‎Anglais‎

‎COLLECTIF‎

‎WEBSTER'S SECONDARY-SCHOOL DICTIONNARY‎

‎AMERICAN BOOK COMPANY. 1913. In-12. Broché. Etat d'usage, Couv. légèrement passée, Dos satisfaisant, Intérieur frais. 842 pages. Ecritures à l'encre en début et fin d'ouvrage n'altérant pas la lecture. 1000 petites illustrations en noir et blanc.. . . . Classification Dewey : 423-Dictionnaire anglais‎

‎Abriged from webster's new international dictionnary. Classification Dewey : 423-Dictionnaire anglais‎

Referentie van de boekhandelaar : RO60061092

‎COLLECTIF‎

‎WEBSTER'S SEVENTH NEW COLLEGIATE DICTIONARY‎

‎G. & C. Merriam Co.. 1969. In-8. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 1221 pages. Texte sur 2 colonnes.. Avec Jaquette. . . Classification Dewey : 423-Dictionnaire anglais‎

‎A Merriam-Webster. Based on Webster's third New International Dictionary. Newly ed. for home, scholl and office. Classification Dewey : 423-Dictionnaire anglais‎

Referentie van de boekhandelaar : RO40135681

‎COLLECTIF‎

‎WEBSTER'S CONDENSED DICTIONARY‎

‎COLLECTIF. Non daté. In-8. Relié. Etat passable, Couv. légèrement passée, Dos abîmé, Intérieur acceptable. 797 pages entièrement rédigé en anglais.. . . . Classification Dewey : 423-Dictionnaire anglais‎

‎Etymologies, definitions, pronuactions and spelling with appendix and illustrations. Classification Dewey : 423-Dictionnaire anglais‎

Referentie van de boekhandelaar : RO30112456

‎COLLECTIF‎

‎WEBSTER'S UNIVERSAL DICTIONARY AND THESAURUS‎

‎Tormont. 1993. In-4. Relié. Etat d'usage, Couv. convenable, Dos satisfaisant, Intérieur acceptable. 960 pages de texte (sur 2 colonnes) + 48 planches de cartes en couleur. Couverture se détachant légèrement.. . . . Classification Dewey : 423-Dictionnaire anglais‎

‎Plus World Map in color. 90 pages of world facts. Word origins. First names and their meanings... Classification Dewey : 423-Dictionnaire anglais‎

Referentie van de boekhandelaar : RO60073717

‎COLLECTIF‎

‎WEBSTER'S DICTIONARY OF SYNONYMS, A Dictionary of Discriminated Synonyms with Antonyms and Analogous and Contrasted Words‎

‎G. & C. Merriam Co.. 1942. In-8. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 907 pages. Texte sur 2 colonnes. Pages à onglets. Tranche mouchetée. Etiquette de code sur la couverture. Quelques tampons de bibliothèque.. . . . Classification Dewey : 423-Dictionnaire anglais‎

‎A Dictionary of Discriminated Synonyms with Antonyms and Analogous and Contrasted Words. Classification Dewey : 423-Dictionnaire anglais‎

Referentie van de boekhandelaar : RO40248812

‎COLLECTIF‎

‎WEBSTER'S NEW WORLD, POCKET FRENCH DICTIONARY‎

‎Wiley Publishing. 2004. In-16. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 214 + 184 pages. Texte sur 2 colonnes.. . . . Classification Dewey : 423-Dictionnaire anglais‎

‎English-French, French-English. American English. Easy to read. Classification Dewey : 423-Dictionnaire anglais‎

Referentie van de boekhandelaar : RO60112479 ISBN : 764556207

‎COLLECTIF‎

‎WEBSTER'S COLLEGIATE THESAURUS‎

‎Merriam-Webster. 1976. In-8. Relié. Etat d'usage, Couv. convenable, Dos satisfaisant, Intérieur acceptable. 944 pages. Texte sur 2 colonnes. Pages à onglets. Traces de scotch en pages de garde. Jaquette en partie insolée.. Avec Jaquette. . . Classification Dewey : 423-Dictionnaire anglais‎

‎The first totally new Thesaurus in over 120 years. More than 100,000 synonyms, antonyms, indiomatic phrases, etc. Classification Dewey : 423-Dictionnaire anglais‎

Referentie van de boekhandelaar : RO60140630 ISBN : 877790698

‎Collectif‎

‎Webster's New Wolrd - Pocket Spanish Dictionnairy‎

‎Wiley Publishing. Non daté. In-18. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 210 + 210 pages. Texte sur deux colonnes. Dictionnaire anglais-espagnol et espagnol-anglais. . . . Classification Dewey : 423-Dictionnaire anglais‎

‎Classification Dewey : 423-Dictionnaire anglais‎

Referentie van de boekhandelaar : RO20243236 ISBN : 47017823

‎COLLECTIF‎

‎Welcome to Switzerland. Guest information‎

‎1990 - cartonné - A Waiviata Publication - Villa Sassa, Room copy - 1990/91 edition - In-4 (29,5 x 21,5 cm) cartonné - 320 pages - Très nombreuses photographies en couleurs - Ouvrage trilingue avec texte en français, english & deutsch - "Featuring Watches & Jewelry" - SOMMAIRE : Welcome to Switzerland - General information - American Express travel assistance in Switzerland - National profile - Zurich - St Moritz - Interlaken - Geneva - Lugano - Hans Erni (artist) - Dining out - ...‎

‎Bon état - Infimes frottements sur la couverture - Coin supérieur très légèrement frotté‎

Referentie van de boekhandelaar : 255

‎Collectif‎

‎What's on... anglais cycle 4 / 3e - Workbook - éd. 2017: cahier cahier d'exercices cahier d'activités TP‎

‎Hachette 2017 216 pages 18 8x22 8x1 4cm. 2017. Broché. 216 pages.‎

‎Bon état‎

Referentie van de boekhandelaar : 500141299

‎Collectif‎

‎Wham! Annual 1968‎

‎Odhams book limited 1967 in8. 1967. broché.‎

‎Etat correct couverture légèrement usagée intérieur trés propre la reliure intérieure est fragilisée‎

Referentie van de boekhandelaar : 15472

‎Collectif‎

‎Wham! Annual 1970‎

‎The hamlyn publishing group limited / odhams 1969 in8. 1969. broché.‎

‎Bon état intérieur trés propre‎

Referentie van de boekhandelaar : 15478

‎Collectif‎

‎Winchester Cathedral‎

‎Scala Publishers Ltd, London, 2006. In-4, agrafé sous couverture rempliée et illustrée en couleurs, 38 pp. The Cathedral and its Buildings - Inside the Cathedral - Pilgrims. Past and Present - The Cathedral Today.‎

‎Un plan et nombreuses illustrations couleurs. --- Plus d'informations sur le site archivesdunord.com‎

Referentie van de boekhandelaar : 6116

‎Collectif,Lee Stan‎

‎X-Factor #92 (Havok Hologram on Cover) : Fatal Attractions Out of The Light and Into Thy Fathers's Shadow‎

‎Marvel Fatal attractions album souple 1993 In-4 (17 x 26 cm), album souple avec son blister, couverture illustrée en couleurs avec un insert holographique d'un personnage, 47 pages, texte anglais, planches en couleurs ; coiffes et bords à peine frottés, bon état. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.‎

Referentie van de boekhandelaar : gf727

‎COLANGE L.‎

‎ZELL'S POPULAR ENCYCLOPEDIA, A UNIVERSAL DICTIONARY OF ENGLISH LANGUAGE, SCIENCE, LITERATURE AND ART, 2 VOLUMES‎

‎T. Ellwood Zell, Philadelphia. 1871. In-4. Relié cuir dos-coins. Etat passable, Plats abîmés, Dos à nerfs, Fortes mouillures. 1196 pages pour le tome I et 1152 pages pour le tome II. Illustré de très nombreuses gravures en noir et blanc dans le texte. Texte sur 2 colonnes. Titre, tomaison, roulettes et filets dorés sur les dos. Dos légèrement frottés et salis. Plats fortement défraîchis et abîmés. Annotations d'époque en page de garde. Tranche défraîchie.. . . . Classification Dewey : 423-Dictionnaire anglais‎

‎In two volumes. Vol. I: A-H, Vol. II: I-Z. Ilustrated by over twenty-five hundred wood-cuts. Classification Dewey : 423-Dictionnaire anglais‎

Referentie van de boekhandelaar : RO60072004

‎COLLECTIF‎

‎引玉集 (Yinyu ji)‎

‎1935 - reliure - Sanjian Shuwu 三閒書屋 - Yinyu ji 引玉集 (« Recueil pour attirer le jade ») 木刻五十九幅 - Deuxième tirage, avril 1935 - In-8 (19,5 × 15,5 cm) reliure cartonnée de l'éditeur, dos noir, pièce de titre contrecollée sur le premier plat - 68 pages - 59 reproductions de gravures sur bois soviétiques imprimées au procédé collotype (珂羅版) d'après les tirages originaux fournis par les artistes - Comprend un texte de Chen Jie (陳節), traduction abrégée d'un essai de A. D. Chegodaev consacré à la gravure soviétique contemporaine - Tirage limité à 215 exemplaires, dont 15 exemplaires hors commerce - Diffusion assurée par la librairie Uchiyama (內山書店), Shanghai - Ouvrage en chinois - Avec des œuvres de Dmitri Isidorovich Mitrokhin, A. Kravchenko, N. Piskarev, Vladimir Andreevich Favorsky, P. Pavlinov, A. Goncharov, M. Pikov, Sergei Mikhalovich Mocharov, L. Khizhinsky, Nikolai Vasilievich Alekseev et Sergei Mikhailovich Pozharsky - A PROPOS : Rare anthologie consacrée à la gravure soviétique moderne, publiée à Shanghai par 三閒書屋 et diffusée par la librairie Uchiyama (內山書店). L'ouvrage réunit cinquante-neuf reproductions en collotype de gravures sur bois réalisées par plusieurs figures majeures de l'école russe et soviétique de la gravure des années 1920-1930, parmi lesquelles Vladimir Favorsky, Dmitri Mitrokhin, Alexei Kravchenko et Pavel Pavlinov. Accompagné d'une traduction abrégée par Chen Jie d'un essai de l'historien de l'art soviétique A. D. Chegodaev, ainsi que d'une préface, d'un catalogue des planches et d'une postface, le volume fut conçu comme une introduction à l'estampe contemporaine soviétique pour le public chinois. Témoignage remarquable des échanges artistiques sino-soviétiques dans le Shanghai républicain des années 1930, il s'inscrit dans le contexte du mouvement de la Nouvelle Gravure (新興木刻運動), alors en plein essor sous l'influence des milieux intellectuels de gauche et des réseaux culturels gravitant autour de la librairie Uchiyama et de la figure de Lu Xun. Les reproductions furent réunies à partir de documents et publications soviétiques découverts au début des années 1930, notamment par l'intermédiaire de la revue Graphika. /// ENGLISH: Sanjian Shuwu (三閒書屋) - Yinyu ji (引玉集, “Collection to Draw Forth Jade”): Fifty-Nine Woodcuts (木刻五十九幅) - Second printing, April 1935 - Octavo (19.5 × 15.5 cm), publisher's boards with black spine and mounted title label on upper cover - 68 pages - 59 collotype (珂羅版) reproductions of Soviet woodcuts printed from original impressions supplied by the artists - Includes a text by Chen Jie (陳節), an abridged translation of an essay by A. D. Chegodaev on contemporary Soviet printmaking - Limited edition of 215 copies, including 15 non-commercial presentation copies - Distributed by Uchiyama Bookstore (內山書店), Shanghai - Text in Chinese - Featuring works by Dmitri Isidorovich Mitrokhin, Alexei Kravchenko, Nikolai Piskarev, Vladimir Andreevich Favorsky, Pavel Pavlinov, Aleksandr Goncharov, Mikhail Pikov, Sergei Mikhailovich Mocharov, Leonid Khizhinsky, Nikolai Vasilievich Alekseev and Sergei Mikhailovich Pozharsky. ABOUT: Rare anthology devoted to modern Soviet wood engraving and printmaking, published in Shanghai by Sanjian Shuwu and distributed through Uchiyama Bookstore (內山書店). The volume gathers fifty-nine collotype reproductions of woodcuts by several leading figures of the Russian and Soviet printmaking revival of the 1920s and 1930s, including Vladimir Favorsky, Dmitri Mitrokhin, Alexei Kravchenko and Pavel Pavlinov. Accompanied by Chen Jie's abridged translation of an essay by Soviet art historian A. D. Chegodaev, as well as a preface, plate catalogue and postface, the work was conceived as an introduction to contemporary Soviet printmaking for Chinese readers. A remarkable testimony to Sino-Soviet artistic exchanges in Republican-era Shanghai, it belongs to the context of the New Woodcut Movement (新興木刻運動), then flourishing under the influence of left-wing intellectual circles and cultural networks associated with Uchiyama Bookstore and the figure of Lu Xun. The reproductions were assembled from Soviet books, periodicals and documentary sources discovered in the early 1930s, notably through the journal Graphika. /// 中文：三閒書屋出版 — 《引玉集：木刻五十九幅》 — 1935年4月再版 — 32開（19.5 × 15.5厘米）精裝本，黑色書脊，封面貼書名籤 — 68頁 — 收錄蘇聯木刻作品59幅，以珂羅版工藝依據藝術家提供之原拓本複製印製 — 附陳節摘譯 A. D. Chegodaev（契戈達耶夫）論蘇聯現代版畫藝術之文章 — 限印215部，其中15部為非賣贈送本 — 上海內山書店代售 — 中文版 — 收錄 Dmitri Isidorovich Mitrokhin、Alexei Kravchenko、Nikolai Piskarev、Vladimir Andreevich Favorsky、Pavel Pavlinov、Aleksandr Goncharov、Mikhail Pikov、Sergei Mikhailovich Mocharov、Leonid Khizhinsky、Nikolai Vasilievich Alekseev 及 Sergei Mikhailovich Pozharsky 等藝術家作品。關於本書：本書為三閒書屋於上海出版、由內山書店代售之珍稀蘇聯現代木刻版畫選集。全書收錄59幅以珂羅版精印之蘇聯木刻作品，作者均為1920至1930年代俄羅斯及蘇聯版畫復興運動的重要藝術家，其中包括弗拉基米爾·法沃爾斯基（Vladimir Favorsky）、德米特里·米特羅欣（Dmitri Mitrokhin）、阿列克謝·克拉夫琴科（Alexei Kravchenko）及帕維爾·帕夫利諾夫（Pavel Pavlinov）等人。書中除收錄陳節摘譯之蘇聯藝術史家 A. D. Chegodaev 論文外，尚附序言、圖版目錄及後記，旨在向中國讀者介紹蘇聯當代版畫藝術。本書不僅是研究俄蘇版畫的重要文獻，亦是1930年代上海中蘇藝術交流的珍貴見證。其出版背景與中國新興木刻運動（新興木刻運動）密切相關，反映了左翼知識界、內山書店文化網絡以及魯迅所倡導之版畫思想的深遠影響。書中圖版主要彙集自1930年代初傳入中國之蘇聯書籍、期刊及藝術資料，其中包括《Graphika》等重要出版物。‎

‎Bon état - Menus frottements sur la couverture - Léger frottement au haut du dos - Intérieur propre - Ancien prix tamponné en haut de la première page de garde - Bel exemplaire de cette rare publication du Shanghai républicain. Tirage total limité à seulement 515 exemplaires pour l'ensemble des éditions de 1934 et 1935‎

Referentie van de boekhandelaar : 691

‎Colcord, Joanna Carver‎

‎Sea Language Comes Ashore‎

‎213 p. Hardcover Good condition; spine darkened‎

‎COLE GDH G D H‎

‎Rural Rides. In the Southern Western and Eastern Counties of England together with Tours in Scotland and in the Northern and Midland Counties of England and Letters from Ireland. With Vignettes and a Map of Cobbett's Country. 1000 COPIES WERE PRINTED‎

‎Peter Davies 1930. 3 vols. roy. 8vo. Sole Edition thus on laid paper with numerous illustrations in the text and endpaper maps; original marbled boards cloth backs gilt uncut boards very lightly faded corners mildly bruised else a very good clean set. EDITION LIMITED TO 1000 COPIES. The best modern edition. CBEL III p.630. Peter Davies, hardcover‎

Referentie van de boekhandelaar : 10429

‎COLEMAN Charles (Pontefract 1807 ca. - Roma 1874)‎

‎Campo Vaccino‎

‎Acquaforte, tratta da 'A series of subiects peculiar to the campagna of Rome and Pontine marshes designed from nature and etched by C. Coleman', edito a Roma nel 1850. Magnifica prova, impressa su carta cina applicata su cartoncino, pieni margini, in perfetto stato di conservazione. Charles Coleman è stato un pittore inglese di paesaggi e animali, nato a Pontefract, nello Yorkshire, in Inghilterra. Fu attivo principalmente a Roma, dove fu un'importante influenza su Nino Costa e diede un contributo significativo alla formazione della Scuola di pittura di Campagna Romana. Dalle brulle colline dello Yorkshire, Charles Coleman arriva a Roma nel 1831 e si mostra un pittore appassionato del territorio che circonda l’urbe, pubblicando alla metà del secolo, presso la libreria Spithover, un ricco volume con 53 acqueforti: A series of subiects peculiar to the campagna of Rome and Pontine marshes designed from nature and etched by C. Coleman. I paesaggi che Coleman rappresenta somigliano molto alle vedute desolate del suo Yorkshire, “ventose e abitate soltanto dall’erica”. Nella gran parte delle vedute dell’artista inglese il paesaggio si presenta con vivaci contrapposti, facendo sì che Coleman rappresenti un vero e proprio maestro per una o due generazioni di pittori romani e non solo. Era sprezzante dell'insegnamento accademico, credendo che l'osservazione dalla natura fosse la migliore educazione per un artista. Espose cinque volte alla Royal Academy di Londra, per l'ultima volta nel 1869. Etching from the 'A series of subiects peculiar to the campagna of Rome and Pontine marshes designed from nature and etched by C. Coleman', printed in Rome in 1850. A fine  work, printed on China paper and laid on cardboard, full margins, in perfect condition. Charles Coleman was an English landscape and animal painter, born in Pontefract, Yorkshire, England. He was active primarily in Rome, where he was an important influence on Nino Costa and made a significant contribution to the formation of the School of "Campagna Romana" Painting. From the barren hills of Yorkshire, Charles Coleman arrived in Rome in 1831 and showed himself a passionate painter of the territory surrounding the urbe, publishing in the middle of the century, at the Spithover bookstore, a rich volume with 53 etchings: A series of subiects peculiar to the countryside of Rome and Pontine marshes designed from nature and etched by C. Coleman. The landscapes that Coleman depicts are very similar to the desolate views of his Yorkshire, "windy and inhabited only by heather". In most of the English artist's views, the landscape is presented with vivid contrasts, making Coleman a true master for a generation or two of painters in Rome and beyond. He was contemptuous of academic teaching, believing that observation from nature was the best education for an artist. He exhibited five times at the Royal Academy in London, for the last time in 1869.‎

‎COLEMAN Charles (Pontefract 1807 ca. - Roma 1874)‎

‎Il riposo‎

‎Acquaforte, tratta da 'A series of subiects peculiar to the campagna of Rome and Pontine marshes designed from nature and etched by C. Coleman', edito a Roma nel 1850. Magnifica prova, impressa su carta cina applicata su cartoncino, pieni margini, in perfetto stato di conservazione. Charles Coleman è stato un pittore inglese di paesaggi e animali, nato a Pontefract, nello Yorkshire, in Inghilterra. Fu attivo principalmente a Roma, dove fu un'importante influenza su Nino Costa e diede un contributo significativo alla formazione della Scuola di pittura di Campagna Romana. Dalle brulle colline dello Yorkshire, Charles Coleman arriva a Roma nel 1831 e si mostra un pittore appassionato del territorio che circonda l’urbe, pubblicando alla metà del secolo, presso la libreria Spithover, un ricco volume con 53 acqueforti: A series of subiects peculiar to the campagna of Rome and Pontine marshes designed from nature and etched by C. Coleman. I paesaggi che Coleman rappresenta somigliano molto alle vedute desolate del suo Yorkshire, “ventose e abitate soltanto dall’erica”. Nella gran parte delle vedute dell’artista inglese il paesaggio si presenta con vivaci contrapposti, facendo sì che Coleman rappresenti un vero e proprio maestro per una o due generazioni di pittori romani e non solo. Era sprezzante dell'insegnamento accademico, credendo che l'osservazione dalla natura fosse la migliore educazione per un artista. Espose cinque volte alla Royal Academy di Londra, per l'ultima volta nel 1869. Timbro di collezione la verso di Luciana Simonetti (Lugt 3616). Etching from the 'A series of subiects peculiar to the campagna of Rome and Pontine marshes designed from nature and etched by C. Coleman', printed in Rome in 1850. A fine  work, printed on China paper and laid on cardboard, full margins, in perfect condition. Charles Coleman was an English landscape and animal painter, born in Pontefract, Yorkshire, England. He was active primarily in Rome, where he was an important influence on Nino Costa and made a significant contribution to the formation of the School of "Campagna Romana" Painting. From the barren hills of Yorkshire, Charles Coleman arrived in Rome in 1831 and showed himself a passionate painter of the territory surrounding the urbe, publishing in the middle of the century, at the Spithover bookstore, a rich volume with 53 etchings: A series of subiects peculiar to the countryside of Rome and Pontine marshes designed from nature and etched by C. Coleman. The landscapes that Coleman depicts are very similar to the desolate views of his Yorkshire, "windy and inhabited only by heather". In most of the English artist's views, the landscape is presented with vivid contrasts, making Coleman a true master for a generation or two of painters in Rome and beyond. He was contemptuous of academic teaching, believing that observation from nature was the best education for an artist. He exhibited five times at the Royal Academy in London, for the last time in 1869. Collection marks on verso, by Luciana Simonetti (Lugt 3616).‎

‎COLEMAN Charles (Pontefract 1807 ca. - Roma 1874)‎

‎Valley of Yennie Subiaco‎

‎Acquaforte, tratta da 'A series of subiects peculiar to the campagna of Rome and Pontine marshes designed from nature and etched by C. Coleman', edito a Roma nel 1850. Magnifica prova, impressa su carta cina applicata su cartoncino, pieni margini, in perfetto stato di conservazione. Charles Coleman è stato un pittore inglese di paesaggi e animali, nato a Pontefract, nello Yorkshire, in Inghilterra. Fu attivo principalmente a Roma, dove fu un'importante influenza su Nino Costa e diede un contributo significativo alla formazione della Scuola di pittura di Campagna Romana. Dalle brulle colline dello Yorkshire, Charles Coleman arriva a Roma nel 1831 e si mostra un pittore appassionato del territorio che circonda l’urbe, pubblicando alla metà del secolo, presso la libreria Spithover, un ricco volume con 53 acqueforti: A series of subiects peculiar to the campagna of Rome and Pontine marshes designed from nature and etched by C. Coleman. I paesaggi che Coleman rappresenta somigliano molto alle vedute desolate del suo Yorkshire, “ventose e abitate soltanto dall’erica”. Nella gran parte delle vedute dell’artista inglese il paesaggio si presenta con vivaci contrapposti, facendo sì che Coleman rappresenti un vero e proprio maestro per una o due generazioni di pittori romani e non solo. Era sprezzante dell'insegnamento accademico, credendo che l'osservazione dalla natura fosse la migliore educazione per un artista. Espose cinque volte alla Royal Academy di Londra, per l'ultima volta nel 1869. Etching from the 'A series of subiects peculiar to the campagna of Rome and Pontine marshes designed from nature and etched by C. Coleman', printed in Rome in 1850. A fine  work, printed on China paper and laid on cardboard, full margins, in perfect condition. Charles Coleman was an English landscape and animal painter, born in Pontefract, Yorkshire, England. He was active primarily in Rome, where he was an important influence on Nino Costa and made a significant contribution to the formation of the School of "Campagna Romana" Painting. From the barren hills of Yorkshire, Charles Coleman arrived in Rome in 1831 and showed himself a passionate painter of the territory surrounding the urbe, publishing in the middle of the century, at the Spithover bookstore, a rich volume with 53 etchings: A series of subiects peculiar to the countryside of Rome and Pontine marshes designed from nature and etched by C. Coleman. The landscapes that Coleman depicts are very similar to the desolate views of his Yorkshire, "windy and inhabited only by heather". In most of the English artist's views, the landscape is presented with vivid contrasts, making Coleman a true master for a generation or two of painters in Rome and beyond. He was contemptuous of academic teaching, believing that observation from nature was the best education for an artist. He exhibited five times at the Royal Academy in London, for the last time in 1869.‎

‎Coleman, Emily; Harrison, Jay S.; robinson, Francis; Pepper, Curtis G.; Kolodin, Irving; Cassidy, Claudia; Heinsheimer, Hans W.; Frankenstein, Alfred; Rosenfield, John; Durgin, Cyrus; Green, Adolph; Comden, Betty; Diesel, Leota‎

‎Theatre Arts Magazine, March, 1959 - Special Opera Issue/Maria Neneghini Callas Cover Photo‎

‎82 pages. Features: Metropolitan Malaise; "Wozzeck" in the Wings; Home of the Hunter; Luchino Visconti - Composer's Director; Caruso, Go Home!; Boris Godunov, by Modest Mussorgsky - English text of this play; Theatre, U.S.A.; Chicago - Orbit Routine - With Flares; New York's Own Volksoper; Farrell and San Francisco; Callas and Dallas; Boston - Home-Grown, Short Supply; Three pages of photos of Maria Callas. Average wear. Unmarked. Binding intact. A sound copy. Magazine‎

‎Coleman, Mrs Pamela Chandler‎

‎The Pearl Story Book: A Collection of Tales Original and Selected‎

‎New York: Howe and Ferry 1860. 2nd Printing. Hardcover. Good. 16mo - over 5¾ - 6¾" tall. 108 pages. Red cloth rubbed and with some cuts and tears <br/> <br/> Howe and Ferry hardcover‎

Referentie van de boekhandelaar : 12309

‎Colen A.‎

‎SYNTACTIC AND SEMANTIC STUDY OF ENGLISH PREDICATIVE NOMINALS.‎

‎Bound, in-4?°, 224pp. ISBN 9065693424. Verhandelingen van de Koninklijke Vlaamse Academie voor Wetenschappen, Letteren en Schone Kunsten, van Belgie. Klasse der Letteren, Jaargang 46, Nr 112.‎

‎COLEN Alexandra‎

‎A syntactic and semantic study of English predicative nominals‎

‎224pp., text in English, 26cm., in the series: "Verhandelingen van de Koninklijke Academie voor Wetenschappen, Letteren en Schone Kunsten van België, Klasse der Letteren" jg.46 nr.112, softcover, very good condition, T64402‎