‎Anglais‎

‎[19th century English engraver]‎

‎James Boswell. Engraved Portrait‎

‎England: 19th century printer. 6.5 x 7.75 cm. Very Good. Newspaper Clipping with wood engraved portrait of James Boswell 1740-1795. [England: 19th century printer] unknown‎

Riferimento per il libraio : 69-8045

‎[19th century English engraver]‎

‎James Macpherson. Engraved Portrait‎

‎England: 19th century printer. 6.5 x 8 cm. Very Good. Newspaper Clipping with wood engraved portrait of James Macpherson 1736-1796. [England: 19th century printer] unknown‎

Riferimento per il libraio : 69-8084

‎[19th century English engraver]‎

‎James Smith. Engraved Portrait‎

‎England: 19th century printer. 6.5 x 8 cm. Very Good. Newspaper Clipping with wood engraved portrait of James Smith 1775-1839. [England: 19th century printer] unknown‎

Riferimento per il libraio : 69-8055

‎[19th century English engraver]‎

‎John Keats. Engraved Portrait‎

‎England: 19th century printer. 6.5 x 7.5 cm. Very Good. Newspaper Clipping with wood engraved portrait of John Keats 1795-1821. [England: 19th century printer] unknown‎

Riferimento per il libraio : 69-8056

‎[19th century English engraver]‎

‎Leigh Hunt. Engraved Portrait‎

‎England: 19th century printer. 6.75 x 8 cm. Very Good. Newspaper Clipping with wood engraved portrait of James Henry Leigh Hunt 1784-1859. [England: 19th century printer] unknown‎

Riferimento per il libraio : 69-8054

‎[19th century English engraver]‎

‎Male writer sitting before a brook in front of the letter "T"‎

‎England: 19th century printer. 4.75 x 5.75 cm. Very Good. Newspaper Clipping with wood engraving. [England: 19th century printer] unknown‎

Riferimento per il libraio : 69-8096

‎[19th century English engraver]‎

‎Martin Luther's First Sight of the Bible‎

‎England: 19th century. 25.5 x 31.5 cm mat board 13 x 19 cm print. Very good. Hand colored engraving on wove paper. Corners of print clipped.The engraver or artist's name appears in the bottom right but is clipped. It reads: "E. HARTSI." or "E.HARISI." [England: 19th century] unknown‎

Riferimento per il libraio : 69-8137

‎[19th century English engraver]‎

‎Mrs Francis Trollope. Engraved Portrait‎

‎England: 19th century printer. 6.5 x 7 cm. Very Good. Newspaper Clipping with wood engraved portrait of Francis Trollope 1779-1863. [England: 19th century printer] unknown‎

Riferimento per il libraio : 69-8038

‎[19th century English engraver]‎

‎Oliver Goldsmith. Engraved Portrait‎

‎England: 19th century printer. 6 x 7.5 cm. Very Good. Newspaper Clipping with wood engraved portrait of Oliver Goldsmith 1728-1774. [England: 19th century printer] unknown‎

Riferimento per il libraio : 69-8075

‎[19th century English engraver]‎

‎Robert Southey. Engraved Portrait‎

‎England: 19th century printer. 6.5 x 8.5 cm. Very Good. Newspaper Clipping with wood engraved portrait of Robert Southey 1774-1843. Signature Facsimile. [England: 19th century printer] unknown‎

Riferimento per il libraio : 69-8061

‎[19th century English engraver]‎

‎Samuel Foote. Engraved Portrait‎

‎England: 19th century printer. 6.5 x 8.25 cm. Very Good. Newspaper Clipping with wood engraved portrait of Samuel Foote 1720-1777. [England: 19th century printer] unknown‎

Riferimento per il libraio : 69-8078

‎[19th century English engraver]‎

‎Sir James Mackintosh. Engraved Portrait‎

‎England: 19th century printer. 6.5 x 7.5 cm. Good. Round stain on reverse else very good. Newspaper Clipping with wood engraved portrait of Sir James Mackintosh 1765-1832. [England: 19th century printer] unknown‎

Riferimento per il libraio : 69-8046

‎[19th Century English Artist].‎

‎Street Scene With Tudor Timber-Framed Building at Center Figure In Full Plate Armor Holding a Spear and Shield Emblazoned with St. George's Cross as used in the flags of England.‎

‎London ca. 1820. Steel Engraving Hand-Colored. 5" x 6.5". Print mounted on mat with beveled edges Very Good. [London, ca. 1820]. unknown‎

Riferimento per il libraio : 63-2125

‎[19th century English engraver]‎

‎T. Thomas Gray. Engraved Portrait‎

‎England: 19th century printer. 6.5 x 8.5 cm. Very Good. Newspaper Clipping with wood engraved portrait of Thomas Gray 1716-1771. Signature Facsimile. [England: 19th century printer] unknown‎

Riferimento per il libraio : 69-8064

‎[19th century English engraver]‎

‎Thomas Chatterton. Engraved Portrait‎

‎England: 19th century printer. 6.5 x 8 cm. Very Good. Newspaper Clipping with wood engraved portrait of Thomas Chatterton 1752-1770. [England: 19th century printer] unknown‎

Riferimento per il libraio : 69-8083

‎[19th century English engraver]‎

‎Tobias George Smollett. Engraved Portrait‎

‎England: 19th century printer. 6.5 x 8 cm. Very Good. Newspaper Clipping with wood engraved portrait of Tobias George Smollett 1721-1771. [England: 19th century printer] unknown‎

Riferimento per il libraio : 69-8076

‎[19th century English engraver]‎

‎William Collins. Collins's Monument in Chichester Cathedral.‎

‎England: 19th century printer. 6.5 x 6 cm. Very Good. Newspaper Clipping with wood engraving. [England: 19th century printer] unknown‎

Riferimento per il libraio : 69-8097

‎[19th century English engraver]‎

‎William Godwin. Engraved Portrait‎

‎England: 19th century printer. 6.5 x 9 cm. Very Good. Newspaper Clipping with wood engraved portrait of William Godwin 1756-1836. Signature Facsimile. [England: 19th century printer] unknown‎

Riferimento per il libraio : 69-8090

‎[Affiche] ENGLISH (Michael)‎

‎V.8.‎

‎Motifs Editions. Printed by the Shenval Press. 1970. Dim :89,5 x 62 cm. Petites déchirure, mais bon état général.‎

Riferimento per il libraio : 1289

‎[AHMET] MUHITTIN [ERGÜVEN], (1883-1969); MIRLIVA ALI SEREF PASHA, (Author and mapmaker of 'Umûmî Cografya Atlasi' published in 1894 - Active between 1885-1905).‎

‎[EARLY OTTOMAN MAP OF SUDAN] Sudan. Sâye-i Türkiye Hazret Gazi Sultan Abdülhamid Hân-i Sâni'de Maarif Umûmiye Nezâret-i Celîlesi ruhsatiyle meshur Haset tarafindan Fransa Cemiyet-i Cografya âzâlarindan mütesekkil komisyona mahsûs tanzîm edilmis oldugu son defaki atlasinin tercümesi olarak bu def'a Erkân-i Umûmiyye Dairesi Besinci Fen Subesi'ne me'mûr piyade mirlivâlarindan saâdetlü Ali Seref Pasa ve rifatlu binbasi fütûvvetlü Muhyiddin Efendi maarifetleriyle tertib ettirilmistir.‎

‎Very Good Turkish, Ottoman (1500-1928) Original color lithograph map. Folded. Oblong folio. (35 x 52 cm). In Ottoman script (Old Turkish with Arabic letters). It shows Sudan and West Africa, Atlas Ocean shores, Sahra Desert, and other parts of Africa. Scale: 1:15.000.000. A very detailed and attractive map. Slightly fading. Otherwise a very good copy. Dated Hegira: 1310 = [Gregorian 1894]. Taken from his attractive atlas titled "Yeni cografya atlasi. [i.e. New Geographical Atlas]". The cartographer, Ali Seref, or Hafiz Ali Seref (or Esref) Pasha (1840-1907) was an Ottoman soldier and mapmaker who was schooled in Paris as a cartographer around 1862. While in Paris he published his first atlas with 22 maps, called the Yeni atlas. Upon his return to Istanbul, he became the chief cartographer at the Matbaa-i Amire Printing Press in Beyazit. Chipping on extremities. Slight foxing. Overall a good copy. Not in OCLC.; Not in TBMM Map Collection.‎

‎[ALLEN (Thomas)]‎

‎The History of the County of Lincoln. From the earliest period to the present time..... Assisted by several Gentleman residing in the County,..... Embellished by numerous Views.‎

‎2 vols., 4to (275 x 220 mm), [16], 358; [2], 360, [10] pp., ownership inscription of "Rich. J. Poppleton, October 5th 1855." on title, 2 engraved maps (one large folding), 40 engraved plates all with tissue guards, 4pp. list of subscribers, some light staining and spotting in places, original cloth, rebacked with the original spines laid down. Corns, Bibliotheca Lincolniensis, p. 3; Short, 47.‎

‎[Antiquités et Objets d'Art] John FLEMING‎

‎Le MOBILIER ANGLAIS‎

‎Une revue de 80 pages, format 285 x 220 mm, illustrée, brochée, publié en 1990, Editions Fabbri, bon état‎

‎Numéro entière consacré au Mobilier anglais‎

Riferimento per il libraio : LFA-126711413

‎[ANGLAIS] - RAFROIDI (Patrick), PLAISANT (Michele) -‎

‎Manuel de l'angiciste lexique de la version et du theme tome 2 vocabulaire.‎

‎Paris, Ocdl , 1976 ; in-8, 620 pp., cartonnage de l'éditeur. Avec jaquette tome 2 vocabulaire.‎

‎Avec jaquette tome 2 vocabulaire.‎

Riferimento per il libraio : 201322108

‎[An Aging Composer in Love; Ferguson's Gang] H V Jervis-Read [Harold Vincent Jervis-Read], English composer (b1883), Royal Acade‎

‎An Aging Composer H.V. Jervis-Read Lge archive of letters signed "HJR" or "Fitzjohn" or "F" as of Fitzjohn Avenue Hampstead to his mistress Brunhild 'Brynnie' Granger with a body of printed and ms material relating to his life and career.‎

‎Royal Academy of Music High Street & Fitzjohns Avenue Hampstead etc London various pleaces and hotels when he travels 1926-1934. An unusual survival the letters of a composer Harold Jervis-Read to his lover illustrating the growth of a relationship and an ability to express his feelings against the backcloth sometimes foreground of his musical activities and his marriage. Total of letters circa 350 three hundred and fifty Autograph Letters 118 one hundred and eighteen apparently complete letters many start and end abruptly dated 432 four hundred and thirty two pages with some APCSs mainly 12mo 1-8pp. each 55 of these letters dated 1933 and 30 dated 1934 1926-1928 comprising one letter only. There are more than 140 undated letters and a similar quantity of apparently incomplete letters no. of pages c.150. Subjects and quotes: 1926 his one night a week flatmate found him unconscious; a lot to do; her birthday; 1928 "can't write about 'intimate things'"; 1927 asking how he should react to something she's written hot or cold etc.; 1929 lost coat; health; illness; suggestion that relationship is on the edge; social life; compliments her "fine"; dinner invitation; "My piece for Oulston went well"; quotes to illustrate attitude to her "If of herself she will not love thee ."; she has obviously complained that he doesn't show enthusiasm recurrent theme; "joy of creation" but not the "joy of human communication"; his human shortcomings; she cannot appreciate the "Marcia Buffa" because of lack of appreciation of satire in her; his company described; leaving flat for good; moving to 29 High Street NW3; his obsession with her perhaps only soluble legally marriage; nature of love and their relationship recurrent theme; movements; reference to Margery - his wife see below; he'd sacrifice all for his children; Margery has no money "I earn at an artistic profession enough for six of them"; £160 per annum private income; he describes "the littleness of her perceptions" on family finances; 6 Oct. 1929 he's been writing a lot - "a violin sonata"; suggests she book a ticket for the Royal Academy of Music where a Recital of some of his work is to be given finishing with his "6tet by professional players"; she shies away; says he'll never write a quartet; busy; "Everything here is called a 'Practice' Concert unless the Principal is personally responsible for it"; Margery wife happy for him to see Brynnie - she's had a lover for more than two years "a rich doctor"; 25 Nov. 1929 "The Concert was a good success" Malvern; literary reference recurrent - part of his not being comfortable writing about emotions. Note: Subjects from now on avoiding the personal or the ups and downs and insecurities of a relationship unless very revealing of character. Subjects continued: 1930 invitation to the Norwich Festival; too much work at the Academy; asked to give lectures where he was asked to play some of his music; lecture is being printed; asks about her progress at work Are you an Almoner yethe doesn't ask her about her work much; lecturing in Bristol then the Wigmore; 1931 "written lots of good stuff"; "I write incessantly - music lectures letters of all sorts"; "controversy with Percy Scholes on Musical Appreciation . I love fighting these doctrinaire writers"; "various new things"; Academy Lecture; "I do not follow Mac P or anyone in my method of grouping! Feste underlined; Trinity Dublin catalogue guesses published in 1933 is out ."; his pupils; Elkin & Co.; Murdoch's about to publish "other things" beside Feste; would she type a lecture of his "wanted for publication"; received a proof of a piano sonata; at studio with private pupils; getting on with his "Elegiac Symphony" discussed at length; ex-pupil Robin Tucker "starting music publishing company a most daring and novel proposition"; he advises outlines problems discusses the works he has provided them with; 1932 glad she likes the "sonatina. I love playing for you: I feel you get inside the music. You know men always like my music more than women: I wonder why this is" - theory follows about "feminine not effeminate content"; asks her of she really wants a piano - which he will provide; Troubadours book; accuses her of game-playing - adding "the sett is now finished"; "I am mezzoforte only today"; "two lines in Fioretta" misunderstood by most; pays two rents c.£200 pa; his wife wrote to Brynnie's mother; "3 new private pupils at £2.2.0 per hour!"; recalls the Wagner Brunhilda; recalls meeting her at a concert; a bit of musical notation two others in other parts of correspondence; going to the Academy for a concert; received proofs of the new song 31 March; examining at the RC; numerous literary allusions some quotes; their options secret marriage etc; she is his "musical" inspiration; his reading; going to a concert expecting a violinist in the evening and commenting on proofs "the cover of Winter Tree"; someone commenting on his writings; reminiscences; temptations; several references to George Moore as if strong influence; recurrently cruel words; meets the singer of his sonatas Marjorie Grant; thinks of them as Heloise and Abelard repeated theme involving learned discussion; angry report on poor candidate not just playing but her smell; another was the opposite; his itinerary; compares his situation to Peter Warlock's - near suicide 25 July; two new songs; enjoyment of Welsh tour; 1934 "Ethel Smythe's music is an example of what happens to a woman when she seeks inspiration of man rather that sic of God . It is insufferably dull monotonous ." 6 March; encounter with policeman while loitering at night near her flat; he gets more expressive as time goes on - inhibition goes somewhat; jealous thoughts; planning to see her father marriage though his wife is capable of "any subterfuge" including private detectives; he writes as if she's wants to break up driving him to pleading; misery; the odd meeting referred to; his misery has interfered when he's working well and he's worried about becoming "a 'hack' conventional musician - which I am not"; only his "writing" is more important than her; finds northerners "sallow and ill-featured"; shown two articles about himself in musical periodicals 3 July; he's "finished his final movement" 8 Aug.; he's hardly ever discussed or referred to her work; proofs of his book arrive but he's not able to deal with them because of her and other factors; he quotes himself on the nature of music "music never discloses her ultimate secret"; last dated letter 9 Sept. 1934. WITH: A large quantity of typed and two autograph notes and letters drafts duplicates indicating second thoughts some or many abruptly ended or unfinished from Brynhild Granger to Jervis-Read which mirror Jervis-Read adding her own thoughts accusations words of love attendance at musical events responses to his music and information about her life. She gives reasons for not marrying at one point. AND: 10 ALSs two incomplete and/or damaged undated from Margery Jervis-Read wife of Harold Jervis-Read to Brynnie attempting to undermine the relationship between Harold and Brynnie discussing the situation and Harold's character he has "good points" but. "numerous love affairs he had had and always will have" her own affair etc suggesting that she should marry but not Harold and including references to meetings. NOTE: Brunhild Granger was a member of the "Ferguson Gang" see Wikipedia - a group of women raised money for the National Trust before the War characterised by masks and mystery and recently published Anna Hutton-North's book "Ferguson's Gang: the Maidens behind the Masks". She was "Sister Agatha". [Royal Academy of Music, High Street & Fitzjohns Avenue, Hampstead, etc, London], various pleaces (and hotels) when he travels, hardcover‎

Riferimento per il libraio : 18824

‎[ART, AQUARELLE, PEINTURE, EN ALLEMAND, EN ANGLAIS] - GEISSBERGER (Hans) -‎

‎22 AQUARELLE Aus der Liebe zur Welt.‎

‎S.l., Verlag Walter Keller Dornach, s.d. ; in-4, br. Bilingue Allemand / Anglais - très bon état.‎

‎Bilingue Allemand / Anglais - très bon état.‎

Riferimento per il libraio : 202206653