Heritage Press. Goethe Wolfgang. The Story of Reynard the Fox. Eichenberg Fritz. New York: Heritage Press 1954. xi 247pp. Illustrated. Narrow 4to. 1/4 Cloth. In slipcase. Book condition: Very good with former owner's inscription on front free endsheet and Heritage Club pamphlet affixed to rear paste down with clear tape that has yellowed. Slip case is very good. . Very Good. 1954. Heritage Press hardcover
Riverside. Matthews Brander editor. Chief European Dramatists. Aeschylus; Aristophanes; Hugo Victor; Ibsen Henrik; Goethe; Dumas Alexandre. Boston: Riverside 1916. 786pp. 8vo. Blue cloth. Book condition: Very good with rubbed and bumped edges and light soiling. . Very Good. 1916. Riverside hardcover
Tubingen: Cotta 1808. First Edition. Very Good. 309 pp. German language. First Edition of the first segment in its complete form though previously appeared in 1790 as a partial printing entitled Faust A Fragment. Recent quarter leather binding with marble paper covered boards. Previous owner mark to blank verso of title page and to last page. Pages show occasional light stain or area of restoration. Considered by many to be one of the finest works of German literature. Part II was completed in 1831 and was not published until after Goethe's death in 1832. Cotta unknown
Milano: Mondadori 1970. rilegatura edit. in mezza pelle con impressioni in oro al dorso; Serie I Classici;pagg. 327; Palla di sevo; La piccola Roque; Il verginello della signora Husson; . Half-Leather. Good/No Jacket. 8vo - over 7�" - 9�" Tall. Mondadori
Lowell / New-York: Daniel Bixby / D. Appleton and Company 1840. 1st US Edition American Imprints 40-2667. PRESENTATION COPY from Sumner to Hayward. Original publisher's black cloth binding with printed paper title label to spine professionally rebacked with 95% of the original backstrip laid-down. General wear to binding. Sumner's 1840 presentation inscription on ffep somewhat faded but quite legible under a glass. Numerous po pencil annotations noting this provenance. Bookseller catalogue extract listing numerous edition of Faust including the first translated by Hayward tipped-in to rear eps. A VG copy. xxxi 1 blank 304 306 - 317 pp. 12mo. 7" x 4-3/8" <br/><br/> Daniel Bixby / D. Appleton and Company hardcover
Tight binding front end page coming loose and has small notch out of top middle of page tear on paper on underside of front cover spine end heavily faded gold leaf page edges text clean White, Stokes, and Allen
New York: Hartsdale House 1941. Cloth . Very Good/No Jacket. No jacket; grey cloth with brown & blue & gold lettering & decoration. Illustrations by Harry Clarke. Hartsdale House hardcover
Franklin Center PA: Franklin Library. Fine. 1981. Hardcover. Faux leather with gilt titles and decoration. All edges gilt.; Small 4to 9" - 11" tall; 415 pages . Franklin Library hardcover
London: George Bell & Sons. Very Good-; Half inch tear at head of spine. 1874. Second Revised Edition. Hardcover. Bohn's Standard Library; 12mo 7" - 7�" tall; Publisher's cloth xvi 410p. . George Bell & Sons hardcover
London: Henry G. Bohn. Good; Spine ends shabby light stains. 1848. First Edition Thus. Hardcover. Bohn's Standard Library; 12mo 7" - 7�" tall; Publisher's cloth vii 1 520p. . Henry G. Bohn hardcover
London: Henry G. Bohn. Good; Some edge-wear but attractive. 1849. First Edition Thus. Hardcover. Bohn's Standard Library; 12mo 7" - 7�" tall; Publisher's cloth 4 544p. The second volume of the Standard Library edition of Goethe's Works. Inserted in the front is: Humboldt's Cosmos. Henry G. Bohn's Rejoinder Feb. 28 1849 a single sheet folded to form 7p. . Henry G. Bohn hardcover
London: Bell & Daldy. Good; Llacks quarter inch square at head of spine 2 half inch hinge . tears. 1871. Hardcover. Bohn's Standard Library; 12mo 7" - 7�" tall; xvi 505 pages; Embossed cloth frontispiece. . Bell & Daldy hardcover
Milano: Edizioni SE 2016. A cura di Groff C. Milano 2016; br. pp. 153 cm 24x12. Testi e Documenti. 247. "Per tre volte Goethe si dedica alla letteratura erotica verso il 1775 1790 1810. Ogni volta la scelta dei temi � forse dovuta anche a crisi produttive di una certa lunghezza. Ogni volta la scrittura erotica rappresenta uno stimolo per il poeta stesso e al contempo per la totalit� delle sue composizioni. Sembra quasi che per lui la scrittura erotica come segno del desiderio tocchi anzitutto l'essenza della lingua. . Ma se il carattere determinante dei segni consiste nel loro definire una carenza di realt� allora i segni del piacere come segni del desiderio sono segni assoluti. Per il poeta classico il corpo dell'amata diventa 'sottomano' il corpus dei suoi scritti. Quando la mano vuol essere tenera eccola registrare sul corpo della donna il metro dell'arte poetica: 'Spesso ho composto poesie proprio tra le sue braccia / scandendo con dita leggere l'esametro sul dorso di lei'. L'amante del poeta ha anche la funzione - in senso letterale - di essere la materia-base della sua opera. . Goethe non � comunque da mettere sullo stesso piano del libertino a lui contemporaneo. La sua poesia erotica parla s� continuamente della sconcertante indeterminatezza tra piacere e letteratura e del venir meno della differenza tra scrittura e desiderio; ma il poeta poetato da Goethe ha fantasie diverse da Valmont l'eroe di Choderlos de Lacios il quale fa coincidere scrittura e sessualit� in una complessa costruzione." dallo scritto di Andreas Ammer Edizioni SE unknown
書籍販売業者の参照番号
: 3152007 ISBN : 8867232169 9788867232161
Princeton University Press 1994. Nice copy with just mild wear. Pages of text are clean bright and free of markings. Binding is tight and secure. Superior service: accurate descriptions prompt shipping and virtually all items carefully packed in boxes not envelopes . Trade Paperback. Very Good. Princeton University Press Paperback
書籍販売業者の参照番号
: 226892 ISBN : 069103799X 9780691037998
Beck'sche CH Verlagsbuchhandlung Oscar BeckGermany. Used - Good. Former Library book. NO DJ Shows some signs of wear and may have some markings on the inside. Beck'sche CH Verlagsbuchhandlung Oscar Beck,Germany unknown
書籍販売業者の参照番号
: GRP114335138 ISBN : 3406312349 9783406312342
Munchen: Bremer Presse 1922. Paper label front cover. Essentially no wear to the covers. Minor fading at edges. This is copy #5/500 examples printed on a handpress. Published by Ernst Schulte-Strathaus. Initial letters and titles by Anna Simons. Nineteen lines of comment on rear pastedown in German the first part a quote from Peter Altenberg about the poem followed by comments of Iain sic Vater regarding the Presse and Munchen light brown ink in a neat hand dated 12 August 1951. A beautiful copy from the Bremer Presse with wide margins and fine typography. The Bremer Presse was the most important German press started in Bremen in 1911 by Ludwig Wolde and Willy Wiegard. The press was modeled after the Doves Press in England. They rejected ornament except for initials and relied upon carefully chosen types and painstaking presswork to make the desired effect. The press was moved to Munich in 1939 and was destroyed in the bombings of 1944. Encyclopaedia Britannica Goethe 1749-1832 wrote this epic poem between 1796-1797. It is set around 1792 at the beginning of the French Revolutionary Wars when French forces under General Custine invaded and briefly occupied parts of the Palatinate region of Germany. Text is in German. 62pp. Limited Edition. Blue Paper-covered Boards. Fine. Quarto. Bremer Presse Hardcover
Stuttgart 1884 hb 8vo 622pp in old german script inner hinges cracked weak slight crease to front board good reading copy. Hardcover. Stuttgart Hardcover
Leipzig: Leipzig: Bernhard Tauchnitz 1867 1867. Hard Cover. Very Good/No Jacket. 12mo - over 6�" - 7�" tall. vol 5 in Collection of German Authors Tauchnitz Edition actual publication date unknown as this publisher did not change the date on reprints probably c.1920 in publisher's maroon cloth decorated on spine blind-stamped on front cover a little foxing affecting endpapers. Reprint. Hard Cover. Very Good/No Jacket. 12mo - over 6�" - 7�" tall. Leipzig: Bernhard Tauchnitz, 1867 Hardcover
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