Illinois: The University of Chicago Press 2001. Hardcover. Stated First Edition First Printing. 6 x 9.25in. xxx. 631pp. Publisher's cloth boards. FINE/AS NEW in Fine/As New dust jacket. Flawless. As pictured. The University of Chicago Press hardcover
No Location: s. n. 1830. Fine. I would give all of 'Cromwell' for that sigh for that lied more dream than song Fernand Gregh s. n. No Location s. d. circa 1830 25 x 19.7 cm Une feuille Autograph manuscript signed of Victor Hugos Ballade du fou sung by the jester Elespuru in his play Cromwell IV 1. Two pages on a folded leaf backed with green glazed paper. Exceptional autograph manuscript of Victor Hugos most celebrated poetic song performed by the jester Elespuru in his resounding drama Cromwell. Both grotesque and exalted this piece embodies the freedom of Romantic drama championed by Hugo in the plays famous preface: as noted by the Bibliothèque nationale de France this song is the only passage in the play as equally famous as its preface. The fine elegant script places this manuscript in the early years of Hugo's career either immediately or only a few years after the poems composition. This was in fact the very first excerpt of Cromwell ever to appear in print a year before the plays publication. Hugo chose to place the poem as the epigraph to his tenth ballad A un passant published in Odes et ballades 1826. Notably this epigraph does not appear in the manuscript of Odes et Ballades preserved at the BnF. Alongside our manuscript therefore only one other autograph example of the Chanson dElespuru survives in public institutions: within the full manuscript of Cromwell also at the BnF. This spellbinding song inspired countless poems and elicited much praise from his fellow writers: for Barbey dAurevilly Hugo is above all the balladeer of the delightful Chanson du Fou those trembling drops of dew dusky red enough to drown an entire human head in an infinity of reverie! Les oeuvres et les hommes. Steeped in Hugos verses Alfred de Musset perfectly replicated the song's structure in La Nuit one of his earliest poems. As Hovasse remarks A lot of poets would have damned themselves to write it"" quoting the poem in full in his Hugo biography. Alfred de Vigny called himself a fool for the song like the fool jester himself letter to Hugo 19 November 1826 and applauded Cromwell that immortal book"" which casts all modern tragedies into wrinkled old age. This seemingly effortless refrain is above all a dazzling demonstration of Hugos genius equally at home in every literary form. By combining pentasyllabic lines with two-syllable verses Hugo revives the lai a poetic composition used in the Middle Ages and the Renaissance. Its short lilting rhythm from distant centuries is nonetheless resolutely modern: a Verlaine poem before Verlaine who adopted this metrical play in Colombine from Fêtes galantes and Chanson dautomne Poèmes saturniens. The jester Elespuru who gives voice to this poem is moreover the very first character created by Hugo at only nine years old. Before viewing himself a novelist playwright or poet Hugo wrote Elespourou Elespuru in his copy of Tacitus now preserved in his house on the Place des Vosges during a very unhappy year at the colegio des nobles in Madrid. The name belonged to his schoolmate Don Francisco Elespuro a shocking great fellow with crispy hair sprawling hands ill-shapen uncombed unwashed incurably lazy using his inkstand no more than his washbowl surly and ridiculous whose name was Elespuru."" he would later recall to his wife in Victor Hugo by a Witness of His Life. He took his revenge in his own fashion depicting him as one of the least appealing figures in one of his dramas yet granting him immortality. Elespuru the grotesque jester par excellence sings the sublime in this poem one of those adorable little pieces where the giant Hugo showed that he could be as delicate as he was powerful and as mysterious as he was radiant Gregh. Hugo used the stage as the theatre of his vendettas: Elespuru then Gubetta the executioner in his Lucrèce Borgia inspired by the violent Count Frasco de Belverana who injured Hugos brot s. n. unknown
<p>Has some wear internally up high. The binding still feels fairly sturdy though but has cracked slightly.<br />Two patches on inner-side of front-board. Faint atains on boards.</p> carleton hardcover
<p><strong>HUGO Victor 1802-1885</strong></p><p>Autograph inscription signed " Victor Hugo " below an albumen print by Achille Mélandri<br />N.p.n.d. print : Spring 1880 127 x 9 cm print 24 x 17 cm montage<br />Tiny spots</p><p><strong>Superb albumen print of Victor Hugo surrounded by his two grandchildren celebrating <em>The Art of Being a Grandfather</em></strong></p><p><u>The print is enriched on the mount with a moving autograph mention signed:</u></p><p><em>" Je songe avec bonheur à tout ce que vous avez fait de charmant pour mes chers petits-enfants et je vous remercie avec effusion. </em><br /><em>Victor Hugo "</em></p><p>After the passing of his eldest son Charles Hugo when his children were only three and two years old respectively Victor Hugo took charge of raising his only grandchildren. They devoted unwavering affection and admiration to him throughout their lives.</p><p>An extraordinary figure and close friend of Charles Cros Achille Mélandri was both a poet and an excellent photographer. Located at 19 rue Clauzel his studio was one of the essential places in the Parisian artistic world at the end of the 19th century.</p><p>A similar proof is held in the collections of Victor Hugo's house at Hauteville House in Guernsey inventory no. 3279.</p><p><u>Provenance :</u><br />Private collection</p>
Westport CT: Limited Editions Club 1977. Near Fine. Westport CT: Limited Editions Club 1977. First Thus Limited to 1600 copies of which this is no. 1495. Quarto 28 cm; 8 99pp. Publisher's olive green calf-backed marbled boards gilt-lettered spine top edge gilt in original paper-covered slipcase and glassine jacket; frontispiece five 5 leaves of plates additional illus. throughout text. <br /> <br /> Jacket toned and missing portions of spine and minor wear to and sunning to slipcase else a Near Fine example. Signed by Drew Middleton on colophon at rear. Monthly newsletter and prospectus laid in. Designed by Reynard Biemiller and printed at the Harbor Press New York. Limited Editions Club unknown
<p>The Battle Of Waterloo by Victor Hugo<br />signed by Drew Middleton<br />copy No. 701<br />Club member note and Monthly Letter are included<br />hardcover<br />Publisher:<br />Limited Editions Club 1977<br />Condition: <br />book - Very Good <br />slipcase - Very Good</p> Limited Editions Club hardcover
George Barrie & Son Philadelphia 1892 George Barrie and Son Philadelphia 1892. First edition thus. Original cloth boards with original paper title labels b&w frontis plates and b&w plates engraved etchings. Printed on fine paper. Internally clean and excellent condition. A very good copy. Some fading to spine. Rubbing to boards. This book comprises volumes one and two of The Toilers of the Sea translated by Mary W. Artois. 1st Edition. Hardcover. Very Good/No Jacket. George Barrie & Son, Philadelphia hardcover
Philadelphia: George Barrie 1893. Hardcover. Very Good. Fine Binding The Complete Works of Victor Hugo 41 volume set. Uniformly bound in full crushed red morocco. Gilt spine compartments gilt spine ruled covers gilt turn-ins. Top edges gilt. Handsome bindings with minor rubbing. Includes three sets comprising: The Novels of Victor Hugo 23 volumes Philadelphia: George Barrie 1893-1897; The Dramas of Victor Hugo complete and unabridged 10 volumes New York: George Richmond 1896; AND Selected Poems of Victor Hugo 3 volumes Philadelphia: George Barrie 1897. The Novels of Hugo is the limited Cabinet Edition. One of only 100 Numbered sets printed on Japan Paper. Double illustrated with mounted plates in two states. List of novels: V. 1-2. Han of Iceland; v. 3-6. Notre Dame of Paris The Hunchback of Notre-Dame; v. 4-10. The toilers of the sea; v. 11-20. Les Miserables; v. 21-24. The laughing man; v. 25-26. Ninety-three; v. 27. Bug-Jargal; v. 28. Last day of a condemned. Claude Gueux. This is an oversized or heavy book which requires additional postage for international delivery outside the US. Philadelphia: George Barrie hardcover
Hardcover. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America and possibly other nations. Withi hardcover
書籍販売業者の参照番号
: ria9781015510159_inp ISBN : 1015510159 9781015510159
Anvil Press Poetry 1981. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. Re-bound by library. Please note the Image in this listing is a stock photo and may not match the covers of the actual item450grams ISBN:0856460680 Anvil Press Poetry hardcover
書籍販売業者の参照番号
: 9637611 ISBN : 0856460680 9780856460685
Anvil Press Poetry 1981. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In fair condition suitable as a study copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item400grams ISBN:0856460680 Anvil Press Poetry paperback
書籍販売業者の参照番号
: 5847362 ISBN : 0856460680 9780856460685
Hardcover. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; Reproduction of the original: The Dramas of Victor Hugo: Mary Tudor Marion De Lorme Esmeralda by Victor Hugo hardcover
書籍販売業者の参照番号
: ria9783752385830_inp ISBN : 3752385839 9783752385830
Hardcover. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; This book discusses the problem of sea carriers' liability with a particular focus on role of the technologies that have been employed to support maritime transport in recent decades. It examines the Hague Rules providing an overview hardcover
書籍販売業者の参照番号
: ria9783319660011_inp ISBN : 3319660012 9783319660011
Boston: Estes & Lauriat 1892. Limited Edition. Hardcover. Both volumes Very Good in boards. Number 433 of a limited 500 copies. Gilded top text block edges. Silk ribbon page markers. Leather bound with hubbed spines. Shelfwear on spine crown and heel and spine and panel side edges of both volumes. Small open tears on panel corners of both volumes. Estes & Lauriat hardcover
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