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‎[ Sir Walter Runciman [ Walter Runciman, 1st Baron Runciman ] (1847-1937), English shipping magnate ] [ Aneurin Williams (1859-1‎

‎Walter Runciman 1st Baron Runciman shipping magnate. Printed pamphlet of 'Sir Walter Runciman's Dinner' with alphabetical list of guests and fold-out 'Plan of Grand Hall'. With seat reservation for Aneurin Williams MP.‎

‎Dinner at the Connaught Rooms Great Queen Street Kingsway W.C. London 11 April b . Pamphlet printed by Metchim & Son Westminster. Both pamphlet and reservation in fair condition with light signs of age and wear. Pamphlet: Titled: 'Sir Walter Runciman's Dinner Connaught Rooms Great Queen Street Kingsway W.C. Friday April 11th at 7.30. Alphabetical List of Guests with Allocation of Seats and Plan of Grand Hall.' 26 1pp. 12mo. With fold-out 'Plan of Grand Hall Showing Numbered Tables'. With lightly-rusted staples. Fifty-two tables of the great and the good with the fifty sitters at 'Table "A"' including Lord Denman Augustine Birrrell H. H. Asquith the Marquess of Crewe Viscount Samuel and Sir Robert Hudson. Seat Reservation: Printed bifolium made out in manuscript for 'Mr. Aneurin Williams M.P.' who is placed at 'Table No. 10'. The centre pages carry another copy of the seating plan. No record of this item on either OCLC WorldCat or on COPAC but it must date from between 1906 the year Runciman became a baronet and 1933 when he entered the House of Lords. Dinner at the Connaught Rooms, Great Queen Street, Kingsway, W.C. [ London ] 11 April [ b ]. Pamphlet printed by Metchim & Son, unknown‎

Référence libraire : 17475

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‎Charlotte M Yonge [ Charlotte Mary Yonge; C M Yonge ] (1823-1901), English novelist associated with the Oxford Movement:‎

‎Charlotte M. Yonge Victorian novelist. Autograph Letter Signed 'C M Yonge' to 'Miss Sewell' Elizabeth Missing Sewell regarding books reviews and Hookham's Lending Library.‎

‎28 August no year. On letterhead of Elderfield Otterbourne Winchester. 4pp 16mo. Bifolium of grey paper with letterhead printed in red. In good condition lightly aged. Folded three times. The recipient is undoubtedly Elizabeth Missing Sewell or a member of her family and the letter begins: 'My dear Miss Sewell I wish you could have accomplished giving us a day hoping you might have found me in more lively and sensible trim than when you were here when I had a headache just enough to make me stupid.' She is going to post her Roscoe's 'William I' which she got 'from the Lending Library'. She has not yet read the book 'but a glance made me think we might get a good extract'. She will send it before 6 September 'when we go to my uncle's in Devon a place that always brightens me beyond all others'. She will write again before departing and returns in October. Changing the subject she writes: 'I was much provoked with the Saturday Review it was such a specimen of people reading and misunderstanding things never meant for them. I am vexed not to have had the book yet Hookham's Library never send above half the books one asks for - and they say it is because people will read nothing but novels'. 28 August [no year]. On letterhead of Elderfield, Otterbourne, Winchester. unknown‎

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‎[ P G Wodehouse [ Sir Pelham Grenville Wodehouse ] (1881-1975), English humorist ] Barrie Pitt (1918-2006), military historian,‎

‎P. G. Wodehouse humorist. Two typewritten drafts each with autograph emendations of 'The Day I met the Master' Barrie Pitt's account of his encounter with Wodehouse in Tost internment camp. With printed version the article and other material‎

‎1992 and 1993. All items in good condition with minor signs of age. The drafts are both printed on yellow paper. Each is 4pp. 4to. The two appear the same textually but one has two slips of paper with amended text attached and the autograph emendations to the two are different from one another. Also present is a leaf from 'Lifewise' magazine November 1993 with one page carrying Pitt's memoir accompanied by a photograph of Wodehouse being interviewed at Tost by Angus Thuermer. The piece begins: 'I first saw P. G. Wodehouse from behind the barred window of a prison cell in Upper Silesia and was not at that moment particularly interested in who he might be.' The interment camp is 'Ilag VIII b Tost' and Pitt recalls his conversations with Wodehouse 'Oh Lord. Time to feed. Wonder what colour gravy they've boiled the old socks in today' and Wodehouse's advice regarding a short stoy by Pitt and its possible publication 'I wrote Latin hexameters at Dulwich: very useful when it comes to writing lyrics. Cole Porter and I always tried 'em out in Latin first. Showed up the flat spots immediately!'. Pitt is also alowed to 'look through the first chapters of Money in the Bank' which he discusses with Wodehouse. Towards the end he writes: 'I have no idea of the date but the time came when I watched him being escorted down the staircase by a somewhat sinister character and by Sonderfuhrer Heide and two German guards and the next thing I knew was that he had been released and was living in Berlin.' Together with the drafts and magazine version of the article there are also typewritten copies of two letters from Pitt. The first to Bernard Kaukas of the Savage Club 2 April 1992 enquires whether Wodehouse was a member of the Club. The second to Diana Shine of the Society of Authors 21 March 1992 offers the article for publication in the Society's magazine 'The Author'. The collection also includes a TLS to Pitt from Derek Parker editor of 'The Author' 27 March 1992 explaining the reasons for declining the piece. Also present is a photocopy of the article as printed in the journal of the Wodehouse Society 'Plum Lines' Summer 1995. 1992 and 1993. unknown‎

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‎Sir John Gielgud [Arthur John Gielgud] (1904-2000), distinguished English actor:‎

‎Sir John Gielgud distinguished English actor. Autograph Letter Signed to 'Mrs. Bannerman' thanking her for sending the 'enchanting' and costly flowers which she has packed 'so beautifully'.‎

‎13 May no year - 1960s. On his letterhead 16 Cowley Street London S.W.1. 1p small 4to. In fair condition lightly aged and worn. Folded twice for postage. Written in a close hand with a larger and more forceful signature with long underlining: ‘John Gielgud.’ Reads: ‘Dear Mrs. Bannerman. / All my best thanks for the lovely lilies which arrived fresh and safely. They are quite enchanting - and cost a small fortune if one buys them in a florists. It was more than kind of you to think of sending them and to pack them so beautifully.’ Also included is a creased and worn envelope with 1975 UK stamp and postmark addressed in Gielgud's autograph to 'Miss Connie Conquest / 17 Station Road / Burton Latham / Northants / NN15 5PB'. 13 May [no year - 1960s?]. On his letterhead, 16 Cowley Street, London, S.W.1. unknown‎

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‎Edward Fitzball (1792-1873), English playwright specialising in melodrama [ Benjamin Nottingham Webster (1797-1882), actor-manag‎

‎Edward Fitzball writer of melodramas. Autograph Letter Signed 'Fitzball' to an unnamed recipient regarding changes to the last scene of his play 'The Haunted Hulk'.‎

‎'Monday Evng.' London 1831. . 1p. 12mo. In fair condition on aged and worn paper. He has had a conversation with 'Tomkins' and as a consequence has 'made a few alterations in the last scene of the "Hulk"'. He asks him to read the last scene and 'manage if possible to get the Prompter's Copy set right before the reading of the Piece'. He feels his changes make the play 'more original and more likely to render the Piece effective'. With postscript. 'The Haunted Hulk' a Nautical Drama in two Acts was performed at the Adelphi in 1831. 'Monday Evng.' [ London?, 1831. ] unknown‎

Référence libraire : 17429

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‎John Romney (1786-1863), English engraver:‎

‎John Romney engraver. Autograph Note Signed 'J Romney' to 'Mr White' including a short itemised bill.‎

‎Without place or date. 1p. 12mo addressed to 'Mr. White' on reverse of leaf to which part of the stub still adheres. In fair condition on aged and worn paper. Reads: 'I send you 2 India 1 French and 2 Prints. The remaining 5 Prints you shall have on Monday'. Accounts which follow Romney's signature and read. Prints <> 10/6 Proofs 21 / India 25/' Without place or date. unknown‎

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‎Sir Charles Holroyd (1861-1917), English engraver, first Keeper of the Tate Gallery, and Director of the National Gallery:‎

‎Sir Charles Holroyd English engraver first Keeper of the Tate Gallery. Autograph Letter Signed to 'Thomson'‎

‎On letterhead of the National Gallery British Art Millbank London S.W. 28 February 1906. 1p. 12mo. In good condition on lightly-aged paper. He writes to apologise that he 'cannot get away to see the Holbein' at the previously arranged time because he has a meeting with 'my accounting officer'. He suggests an alternative time and apologises 'heartily for my mistake'. On letterhead of the National Gallery, British Art, Millbank, London, S.W. 28 February 1906. unknown‎

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‎Naomi Jacob (1884-1964), English author and actress [ Walter James Macqueen-Pope (1888-1960), authority on theatre; Teddy Knox o‎

‎Naomi Jacob author and actress. Two Typed Letters Signed both 'Mickie' to W. Macqueen-Pope on subjects including Ellen Terry Bernard Shaw and Teddy Knox of the Crazy Gang's 'Nervo and Knox'.‎

‎Both from 'Casa Mickie the second spelled 'Casa Micki' Gardone Riviera Lago di Garda Italy. 16 July 1953 and 5 August 1953. Two chatty and characteristic letters. ONE: 15 July 1953. 2pp. 4to. On aged paper with wear to edges and vertical closed tear at foot. She begins by praising his books 'Ladies First' 1952 and 'Shirtfronts and Sables' 1953 adding in an autograph note 'Yes I bought them when in London.' The first contains 'that wonderfully beautiful tribute to Ellen Terry. I don't know when I have read anything which moved me so deeply you rose to great heights when you wrote that. You are beginning to run James Agate very close on my shelves'. She next turns to her books on Henry Irving and Ellen Terry: 'Did you read the Shaw-Terrty letters - autograph note: 'Of course you did!' they sent my blood pressure mounting sky high - his at least. What a stupid wind bag of a man and how charming her letters were to him. It was the same with Mrs Patrick Campbell's letter to him and from him.' The rest of the letter contains references to 'dear Seymour Hicks' 'adorable Ella' and a trip on her birthday 'to Asolo where Duse lived': 'Oh what a sad town and the saddest of all the room in the little museum filled with her belongings - some photographs one signed one of Ibsen looking furious with the world in general some books a few bits of rather paltry jewellry and some dresses and shoes. There was the inevitable intense letter written by that cad d'Annunczio sic in his sprawling self satisfied writing'. She ends with an apology for 'this over long and - no doubt - badly spelt - letter' and with remembrances to 'Mrs "Mac.Pope"'. TWO: 5 August 1953. 1p. 4to. On aged paper creased and with fraying along one edge. She is using the abbreviation to him that she also sends 'to Yvonne Arnaud and Julia Neilson': '"T.R.N.A." - in other words this requires no answer'. She thanks him for information on 'the mirror act' which she saw 'years and years ago at the Middlesbrough Empire and the name on the bill was "The Wylie Brothers"'. She is pleased that 'Teddy Knox' remembers her: 'The last time I saw him was in Rome when I think he was bored stiff with St. Peters but full of admiration for the "Wedding Cake"'. She prefers Knox's wife Clarice Mayne to him and discusses the film that was to be made about her life. Both from 'Casa Mickie [ the second spelled 'Casa Micki' ], Gardone Riviera, Lago di Garda, Italy. 16 July [ 1953 ] and 5 August unknown‎

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‎Lumb Stocks (1812-1892), English steel line engraver [Robert Vernon (1774-1849), art collector and patron]:‎

‎Lumb Stocks steel line engraver. Autograph Letter Signed 'L Stocks.' to J. Hogarth‎

‎Holloway London. 26 November 1846. 2pp. 12mo. In good condition on lightly-aged paper. Stocks begins the letter: 'I beg to renew my agitation on the subject of Webster's picture of the "Dame School" as I am now ready to proceed with those parts in which it is desirable to refer to the original'. He will be grateful if Hogarth will 'put this matter in the proper train for its accomplishment'. He hopes that 'Mr. Vernon the art collector Robert Vernon may be induced to part with the picture if but for a short time'. Even a loan for 'a month or six weeks' would assist Stocks in his work. Holloway [London]. 26 November 1846. unknown‎

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‎AEF Horniman [Annie Elizabeth Fredericka Horniman CH (1860 – 1937), English theatre patron and manager She established the Abbey‎

‎A.E.F. Horniman; Abbey Theatre Dublin etc. Autograph Letter Signed to unknown correspondent "Madam". See note below about her past the "great fire" in the Crystal Palace and the historical lack of orchestral concerts.‎

‎I H Montagu Mansions W.1. 12 June1932. One page cr. 8vo fold marks faint foxing good condition. See Image. Text: "It is delightful to read that August Manns conductor - see Wiki is still remembered. I was born within sight of the Crystal Palace and can even remember the great fire on one Sunday afternoon when part of the 'Tropical End' was burned to the ground. Those Courts with the fine casts of statues of all periods taught me how to look at their originals in many places. I wonder what has become of the two of the Venus de Milo; one with a hidden wedge of wood on her back and the other without that wedge which was only discovered when she was take to pieces & sent into the country for safety before the siege of Paris in 1869-70 It is not realised by the people who crowd orchestral concerts in these days that in the 'seventies there were very few - just the Philharmonic & the Crystal Palace until Richler Presumably Johann Baptist Isidor Richter came to London. At the Crystal Palace we heard many novelties and became familiar with much which is now old-fashioned. Sarasati played Tchaichovsky's sic Violin Concerto there during the life of the composer and we heard scraps of 'Parsifal'. How that choice murdered the Grail Music! Yours sincerely A.E.F. Horniman". Note: Many letters in the same auction lot as this were addressed to Marion Scott Marion Margaret Scott 16 July 1877 – 24 December 1953 was an English violinist musicologist writer music critic editor composer and poet. Perhaps she is the "Madam" of this letter. I [H?] Montagu Mansions, W.1., 12 June,1932. unknown‎

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‎Peter Brook (b1925), English film and theatre director [Yolanda Sonnabend (b1935), theatre designer and portrait painter]: b 1 b‎

‎Peter Brook director. Typed Letter Signed to the theatre designer Yolanda Sonnabend regarding the abandonment of a 'very interesting project' at the ICA.‎

‎On letterhead of 'King Lear Athena/Laterna Films'. 16 October 1969. 1p. 8vo. On aged and worn paper. Brook writes: 'I do of course know your work and I was very interested to get your letter. Unfortunately the committee at the I.C.A. have panicked and abandoned our very interesting project. Another time I hope.' On letterhead of 'King Lear | Athena/Laterna Films'. 16 October 1969. unknown‎

Référence libraire : 14987

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‎Baptist Wriothesley Noel (1798-1873), English evangelical minister of St John's Chapel, Bedford Row, and then at John Street Bap‎

‎Baptist Wriothesley Noel evangelical clergyman. Autograph Letter Signed 'Baptist W Noel' to unnamed female explaining that he 'cannot aid the circulation of a book without knowing its principles'.‎

‎'Walthamstow 18th April no year'. 1p. 4to. In fair condition on lightly-aged paper with traces of mount on blank reverse and short closed tear in one corner. He apologises for having to 'hesitate' regarding her 'slight request' but he 'cannot aid the circulation of a book without knowing its principles'. He continues: 'I rejoice to hear that your daughter & yourself are still seeking to secure your highest interests'. 'Walthamstow | 18th April [no year]'. unknown‎

Référence libraire : 14916

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‎Graham Greene (1904-1991), major English novelist:‎

‎Graham Greene major English novelist. Autograph Signature 'Graham Greene' to typed valediction to letter to 'The Lord Iddesleigh'.‎

‎Date and place not stated. On 6.5 x 12 cm slip of thin laid paper cut from the end of a typed letter. Signature in blue ink. In fair condition lightly aged with tissue labels from mount adhering to the blank reverse. Reads: '. Yours sincerely Graham Greene Graham Greene. The Lord Iddesleigh Pynes Exeter.' See Image. Date and place not stated. unknown‎

Référence libraire : 20545

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‎Sir Humphry Davy Rolleston (1862-1944), prominent English physician and medical author [Professor David Waterston (1871-1942) of‎

‎Sir Humphry Davy Rolleston English physician and medical author. Autograph Note Signed thanking ‘Waterston’ Professor David Waterston of St Andrews for ‘the reprint of the article on Mackenzie’s heart’.‎

‎16 September 1939. On letterhead of Martins Haslemere Surrey. See Rolleston's entry in the Oxford DNB. He was successively president of the London Medical Society the Royal Society of Medicine the Royal College of Physicians and the Eugenics Society and was also Physician-in-Ordinary to King George V. Waterston was Bute Professor of Anatomy at the University of St Andrews from 1914 to 1942. In 1913 while Professor of Anatomy at King's College London he was the first authority to debunk the Piltdown Man hoax. 1p 16mo. Lightly ruckled and with the ink of the letter having run a little through removal from mount; otherwise in good condition. Reads: ‘My dear Waterston / Thank you very much for the reprint of the article on Mackenzie’s heart which is so full of information and interest. / With kindest regards / Yours sincerely / H. Rolleston’. 16 September 1939. On letterhead of Martins, Haslemere, Surrey. unknown‎

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‎Robert Ord (1700–1778), English lawyer and politician, Chief Baron of the Scottish Exchequer [Christopher Blackett; Elizabeth Sm‎

‎Robert Ord lawyer and politician. Autograph Legal Opinion Signed 'Robt. Ord' headed 'Case on Mr. Chrisr. Blacketts Will & Mr. Ords Opinion'.‎

‎13 June 1750. 1p 8vo. Aged and worn with closed tears chipping and creasing. Several folds. The full heading reads: 'Case on Mr. Chrisr. Blacketts Will & Mr. Ords Opinion See Copy of Will'. Endorsed on reverse: '1750 June 13th - Copy Mr. Ords Opinion on Mr. Blacketts Will'. Twenty-eight lines of neatly-written text arranged as two queries each with its answer. Contains a couple of corrections by Ord. The case concerns the various claims on a freehold of 'Mrs. Eliz: Smart and Mrs. Martha Maria Bellassyse' and 'Mrs. Blackett'. The various families in the case hailed from the north-east of England. 13 June 1750. unknown‎

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‎'Kate Carney' [stage name of Catherine Mary Shea, nee Pattinson] (1869-1950), English music hall artiste, known as 'The Cockney‎

‎‘Kate Carney’ stage name of music hall artiste Catherine Mary Shea ‘The Coster Comedienne’. Autograph Letter Signed thanking theatre historian W. J. Macqueen-Pope for the ‘nice write up’ and asking for help in finding an editor for her memoirs.‎

‎14 March 1949; 60 Christchurch Road Streatham Hill SW2 London. From the Macqueen-Pope papers see his entry in the Oxford DNB. 2pp 8vo. In good condition lightly aged and worn and folded three times for postage. She asks him to send ‘3 or 4 more copies’ of his ‘nice write up in the “Sunday Chronicle†March 13th.’ as she would like to send ‘a copy to Australia Canada & America as there is some talk about my going to America in the near future’. She has ‘tried all over Streatham and Brixton and it seems impossible to get a copy anywhere’ and will be happy to pay the cost. She would ‘also like to ask you if you could put me in touch with anyone who could write up my memoirs for me’. 14 March 1949; 60 Christchurch Road, Streatham Hill, SW2 [London]. unknown‎

Référence libraire : 24524

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‎James Dredge Jr (1840-1906), English civil engineer and co-editor with William H Maw of the periodical 'Engineering':‎

‎James Dredge Jr civil engineer and co-editor of 'Engineering'. Autograph Letter Signed 'James Dredge' to 'Willy' presumably Stanhope Forbes of Newlyn's brother -see note below condolences on death of his father ruminating on mortality.‎

‎On letterhead of 'Engineering: An Illustrated Weekly Journal Edited by William H. Maw and James Dredge' 35 & 36 Bedford Street Strand London W.C. 8 December 1888. 2pp. 12mo. Bifolium. Letterhead in black and red ink. In fair condition aged and worn with creasing at head. A sensitive letter of condolence beginning: 'Dear Willy I was so shocked to hear on Thursday of the great loss you have sustained and I hesitated to write to you for letters of condolence are such empty useless things. But on the other hand I dont want you to suppose that I feel indifferent to anything that touches you so closely & deeply. We have been such sympathetic friends for so long that tho I did not know your father he too seemed almost like an old friend.' The letter concludes with a rumination on mortality Dredge finding sympathy 'not wholly useless but … a poor thing in the presence of death'. Note: This letter derives from a collection of letters of condolence to the Forbes family on the death of William Forbes father of Stanhope Forbes founder of the Newlyn School of Art whose brother was "William". On letterhead of 'Engineering: An Illustrated Weekly Journal, Edited by William H. Maw and James Dredge', 35 & 36 Bedford Street unknown‎

Référence libraire : 20515

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‎Sir Charles Holroyd (1861-1917), English engraver, first Keeper of the Tate Gallery, and Director of the National Gallery [Frede‎

‎Sir Charles Holroyd English engraver first Keeper of the Tate Gallery. Autograph Letter Signed to 'Mr Kitton' the author Frederic George Kitton accepting the congratulations of the Hertfordshire Arts Society on his knighthood.‎

‎On letterhead of the National Gallery London. 11 November 1913. 1p. 12mo. Good on lightly-aged paper. 'Allow me to thank you and through you the members of the Hertfordshire Arts Society for your kind congratulations upon the honour the King confers upon me and upon the Gallery in the work of which I am privileged to assist'. On letterhead of the National Gallery, London. 11 November 1913. unknown‎

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‎Francis Elgar (1845-1909), English naval architect [ Harold Frederic (1856-1898), London correspondent of the New York Times ]:‎

‎Francis Elgar naval architect. Autograph Letter Signed to W. J. Fisher regarding the fund set up at the death of Harold Frederic.‎

‎On letterhead of 18 York Terrace Regent's Park London. 3 January 1899. 1p. 12mo. Bifolium. In good condition with light signs of age. He is enclosing a cheque for two guineas towards 'The Frederic Fund' and writes that he had 'the pleasure of often meeting Mr Harold Frederic at the Savage Club some years ago'. He was 'deeply grieved to hear of his sad & untimely end'. He hopes enough money will be collected to be an 'appreciable help to his widow & children'. The letter relates to a celebrated Victorian scandal. In 1884 Frederic had come to England with his wife and five children as the London correspondent of the New York TImes. He set up a second household with Kate Lyon with whom he had a further three children. Lyons was a Christian Scientist and when Frederic suffered a stroke in 1898 she tried to cure him by faith healing. At the instigation of Mrs Frederic Lyon was tried for manslaughter but was acquitted. Although the recipient is not named the letter is from a batch addressed to W. J. Fisher. On letterhead of 18 York Terrace, Regent's Park, London. 3 January 1899. unknown‎

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‎Rev William Murdin (c1703-1760), of Sidney Sussex College, Cambridge, historian [John Ellis (1698-1790), English scrivener, auth‎

‎Autograph Letter Signed 'Willm. Murdin' from the historian William Murdin to Dr Samuel Johnson's friend the scrivener and author John Ellis on the nature of friendship.‎

‎St John's College Cambridge. 19 November 1721. 1p. 8vo. Bifolium. Twenty-seven lines of text. Good on aged paper with minor traces of previous mounting. Addressed with black ink circular postmark '20 NO' on reverse of second leaf ''To Mr Ellis att Mr Taverners in Thread-needle Street'. The letter begins: 'Nothing can yield Persons in our Stations greater Satisfaction than to be entertain'd in our silent Retirement with some harmless amusements from a facetious & learned Correspondent. for without these while we were endeavouring with ye uttmost Diligence to know ye World as some People please to call it we shouldn't att last know whether wee were in it or not; But like ye People that never go beyond ye Smoak of ye Town Chimneys stare att every thing wee see & imagine ye Rest of Mankinde to be a new Creation.' He explains that he has resolved to 'preserve a Correspondence with those I knew before' and to 'form a new one with those whose extensive Character only made 'em known to me'. He hopes to pay Ellis 'in Current Coin; which I hope you will comply with & speedily lay your demands on' Murdin. Between 1740 and 1759 Murdin published his valuable 'Collection of State Papers relating to affairs in the reign of Elizabeth from 1571 to 1596: transcribed from original papers and other authentic memorials left by W. Cecill Lord Burghley and reposited in the library at Hatfield House.' Johnson stated in Boswell's Life that the 'most literary conversation' he ever enjoyed was at the table of 'Jack Ellis a money scrivener behind the Royal Exchange' at whose house he at one point dined twice a week. St John's College, Cambridge. 19 November 1721. unknown‎

Référence libraire : 11536

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‎Arthur Calder Marshall (1908-1992), English novelist, essayist, critic, memoirist and biographer [ Harry Leonard Spilstead; Geor‎

‎Arthur Calder Marshall author. Typed Letter Signed to Harry L. Spilstead regarding his edition of the ballads of George R. Sims.‎

‎3 The Grove Lower Teddington Road Hampton Wick Kingston-upon-Thames. 15 January 1968. 1p. 4to. In good condition lightly aged. The main topic of the letter is Marshall's work preparing his book 'Prepare to shed them now. The Ballads of George R. Sims' London: Hutchinson 1968. A long and characteristic letter. After references to their meeting at the British Museum and to 'that excellent bookseller Mr Wallace of The Guild Hall Bookshop' 'he showed me a selection of the Dagonet Ballads – nothing like as good as the copy you saw' he turns to a 'Sims letter' which Spilstead sent him: 'I cant at the moment date it. He was living in Clarence Terrace Regents Park when he died in 1922. … He was a cagey chap personally. Acknowledged marrying Florence Wykes in 1901 but in 1886 dedicated a book to his gentle wife Bessie.' He continues: 'I think that I have all I want of G. R. S's books from the London Library. My Hutchinson book will be hung on the Dagonet Ballads. I am chiefly interested in visual material. I've located a film of Christmas Day in the Workhouse. But I think there must have been Temperance Lantern Slides of other poems. I'd like to find also engravings etc of Slum Conditions Prostitution East End music halls etc around the 1880's 1890's.' He explains that his life is 'a bit chaotic' with a cousin 'going quitely sic mad in Edinburgh while her octogenerian sic mother wont die'. He has got to go to Scotland 'to see what can unobtrusively be done. Also until I can disentangle what Sims's copyright position is I cant be sure despite Hutchinsons wish to do the book whether they can get the clearances.' Spilstead's invitation to dine at Rule's is 'delightful'; it is one of his favourite restaurants 'Ruled usually Out now that one can't charge what for a free lance sic are legitimate expenses'. He concludes: 'Lunches with daughters are special. I have two beautiful ones – the elder at 21 the actress Anna Calder Marshall just about to play Juliet and St John at Bormingham sic Rep. the younger accessible in London because she works for the Evening Standard'. 3 The Grove, Lower Teddington Road, Hampton Wick, Kingston-upon-Thames. 15 January 1968. unknown‎

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‎Hutin Britton [Nellie Hutin Britton], English Shakespearian actress, wife of Canadian actor-manager Matheson Lang (1879-1948) [W‎

‎Hutin Britton Shakespearian actress. Two Autograph Letters Signed to theatre historian one written following the death of her husband Canadian actor-manager Matheson Lang.‎

‎ONE: 28 April 1948; from the Marine Hotel Hastings Barbados British West Indies. TWO: 15 October 1951; on letterhead of 11 Reddington Road Hampstead NW3 London. From the Macqueen-Pope papers. See his entry and that of Matheson Lang in the Oxford DNB. As the latter states Britton and Lang had married in 1903 she had been an actress with him in the Benson company since 1901. They toured together in Lang’s company with Britton usually as his leading lady. ‘In 1914 they helped to inaugurate Shakespeare productions at the Old Vic under Lilian Baylis for which Lang personally lent costumes and scenery.’ Britton was for many years a member of the Old Vic's governing board. Both items are signed ‘N. Matheson Lang’. ONE: ALS 28 April 1948. Air Mail letter on blue paper with Marine Hotel letterhead. In fair condition a little creased and aged but with the postage stamp torn away resulting in the loss of a few words of text. She begins by thanking him for his ‘charming little letter of sympathy’. Lang had died at Bridgetown 11 April 1948. She was greatly touched by his ‘kind remembrance’ of her husband. She is hoping ‘Joan’ has kept the ‘home papers’ for her. She describes her plans for her return in June or July: ‘I am going to the rooms we had reserved at The Hendon Hall Hotel anyway to start with till I can find myself as it was. One doesn’t quite know what to try to do till one gets back. Life is indeed strange to me at the moment.’ TWO: ALS 15 October 1951. 1 October 1951. 1p 4to. In fair condition lightly aged. Folded twice. She would ‘so love just to shake you by the hand if you have a moment after your talk this evening but you must let me know should it be inconvenient.’ She ends ‘With all kind memories’. ONE: 28 April 1948; from the Marine Hotel, Hastings, Barbados, British West Indies. TWO: 15 October 1951; on letterhead of 11 Re unknown‎

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‎Herman Gustave Herkomer (1863-1935), American artist, first cousin of the German-born English artist Sir Hubert von Herkomer (18‎

‎Herman Herkomer American artist. Autograph Letter Signed to 'Mrs. Fielden' informing her that he is sending a sketch and discussing the difficulties involved in the purchase of a home.‎

‎On letterhead of 6 William Street Lowndes Square SW London. 17 January 1902. 2pp. 12mo. Bifolium. Good on lightly-aged paper with traces of mount adhering to the blank reverse of the second leaf. He is enclosing 'the promised sketch' not present which he hopes she will like. 'I have been too busy of late and the negotiations for the home are still going on as the owner is in Cairo and it takes so long to get an answer. However 6 William St. will always findme as I intend to keep the studio on for some years.' Herman Herkomer had come from Cleveland in 1881 to live with his cousin and work at his studio in Bushey. On letterhead of 6 William Street, Lowndes Square, SW [London]. 17 January 1902. unknown‎

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‎Matthew Tindall (1657-1733), influential English Deist writer:‎

‎Matthew Tindall English Deist. Autograph Signature 'Matth Tindall' on an Exchequer receipt.‎

‎Receipt of His Majesty's Exchequer London. 21 August 1716. 1p. 8vo. On aged and worn paper with vertical closed tear away from signature. Laid out in the usual style with printed text completed in manuscript. Recording payment of three pounds on an annuity. With signature of witness 'J Thomas'. [ Receipt of His Majesty's Exchequer, London. ] 21 August 1716. unknown‎

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‎Bill Owen [William John Owen Rowbotham (1914-1999)], English actor and songwriter, best-known for playing 'Compo' in the BBC TV‎

‎‘Compo’ in ‘Last of the Summer Wine’. Typed Letter Signed from the actor Bill Owen to the theatre historian W. Macqueen-Pope asking for advice on a script he wishes to write about Dan Leno.‎

‎15 April 1953; on letterhead of Lavender Lodge Maidenhead Court Maidenhead. From the Macqueen-Pope papers. See his entry in the Oxford DNB. 1p 16mo. Signed ‘Bill Owen’. In fair condition lightly aged and creased. Hailing him as ‘the greatest living authority on British Theatre’ he asks for advice. ‘My job is acting and it has always been an ambition of mine to portray the life of Dan Leno either on film or TV. The “powers that be†have shown a certain interest in the idea and in order to get things moving I want to present them with a full working script or even a synopsis as soon as possible.’ He asks him ‘what reading matter I might find useful for historical detail of this wonderful artiste’. 15 April 1953; on letterhead of Lavender Lodge, Maidenhead Court, Maidenhead. unknown‎

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‎Ernest Lauri (1891-1977), Australian actor and singer, 'The Singing Anzac' [Walter James Macqueen-Pope, English theatre historia‎

‎Ernest Lauri Australian actor and singer ‘The Singing Anzac’. Autograph Letter Signed to theatre historian W. Macqueen-Pope requesting tickets as an Australian theatre correspondent to the London production of South Pacific.‎

‎2 April 1952; from an hotel in Paris on letterhead of ‘Ernest Lauri / The Singing Anzac’. From the Macqueen-Pope papers. See his entry in the Oxford DNB. 1p 4to. Aged and creased on discoloured high-acidity paper. Folded twice for postage and with closed tear at head of vertical fold. Slight damage and rust staining from removal of staple. The letterhead incorporates two photographic portraits of Lauri with press comment from ‘Everyone’s Magazine’ and career resume beginning: ‘Ernest Lauri / The Singing Anzac / STARRED IN AUSTRALIAN PICTURES / Versatile Vocalist and Monologist’. Macqueen-Pope is not named but is presumably the recipient. Begins: ‘Dear Sir / I will be in London on 15/4/52 after 3 1/2 months in Spain Portugal Italy Austria Switzerland & France where as an over-seas correspondent I have been reviewing the “theatreâ€â€™. He asks for seats at Drury Lane to “write up†South Pacific for Australia where I am advised it is going to be produced in the near future. I would also be glad of any information you could let me have for over-seas reading.’ Signed ‘Ernest Lauri J. P. / Australia House / Strand / London’. 2 April 1952; from an hotel in Paris, on letterhead of ‘Ernest Lauri / (The Singing Anzac)’. unknown‎

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‎Stuart Hampshire [Sir Stuart Newton Hampshire] (1914-2004), English philosopher and Warden of Wadham College, Oxford [Philip Dos‎

‎‘No British Government could afford the economic cost’: Stuart Hampshire philosopher and Warden of Wadham College Oxford. Typed Letter Signed to Philip Dosse publisher of ‘Books and Bookmen’ regarding boycotting South Africa over apartheid.‎

‎9 April 1974; on his letterhead as Warden of Wadham College Oxford. See his entry in the Oxford DNB. The recipient Philip Dosse was proprietor of Hansom Books publisher of a stable of seven arts magazines including Books and Bookmen and Plays and Players. See ‘Death of a Bookman’ by the novelist Sally Emerson editor of ‘Books and Bookmen’ at the time of Dosse’s suicide in Standpoint magazine October 2018. This item is 1p 4to. In good condition lightly aged and creased and folded twice for postage. Signed ‘Stuart Hampshire’. He thanks him for his letter ‘arising from the television programme with Melvyn Bragg’ and expresses agreement ‘about a boycott in South Africa. No British Government could afford the economic cost of severing economic relations with South Africa and of boycotting in that sense. Therefore it is left to artists and sportsmen and playwrights and so on to do the boycotting.’ He regrets that he has to decline the invitation to review for ‘Books and Bookmen’ which he knows ‘quite well through Martyn Goff’ as he has to ‘cut down the amount of reviewing that I do and cannot undertake any more’. 9 April 1974; on his letterhead as Warden of Wadham College, Oxford. unknown‎

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‎'Ralom and Rosa', English clowns ('International Comedy Musicans with Concertinas & Piano') [Walter James Macqueen-Pope (1888-1‎

‎‘Ralom and Rosa’ English clown routine. Typed Letter Signed from ‘Rosa’ to theatre historian W. Macqueen-Pope singing the praises of their act and threatening to leave for the continent if they cannot find ‘the right recognition’ in England.‎

‎16 December 1956; on letterhead of ‘International Comedy Musicans with Concertinas & Piano / Clown / Ralom and Rosa’ 29 Hibbert Road Leyton London E17. From the Macqueen-Pope papers. See his entry in the Oxford DNB. 1p 4to. On light-blue paper with letterhead in dark-blue and red. Signed ‘Ralom’ with ‘RALOM & ROSA’ typed beneath. In good condition lightly aged. Writing to MP at the Evening News London. ‘There has sic been quite a few remarks passed by critics of the “paucity†of Acts in the Variety profession. My Act which comprises good clean comedy and expert musicianship is one of the most successful Acts from “an audience point of view†in the business to-day and obviously what audiences want.’ MP could ‘ascertain the truth’ of this statement by visiting the forthcoming show at Collins’ Musical Hall. He concludes: ‘Owing to the “paucity†of the right recognition we are contemplating leaving the country shortly to try and find recognition on the Continent.’ 16 December 1956; on letterhead of ‘International Comedy Musicans with Concertinas & Piano / Clown / Ralom and Rosa’, 29 Hib unknown‎

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‎Julia Pardoe [Julia S H Pardoe] (c1804-1862), English poet, novelist, historian and traveller, author of 'The City of the Sultan‎

‎Julia Pardoe poet Holograph poem signed 'Julia S. H. Pardoe' by Julia Pardoe apparently unpublished beginning 'Fairyland! Fairyland! That must be a pleasant spot'.‎

‎Without place or date. 1p. landscape 16mo 8.5 x 13 cm. Good on aged paper with blank second leaf of bifolium bearing evidence of previous mounting. The poem is neatly written out in a sensitive hand and is eight lines long: 'Fairyland! Fairyland! That must be a pleasant spot: Silver rippled over the strand Murmurs in each cave & grot Jewelled fruits upon the trees Music floating on the air Perfumes breathing on the breeze - How I wish that I was there! signed Julia S. H. Pardoe'. The poem was presumably written in response to a request for an autograph and there is no indication that it was ever published. Without place or date. unknown‎

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‎Sir John Gielgud [Arthur John Gielgud] (1904-2000), distinguished English actor [Florence Van Wyck Doubleday, wife of New York p‎

‎Sir John Gielgud distinguished English actor. Autograph Letter Signed to 'Mrs. Doubleday' wife of the publisher.‎

‎27 October 1936. 59 East 56th Street New York City. See his entry in the Oxford DNB. 1p 12mo. On grey paper. In good condition lightly aged and worn. Folded once for postage. The year is given in pencil and a note in the same hand identifies the recipient as ‘Mrs Florence Doubleday wife of publisher in Oyster Bay’. Ten lines of text in a close hand with larger firm signature ‘John Gielgud.’ A somewhat pompous missive. He thanks her for giving him ‘so delightful an opportunity of meeting you and to ask me to stay in your charming house and meet your friends who were all so nice to me’. He ‘enjoyed the whole thing more than I can say and indeed the reputed hospitality of your country delights me on every hand’. He hopes she will allow him to ‘return it a little by kindly sending me your New York address which will I hope soon resolve itself to your satisfaction - so that I may have the pleasure of giving you a meal.’ 27 October [1936]. 59 East 56th Street, New York City. unknown‎

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‎James Mitan (1776-1822), English engraver [Robert Balmanno (1780-1861), Scottish author and print collector; Charles Heath (1785‎

‎James Mitan engraver. Autograph Letter Signed 'J Mitan' to the print collector Robert Balmanno arranging an exchange of prints by Abraham Raimbach between Balmanno and the engraver Charles Heath.‎

‎63 Warren Street Fitzroy Place. 2 December 1814. 2pp. 4to. 18 lines of text. In bifolium. Good on aged and creased paper with strip of page to which the letter was attached adhering. Addressed with red wax seal on reverse of second leaf to 'R. Balmanno Esqre. 3 Middle Temple Lane Temple'. He begins: 'Having some communication last week with Mr. Charles Heath in the course of conversation he was regretting that he could not procure any proofs of plates engaraved by Mr. Raimbach - now as your Kindness gained me what I wished of his performance with an obliging offer of something more it occurred to me to solicit fom Mr. Heath a print you wanted & I ventur'd to promise him in exchange one of Mr. Raimbachs'. He is enclosing a note not present 'by which you will perceive the terms on which Mr. Heath wishes to treat'. He is sending Balmanno Heath's print 'but whether you can in return for some invaluables which it is in his power to procure give him the extent of his wishes I know not'. Mitan's only aim in the matter is 'the mutual accomodation of both' and it will be 'equally agreeable' to Mitan if Balmanno deals with Heath himself. 63 Warren Street, Fitzroy Place. 2 December 1814. unknown‎

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‎Sir Charles Beaumont Phipps (1801-1866), Equerry to Queen Victoria and Private Secretary to Prince Albert [ J W Newland, English‎

‎Sir Charles Beaumont Phipps Equerry to Queen Victoria. Autograph Letter Signed 'C. B. Phipps' to '<Newland>' the photograph J. W. Newland or his wife explaining why the Queen must decline 'the Daguerrotypes'.‎

‎Windsor Castle. 18 November 1854. The recipient's name given at the foot of the last page appears to read 'Mr. L. Newland' or 'Newlaw'. This may be J. W. Newland was an English daguerreotypist and magic lanternist who travelled from New Orleans through Central and South America to the Pacific New Zealand Australia England and finally to Calcutta between 1845 and 1857. 2pp. 12mo. In good condition lightly aged. He has submitted the recipient's letter to the Queen 'together with the Daguerrotypes that accompanied it'. He explains that while the queen 'perfectly appreciated your attention in wishing to present these Daguerrotypes to Her Majesty' there can be 'no departurte' from a 'rule laid down … that Her Majesty cannot accept any Articles offered to Her' as it would create 'a very insidious distinction'. Windsor Castle. 18 November 1854. unknown‎

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‎Dorothy Tutin [Dame Dorothy Tutin] (1930-2001), English Shakespearian actress [Walter James Macqueen-Pope (1888-1960); Sir Andre‎

‎Dorothy Tutin Dame Dorothy Tutin Shakespearian actress. Autograph Card Signed to W. J. Macqueen-Pope with typed article by him ‘Star in Spite of Herself’ his typed interview notes and carbon of typed letter from him to Sir Andrew Caird.‎

‎ONE: Her ACS to MP from Wyndham’s Theatre postmarked London 6 October 1953. TWO: Copy of TL from MP to Caird 13 October 1953. The other two items without date or place but contemporaneous. From the Macqueen-Pope papers. See his entry and hers in the Oxford DNB. Caird was Northcliffe’s right-hand man and mainly associated with the Daily Mail. The four items are in fair condition lightly aged and creased with slight rust spotting from a paper clips. Items Two to Four are on carbon paper. ONE: ACS from Tutin to MP. Small unillustrated postcard signed ‘Dorothy Tutin’. Reads: ‘I remember you very well - your fascinating letures at the Academy i.e. London theatre school RADA the Royal Academy of Dramatic Art - and shall be very happy to meet you for this article. You sound so busy that perhaps Saturday 3.30 Stage door is also better for you - We could talk over tea. Otherwise I am free Friday for lunch if you would prefer - Just leave message S. Door.’ TWO: Carbon copy of TLS from MP to Sir Andrew Caird of Associated Newspapers 13 October 1953 with carbon copy of MP’s signature. 1p 4to. A covering letter for Item Three. ‘I have tried to draw a picture of the girl as I know her - as she showed herself to me he we had tea last Saturday. She was one of my audience when I lectured at the R.A.D.A. but I didnt know it. But it took away her reserve and made her natural.’ He apologises for his bad typing and states that he is ‘nearly dead as a result of the Drury Lane production. but that was worth it’. Regarding the article he concludes that it is ‘a bit long I fear - there is so much to say’. THREE: Carbon of Typed Article titled ‘Dorothy Tutin - Star in Spite of Herself. / by / W. Macqueen-Pope’. 6pp 4to. Begins: ‘On the stage at Wyndhams Theatre London is a play called “The Living Room†a young girl is staring at Death. . And what makes it all the more remarkale is that the actress who plays it Dorothy Tutin aged twenty two - is not a bit like that. She is a little creature of immense vitality whose wide eyes and parted lips do indeed gaze before her - not at Death but at Life which stretches in such a long long vista before her. She is twenty two she has been on the stage about five years - and she is playing a difficult exacting role - a leading role amidst a brilliant company in a most notable play at one of London’s most successful theatres. And yet she did not want to be an actress at all.’ Concludes: ‘The writer of these words lectured for a long while to the students of the R.A.D.A. He used to look at the young people in front of him and wonder how many of them would make the grade. His half century of hard experience taught him that the percentage would be very few. . Dorothy Tutin sat there listening to words about her calling - and in Dorothy Tutin our stage has an Actress - with a capital A - who does not look nor behave like an actress at all. Which makes her all the better.’ FOUR: Original set of MP’s typed notes from his interview headed ‘Dorothy Tutin’ with carbon copy of same. ‘A London girl. / Drinks milk to put on weight. Not successful . She heard a broadcast of students at the R.A.D.A. and what they had to do. It frightened her. She got an audition and failed. / She tried again and got into the R.A.D.A. Prep. Her parents urged the frightened girl to try it for a term. / She had to go from Putney to Highgate every day - 1 1/2 hours and was scared all the time of what was ahead of her. . She had actually played Macbeth himself when at school . she remembers the chapel organ peeling out as she was dying / She didnt feel strange at all in the part despite the fact that the girl who played Lady Macbeth was much bigger than she. . Wants to play Shakespeare - afraid of her voice. . Does not look or behave the least bit like an actress. . Doesnt believe in long runs but knows them necessary thinks the old time actors luckier because they played for shorter periods were on their toes and never got stale and knew that before long they would be playing something new. .’ ONE: Her ACS to MP, from Wyndham’s Theatre, postmarked London, 6 October 1953. TWO: Copy of TL from MP to Caird, 13 October 19 unknown‎

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‎Helen Faucit [ Helena Saville Faucit, latterly Lady Martin ] (1817-1898), English actress:‎

‎Helen Faucit English actress. Autograph Letter Signed 'Helen Faucit Martin' to John Coleman explaining why an engagement in Sheffield would be inconvenient to her.‎

‎42 Albany Street Edinburgh. 20 February no year. 4pp. 12mo. Bifolium with mourning border. In good condition lightly aged. Her engagements will keep her in Scotland for three weeks after which she intends to 'return direct to London'. Sheffield is too far out of her way and would 'prove tiresome & expensive'. Should she visit Manchester 'at Easter or Whitsuntide' she would have no objection to performing in Sheffield for a couple of nights. 'I might even take Sheffield before Manchester if that would be more convenient to you only that perhaps the holidays hanging over me would be bad for the engagement.' She apologises for refusing him again but the inconvenience would be such that 'any remuneration Sheffield could be likely to give would not compensate me'. 42 Albany Street, Edinburgh. 20 February [no year]. unknown‎

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‎Robert Donat [Friedrich Robert Donat] (1905-1958), English film and stage actor, whose films included 'The 39 Steps' and 'Goodby‎

‎Robert Donat film and stage actor. Typed Letter Signed 'Robert.' to 'Popie' i.e. the theatre historian W. J. MacQueen-Pope regarding his article 'Children's Theatre "Sound"'.‎

‎30 October 1946. On his letterhead 23 Three Kings Yard London W1. 1p 8vo. On aged and worn paper with spots of rust staining from paperclip. Folded twice. Addressed to MP at 359 Strand WC2. Reads: 'Dear Popie Children's Theatre "Sound" This is just to acknowledge your rough draft of the article you suggest. I have not had time to look at it yet but I will do so as soon as I possibly can. Meanwhile perhaps your secretary will let my secretary know the latest date for returning it.' MP's reason for sending the article to Donat is not immediately apparent. Donat's papers are in the University of Manchester Special Collections. 30 October 1946. On his letterhead, 23 Three Kings Yard, London, W1. unknown‎

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‎Charles Turner (1774-1857), English mezzotint engraver:‎

‎Charles Turner mezzotint engraver. Autograph Letter Signed 'C Turner' to unnamed recipient proposing that they arrange a time for viewing 'some of my remaining plates'.‎

‎Without place or date. 2pp. 12mo. In fair condition with stub still adhering to one edge and central spike hole and short closed tear. He reports that he will be 'most happy in arranging with you some of my remaining plates & as the days are short & your time valuable any evening you are disengaged.' Without place or date. unknown‎

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‎English Dept, of Siue and EBR Writers Club‎

‎A Confluence of Literary Cultural & Vision Arts Drumvoices Revue Spring-Summer-Fall 2006 Volume 14 Numbers 1 & 2‎

‎paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback‎

Référence libraire : 1880748622.G ISBN : 1880748622 9781880748626

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‎English, Leona M‎

‎Lifelong Learning Global Social Justice and Sustainability‎

‎hardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover‎

Référence libraire : 3030657779.G ISBN : 3030657779 9783030657772

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‎English, Tony‎

‎Tug of War: The Tension Concept and the Art of International Negotiation‎

‎paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback‎

Référence libraire : 1863356738.G ISBN : 1863356738 9781863356732

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‎Edgar Jacob (1844-1920), Bishop of St Albans [John William Colenso (1814-1883), controversial Anglican Bishop of Natal; English‎

‎Edgar Jacob Bishop of St Albans; Colenso. Autograph Letter Signed to Rev. R. Wilkins appealing for English Church Union subscribers to ‘help towards undoing the mischief’ caused by Bishop Colenso’s ‘defection’ in Natal.‎

‎No date circa 1865. See Jacob’s entry and Colenso’s in the Oxford DNB. 2pp 12mo. In fair condition lightly aged and worn. Folded twice. Addressed to ‘The / Revd. R. Wilkins’. The letter clearly a circular addressed to members of the English Church Union begins without salutation: ‘If you could raise even a few pounds in your branch it would be a great help towards undoing the mischief which the defection of the Chief Pastor of teh Church in Natal has caused & would be a great encouragement to the colonists in any future attempt to provide for the two large neglected districts still unrepresented by the Church. Please accept this as my excuse for troubling you - / And / Believe me / faithfully yours / Edgar Jacob.’ In a postscript Jacob apologizes for being ‘unable owing to press of work to write to you before leaving Oxford.’ He then gives a list of seven subscribers headed by ‘The Bishop of Oxford’ a pound and ‘The Chancellor of the Exchequer’ five guineas. Beneath this list at the foot of the second page is a list in what is probably Wilkins’ hand of four individual contributions totaling £3 1s 6d from the ‘Exeter Branch E. C. U. &c &c’. No date [circa 1865]. unknown‎

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‎R J Burn [Rodney Joseph Burn] (1899-1984), English painter, Member of the Royal Academy, senior tutor at the Royal College of Ar‎

‎R. J. Burn Rodney Joseph Burn English painter. Three Autograph Letters Signed and one unsigned to ‘Mr Lawrence’ regarding his work his studio and ‘Mr Daniel’ Sir Augustus Moore Daniel the new Director of the National Gallery.‎

‎One dated 10 September 1928 the others without year but around the same time. All from 2 Hill Way Highgate N.6. London. One also with ‘Studio address / 7 Park Hill studios / Park Hill road / Hampstead’. After serving in the Great War Burn son of Sir Joseph Burn studied at the Slade between 1918 and 1922 winning six prizes. After teaching in London at the Royal College and in Boston he offered his services to the war effort. After the war he went back to the Royal College as a senior tutor. The four ot the items here are in fair condition lightly worn and discoloured. Each is folded once for postage. Although only one is dated the others appear to date from around the same time. ONE ‘Monday’: 1p 4to. Unsigned. Arranging for Lawrence to visit his studio: ‘We will show you what we have got in the way of oil sketches but I rather doubt if there is any thing very suitable however come and see.’ TWO 21 July 1928: 2pp 12mo. He has written to ‘Guthrie’ to say that Lawrence is going to visit. ‘I will keep the sketch that I am working on for you at £10. I am sure it will be a masterpiece.’ In a postscript he announces that he is ‘going away to morrow with my Father for a week and I will tell him about your nephue sic then.’ THREE 10 September 1928: 2pp 4to. He has finished working from Lawrence’s sketch and will be sending the painting. ‘You said at the N.E.A.C. when I saw you last that you would be interested to see the larger picture of the same subject’. He renews his invitation to the sudio as it would be safer for Lawrence to ‘take the sketch away’. He has ‘got quite a number of new things’ to show Lawrence and is ‘now the proud possessor of a morris Car’. Regarding the future Sir Augustus Moore Daniel 1866-1950 he writes: ‘What good news about Mr Daniel being made director of the National Gallery We must all prepare lists of pictures to be taken from the walls & lists of pictures to take their places. I wrote to him with the suggestion but he replied that he had no intention of being a new broom.’ FOUR 5 February 1929: 2pp 12mo. He begins by thanking him for the cheque for ten pounds. He did not go ‘to the sale of Marchants pictures’: ‘fortunately he had not got any of mine as I expect they would have gone for a penny or so’. He ends with news of his wife’s health. Burn was married to the sculptor Dorothy Sharwood Smith. One dated 10 September 1928, the others without year, but around the same time. All from 2 Hill Way, Highgate N.6. [London]. One unknown‎

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‎Margaret Leighton (1922-1976), English actress:‎

‎Margaret Leighton English actress. Autograph Letter Signed thanking Kenneth Sephton for his letter concerning ‘Separate Tables’ and other work.‎

‎29 March 1956. St James’s Theatre London. Leighton’s entry in the Oxford DNB explains that ‘In 1954 she began a long run nearly four years in London and New York as Anne Shankland and Sybil Railton-Bell in the double bill of Terence Rattigan's Separate Tables co-starring with Eric Portman and winning a Tony award as best actress.’ 2pp 4to. Addressed to ‘Dear Mr Sephton’ with good bold signature ‘Margaret Leighton.’ In good condition lightly aged folded for postage. She thanks him for the letter informing her that he ‘had enjoyed Separate Tables and the Teckman mystery!’ She hopes that he will ‘enjoy “The Constant Husband†& “Carrington V.C†as much’. From the papers of Kenneth Sephton. 29 March [1956]. St James’s Theatre [London]. unknown‎

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‎Rev Outram Marshall [Thomas Outram Marshall] (1843-1932), Secretary of the English Church Union, supporter of the Oxford Movemen‎

‎‘I want to shew you how very insecure is your foothold’: Rev. Outram Marshall Secretary of the English Church Union. Autograph Letter Signed regarding a letter in the Guardian the Synod of Arles and the teaching of the Church regarding divorce.‎

‎7 February 1896. London: 242 Portsdown Road W. 4pp 12mo. Bifolium. Aged worn and with spots of discoloration. 106 lines in a truly execrable hand. The following reading is tentative. The recipient is not named and the letter is signed ‘T. Outram Marshall’. The letter begins: ‘My dear Sir / I also read the letters in the Guardian very carefully’. There follow references to ‘the argument of a pamphlet as to the Teaching of Holy Scripture’. The third paragraph begins: ‘But to my mind the words of the Council of Arles are evidence that in 314 the Bps. there assembled believed just what our Petitioner says.’ He quotes a Latin test and discusses it. There are three long numbered objections. and three assertions are given of which ‘We are convinced’. He discusses what is the case ‘If “the High Ch. Party†is not content with the Scripture & the existing Laws of the English & whole western Ch’. He is glad that the recipient does not agree on one point ‘with the Bp. of London’ ‘But if you do not - what remains - you say the husband of this unfaithful wife - has permission to marry again - then it follows that he has permission to dissolve the bond which till he desides to do so - has not been broken. This is a wholly new theory which as yet no Bp. East or West has fulfilled. / Forgive my writing this - I want to shew you how very insecure is your foothold’. 7 February 1896. London: 242 Portsdown Road, W. unknown‎

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‎Gwen Watford (Gwendoline Watford) (1927-1994), English actress on stage, screen and television [Jeffrey Archer]:‎

‎Gwen Watford English actress. Autograph Card Signed to Kenneth Sephton standing up for Jeffrey Archer in a London production of whose ‘Beyond Reason Doubt’ she is acting.‎

‎8 December 1988. No place. Watford’s obituaries noted her sensitive acting style and ranked alongside Peggy Ashcroft. On both sides of a 14.5 x 10 cm card with no printing but for the name ‘GWEN WATFORD’ in red at the head of recto. Addressed to ‘Dear Mr Sephton’ and with good firm signature ‘Gwen Watford’. In good condition lightly aged. Twelves lines of neatly written text. She has ‘just finished another mid-week matinee’ and is writing thank him for his ‘most encouraging letter’ which she will ‘treasure’. ‘The critics are never kind to Jeffrey Archer but his actors are enormously grateful for the parts he has written & the chances he gives us to use our skills’. Watford was playing Lady Metcalfe in Archer’s ‘Beyond Reasonable Doubt’ at the Queen’s Theatre in London. She ends with seasonal greetings. From the papers of Kenneth Sephton. 8 December 1988. No place. unknown‎

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‎Evelyn Laye (1900-1996), English actress and singer, who began her career as one of George Edwardes' 'Gaiety Girls':‎

‎‘A bright particular star’: Evelyn Laye English actress and singer. Autograph Letter Signed to Kenneth Sephton regarding a broadcast she has given.‎

‎Without date or place. In his entry on Laye in the Oxford DNB Sheridan Morley describes her as a ‘bright particular star’. 1p 16mo.Good firm signature. In good condition lightly aged. Folded once for postage. On the otherwise-blank reverse is Laye's monogram with her initials. Reads: 'My dear Kenneth. / Thank you for your very sweet letter. I am so delighted you liked the broadcast. It brought back many happy memories to me & when I sat & listened to it all alone I must say I longed for the past. / Bless you. / Evelyn Laye.' From the papers of Kenneth Sephton. Without date or place. unknown‎

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‎Sir Francis Chantrey [Sir Francis Leggatt Chantrey] (1781-1841), English sculptor:‎

‎Francis Chantrey sculptor Autograph Note Signed "F Chantrey" to "Sir Martin" excusing himself from a social arrangement since it's the last day of the pheasant shooting season.‎

‎No place or date. One page 12mo laid down on sl. larger piece of card probably trimmed with loss of address and date good condition boldly written. "Unluckily I am engaged to Breakfast at the Black Bull underlined Hodedon on Wednesday tthe 29th & shoot pheasants underlined the remainder of the Day in the Park - I am very sorry: I have fixed the day myself & it is the last this season so pray forgive me & excuse me." No place or date. unknown‎

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‎H Brereton Baker [Herbert Brereton Baker] (1862-1935), distinguished English inorganic chemist [Sir Henry Trueman Wood (1845-192‎

‎H. Brereton Baker distinguished English chemist. Autograph Letter Signed to Sir Henry Trueman Wood Secretary of the Royal Society of Arts London agreeing to give three Cantor lectures.‎

‎30 July 1913; on letterhead of Latchmoor House Gerrard’s Cross Bucks. See his entry in the Oxford DNB. 1p 12mo. In good condition lightl aged. Folded once for postage. The recipient is not named but the letter has at its head the date stamp of the Royal Society of Arts London and is docketed by Wood. Signed ‘H. Brereton Baker’. He agrees to give ‘the three Cantor lectures as you suggest provided they can begin after the 3rd. week in February’. He gives the subject as ‘Catalysis in its scientific and industrial aspects’. A pencil note at the foot gives dates for the lectures as ‘Mch 16 23 30’. 30 July 1913; on letterhead of Latchmoor House, Gerrard’s Cross, Bucks. unknown‎

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‎H A L Fisher [Herbert Albert Laurens Fisher] (1865-1940), English historian and Liberal politician, Virginia Woolf's cousin [Mai‎

‎H. A. L. Fisher historian and Liberal politician Virginia Woolf’s cousin. Autograph Card Signed carrying a jeu d’esprit in French with Autograph Note Signed by recipient Maire Gaster daughter of Robert and Sylvia Lynd explaining context.‎

‎22 December 1933. Postcard with letterhead 'From Mrs. last word deleted H. A. L. Fisher Thursley Godalming Surrey'. See Fisher’s entry and those of Robert Lynd in the Oxford DNB. On unillustrated post card with printed letterhead. In fair condition a trifle worn and discoloured with one inky thumbprint not over text and a kink to one corner. Addressed by Fisher to ‘Miss Mayra sic Lynd / 5 Keats Grove / Hampstead / NW.’ Signed by Fisher with initials ‘H F’. Reads: ‘What charming verses! You might as easily have replied otherwise eg / Hola! un gant! / Bonnet rouges en avant! / A la Bourgeoisie / choisie / Aux capitalistes / Farceurs fumistes / un gant de / etc etc / H F’. The recipient writes the following lengthwise on the address side: ‘H. A. L. Fisher to whom I was a temporary daughter or niece at New College while I was a Home-Student 1931-4 had urged me in verse not to cut off my long hair & I had replied “The hair remains - / “The virtue & the bun†&c / & had gone on to ask him for a quote in praise of “The Bible to be read as Literature†which Heinemann were about to publish. No that must have been after 1934. / M. Gaster 1987 / I must have left a glove behind at Thursby & written a verse.’ 22 December 1933. Postcard with letterhead 'From Mrs. [last word deleted] H. A. L. Fisher, Thursley, Godalming, Surrey'. unknown‎

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‎Evelyn Laye (1900-1996), English actress and singer, who began her career as one of George Edwardes' 'Gaiety Girls':‎

‎‘A bright particular star’: Evelyn Laye English actress and singer. Typed Letter Signed with some manuscript text informing Kenneth Sephton that she has planted the lucky shamrock he sent her.‎

‎25 November 1969. From the Palace Theatre London. In his entry on Laye in the Oxford DNB Sheridan Morley describes her as a ‘bright particular star’. 1p 12mo on grey-blue paper with monogram of her initials printed at top left. The letter concerns the 1969-70 Palace Theatre production of ‘Phil the Fluter’ in which she played Mrs Fitzmaurice. Addressed to ‘Dear Kenneth’ and with good firm signature ‘Evelyn Laye’. In good condition lightly aged. Folded once for postage. She thanks him for the letter and ‘the lovely Shamrock’ which she has planted ‘in a little pot as it was so very thoughtful of you to sentd it to me for Good Luck’. The typed text ends ‘The show is going very well and I am so glad that you enjoyed it.’ Beneath this in autograph: ‘Come & see me but send up word from the Stage-door / Bless you / Evelyn Laye’. 25 November [1969]. From the Palace Theatre, London. unknown‎

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‎Geraldine McEwan [born Geraldine McKeown] (1932-2015), distinguished English actress on stage screen and television [Timothy Wes‎

‎Geraldine McEwan distinguished English actress on stage screen and television. Autograph Inscription Signed to menu for Gallery First Nighters’ Club luncheon in honour of Prunella Scales and Timothy West.‎

‎Luncheon by the Gallery First Nighters’ Club on 24 April 1994 at the London Marriott Hotel. See her entry in the Oxford DNB. A nice item printed on shiny card. Bifolium folding to 21 x 14.5 cm. In good condition lightly aged. On the front is a photograph of Scales and West by Jane Bohn. On reverse of first leaf is the menu on recto of second the ‘Toast List’ and the verso of the second a list of officers. McEwan’s inscription in a good firm hand is at top left of the menu. It reads: ‘With Best Wishes / Geraldine / McEwan’. From the papers of Kenneth Sephton. See Image. Luncheon by the Gallery First Nighters’ Club on 24 April 1994, at the London Marriott Hotel. unknown‎

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