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Earle, John
Microcosmography; or A Piece of the World discovered; in Essays and Characters. A new edition to which are added, notes and an appendix by Philip Bliss.
London, printed for White & Cochrane and Harding 1811. XX, 340 S. Halbleder der Zeit mit Rückenschild und Rückenvergoldung. Kanten und Vergoldung berieben. Geringf. gebräunt, im Rand etwas stärker.
Referentie van de boekhandelaar : 47288AB
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EARLOM Richard (Londra, 14 maggio 1743 – Londra, 9 ottobre 1822)
L'Abbondanza
Acquatinta e acquaforte, stampata in seppia, 1789. Dalla serie: A collection of prints, after the sketches and drawings of the late celebrated Giovanni Battista Cipriani pubblicata a Londra da John & Josiah Boydell. La serie consiste di cinquanta stampe da disegni di Cipriani 'incisi da Mr. Richard Earlom' inclusee sette incise da Maria Catharina Prestel, Bartolozzi, Kirk e Legat. Richard Earlom (1743-1822) fu uno dei più grandi incisori a mezzatinta e a puntini del suo tempo. Fu apprendista dell'incisore londinese G.B. Cipriani e studiò alla St Martin's Lane Academy. Vinse molti premi per i suoi disegni e incisioni. Nel 1774, iniziò a lavorare per John Boydell per il quale creò trecento tavole dopo Claude, pubblicate come il Liber Veritas (1777-1819). Creò anche per Boydell cinquantuno tavole di Cipriani. Earlom incise opere eccezionali sia dopo i disegni dei suoi contemporanei che dopo i vecchi maestri. Boydell commissionò il suo talento per alcune delle più famose tavole della Houghton Gallery e della Shakespeare Gallery. Giovanni Battista Cipriani, (1727-1785) fu un pittore decorativo e designer fiorentino, attivo principalmente in Inghilterra. Nel 1755 fu portato a Londra dall'architetto Sir William Chambers e dallo scultore Joseph Wilton, che lo avevano conosciuto a Roma. Fu impiegato nella decorazione di molti edifici pubblici e case private e in alcuni casi progettò dettagli architettonici come intonaco, legno e scultura in pietra. Buoni esempi dei suoi dipinti sono alla Somerset House (dove lavorò per Chambers) e nel Philadelphia Museum of Art (una serie originariamente eseguita per Lansdowne House, Londra). Fu anche attivo come insegnante alla Royal Academy (fu membro fondatore nel 1768 e disegnò il suo diploma), e i suoi numerosi disegni decorativi (molti incisi da Bartolozzi, suo amico dai tempi degli studenti) ebbero una grande influenza. Il lavoro di Cipriani è compiuto piuttosto che ispirato, ma fu, nelle parole di Sir Ellis Waterhouse, 'una delle grandi figure di retrovia dello stile neoclassico in Inghilterra'. Aquatint and etching, printed in sepia ink, 1789. From the series: A collection of prints, after the sketches and drawings of the late celebrated Giovanni Battista Cipriani published in London by John & Josiah Boydell. The series consists of fifty-plate series of facsimile prints of Cipriani's drawings 'engraved by Mr. Richard Earlom' includes seven engraved by Maria Catharina Prestel, Bartolozzi, Kirk and Legat.. A letterpress contents page of the same sheet size, kept under Earlom's name with the majority of the series, gives titles and the series publication date of September 1st, 1789. Richard Earlom (1743-1822) was one of the greatest mezzotint and stipple engravers of his day. He was apprenticed to the London based engraver, G.B. Cipriani and studied at the St Martin's Lane Academy. He won many prizes for his drawings and engravings. In 1774, he began work for John Boydell for whom he created three hundred plates after Claude, published as the Liber Veritas (1777-1819). He also created for Boydell fifty-one plates after Cipriani. Earlom engraved outstanding works both after the designs of his contemporaries and after the old masters. Boydell commissioned his talents for some of the most famous plates in The Houghton Gallery and The Shakespeare Gallery. Giovanni Battista Cipriani, (1727-1785) was a Florentine decorative painter and designer, active mainly in England. In 1755 he was brought to London by the architect Sir William Chambers and the sculptor Joseph Wilton, who had met him in Rome. He was employed in the decoration of many public buildings and private houses and in some cases designed such architectural details as plasterwork, woodwork, and stonecarving. Good examples of his paintings are at Somerset House (where he worked for Chambers) and in the Philadelphia Museum of Art (a series originally executed for Lansdowne House, London). He was also active as a teacher at the Royal Academy (he was a foundation member in 1768 and designed its diploma), and his numerous decorative designs (many engraved by Bartolozzi, his friend since student days) had wide influence. Cipriani's work is accomplished rather than inspired, but he was, in the words of Sir Ellis Waterhouse, 'one of the great backroom figures of the Neoclassic style in England'.
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EARLOM Richard (Londra, 14 maggio 1743 – Londra, 9 ottobre 1822)
La morte di Orfeo
Acquatinta e acquaforte, stampata in seppia, 1789. Dalla serie: A collection of prints, after the sketches and drawings of the late celebrated Giovanni Battista Cipriani pubblicata a Londra da John & Josiah Boydell nel 1789. La serie consiste di cinquanta stampe da disegni di Cipriani 'incisi da Mr. Richard Earlom' inclusee sette incise da Maria Catharina Prestel, Bartolozzi, Kirk e Legat. Richard Earlom (1743-1822) fu uno dei più grandi incisori a mezzatinta e a puntini del suo tempo. Fu apprendista dell'incisore londinese G.B. Cipriani e studiò alla St Martin's Lane Academy. Vinse molti premi per i suoi disegni e incisioni. Nel 1774, iniziò a lavorare per John Boydell per il quale creò trecento tavole dopo Claude, pubblicate come il Liber Veritas (1777-1819). Creò anche per Boydell cinquantuno tavole di Cipriani. Earlom incise opere eccezionali sia dopo i disegni dei suoi contemporanei che dopo i vecchi maestri. Boydell commissionò il suo talento per alcune delle più famose tavole della Houghton Gallery e della Shakespeare Gallery. Giovanni Battista Cipriani, (1727-1785) fu un pittore decorativo e designer fiorentino, attivo principalmente in Inghilterra. Nel 1755 fu portato a Londra dall'architetto Sir William Chambers e dallo scultore Joseph Wilton, che lo avevano conosciuto a Roma. Fu impiegato nella decorazione di molti edifici pubblici e case private e in alcuni casi progettò dettagli architettonici come intonaco, legno e scultura in pietra. Buoni esempi dei suoi dipinti sono alla Somerset House (dove lavorò per Chambers) e nel Philadelphia Museum of Art (una serie originariamente eseguita per Lansdowne House, Londra). Fu anche attivo come insegnante alla Royal Academy (fu membro fondatore nel 1768 e disegnò il suo diploma), e i suoi numerosi disegni decorativi (molti incisi da Bartolozzi, suo amico dai tempi degli studenti) ebbero una grande influenza. Il lavoro di Cipriani è compiuto piuttosto che ispirato, ma fu, nelle parole di Sir Ellis Waterhouse, 'una delle grandi figure di retrovia dello stile neoclassico in Inghilterra'. Aquatint and etching, printed in sepia ink, 1789. From the series: A collection of prints, after the sketches and drawings of the late celebrated Giovanni Battista Cipriani published in London by John & Josiah Boydell in 1789. The series consists of fifty-plate series of facsimile prints of Cipriani's drawings 'engraved by Mr. Richard Earlom' includes seven engraved by Maria Catharina Prestel, Bartolozzi, Kirk and Legat.. A letterpress contents page of the same sheet size, kept under Earlom's name with the majority of the series, gives titles and the series publication date of September 1st, 1789. Richard Earlom (1743-1822) was one of the greatest mezzotint and stipple engravers of his day. He was apprenticed to the London based engraver, G.B. Cipriani and studied at the St Martin's Lane Academy. He won many prizes for his drawings and engravings. In 1774, he began work for John Boydell for whom he created three hundred plates after Claude, published as the Liber Veritas (1777-1819). He also created for Boydell fifty-one plates after Cipriani. Earlom engraved outstanding works both after the designs of his contemporaries and after the old masters. Boydell commissioned his talents for some of the most famous plates in The Houghton Gallery and The Shakespeare Gallery. Giovanni Battista Cipriani, (1727-1785) was a Florentine decorative painter and designer, active mainly in England. In 1755 he was brought to London by the architect Sir William Chambers and the sculptor Joseph Wilton, who had met him in Rome. He was employed in the decoration of many public buildings and private houses and in some cases designed such architectural details as plasterwork, woodwork, and stonecarving. Good examples of his paintings are at Somerset House (where he worked for Chambers) and in the Philadelphia Museum of Art (a series originally executed for Lansdowne House, London). He was also active as a teacher at the Royal Academy (he was a foundation member in 1768 and designed its diploma), and his numerous decorative designs (many engraved by Bartolozzi, his friend since student days) had wide influence. Cipriani's work is accomplished rather than inspired, but he was, in the words of Sir Ellis Waterhouse, 'one of the great backroom figures of the Neoclassic style in England'.
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EARLOM Richard (Londra, 14 maggio 1743 – Londra, 9 ottobre 1822)
Putti
Acquatinta e acquaforte, stampata in seppia, 1789. Dalla serie: A collection of prints, after the sketches and drawings of the late celebrated Giovanni Battista Cipriani pubblicata a Londra da John & Josiah Boydell nel 1789. La serie consiste di cinquanta stampe da disegni di Cipriani 'incisi da Mr. Richard Earlom' inclusee sette incise da Maria Catharina Prestel, Bartolozzi, Kirk e Legat. Richard Earlom (1743-1822) fu uno dei più grandi incisori a mezzatinta e a puntini del suo tempo. Fu apprendista dell'incisore londinese G.B. Cipriani e studiò alla St Martin's Lane Academy. Vinse molti premi per i suoi disegni e incisioni. Nel 1774, iniziò a lavorare per John Boydell per il quale creò trecento tavole dopo Claude, pubblicate come il Liber Veritas (1777-1819). Creò anche per Boydell cinquantuno tavole di Cipriani. Earlom incise opere eccezionali sia dopo i disegni dei suoi contemporanei che dopo i vecchi maestri. Boydell commissionò il suo talento per alcune delle più famose tavole della Houghton Gallery e della Shakespeare Gallery. Giovanni Battista Cipriani, (1727-1785) fu un pittore decorativo e designer fiorentino, attivo principalmente in Inghilterra. Nel 1755 fu portato a Londra dall'architetto Sir William Chambers e dallo scultore Joseph Wilton, che lo avevano conosciuto a Roma. Fu impiegato nella decorazione di molti edifici pubblici e case private e in alcuni casi progettò dettagli architettonici come intonaco, legno e scultura in pietra. Buoni esempi dei suoi dipinti sono alla Somerset House (dove lavorò per Chambers) e nel Philadelphia Museum of Art (una serie originariamente eseguita per Lansdowne House, Londra). Fu anche attivo come insegnante alla Royal Academy (fu membro fondatore nel 1768 e disegnò il suo diploma), e i suoi numerosi disegni decorativi (molti incisi da Bartolozzi, suo amico dai tempi degli studenti) ebbero una grande influenza. Il lavoro di Cipriani è compiuto piuttosto che ispirato, ma fu, nelle parole di Sir Ellis Waterhouse, 'una delle grandi figure di retrovia dello stile neoclassico in Inghilterra'. Aquatint and etching, printed in sepia ink, 1789. From the series: A collection of prints, after the sketches and drawings of the late celebrated Giovanni Battista Cipriani published in London by John & Josiah Boydell in 1789. The series consists of fifty-plate series of facsimile prints of Cipriani's drawings 'engraved by Mr. Richard Earlom' includes seven engraved by Maria Catharina Prestel, Bartolozzi, Kirk and Legat.. A letterpress contents page of the same sheet size, kept under Earlom's name with the majority of the series, gives titles and the series publication date of September 1st, 1789. Richard Earlom (1743-1822) was one of the greatest mezzotint and stipple engravers of his day. He was apprenticed to the London based engraver, G.B. Cipriani and studied at the St Martin's Lane Academy. He won many prizes for his drawings and engravings. In 1774, he began work for John Boydell for whom he created three hundred plates after Claude, published as the Liber Veritas (1777-1819). He also created for Boydell fifty-one plates after Cipriani. Earlom engraved outstanding works both after the designs of his contemporaries and after the old masters. Boydell commissioned his talents for some of the most famous plates in The Houghton Gallery and The Shakespeare Gallery. Giovanni Battista Cipriani, (1727-1785) was a Florentine decorative painter and designer, active mainly in England. In 1755 he was brought to London by the architect Sir William Chambers and the sculptor Joseph Wilton, who had met him in Rome. He was employed in the decoration of many public buildings and private houses and in some cases designed such architectural details as plasterwork, woodwork, and stonecarving. Good examples of his paintings are at Somerset House (where he worked for Chambers) and in the Philadelphia Museum of Art (a series originally executed for Lansdowne House, London). He was also active as a teacher at the Royal Academy (he was a foundation member in 1768 and designed its diploma), and his numerous decorative designs (many engraved by Bartolozzi, his friend since student days) had wide influence. Cipriani's work is accomplished rather than inspired, but he was, in the words of Sir Ellis Waterhouse, 'one of the great backroom figures of the Neoclassic style in England'.
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EARLOM Richard (Londra, 14 maggio 1743 – Londra, 9 ottobre 1822)
Putti in riva al fiume
Acquatinta e acquaforte, stampata in seppia, 1786. Dalla serie: A collection of prints, after the sketches and drawings of the late celebrated Giovanni Battista Cipriani pubblicata a Londra da John & Josiah Boydell nel 1786. La serie consiste di cinquanta stampe da disegni di Cipriani 'incisi da Mr. Richard Earlom' inclusee sette incise da Maria Catharina Prestel, Bartolozzi, Kirk e Legat. Richard Earlom (1743-1822) fu uno dei più grandi incisori a mezzatinta e a puntini del suo tempo. Fu apprendista dell'incisore londinese G.B. Cipriani e studiò alla St Martin's Lane Academy. Vinse molti premi per i suoi disegni e incisioni. Nel 1774, iniziò a lavorare per John Boydell per il quale creò trecento tavole dopo Claude, pubblicate come il Liber Veritas (1777-1819). Creò anche per Boydell cinquantuno tavole di Cipriani. Earlom incise opere eccezionali sia dopo i disegni dei suoi contemporanei che dopo i vecchi maestri. Boydell commissionò il suo talento per alcune delle più famose tavole della Houghton Gallery e della Shakespeare Gallery. Giovanni Battista Cipriani, (1727-1785) fu un pittore decorativo e designer fiorentino, attivo principalmente in Inghilterra. Nel 1755 fu portato a Londra dall'architetto Sir William Chambers e dallo scultore Joseph Wilton, che lo avevano conosciuto a Roma. Fu impiegato nella decorazione di molti edifici pubblici e case private e in alcuni casi progettò dettagli architettonici come intonaco, legno e scultura in pietra. Buoni esempi dei suoi dipinti sono alla Somerset House (dove lavorò per Chambers) e nel Philadelphia Museum of Art (una serie originariamente eseguita per Lansdowne House, Londra). Fu anche attivo come insegnante alla Royal Academy (fu membro fondatore nel 1768 e disegnò il suo diploma), e i suoi numerosi disegni decorativi (molti incisi da Bartolozzi, suo amico dai tempi degli studenti) ebbero una grande influenza. Il lavoro di Cipriani è compiuto piuttosto che ispirato, ma fu, nelle parole di Sir Ellis Waterhouse, 'una delle grandi figure di retrovia dello stile neoclassico in Inghilterra'. Aquatint and etching, printed in sepia ink, 1789. From the series: A collection of prints, after the sketches and drawings of the late celebrated Giovanni Battista Cipriani published in London by John & Josiah Boydell in 1789. The series consists of fifty-plate series of facsimile prints of Cipriani's drawings 'engraved by Mr. Richard Earlom' includes seven engraved by Maria Catharina Prestel, Bartolozzi, Kirk and Legat.. A letterpress contents page of the same sheet size, kept under Earlom's name with the majority of the series, gives titles and the series publication date of September 1st, 1789. Richard Earlom (1743-1822) was one of the greatest mezzotint and stipple engravers of his day. He was apprenticed to the London based engraver, G.B. Cipriani and studied at the St Martin's Lane Academy. He won many prizes for his drawings and engravings. In 1774, he began work for John Boydell for whom he created three hundred plates after Claude, published as the Liber Veritas (1777-1819). He also created for Boydell fifty-one plates after Cipriani. Earlom engraved outstanding works both after the designs of his contemporaries and after the old masters. Boydell commissioned his talents for some of the most famous plates in The Houghton Gallery and The Shakespeare Gallery. Giovanni Battista Cipriani, (1727-1785) was a Florentine decorative painter and designer, active mainly in England. In 1755 he was brought to London by the architect Sir William Chambers and the sculptor Joseph Wilton, who had met him in Rome. He was employed in the decoration of many public buildings and private houses and in some cases designed such architectural details as plasterwork, woodwork, and stonecarving. Good examples of his paintings are at Somerset House (where he worked for Chambers) and in the Philadelphia Museum of Art (a series originally executed for Lansdowne House, London). He was also active as a teacher at the Royal Academy (he was a foundation member in 1768 and designed its diploma), and his numerous decorative designs (many engraved by Bartolozzi, his friend since student days) had wide influence. Cipriani's work is accomplished rather than inspired, but he was, in the words of Sir Ellis Waterhouse, 'one of the great backroom figures of the Neoclassic style in England'.
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Earlom, Richard (English, 1743-1822).
Perseus and Adromedia after Giovanni Battista Cipriani 1727-1785.
London: John and Joseph Boydell 1787. Etching and aquatint on watermarked laid paper. 25 x 20 cm sheet. Very Good minor surface soiling mostly in the margin areas. London: John and Joseph Boydell, 1787. unknown
Referentie van de boekhandelaar : 76-0096
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Early 19th Century English Engraver.
Rev.d John Clayton.
London: ca. 1820. Engraving 5.5 x 5.5 cm. Oval. Good with marginal tear. John Clayton 1754–1843 was an English Independent minister. He became known for his conservative social views after the Priestley Riots. [London: ca. 1820?]. unknown
Referentie van de boekhandelaar : 63-1601
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Early English Text Society
Amis and Amiloun / edited by MacEdward Leach. With a facsimile.
London : Early English Text Society 1937. First Edition. Hardcover. Very good copy in the original gilt-blocked cloth. Slight suggestion only of dust-dulling to the spine bands and panel edges. Remains particularly well-preserved overall; tight bright clean and strong. Physical description : cii 137 pages frontispiece facsimile 22 cm. Subjects : English language Middle English 1100-1500 ; Texts. Romances English.Friendship Poetry. London : Early English Text Society hardcover
Referentie van de boekhandelaar : 383941
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Early English Text Society
An Old English Martyrology: Re-Edited From Manuscripts in the Libraries of the British Museum and of Corpus Christi College Cambridge Classic Reprint
hardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
Referentie van de boekhandelaar : 0484444131.G ISBN : 0484444131 9780484444132
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EARLY ENGLISH TEXT SOCIETY
Early English Alliterative Poems in the West Midlands Dialect of the Fourteenth Century. Copied and edited from a unique Manuscript in the Library of the British Museum Cotton Nero Ax. With an Introduction Notes and Index. Second Edition Revised. BRIGHT CLEAN COPY
Trubner for Early English Text Society 1869. 8vo. Second Edition; strongly bound in blue patterned cloth leather back lettered in gilt a very good bright clean copy. With the separately printed errata slip mounted facing Preface. Sold from an institution with its bookplate and small press-marks on front endpapers and neat small stamps on half-title and title. First published in 1864. VERY SCARCE. Trubner [for] Early English Text Society, hardcover
Referentie van de boekhandelaar : 20592
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EARLY ENGLISH TRACTS ON COMMERCE.
Edited by J.R.McCulloch.
Cambridge 1952. Orig.cloth. XV663 pp. hardcover
Referentie van de boekhandelaar : 8107
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Early English Text Society
Godeffroy Of Boloyne
Hardback. New. hardcover
Referentie van de boekhandelaar : A9781018710662 ISBN : 1018710663 9781018710662
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Early English Text Society
Godeffroy Of Boloyne
Paperback / softback. New. paperback
Referentie van de boekhandelaar : B9781018715926 ISBN : 1018715924 9781018715926
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Early English Text Society
Godeffroy Of Boloyne
Hardback. New. hardcover
Referentie van de boekhandelaar : B9781018710662 ISBN : 1018710663 9781018710662
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Early English Text Society
Godeffroy Of Boloyne
Paperback / softback. New. paperback
Referentie van de boekhandelaar : A9781018715926 ISBN : 1018715924 9781018715926
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Early English Text Society
Hymns to the Virgin & Christ
Greenwood 2069-01-01. hardcover. Very Good. 0x0x0. Hardcover shows only light edge wear. Text appears unmarked and binding is tight. Ships FAST! Greenwood hardcover
Referentie van de boekhandelaar : SKU1154724
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Early English Clocks
Percy G Dawson C B Drover and D W Parkes
Woodbridge: Antique Collectors' Club 1982. Hardcover. Near Fine. 4to. First impression of the first edition. Dust jacket has slight shelf wear only and is not price clipped. Numerous colour/ black and white photographs. 1982 Antique Collectors' Club hardcover
Referentie van de boekhandelaar : 5638
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Early English Text Society
Publications Extra Series; 67
Paperback / softback. New. paperback
Referentie van de boekhandelaar : B9781014124845 ISBN : 1014124840 9781014124845
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Early English Text Society
Publications. Original Series: 143
Paperback / softback. New. paperback
Referentie van de boekhandelaar : B9781021517951 ISBN : 102151795x 9781021517951
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Early English Text Society
Publications. Original Series: 143
Hardback. New. hardcover
Referentie van de boekhandelaar : B9781019966976 ISBN : 1019966971 9781019966976
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Early English Text Society
Publications Extra Series; 67
Paperback / softback. New. paperback
Referentie van de boekhandelaar : A9781014124845 ISBN : 1014124840 9781014124845
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Early English Text Society
Publications Extra Series
Hardback. New. hardcover
Referentie van de boekhandelaar : A9781345593235 ISBN : 1345593236 9781345593235
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Early English Text Society
Publications. Original Series Volume 91
New. unknown
Referentie van de boekhandelaar : A9781314338942 ISBN : 1314338943 9781314338942
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Early English Text Society
Publications. Original Series Volume 148
New. unknown
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Early English Text Society
Publications. Original Series Volume 140
New. unknown
Referentie van de boekhandelaar : A9781314338737 ISBN : 1314338730 9781314338737
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Early English Text Society
Publications. Original Series Volume 9
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Referentie van de boekhandelaar : A9781314338645 ISBN : 1314338641 9781314338645
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Early English Text Society
Publications. Original Series Volume 18
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Referentie van de boekhandelaar : A9781314338850 ISBN : 1314338854 9781314338850
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Early English Text Society
Publications. Original Series Volume 124
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Referentie van de boekhandelaar : A9781314338720 ISBN : 1314338722 9781314338720
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Early English Text Society
Publications. Original Series Volume 97
New. unknown
Referentie van de boekhandelaar : A9781314338973 ISBN : 1314338978 9781314338973
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Early English Text Society
Publications. Original Series Volume 7
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Early English Text Society
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Referentie van de boekhandelaar : A9781314338706 ISBN : 1314338706 9781314338706
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Early English Text Society
Publications. Original Series Volume 143
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Referentie van de boekhandelaar : A9781314338768 ISBN : 1314338765 9781314338768
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Early English Text Society
Publications. Original Series Volume 94
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Referentie van de boekhandelaar : A9781314338966 ISBN : 131433896x 9781314338966
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Early English Text Society
Publications. Original Series Volume 54
New. unknown
Referentie van de boekhandelaar : A9781314338881 ISBN : 1314338889 9781314338881
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Early English Text Society
Publications. Original Series Volume 93
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Referentie van de boekhandelaar : A9781314338959 ISBN : 1314338951 9781314338959
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Early English Text Society
Publications. Original Series Volume 147
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Referentie van de boekhandelaar : A9781314338782 ISBN : 1314338781 9781314338782
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Early English Text Society
Publications. Original Series Volume 142
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Referentie van de boekhandelaar : A9781314338751 ISBN : 1314338757 9781314338751
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Early English Text Society
Publications. Original Series Volume 30
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Early English Text Society
Publications. Original Series Volume 160
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Referentie van de boekhandelaar : A9781314338843 ISBN : 1314338846 9781314338843
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Early English Text Society
Publications. Original Series Volume 141
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Referentie van de boekhandelaar : A9781314338744 ISBN : 1314338749 9781314338744
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Early English Text Society
Publications. Original Series Volume 120
New. unknown
Referentie van de boekhandelaar : A9781314338713 ISBN : 1314338714 9781314338713
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Early English Text Society
Publications. Original Series Volume 104
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Referentie van de boekhandelaar : A9781314338669 ISBN : 1314338668 9781314338669
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Early English Text Society
Publications. Original Series Volume 106
New. unknown
Referentie van de boekhandelaar : A9781314338676 ISBN : 1314338676 9781314338676
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Early English Text Society
Publications. Original Series
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Early English Text Society
Publications. Original Series Volume 67
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Referentie van de boekhandelaar : A9781314338904 ISBN : 1314338900 9781314338904
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Early English Text Society
Publications. Original Series Volume 88
New. unknown
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Early English Text Society
Publications. Original Series Volume 149
New. unknown
Referentie van de boekhandelaar : A9781314338805 ISBN : 1314338803 9781314338805
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Early English Text Society
publications. Original Series Volume 12
New. unknown
Referentie van de boekhandelaar : A9781314338591 ISBN : 1314338595 9781314338591
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Early English Text Society
Publications. Original Series Volume 15
New. unknown
Referentie van de boekhandelaar : A9781314338836 ISBN : 1314338838 9781314338836
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Early English Text Society
Publications. Original Series
New. unknown
Referentie van de boekhandelaar : A9781314338614 ISBN : 1314338617 9781314338614
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