‎Chartier emile, dit alain ‎

‎Christophe Felder et Alain Gelberger‎

‎Leçons de pâtisserie : Tome 8 Les gâteaux classiques de Christophe‎

‎Editions Minerva 2008. Paperback. Good. Former library book. Ammareal gives back up to 15% of this item's net price to charity organizations. Editions Minerva paperback‎

Référence libraire : G-900-537 ISBN : 2830710118 9782830710113

‎CHRISTOPHE SAINTAGNE, ALAIN DUCASSE et PAULE NEYRAT‎

‎NATURE MERS ET OCEANS‎

‎Alain Ducasse 2011. Hardcover. Very Good. Former library book. Edition 2011. Ammareal gives back up to 15% of this item's net price to charity organizations. Alain Ducasse hardcover‎

Référence libraire : G-322-974 ISBN : 2841233774 9782841233779

‎Christophe Faber, Didier Charton, Benoit Roth et Alain Thiebaut‎

‎Tondeuses et débroussailleuses : Choix et entretien‎

‎Editions SAEP 2006. Paperback. Good. Former library book. Edition 2006. Ammareal gives back up to 15% of this item's net price to charity organizations. Editions SAEP paperback‎

Référence libraire : F-885-705 ISBN : 2737241677 9782737241673

‎Christophe Torset, Larry Bensimhon et Alain Burlaud‎

‎Tout le DSCG 3 - Management et contrôle de gestion‎

‎Foucher 2017. Paperback. Very Good. Former library book. Slight signs of wear on the cover. Edition 2017. Ammareal gives back up to 15% of this item's net price to charity organizations. Foucher paperback‎

Référence libraire : E-859-655 ISBN : 2216146161 9782216146161

‎Christophe Torset, Larry Bensimhon et Alain Burlaud‎

‎Tout le DSCG 3 - Management et contrôle de gestion‎

‎Foucher 2017. Paperback. Good. Former library book. Slight signs of wear on the cover. Edition 2017. Ammareal gives back up to 15% of this item's net price to charity organizations. Foucher paperback‎

Référence libraire : E-387-706 ISBN : 2216146161 9782216146161

‎Christophe Torset, Larry Bensimhon et Alain Burlaud‎

‎Tout le DSCG 3 - Management et contrôle de gestion - Révision et entraînement‎

‎Foucher 2020. Paperback. Very Good. Former library book. Slight signs of wear on the cover. Stains on the edge. Edition 2020. Ammareal gives back up to 15% of this item's net price to charity organizations. Foucher paperback‎

Référence libraire : D-869-198 ISBN : 2216157066 9782216157068

‎Chrystelle Menard, Caroline Garnier, Alain Prost, Oscar Torres Vera, Mina Oumassaoud, Luc Rejaud, Marie-Pierre Rey-Nony, Yohann‎

‎Objectif BAC 2023 - Term ST2S Toutes les matières‎

‎Hachette Éducation 2022. Paperback. Good. Slightly creased cover. Slight signs of wear on the cover. Edition 2022. Ammareal gives back up to 15% of this item's net price to charity organizations. Hachette Éducation paperback‎

Référence libraire : E-239-750 ISBN : 201718585x 9782017185857

‎Chrystelle Menard, Caroline Garnier, Alain Prost, Oscar Torres Vera, Mina Oumassaoud, Luc Rejaud, Marie-Pierre Rey-Nony, Yohann‎

‎Objectif Bac - Term ST2S Toutes les matières BAC 2022‎

‎Hachette Éducation 2021. Paperback. Good. Slightly creased cover. Edition 2021. Ammareal gives back up to 15% of this item's net price to charity organizations. Hachette Éducation paperback‎

Référence libraire : D-286-238 ISBN : 2017150886 9782017150886

‎CHURCHILL (Allen).‎

‎The Theatrical 20'S.‎

‎New York McGraw-Hill Book Company 1975 1 vol. relié in-4, cartonnage sous jaquette illustrée, 326 pp. (déchirure au dos de la jaquette), nombreuses photos en noir, index. Texte en anglais. Post-it avec le tampon des Archives Alain Resnais. Bon exemplaire. Exemplaire provenant de la bibliothèque d'Alain Resnais.‎

Référence libraire : 112380

‎Chu Lai, Alain Clanet, Cao Thi Lan Huong et Jacqueline Pouchou‎

‎Le mendiant du passé‎

‎Editions de l'Aube 2007. Paperback. Very Good. Former library book. Stains on the edge. Ammareal gives back up to 15% of this item's net price to charity organizations. Editions de l'Aube paperback‎

Référence libraire : D-176-670 ISBN : 2752603363 9782752603364

‎Chuck Palahniuk et Alain Defosse‎

‎Peste‎

‎Denoël 2008. Paperback. Good. Former library book. Slight signs of wear on the cover. Stains on the edge. Ammareal gives back up to 15% of this item's net price to charity organizations. Denoël paperback‎

Référence libraire : F-096-961 ISBN : 2207259684 9782207259689

‎Chupp, Sam; Dawson, Alain & David Edelstein & Jo Hart‎

‎In Nomine Liber Canticorum‎

‎Steve Jackson Games. As New. 1998. Paperback. 155634354x . This book is like new; no remainder marks. It does have some cover shelfwear. Inside pages are clean. ; 0.32 x 10.86 x 8.37 Inche; 128 pages . Steve Jackson Games paperback‎

Référence libraire : 080110-004-093 ISBN : 155634354x 9781556343544

‎Chénicourt Alain‎

‎L'inflation ou l'anti-croissance‎

‎Robert Laffont. 1971. In-8. Broché. Etat d'usage, Couv. convenable, Dos satisfaisant, Intérieur acceptable. 258 pages - couverture contre-pliée - quelques figures en noir et blanc dans le texte - quelques petites annotations sur les premières page de l'ouvrage. . . . Classification Dewey : 330-Economie‎

‎Classification Dewey : 330-Economie‎

Référence libraire : R160215734

‎Ciccone, Albert; Ferrant, Alain‎

‎Honte, culpabilité et traumatisme‎

‎Dunod (1/2023)‎

‎LIVRE A L’ETAT DE NEUF. EXPEDIE SOUS 3 JOURS OUVRES. NUMERO DE SUIVI COMMUNIQUE AVANT ENVOI, EMBALLAGE RENFORCE. EAN:9782100823697‎

Référence libraire : SLIVCN-9782100823697

‎Cifali Mireille, André Alain‎

‎Écrire l'expérience : Vers la reconnaissance des pratiques professionnelles‎

‎Presses Universitaires de France Broché 2007 In-8 (15,1 x 21,7 cm), broché, 403 pages ; zone légèrement brunie au premier plat en tête, par ailleurs bel état. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.‎

Référence libraire : cv3046

‎Cinéma 64‎

‎Cinéma 64Alain Delon N° 1 - Murnau et l'auroreUn dessin de Jean Effel - de Judex à Judex - Supplément Harpo Marx‎

‎Mars 1964 - 1 vol petit in-8 broché - N° 84 - 136 pages - iconographie dans le texte‎

‎bel état de conservation‎

Référence libraire : 42754

‎CINEMA]‎

‎Ciné-club de minuit.‎

‎Bruxelles 1964 1 vol. broché in-8 carré, broché, non paginé (64 pages). Brochure éditée à l'occasion de la 150e émission du ciné-club de minuit, fondé en 1955, présentant à pleine page des photographies des 150 films diffusés, dont Muriel d'Alain Resnais. Textes et tables de Paul Davay. Couverture et mise en page de Jean-Michel Folon. Brochage fragile (quelques feuillets détachés). Exemplaire provenant de la bibliothèque d'Alain Resnais.‎

Référence libraire : 112912

‎CinemAction Alain DHOTE‎

‎Cinéma et psychanalyse.‎

‎Corlet 1989. IN FRENCH - EN FRANÇAIS 208 pages; Numéro 50 janvier 1989 de la revue CinémAction dirigée par Guy HENNEBELLE. --------- Broché. Couverture un peu frottée. Coins légèrement écornés. . Livre propre à l'intérieur et solide. En bon état. Broché. Bon. 8vo. Livre. Corlet Paperback‎

Référence libraire : 022247 ISBN : 2854802098 9782854802092

‎Cinquini, Alain‎

‎1990s American Actor‎

‎Monte-Carlo: Alain Cinquini 1996. 22x15 cm. Color photo. Very Good. Alain Cinquini 1941-2021 photographerL'Est Républicain - Nov. 04 2012: Article on Alain Cinquini It all started when he came across Yves Montand Paul Newman and their respective wives. "I went to ask them to take a picture. Newman didn't want to. Simone Signoret told me that it was good to have asked. Montand understood that I would be there at the exit of the restaurant and practically organized a session by showing the mountain to Paul Newman. .Alain Cinquini takes his first photo of stars; that he does not exhibit for several days. It was on the advice of a friend that he finally made contact with the Gamma agency. The beginning of a great career. In a quarter o a century Alain Cinquini will take between 80000 and 100000 shots of the greatest stars becoming one of the essential independent photographers in the south of France and Monaco. He will maintain privileged relations with stars cinema and artists like Armand or César among others. In short an exemplary career during which he will never steal an image and will never violate the privacy of his clients." Quite the opposite of the paparazzi as we understand it today: "I have a way of working with respect for people probably because I was brought up that way. Some of my colleagues sometimes wondered how I managed to get certain photos. It was simply because I was seen well that I was doing my job correctly. And with correction. Having a good reputation in this environment it counts it opens doors. Monte-Carlo: Alain Cinquini, 1996 unknown‎

Référence libraire : 73-2082

‎Cinquini, Alain‎

‎1990s American Actor‎

‎Monte-Carlo: Alain Cinquini 1996. 22x15 cm. Color photo. Very Good. Alain Cinquini 1941-2021 photographerL'Est Républicain - Nov. 04 2012: Article on Alain Cinquini It all started when he came across Yves Montand Paul Newman and their respective wives. "I went to ask them to take a picture. Newman didn't want to. Simone Signoret told me that it was good to have asked. Montand understood that I would be there at the exit of the restaurant and practically organized a session by showing the mountain to Paul Newman. .Alain Cinquini takes his first photo of stars; that he does not exhibit for several days. It was on the advice of a friend that he finally made contact with the Gamma agency. The beginning of a great career. In a quarter o a century Alain Cinquini will take between 80000 and 100000 shots of the greatest stars becoming one of the essential independent photographers in the south of France and Monaco. He will maintain privileged relations with stars cinema and artists like Armand or César among others. In short an exemplary career during which he will never steal an image and will never violate the privacy of his clients." Quite the opposite of the paparazzi as we understand it today: "I have a way of working with respect for people probably because I was brought up that way. Some of my colleagues sometimes wondered how I managed to get certain photos. It was simply because I was seen well that I was doing my job correctly. And with correction. Having a good reputation in this environment it counts it opens doors. Monte-Carlo: Alain Cinquini, 1996 unknown‎

Référence libraire : 73-2080

‎Cinquini, Alain‎

‎1990s American Actor‎

‎Monte-Carlo: Alain Cinquini 1996. 22x15 cm. Color photo. Very Good. Alain Cinquini 1941-2021 photographerL'Est Républicain - Nov. 04 2012: Article on Alain Cinquini It all started when he came across Yves Montand Paul Newman and their respective wives. "I went to ask them to take a picture. Newman didn't want to. Simone Signoret told me that it was good to have asked. Montand understood that I would be there at the exit of the restaurant and practically organized a session by showing the mountain to Paul Newman. .Alain Cinquini takes his first photo of stars; that he does not exhibit for several days. It was on the advice of a friend that he finally made contact with the Gamma agency. The beginning of a great career. In a quarter o a century Alain Cinquini will take between 80000 and 100000 shots of the greatest stars becoming one of the essential independent photographers in the south of France and Monaco. He will maintain privileged relations with stars cinema and artists like Armand or César among others. In short an exemplary career during which he will never steal an image and will never violate the privacy of his clients." Quite the opposite of the paparazzi as we understand it today: "I have a way of working with respect for people probably because I was brought up that way. Some of my colleagues sometimes wondered how I managed to get certain photos. It was simply because I was seen well that I was doing my job correctly. And with correction. Having a good reputation in this environment it counts it opens doors. Monte-Carlo: Alain Cinquini, 1996 unknown‎

Référence libraire : 73-2078

‎Cinquini, Alain (1941-2021); Marc Chagall (1887-1985)‎

‎A collection of original photographs of Marc Chagall and Jean Louis Prat of the Fondatioin Maeght.‎

‎Saint Paul de Vence: July 1983. 3 silver prints and one color print. 17 x 13 18 x 13 19 x 13 cm. Signed and dated on 3 versos. Jean-Louis Prat:"Around the exhibition - with Marc Chagall'Special issue. Marc Chagall "BONJOUR LA PATRIE!".Chagall often used to drop in to the Maeght Foundation which was close to the Les Collines house-studio built by the artist in Saint-Paul in the shade of tall pine trees. During his walks in the rare hours set aside for rest how hard he always worked! invariably accompanied by his wife Vava he would visit us at the Foundation to see the latest works or take another look at pictures by artists he liked: Pierre Bonnard Henri Matisse Fernand Leger Georges Bracque Joan Miro and many other contemporaries who had been pioneers of the new art like he was.L'Est Républicain - 04 nov. 2012 : Tout commence quand il tombe sur Yves Montand Paul Newman et leurs femmes respectives. « Je suis allé leur demander pour faire une photo. Newman n’a pas voulu. Simone Signoret m’a dit que c’était bien d’avoir demandé… Montand a compris que je serai là à la sortie du restaurant et a quasiment organisé une séance en montrant la montagne à Paul Newman. ».Alain Cinquini a sa première photo de stars. Qu’il n’exploite pas durant plusieurs jours. C’est sur les conseils d’un copain qu’il prend enfin contact avec l’agence Gamma. Le début d’une belle carrière.En un quart de siècle Alain Cinquini prendra entre 80.000 et 100.000 clichés de stars parmi les plus grandes devenant l’un des photographes indépendants incontournables du sud de la France et de Monaco. Il entretiendra des relations privilégiées avec des vedettes du cinéma et des artistes comme Armand ou César entre autres. Bref un parcours exemplaire au cours duquel il ne volera jamais une image et ne violera jamais l’intimité de ses « clients ». Tout l’inverse des paparazzis au sens où on l’entend aujourd’hui : « J’ai une façon de travailler dans le respect des personnes sans doute parce que j’ai été élevé ainsi. Certains de mes collègues se demandaient parfois comment j’arrivais à avoir certaines photos. C’était simplement parce que j’étais bien vu que je faisais mon boulot correctement. Et avec correction… Avoir une bonne réputation dans ce milieu-là ça compte ça ouvre des portes. Expertise by: David ZERBIB : 24 Av. du Prado 13006 Marseille France; Paul BENARROCHE 8 boulevard Alphonse Daudet 13960 SAUSSET les PINS06 10 25 64 93 Saint Paul de Vence: July 1983 unknown‎

Référence libraire : 16-4768

‎Cinquini, Alain (1941-2021); Marc Chagall (1887-1985)‎

‎A collection of original photographs of the burial of Marc Chagall with family and friend.s.‎

‎Saint Paul de Vence: April 1 1985. 9 silver prints. plus a contact sheet. Most 17 x 13 cm. Annotated signed and dated 1.4.85 verso by the photographer. Includes Chagall's son David McNeil his grandson Piet Meyer his granddaughter Bella Meyer and various dignitaries. Jewish Telegraphic Agency April 2 1985:"Marc Chagall the Russian born Jewish painter many of whose masterpieces were on Jewish themes was buried today at Saint Paul De Vence the village in the south of France where he lived and worked for the past 20 years. He died last Thursday at the age of 97.There were no religious rites. Chagall’s widow Valentina Brodsky said the artist had specifically requested that there be no religious service at his burial. A family member recited the Kaddish but without the required minyan.The funeral was attended by a handful of family members and close friends and by diplomats of three nations. Two representatives of the Soviet Embassy in Paris were present as were French Foreign Minister Roland Dumas Minister of Culture Jack Lang and Israel’s Ambassador to France Ovadia Soffer.". Alain Cinquini:L'Est Républicain - 04 nov. 2012 : Tout commence quand il tombe sur Yves Montand Paul Newman et leurs femmes respectives. « Je suis allé leur demander pour faire une photo. Newman n’a pas voulu. Simone Signoret m’a dit que c’était bien d’avoir demandé… Montand a compris que je serai là à la sortie du restaurant et a quasiment organisé une séance en montrant la montagne à Paul Newman. ».Alain Cinquini a sa première photo de stars. Qu’il n’exploite pas durant plusieurs jours. C’est sur les conseils d’un copain qu’il prend enfin contact avec l’agence Gamma. Le début d’une belle carrière.En un quart de siècle Alain Cinquini prendra entre 80.000 et 100.000 clichés de stars parmi les plus grandes devenant l’un des photographes indépendants incontournables du sud de la France et de Monaco. Il entretiendra des relations privilégiées avec des vedettes du cinéma et des artistes comme Armand ou César entre autres. Bref un parcours exemplaire au cours duquel il ne volera jamais une image et ne violera jamais l’intimité de ses « clients ». Tout l’inverse des paparazzis au sens où on l’entend aujourd’hui : « J’ai une façon de travailler dans le respect des personnes sans doute parce que j’ai été élevé ainsi. Certains de mes collègues se demandaient parfois comment j’arrivais à avoir certaines photos. C’était simplement parce que j’étais bien vu que je faisais mon boulot correctement. Et avec correction… Avoir une bonne réputation dans ce milieu-là ça compte ça ouvre des portes. Expertise by: David ZERBIB : 24 Av. du Prado 13006 Marseille France; Paul BENARROCHE 8 boulevard Alphonse Daudet 13960 SAUSSET les PINS06 10 25 64 93 Saint Paul de Vence: April 1, 1985 unknown‎

Référence libraire : 16-4759

‎Cinquini, Alain‎

‎A. Villiers P. Jenkins Farhi M. Lou‎

‎Cannes: Alain Cinquini 1988. 3x3.5 cm slide. 5 slides. Negatives. Very Good. Alain Cinquini 1941-2021 photographerL'Est Républicain - Nov. 04 2012: Article on Alain Cinquini It all started when he came across Yves Montand Paul Newman and their respective wives. "I went to ask them to take a picture. Newman didn't want to. Simone Signoret told me that it was good to have asked. Montand understood that I would be there at the exit of the restaurant and practically organized a session by showing the mountain to Paul Newman. .Alain Cinquini takes his first photo of stars; that he does not exhibit for several days. It was on the advice of a friend that he finally made contact with the Gamma agency. The beginning of a great career. In a quarter o a century Alain Cinquini will take between 80000 and 100000 shots of the greatest stars becoming one of the essential independent photographers in the south of France and Monaco. He will maintain privileged relations with stars cinema and artists like Armand or César among others. In short an exemplary career during which he will never steal an image and will never violate the privacy of his clients." Quite the opposite of the paparazzi as we understand it today: "I have a way of working with respect for people probably because I was brought up that way. Some of my colleagues sometimes wondered how I managed to get certain photos. It was simply because I was seen well that I was doing my job correctly. And with correction. Having a good reputation in this environment it counts it opens doors. Cannes: Alain Cinquini, 1988 unknown‎

Référence libraire : 73-6074

‎Cinquini, Alain‎

‎Actresses‎

‎St. Paul: Alain Cinquini 1996. 22x15 cm. Color photo. Very Good.Alain Cinquini 1941-2021 photographerL'Est Républicain - Nov. 04 2012: Article on Alain Cinquini It all started when he came across Yves Montand Paul Newman and their respective wives. "I went to ask them to take a picture. Newman didn't want to. Simone Signoret told me that it was good to have asked. Montand understood that I would be there at the exit of the restaurant and practically organized a session by showing the mountain to Paul Newman. .Alain Cinquini takes his first photo of stars; that he does not exhibit for several days. It was on the advice of a friend that he finally made contact with the Gamma agency. The beginning of a great career. In a quarter o a century Alain Cinquini will take between 80000 and 100000 shots of the greatest stars becoming one of the essential independent photographers in the south of France and Monaco. He will maintain privileged relations with stars cinema and artists like Armand or César among others. In short an exemplary career during which he will never steal an image and will never violate the privacy of his clients." Quite the opposite of the paparazzi as we understand it today: "I have a way of working with respect for people probably because I was brought up that way. Some of my colleagues sometimes wondered how I managed to get certain photos. It was simply because I was seen well that I was doing my job correctly. And with correction. Having a good reputation in this environment it counts it opens doors. St. Paul: Alain Cinquini, 1996 unknown‎

Référence libraire : 73-2206