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‎Alger N. Doane (ed)‎

‎Werden A Glossary Edition and Commentary‎

‎, Brepols - Harvey Miller, 2025 hardback, Pages: 324 p. Size:155 x 245 mm Illustrations:4 b/w, 1 tables b/w.Language(s):Latin, English, Old English . ISBN 9782503612485.‎

‎Summary This is an edition of a key eighth century glossary, traditionally called "Werden A" after the abbey in Germany where its unique manuscript was probably written about 810, incorporating English materials of earlier date, It is one of an important set of early English glossaries usually associated with the school of Canterbury under Archbishop Theodore in the last quarter of the seventh century; this was the first important center of learning in England after the conversion to Christianity from ca. 600 and its alumni and scholarship spread out not only over England in the subsequent century but to north-east France and Germany in the so-called "Anglo-Saxon Mission" with the aim of bringing Christianity to semi-pagan lands. Such glossaries played a big part in these campaigns and strongly influenced Old High German glossaries and literature for several centuries more. Werden A shows ample signs of its career on the continent with many entries that must have originated in Frisia, France, Saxony and the Rhineland. Moreover, Werden A presents many difficult editorial challenges: it is very fragmentary, preserved as several mutilated and dispersed parts, most of which were destroyed in World War II and are only preserved in poor nineteenth century transcripts, and beyond that the text is often obscure and corrupt. This edition undertakes to reconstruct the codicology and contents of the original book before its dispersal, retrieval of the remaining text as originally written, establishment of the sources of the various items, and the deciphering and interpretation of individual entries that are often highly original and unparalleled in other glossaries. TABLE OF CONTENTS Introduction Appendix 1. Index to Vernacular Interpretants Appendix 2. Sources of Vernacular Items Critical Edition of Werden A Glossary Commentary Bibliography Indices‎

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‎Stephanie L. Herdrich, With contributions by Caroline Corbeau-Parsons, Caroline Elenowitz-Hess, Erica E. Hirshler, Elaine Kilmurray, Richard Ormond, Paul Perrin, and Hadrien Viraben‎

‎Sargent and Paris‎

‎New York, The Metropolitan Museum of Art, 2025 Hardcover, 256 pages, 8'' x 11 1/2'' , EN, Illustrated. *New. ISBN 9781588397959.‎

‎In 1874, eighteen-year-old American artist John Singer Sargent went to Paris to become a painter. Ten years later, he would become an art-world sensation when he sparked controversy with his scandalous portrait Madame X at the 1884 Salon. Sargent and Paris focuses on this decisive early decade in the artist?s career, when he first achieved recognition for ambitious portraits and bold canvases that pushed the boundaries of convention. Eight incisive essays by the world's foremost Sargent scholars explore his life in Paris?then the epicenter of the cultural world?and the cosmopolitan circle of artists, writers, and cultivated patrons that nurtured his career and helped forge his artistic identity. Authors highlight the painter's connections to giants of the Parisian art scene as well as the influential patrons who were key to Sargent?s progression as an artist. Presented alongside lavish images of more than a hundred paintings and works on paper?brought together from public and private collections throughout the United States and Europe?this publication offers an intimate look at the roots of Sargent's signature, breathtaking style and his indelible experiences as a young artist in the French capital. Stephanie L. Herdrich is Alice Pratt Brown Curator of American Painting and Drawing, The American Wing, The Metropolitan Museum of Art, New York.‎

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‎Mancoff, Debra N.‎

‎Burne-Jones‎

‎, Pomegranate, 1998 Softcover, 128 pages, 29.5 x 23 cm, EN. *very good condition. ISBN 9780764906152.‎

‎Burne-Jones‎

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‎Wildman, Stephen‎

‎Edward Burne-Jones 1833-1898: Un ma tre anglais de l'imaginaire‎

‎, R union des Mus es Nationaux, 1999 Couverture souple, 362 pages, 31 x 23 cm, Fran ais. En bon tat. ISBN 9782711837632.‎

‎" J'entends par tableau un beau r ve romantique de quelque chose qui n'a jamais exist et n'existera jamais, dans une lumi re plus belle que toutes celles qui ont jamais brill , dans un lieu que personne ne peut d finir ou se rappeler, seulement d sirer. " Ainsi Edward Burne-Jones (1833-1898), l'un des artistes anglais les plus importants du XIXe si cle apr s Turner et Constable, r sumait-il sont art. Form aupr s de Gabriel Rossetti et prot g de John Ruskin, il est l'auteur d'une ?uvre consid rable. Du pr rapha lisme auquel il se rattacha dans les premi res ann es de sa carri re au symbolisme dont il fut l'un des grands pr curseurs, en passant par ses multiples collaborations avec William Morris dans le domaine des arts d coratifs, il d veloppa un univers esth tique fascinant, nourri de l gendes m di vales et de r cits mythologiques, exclusivement tourn vers l'imaginaire. Ce catalogue, seul ouvrage de r f rence sur Burne-Jones en fran ais, accompagne la grande r trospective organis e au Metropolitan Museum of Art New York, aux Birmingham Museums and Art Gallery et au mus e d'Orsay. Il montrera quel point, un si cle apr s sa disparition, l'artiste repr sente de nouveau pour le regard contemporain la quintessence de la sophistication qui caract risa la fin de la p riode victorienne.‎

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‎David Breuer‎

‎Pre-Raphaelite and other masters: the Andrew Lloyd Webber collection‎

‎London, Royal Academy of Arts, 2003 Softcover, 316 pages, 28 x 25 cm, English text. Fine condition. ISBN 9781903973400.‎

‎Pre-Raphaelite and other masters: the Andrew Lloyd Webber collection‎

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‎Arthur F. Marotti (ed)‎

‎Persistence of Catholicism. Literature, Nationhood, and Religion in Early Modern England‎

‎, Brepols, 2026 Hardback, Pages: 242, Size:152 x 229 mm, Languages: English. ISBN 9780888442437.‎

‎Summary This volume collects previously published studies, now thoroughly updated and revised, with the aim of exploring the religious and political complexities of early modern English Catholicism from the mid-sixteenth through the late seventeenth centuries. Together, these essays analyze the residual presence of Catholic culture within the larger narrative of English history, using the work of such writers as William Shakespeare, John Donne, and Dame Gertrude More, as well as a range of non-literary evidence, to interpret the varieties of religious experience and the multiple ways in which they related to contemporary audiences and readers. Including the "seigneurial" Catholicism of the upper classes, the popular survival of traditional religious practices, and the different colonial solutions to the problem of religious toleration, this account opposes the oversimplified "Whig" interpretation of English history with the complex forces of a changing political landscape. Catholic culture had a remarkable persistence in the period and the lived experience of English Catholics varied widely. In its many incarnations, Catholicism remained an important cultural and demographic presence troubling the narrative of English history. Despite the control the government sought to exercise over religious belief, individual Catholics, who negotiated various forms of social functioning, survived beyond this period to emerge finally as a significant, and tolerated, minority within English society. TABLE OF CONTENTS Acknowledgments Abbreviations Introduction CHAPTER ONE What Counts as Early Modern English Catholic Writing CHAPTER TWO In Defense of Idolatry: Catholicism and the Protestant Assault on the Sensuous in Early Modern England CHAPTER THREE Religion, Secularity, and Shakespeare CHAPTER FOUR Shakespeare and Catholicism CHAPTER FIVE Shakespeare, Papal Temporal Power, Regicide, and Tyrannicide CHAPTER SIX Donne's Conflicted Anti-Catholicism in His Sermons CHAPTER SEVEN Saintly Idiocy and Contemplative Empowerment: The Example of Dame Gertrude More CHAPTER EIGHT The Intolerability of English Catholicism in the Early Modern Era Bibliography Index‎

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‎Daniel Thomas‎

‎Old English Poet as Reader‎

‎, Brepols, 2026 Hardback, Pages: 312, Size:156 x 234 mm, Language: English. ISBN 9782503612201.‎

‎Summary Little is known about the original audiences of Old English poetry. The clearest evidence we possess for the reception of these verse texts is provided by the poets themselves, who must have been amongst the most dedicated and learned consumers of the poetic corpus to which they contributed. Thinking about how these poets read and responded to the work of their fellow practitioners can help us to recover something of the literary attitudes and expectations that governed both the production and reception of Old English poetry. The Old English Poet as Reader proposes a new approach to the study of Old English poetry which simultaneously recognizes the traditional and formulaic aspects of Old English poetry while also accepting that poets working within this tradition engaged in direct and sophisticated ways with individual vernacular poetic models. The extent to which this can be demonstrated from the surviving and inevitably partial record of Old English verse suggests that such strategies constituted a key feature of the vernacular tradition for both poets and audiences. Scholars have long been accustomed to thinking about Old English poets as engaged readers of their Latin textual sources. This volume argues that we must now recognize them as equally sophisticated and literary readers of their vernacular poetic sources as well. TABLE OF CONTENTS Chapter 1. Introduction: Allusive Poetics and Old English Verse Chapter 2. Poetry in Pieces: Fitts and Poetic Composition in Andreas Chapter 3. Poets in Crisis: Imitation and Contrast in Andreas and Guthlac A Chapter 4. Traditional Theme and Narrative Structure: 'Sleeping after the Feast' in Beowulf and Andreas Chapter 5. What has Grendel to do with Christ? Approach Scenes in Judith and The Descent into Hell Chapter 6. The Good, the Bad, and the Mediocre: English Boethianism in Cynewulf's Juliana Chapter 7. Afterword Appendix. Five Approach Scenes Bibliography Index‎

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‎Edel Porter, Javier E. D az-Vera (eds)‎

‎Cultural Models for Emotions in the North Atlantic Vernaculars, 700-1400‎

‎, Brepols, 2025 Hardback, Pages: 337, Size:156 x 234 mm, Illustrations:1 col., 3 tables b/w., Language: English. ISBN 9782503610443.‎

‎Summary While the medieval regions that form modern-day Britain, Ireland, Iceland, and the Scandinavian states were, very much like today, home to diverse ethnic and linguistic groups, it is evident that the peoples who inhabited the north-western Atlantic seaboard at this time were nonetheless connected by key cultural, environmental, historical, and ideological experiences that set them apart from other regions of Europe. This volume is the first to focus specifically on these cultural and linguistic connections from the perspective of the history of emotions. The contributions collected here examine cultural encounters among medieval North Atlantic peoples with regard to the gradual development of shared emotional models and the emergence of early cross-cultural emotional communities in this region. The chapters also explore how the folk psychologies illustrated in the oldest European vernacular writing traditions (Irish, English, and Scandinavian) bear witness to cultural models for emotions that first took shape in pre-Christian times. TABLE OF CONTENTS List of Illustrations Acknowledgements 1. Problematizing Emotions and their Linguistic Expression in the Medieval North Atlantic Edel Porter and Javier E. D az-Vera 2. Fear and Loathing in Early Medieval Ireland: Investigating Emotions Connected to Early Irish Satirical Poetry Eoin Donnchadha 3. Ship of Volition, Seabed of Desire: Vernacular Models of the Breast in Skaldic Diction Edel Porter 4. WONDER and the Supernatural in Old English Verse: An Assessment of WONDER as a Potentially Mixed Emotional Response Francisco Javier Minaya-G mez 5. Conceptualising ANGER in the Old English 'Pastoral Care' Daria Izdebska 6. Poisoned Arrows and Flames of Grace: Emotions Inside and Outside in Felix's Life of St Guthlac and the Old English Prose Life of St Guthlac Alice Jorgensen 7. The Love for the Self and Gawain's Desire to Survive: An Ockhamist Reading of Emotions in Sir Gawain and the Green Knight Israa Qallab 8. Blood, Rain, and Tears: Eco-emotive Metaphor in the Medieval North Timothy Bourns 9. SADNESS in Old English and in Old Norse: Externalizing the Mind in the Body in Two North Atlantic Cultures Javier E. D az-Vera and Teodoro Manrique-Ant n 10. 'Spiritual Joy Against Worldly Sorrow': Exploring the Emotional Landscape of Tallaght Nathan Millin 11. Emotion, Embodiment, and the Heart in Old Norse-Icelandic Colin Mackenzie 12. 'Hendr hafa au ok reifa ekki': Tactile Sensitivity and Emotional Interaction in Old Norse Literature Teodoro Manrique-Ant n‎

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‎ROSENFELD, J. & SMITH, A.‎

‎John Everett Millais‎

‎Amsterdam, Van Gogh Museum, 2008 Paperback, 112 pagina's, 29 x 24 cm, Nederlands, als nieuw. . ISBN 9789079310012.‎

‎De Victoriaanse kunst kan zich verheugen in een sterk hernieuwde belangstelling en de herontdekking van John Everett Millais (1829-1896) past hierin. Hij was de meest getalenteerde, productieve en succesvolle kunstenaar van de prerafa litische schilders, verzameld in de Prerafa litische Broederschap. Van enfant terrible ontwikkelde hij zich tot een internationale beroemdheid en tevens een slimme marketingman die zichzelf als toonbeeld van Englishness promootte. Zijn magistrale landschappen, historische figuurstukken en society portretten bezitten een geheel eigen combinatie van po zie en pathos en een onmiskenbare vitaliteit waarmee Millais zowel in zijn tijd als ook nu nog de beschouwer in vervoering weet te brengen. 'Millais is verrassend goed', Corine Vloet in NRC Handelsblad, 17 november 2007‎

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‎Thomas N. Hall, Winfried Rudolf (eds)‎

‎Sermons, Saints, and Sources. Studies in the Homiletic and Hagiographic Literature of Early Medieval England‎

‎, Brepols, 2025 Hardback, Pages: 444, Size:156 x 234 mm, Illustrations:1 b/w, 8 tables b/w., Language: English. ISBN 9782503610542.‎

‎Summary The corpus of sermons and saints' lives from early medieval England, in English and Latin, is the largest and most varied of its kind from a contemporary European perspective. In recent years this extraordinary body of literature has attracted increasing attention, as witnessed by an efflorescence of new editions, translations, commentaries, essay collections, dissertations, and amply funded research projects such as the Electronic Corpus of Anonymous Old English Homilies (ECHOE) project based at the University of G ttingen. The present collection of thirteen essays grew out of a 2022 conference sponsored by the ECHOE project on Old English anonymous homilies and saints' lives and their sources and reflects the best of current scholarship on early medieval homiletic and hagiographic literature from England. This literature is central to an understanding of the spiritual imagination and social practices of non- lite audiences. Together, they introduce new discoveries, identify new sources, edit new texts, make new claims about authors, revisers, and textual relationships, revise previous arguments about aspects of literary history, and provide new interpretations of Old English and Latin sermons and saints' lives. These studies show vividly how European learning influenced the liturgical practices and peripheral education of early medieval England. Contributors include Helen Appleton, Aidan Conti, Claudia Di Sciacca, R. D. Fulk, Thomas N. Hall, Christopher A. Jones, Leslie Lockett, Rosalind Love, Hugh Magennis, Stephen Pelle, Jane Roberts, Winfried Rudolf, and Charles D. Wright. TABLE OF CONTENTS Introduction - THOMAS N. HALL AND WINFRIED RUDOLF Our Spiritual Meeting Places: Regulating Liturgical Processions in Old English Homilies for Rogationtide - HELEN APPLETON Rogationtide, Doomsday, and Communitas in Bazire-Cross Homily iii - CHARLES D. WRIGHT The Rogationtide Homily In vigilia Ascensionis in Cambridge, Corpus Christi College, MS 303: an Eschatological Hodgepodge for Post-Conquest England - CLAUDIA DI SCIACCA 'Quoting' the Bible in Times of Trouble: Wulfstan and the Story of Saul and Jonathan in Napier Homily xxxvi - WINFRIED RUDOLF Revisiting Some 'Stock Descriptions of Heaven and Hell' in the Old English Anonymous Homilies - STEPHEN PELLE The Old English Phoenix Homily and Its Congeners - R. D. FULK What's in a Name? Negotiating the Everyday Exegesis of the Homiliary of Angers - AIDAN CONTI Early English Homiletic Treatments of Christ's Passion: Generic and Liturgical Influences - CHRISTOPHER A. JONES The Earliest Latin Sermon for the Virgin's Conception at the Annunciation - THOMAS N. HALL Domesticating Translation in the Old English Legend of the Seven Sleepers - HUGH MAGENNIS Some Differences between the Vercelli and Vespasian Prose Guthlac Texts - JANE ROBERTS Starting to Write about the Saints of Kent - ROSALIND LOVE The 'Sanctification' of Agustinus in the Old English Soliloquies - LESLIE LOCKETT Manuscript Index Sermon Index Hagiography Index General Index‎

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‎Chlo Houston, Sophie Lemercier-Goddard, Ladan Niayesh (eds)‎

‎Writing Distant Travels and Linguistic Otherness in Early Modern England (c. 1550-1660)‎

‎, Brepols, 2025 Hardback, Pages: 280, Size:156 x 234 mm, Illustrations:4 b/w, Language: English. ISBN 9782503599632.‎

‎Summary As Britain's global interests expanded from the mid-sixteenth century, geographic mobility encouraged many forms of multilingual practices in English writings. Translations, lexical borrowings, and records of exchanges between travellers and far-off lands and peoples diversely registered, communicated, engaged and politicised encounters with alterity. Meanwhile, earlier continental European translations also influenced and complicated the reception of distant otherness, entailing questions of linguistic hybridity or pluralism. This volume explores some of the practices and strategies underpinning polyglot encounters in travel accounts produced, translated, or read in England, as well as in artistic and educational materials inflected by those travels. Drawing on linguistic, lexicographic, literary, and historical methodologies, the twelve chapters in this volume collectively look into the contexts and significances of textual contact zones. Particular attention is paid to uses of multilingualism in processes of identity construction, defining and promoting national or imperial agendas, appropriating and assimilating foreign linguistic capital, or meeting resistance and limits from linguistic and cultural otherness refusing to lend itself to a subjected or go-between status. Treating of indigenous languages, newly anglicized words, and new artistic and instructional materials, the volume makes the case for the vibrancy and influence of early modern English engagements with polyglossia and the need for multiple scales of approach to - and interdisciplinary perspectives on - the subject. TABLE OF CONTENTS Introduction: A World of Words Ladan Niayesh, with Chlo Houston and Sophie Lemercier-Goddard Part I. Intralinguistic Communication in the Contact Zone 1. 'Ylyaovte!' English Engagements with the 'Strange' Tongues of the Far North Matthew Dimmock 2. Speaking in Tongues in Virginia: Strategies of Translation in Algonquian-English First Encounters Sophie Lemercier-Goddard 3. The Madoc Legend: Language and Race at the Dawn of the First British Empire Andrew Hadfield Part II. Producing Knowledge: Travel Writing and Translation 4. Translating Iberian Polyglossia in Richard Eden's The Arte of navigation Anna Demoux 5. 'To all gentlemen, merchants and pilots': Style and Ideology in John Florio's Two Navigations Donatella Montini 6. Englishing Strangers in Richard Hakluyt's Principal Navigations Emily Stevenson 7. The Arabic and Ottoman Turkish Languages in Early Modern English Travel Accounts of the Ottoman Empire Anders Ingram Part III. The Stuff of Words: Material and Literary Traces 8. Linguistic Reclaimings of Persia in Early Modern Travelogues and Travel Fiction Ladan Niayesh 9. Translating Mexican Cochineal in Shakespeare's Drama Armelle Sabatier 10. Acts of Translation: The Persian Language on Stage and Page in The Travels of the Three English Brothers (1607) and Mirza (1655) Chlo Houston 11. 'Why speak you this broken French when y'are a whole Englishman?': French, Travelling, Self-Satire, and Cultural Mediation in London City Comedy Asseline Sel 12. 'Their Garments variegate like ye fishes in ye Euxine sea': Fashion, Languages, and Perceptions of the Ottoman World at the Early Modern English Universities Sarah Knight Index‎

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‎Jennifer Clement‎

‎Rhetoric, Persuasion, and Teaching the Emotions in the Early Modern English Sermon, 1600-1642‎

‎, Brepols, 2025 Hardback, Pages: 203, Size:156 x 234 mm, Languages: English. ISBN 9782503614328.‎

‎Summary The early seventeenth-century English sermon was the bestselling print genre of its time, and church preaching was more widely attended than any play. Jennifer Clement argues here that a major aim of these sermons was to teach people how to feel the right emotions - or, as preachers would have said at the time, the passions or affections - to lead a good Christian life. In the process, preachers took a primarily rhetorical approach to the emotions; that is, they used their sermons to define emotions and to encourage their listeners and readers actively to cultivate and shape their emotions in line with Scripture. This study offers an overview of five key emotions - love, fear, anger, grief, and joy - in the sermons of key preachers such as John Donne, Richard Sibbes, Joseph Hall, Launcelot Andrewes, and others. It shows how these preachers engaged with contemporary treatises on the emotions as well as treatises on preaching to highlight the importance of the rhetorical, as opposed to the humoral, approach to understanding the emotions in a religious context. In addition, Clement reads sermons next to early seventeenth-century religious poetry by writers such as Donne, George Herbert, Amelia Lanyer, and Henry Vaughan to show how the emotional concerns of the sermons also appear in the poetry, reverberating beyond the pulpit. Bringing together rhetorical theory, sermon studies, and the history of the emotions, Clement shows how the early seventeenth-century English sermon needs to inform our thinking about literature and its engagement with emotion in this period. TABLE OF CONTENTS Introduction. Teaching How to Feel Chapter 1. Love, Rhetorical Address, and Moving the Emotions Chapter 2. The Blurred Boundaries of Fear and Love Chapter 3. Anger is an Energy Chapter 4. Grief and Mourning: Memento Mori and the Funeral Sermon Chapter 5. The Joy of Holy Communion Conclusion. Hating the Sinner Bibliography Index‎

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‎Richard Dance, Sara Pons-Sanz, Brittany Schorn (eds)‎

‎Legacy of Medieval Scandinavian Encounters with England and the Insular World‎

‎, Brepols, 2025 Hardback, Pages: 454, Size:156 x 234 mm, Illustrations:11 b/w, 12 tables b/w., 5 maps b/w, 3 maps color, Language: English. ISBN 9782503607702.‎

‎Summary The Vikings had a major and lasting impact on the English language. This volume is a unique companion to the study of Anglo-Scandinavian language contact, providing expert discussions of its contexts, backgrounds, and the considerable afterlife of its effects through the Middle Ages and down to the present day. It contains thirteen new articles by leading specialists in the fields of early medieval languages, literature, and history, specially commissioned in order to explore as wide a range as possible of the historical and cultural contexts for Anglo-Scandinavian encounters in the Viking Age and the evidence for them. These essays analyse in detail the Old Norse influence on English, offering studies of words and their meanings in their textual and literary contexts, and including lexicography, dialectology, and syntactic research; they explore findings from archaeology, inscriptions, and place-names; and they situate Anglo-Scandinavian contacts in the larger multilingual, multicultural contexts of the North Sea and Irish Sea worlds. TABLE OF CONTENTS Introduction: Conversations with Vikings Richard Dance, Sara M. Pons-Sanz and Brittany Schorn Section A. Meeting, Talking, Writing: Identity and Change in the Viking Age Two Baptisms, Some Funerals, and Other Contexts of Interaction: Vikings and the Church in England in the Late Ninth Century Lesley Abrams Scandinavian Runes in England: Dating, Distribution, and Contexts Judith Jesch Scandinavians and Verb-second in Northumbrian Old English George Walkden Ransacking the Wordhord: The Stylistic Use of Old English Lexical Borrowings in Viking Age Skaldic Poetry Nikolas Gunn Anglo-Scandinavian Contact from a Scandinavian Perspective: Ecclesiastical and Political Contacts in Norway and Iceland c. 1000-1050 Elizabeth Ashman Rowe Some Contexts for Gospatric's Writ David Parsons Section B. Finding Viking Words: The Scandinavian Legacy in the Middle Ages and Beyond The Scandinavian Influence on Irish Vocabulary: Evidence from the Electronic Dictionary of the Irish Language (eDIL) M ire N Mhaonaigh Old Norse Watery Terms in English Place-Names: A Survey of Medieval Evidence from Two Regions of England Jayne Carroll Gersum: Lexis of Old Norse Origin in the Poetry of the Middle English Alliterative Revival Brittany Schorn The Lexico-Semantic Distribution of Norse-Derived Terms in Late Middle English Alliterative Poems: Analysing the Gersum Database Sara M. Pons-Sanz Topographical Vocabulary in The Wars of Alexander Thorlac Turville-Petre Norse Borrowings in the OED: A Fresh Examination Philip Durkin The Vikings and the Victorians and Dialect Matthew Townend Index‎

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‎CLARK (Kenneth)‎

‎Landscape into Art‎

‎0 London, John Murray, 1952, In huit, XIX-148 pp, reliure cartonnée, sous jaquette défraîchie,‎

‎104 illustrations.‎

Referentie van de boekhandelaar : 1923

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‎PAVLOV (Dmitri V.)‎

‎Leningrad 1941 - the Blockade‎

‎0 Chicago & London, The University of Chicago Press, 1965, In huit, XXIV-186 pp, reliure cartonnée sous jaquette,‎

‎Traduit par John C. Adams, préfacé par Harrison E. Salisbury. Annotations à l'encre, quelques illustrations.‎

Referentie van de boekhandelaar : 1924

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‎MICHON (Georges)‎

‎The Franco-Russian Alliance 1891-1917‎

‎0 London, G. Allen & Unwin Ltd, 1929, In huit, 340 pp, reliure cartonnée, auteur, titre et éditeur dorés sur le dos,‎

‎Première édition anglaise. Traduit par Norman Thomas.‎

Referentie van de boekhandelaar : 1925

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‎KNIGHT (Melvin M.)‎

‎The Americans in Santo Domingo‎

‎0 New York, Vanguard Press, 1928, In douze, XIX-189 pp, reliure cartonnée,‎

‎Livre signé. Introduction par Harry Elmer Barnes.‎

Referentie van de boekhandelaar : 1926

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‎MORLEY (Christopher)‎

‎Swiss Family Manhattan‎

‎1932 New York, Doubleday, Doran & Company, 1932, In douze, 208 pp, reliure éditeur, bleue et argent,‎

‎.‎

Referentie van de boekhandelaar : 2993

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‎JACKSON (Stanley)‎

‎John George Haigh‎

‎1953 London, Odhams, 1953, In douze, 127 pp, + VIII pp de reprod. Photographiques, broché,‎

‎Coll. "Famous criminal trials series".‎

Referentie van de boekhandelaar : 3365

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‎The London Mystery Magazine, n°23‎

‎0 London, The Norman Kark Publications Ltd, s.d., In douze, 128 pp, broché, couv. illustrée,‎

‎Numéro 23 de cette revue anglaise.‎

Referentie van de boekhandelaar : 3382

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‎The London Mystery Magazine, n°25‎

‎0 London, The Norman Kark Publications Ltd, s.d., In douze, 128 pp, broché, couv. illustrée,‎

‎Numéro 25 de cette revue anglaise.‎

Referentie van de boekhandelaar : 3383

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‎The London Mystery Magazine, n°27‎

‎0 London, The Norman Kark Publications Ltd, s.d., In douze, 128 pp, broché, couv. illustrée,‎

‎Numéro 27 de cette revue anglaise.‎

Referentie van de boekhandelaar : 3384

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‎The London Mystery Magazine, n°20‎

‎0 London, The Norman Kark Publications Ltd, s.d., In douze, 128 pp, broché, couv. illustrée, légèrement déchirée,‎

‎.‎

Referentie van de boekhandelaar : 3435

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‎The London Mystery Magazine, n°21‎

‎0 London, The Norman Kark Publications Ltd, s.d., In douze, 128 pp, broché, couv. illustrée,‎

‎.‎

Referentie van de boekhandelaar : 3436

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‎The London Mystery Magazine, n°22‎

‎0 London, The Norman Kark Publications Ltd, s.d., In douze, 128 pp, broché, couv. illustrée,‎

‎.‎

Referentie van de boekhandelaar : 3437

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‎The London Mystery Magazine, n°24‎

‎0 London, The Norman Kark Publications Ltd, s.d., In douze, 128 pp, broché, couv. illustrée, petits manques sur la couv.,‎

‎.‎

Referentie van de boekhandelaar : 3438

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‎BOWLES (Ella Shannon)‎

‎Handmade Rugs‎

‎1927 Boston, Little, Brown and Company, 1927, Petit in huit, XV-205 pp, reliure cartonnée éditeur,‎

‎Avec illustrations.‎

Referentie van de boekhandelaar : 3829

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‎Collectif‎

‎Great True Mountain Stories‎

‎1957 London, Arco Publication limited, 1957, In huit, 227 pp, reliure cartonnée sous jaquette abimée dans le dos,‎

‎24 des plus fantastiques aventures d'alpinisme, sélectionnées et introduites par Edmund V. Corbett.‎

Referentie van de boekhandelaar : 5173

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€ 12,00 Kopen

‎ANDERSON (Poul)‎

‎The Corridors of Time‎

‎1968 Angleterre, Panther Science Fiction, 1968, In douze, 223 pp, broché, couverture illustrée, dos bleu,‎

‎.‎

Referentie van de boekhandelaar : 7242

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€ 6,00 Kopen

‎FLEMING (Joan)‎

‎Grim Death and the Barrow Boys‎

‎1973 Angleterre, Fontana Books, 1973, In douze, 192 pp, broché, couverture illustrée,‎

‎.‎

Referentie van de boekhandelaar : 7263

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‎FLEMING (Joan)‎

‎The Chill and the Kill‎

‎1967 Londres, Fontana Books, 1967, In douze, 256 pp, broché, couverture illustrée,‎

‎.‎

Referentie van de boekhandelaar : 7285

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‎GRANT (Frederick C.)‎

‎Ancient Judaism and the New testament‎

‎1960 Edinburg and London, Oliver and Boyd, 1960, In huit, XVII-194 pp, reliure cartonnée d'éditeur sous jaquette papier,‎

‎.‎

Referentie van de boekhandelaar : 7961

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‎KIRK (George E.)‎

‎Contemporary Arab Politics‎

‎1961 Londres, Methuen & Co Ltd, 1961, In huit, 231 pp, reliure cartonnée d'éditeur sous jaquette papier,‎

‎.‎

Referentie van de boekhandelaar : 7962

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€ 15,00 Kopen

‎HUDSON MOORE (N.)‎

‎The Collector's Manual‎

‎1946 New York, Tudor Publishing Co, 1946, In huit, 329 pp, reliure cartonnée d'éditeur bleu nuit, traces de mouillures marginales (sur un tiers du livre),‎

‎Qqs reproductions photographiques en noir.‎

Referentie van de boekhandelaar : 7963

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€ 23,00 Kopen

‎CHURCHILL (Randolph S.), CHURCHILL (Winston S.)‎

‎The Six Day War‎

‎1967 Londres, Heinemann Book, 1967, In douze, 250 pp, broché,‎

‎Ouvrage écrit par le fils et le petit-fils de Winston Churchill.‎

Referentie van de boekhandelaar : 9410

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€ 8,00 Kopen

‎McCONKEY (Kenneth)‎

‎British Impressionism‎

‎1989 Oxford, Phaidon, 1989, In quarto, 160 pp, reliure cartonnée d'éditeur de couleur violette sous jaquette illustrée,‎

‎132 illustrations dont 70 en couleurs. Ouvrage en langue anglaise.‎

Referentie van de boekhandelaar : 9771

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‎VULLIAMY (C. E.)‎

‎Royal George‎

‎1937 London, Jonathan Cape, 1937, In huit, 318 pp, reliure toilée d'éditeur, bleu nuit, auteur et titre dorés sur dos lisse, tête bleutée, qqs rousseurs,‎

‎Une étude du Roi George III, son expérience en tant que monarque, son déclin et sa retraite ; avec une vision de la société, de la politique et des événements historiques durant son règne. Ouvrage en anglais.‎

Referentie van de boekhandelaar : 9843

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€ 14,00 Kopen

‎BRIEUX‎

‎Woman on Her Own and other plays‎

‎1916 Londres, Herbert Jenkins Ltd, 1916, In huit, IX-342 pp, reliure d'éditeur en percaline ocre rouge, ternie,‎

‎False Gods and The Red Robe : Three plays by Brieux. The English versions by Mrs. Bernard Shaw, J. F. Fagan, and A. Bernard Miall. With a preface by the dramatist. Ouvrage en anglais. Ex-libris.‎

Referentie van de boekhandelaar : 9860

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‎WELLS (H. G.)‎

‎Love and Mr Lewisham‎

‎1959 London and Glasgow, Collins, 1959, In douze, 256 pp, reliure cartonnée d'éditeur, tête bleutée,‎

‎Avec une introdution de Frank Wells.‎

Referentie van de boekhandelaar : 10203

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‎GORKY (Maxime)‎

‎The Artamonous‎

‎0 Moscou, Publishing House-Foreign Languages, s.d., In douze, 547 pp, reliure cartonée d'éditeur, sous jaquette bien défraîchie,‎

‎Library of Selected Soviet Literature. Troisième édition.‎

Referentie van de boekhandelaar : 10213

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‎The Champagne wine‎

‎1967 Paris, Editions Publicitaires, s.d., Petit in huit, 33 pp, plaquette agrafée, première de couverture illustrée,‎

‎Ouvrage en anglais. Ouvrage offert par la Maison Taittinger, Reims.‎

Referentie van de boekhandelaar : 10325

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‎HARRISON AINSWORTH (W.)‎

‎The Elixir of Life (Auriol)‎

‎1966 Londres, A Four Square Book, 1966, In douze, 122 pp, broché, couverture illustrée sur fond vert,‎

‎The stolen liquid propelled him into a nightmarish world. Coll. "Four Square Gothic Mystery", N°576.‎

Referentie van de boekhandelaar : 10446

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‎BULL (R. C.)‎

‎Perturbed Spirits‎

‎0 London, Arthur Barker, s.d., Petit in huit, 288 pp, percaline d'éditeur, jaune et noire, tachée sur le premier plat, ensemble défraîchi,‎

‎A Book of Ghost and Terror Stories, with an Introductory Note by Herbert Van Thal.‎

Referentie van de boekhandelaar : 10456

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‎Collectif‎

‎Argosy (10 brilliant short stories)‎

‎1955 Londres, The Fleet Street School ltd, 1955, In douze, 144 pp, broché, couverture illustrée,‎

‎Nouvelles de Walter de la Mare, Jim Phelan, Garnett Radcliffe, Islwyn Williams, Thomas Firbank, David Walker, Robert Shekley, etc.‎

Referentie van de boekhandelaar : 11815

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‎HEROLD (J. Christopher)‎

‎Bonaparte in Egypt‎

‎1963 London, Hamish Hamilton, 1963, In huit, 424 p, cartonnage d'éditeur toilé rouge, auteur, titre et éditeur dorés sur dos lisse,‎

‎Illustré.‎

Referentie van de boekhandelaar : 12016

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‎McLEOD (Enid)‎

‎Charles of Orleans Prince and Poet‎

‎1970 London, Chatto & Windus, 1970, In huit, XVI-407 pp, cartonnage d'éditeur sous jaquette vert olive,‎

‎Qqs illustrations en noir.‎

Referentie van de boekhandelaar : 12018

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‎The Complete Sculptures of Degas‎

‎1976 London, Thye Lefevre Gallery, 1976, In huit, 91 pp, dont 73 illustrations pleine page, broché, couverture souple et illustrée,‎

‎Exposition du 18 Novembre 1976 - 21 Décembre 1976. Avec une introduction par John Rewald.‎

Referentie van de boekhandelaar : 12026

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‎JORDAN (Philip)‎

‎Jordan's Tunis Diary‎

‎1943 London, Collins, 1943, In douze, 256 pp, cartonnage toilé d'éditeur sous jaquette blanc cassé légèrement déchirée,‎

‎.‎

Referentie van de boekhandelaar : 12030

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‎Italian Art and Britain Winter Exhibition 1960‎

‎1960 London, Royal Academy of Arts, 1960, In huit, 247 pp, broché, couverture bicolore, blanche et saumon, titre sur le dos,‎

‎Coupure de presse encartée dans l'ouvrage. Pas de reproduction.‎

Referentie van de boekhandelaar : 12063

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‎Exhibition of French Art (1200-1900)‎

‎1932 London, Burlington House, Piccadilly/Royal Academy of Arts, 1932, In huit, XXIV-484 pp, broché, couverture bleue,‎

‎Aucune reproduction.‎

Referentie van de boekhandelaar : 12065

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