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Cinquini, Alain
Michel Deon signed by Cinquini
Monaco: Alain Cinquini 1998. 22x15 cm. Color photo. Very Good.Alain Cinquini 1941-2021 photographerL'Est Républicain - Nov. 04 2012: Article on Alain Cinquini It all started when he came across Yves Montand Paul Newman and their respective wives. "I went to ask them to take a picture. Newman didn't want to. Simone Signoret told me that it was good to have asked. Montand understood that I would be there at the exit of the restaurant and practically organized a session by showing the mountain to Paul Newman. .Alain Cinquini takes his first photo of stars; that he does not exhibit for several days. It was on the advice of a friend that he finally made contact with the Gamma agency. The beginning of a great career. In a quarter o a century Alain Cinquini will take between 80000 and 100000 shots of the greatest stars becoming one of the essential independent photographers in the south of France and Monaco. He will maintain privileged relations with stars cinema and artists like Armand or César among others. In short an exemplary career during which he will never steal an image and will never violate the privacy of his clients." Quite the opposite of the paparazzi as we understand it today: "I have a way of working with respect for people probably because I was brought up that way. Some of my colleagues sometimes wondered how I managed to get certain photos. It was simply because I was seen well that I was doing my job correctly. And with correction. Having a good reputation in this environment it counts it opens doors. Monaco: Alain Cinquini, 1998 unknown
Referentie van de boekhandelaar : 73-2966
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Cinquini, Alain
Michel et Paul Boujenah
St. Paul: Alain Cinquini 1996. 22x15 cm. Color photo. Very Good.Alain Cinquini 1941-2021 photographerL'Est Républicain - Nov. 04 2012: Article on Alain Cinquini It all started when he came across Yves Montand Paul Newman and their respective wives. "I went to ask them to take a picture. Newman didn't want to. Simone Signoret told me that it was good to have asked. Montand understood that I would be there at the exit of the restaurant and practically organized a session by showing the mountain to Paul Newman. .Alain Cinquini takes his first photo of stars; that he does not exhibit for several days. It was on the advice of a friend that he finally made contact with the Gamma agency. The beginning of a great career. In a quarter o a century Alain Cinquini will take between 80000 and 100000 shots of the greatest stars becoming one of the essential independent photographers in the south of France and Monaco. He will maintain privileged relations with stars cinema and artists like Armand or César among others. In short an exemplary career during which he will never steal an image and will never violate the privacy of his clients." Quite the opposite of the paparazzi as we understand it today: "I have a way of working with respect for people probably because I was brought up that way. Some of my colleagues sometimes wondered how I managed to get certain photos. It was simply because I was seen well that I was doing my job correctly. And with correction. Having a good reputation in this environment it counts it opens doors. St. Paul: Alain Cinquini, 1996 unknown
Referentie van de boekhandelaar : 73-2297
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Cinquini, Alain
Michel Fugain Remy Julienne Marie Fubain signed by Cinquini
Saint-Paul: Alain Cinquini 1996. 22x15 cm. Color photo. Very Good. Alain Cinquini 1941-2021 photographerL'Est Républicain - Nov. 04 2012: Article on Alain Cinquini It all started when he came across Yves Montand Paul Newman and their respective wives. "I went to ask them to take a picture. Newman didn't want to. Simone Signoret told me that it was good to have asked. Montand understood that I would be there at the exit of the restaurant and practically organized a session by showing the mountain to Paul Newman. .Alain Cinquini takes his first photo of stars; that he does not exhibit for several days. It was on the advice of a friend that he finally made contact with the Gamma agency. The beginning of a great career. In a quarter o a century Alain Cinquini will take between 80000 and 100000 shots of the greatest stars becoming one of the essential independent photographers in the south of France and Monaco. He will maintain privileged relations with stars cinema and artists like Armand or César among others. In short an exemplary career during which he will never steal an image and will never violate the privacy of his clients." Quite the opposite of the paparazzi as we understand it today: "I have a way of working with respect for people probably because I was brought up that way. Some of my colleagues sometimes wondered how I managed to get certain photos. It was simply because I was seen well that I was doing my job correctly. And with correction. Having a good reputation in this environment it counts it opens doors. Saint-Paul: Alain Cinquini, 1996 unknown
Referentie van de boekhandelaar : 73-2907
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Cinquini, Alain
Michel Haumant
Cannes: Alain Cinquini 1983. 3x3.5 cm slide. 2 slides. Negatives. Very Good. Alain Cinquini 1941-2021 photographerL'Est Républicain - Nov. 04 2012: Article on Alain Cinquini It all started when he came across Yves Montand Paul Newman and their respective wives. "I went to ask them to take a picture. Newman didn't want to. Simone Signoret told me that it was good to have asked. Montand understood that I would be there at the exit of the restaurant and practically organized a session by showing the mountain to Paul Newman. .Alain Cinquini takes his first photo of stars; that he does not exhibit for several days. It was on the advice of a friend that he finally made contact with the Gamma agency. The beginning of a great career. In a quarter o a century Alain Cinquini will take between 80000 and 100000 shots of the greatest stars becoming one of the essential independent photographers in the south of France and Monaco. He will maintain privileged relations with stars cinema and artists like Armand or César among others. In short an exemplary career during which he will never steal an image and will never violate the privacy of his clients." Quite the opposite of the paparazzi as we understand it today: "I have a way of working with respect for people probably because I was brought up that way. Some of my colleagues sometimes wondered how I managed to get certain photos. It was simply because I was seen well that I was doing my job correctly. And with correction. Having a good reputation in this environment it counts it opens doors. Cannes: Alain Cinquini, 1983 unknown
Referentie van de boekhandelaar : 73-6136
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Cinquini, Alain
Michel Haumant
Cannes: Alain Cinquini 1983. 3x3.5 cm slide. 1 slides. Negatives. Very Good. Alain Cinquini 1941-2021 photographerL'Est Républicain - Nov. 04 2012: Article on Alain Cinquini It all started when he came across Yves Montand Paul Newman and their respective wives. "I went to ask them to take a picture. Newman didn't want to. Simone Signoret told me that it was good to have asked. Montand understood that I would be there at the exit of the restaurant and practically organized a session by showing the mountain to Paul Newman. .Alain Cinquini takes his first photo of stars; that he does not exhibit for several days. It was on the advice of a friend that he finally made contact with the Gamma agency. The beginning of a great career. In a quarter o a century Alain Cinquini will take between 80000 and 100000 shots of the greatest stars becoming one of the essential independent photographers in the south of France and Monaco. He will maintain privileged relations with stars cinema and artists like Armand or César among others. In short an exemplary career during which he will never steal an image and will never violate the privacy of his clients." Quite the opposite of the paparazzi as we understand it today: "I have a way of working with respect for people probably because I was brought up that way. Some of my colleagues sometimes wondered how I managed to get certain photos. It was simply because I was seen well that I was doing my job correctly. And with correction. Having a good reputation in this environment it counts it opens doors. Cannes: Alain Cinquini, 1983 unknown
Referentie van de boekhandelaar : 73-6137
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Cinquini, Alain
Michel Jonasz signed by Cinquini
Saint-Paul: Alain Cinquini 1997. 22x15 cm. Color photo. Very Good.Alain Cinquini 1941-2021 photographerL'Est Républicain - Nov. 04 2012: Article on Alain Cinquini It all started when he came across Yves Montand Paul Newman and their respective wives. "I went to ask them to take a picture. Newman didn't want to. Simone Signoret told me that it was good to have asked. Montand understood that I would be there at the exit of the restaurant and practically organized a session by showing the mountain to Paul Newman. .Alain Cinquini takes his first photo of stars; that he does not exhibit for several days. It was on the advice of a friend that he finally made contact with the Gamma agency. The beginning of a great career. In a quarter o a century Alain Cinquini will take between 80000 and 100000 shots of the greatest stars becoming one of the essential independent photographers in the south of France and Monaco. He will maintain privileged relations with stars cinema and artists like Armand or César among others. In short an exemplary career during which he will never steal an image and will never violate the privacy of his clients." Quite the opposite of the paparazzi as we understand it today: "I have a way of working with respect for people probably because I was brought up that way. Some of my colleagues sometimes wondered how I managed to get certain photos. It was simply because I was seen well that I was doing my job correctly. And with correction. Having a good reputation in this environment it counts it opens doors. Saint-Paul: Alain Cinquini, 1997 unknown
Referentie van de boekhandelaar : 73-2858
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Cinquini, Alain
Michel Jonasz signed by Cinquini
Monaco: Alain Cinquini 2000. 22x15 cm. Color photo. Very Good.Alain Cinquini 1941-2021 photographerL'Est Républicain - Nov. 04 2012: Article on Alain Cinquini It all started when he came across Yves Montand Paul Newman and their respective wives. "I went to ask them to take a picture. Newman didn't want to. Simone Signoret told me that it was good to have asked. Montand understood that I would be there at the exit of the restaurant and practically organized a session by showing the mountain to Paul Newman. .Alain Cinquini takes his first photo of stars; that he does not exhibit for several days. It was on the advice of a friend that he finally made contact with the Gamma agency. The beginning of a great career. In a quarter o a century Alain Cinquini will take between 80000 and 100000 shots of the greatest stars becoming one of the essential independent photographers in the south of France and Monaco. He will maintain privileged relations with stars cinema and artists like Armand or César among others. In short an exemplary career during which he will never steal an image and will never violate the privacy of his clients." Quite the opposite of the paparazzi as we understand it today: "I have a way of working with respect for people probably because I was brought up that way. Some of my colleagues sometimes wondered how I managed to get certain photos. It was simply because I was seen well that I was doing my job correctly. And with correction. Having a good reputation in this environment it counts it opens doors. Monaco: Alain Cinquini, 2000 unknown
Referentie van de boekhandelaar : 73-2847
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Cinquini, Alain
Mick Jagger signed by Cinquini
St. Paul: Alain Cinquini 1996. 22x15 cm. Color photo. Very Good.Alain Cinquini 1941-2021 photographerL'Est Républicain - Nov. 04 2012: Article on Alain Cinquini It all started when he came across Yves Montand Paul Newman and their respective wives. "I went to ask them to take a picture. Newman didn't want to. Simone Signoret told me that it was good to have asked. Montand understood that I would be there at the exit of the restaurant and practically organized a session by showing the mountain to Paul Newman. .Alain Cinquini takes his first photo of stars; that he does not exhibit for several days. It was on the advice of a friend that he finally made contact with the Gamma agency. The beginning of a great career. In a quarter o a century Alain Cinquini will take between 80000 and 100000 shots of the greatest stars becoming one of the essential independent photographers in the south of France and Monaco. He will maintain privileged relations with stars cinema and artists like Armand or César among others. In short an exemplary career during which he will never steal an image and will never violate the privacy of his clients." Quite the opposite of the paparazzi as we understand it today: "I have a way of working with respect for people probably because I was brought up that way. Some of my colleagues sometimes wondered how I managed to get certain photos. It was simply because I was seen well that I was doing my job correctly. And with correction. Having a good reputation in this environment it counts it opens doors. St. Paul: Alain Cinquini, 1996 unknown
Referentie van de boekhandelaar : 73-2665
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Cinquini, Alain
Mick Jagger signed by Cinquini
St. Paul: Alain Cinquini 1996. 22x15 cm. Color photo. Very Good.Alain Cinquini 1941-2021 photographerL'Est Républicain - Nov. 04 2012: Article on Alain Cinquini It all started when he came across Yves Montand Paul Newman and their respective wives. "I went to ask them to take a picture. Newman didn't want to. Simone Signoret told me that it was good to have asked. Montand understood that I would be there at the exit of the restaurant and practically organized a session by showing the mountain to Paul Newman. .Alain Cinquini takes his first photo of stars; that he does not exhibit for several days. It was on the advice of a friend that he finally made contact with the Gamma agency. The beginning of a great career. In a quarter o a century Alain Cinquini will take between 80000 and 100000 shots of the greatest stars becoming one of the essential independent photographers in the south of France and Monaco. He will maintain privileged relations with stars cinema and artists like Armand or César among others. In short an exemplary career during which he will never steal an image and will never violate the privacy of his clients." Quite the opposite of the paparazzi as we understand it today: "I have a way of working with respect for people probably because I was brought up that way. Some of my colleagues sometimes wondered how I managed to get certain photos. It was simply because I was seen well that I was doing my job correctly. And with correction. Having a good reputation in this environment it counts it opens doors. St. Paul: Alain Cinquini, 1996 unknown
Referentie van de boekhandelaar : 73-2666
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Cinquini, Alain
Mick Jagger
St. Paul: Alain Cinquini 1996. 22x15 cm. Color photo. Very Good. Alain Cinquini 1941-2021 photographerL'Est Républicain - Nov. 04 2012: Article on Alain Cinquini It all started when he came across Yves Montand Paul Newman and their respective wives. "I went to ask them to take a picture. Newman didn't want to. Simone Signoret told me that it was good to have asked. Montand understood that I would be there at the exit of the restaurant and practically organized a session by showing the mountain to Paul Newman. .Alain Cinquini takes his first photo of stars; that he does not exhibit for several days. It was on the advice of a friend that he finally made contact with the Gamma agency. The beginning of a great career. In a quarter o a century Alain Cinquini will take between 80000 and 100000 shots of the greatest stars becoming one of the essential independent photographers in the south of France and Monaco. He will maintain privileged relations with stars cinema and artists like Armand or César among others. In short an exemplary career during which he will never steal an image and will never violate the privacy of his clients." Quite the opposite of the paparazzi as we understand it today: "I have a way of working with respect for people probably because I was brought up that way. Some of my colleagues sometimes wondered how I managed to get certain photos. It was simply because I was seen well that I was doing my job correctly. And with correction. Having a good reputation in this environment it counts it opens doors. St. Paul: Alain Cinquini, 1996 unknown
Referentie van de boekhandelaar : 73-2065
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Cinquini, Alain
Mick Jagger signed by Cinquini
St. Paul: Alain Cinquini 1996. 22x15 cm. Color photo. Very Good.Alain Cinquini 1941-2021 photographerL'Est Républicain - Nov. 04 2012: Article on Alain Cinquini It all started when he came across Yves Montand Paul Newman and their respective wives. "I went to ask them to take a picture. Newman didn't want to. Simone Signoret told me that it was good to have asked. Montand understood that I would be there at the exit of the restaurant and practically organized a session by showing the mountain to Paul Newman. .Alain Cinquini takes his first photo of stars; that he does not exhibit for several days. It was on the advice of a friend that he finally made contact with the Gamma agency. The beginning of a great career. In a quarter o a century Alain Cinquini will take between 80000 and 100000 shots of the greatest stars becoming one of the essential independent photographers in the south of France and Monaco. He will maintain privileged relations with stars cinema and artists like Armand or César among others. In short an exemplary career during which he will never steal an image and will never violate the privacy of his clients." Quite the opposite of the paparazzi as we understand it today: "I have a way of working with respect for people probably because I was brought up that way. Some of my colleagues sometimes wondered how I managed to get certain photos. It was simply because I was seen well that I was doing my job correctly. And with correction. Having a good reputation in this environment it counts it opens doors. St. Paul: Alain Cinquini, 1996 unknown
Referentie van de boekhandelaar : 73-2691
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Cinquini, Alain
Mickey Rourke signed by Cinquini
Monaco: Alain Cinquini 1998. 22x15 cm. Color photo. Very Good.Alain Cinquini 1941-2021 photographerL'Est Républicain - Nov. 04 2012: Article on Alain Cinquini It all started when he came across Yves Montand Paul Newman and their respective wives. "I went to ask them to take a picture. Newman didn't want to. Simone Signoret told me that it was good to have asked. Montand understood that I would be there at the exit of the restaurant and practically organized a session by showing the mountain to Paul Newman. .Alain Cinquini takes his first photo of stars; that he does not exhibit for several days. It was on the advice of a friend that he finally made contact with the Gamma agency. The beginning of a great career. In a quarter o a century Alain Cinquini will take between 80000 and 100000 shots of the greatest stars becoming one of the essential independent photographers in the south of France and Monaco. He will maintain privileged relations with stars cinema and artists like Armand or César among others. In short an exemplary career during which he will never steal an image and will never violate the privacy of his clients." Quite the opposite of the paparazzi as we understand it today: "I have a way of working with respect for people probably because I was brought up that way. Some of my colleagues sometimes wondered how I managed to get certain photos. It was simply because I was seen well that I was doing my job correctly. And with correction. Having a good reputation in this environment it counts it opens doors. Monaco: Alain Cinquini, 1998 unknown
Referentie van de boekhandelaar : 73-2962
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Cinquini, Alain
Mike Leigh signed by Cinquini
Saint-Paul: Alain Cinquini 1997. 22x15 cm. Color photo. Very Good.Alain Cinquini 1941-2021 photographerL'Est Républicain - Nov. 04 2012: Article on Alain Cinquini It all started when he came across Yves Montand Paul Newman and their respective wives. "I went to ask them to take a picture. Newman didn't want to. Simone Signoret told me that it was good to have asked. Montand understood that I would be there at the exit of the restaurant and practically organized a session by showing the mountain to Paul Newman. .Alain Cinquini takes his first photo of stars; that he does not exhibit for several days. It was on the advice of a friend that he finally made contact with the Gamma agency. The beginning of a great career. In a quarter o a century Alain Cinquini will take between 80000 and 100000 shots of the greatest stars becoming one of the essential independent photographers in the south of France and Monaco. He will maintain privileged relations with stars cinema and artists like Armand or César among others. In short an exemplary career during which he will never steal an image and will never violate the privacy of his clients." Quite the opposite of the paparazzi as we understand it today: "I have a way of working with respect for people probably because I was brought up that way. Some of my colleagues sometimes wondered how I managed to get certain photos. It was simply because I was seen well that I was doing my job correctly. And with correction. Having a good reputation in this environment it counts it opens doors. Saint-Paul: Alain Cinquini, 1997 unknown
Referentie van de boekhandelaar : 73-2860
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Cinquini, Alain
Miou Miou signed by Cinquini
Saint-Paul: Alain Cinquini 1996. 22x15 cm. Color photo. Very Good.Alain Cinquini 1941-2021 photographerL'Est Républicain - Nov. 04 2012: Article on Alain Cinquini It all started when he came across Yves Montand Paul Newman and their respective wives. "I went to ask them to take a picture. Newman didn't want to. Simone Signoret told me that it was good to have asked. Montand understood that I would be there at the exit of the restaurant and practically organized a session by showing the mountain to Paul Newman. .Alain Cinquini takes his first photo of stars; that he does not exhibit for several days. It was on the advice of a friend that he finally made contact with the Gamma agency. The beginning of a great career. In a quarter o a century Alain Cinquini will take between 80000 and 100000 shots of the greatest stars becoming one of the essential independent photographers in the south of France and Monaco. He will maintain privileged relations with stars cinema and artists like Armand or César among others. In short an exemplary career during which he will never steal an image and will never violate the privacy of his clients." Quite the opposite of the paparazzi as we understand it today: "I have a way of working with respect for people probably because I was brought up that way. Some of my colleagues sometimes wondered how I managed to get certain photos. It was simply because I was seen well that I was doing my job correctly. And with correction. Having a good reputation in this environment it counts it opens doors. Saint-Paul: Alain Cinquini, 1996 unknown
Referentie van de boekhandelaar : 73-2869
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Cinquini, Alain
Miro
Cannes: Alain Cinquini 1985. 3x3.5 cm slide. 5 slides. Negatives. Very Good. Alain Cinquini 1941-2021 photographerL'Est Républicain - Nov. 04 2012: Article on Alain Cinquini It all started when he came across Yves Montand Paul Newman and their respective wives. "I went to ask them to take a picture. Newman didn't want to. Simone Signoret told me that it was good to have asked. Montand understood that I would be there at the exit of the restaurant and practically organized a session by showing the mountain to Paul Newman. .Alain Cinquini takes his first photo of stars; that he does not exhibit for several days. It was on the advice of a friend that he finally made contact with the Gamma agency. The beginning of a great career. In a quarter o a century Alain Cinquini will take between 80000 and 100000 shots of the greatest stars becoming one of the essential independent photographers in the south of France and Monaco. He will maintain privileged relations with stars cinema and artists like Armand or César among others. In short an exemplary career during which he will never steal an image and will never violate the privacy of his clients." Quite the opposite of the paparazzi as we understand it today: "I have a way of working with respect for people probably because I was brought up that way. Some of my colleagues sometimes wondered how I managed to get certain photos. It was simply because I was seen well that I was doing my job correctly. And with correction. Having a good reputation in this environment it counts it opens doors. Cannes: Alain Cinquini, 1985 unknown
Referentie van de boekhandelaar : 73-6123
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Cinquini, Alain
Miro
Cannes: Alain Cinquini 1985. 3x3.5 cm slide. 4 slides. Negatives. Very Good. Alain Cinquini 1941-2021 photographerL'Est Républicain - Nov. 04 2012: Article on Alain Cinquini It all started when he came across Yves Montand Paul Newman and their respective wives. "I went to ask them to take a picture. Newman didn't want to. Simone Signoret told me that it was good to have asked. Montand understood that I would be there at the exit of the restaurant and practically organized a session by showing the mountain to Paul Newman. .Alain Cinquini takes his first photo of stars; that he does not exhibit for several days. It was on the advice of a friend that he finally made contact with the Gamma agency. The beginning of a great career. In a quarter o a century Alain Cinquini will take between 80000 and 100000 shots of the greatest stars becoming one of the essential independent photographers in the south of France and Monaco. He will maintain privileged relations with stars cinema and artists like Armand or César among others. In short an exemplary career during which he will never steal an image and will never violate the privacy of his clients." Quite the opposite of the paparazzi as we understand it today: "I have a way of working with respect for people probably because I was brought up that way. Some of my colleagues sometimes wondered how I managed to get certain photos. It was simply because I was seen well that I was doing my job correctly. And with correction. Having a good reputation in this environment it counts it opens doors. Cannes: Alain Cinquini, 1985 unknown
Referentie van de boekhandelaar : 73-6124
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Cinquini, Alain
Monegasque palace guard signed by Cinquini
Monaco: Alain Cinquini 1997. 22x15 cm. Color photo. Very Good. Alain Cinquini 1941-2021 photographerL'Est Républicain - Nov. 04 2012: Article on Alain Cinquini It all started when he came across Yves Montand Paul Newman and their respective wives. "I went to ask them to take a picture. Newman didn't want to. Simone Signoret told me that it was good to have asked. Montand understood that I would be there at the exit of the restaurant and practically organized a session by showing the mountain to Paul Newman. .Alain Cinquini takes his first photo of stars; that he does not exhibit for several days. It was on the advice of a friend that he finally made contact with the Gamma agency. The beginning of a great career. In a quarter o a century Alain Cinquini will take between 80000 and 100000 shots of the greatest stars becoming one of the essential independent photographers in the south of France and Monaco. He will maintain privileged relations with stars cinema and artists like Armand or César among others. In short an exemplary career during which he will never steal an image and will never violate the privacy of his clients." Quite the opposite of the paparazzi as we understand it today: "I have a way of working with respect for people probably because I was brought up that way. Some of my colleagues sometimes wondered how I managed to get certain photos. It was simply because I was seen well that I was doing my job correctly. And with correction. Having a good reputation in this environment it counts it opens doors. Monaco: Alain Cinquini, 1997 unknown
Referentie van de boekhandelaar : 73-2894
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Cinquini, Alain
Moretti
Cannes: Alain Cinquini 1985. 3x3.5 cm slide. 6 slides. Negatives. Very Good. Alain Cinquini 1941-2021 photographerL'Est Républicain - Nov. 04 2012: Article on Alain Cinquini It all started when he came across Yves Montand Paul Newman and their respective wives. "I went to ask them to take a picture. Newman didn't want to. Simone Signoret told me that it was good to have asked. Montand understood that I would be there at the exit of the restaurant and practically organized a session by showing the mountain to Paul Newman. .Alain Cinquini takes his first photo of stars; that he does not exhibit for several days. It was on the advice of a friend that he finally made contact with the Gamma agency. The beginning of a great career. In a quarter o a century Alain Cinquini will take between 80000 and 100000 shots of the greatest stars becoming one of the essential independent photographers in the south of France and Monaco. He will maintain privileged relations with stars cinema and artists like Armand or César among others. In short an exemplary career during which he will never steal an image and will never violate the privacy of his clients." Quite the opposite of the paparazzi as we understand it today: "I have a way of working with respect for people probably because I was brought up that way. Some of my colleagues sometimes wondered how I managed to get certain photos. It was simply because I was seen well that I was doing my job correctly. And with correction. Having a good reputation in this environment it counts it opens doors. Cannes: Alain Cinquini, 1985 unknown
Referentie van de boekhandelaar : 73-6107
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Cinquini, Alain
Morgan Mason et Belinda Carlisle
St. Paul: Alain Cinquini 1998. 22x15 cm. Color photo. Very Good.Alain Cinquini 1941-2021 photographerL'Est Républicain - Nov. 04 2012: Article on Alain Cinquini It all started when he came across Yves Montand Paul Newman and their respective wives. "I went to ask them to take a picture. Newman didn't want to. Simone Signoret told me that it was good to have asked. Montand understood that I would be there at the exit of the restaurant and practically organized a session by showing the mountain to Paul Newman. .Alain Cinquini takes his first photo of stars; that he does not exhibit for several days. It was on the advice of a friend that he finally made contact with the Gamma agency. The beginning of a great career. In a quarter o a century Alain Cinquini will take between 80000 and 100000 shots of the greatest stars becoming one of the essential independent photographers in the south of France and Monaco. He will maintain privileged relations with stars cinema and artists like Armand or César among others. In short an exemplary career during which he will never steal an image and will never violate the privacy of his clients." Quite the opposite of the paparazzi as we understand it today: "I have a way of working with respect for people probably because I was brought up that way. Some of my colleagues sometimes wondered how I managed to get certain photos. It was simply because I was seen well that I was doing my job correctly. And with correction. Having a good reputation in this environment it counts it opens doors. St. Paul: Alain Cinquini, 1998 unknown
Referentie van de boekhandelaar : 73-2210
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Cinquini, Alain
Morgan Mason Belinda Carlisle
St. Paul: Alain Cinquini 1995. 22x15 cm. Color photo. Very Good.Alain Cinquini 1941-2021 photographerL'Est Républicain - Nov. 04 2012: Article on Alain Cinquini It all started when he came across Yves Montand Paul Newman and their respective wives. "I went to ask them to take a picture. Newman didn't want to. Simone Signoret told me that it was good to have asked. Montand understood that I would be there at the exit of the restaurant and practically organized a session by showing the mountain to Paul Newman. .Alain Cinquini takes his first photo of stars; that he does not exhibit for several days. It was on the advice of a friend that he finally made contact with the Gamma agency. The beginning of a great career. In a quarter o a century Alain Cinquini will take between 80000 and 100000 shots of the greatest stars becoming one of the essential independent photographers in the south of France and Monaco. He will maintain privileged relations with stars cinema and artists like Armand or César among others. In short an exemplary career during which he will never steal an image and will never violate the privacy of his clients." Quite the opposite of the paparazzi as we understand it today: "I have a way of working with respect for people probably because I was brought up that way. Some of my colleagues sometimes wondered how I managed to get certain photos. It was simply because I was seen well that I was doing my job correctly. And with correction. Having a good reputation in this environment it counts it opens doors. St. Paul: Alain Cinquini, 1995 unknown
Referentie van de boekhandelaar : 73-2232
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Cinquini, Alain
Musicians
St. Paul: Alain Cinquini 1995. 22x15 cm. Color photo. Very Good.Alain Cinquini 1941-2021 photographerL'Est Républicain - Nov. 04 2012: Article on Alain Cinquini It all started when he came across Yves Montand Paul Newman and their respective wives. "I went to ask them to take a picture. Newman didn't want to. Simone Signoret told me that it was good to have asked. Montand understood that I would be there at the exit of the restaurant and practically organized a session by showing the mountain to Paul Newman. .Alain Cinquini takes his first photo of stars; that he does not exhibit for several days. It was on the advice of a friend that he finally made contact with the Gamma agency. The beginning of a great career. In a quarter o a century Alain Cinquini will take between 80000 and 100000 shots of the greatest stars becoming one of the essential independent photographers in the south of France and Monaco. He will maintain privileged relations with stars cinema and artists like Armand or César among others. In short an exemplary career during which he will never steal an image and will never violate the privacy of his clients." Quite the opposite of the paparazzi as we understand it today: "I have a way of working with respect for people probably because I was brought up that way. Some of my colleagues sometimes wondered how I managed to get certain photos. It was simply because I was seen well that I was doing my job correctly. And with correction. Having a good reputation in this environment it counts it opens doors. St. Paul: Alain Cinquini, 1995 unknown
Referentie van de boekhandelaar : 73-2168
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Cinquini, Alain
Nicolas Cage signed by Cinquini
Cannes: Alain Cinquini 1995. 22x15 cm. Color photo. Very Good. Alain Cinquini 1941-2021 photographerL'Est Républicain - Nov. 04 2012: Article on Alain Cinquini It all started when he came across Yves Montand Paul Newman and their respective wives. "I went to ask them to take a picture. Newman didn't want to. Simone Signoret told me that it was good to have asked. Montand understood that I would be there at the exit of the restaurant and practically organized a session by showing the mountain to Paul Newman. .Alain Cinquini takes his first photo of stars; that he does not exhibit for several days. It was on the advice of a friend that he finally made contact with the Gamma agency. The beginning of a great career. In a quarter o a century Alain Cinquini will take between 80000 and 100000 shots of the greatest stars becoming one of the essential independent photographers in the south of France and Monaco. He will maintain privileged relations with stars cinema and artists like Armand or César among others. In short an exemplary career during which he will never steal an image and will never violate the privacy of his clients." Quite the opposite of the paparazzi as we understand it today: "I have a way of working with respect for people probably because I was brought up that way. Some of my colleagues sometimes wondered how I managed to get certain photos. It was simply because I was seen well that I was doing my job correctly. And with correction. Having a good reputation in this environment it counts it opens doors. Cannes: Alain Cinquini, 1995 unknown
Referentie van de boekhandelaar : 73-2713
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Cinquini, Alain
Nicolas Cage
St. Paul: Alain Cinquini 1995. 22x15 cm. Color photo. Very Good. Alain Cinquini 1941-2021 photographerL'Est Républicain - Nov. 04 2012: Article on Alain Cinquini It all started when he came across Yves Montand Paul Newman and their respective wives. "I went to ask them to take a picture. Newman didn't want to. Simone Signoret told me that it was good to have asked. Montand understood that I would be there at the exit of the restaurant and practically organized a session by showing the mountain to Paul Newman. .Alain Cinquini takes his first photo of stars; that he does not exhibit for several days. It was on the advice of a friend that he finally made contact with the Gamma agency. The beginning of a great career. In a quarter o a century Alain Cinquini will take between 80000 and 100000 shots of the greatest stars becoming one of the essential independent photographers in the south of France and Monaco. He will maintain privileged relations with stars cinema and artists like Armand or César among others. In short an exemplary career during which he will never steal an image and will never violate the privacy of his clients." Quite the opposite of the paparazzi as we understand it today: "I have a way of working with respect for people probably because I was brought up that way. Some of my colleagues sometimes wondered how I managed to get certain photos. It was simply because I was seen well that I was doing my job correctly. And with correction. Having a good reputation in this environment it counts it opens doors. St. Paul: Alain Cinquini, 1995 unknown
Referentie van de boekhandelaar : 73-2158
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Cinquini, Alain
Noah
Cannes: Alain Cinquini 1997. 22x15 cm. Color photo. Very Good.Alain Cinquini 1941-2021 photographerL'Est Républicain - Nov. 04 2012: Article on Alain Cinquini It all started when he came across Yves Montand Paul Newman and their respective wives. "I went to ask them to take a picture. Newman didn't want to. Simone Signoret told me that it was good to have asked. Montand understood that I would be there at the exit of the restaurant and practically organized a session by showing the mountain to Paul Newman. .Alain Cinquini takes his first photo of stars; that he does not exhibit for several days. It was on the advice of a friend that he finally made contact with the Gamma agency. The beginning of a great career. In a quarter o a century Alain Cinquini will take between 80000 and 100000 shots of the greatest stars becoming one of the essential independent photographers in the south of France and Monaco. He will maintain privileged relations with stars cinema and artists like Armand or César among others. In short an exemplary career during which he will never steal an image and will never violate the privacy of his clients." Quite the opposite of the paparazzi as we understand it today: "I have a way of working with respect for people probably because I was brought up that way. Some of my colleagues sometimes wondered how I managed to get certain photos. It was simply because I was seen well that I was doing my job correctly. And with correction. Having a good reputation in this environment it counts it opens doors. Cannes: Alain Cinquini, 1997 unknown
Referentie van de boekhandelaar : 73-2007
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Cinquini, Alain
Norge - Denise - Perrier
Cannes: Alain Cinquini 1984. 3x3.5 cm slide. 6 slides. Negatives. Very Good. Alain Cinquini 1941-2021 photographerL'Est Républicain - Nov. 04 2012: Article on Alain Cinquini It all started when he came across Yves Montand Paul Newman and their respective wives. "I went to ask them to take a picture. Newman didn't want to. Simone Signoret told me that it was good to have asked. Montand understood that I would be there at the exit of the restaurant and practically organized a session by showing the mountain to Paul Newman. .Alain Cinquini takes his first photo of stars; that he does not exhibit for several days. It was on the advice of a friend that he finally made contact with the Gamma agency. The beginning of a great career. In a quarter o a century Alain Cinquini will take between 80000 and 100000 shots of the greatest stars becoming one of the essential independent photographers in the south of France and Monaco. He will maintain privileged relations with stars cinema and artists like Armand or César among others. In short an exemplary career during which he will never steal an image and will never violate the privacy of his clients." Quite the opposite of the paparazzi as we understand it today: "I have a way of working with respect for people probably because I was brought up that way. Some of my colleagues sometimes wondered how I managed to get certain photos. It was simply because I was seen well that I was doing my job correctly. And with correction. Having a good reputation in this environment it counts it opens doors. Cannes: Alain Cinquini, 1984 unknown
Referentie van de boekhandelaar : 73-6165
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Cinquini, Alain
Olivier Dahan
St. Paul: Alain Cinquini 1998. 22x15 cm. Color photo. Very Good. Alain Cinquini 1941-2021 photographerL'Est Républicain - Nov. 04 2012: Article on Alain Cinquini It all started when he came across Yves Montand Paul Newman and their respective wives. "I went to ask them to take a picture. Newman didn't want to. Simone Signoret told me that it was good to have asked. Montand understood that I would be there at the exit of the restaurant and practically organized a session by showing the mountain to Paul Newman. .Alain Cinquini takes his first photo of stars; that he does not exhibit for several days. It was on the advice of a friend that he finally made contact with the Gamma agency. The beginning of a great career. In a quarter o a century Alain Cinquini will take between 80000 and 100000 shots of the greatest stars becoming one of the essential independent photographers in the south of France and Monaco. He will maintain privileged relations with stars cinema and artists like Armand or César among others. In short an exemplary career during which he will never steal an image and will never violate the privacy of his clients." Quite the opposite of the paparazzi as we understand it today: "I have a way of working with respect for people probably because I was brought up that way. Some of my colleagues sometimes wondered how I managed to get certain photos. It was simply because I was seen well that I was doing my job correctly. And with correction. Having a good reputation in this environment it counts it opens doors. St. Paul: Alain Cinquini, 1998 unknown
Referentie van de boekhandelaar : 73-2059
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Cinquini, Alain
Olivier Dahan signed by Cinquini
Saint-Paul: Alain Cinquini 1998. 22x15 cm. Color photo. Very Good. Alain Cinquini 1941-2021 photographerL'Est Républicain - Nov. 04 2012: Article on Alain Cinquini It all started when he came across Yves Montand Paul Newman and their respective wives. "I went to ask them to take a picture. Newman didn't want to. Simone Signoret told me that it was good to have asked. Montand understood that I would be there at the exit of the restaurant and practically organized a session by showing the mountain to Paul Newman. .Alain Cinquini takes his first photo of stars; that he does not exhibit for several days. It was on the advice of a friend that he finally made contact with the Gamma agency. The beginning of a great career. In a quarter o a century Alain Cinquini will take between 80000 and 100000 shots of the greatest stars becoming one of the essential independent photographers in the south of France and Monaco. He will maintain privileged relations with stars cinema and artists like Armand or César among others. In short an exemplary career during which he will never steal an image and will never violate the privacy of his clients." Quite the opposite of the paparazzi as we understand it today: "I have a way of working with respect for people probably because I was brought up that way. Some of my colleagues sometimes wondered how I managed to get certain photos. It was simply because I was seen well that I was doing my job correctly. And with correction. Having a good reputation in this environment it counts it opens doors. Saint-Paul: Alain Cinquini, 1998 unknown
Referentie van de boekhandelaar : 73-2926
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Cinquini, Alain
Ophelie Winter signed by Cinquini
Monaco: Alain Cinquini 1998. 22x15 cm. Color photo. Very Good.Alain Cinquini 1941-2021 photographerL'Est Républicain - Nov. 04 2012: Article on Alain Cinquini It all started when he came across Yves Montand Paul Newman and their respective wives. "I went to ask them to take a picture. Newman didn't want to. Simone Signoret told me that it was good to have asked. Montand understood that I would be there at the exit of the restaurant and practically organized a session by showing the mountain to Paul Newman. .Alain Cinquini takes his first photo of stars; that he does not exhibit for several days. It was on the advice of a friend that he finally made contact with the Gamma agency. The beginning of a great career. In a quarter o a century Alain Cinquini will take between 80000 and 100000 shots of the greatest stars becoming one of the essential independent photographers in the south of France and Monaco. He will maintain privileged relations with stars cinema and artists like Armand or César among others. In short an exemplary career during which he will never steal an image and will never violate the privacy of his clients." Quite the opposite of the paparazzi as we understand it today: "I have a way of working with respect for people probably because I was brought up that way. Some of my colleagues sometimes wondered how I managed to get certain photos. It was simply because I was seen well that I was doing my job correctly. And with correction. Having a good reputation in this environment it counts it opens doors. Monaco: Alain Cinquini, 1998 unknown
Referentie van de boekhandelaar : 73-2996
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Cinquini, Alain
Ophelie Winter signed by Cinquini
Monaco: Alain Cinquini 1998. 22x15 cm. Color photo. Very Good.Alain Cinquini 1941-2021 photographerL'Est Républicain - Nov. 04 2012: Article on Alain Cinquini It all started when he came across Yves Montand Paul Newman and their respective wives. "I went to ask them to take a picture. Newman didn't want to. Simone Signoret told me that it was good to have asked. Montand understood that I would be there at the exit of the restaurant and practically organized a session by showing the mountain to Paul Newman. .Alain Cinquini takes his first photo of stars; that he does not exhibit for several days. It was on the advice of a friend that he finally made contact with the Gamma agency. The beginning of a great career. In a quarter o a century Alain Cinquini will take between 80000 and 100000 shots of the greatest stars becoming one of the essential independent photographers in the south of France and Monaco. He will maintain privileged relations with stars cinema and artists like Armand or César among others. In short an exemplary career during which he will never steal an image and will never violate the privacy of his clients." Quite the opposite of the paparazzi as we understand it today: "I have a way of working with respect for people probably because I was brought up that way. Some of my colleagues sometimes wondered how I managed to get certain photos. It was simply because I was seen well that I was doing my job correctly. And with correction. Having a good reputation in this environment it counts it opens doors. Monaco: Alain Cinquini, 1998 unknown
Referentie van de boekhandelaar : 73-2995
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Cinquini, Alain
Ophelie Winter signed by Cinquini
Monaco: Alain Cinquini 1998. 22x15 cm. Color photo. Very Good.Alain Cinquini 1941-2021 photographerL'Est Républicain - Nov. 04 2012: Article on Alain Cinquini It all started when he came across Yves Montand Paul Newman and their respective wives. "I went to ask them to take a picture. Newman didn't want to. Simone Signoret told me that it was good to have asked. Montand understood that I would be there at the exit of the restaurant and practically organized a session by showing the mountain to Paul Newman. .Alain Cinquini takes his first photo of stars; that he does not exhibit for several days. It was on the advice of a friend that he finally made contact with the Gamma agency. The beginning of a great career. In a quarter o a century Alain Cinquini will take between 80000 and 100000 shots of the greatest stars becoming one of the essential independent photographers in the south of France and Monaco. He will maintain privileged relations with stars cinema and artists like Armand or César among others. In short an exemplary career during which he will never steal an image and will never violate the privacy of his clients." Quite the opposite of the paparazzi as we understand it today: "I have a way of working with respect for people probably because I was brought up that way. Some of my colleagues sometimes wondered how I managed to get certain photos. It was simply because I was seen well that I was doing my job correctly. And with correction. Having a good reputation in this environment it counts it opens doors. Monaco: Alain Cinquini, 1998 unknown
Referentie van de boekhandelaar : 73-2994
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Cinquini, Alain (1941-2021), photographer
Original color photograph of Margaret Thatcher in the Côte d'Azur likely at Saint-Paul-de-Vence or Cannes.
Cannes: 1998. Original Agfa Color photograph on Fujichrome paper. 15 x 21.4 cm. Titled dated 19/07/98 and signed on the verso in black ink by the photographer.L'Est Républicain - Nov. 04 2012: Article on Alain Cinquini.It all started when he came across Yves Montand Paul Newman and their respective wives. “I went to ask them to take a picture. Newman didn't want to. Simone Signoret told me that it was good to have asked… Montand understood that I would be there at the exit of the restaurant and practically organized a session by showing the mountain to Paul Newman. ». Alain Cinquini takes his first photo of stars; that he does not exhibit for several days. It was on the advice of a friend that he finally made contact with the Gamma agency. The beginning of a great career. In a quarter of a century Alain Cinquini will take between 80000 and 100000 shots of the greatest stars becoming one of the essential independent photographers in the south of France and Monaco. He will maintain privileged relations with stars cinema and artists like Armand or César among others. In short an exemplary career during which he will never steal an image and will never violate the privacy of his "clients". Quite the opposite of the paparazzi as we understand it today: “I have a way of working with respect for people probably because I was brought up that way. Some of my colleagues sometimes wondered how I managed to get certain photos. It was simply because I was seen well that I was doing my job correctly. And with correction… Having a good reputation in this environment it counts it opens doors.L'Est Républicain - 04 nov. 2012 : Tout commence quand il tombe sur Yves Montand Paul Newman et leurs femmes respectives. « Je suis allé leur demander pour faire une photo. Newman n’a pas voulu. Simone Signoret m’a dit que c’était bien d’avoir demandé… Montand a compris que je serai là à la sortie du restaurant et a quasiment organisé une séance en montrant la montagne à Paul Newman. ».Alain Cinquini a sa première photo de stars. Qu’il n’exploite pas durant plusieurs jours. C’est sur les conseils d’un copain qu’il prend enfin contact avec l’agence Gamma. Le début d’une belle carrière.En un quart de siècle Alain Cinquini prendra entre 80.000 et 100.000 clichés de stars parmi les plus grandes devenant l’un des photographes indépendants incontournables du sud de la France et de Monaco. Il entretiendra des relations privilégiées avec des vedettes du cinéma et des artistes comme Armand ou César entre autres. Bref un parcours exemplaire au cours duquel il ne volera jamais une image et ne violera jamais l’intimité de ses « clients ». Tout l’inverse des paparazzis au sens où on l’entend aujourd’hui : « J’ai une façon de travailler dans le respect des personnes sans doute parce que j’ai été élevé ainsi. Certains de mes collègues se demandaient parfois comment j’arrivais à avoir certaines photos. C’était simplement parce que j’étais bien vu que je faisais mon boulot correctement. Et avec correction… Avoir une bonne réputation dans ce milieu-là ça compte ça ouvre des portes. Expertise by: David ZERBIB : 24 Av. du Prado 13006 Marseille France; Paul BENARROCHE 8 boulevard Alphonse Daudet 13960 SAUSSET les PINS06 10 25 64 93 Cannes: 1998 unknown
Referentie van de boekhandelaar : 16-5406
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Cinquini, Alain (1941-2021), photographer
Original large format color photograph of Gérard Depardieu at Cannes.
Cannes: circa 1990s. Original Agfa Color photograph on Fujichrome paper. 30.6 x 20.3 cm. Titled and signed on the verso in black ink by the photographer.L'Est Républicain - Nov. 04 2012: Article on Alain Cinquini.It all started when he came across Yves Montand Paul Newman and their respective wives. “I went to ask them to take a picture. Newman didn't want to. Simone Signoret told me that it was good to have asked… Montand understood that I would be there at the exit of the restaurant and practically organized a session by showing the mountain to Paul Newman. ». Alain Cinquini takes his first photo of stars; that he does not exhibit for several days. It was on the advice of a friend that he finally made contact with the Gamma agency. The beginning of a great career. In a quarter of a century Alain Cinquini will take between 80000 and 100000 shots of the greatest stars becoming one of the essential independent photographers in the south of France and Monaco. He will maintain privileged relations with stars cinema and artists like Armand or César among others. In short an exemplary career during which he will never steal an image and will never violate the privacy of his "clients". Quite the opposite of the paparazzi as we understand it today: “I have a way of working with respect for people probably because I was brought up that way. Some of my colleagues sometimes wondered how I managed to get certain photos. It was simply because I was seen well that I was doing my job correctly. And with correction… Having a good reputation in this environment it counts it opens doors.L'Est Républicain - 04 nov. 2012 : Tout commence quand il tombe sur Yves Montand Paul Newman et leurs femmes respectives. « Je suis allé leur demander pour faire une photo. Newman n’a pas voulu. Simone Signoret m’a dit que c’était bien d’avoir demandé… Montand a compris que je serai là à la sortie du restaurant et a quasiment organisé une séance en montrant la montagne à Paul Newman. ».Alain Cinquini a sa première photo de stars. Qu’il n’exploite pas durant plusieurs jours. C’est sur les conseils d’un copain qu’il prend enfin contact avec l’agence Gamma. Le début d’une belle carrière.En un quart de siècle Alain Cinquini prendra entre 80.000 et 100.000 clichés de stars parmi les plus grandes devenant l’un des photographes indépendants incontournables du sud de la France et de Monaco. Il entretiendra des relations privilégiées avec des vedettes du cinéma et des artistes comme Armand ou César entre autres. Bref un parcours exemplaire au cours duquel il ne volera jamais une image et ne violera jamais l’intimité de ses « clients ». Tout l’inverse des paparazzis au sens où on l’entend aujourd’hui : « J’ai une façon de travailler dans le respect des personnes sans doute parce que j’ai été élevé ainsi. Certains de mes collègues se demandaient parfois comment j’arrivais à avoir certaines photos. C’était simplement parce que j’étais bien vu que je faisais mon boulot correctement. Et avec correction… Avoir une bonne réputation dans ce milieu-là ça compte ça ouvre des portes. Expertise by: David ZERBIB : 24 Av. du Prado 13006 Marseille France; Paul BENARROCHE 8 boulevard Alphonse Daudet 13960 SAUSSET les PINS06 10 25 64 93 Cannes: circa 1990s unknown
Referentie van de boekhandelaar : 16-4786
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Cinquini, Alain (1941-2021), photographer
Original large format close-up color photograph of Bo Derek at Cannes.
Cannes: circa 1990s. Original Agfa Color photograph on Fujichrome paper. 30.6 x 20.3 cm. Titled and signed on the verso in black ink by the photographer.L'Est Républicain - Nov. 04 2012: Article on Alain Cinquini.It all started when he came across Yves Montand Paul Newman and their respective wives. “I went to ask them to take a picture. Newman didn't want to. Simone Signoret told me that it was good to have asked… Montand understood that I would be there at the exit of the restaurant and practically organized a session by showing the mountain to Paul Newman. ». Alain Cinquini takes his first photo of stars; that he does not exhibit for several days. It was on the advice of a friend that he finally made contact with the Gamma agency. The beginning of a great career. In a quarter of a century Alain Cinquini will take between 80000 and 100000 shots of the greatest stars becoming one of the essential independent photographers in the south of France and Monaco. He will maintain privileged relations with stars cinema and artists like Armand or César among others. In short an exemplary career during which he will never steal an image and will never violate the privacy of his "clients". Quite the opposite of the paparazzi as we understand it today: “I have a way of working with respect for people probably because I was brought up that way. Some of my colleagues sometimes wondered how I managed to get certain photos. It was simply because I was seen well that I was doing my job correctly. And with correction… Having a good reputation in this environment it counts it opens doors.L'Est Républicain - 04 nov. 2012 : Tout commence quand il tombe sur Yves Montand Paul Newman et leurs femmes respectives. « Je suis allé leur demander pour faire une photo. Newman n’a pas voulu. Simone Signoret m’a dit que c’était bien d’avoir demandé… Montand a compris que je serai là à la sortie du restaurant et a quasiment organisé une séance en montrant la montagne à Paul Newman. ».Alain Cinquini a sa première photo de stars. Qu’il n’exploite pas durant plusieurs jours. C’est sur les conseils d’un copain qu’il prend enfin contact avec l’agence Gamma. Le début d’une belle carrière.En un quart de siècle Alain Cinquini prendra entre 80.000 et 100.000 clichés de stars parmi les plus grandes devenant l’un des photographes indépendants incontournables du sud de la France et de Monaco. Il entretiendra des relations privilégiées avec des vedettes du cinéma et des artistes comme Armand ou César entre autres. Bref un parcours exemplaire au cours duquel il ne volera jamais une image et ne violera jamais l’intimité de ses « clients ». Tout l’inverse des paparazzis au sens où on l’entend aujourd’hui : « J’ai une façon de travailler dans le respect des personnes sans doute parce que j’ai été élevé ainsi. Certains de mes collègues se demandaient parfois comment j’arrivais à avoir certaines photos. C’était simplement parce que j’étais bien vu que je faisais mon boulot correctement. Et avec correction… Avoir une bonne réputation dans ce milieu-là ça compte ça ouvre des portes. Expertise by: David ZERBIB : 24 Av. du Prado 13006 Marseille France; Paul BENARROCHE 8 boulevard Alphonse Daudet 13960 SAUSSET les PINS06 10 25 64 93 Cannes: circa 1990s unknown
Referentie van de boekhandelaar : 16-4789
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Cinquini, Alain (1941-2021), photographer
Original large format close-up color photograph of Mickey Rourke at Cannes. .
Cannes: circa 1990s. Original Agfa Color photograph on Fujichrome paper. 30.6 x 20.3 cm. Titled and signed on the verso in black ink by the photographer.L'Est Républicain - Nov. 04 2012: Article on Alain Cinquini.It all started when he came across Yves Montand Paul Newman and their respective wives. “I went to ask them to take a picture. Newman didn't want to. Simone Signoret told me that it was good to have asked… Montand understood that I would be there at the exit of the restaurant and practically organized a session by showing the mountain to Paul Newman. ». Alain Cinquini takes his first photo of stars; that he does not exhibit for several days. It was on the advice of a friend that he finally made contact with the Gamma agency. The beginning of a great career. In a quarter of a century Alain Cinquini will take between 80000 and 100000 shots of the greatest stars becoming one of the essential independent photographers in the south of France and Monaco. He will maintain privileged relations with stars cinema and artists like Armand or César among others. In short an exemplary career during which he will never steal an image and will never violate the privacy of his "clients". Quite the opposite of the paparazzi as we understand it today: “I have a way of working with respect for people probably because I was brought up that way. Some of my colleagues sometimes wondered how I managed to get certain photos. It was simply because I was seen well that I was doing my job correctly. And with correction… Having a good reputation in this environment it counts it opens doors.L'Est Républicain - 04 nov. 2012 : Tout commence quand il tombe sur Yves Montand Paul Newman et leurs femmes respectives. « Je suis allé leur demander pour faire une photo. Newman n’a pas voulu. Simone Signoret m’a dit que c’était bien d’avoir demandé… Montand a compris que je serai là à la sortie du restaurant et a quasiment organisé une séance en montrant la montagne à Paul Newman. ».Alain Cinquini a sa première photo de stars. Qu’il n’exploite pas durant plusieurs jours. C’est sur les conseils d’un copain qu’il prend enfin contact avec l’agence Gamma. Le début d’une belle carrière.En un quart de siècle Alain Cinquini prendra entre 80.000 et 100.000 clichés de stars parmi les plus grandes devenant l’un des photographes indépendants incontournables du sud de la France et de Monaco. Il entretiendra des relations privilégiées avec des vedettes du cinéma et des artistes comme Armand ou César entre autres. Bref un parcours exemplaire au cours duquel il ne volera jamais une image et ne violera jamais l’intimité de ses « clients ». Tout l’inverse des paparazzis au sens où on l’entend aujourd’hui : « J’ai une façon de travailler dans le respect des personnes sans doute parce que j’ai été élevé ainsi. Certains de mes collègues se demandaient parfois comment j’arrivais à avoir certaines photos. C’était simplement parce que j’étais bien vu que je faisais mon boulot correctement. Et avec correction… Avoir une bonne réputation dans ce milieu-là ça compte ça ouvre des portes. Expertise by: David ZERBIB : 24 Av. du Prado 13006 Marseille France; Paul BENARROCHE 8 boulevard Alphonse Daudet 13960 SAUSSET les PINS06 10 25 64 93 Cannes: circa 1990s unknown
Referentie van de boekhandelaar : 16-4793
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Cinquini, Alain (1941-2021), photographer
Original large format close-up color photograph of Paul Newman at Cannes.
Cannes: circa 1990s. Original Agfa Color photograph on Fujichrome paper. 30.6 x 20.3 cm. Titled and signed on the verso in black ink by the photographer.L'Est Républicain - Nov. 04 2012: Article on Alain Cinquini.It all started when he came across Yves Montand Paul Newman and their respective wives. “I went to ask them to take a picture. Newman didn't want to. Simone Signoret told me that it was good to have asked… Montand understood that I would be there at the exit of the restaurant and practically organized a session by showing the mountain to Paul Newman. ». Alain Cinquini takes his first photo of stars; that he does not exhibit for several days. It was on the advice of a friend that he finally made contact with the Gamma agency. The beginning of a great career. In a quarter of a century Alain Cinquini will take between 80000 and 100000 shots of the greatest stars becoming one of the essential independent photographers in the south of France and Monaco. He will maintain privileged relations with stars cinema and artists like Armand or César among others. In short an exemplary career during which he will never steal an image and will never violate the privacy of his "clients". Quite the opposite of the paparazzi as we understand it today: “I have a way of working with respect for people probably because I was brought up that way. Some of my colleagues sometimes wondered how I managed to get certain photos. It was simply because I was seen well that I was doing my job correctly. And with correction… Having a good reputation in this environment it counts it opens doors.L'Est Républicain - 04 nov. 2012 : Tout commence quand il tombe sur Yves Montand Paul Newman et leurs femmes respectives. « Je suis allé leur demander pour faire une photo. Newman n’a pas voulu. Simone Signoret m’a dit que c’était bien d’avoir demandé… Montand a compris que je serai là à la sortie du restaurant et a quasiment organisé une séance en montrant la montagne à Paul Newman. ».Alain Cinquini a sa première photo de stars. Qu’il n’exploite pas durant plusieurs jours. C’est sur les conseils d’un copain qu’il prend enfin contact avec l’agence Gamma. Le début d’une belle carrière.En un quart de siècle Alain Cinquini prendra entre 80.000 et 100.000 clichés de stars parmi les plus grandes devenant l’un des photographes indépendants incontournables du sud de la France et de Monaco. Il entretiendra des relations privilégiées avec des vedettes du cinéma et des artistes comme Armand ou César entre autres. Bref un parcours exemplaire au cours duquel il ne volera jamais une image et ne violera jamais l’intimité de ses « clients ». Tout l’inverse des paparazzis au sens où on l’entend aujourd’hui : « J’ai une façon de travailler dans le respect des personnes sans doute parce que j’ai été élevé ainsi. Certains de mes collègues se demandaient parfois comment j’arrivais à avoir certaines photos. C’était simplement parce que j’étais bien vu que je faisais mon boulot correctement. Et avec correction… Avoir une bonne réputation dans ce milieu-là ça compte ça ouvre des portes. Expertise by: David ZERBIB : 24 Av. du Prado 13006 Marseille France; Paul BENARROCHE 8 boulevard Alphonse Daudet 13960 SAUSSET les PINS06 10 25 64 93 Cannes: circa 1990s unknown
Referentie van de boekhandelaar : 16-4796
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Cinquini, Alain (1941-2021), photographer
Original large format color photograph of Benny Hill at Cannes.
Cannes: circa 1990s. Original Agfa Color photograph on Fujichrome paper. 30.6 x 20.3 cm. Titled and signed on the verso in black ink by the photographer.L'Est Républicain - Nov. 04 2012: Article on Alain Cinquini.It all started when he came across Yves Montand Paul Newman and their respective wives. “I went to ask them to take a picture. Newman didn't want to. Simone Signoret told me that it was good to have asked… Montand understood that I would be there at the exit of the restaurant and practically organized a session by showing the mountain to Paul Newman. ». Alain Cinquini takes his first photo of stars; that he does not exhibit for several days. It was on the advice of a friend that he finally made contact with the Gamma agency. The beginning of a great career. In a quarter of a century Alain Cinquini will take between 80000 and 100000 shots of the greatest stars becoming one of the essential independent photographers in the south of France and Monaco. He will maintain privileged relations with stars cinema and artists like Armand or César among others. In short an exemplary career during which he will never steal an image and will never violate the privacy of his "clients". Quite the opposite of the paparazzi as we understand it today: “I have a way of working with respect for people probably because I was brought up that way. Some of my colleagues sometimes wondered how I managed to get certain photos. It was simply because I was seen well that I was doing my job correctly. And with correction… Having a good reputation in this environment it counts it opens doors.L'Est Républicain - 04 nov. 2012 : Tout commence quand il tombe sur Yves Montand Paul Newman et leurs femmes respectives. « Je suis allé leur demander pour faire une photo. Newman n’a pas voulu. Simone Signoret m’a dit que c’était bien d’avoir demandé… Montand a compris que je serai là à la sortie du restaurant et a quasiment organisé une séance en montrant la montagne à Paul Newman. ».Alain Cinquini a sa première photo de stars. Qu’il n’exploite pas durant plusieurs jours. C’est sur les conseils d’un copain qu’il prend enfin contact avec l’agence Gamma. Le début d’une belle carrière.En un quart de siècle Alain Cinquini prendra entre 80.000 et 100.000 clichés de stars parmi les plus grandes devenant l’un des photographes indépendants incontournables du sud de la France et de Monaco. Il entretiendra des relations privilégiées avec des vedettes du cinéma et des artistes comme Armand ou César entre autres. Bref un parcours exemplaire au cours duquel il ne volera jamais une image et ne violera jamais l’intimité de ses « clients ». Tout l’inverse des paparazzis au sens où on l’entend aujourd’hui : « J’ai une façon de travailler dans le respect des personnes sans doute parce que j’ai été élevé ainsi. Certains de mes collègues se demandaient parfois comment j’arrivais à avoir certaines photos. C’était simplement parce que j’étais bien vu que je faisais mon boulot correctement. Et avec correction… Avoir une bonne réputation dans ce milieu-là ça compte ça ouvre des portes. Expertise by: David ZERBIB : 24 Av. du Prado 13006 Marseille France; Paul BENARROCHE 8 boulevard Alphonse Daudet 13960 SAUSSET les PINS06 10 25 64 93 Cannes: circa 1990s unknown
Referentie van de boekhandelaar : 16-4787
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Cinquini, Alain (1941-2021), photographer
Original large format close-up color photograph of Tony Curtis at Cannes.
Cannes: circa 1990s. Original Agfa Color photograph on Fujichrome paper. 30.6 x 20.3 cm. Titled and signed on the verso in black ink by the photographer.L'Est Républicain - Nov. 04 2012: Article on Alain Cinquini.It all started when he came across Yves Montand Paul Newman and their respective wives. “I went to ask them to take a picture. Newman didn't want to. Simone Signoret told me that it was good to have asked… Montand understood that I would be there at the exit of the restaurant and practically organized a session by showing the mountain to Paul Newman. ». Alain Cinquini takes his first photo of stars; that he does not exhibit for several days. It was on the advice of a friend that he finally made contact with the Gamma agency. The beginning of a great career. In a quarter of a century Alain Cinquini will take between 80000 and 100000 shots of the greatest stars becoming one of the essential independent photographers in the south of France and Monaco. He will maintain privileged relations with stars cinema and artists like Armand or César among others. In short an exemplary career during which he will never steal an image and will never violate the privacy of his "clients". Quite the opposite of the paparazzi as we understand it today: “I have a way of working with respect for people probably because I was brought up that way. Some of my colleagues sometimes wondered how I managed to get certain photos. It was simply because I was seen well that I was doing my job correctly. And with correction… Having a good reputation in this environment it counts it opens doors.L'Est Républicain - 04 nov. 2012 : Tout commence quand il tombe sur Yves Montand Paul Newman et leurs femmes respectives. « Je suis allé leur demander pour faire une photo. Newman n’a pas voulu. Simone Signoret m’a dit que c’était bien d’avoir demandé… Montand a compris que je serai là à la sortie du restaurant et a quasiment organisé une séance en montrant la montagne à Paul Newman. ».Alain Cinquini a sa première photo de stars. Qu’il n’exploite pas durant plusieurs jours. C’est sur les conseils d’un copain qu’il prend enfin contact avec l’agence Gamma. Le début d’une belle carrière.En un quart de siècle Alain Cinquini prendra entre 80.000 et 100.000 clichés de stars parmi les plus grandes devenant l’un des photographes indépendants incontournables du sud de la France et de Monaco. Il entretiendra des relations privilégiées avec des vedettes du cinéma et des artistes comme Armand ou César entre autres. Bref un parcours exemplaire au cours duquel il ne volera jamais une image et ne violera jamais l’intimité de ses « clients ». Tout l’inverse des paparazzis au sens où on l’entend aujourd’hui : « J’ai une façon de travailler dans le respect des personnes sans doute parce que j’ai été élevé ainsi. Certains de mes collègues se demandaient parfois comment j’arrivais à avoir certaines photos. C’était simplement parce que j’étais bien vu que je faisais mon boulot correctement. Et avec correction… Avoir une bonne réputation dans ce milieu-là ça compte ça ouvre des portes. Expertise by: David ZERBIB : 24 Av. du Prado 13006 Marseille France; Paul BENARROCHE 8 boulevard Alphonse Daudet 13960 SAUSSET les PINS06 10 25 64 93 Cannes: circa 1990s unknown
Referentie van de boekhandelaar : 16-4795
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Cinquini, Alain (1941-2021), photographer
Original large format close-up color photograph of Clint Eastwood at Cannes.
Cannes: circa 1990s. Original Agfa Color photograph on Fujichrome paper. 30.6 x 20.3 cm. Titled and signed on the verso in black ink by the photographer.L'Est Républicain - Nov. 04 2012: Article on Alain Cinquini.It all started when he came across Yves Montand Paul Newman and their respective wives. “I went to ask them to take a picture. Newman didn't want to. Simone Signoret told me that it was good to have asked… Montand understood that I would be there at the exit of the restaurant and practically organized a session by showing the mountain to Paul Newman. ». Alain Cinquini takes his first photo of stars; that he does not exhibit for several days. It was on the advice of a friend that he finally made contact with the Gamma agency. The beginning of a great career. In a quarter of a century Alain Cinquini will take between 80000 and 100000 shots of the greatest stars becoming one of the essential independent photographers in the south of France and Monaco. He will maintain privileged relations with stars cinema and artists like Armand or César among others. In short an exemplary career during which he will never steal an image and will never violate the privacy of his "clients". Quite the opposite of the paparazzi as we understand it today: “I have a way of working with respect for people probably because I was brought up that way. Some of my colleagues sometimes wondered how I managed to get certain photos. It was simply because I was seen well that I was doing my job correctly. And with correction… Having a good reputation in this environment it counts it opens doors.L'Est Républicain - 04 nov. 2012 : Tout commence quand il tombe sur Yves Montand Paul Newman et leurs femmes respectives. « Je suis allé leur demander pour faire une photo. Newman n’a pas voulu. Simone Signoret m’a dit que c’était bien d’avoir demandé… Montand a compris que je serai là à la sortie du restaurant et a quasiment organisé une séance en montrant la montagne à Paul Newman. ».Alain Cinquini a sa première photo de stars. Qu’il n’exploite pas durant plusieurs jours. C’est sur les conseils d’un copain qu’il prend enfin contact avec l’agence Gamma. Le début d’une belle carrière.En un quart de siècle Alain Cinquini prendra entre 80.000 et 100.000 clichés de stars parmi les plus grandes devenant l’un des photographes indépendants incontournables du sud de la France et de Monaco. Il entretiendra des relations privilégiées avec des vedettes du cinéma et des artistes comme Armand ou César entre autres. Bref un parcours exemplaire au cours duquel il ne volera jamais une image et ne violera jamais l’intimité de ses « clients ». Tout l’inverse des paparazzis au sens où on l’entend aujourd’hui : « J’ai une façon de travailler dans le respect des personnes sans doute parce que j’ai été élevé ainsi. Certains de mes collègues se demandaient parfois comment j’arrivais à avoir certaines photos. C’était simplement parce que j’étais bien vu que je faisais mon boulot correctement. Et avec correction… Avoir une bonne réputation dans ce milieu-là ça compte ça ouvre des portes. Expertise by: David ZERBIB : 24 Av. du Prado 13006 Marseille France; Paul BENARROCHE 8 boulevard Alphonse Daudet 13960 SAUSSET les PINS06 10 25 64 93 Cannes: circa 1990s unknown
Referentie van de boekhandelaar : 16-4788
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Cinquini, Alain (1941-2021), photographer
Original large format photograph of a woman undressing for photographers at Cannes
Cannes: circa 1990s. Original Agfa Color photograph on Fujichrome paper. 30.6 x 20.3 cm. Titled and signed on the verso in black ink by the photographer.L'Est Républicain - Nov. 04 2012: Article on Alain Cinquini.It all started when he came across Yves Montand Paul Newman and their respective wives. “I went to ask them to take a picture. Newman didn't want to. Simone Signoret told me that it was good to have asked… Montand understood that I would be there at the exit of the restaurant and practically organized a session by showing the mountain to Paul Newman. ». Alain Cinquini takes his first photo of stars; that he does not exhibit for several days. It was on the advice of a friend that he finally made contact with the Gamma agency. The beginning of a great career. In a quarter of a century Alain Cinquini will take between 80000 and 100000 shots of the greatest stars becoming one of the essential independent photographers in the south of France and Monaco. He will maintain privileged relations with stars cinema and artists like Armand or César among others. In short an exemplary career during which he will never steal an image and will never violate the privacy of his "clients". Quite the opposite of the paparazzi as we understand it today: “I have a way of working with respect for people probably because I was brought up that way. Some of my colleagues sometimes wondered how I managed to get certain photos. It was simply because I was seen well that I was doing my job correctly. And with correction… Having a good reputation in this environment it counts it opens doors.L'Est Républicain - 04 nov. 2012 : Tout commence quand il tombe sur Yves Montand Paul Newman et leurs femmes respectives. « Je suis allé leur demander pour faire une photo. Newman n’a pas voulu. Simone Signoret m’a dit que c’était bien d’avoir demandé… Montand a compris que je serai là à la sortie du restaurant et a quasiment organisé une séance en montrant la montagne à Paul Newman. ».Alain Cinquini a sa première photo de stars. Qu’il n’exploite pas durant plusieurs jours. C’est sur les conseils d’un copain qu’il prend enfin contact avec l’agence Gamma. Le début d’une belle carrière.En un quart de siècle Alain Cinquini prendra entre 80.000 et 100.000 clichés de stars parmi les plus grandes devenant l’un des photographes indépendants incontournables du sud de la France et de Monaco. Il entretiendra des relations privilégiées avec des vedettes du cinéma et des artistes comme Armand ou César entre autres. Bref un parcours exemplaire au cours duquel il ne volera jamais une image et ne violera jamais l’intimité de ses « clients ». Tout l’inverse des paparazzis au sens où on l’entend aujourd’hui : « J’ai une façon de travailler dans le respect des personnes sans doute parce que j’ai été élevé ainsi. Certains de mes collègues se demandaient parfois comment j’arrivais à avoir certaines photos. C’était simplement parce que j’étais bien vu que je faisais mon boulot correctement. Et avec correction… Avoir une bonne réputation dans ce milieu-là ça compte ça ouvre des portes. Expertise by: David ZERBIB : 24 Av. du Prado 13006 Marseille France; Paul BENARROCHE 8 boulevard Alphonse Daudet 13960 SAUSSET les PINS06 10 25 64 93 Cannes: circa 1990s unknown
Referentie van de boekhandelaar : 16-4792
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Cinquini, Alain (1941-2021), photographer
Original large format close-up color photograph of Jean Paul Belmondo with his dog at Cannes.
Cannes: circa 1990s. Original Agfa Color photograph on Fujichrome paper. 30.6 x 20.3 cm. Titled and signed on the verso in black ink by the photographer.L'Est Républicain - Nov. 04 2012: Article on Alain Cinquini.It all started when he came across Yves Montand Paul Newman and their respective wives. “I went to ask them to take a picture. Newman didn't want to. Simone Signoret told me that it was good to have asked… Montand understood that I would be there at the exit of the restaurant and practically organized a session by showing the mountain to Paul Newman. ». Alain Cinquini takes his first photo of stars; that he does not exhibit for several days. It was on the advice of a friend that he finally made contact with the Gamma agency. The beginning of a great career. In a quarter of a century Alain Cinquini will take between 80000 and 100000 shots of the greatest stars becoming one of the essential independent photographers in the south of France and Monaco. He will maintain privileged relations with stars cinema and artists like Armand or César among others. In short an exemplary career during which he will never steal an image and will never violate the privacy of his "clients". Quite the opposite of the paparazzi as we understand it today: “I have a way of working with respect for people probably because I was brought up that way. Some of my colleagues sometimes wondered how I managed to get certain photos. It was simply because I was seen well that I was doing my job correctly. And with correction… Having a good reputation in this environment it counts it opens doors.L'Est Républicain - 04 nov. 2012 : Tout commence quand il tombe sur Yves Montand Paul Newman et leurs femmes respectives. « Je suis allé leur demander pour faire une photo. Newman n’a pas voulu. Simone Signoret m’a dit que c’était bien d’avoir demandé… Montand a compris que je serai là à la sortie du restaurant et a quasiment organisé une séance en montrant la montagne à Paul Newman. ».Alain Cinquini a sa première photo de stars. Qu’il n’exploite pas durant plusieurs jours. C’est sur les conseils d’un copain qu’il prend enfin contact avec l’agence Gamma. Le début d’une belle carrière.En un quart de siècle Alain Cinquini prendra entre 80.000 et 100.000 clichés de stars parmi les plus grandes devenant l’un des photographes indépendants incontournables du sud de la France et de Monaco. Il entretiendra des relations privilégiées avec des vedettes du cinéma et des artistes comme Armand ou César entre autres. Bref un parcours exemplaire au cours duquel il ne volera jamais une image et ne violera jamais l’intimité de ses « clients ». Tout l’inverse des paparazzis au sens où on l’entend aujourd’hui : « J’ai une façon de travailler dans le respect des personnes sans doute parce que j’ai été élevé ainsi. Certains de mes collègues se demandaient parfois comment j’arrivais à avoir certaines photos. C’était simplement parce que j’étais bien vu que je faisais mon boulot correctement. Et avec correction… Avoir une bonne réputation dans ce milieu-là ça compte ça ouvre des portes. Expertise by: David ZERBIB : 24 Av. du Prado 13006 Marseille France; Paul BENARROCHE 8 boulevard Alphonse Daudet 13960 SAUSSET les PINS06 10 25 64 93 Cannes: circa 1990s unknown
Referentie van de boekhandelaar : 16-4790
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Cinquini, Alain (1941-2021), photographer
Original large format close-up color photograph of Sammy Davis Jr. at Cannes.
Cannes: circa 1990s. Original Agfa Color photograph on Fujichrome paper. 30.6 x 20.3 cm. Titled and signed on the verso in black ink by the photographer.L'Est Républicain - Nov. 04 2012: Article on Alain Cinquini.It all started when he came across Yves Montand Paul Newman and their respective wives. “I went to ask them to take a picture. Newman didn't want to. Simone Signoret told me that it was good to have asked… Montand understood that I would be there at the exit of the restaurant and practically organized a session by showing the mountain to Paul Newman. ». Alain Cinquini takes his first photo of stars; that he does not exhibit for several days. It was on the advice of a friend that he finally made contact with the Gamma agency. The beginning of a great career. In a quarter of a century Alain Cinquini will take between 80000 and 100000 shots of the greatest stars becoming one of the essential independent photographers in the south of France and Monaco. He will maintain privileged relations with stars cinema and artists like Armand or César among others. In short an exemplary career during which he will never steal an image and will never violate the privacy of his "clients". Quite the opposite of the paparazzi as we understand it today: “I have a way of working with respect for people probably because I was brought up that way. Some of my colleagues sometimes wondered how I managed to get certain photos. It was simply because I was seen well that I was doing my job correctly. And with correction… Having a good reputation in this environment it counts it opens doors.L'Est Républicain - 04 nov. 2012 : Tout commence quand il tombe sur Yves Montand Paul Newman et leurs femmes respectives. « Je suis allé leur demander pour faire une photo. Newman n’a pas voulu. Simone Signoret m’a dit que c’était bien d’avoir demandé… Montand a compris que je serai là à la sortie du restaurant et a quasiment organisé une séance en montrant la montagne à Paul Newman. ».Alain Cinquini a sa première photo de stars. Qu’il n’exploite pas durant plusieurs jours. C’est sur les conseils d’un copain qu’il prend enfin contact avec l’agence Gamma. Le début d’une belle carrière.En un quart de siècle Alain Cinquini prendra entre 80.000 et 100.000 clichés de stars parmi les plus grandes devenant l’un des photographes indépendants incontournables du sud de la France et de Monaco. Il entretiendra des relations privilégiées avec des vedettes du cinéma et des artistes comme Armand ou César entre autres. Bref un parcours exemplaire au cours duquel il ne volera jamais une image et ne violera jamais l’intimité de ses « clients ». Tout l’inverse des paparazzis au sens où on l’entend aujourd’hui : « J’ai une façon de travailler dans le respect des personnes sans doute parce que j’ai été élevé ainsi. Certains de mes collègues se demandaient parfois comment j’arrivais à avoir certaines photos. C’était simplement parce que j’étais bien vu que je faisais mon boulot correctement. Et avec correction… Avoir une bonne réputation dans ce milieu-là ça compte ça ouvre des portes. Expertise by: David ZERBIB : 24 Av. du Prado 13006 Marseille France; Paul BENARROCHE 8 boulevard Alphonse Daudet 13960 SAUSSET les PINS06 10 25 64 93 Cannes: circa 1990s unknown
Referentie van de boekhandelaar : 16-4794
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Cinquini, Alain (1941-2021), photographer
Original large format close-up color photograph of Vittorio Gassman at Cannes. .
Cannes: circa 1990s. Original Agfa Color photograph on Fujichrome paper. 30.6 x 20.3 cm. Titled and signed on the verso in black ink by the photographer.L'Est Républicain - Nov. 04 2012: Article on Alain Cinquini.It all started when he came across Yves Montand Paul Newman and their respective wives. “I went to ask them to take a picture. Newman didn't want to. Simone Signoret told me that it was good to have asked… Montand understood that I would be there at the exit of the restaurant and practically organized a session by showing the mountain to Paul Newman. ». Alain Cinquini takes his first photo of stars; that he does not exhibit for several days. It was on the advice of a friend that he finally made contact with the Gamma agency. The beginning of a great career. In a quarter of a century Alain Cinquini will take between 80000 and 100000 shots of the greatest stars becoming one of the essential independent photographers in the south of France and Monaco. He will maintain privileged relations with stars cinema and artists like Armand or César among others. In short an exemplary career during which he will never steal an image and will never violate the privacy of his "clients". Quite the opposite of the paparazzi as we understand it today: “I have a way of working with respect for people probably because I was brought up that way. Some of my colleagues sometimes wondered how I managed to get certain photos. It was simply because I was seen well that I was doing my job correctly. And with correction… Having a good reputation in this environment it counts it opens doors.L'Est Républicain - 04 nov. 2012 : Tout commence quand il tombe sur Yves Montand Paul Newman et leurs femmes respectives. « Je suis allé leur demander pour faire une photo. Newman n’a pas voulu. Simone Signoret m’a dit que c’était bien d’avoir demandé… Montand a compris que je serai là à la sortie du restaurant et a quasiment organisé une séance en montrant la montagne à Paul Newman. ».Alain Cinquini a sa première photo de stars. Qu’il n’exploite pas durant plusieurs jours. C’est sur les conseils d’un copain qu’il prend enfin contact avec l’agence Gamma. Le début d’une belle carrière.En un quart de siècle Alain Cinquini prendra entre 80.000 et 100.000 clichés de stars parmi les plus grandes devenant l’un des photographes indépendants incontournables du sud de la France et de Monaco. Il entretiendra des relations privilégiées avec des vedettes du cinéma et des artistes comme Armand ou César entre autres. Bref un parcours exemplaire au cours duquel il ne volera jamais une image et ne violera jamais l’intimité de ses « clients ». Tout l’inverse des paparazzis au sens où on l’entend aujourd’hui : « J’ai une façon de travailler dans le respect des personnes sans doute parce que j’ai été élevé ainsi. Certains de mes collègues se demandaient parfois comment j’arrivais à avoir certaines photos. C’était simplement parce que j’étais bien vu que je faisais mon boulot correctement. Et avec correction… Avoir une bonne réputation dans ce milieu-là ça compte ça ouvre des portes. Expertise by: David ZERBIB : 24 Av. du Prado 13006 Marseille France; Paul BENARROCHE 8 boulevard Alphonse Daudet 13960 SAUSSET les PINS06 10 25 64 93 Cannes: circa 1990s unknown
Referentie van de boekhandelaar : 16-4791
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Cinquini, Alain (1941-2021), photographer
Original large format close-up color photograph of Christopher Lambert at Cannes.
Cannes: 1990. Original Agfa Color photograph on Fujichrome paper. 30.6 x 20.3 cm. Titled and signed on the verso in black ink by the photographer.Though born in Great Neck Long Island Christopher Lambert's family left the US when he was only two years old. His father was a United Nations diplomat assigned to Switzerland and as a result Chris was educated at private boarding schools in Geneva. Inspired through his having appeared in a play at age 12 he went to the Paris Conservatoire where he remained for two years. After a few small parts in French films beginning in 1980 he successfully competed for the title role in Warner Bros. Greystoke: The Legend of Tarzan Lord of the Apes 1984. His co-stars included Ian Holm James Fox and Ralph Richardson in his final film performance. The movie was popular with Tarzan buffs for remaining faithful in the first half at least to Edgar Rice Burroughs' original story. Two years later Lambert brought to the screen Gregory Widens' legendary Connor MacLeod the immortal Highlander 1986 born in the Highlands of Scotland in 1518 and carrying over into the futuristic Highlander II: The Quickening 1991 and Highlander: The Final Dimension 1994. .L'Est Républicain - Nov. 04 2012: Article on Alain Cinquini.It all started when he came across Yves Montand Paul Newman and their respective wives. “I went to ask them to take a picture. Newman didn't want to. Simone Signoret told me that it was good to have asked… Montand understood that I would be there at the exit of the restaurant and practically organized a session by showing the mountain to Paul Newman. ». Alain Cinquini takes his first photo of stars; that he does not exhibit for several days. It was on the advice of a friend that he finally made contact with the Gamma agency. The beginning of a great career. In a quarter of a century Alain Cinquini will take between 80000 and 100000 shots of the greatest stars becoming one of the essential independent photographers in the south of France and Monaco. He will maintain privileged relations with stars cinema and artists like Armand or César among others. In short an exemplary career during which he will never steal an image and will never violate the privacy of his "clients". Quite the opposite of the paparazzi as we understand it today: “I have a way of working with respect for people probably because I was brought up that way. Some of my colleagues sometimes wondered how I managed to get certain photos. It was simply because I was seen well that I was doing my job correctly. And with correction… Having a good reputation in this environment it counts it opens doors.L'Est Républicain - 04 nov. 2012 : Tout commence quand il tombe sur Yves Montand Paul Newman et leurs femmes respectives. « Je suis allé leur demander pour faire une photo. Newman n’a pas voulu. Simone Signoret m’a dit que c’était bien d’avoir demandé… Montand a compris que je serai là à la sortie du restaurant et a quasiment organisé une séance en montrant la montagne à Paul Newman. ».Alain Cinquini a sa première photo de stars. Qu’il n’exploite pas durant plusieurs jours. C’est sur les conseils d’un copain qu’il prend enfin contact avec l’agence Gamma. Le début d’une belle carrière.En un quart de siècle Alain Cinquini prendra entre 80.000 et 100.000 clichés de stars parmi les plus grandes devenant l’un des photographes indépendants incontournables du sud de la France et de Monaco. Il entretiendra des relations privilégiées avec des vedettes du cinéma et des artistes comme Armand ou César entre autres. Bref un parcours exemplaire au cours duquel il ne volera jamais une image et ne violera jamais l’intimité de ses « clients ». Tout l’inverse des paparazzis au sens où on l’entend aujourd’hui : « J’ai une façon de travailler dans le respect des personnes sans doute parce que j’ai été élevé ainsi. Certains de mes collègues se demandaient parfois comment j’arrivais à avoir certaines photos. C’était simplement parce que j’étais bien vu que je faisais mon boulot correctement. Et avec correction… Avoir une bonne réputation dans ce milieu-là ça compte ça ouvre des portes. Expertise by: David ZERBIB : 24 Av. du Prado 13006 Marseille France; Paul BENARROCHE 8 boulevard Alphonse Daudet 13960 SAUSSET les PINS06 10 25 64 93 Cannes: 1990 unknown
Referentie van de boekhandelaar : 16-4948
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Cinquini, Alain (1941-2021), photographer
Original large format close-up color photograph of Carole Bouquet at Cannes.
Cannes: Circa 1990s. Original Agfa Color photograph on Fujichrome paper. 30.6 x 20.3 cm. Titled and signed on the verso in black ink by the photographer.Carole Bouquet is a French actress and fashion model. She is best known for played Bond girl Melina Havelock in the James Bond film For Your Eyes Only 1981.She also starred in That Obscure Object of Desire 1977 Nemo 1984 The Bridge 1999 and Do Not Disturb 2014.L'Est Républicain - Nov. 04 2012: Article on Alain Cinquini.It all started when he came across Yves Montand Paul Newman and their respective wives. “I went to ask them to take a picture. Newman didn't want to. Simone Signoret told me that it was good to have asked… Montand understood that I would be there at the exit of the restaurant and practically organized a session by showing the mountain to Paul Newman. ». Alain Cinquini takes his first photo of stars; that he does not exhibit for several days. It was on the advice of a friend that he finally made contact with the Gamma agency. The beginning of a great career. In a quarter of a century Alain Cinquini will take between 80000 and 100000 shots of the greatest stars becoming one of the essential independent photographers in the south of France and Monaco. He will maintain privileged relations with stars cinema and artists like Armand or César among others. In short an exemplary career during which he will never steal an image and will never violate the privacy of his "clients". Quite the opposite of the paparazzi as we understand it today: “I have a way of working with respect for people probably because I was brought up that way. Some of my colleagues sometimes wondered how I managed to get certain photos. It was simply because I was seen well that I was doing my job correctly. And with correction… Having a good reputation in this environment it counts it opens doors.L'Est Républicain - 04 nov. 2012 : Tout commence quand il tombe sur Yves Montand Paul Newman et leurs femmes respectives. « Je suis allé leur demander pour faire une photo. Newman n’a pas voulu. Simone Signoret m’a dit que c’était bien d’avoir demandé… Montand a compris que je serai là à la sortie du restaurant et a quasiment organisé une séance en montrant la montagne à Paul Newman. ».Alain Cinquini a sa première photo de stars. Qu’il n’exploite pas durant plusieurs jours. C’est sur les conseils d’un copain qu’il prend enfin contact avec l’agence Gamma. Le début d’une belle carrière.En un quart de siècle Alain Cinquini prendra entre 80.000 et 100.000 clichés de stars parmi les plus grandes devenant l’un des photographes indépendants incontournables du sud de la France et de Monaco. Il entretiendra des relations privilégiées avec des vedettes du cinéma et des artistes comme Armand ou César entre autres. Bref un parcours exemplaire au cours duquel il ne volera jamais une image et ne violera jamais l’intimité de ses « clients ». Tout l’inverse des paparazzis au sens où on l’entend aujourd’hui : « J’ai une façon de travailler dans le respect des personnes sans doute parce que j’ai été élevé ainsi. Certains de mes collègues se demandaient parfois comment j’arrivais à avoir certaines photos. C’était simplement parce que j’étais bien vu que je faisais mon boulot correctement. Et avec correction… Avoir une bonne réputation dans ce milieu-là ça compte ça ouvre des portes. Expertise by: David ZERBIB : 24 Av. du Prado 13006 Marseille France; Paul BENARROCHE 8 boulevard Alphonse Daudet 13960 SAUSSET les PINS06 10 25 64 93 Cannes: Circa 1990s unknown
Referentie van de boekhandelaar : 16-4956
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Cinquini, Alain (1941-2021), photographer
Original large format close-up color photograph of Patrick Macnee at Cannes.
Cannes: circa 1990s. Original Agfa Color photograph on Fujichrome paper. 30.6 x 20.3 cm. Titled and signed on the verso in black ink by the photographer.British actor Patrick Macnee was born on February 6 1922 in London England into a wealthy and eccentric family. His father Daniel Macnee was a race horse trainer who drank and gambled away the family fortune leaving young Patrick to be raised by his lesbian mother Dorothea Mary and her partner. Shortly after graduating from Eton from which he was almost expelled for running a gambling ring Macnee first appeared on stage and made his film debut as an extra in Pygmalion 1938. His career was interrupted by World War II during which he served in the Royal Navy. After military service Macnee attended the Webber Douglas School of Dramatic Art in London on scholarship. He also resumed his stage and film career with bit parts such as Young Jacob Marley in A Christmas Carol 1951. Disappointed with his limited roles Macnee left England for Canada and the United States.L'Est Républicain - Nov. 04 2012: Article on Alain Cinquini.It all started when he came across Yves Montand Paul Newman and their respective wives. “I went to ask them to take a picture. Newman didn't want to. Simone Signoret told me that it was good to have asked… Montand understood that I would be there at the exit of the restaurant and practically organized a session by showing the mountain to Paul Newman. ». Alain Cinquini takes his first photo of stars; that he does not exhibit for several days. It was on the advice of a friend that he finally made contact with the Gamma agency. The beginning of a great career. In a quarter of a century Alain Cinquini will take between 80000 and 100000 shots of the greatest stars becoming one of the essential independent photographers in the south of France and Monaco. He will maintain privileged relations with stars cinema and artists like Armand or César among others. In short an exemplary career during which he will never steal an image and will never violate the privacy of his "clients". Quite the opposite of the paparazzi as we understand it today: “I have a way of working with respect for people probably because I was brought up that way. Some of my colleagues sometimes wondered how I managed to get certain photos. It was simply because I was seen well that I was doing my job correctly. And with correction… Having a good reputation in this environment it counts it opens doors.L'Est Républicain - 04 nov. 2012 : Tout commence quand il tombe sur Yves Montand Paul Newman et leurs femmes respectives. « Je suis allé leur demander pour faire une photo. Newman n’a pas voulu. Simone Signoret m’a dit que c’était bien d’avoir demandé… Montand a compris que je serai là à la sortie du restaurant et a quasiment organisé une séance en montrant la montagne à Paul Newman. ».Alain Cinquini a sa première photo de stars. Qu’il n’exploite pas durant plusieurs jours. C’est sur les conseils d’un copain qu’il prend enfin contact avec l’agence Gamma. Le début d’une belle carrière.En un quart de siècle Alain Cinquini prendra entre 80.000 et 100.000 clichés de stars parmi les plus grandes devenant l’un des photographes indépendants incontournables du sud de la France et de Monaco. Il entretiendra des relations privilégiées avec des vedettes du cinéma et des artistes comme Armand ou César entre autres. Bref un parcours exemplaire au cours duquel il ne volera jamais une image et ne violera jamais l’intimité de ses « clients ». Tout l’inverse des paparazzis au sens où on l’entend aujourd’hui : « J’ai une façon de travailler dans le respect des personnes sans doute parce que j’ai été élevé ainsi. Certains de mes collègues se demandaient parfois comment j’arrivais à avoir certaines photos. C’était simplement parce que j’étais bien vu que je faisais mon boulot correctement. Et avec correction… Avoir une bonne réputation dans ce milieu-là ça compte ça ouvre des portes. Expertise by: David ZERBIB : 24 Av. du Prado 13006 Marseille France; Paul BENARROCHE 8 boulevard Alphonse Daudet 13960 SAUSSET les PINS06 10 25 64 93 Cannes: circa 1990s unknown
Referentie van de boekhandelaar : 16-4912
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Cinquini, Alain (1941-2021), photographer
Original large format close-up color photograph of Valeria Golino at Cannes. .
Cannes: circa 1990s. Original Agfa Color photograph on Fujichrome paper. 30.6 x 20.3 cm. Titled and signed on the verso in black ink by the photographer.The second child of an Italian germanist and a Greek painter Valeria Golino grew up in Naples until her parents parted. After three years in Athens with her mother and another three in Naples with her father she began to work as a model. She left high school after her first movie and didn't study performing arts at all. In 1985 she got the leading role in Little Flames 1985 by Peter Del Monte and the next year won the Best Actress Award at the Venice Film Festival for A Tale of Love 1986. After some European co-productions Last Summer in Tangiers 1987 The Gold Rimmed Glasses 1987 Three Sisters 1988 she began to work in Hollywood Big Top Pee-wee 1988. She soon gained prominent roles in Rain Man 1988 Hot Shots! 1991 and Hot Shots! Part Deux 1993. Now she works in the US Clean Slate 1994 An Occasional Hell 1996 Europe The King's Whore 1990 Immortal Beloved 1994 and in Italy. too especially with young directors Come due coccodrilli 1994 Le acrobate 1997 Shooting the Moon 1998. In 1994 she produced and acted in Slaughter of the Cock 1996 by Greek director Andreas Pantzis. Her voice is more appreciated in Hollywood where she took speech therapy than in Italy where she is sometimes dubbed; in "The Slaughter of the Cock" she acts as a deaf and dumb woman. She speaks four languages: Italian Greek French and English. Her brother is a musician and their uncle Enzo Golino is a famous journalis.L'Est Républicain - Nov. 04 2012: Article on Alain Cinquini.It all started when he came across Yves Montand Paul Newman and their respective wives. “I went to ask them to take a picture. Newman didn't want to. Simone Signoret told me that it was good to have asked… Montand understood that I would be there at the exit of the restaurant and practically organized a session by showing the mountain to Paul Newman. ». Alain Cinquini takes his first photo of stars; that he does not exhibit for several days. It was on the advice of a friend that he finally made contact with the Gamma agency. The beginning of a great career. In a quarter of a century Alain Cinquini will take between 80000 and 100000 shots of the greatest stars becoming one of the essential independent photographers in the south of France and Monaco. He will maintain privileged relations with stars cinema and artists like Armand or César among others. In short an exemplary career during which he will never steal an image and will never violate the privacy of his "clients". Quite the opposite of the paparazzi as we understand it today: “I have a way of working with respect for people probably because I was brought up that way. Some of my colleagues sometimes wondered how I managed to get certain photos. It was simply because I was seen well that I was doing my job correctly. And with correction… Having a good reputation in this environment it counts it opens doors.L'Est Républicain - 04 nov. 2012 : Tout commence quand il tombe sur Yves Montand Paul Newman et leurs femmes respectives. « Je suis allé leur demander pour faire une photo. Newman n’a pas voulu. Simone Signoret m’a dit que c’était bien d’avoir demandé… Montand a compris que je serai là à la sortie du restaurant et a quasiment organisé une séance en montrant la montagne à Paul Newman. ».Alain Cinquini a sa première photo de stars. Qu’il n’exploite pas durant plusieurs jours. C’est sur les conseils d’un copain qu’il prend enfin contact avec l’agence Gamma. Le début d’une belle carrière.En un quart de siècle Alain Cinquini prendra entre 80.000 et 100.000 clichés de stars parmi les plus grandes devenant l’un des photographes indépendants incontournables du sud de la France et de Monaco. Il entretiendra des relations privilégiées avec des vedettes du cinéma et des artistes comme Armand ou César entre autres. Bref un parcours exemplaire au cours duquel il ne volera jamais une image et ne violera jamais l’intimité de ses « clients ». Tout l’inverse des paparazzis au sens où on l’entend aujourd’hui : « J’ai une façon de travailler dans le respect des personnes sans doute parce que j’ai été élevé ainsi. Certains de mes collègues se demandaient parfois comment j’arrivais à avoir certaines photos. C’était simplement parce que j’étais bien vu que je faisais mon boulot correctement. Et avec correction… Avoir une bonne réputation dans ce milieu-là ça compte ça ouvre des portes. Expertise by: David ZERBIB : 24 Av. du Prado 13006 Marseille France; Paul BENARROCHE 8 boulevard Alphonse Daudet 13960 SAUSSET les PINS06 10 25 64 93 Cannes: circa 1990s unknown
Referentie van de boekhandelaar : 16-4917
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Cinquini, Alain (1941-2021), photographer
Original large format color photograph of Alain Delon getting off a helicopter at Cannes.
Cannes: circa 1990s. Original Agfa Color photograph on Fujichrome paper. 30.6 x 20.3 cm. Titled and signed on the verso in black ink by the photographer.Delon returned to the criminal genre with Jean Gabin in Any Number Can Win 1963. This work a classic example of the genre was distinguished not only by a soundly worked-out screenplay but also by the careful production and the excellent performances of both Delon and Gabin. It was only in the late 1960s that the sleek and lethal Delon came to epitomize the calm psychopathic hoodlum staring into the camera like a cat assessing a mouse. His tough ruthless side was first used to real effect by Jean-Pierre Melville in Le Samouraï 1967. In 1970 he had a huge success in the bloodstained Borsalino 1970--which he also produced--playing a small-time gangster in the 1930s who with Jean-Paul Belmondo becomes king of the Marseilles underworld. Delon later won critical acclaim for his roles against type in Joseph Losey's Mr. Klein 1976 in which he played brilliantly the icily sinister title role and the art-movie Swann in Love 1984. He has an older son Anthony Delon who has also acted in a number of movies from his first marriage to Nathalie Delon and has a young son and daughter Alain-Fabien and Anouchka with Rosalie.L'Est Républicain - Nov. 04 2012: Article on Alain Cinquini.It all started when he came across Yves Montand Paul Newman and their respective wives. “I went to ask them to take a picture. Newman didn't want to. Simone Signoret told me that it was good to have asked… Montand understood that I would be there at the exit of the restaurant and practically organized a session by showing the mountain to Paul Newman. ». Alain Cinquini takes his first photo of stars; that he does not exhibit for several days. It was on the advice of a friend that he finally made contact with the Gamma agency. The beginning of a great career. In a quarter of a century Alain Cinquini will take between 80000 and 100000 shots of the greatest stars becoming one of the essential independent photographers in the south of France and Monaco. He will maintain privileged relations with stars cinema and artists like Armand or César among others. In short an exemplary career during which he will never steal an image and will never violate the privacy of his "clients". Quite the opposite of the paparazzi as we understand it today: “I have a way of working with respect for people probably because I was brought up that way. Some of my colleagues sometimes wondered how I managed to get certain photos. It was simply because I was seen well that I was doing my job correctly. And with correction… Having a good reputation in this environment it counts it opens doors.L'Est Républicain - 04 nov. 2012 : Tout commence quand il tombe sur Yves Montand Paul Newman et leurs femmes respectives. « Je suis allé leur demander pour faire une photo. Newman n’a pas voulu. Simone Signoret m’a dit que c’était bien d’avoir demandé… Montand a compris que je serai là à la sortie du restaurant et a quasiment organisé une séance en montrant la montagne à Paul Newman. ».Alain Cinquini a sa première photo de stars. Qu’il n’exploite pas durant plusieurs jours. C’est sur les conseils d’un copain qu’il prend enfin contact avec l’agence Gamma. Le début d’une belle carrière.En un quart de siècle Alain Cinquini prendra entre 80.000 et 100.000 clichés de stars parmi les plus grandes devenant l’un des photographes indépendants incontournables du sud de la France et de Monaco. Il entretiendra des relations privilégiées avec des vedettes du cinéma et des artistes comme Armand ou César entre autres. Bref un parcours exemplaire au cours duquel il ne volera jamais une image et ne violera jamais l’intimité de ses « clients ». Tout l’inverse des paparazzis au sens où on l’entend aujourd’hui : « J’ai une façon de travailler dans le respect des personnes sans doute parce que j’ai été élevé ainsi. Certains de mes collègues se demandaient parfois comment j’arrivais à avoir certaines photos. C’était simplement parce que j’étais bien vu que je faisais mon boulot correctement. Et avec correction… Avoir une bonne réputation dans ce milieu-là ça compte ça ouvre des portes. Expertise by: David ZERBIB : 24 Av. du Prado 13006 Marseille France; Paul BENARROCHE 8 boulevard Alphonse Daudet 13960 SAUSSET les PINS06 10 25 64 93 Cannes: circa 1990s unknown
Referentie van de boekhandelaar : 16-4915
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Cinquini, Alain (1941-2021), photographer
Original large format close-up color photograph of Victoria Abril at Cannes.
Cannes: circa 1990s. Original Agfa Color photograph on Fujichrome paper. 30.6 x 20.3 cm. Titled and signed on the verso in black ink by the photographer.Victoria Abril born Victoria Mérida Rojas; 4 July 1959 is a Spanish film actress and singer. She is best known to international audiences for her performance in the movie "¡Ãtame! Tie Me Up! Tie Me Down!" by director Pedro Almodóvar. Born in Madrid Abril became widely known in Spain in 1976 when she appeared for two years in the show "Un dos tres. responda otra vez". Besides working in Spain she also made films in France where she resides Italy and Iceland. She has been nominated eight times for Goya Awards in the Lead Actress category and has won once. She won the Silver Bear for Best Actress at the 41st Berlin International Film Festival for her role in "Amantes". Two years later she was awarded with the Berlinale Camera at the 43rd Berlin International Film Festival. Victoria Abril performing on stage in 2006. She is also a singer. In 2005 she made her debut with a bossanova-jazz album called "PutchEros do Brasil". She also tried to represent Spain in the Eurovision Song Contest in 1979 with "Bang-Bang-Bang" but Betty Missiego was chosen instead. On 28 July 1977 Victoria Abril married Gustavo Laube former footballer of the national team of Chile. The couple separated in early 1982. Victoria Abril has two sons with the French director Gérard de Battista.L'Est Républicain - Nov. 04 2012: Article on Alain Cinquini.It all started when he came across Yves Montand Paul Newman and their respective wives. “I went to ask them to take a picture. Newman didn't want to. Simone Signoret told me that it was good to have asked… Montand understood that I would be there at the exit of the restaurant and practically organized a session by showing the mountain to Paul Newman. ». Alain Cinquini takes his first photo of stars; that he does not exhibit for several days. It was on the advice of a friend that he finally made contact with the Gamma agency. The beginning of a great career. In a quarter of a century Alain Cinquini will take between 80000 and 100000 shots of the greatest stars becoming one of the essential independent photographers in the south of France and Monaco. He will maintain privileged relations with stars cinema and artists like Armand or César among others. In short an exemplary career during which he will never steal an image and will never violate the privacy of his "clients". Quite the opposite of the paparazzi as we understand it today: “I have a way of working with respect for people probably because I was brought up that way. Some of my colleagues sometimes wondered how I managed to get certain photos. It was simply because I was seen well that I was doing my job correctly. And with correction… Having a good reputation in this environment it counts it opens doors.L'Est Républicain - 04 nov. 2012 : Tout commence quand il tombe sur Yves Montand Paul Newman et leurs femmes respectives. « Je suis allé leur demander pour faire une photo. Newman n’a pas voulu. Simone Signoret m’a dit que c’était bien d’avoir demandé… Montand a compris que je serai là à la sortie du restaurant et a quasiment organisé une séance en montrant la montagne à Paul Newman. ».Alain Cinquini a sa première photo de stars. Qu’il n’exploite pas durant plusieurs jours. C’est sur les conseils d’un copain qu’il prend enfin contact avec l’agence Gamma. Le début d’une belle carrière.En un quart de siècle Alain Cinquini prendra entre 80.000 et 100.000 clichés de stars parmi les plus grandes devenant l’un des photographes indépendants incontournables du sud de la France et de Monaco. Il entretiendra des relations privilégiées avec des vedettes du cinéma et des artistes comme Armand ou César entre autres. Bref un parcours exemplaire au cours duquel il ne volera jamais une image et ne violera jamais l’intimité de ses « clients ». Tout l’inverse des paparazzis au sens où on l’entend aujourd’hui : « J’ai une façon de travailler dans le respect des personnes sans doute parce que j’ai été élevé ainsi. Certains de mes collègues se demandaient parfois comment j’arrivais à avoir certaines photos. C’était simplement parce que j’étais bien vu que je faisais mon boulot correctement. Et avec correction… Avoir une bonne réputation dans ce milieu-là ça compte ça ouvre des portes. Expertise by: David ZERBIB : 24 Av. du Prado 13006 Marseille France; Paul BENARROCHE 8 boulevard Alphonse Daudet 13960 SAUSSET les PINS06 10 25 64 93 Cannes: circa 1990s unknown
Referentie van de boekhandelaar : 16-4909
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Cinquini, Alain (1941-2021), photographer
Original large format close-up color photograph of Clint Eastwood Frances Fisher Roger Moore Luis Moore Michael and Shakira Caine and George Schlatter at Cannes.
Cannes: August 30 1992. Original Agfa Color photograph on Fujichrome paper. 30.6 x 20.3 cm. Titled and signed on the verso in black ink by the photographer.L'Est Républicain - Nov. 04 2012: Article on Alain Cinquini.It all started when he came across Yves Montand Paul Newman and their respective wives. “I went to ask them to take a picture. Newman didn't want to. Simone Signoret told me that it was good to have asked… Montand understood that I would be there at the exit of the restaurant and practically organized a session by showing the mountain to Paul Newman. ». Alain Cinquini takes his first photo of stars; that he does not exhibit for several days. It was on the advice of a friend that he finally made contact with the Gamma agency. The beginning of a great career. In a quarter of a century Alain Cinquini will take between 80000 and 100000 shots of the greatest stars becoming one of the essential independent photographers in the south of France and Monaco. He will maintain privileged relations with stars cinema and artists like Armand or César among others. In short an exemplary career during which he will never steal an image and will never violate the privacy of his "clients". Quite the opposite of the paparazzi as we understand it today: “I have a way of working with respect for people probably because I was brought up that way. Some of my colleagues sometimes wondered how I managed to get certain photos. It was simply because I was seen well that I was doing my job correctly. And with correction… Having a good reputation in this environment it counts it opens doors.L'Est Républicain - 04 nov. 2012 : Tout commence quand il tombe sur Yves Montand Paul Newman et leurs femmes respectives. « Je suis allé leur demander pour faire une photo. Newman n’a pas voulu. Simone Signoret m’a dit que c’était bien d’avoir demandé… Montand a compris que je serai là à la sortie du restaurant et a quasiment organisé une séance en montrant la montagne à Paul Newman. ».Alain Cinquini a sa première photo de stars. Qu’il n’exploite pas durant plusieurs jours. C’est sur les conseils d’un copain qu’il prend enfin contact avec l’agence Gamma. Le début d’une belle carrière.En un quart de siècle Alain Cinquini prendra entre 80.000 et 100.000 clichés de stars parmi les plus grandes devenant l’un des photographes indépendants incontournables du sud de la France et de Monaco. Il entretiendra des relations privilégiées avec des vedettes du cinéma et des artistes comme Armand ou César entre autres. Bref un parcours exemplaire au cours duquel il ne volera jamais une image et ne violera jamais l’intimité de ses « clients ». Tout l’inverse des paparazzis au sens où on l’entend aujourd’hui : « J’ai une façon de travailler dans le respect des personnes sans doute parce que j’ai été élevé ainsi. Certains de mes collègues se demandaient parfois comment j’arrivais à avoir certaines photos. C’était simplement parce que j’étais bien vu que je faisais mon boulot correctement. Et avec correction… Avoir une bonne réputation dans ce milieu-là ça compte ça ouvre des portes. Expertise by: David ZERBIB : 24 Av. du Prado 13006 Marseille France; Paul BENARROCHE 8 boulevard Alphonse Daudet 13960 SAUSSET les PINS06 10 25 64 93 Cannes: August, 30, 1992 unknown
Referentie van de boekhandelaar : 16-4951
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Cinquini, Alain (1941-2021), photographer
Original large format close-up color photograph of Peter Strauss with son Justin on his back at Cannes.
Cannes: circa 1990s. Original Agfa Color photograph on Fujichrome paper. 30.6 x 20.3 cm. Titled and signed on the verso in black ink by the photographer.Peter Strauss is well known for his long list of starring roles in motion pictures-for-television including "The Jericho Mile" for which he won the Emmy Award for Outstanding Lead Actor in a Limited Series or Special. Strauss has also received Emmy Award nominations for his roles in the mini-series "Rich Man Poor Man" and "Masada" as well as five Golden Globe Nominations.Strauss was born in New York City and grew up in Croton-on-Hudson New York where he was introduced to the theatre via the Croton Shakespeare Festival. His summers were spent with stock companies including the Pocono Playhouse in Pennsylvania and Ogunquit Playhouse in Maine. He attended the Hackley School for Boys in Tarrytown New York and graduated from Northwestern University in 1969 committed to an acting career.L'Est Républicain - Nov. 04 2012: Article on Alain Cinquini.It all started when he came across Yves Montand Paul Newman and their respective wives. “I went to ask them to take a picture. Newman didn't want to. Simone Signoret told me that it was good to have asked… Montand understood that I would be there at the exit of the restaurant and practically organized a session by showing the mountain to Paul Newman. ». Alain Cinquini takes his first photo of stars; that he does not exhibit for several days. It was on the advice of a friend that he finally made contact with the Gamma agency. The beginning of a great career. In a quarter of a century Alain Cinquini will take between 80000 and 100000 shots of the greatest stars becoming one of the essential independent photographers in the south of France and Monaco. He will maintain privileged relations with stars cinema and artists like Armand or César among others. In short an exemplary career during which he will never steal an image and will never violate the privacy of his "clients". Quite the opposite of the paparazzi as we understand it today: “I have a way of working with respect for people probably because I was brought up that way. Some of my colleagues sometimes wondered how I managed to get certain photos. It was simply because I was seen well that I was doing my job correctly. And with correction… Having a good reputation in this environment it counts it opens doors.L'Est Républicain - 04 nov. 2012 : Tout commence quand il tombe sur Yves Montand Paul Newman et leurs femmes respectives. « Je suis allé leur demander pour faire une photo. Newman n’a pas voulu. Simone Signoret m’a dit que c’était bien d’avoir demandé… Montand a compris que je serai là à la sortie du restaurant et a quasiment organisé une séance en montrant la montagne à Paul Newman. ».Alain Cinquini a sa première photo de stars. Qu’il n’exploite pas durant plusieurs jours. C’est sur les conseils d’un copain qu’il prend enfin contact avec l’agence Gamma. Le début d’une belle carrière.En un quart de siècle Alain Cinquini prendra entre 80.000 et 100.000 clichés de stars parmi les plus grandes devenant l’un des photographes indépendants incontournables du sud de la France et de Monaco. Il entretiendra des relations privilégiées avec des vedettes du cinéma et des artistes comme Armand ou César entre autres. Bref un parcours exemplaire au cours duquel il ne volera jamais une image et ne violera jamais l’intimité de ses « clients ». Tout l’inverse des paparazzis au sens où on l’entend aujourd’hui : « J’ai une façon de travailler dans le respect des personnes sans doute parce que j’ai été élevé ainsi. Certains de mes collègues se demandaient parfois comment j’arrivais à avoir certaines photos. C’était simplement parce que j’étais bien vu que je faisais mon boulot correctement. Et avec correction… Avoir une bonne réputation dans ce milieu-là ça compte ça ouvre des portes. Expertise by: David ZERBIB : 24 Av. du Prado 13006 Marseille France; Paul BENARROCHE 8 boulevard Alphonse Daudet 13960 SAUSSET les PINS06 10 25 64 93 Cannes: circa 1990s unknown
Referentie van de boekhandelaar : 16-4949
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