‎Sand george‎

‎George Sand‎

‎Mes Souvenirs Classic Reprint‎

‎hardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover‎

Referentie van de boekhandelaar : 026035628X.G ISBN : 026035628X 9780260356284

‎Sand pse, Title George‎

‎La Fille de George Sand: Lettres Inédites French Edition‎

‎paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback‎

Referentie van de boekhandelaar : 1246036347.G ISBN : 1246036347 9781246036343

‎George SAND‎

‎Oeuvres autobiographiques‎

‎Paris: Gallimard Bibliothèque de La Pléiade 1970. Fine. Gallimard Bibliothèque de La Pléiade Paris 1970-1971 10.50 x 17.50 cm 2 volumes en reliures de l'éditeur New edition. Publisher's full green grained sheep bindings blue top edges smooth spines decorated with gilt fillets. Fine copies complete with their protective wrappers but lacking their slipcases and dust jackets. Gallimard, Bibliothèque de La Pléiade unknown‎

Referentie van de boekhandelaar : 81619

‎George SAND‎

‎La Mare au Diable • The Devil's Pool‎

‎Paris: Michel Lévy frères 1867. Fine. Michel Lévy frères Paris 1867 11.50 x 18.50 cm relié New edition. Contemporary binding in half green shagreen spine in four compartments set with gilt stippling gilt fillets and gilt fleurons in the corner pieces multiple blind tooled frames on the boards white iridescent paper endpapers all edges gilt. Some leaves shorter in the bottom margin. Handwritten inscription signed by George Sand on the first endpaper: “à mon bon ami Edmond Plauchut. G. Sand"". Today the only outsider to the family buried in the cemetery of the Nohant house is Lucien-Joseph-Edmond Plau chut 1824-1909 who began an epistolary relationship with George Sand in the autumn of 1848 when he was a voluntary expatriate after the fall of the Republic. Leaving for Singapore he was shipwrecked off the coast of the Cape Verde Islands and was able to save only one cassette containing Sand's letters that he had preciously bound. These missives were his salvation: they allowed him to be collected fed and laundered by a rich Portuguese admirer of the Lady of Nohant Francisco Cardozzo de Mello. After several journeys toward the Far East and several exotic presents sent to his distant and yet so close friend Plauchut finally met George Sand in 1861. In 1870 she paid a vibrant tribute to him in the preface of her novel Malgrétout. Despite everything she recounts the shipwreck of which he was a victim and expresses with emotion her friendship for this courageous friend. Plauchut much loved by the Sand family – and particularly George's granddaughters who nicknamed him Uncle Plauchemar – was an integral part until his death in January 1909. The handwritten signed inscriptions on La Mare au Diable are very rare this one is from a superb provenance. Michel Lévy frères hardcover‎

Referentie van de boekhandelaar : 80208

‎Sand pse, Title George‎

‎Les Mississipiens Proverbe. French Edition‎

‎paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback‎

Referentie van de boekhandelaar : 1274775523.G ISBN : 1274775523 9781274775528

‎SAND George‎

‎Les maîtres sonneurs.‎

‎Editions S.E.P.E 1947. Board Book. Illustrations de Pierre Collot. <b>Livre en français</b>. Couverture rigide. Cartonné. 320 pages. Mouillure à la couverture. <i>ref. 135265</i> Editions S.E.P.E unknown‎

Referentie van de boekhandelaar : 135265

‎George SAND‎

‎Leone Leoni‎

‎Paris: Félix BonnaireVictor Magen 1835. Fine. Félix Bonnaire Victor Magen Paris 1835 12.50 x 20.70 cm relié First edition. The half-title indicates: Publications de la Revue des deux mondes where the novel had indeed appeared in pre-publication form in 1834. Contemporary half glazed tender green calf binding. Smooth spine with false flat raised bands decorated with blind tooling and roulettes. Cherry red glazed shagreen title label. Spine now light brown. Scattered foxing. Romantic work written during her stay in Italy where her liaison with Musset ended George Sand admits to having been inspired by Manon Lescaut in Leone Leoni but by reversing the characters. The novel relates the harmful passion of a naive woman for an Italian nobleman with destructive vices. She is taken in by Don Aleo who is in love with the young woman. This love triangle will have a tragic destiny. Félix BonnaireVictor Magen hardcover‎

Referentie van de boekhandelaar : 78365

‎George SAND‎

‎Lettre autographe signée adressée à Alphonse Peyrat‎

‎1868. Fine. s. d. mai 1868 13.50 x 20.70 cm 2 pages sur un double feuillet Autograph letter signed by George Sand addressed to Alphonse Peyrat two pages written in black ink on a double sheet. Transverse folds inherent to mailing. Interesting letter evoking one of her faithful friends: Jean Patureau-Francoeur. George Sand had published a long obituary article in tribute to this close friend in L'Avenir national on May 2 1868. She described her late friend with great tenderness: ""C'était un simple paysan un vigneron des faubourgs de Châteauroux. Il avait appris tout seul à écrire et il écrivait très remarquablement avec ces naïves incorrections qui sont presque des grâces dans un style rustique et spontané. . Ce petit homme robuste à grosse tête ronde au teint coloré à l'Âœil bleu étincelant et doux était doué d'une façon supérieure. Il voyait la nature il l'observait il l'aimait et il la savait. . Son existence parmi nous fut pénible agitée méritante. Naturellement un esprit aussi complet que le sien devait se passionner pour les idées de progrès et de civilisation. Il fut avant la Révolution le représentant populaire des aspirations de son milieu et il travailla à les diriger vers un idéal de justice et d'humanité. ."" ""He was a simple peasant a wine-grower from the suburbs of Châteauroux. He had taught himself to write and he wrote remarkably well with those naive incorrections that are almost graces in a rustic and spontaneous style. . This sturdy little man with his large round head his ruddy complexion his sparkling and gentle blue eyes was gifted in a superior way. He saw nature observed it loved it and understood it. . His existence among us was painful agitated meritorious. Naturally a mind as complete as his had to be passionate about ideas of progress and civilization. He was before the Revolution the popular representative of his milieu's aspirations and he worked to direct them toward an ideal of justice and humanity. ."" In 1848 Patureau was elected mayor of Châteauroux and became the spokesman for the workers of his commune. ""Au moment du coup d'État il fut poursuivi mais il se cacha dans des familles amies et échappa à la police. George Sand obtint difficilement sa grâce ce qui lui permit de regagner Châteauroux. Il fut arrêté en janvier 1858 à la suite de la loi de sûreté générale."" ""At the time of the coup d'état he was pursued but he hid with friendly families and escaped the police. George Sand obtained with difficulty his pardon which allowed him to return to Châteauroux. He was arrested in January 1858 following the general security law."" ""Il resta un mois au cachot sur la paille en plein hiver. Quand on le mit dans la voiture cellulaire qui le dirigeait vers l'Afrique il était presque aveugle et depuis il a toujours souffert cruellement des yeux"" ""He remained a month in the dungeon on straw in the middle of winter. When they put him in the prison van that was taking him to Africa he was almost blind and since then he has always suffered cruelly with his eyes"" George Sand. In September 1858 following an intervention by George Sand with her friend Jérôme-Napoléon Napoleon III's cousin he was released but remained under surveillance. He settled in Algeria after obtaining permission to come to Châteauroux to sell his house and vineyard and to fetch his family. In Algeria he lived by his trade as a wine-grower was part of the Agricultural Society of Philippeville and wrote a treatise on viticulture."" Maintron ""À présent je viens vous demander de me payer ce petit article le plus cher que vous pouvez et d'envoyer le prix directement à Joseph Patureau rue de cluis n°7 à Châteauroux. Indre. Et cela le plus tôt possible."" ""Now I come to ask you to pay me for this little article as dearly as you can and to send the payment directly to Joseph Patureau rue de cluis n°7 à Châteauroux. Indre. And this as soon as possible."" Jos unknown‎

Referentie van de boekhandelaar : 78482

‎George SAND‎

‎"Je suis toujours enfermée pour écrire ou sortir pour me promener."" • Signed autograph letter addressed to Léon Curmer‎

‎Paris 1840. Fine. Paris jeudi 7 mai 1840 13.60 x 20.90 cm une page sur un double feuillet Autograph letter signed by George Sand addressed to publisher Léon Curmer. One page written in black ink on a double sheet. This letter was published in the complete correspondence compiled by Georges Lubin. ""Monsieur J'ai parcouru votre recueil avec beaucoup d'intérêt et j'accepte la collaboration que vous m'avez offerte mais je ne pourrais m'occuper de vous satisfaire que dans six semaines ou deux mois. Si cette époque vous convient veuillez bien me le faire savoir ainsi que les conditions de la rédaction."" ""Sir I have perused your collection with great interest and I accept the collaboration you have offered me but I could not undertake to satisfy you for six weeks or two months. If this timing suits you please let me know as well as the conditions of the writing."" The ""recueil"" ""collection"" in question here is none other than Les Français peints par eux-mêmes. Sand would not however collaborate on this monumental compendium of types preferring instead several years later Le Diable à Paris published under the direction of her close friend publisher Hetzel. unknown‎

Referentie van de boekhandelaar : 77244

‎George SAND‎

‎"On n'est jamais plus heureux et inspiré que quand on croit n'avoir pas le temps de l'être."" • Signed autograph letter addressed to René Biémont‎

‎Nohant Nohant-Vic 1863. Fine. Nohant Nohant-Vic 14 mars 1863 13.40 x 20.60 cm 3 pages sur un double feuillet Autograph letter signed by George Sand addressed to René Biémont. Three pages written in blue ink on a double sheet bearing at the head of the first page the blind stamp of Sand's initials. Envelope included. Folds inherent to mailing. This letter was published in the complete correspondence of George Sand established by Georges Lubin. Fine letter of congratulations addressed to René Biémont after sending his work Le Petit Fils d'Obermann: ""Your little book is very original and you show qualities of talent that will develop if you look ahead."" As an attentive reader much solicited by her young peers Sand develops her literary criticism: ""Obermann and his grandson the monk belong to the past. They are true and the timid Jean is well drawn. There is grandeur and truth in this exceptional type. But Constant d'Heurs is too passive to events. He should react against this powerless man and cure him or pity him more ."" Sententiously she thus concludes her letter: ""Do not complain of thankless work and accept it as a good thing three-quarters of life sacrificed to some duty makes the last quarter very strong and very alive. It is very good to be attached to poetry and thwarted in the possession of a beautiful dream. As soon as one can savor it without respite it fades or becomes troubled. I speak to you from experience. One is never happier and more inspired than when one believes one does not have time to be so."" Very fine testimony to the leading role that George Sand played on the literary scene of the Second Empire. unknown‎

Referentie van de boekhandelaar : 76837

‎George SAND‎

‎"Je suis bien d'âge à être votre mère car j'ai 55 ans et j'ai de bonnes mains bien adroites mais pas belles du tout."" • Signed autograph letter addressed to Ernest Feydeau‎

‎Nohant Nohant-Vic 1859. Fine. Nohant Nohant-Vic 16 août 1859 13.50 x 20.90 cm 4 pages sur un double feuillet Autograph letter signed by George Sand addressed to Ernest Feydeau. Four pages written in blue ink on a double sheet bearing at the head of the first page the sender's blind stamp. This letter was published in the complete correspondence of George Sand established by Georges Lubin. Fine and lengthy letter discussing literature and friendship between writers. Initially a stockbroker and specialist in Antiquity Ernest Feydeau launched himself late into fiction. Anxious to occupy a literary space in which he did not feel justly appreciated he used his connections and maintained a regular epistolary relationship with illustrious correspondents such as Gustave Flaubert Sainte-Beuve and George Sand to whom he sent drafts of his novels and whose opinions he sought. This letter forms Sand's response after having just finished reading Daniel Feydeau's second novel. George Sand then at the height of her literary career describes herself thus: ""I am quite old enough to be your mother for I am 55 years old and I have good hands quite skillful but not beautiful at all. I have earned the right to no longer be coquettish I have been quite reproached for never having been so. I will tell you anything about myself that you wish."" As was her habit much solicited by her peers she delivers a very detailed critique of the text her colleague submits to her: ""I am not against sentences that jar where they need to jar but I am not for harmony being sacrificed to rhythm. Nor am I for the contrary. Understand me well I only blame what is too noticeable what reveals the technique. Do not touch the passages you speak of they are excellent. And in sum I will not insist furiously on the question of form in style seeing that if the qualities of yours should disappear with what sometimes seems to me a flaw I would be in despair at having pointed out the flaw."" Herself very close to Flaubert whom she nicknamed her ""leaden bottom"" Sand seems delighted that the two men know each other: ""I do not have time. But I will have time to receive you when you are free you must come with Flaubert who also has in me an enchanted reader and a wholehearted literary friend. I did not know he was your friend and I am pleased that he is."" The friendship goes so far that Sand soon brings the two writers together placing them on complete equal footing: ""It is no misfortune for you any more than for Flaubert to belong to the race of seers."" A form of solidarity then establishes itself in the face of critical adversity: ""All this is felt better than it can be said and that is why criticism loses its reason three-quarters of the time."" For criticism has had the misfortune of labeling Feydeau as it did with Flaubert a realist: ""People have taken it upon themselves to baptize your manner and his as realism. I do not know why; unless realism is something entirely different from what the first adherents attempted to explain to us. I suspect indeed that there is a way of envisaging the reality of things and beings which is great progress and you bring triumphant proof of it. But the name realism does not suit because art is a multiple infinite interpretation. It is the artist who creates reality within himself his own reality and not that of another. Two painters paint the portrait of the same person. Both create a work that represents the person if they are both masters. And yet the two paintings do not resemble each other. What has become of reality"" This long diatribe - a true manifesto - forms a powerful testimony to the repulsion of George Sand and Flaubert for theorists obsessed with the idea of classifying literature according to a ""system that . blinds"". unknown‎

Referentie van de boekhandelaar : 76839

‎Sand, George, Habsburg, Ludwig S von, Tietze, Caroline‎

‎Ein Winter auf Mallorca: Mit Illustrationen vom "Arxiduc" Erzherzog Ludwig Salvator von Habsburg‎

‎PIC manus dos 1999. paperback. gebraucht gut Alterbedingte Gebrauchsspuren evtl. auch gutes Mängelexemlar. 1860 x 1220 x 260 PIC manus dos paperback‎

Referentie van de boekhandelaar : 146524 ISBN : 848998350x 9788489983502

‎Sand, Kaia‎

‎Remember to Wave‎

‎paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback‎

Referentie van de boekhandelaar : 0978992989.G ISBN : 0978992989 9780978992989

‎Sand, George‎

‎Horace.‎

‎Paris: Club des Amis du livre progressiste 1961. Original hardcover. 203404 pp.; ills.; 20x15.5 cm. With bookplate ex-libris pasted in. Text in French / Français. - binding partly discoloured paper slightly browned Although very good see picture Club des Amis du livre progressiste hardcover‎

Referentie van de boekhandelaar : 55178

‎George SAND - (Maurice SAND)‎

‎Manuscrit autographe signé à propos du ""Coq aux cheveux d'or"" de Maurice Sand‎

‎Nohant Nohant-Vic 1872. Fine. Nohant Nohant-Vic 19 semptembre 1872 13.20 x 20.60 cm 20 pages 1/2 sur 21 feuillets Autograph manuscript signed by George Sand written in black ink on 21 leaves of white paper. Deletions and corrections. One page of the manuscript appears to have been lost. The final version of this chronicle whose text conforms to the manuscript we offer was published in Impressions et souvenirs Paris M. Lévy 1873. George Sand would devote another article to her son's novel in Questions d'art et de littérature in 1878. The first edition of Maurice Sand's Coq aux cheveux d'or was published by Lacroix and Verboeckhoven in 1867. unknown‎

Referentie van de boekhandelaar : 75733

‎George SAND‎

‎Lettre autographe signée adressée à Stéphanie Geoffroy-Saint-Hilaire : de l'émancipation féminine par l'éducation : ""Ç'a été pour moi une éducation à part que celle de cet enfant de 18 ans qui n'en avait que 2 il y a six mois et qui a maintenant son âge avec toute la candeur de l'enfance conservée."" • Autograph letter signed addressed to Stéphanie Geoffroy-Saint-Hilaire: on womenÂ’s emancipation through education: “It has been for me a separate kind of education that of this child of 18 who was only 2 six months ago and who now has her age with all the candour of childhood preserved‎

‎Nohant Nohant-Vic 1858. Fine. Nohant Nohant-Vic 3 juin 1858 13.40 x 20.90 cm 4 pages sur un feuillet remplié Autograph letter signed by George Sand addressed to her friend Stéphanie Bourjot daughter of Étienne Geoffroy-Saint-Hilaire. Four pages written in blue ink on a folded bifolium bearing George SandÂ’s monogram. Fold marks as usual.   This letter was partially published in Correspondance vol. XIV no. 7846. A beautiful and partly unpublished letter in which George Sand discusses Marie Pape-CarpantierÂ’s book and the education of her young maid Marie Caillaud: «It is an excellent book which I use to teach my young maid to read. She is extraordinarily intelligent and this book opens her mind to all sorts of sound ideas. Educating this 18-year-old child—who six months ago was only two in terms of knowledge—has been a unique experience. She now seems her age yet retains all the innocence of childhood. So every evening we read Marie CarpentierÂ’s little stories and I enjoy them just as much as my pupil does.»   Marie Caillaud was only eleven years old when George Sand hired her to wash dishes and tend to the chicken coop a task that earned her the nickname “Marie des poules.” But the writer soon recognized the young peasant girlÂ’s intelligence appointed her as housekeeper and by 1856 included her in the performances of the Nohant theatre. Her education is first mentioned in early 1858 notably in a letter from George Sand to her friend Charles Duvernet: «During my winter evenings I took on the education of little Marie the one who acted with us. From a dish washer I immediately raised her to the rank of housekeeper a role for which her excellent mind makes her perfectly suited. The greatest obstacle was that she couldn't read. That obstacle no longer exists. In thirty half-hour lessons—fifteen hours in a month—she mastered all the difficulties of the language slowly but perfectly. This miracle is due to the admirable Laffore method which I applied with the utmost gentleness to a perfectly lucid mind.» 16 February 1858   Marie Caillaud would go on to become a notable actress at Nohant and move in the circles of George SandÂ’s illustrious guests: Delacroix Gautier Dumas Prince Jérôme BonaparteÂ… But Marie was not George SandÂ’s first pupil. All her life Sand was deeply interested in pedagogy and taught not only her children and grandchildren but also members of her household staff and local peasants.   This letter is a remarkable testament to her hands-on approach as a teacher always seeking new and effective ways to impart knowledge: «What is lacking—or at least what I havenÂ’t found—is a true reading method. IÂ’ve devised one for my own use never written down based on LafforeÂ’s and adapted to my own ideas. But what I havenÂ’t found in primers for children or public school manuals is a well-crafted exercise book that teaches reading logically while also making sense of spelling. Does such a book exist» Far from a casual activity education was central to George SandÂ’s worldview. As Georges Lubin noted her aim was not merely to teach literacy. Taught to write by her own mother at the age of five Sand understood from an early age that the only path to equality lay through intellectual emancipation: «She understood very early on that the only road to equality was intellectual emancipation. The ignorance imposed upon women was the root of their servitude. The ignorance imposed upon the working classes underpinned class inequality. Education was the key to opening locked doors.» «George Sand et l'éducation» in Nineteenth-Century French Studies 1976 A beautiful and important testimony to George SandÂ’s tireless struggle for the emancipation of women through education. unknown‎

Referentie van de boekhandelaar : 76111

‎SAND George‎

‎Valentine. Vers 1920.‎

‎Editions Calmann-Lévy 1920. Paperback. Illustré par Lobel-Riche. <b>Livre en français</b>. Couverture souple. Nouvelle collection illustrée. N° 74. Broché. 16 x 24 cm. 142 pages. Dos réparé. <i>ref. 131881</i> Editions Calmann-Lévy paperback‎

Referentie van de boekhandelaar : 131881

‎SAND George‎

‎Elle et lui.‎

‎Editions Calmann-Lévy 1918. Paperback. Illustré par Lobel-Riche. <b>Livre en français</b>. Couverture souple. Nouvelle collection illustrée. N° 28. Broché. 16 x 24 cm. 126 pages. Couverture légèrement défraîchie. <i>ref. 131879</i> Editions Calmann-Lévy paperback‎

Referentie van de boekhandelaar : 131879

‎George SAND‎

‎PHOTOGRAPHIE Portrait photographique de George Sand‎

‎Paris: Nadar 1852. Fine. Nadar Paris s. d. circa 1852 6.50 x 10.30 cm une photographie Original albumen photograph representing George Sand in carte-de-visite format mounted on studio cardboard from Nadar ""35 boulevart des Capucines"". This photograph taken in 1852 by Nadar after a daguerreotype by Richebourg was commercialized between 1862 and 1871 as evidenced by the photographer's address on the back of the cardboard. Pencil annotation in lower margin of the portrait as well as on the back. A period bookseller's label pasted on the back of the cardboard. One copy at the Musée d'Orsay. Nadar unknown‎

Referentie van de boekhandelaar : 73020

‎SAND George‎

‎Un hiver à Majorque.‎

‎Palma Baléares 2008. Paperback. <b>Livre en français</b>. Couverture souple. Broché. 211 pages. <i>ref. 128547</i> Palma, Baléares paperback‎

Referentie van de boekhandelaar : 128547

‎George SAND‎

‎"Étroniforme est le mot sublime qui classe cette espèce de végétaux merdoïdes"" • Autograph letter to Gustave Flaubert‎

‎Nohant Nohant-Vic 1867. Fine. Nohant Nohant-Vic 21 décembre 1867 13.40 x 20.70 cm deux feuillets sous chemise et étui Autograph letter from George Sand to Gustave Flaubert dated December 21 1867 8 pages on two lined leaves. Published in Sand's Correspondance XX pp. 642-645. From one of the finest literary correspondences of the century this letter written on Christmas Eve 1867 is a sublime testament to the frank friendship between George Sand the “old troubadour” and Gustave Flaubert christened “cul de plomb” leaden ass after declining his invitation to Nohant to complete L'Éducation sentimentale. Despite their seventeen year-age gap opposing temperaments and divergent outlooks on life the reader is gripped by the tenderness and astonishing verve of George Sand's long confession to Flaubert. At the height of her literary fame and enjoying her theater in Nohant Sand talks at length about politics their separation their conception of the writer's work and life itself. In this “stream-of-consciousness” letter Sand naturally and freely sets down on paper eight pages of conversations with Flaubert who made only too rare and brief appearances in Nohant: “But how I chat with you! Do you find all this amusing I'd like a letter to replace one of our suppers which I too miss and which would be so good here with you if you weren't a cul de plomb leaden ass who won't let yourself be dragged along to life for life's sake” whereas Flaubert's motto then busy writing L'Éducation sentimentale was rather art for art's sake. In the end of 1867 Sand grieved the death of an “almost brother” François Rollinat which Sand appeased with letters to Flaubert and lively evenings at Nohant: “This is how I've been living for the last 15 days since I stopped working . Ah'! . Ah! when you're on vacation work logic and reason seem like strange swings.” Sand was quick to criticize him for working tirelessly in his robe “the enemy of freedom” while she was running up and down mountains and valleys from Cannes to Normandy even to Flaubert's own home which she had visited in September. On this occasion Sand had happily reread Salammbô where she picked up a few lines for her latest novel Mademoiselle Merquem. Their literary and virile friendship similar to Rollinat's defied the old guard of literati who declared the existence of a “sincere affair” between man and woman utterly impossible. Sand who has been described in turn as a lesbian a nymphomaniac and made famous for her resounding and varied love affairs began a long and intense correspondence with Flaubert for whom she was a mother and an old friend. She called herself in their letters “old troubadour” or “old horse” and no longer even considered herself a woman but a quasi-man recalling her youthful cross-dressing and formidable contempt for gender norms. To Flaubert had compared the female writers as Amazons denying their femininity: “To better shoot with the bow they crushed their nipples” Sand replied in this letter: “I don't share your idea that you have to do away with the breast to shoot with the bow. I have a completely opposite belief for my own use which I think is good for many others probably for the majority”. A warrior yes but a peaceful warrior Sand willingly adopted the customs of a world of misogynistic intellectuals while remaining true to herself: “I believe that the artist should live in one's nature as much as possible. To the man who loves struggle war; to the man who loves women love; to the old man who like me loves nature travel and flowers rocks great landscapes children too family everything that moves everything that fights moral anemia” she then adds. A fine evocation of her “green period” this passage marks the time of Sand's country novels when mellowed by the years she gave herself over entirely to contemplation to write François le Champi La Mare au diable and La Petite Fadette. But her love of nature didn't stop unknown‎

Referentie van de boekhandelaar : 71232

‎Jorg Sand‎

‎Mercedes-Benz G-Klasse: Praxisratgeber Klassikerkauf Baureihe W 460 - Alle Modelle von 1979 bis 2000‎

‎Heel Verlag Gmbh 2015. Hardcover. New. German language. 8.27x5.79x0.28 inches. Heel Verlag Gmbh hardcover‎

Referentie van de boekhandelaar : 2-3958430252 ISBN : 3958430252 9783958430259

‎SAND George‎

‎Le Marquis de Villemer. Nouvelle édition.‎

‎Editions Michel Lévy frères 1864. Hardcover. <b>Livre en français</b>. Couverture rigide. Reliure demi-toile. Couverture conservée. 380 pages. Rousseurs. <i>ref. 89041</i> Editions Michel Lévy frères hardcover‎

Referentie van de boekhandelaar : 89041

‎SAND George‎

‎Elle et lui.‎

‎Editions François Beauval Editions de Crémille 1969. Board Book. <b>Livre en français</b>. Couverture rigide. La bibliothèque précieuse. Reliure club. 225 pages. <i>ref. 105104</i> Editions François Beauval Editions de Crémille unknown‎

Referentie van de boekhandelaar : 105104

‎SAND George - LIBRAIRIE GALANTARIS‎

‎George Sand et son temps. Catalogue de vente. Oeuvres de George Sand manuscrites et imprimées. Littérature du XIX e siècle. Poètes ouvriers. Mouvement social. Féminisme. Documents.‎

‎Galantaris Christian 1976. Paperback. <b>Livre en français</b>. Couverture souple. Catalogue de livres en vente à la librairie Galantaris. Avant-propos de George Lubin. Catalogue de 116 pages. 24 x 15 cm environ 1500 articles. <i>ref. 81670</i> Galantaris Christian paperback‎

Referentie van de boekhandelaar : 81670