photo on cover. Advertisements throughout. En Francais. Scarce.Provenance:Colette Monceau born Nancey 1921-2016. Biographical note: born in Nice in 1921 Colette Monceau was a student of Charles Dullin in the second half of the forties and played in several plays during the same period. At the end of the 1950s she took courses at Pierre Foix's school of graphology in Paris and worked in particular on dance as part of the exam for the Group of Consulting Graphologists of France. Having become a consultant graphologist she also teaches this technique. Particularly interested in the writings of Louis Jouvet and Sarah Bernhardt she wrote three works that remained unpublished as well as several articles. It constitutes a thousand files devoted to actors and actresses as well as personalities from varied backgrounds. Colette Monceau née Nancey 1921-2016. Notice biographique : née à Nice en 1921 Colette Monceau est élève de Charles Dullin dans la seconde moitié des années quarante et joue dans plusieurs pièces à cette même période. À la fin des années cinquante elle suit les cours de l’école de graphologie de Pierre Foix à Paris et travaille notamment sur la danse dans le cadre de l'examen du Groupement des graphologues conseils de France. Devenue graphologue-conseil elle enseigne également cette technique. S'intéressant notamment aux écritures de Louis Jouvet et de Sarah Bernhardt elle rédige trois ouvrages restés inédits ainsi que plusieurs articlesExpertise by Daniel BRUKARZ Expert auprès de la CEA. Paris. Paris, France: Theatre De La Renaissance De Paris, [1887]. paperback
Referentie van de boekhandelaar : 68-6409
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Theatre Sarah-Bernhardt; Sam & Lee Schubert & Wm F Connor
Souvenir Program. First Only and Farewell Performance of Madame Sarah Bernhardt. April 24 1906.
Fort Wayne Indiana: Theatre Sarah-Bernhardt 1906. Program. 8vo. Stapled Wraps 8 pp. B&W Photograph on cover. Good with minor splitting along spine.Provenance:Colette Monceau born Nancey 1921-2016. Biographical note: born in Nice in 1921 Colette Monceau was a student of Charles Dullin in the second half of the forties and played in several plays during the same period. At the end of the 1950s she took courses at Pierre Foix's school of graphology in Paris and worked in particular on dance as part of the exam for the Group of Consulting Graphologists of France. Having become a consultant graphologist she also teaches this technique. Particularly interested in the writings of Louis Jouvet and Sarah Bernhardt she wrote three works that remained unpublished as well as several articles. It constitutes a thousand files devoted to actors and actresses as well as personalities from varied backgrounds. Colette Monceau née Nancey 1921-2016. Notice biographique : née à Nice en 1921 Colette Monceau est élève de Charles Dullin dans la seconde moitié des années quarante et joue dans plusieurs pièces à cette même période. À la fin des années cinquante elle suit les cours de l’école de graphologie de Pierre Foix à Paris et travaille notamment sur la danse dans le cadre de l'examen du Groupement des graphologues conseils de France. Devenue graphologue-conseil elle enseigne également cette technique. S'intéressant notamment aux écritures de Louis Jouvet et de Sarah Bernhardt elle rédige trois ouvrages restés inédits ainsi que plusieurs articlesExpertise by Daniel BRUKARZ Expert auprès de la CEA. Paris. Fort Wayne, Indiana: Theatre Sarah-Bernhardt, 1906. paperback
Referentie van de boekhandelaar : 68-6418
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Simon Theatre Francaise Bordeaux
Telegram to Sarah Bernhardt 1889.
Paris France: Simon Theatre Francais Bordeaux 1889. Folio. Telegram mounted on illustrated color pencil sheet of backing paper with hand written dated note in black ink. Good with tears & losses. En Francais. Provenance:Colette Monceau born Nancey 1921-2016. Biographical note: born in Nice in 1921 Colette Monceau was a student of Charles Dullin in the second half of the forties and played in several plays during the same period. At the end of the 1950s she took courses at Pierre Foix's school of graphology in Paris and worked in particular on dance as part of the exam for the Group of Consulting Graphologists of France. Having become a consultant graphologist she also teaches this technique. Particularly interested in the writings of Louis Jouvet and Sarah Bernhardt she wrote three works that remained unpublished as well as several articles. It constitutes a thousand files devoted to actors and actresses as well as personalities from varied backgrounds. Colette Monceau née Nancey 1921-2016. Notice biographique : née à Nice en 1921 Colette Monceau est élève de Charles Dullin dans la seconde moitié des années quarante et joue dans plusieurs pièces à cette même période. À la fin des années cinquante elle suit les cours de l’école de graphologie de Pierre Foix à Paris et travaille notamment sur la danse dans le cadre de l'examen du Groupement des graphologues conseils de France. Devenue graphologue-conseil elle enseigne également cette technique. S'intéressant notamment aux écritures de Louis Jouvet et de Sarah Bernhardt elle rédige trois ouvrages restés inédits ainsi que plusieurs articlesExpertise by Daniel BRUKARZ Expert auprès de la CEA. Paris. Paris, France: Simon Theatre Francais Bordeaux, 1889. unknown
Referentie van de boekhandelaar : 68-6434
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Theatre De La Renaissance
Program for La Dame Aux Camelias by Alexandre Dumas. L'Illustration. Sarah Bernhardt. Theatre De La Renaissance
Paris France: Theatre De La Renaissance De Paris ca. 1900. Program. Folded Card 4 pp. 16 x 10.4 cm. Very Good with minor wear to spine. Illustration on cover. En Francais. Provenance:Colette Monceau born Nancey 1921-2016. Biographical note: born in Nice in 1921 Colette Monceau was a student of Charles Dullin in the second half of the forties and played in several plays during the same period. At the end of the 1950s she took courses at Pierre Foix's school of graphology in Paris and worked in particular on dance as part of the exam for the Group of Consulting Graphologists of France. Having become a consultant graphologist she also teaches this technique. Particularly interested in the writings of Louis Jouvet and Sarah Bernhardt she wrote three works that remained unpublished as well as several articles. It constitutes a thousand files devoted to actors and actresses as well as personalities from varied backgrounds. Colette Monceau née Nancey 1921-2016. Notice biographique : née à Nice en 1921 Colette Monceau est élève de Charles Dullin dans la seconde moitié des années quarante et joue dans plusieurs pièces à cette même période. À la fin des années cinquante elle suit les cours de l’école de graphologie de Pierre Foix à Paris et travaille notamment sur la danse dans le cadre de l'examen du Groupement des graphologues conseils de France. Devenue graphologue-conseil elle enseigne également cette technique. S'intéressant notamment aux écritures de Louis Jouvet et de Sarah Bernhardt elle rédige trois ouvrages restés inédits ainsi que plusieurs articlesExpertise by Daniel BRUKARZ Expert auprès de la CEA. Paris. Paris, France: Theatre De La Renaissance De Paris, [ca. 1900]. unknown
Referentie van de boekhandelaar : 68-6413
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Rostand, Edmond; Theatre de la Porte Saint-Martin; Bert, Felix Henri Manuel et Peigne
Repetition Generale de Chantecler.
Paris France: Devambez 1910. Program. 8vo. Hard Covers with gold embossed rooster insignia on front cover. 8 pp. B&W Plates. Very Good with text block laid loosely inside covers. En Francais. Provenance:Colette Monceau born Nancey 1921-2016. Biographical note: born in Nice in 1921 Colette Monceau was a student of Charles Dullin in the second half of the forties and played in several plays during the same period. At the end of the 1950s she took courses at Pierre Foix's school of graphology in Paris and worked in particular on dance as part of the exam for the Group of Consulting Graphologists of France. Having become a consultant graphologist she also teaches this technique. Particularly interested in the writings of Louis Jouvet and Sarah Bernhardt she wrote three works that remained unpublished as well as several articles. It constitutes a thousand files devoted to actors and actresses as well as personalities from varied backgrounds. Colette Monceau née Nancey 1921-2016. Notice biographique : née à Nice en 1921 Colette Monceau est élève de Charles Dullin dans la seconde moitié des années quarante et joue dans plusieurs pièces à cette même période. À la fin des années cinquante elle suit les cours de l’école de graphologie de Pierre Foix à Paris et travaille notamment sur la danse dans le cadre de l'examen du Groupement des graphologues conseils de France. Devenue graphologue-conseil elle enseigne également cette technique. S'intéressant notamment aux écritures de Louis Jouvet et de Sarah Bernhardt elle rédige trois ouvrages restés inédits ainsi que plusieurs articlesExpertise by Daniel BRUKARZ Expert auprès de la CEA. Paris. Paris, France: Devambez, 1910. hardcover
Referentie van de boekhandelaar : 68-6425
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Theatre Sarah-Bernhardt
Program for Le Chemineau.
Paris France: Imprimerie Robert 1905. Program. 8vo. Stapled Wraps 16 pp. B&W Photographs cover in color. Good with minor tears. En Francais.Provenance:Colette Monceau born Nancey 1921-2016. Biographical note: born in Nice in 1921 Colette Monceau was a student of Charles Dullin in the second half of the forties and played in several plays during the same period. At the end of the 1950s she took courses at Pierre Foix's school of graphology in Paris and worked in particular on dance as part of the exam for the Group of Consulting Graphologists of France. Having become a consultant graphologist she also teaches this technique. Particularly interested in the writings of Louis Jouvet and Sarah Bernhardt she wrote three works that remained unpublished as well as several articles. It constitutes a thousand files devoted to actors and actresses as well as personalities from varied backgrounds. Colette Monceau née Nancey 1921-2016. Notice biographique : née à Nice en 1921 Colette Monceau est élève de Charles Dullin dans la seconde moitié des années quarante et joue dans plusieurs pièces à cette même période. À la fin des années cinquante elle suit les cours de l’école de graphologie de Pierre Foix à Paris et travaille notamment sur la danse dans le cadre de l'examen du Groupement des graphologues conseils de France. Devenue graphologue-conseil elle enseigne également cette technique. S'intéressant notamment aux écritures de Louis Jouvet et de Sarah Bernhardt elle rédige trois ouvrages restés inédits ainsi que plusieurs articlesExpertise by Daniel BRUKARZ Expert auprès de la CEA. Paris. Paris, France: Imprimerie Robert, [1905]. paperback
Referentie van de boekhandelaar : 68-6422
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The Gingerbread Players & Jack; Theatre East
The Wizard Of Oz.
Detroit Michigan: Theatre East ca. 1960. Theatre Broadside. Letter-sized. Very Good. Scarce. [Detroit, Michigan]: Theatre East, [ca. 1960]. unknown
Referentie van de boekhandelaar : 68-7168
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Genet, Jean; Un-stabled Theatre
The Balcony.
Detroit Michigan: Un-stabled Theatre ca. 1965. Theatre Program. 8vo. Folded Printed Sheet. 4 pp. Very Good. Scarce. [Detroit, Michigan: Un-stabled Theatre, ca. 1965]. unknown
Referentie van de boekhandelaar : 68-7160
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THEATRE TAIROFF, Alexander
Das Entfesselte Theater.
Gustav Kiepenheuer Verlag Potsdam. 1923. First German edition. No translator given. The original Russian edition had appeared in 1921. Royal octavo. pp vi 112. 12 plates 3 in colour. Sympathetically recased in cloth with new endpapers and retaining the original front panel with its design by El Lissitsky. The author was an influentially innovative Russian theatre director before and after the Revolution. German text.Some pink staining to top corners of last three leaves. Some marking to front panel. Very good. Gustav Kiepenheuer Verlag, Potsdam. hardcover
Referentie van de boekhandelaar : THEATRE000938
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The Theatre Museum / V&A
Surprise Pantomime Spectacular
London: The Theatre Museum / V&A 1990. 8vo. Die-Cut 14 page Accordian Fold-out Pamphlet on Card Stock. ca. 14 pp. Color Plates Very Good.Provenance: From the Collection of Frederick Gale Ruffner Jr.The Founder of Gale Research Detroit London: The Theatre Museum / V&A, [1990?] unknown
Referentie van de boekhandelaar : 75-8891
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[John Cage] The Living Theatre
Press Release John Cage at the Living Theatre
New York: The Living Theatre 1961. Very Good. New York: The Living Theatre 1961. Press release printed mimeograph on single leaf of Living Theatre letterhead 28x21.5cm. Light toning to margins else Very Good.<br /> <br /> Press release dated October 27 1961 announcing a program at the Living Theatre on November 6th which would feature a performance by avant-garde composer John Cage with four lectures "given simultaneously." The release is signed in text by James Spicer. The Living Theatre unknown
Referentie van de boekhandelaar : 47315
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