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‎Hubbard, Elbert (1856-1915)‎

‎LITTLE JOURNEYS TO THE HOMES OF GREAT BUSINESS MEN. JOHN J. ASTOR: Vol. 24,June. 1909. No. 6.‎

‎The original individual volumes. Each volume usually consists of: at least a 26 page text; frequently enhanced with woodcut devices and ornaments (many designed by Samuel Warner), and portraits and plates; and often with ads for the products of the Roycroft Shop (furniture, brass, books, bindings, etc.); as well as some commercial ads (like Pears' Soap). Some printing in red and black. 8vo. 15.5 x 20. 5 cm. Uncut. Sewn into original printed wraps, as issued. Fine condition. Hubbard (1856-1915), was a prolific writer and a tireless entrepreneur who is most famous today as the founder and guiding lig h t of the Roycroft printing and craft shops. These were based on the Hammersmith arts and crafts complex of William Morris, but with many American and Hubbard-ian twists and turns. Until his death on t he S.S. Lusitania, he was one of the most dynamic and famous men in the world. On his first trip abroad his letters home were mostly travelogue, and they became the basis for his first magazine eff ort . He sold Putnam's the idea of putting out a brief 'Little Journey' biographical sketch on a monthly basis. Later, when he established his own print shop, he took over the whole project. He also p rint ed and published two national opinion magazines, the 'Fra' and the 'Philistine'. He was also responsible for the famed 'A Message to Garcia'. "The graveyards are full of people the World could no t do without" -- Elbert Hubbard, 'Epigrams' (1911)‎

‎Hubbard, Elbert (1856-1915)‎

‎LITTLE JOURNEYS TO THE HOMES OF GREAT BUSINESS MEN. ANDREW CARNEGIE: Vol. 25, August. 1909. No. 2.‎

‎The original individual volumes. Each volume usually consists of: at least a 26 page text; frequently enhanced with woodcut devices and ornaments (many designed by Samuel Warner), and portraits and plates; and often with ads for the products of the Roycroft Shop (furniture, brass, books, bindings, etc.); as well as some commercial ads (like Pears' Soap). Some printing in red and black. 8vo. 15.5 x 20. 5 cm. Uncut. Sewn into original printed wraps, as issued. Fine condition. Hubbard (1856-1915), was a prolific writer and a tireless entrepreneur who is most famous today as the founder and guiding lig h t of the Roycroft printing and craft shops. These were based on the Hammersmith arts and crafts complex of William Morris, but with many American and Hubbard-ian twists and turns. Until his death on t he S.S. Lusitania, he was one of the most dynamic and famous men in the world. On his first trip abroad his letters home were mostly travelogue, and they became the basis for his first magazine eff ort . He sold Putnam's the idea of putting out a brief 'Little Journey' biographical sketch on a monthly basis. Later, when he established his own print shop, he took over the whole project. He also p rint ed and published two national opinion magazines, the 'Fra' and the 'Philistine'. He was also responsible for the famed 'A Message to Garcia'. "The graveyards are full of people the World could no t do without" -- Elbert Hubbard, 'Epigrams' (1911)‎

‎Hubbard, Elbert (1856-1915)‎

‎LITTLE JOURNEYS TO THE HOMES OF GREAT BUSINESS MEN. GEORGE PEABODY: Vol. 25, Sept. 1909. No. 3.‎

‎The original individual volumes. Each volume usually consists of: at least a 26 page text; frequently enhanced with woodcut devices and ornaments (many designed by Samuel Warner), and portraits and plates; and often with ads for the products of the Roycroft Shop (furniture, brass, books, bindings, etc.); as well as some commercial ads (like Pears' Soap). Some printing in red and black. 8vo. 15.5 x 20. 5 cm. Uncut. Sewn into original printed wraps, as issued. Fine condition. Hubbard (1856-1915), was a prolific writer and a tireless entrepreneur who is most famous today as the founder and guiding lig h t of the Roycroft printing and craft shops. These were based on the Hammersmith arts and crafts complex of William Morris, but with many American and Hubbard-ian twists and turns. Until his death on t he S.S. Lusitania, he was one of the most dynamic and famous men in the world. On his first trip abroad his letters home were mostly travelogue, and they became the basis for his first magazine eff ort . He sold Putnam's the idea of putting out a brief 'Little Journey' biographical sketch on a monthly basis. Later, when he established his own print shop, he took over the whole project. He also p rint ed and published two national opinion magazines, the 'Fra' and the 'Philistine'. He was also responsible for the famed 'A Message to Garcia'. "The graveyards are full of people the World could no t do without" -- Elbert Hubbard, 'Epigrams' (1911)‎

‎Hubbard, Elbert (1856-1915)‎

‎LITTLE JOURNEYS TO THE HOMES OF GREAT BUSINESS MEN. A. T. STEWART: Vol. 25, Oct. 1909. No. 4.‎

‎The original individual volumes. Each volume usually consists of: at least a 26 page text; frequently enhanced with woodcut devices and ornaments (many designed by Samuel Warner), and portraits and plates; and often with ads for the products of the Roycroft Shop (furniture, brass, books, bindings, etc.); as well as some commercial ads (like Pears' Soap). Some printing in red and black. 8vo. 15.5 x 20. 5 cm. Uncut. Sewn into original printed wraps, as issued. Fine condition. Hubbard (1856-1915), was a prolific writer and a tireless entrepreneur who is most famous today as the founder and guiding lig h t of the Roycroft printing and craft shops. These were based on the Hammersmith arts and crafts complex of William Morris, but with many American and Hubbard-ian twists and turns. Until his death on t he S.S. Lusitania, he was one of the most dynamic and famous men in the world. On his first trip abroad his letters home were mostly travelogue, and they became the basis for his first magazine eff ort . He sold Putnam's the idea of putting out a brief 'Little Journey' biographical sketch on a monthly basis. Later, when he established his own print shop, he took over the whole project. He also p rint ed and published two national opinion magazines, the 'Fra' and the 'Philistine'. He was also responsible for the famed 'A Message to Garcia'. "The graveyards are full of people the World could no t do without" -- Elbert Hubbard, 'Epigrams' (1911)‎

‎Hubbard, Elbert (1856-1915)‎

‎LITTLE JOURNEYS TO THE HOMES OF GREAT LOVERS. FERDINAND LASSALLE & HELENE VON DONNIGES: Vol. XIX, Oct. 1906. No. 4.‎

‎The original individual volumes. Each volume usually consists of: at least a 26 page text; frequently enhanced with woodcut devices and ornaments (many designed by Samuel Warner), and portraits and pl ates; and often with ads for the products of the Roycroft Shop (furniture, brass, books, bindings, etc.); as well as some commercial ads (Pears' Soap). Some printing in red and black. 8vo. 15.5 x 20. 5 cm. Uncut. Sewn into original printed wraps, as issued. Fine condition. Hubbard (1856-1915), was a prolific writer and a tireless entrepreneur who is most famous today as the founder and guiding lig h t of the Roycroft printing and craft shops. These were based on the Hammersmith arts and crafts complex of William Morris, but with many American and Hubbard-ian twists and turns. Until his death on t he S.S. Lusitania, he was one of the most dynamic and famous men in the world. On his first trip abroad his letters home were mostly travelogue, and they became the basis for his first magazine eff ort . He sold Putnam's the idea of putting out a brief 'Little Journey' biographical sketch on a monthly basis. Later, when he established his own print shop, he took over the whole project. He also printed and published two national opinion magazines, the 'Fra' and the 'Philistine'. He was also responsible for the famed 'A Message to Garcia'. "The graveyards are full of people the World could not do without" -- Elbert Hubbard, 'Epigrams' (1911)‎

‎Hubbard, Elbert (1856-1915)‎

‎LITTLE JOURNEYS TO THE HOMES OF GREAT PHILOSOPHERS. SWEDENBORG: Vol. XIV, June. 1904. No. 6.‎

‎The original individual volumes. Each volume usually consists of: at least a 26 page text; frequently enhanced with woodcut devices and ornaments (many designed by Samuel Warner), and portraits and plates; and often with ads for the products of the Roycroft Shop (furniture, brass, books, bindings, etc.); as well as some commercial ads (like Pears' Soap). Some printing in red and black. 8vo. 15.5 x 20. 5 cm. Uncut. Sewn into original printed wraps, as issued. Fine condition. Hubbard (1856-1915), was a prolific writer and a tireless entrepreneur who is most famous today as the founder and guiding lig h t of the Roycroft printing and craft shops. These were based on the Hammersmith arts and crafts complex of William Morris, but with many American and Hubbard-ian twists and turns. Until his death on t he S.S. Lusitania, he was one of the most dynamic and famous men in the world. On his first trip abroad his letters home were mostly travelogue, and they became the basis for his first magazine eff ort . He sold Putnam's the idea of putting out a brief 'Little Journey' biographical sketch on a monthly basis. Later, when he established his own print shop, he took over the whole project. He also p rint ed and published two national opinion magazines, the 'Fra' and the 'Philistine'. He was also responsible for the famed 'A Message to Garcia'. "The graveyards are full of people the World could no t do without" -- Elbert Hubbard, 'Epigrams' (1911)‎

‎Hubbard, Elbert (1856-1915)‎

‎LITTLE JOURNEYS TO THE HOMES OF GREAT PHILOSOPHERS. SOCRATES: Vol. XIV, Jan. 1904. No. 1.‎

‎The original individual volumes. Each volume usually consists of: at least a 26 page text; frequently enhanced with woodcut devices and ornaments (many designed by Samuel Warner), and portraits and plates; and often with ads for the products of the Roycroft Shop (furniture, brass, books, bindings, etc.); as well as some commercial ads (like Pears' Soap). Some printing in red and black. 8vo. 15.5 x 20. 5 cm. Uncut. Sewn into original printed wraps, as issued. Fine condition. Hubbard (1856-1915), was a prolific writer and a tireless entrepreneur who is most famous today as the founder and guiding lig h t of the Roycroft printing and craft shops. These were based on the Hammersmith arts and crafts complex of William Morris, but with many American and Hubbard-ian twists and turns. Until his death on t he S.S. Lusitania, he was one of the most dynamic and famous men in the world. On his first trip abroad his letters home were mostly travelogue, and they became the basis for his first magazine eff ort . He sold Putnam's the idea of putting out a brief 'Little Journey' biographical sketch on a monthly basis. Later, when he established his own print shop, he took over the whole project. He also p rint ed and published two national opinion magazines, the 'Fra' and the 'Philistine'. He was also responsible for the famed 'A Message to Garcia'. "The graveyards are full of people the World could no t do without" -- Elbert Hubbard, 'Epigrams' (1911)BOOE‎

‎Hubbard, Elbert (1856-1915)‎

‎LITTLE JOURNEYS TO THE HOMES OF GREAT PHILOSOPHERS. AUGUSTE COMTE: Vol. XV,August. 1904. No. 2.‎

‎The original individual volumes. Each volume usually consists of: at least a 26 page text; frequently enhanced with woodcut devices and ornaments (many designed by Samuel Warner), and portraits and plates; and often with ads for the products of the Roycroft Shop (furniture, brass, books, bindings, etc.); as well as some commercial ads (like Pears' Soap). Some printing in red and black. 8vo. 15.5 x 20. 5 cm. Uncut. Sewn into original printed wraps, as issued. Fine condition. Hubbard (1856-1915), was a prolific writer and a tireless entrepreneur who is most famous today as the founder and guiding lig h t of the Roycroft printing and craft shops. These were based on the Hammersmith arts and crafts complex of William Morris, but with many American and Hubbard-ian twists and turns. Until his death on t he S.S. Lusitania, he was one of the most dynamic and famous men in the world. On his first trip abroad his letters home were mostly travelogue, and they became the basis for his first magazine eff ort . He sold Putnam's the idea of putting out a brief 'Little Journey' biographical sketch on a monthly basis. Later, when he established his own print shop, he took over the whole project. He also p rint ed and published two national opinion magazines, the 'Fra' and the 'Philistine'. He was also responsible for the famed 'A Message to Garcia'. "The graveyards are full of people the World could no t do without" -- Elbert Hubbard, 'Epigrams' (1911)BOOE‎

‎Hubbard, Elbert (1856-1915)‎

‎LITTLE JOURNEYS TO THE HOMES OF GREAT PHILOSOPHERS. SPENCER: Vol. XV, Oct. 1904. No. 4.‎

‎The original individual volumes. Each volume usually consists of: at least a 26 page text; frequently enhanced with woodcut devices and ornaments (many designed by Samuel Warner), and portraits and plates; and often with ads for the products of the Roycroft Shop (furniture, brass, books, bindings, etc.); as well as some commercial ads (like Pears' Soap). Some printing in red and black. 8vo. 15.5 x 20. 5 cm. Uncut. Sewn into original printed wraps, as issued. Fine condition. Hubbard (1856-1915), was a prolific writer and a tireless entrepreneur who is most famous today as the founder and guiding lig h t of the Roycroft printing and craft shops. These were based on the Hammersmith arts and crafts complex of William Morris, but with many American and Hubbard-ian twists and turns. Until his death on t he S.S. Lusitania, he was one of the most dynamic and famous men in the world. On his first trip abroad his letters home were mostly travelogue, and they became the basis for his first magazine eff ort . He sold Putnam's the idea of putting out a brief 'Little Journey' biographical sketch on a monthly basis. Later, when he established his own print shop, he took over the whole project. He also p rint ed and published two national opinion magazines, the 'Fra' and the 'Philistine'. He was also responsible for the famed 'A Message to Garcia'. "The graveyards are full of people the World could no t do without" -- Elbert Hubbard, 'Epigrams' (1911)BOOE‎

‎Hubbard, Elbert (1856-1915)‎

‎LITTLE JOURNEYS TO THE HOMES OF GREAT SCIENTISTS. JOHN FISKE: Vol. XVII, Dec. 1905. No. 6.‎

‎The original individual volumes. Each volume usually consists of: at least a 26 page text; frequently enhanced with woodcut devices and ornaments (many designed by Samuel Warner), and portraits and plates; and often with ads for the products of the Roycroft Shop (furniture, brass, books, bindings, etc.); as well as some commercial ads (like Pears' Soap). Some printing in red and black. 8vo. 15.5 x 20. 5 cm. Uncut. Sewn into original printed wraps, as issued. Fine condition. Hubbard (1856-1915), was a prolific writer and a tireless entrepreneur who is most famous today as the founder and guiding lig h t of the Roycroft printing and craft shops. These were based on the Hammersmith arts and crafts complex of William Morris, but with many American and Hubbard-ian twists and turns. Until his death on t he S.S. Lusitania, he was one of the most dynamic and famous men in the world. On his first trip abroad his letters home were mostly travelogue, and they became the basis for his first magazine eff ort . He sold Putnam's the idea of putting out a brief 'Little Journey' biographical sketch on a monthly basis. Later, when he established his own print shop, he took over the whole project. He also p rint ed and published two national opinion magazines, the 'Fra' and the 'Philistine'. He was also responsible for the famed 'A Message to Garcia'. "The graveyards are full of people the World could no t do without" -- Elbert Hubbard, 'Epigrams' (1911)‎

‎Hubbard, Elbert (1856-1915)‎

‎LITTLE JOURNEYS TO THE HOMES OF GREAT TEACHERS. KING ALFRED: Vol. 22, May. 1908. No. 5.‎

‎The original individual volumes. Each volume usually consists of: at least a 26 page text; frequently enhanced with woodcut devices and ornaments (many designed by Samuel Warner), and portraits and pl ates; and often with ads for the products of the Roycroft Shop (furniture, brass, books, bindings, etc.); as well as some commercial ads (Pears' Soap). Some printing in red and black. 8vo. 15.5 x 20. 5 cm. Uncut. Sewn into original printed wraps, as issued. Fine condition. Hubbard (1856-1915), was a prolific writer and a tireless entrepreneur who is most famous today as the founder and guiding light of the Roycroft printing and craft shops. These were based on the Hammersmith arts and crafts complex of William Morris, but with many American and Hubbard-ian twists and turns. Until his death on the S.S. Lusitania, he was one of the most dynamic and famous men in the world. On his first trip abroad his letters home were mostly travelogue, and they became the basis for his first magazine eff ort . He sold Putnam's the idea of putting out a brief 'Little Journey' biographical sketch on a monthly basis. Later, when he established his own print shop, he took over the whole project. He also printed and published two national opinion magazines, the 'Fra' and the 'Philistine'. He was also responsible for the famed 'A Message to Garcia'. "The graveyards are full of people the World could not do without" -- Elbert Hubbard, 'Epigrams' (1911)‎

‎Hubbard, Elbert (1856-1915)‎

‎LITTLE JOURNEYS TO THE HOMES OF REFORMERS. BRADLAUGH: Vol. XXI, August. 1907. No. 2.‎

‎The original individual volumes. Each volume usually consists of: at least a 26 page text; frequently enhanced with woodcut devices and ornaments (many designed by Samuel Warner), and portraits and plates; and often with ads for the products of the Roycroft Shop (furniture, brass, books, bindings, etc.); as well as some commercial ads (like Pears' Soap). Some printing in red and black. 8vo. 15.5 x 20. 5 cm. Uncut. Sewn into original printed wraps, as issued. Fine condition. Hubbard (1856-1915), was a prolific writer and a tireless entrepreneur who is most famous today as the founder and guiding lig h t of the Roycroft printing and craft shops. These were based on the Hammersmith arts and crafts complex of William Morris, but with many American and Hubbard-ian twists and turns. Until his death on t he S.S. Lusitania, he was one of the most dynamic and famous men in the world. On his first trip abroad his letters home were mostly travelogue, and they became the basis for his first magazine eff ort . He sold Putnam's the idea of putting out a brief 'Little Journey' biographical sketch on a monthly basis. Later, when he established his own print shop, he took over the whole project. He also p rint ed and published two national opinion magazines, the 'Fra' and the 'Philistine'. He was also responsible for the famed 'A Message to Garcia'. "The graveyards are full of people the World could no t do without" -- Elbert Hubbard, 'Epigrams' (1911)‎

‎Hubbard, Elbert (1856-1915)‎

‎LITTLE JOURNEYS TO THE HOMES OF REFORMERS. HENRY GEORGE: Vol. XX, Feb. 1907. No. 2.‎

‎The original individual volumes. Each volume usually consists of: at least a 26 page text; frequently enhanced with woodcut devices and ornaments (many designed by Samuel Warner), and portraits and pl ates; and often with ads for the products of the Roycroft Shop (furniture, brass, books, bindings, etc.); as well as some commercial ads (Pears' Soap). Some printing in red and black. 8vo. 15.5 x 20. 5 cm. Uncut. Sewn into original printed wraps, as issued. Fine condition. Hubbard (1856-1915), was a prolific writer and a tireless entrepreneur who is most famous today as the founder and guiding light of the Roycroft printing and craft shops. These were based on the Hammersmith arts and crafts complex of William Morris, but with many American and Hubbard-ian twists and turns. Until his death on t he S.S. Lusitania, he was one of the most dynamic and famous men in the world. On his first trip abroad his letters home were mostly travelogue, and they became the basis for his first magazine eff ort . He sold Putnam's the idea of putting out a brief 'Little Journey' biographical sketch on a monthly basis. Later, when he established his own print shop, he took over the whole project. He also printed and published two national opinion magazines, the 'Fra' and the 'Philistine'. He was also responsible for the famed 'A Message to Garcia'. "The graveyards are full of people the World could not do without" -- Elbert Hubbard, 'Epigrams' (1911)‎

‎Hubbard, Elbert (1856-1915)‎

‎LITTLE JOURNEYS TO THE HOMES OF REFORMERS. JOHN BRIGHT: Vol. XXI, July. 1907. No. 1.‎

‎The original individual volumes. Each volume usually consists of: at least a 26 page text; frequently enhanced with woodcut devices and ornaments (many designed by Samuel Warner), and portraits and plates; and often with ads for the products of the Roycroft Shop (furniture, brass, books, bindings, etc.); as well as some commercial ads like (Pears' Soap). Some printing in red and black. 8vo. 15.5 x 20. 5 cm. Uncut. Sewn into original printed wraps, as issued. Fine condition. Hubbard (1856-1915), was a prolific writer and a tireless entrepreneur who is most famous today as the founder and guiding lig h t of the Roycroft printing and craft shops. These were based on the Hammersmith arts and crafts complex of William Morris, but with many American and Hubbard-ian twists and turns. Until his death on t he S.S. Lusitania, he was one of the most dynamic and famous men in the world. On his first trip abroad his letters home were mostly travelogue, and they became the basis for his first magazine eff ort . He sold Putnam's the idea of putting out a brief 'Little Journey' biographical sketch on a monthly basis. Later, when he established his own print shop, he took over the whole project. He also p rint ed and published two national opinion magazines, the 'Fra' and the 'Philistine'. He was also responsible for the famed 'A Message to Garcia'. "The graveyards are full of people the World could no t do without" -- Elbert Hubbard, 'Epigrams' (1911)‎

‎Hubbard, Elbert (1856-1915)‎

‎LITTLE JOURNEYS TO THE HOMES OF REFORMERS. OLIVER CROMWELL: Vol. XXI, Oct. 1907. No. 4.‎

‎The original individual volumes. Each volume usually consists of: at least a 26 page text; frequently enhanced with woodcut devices and ornaments (many designed by Samuel Warner), and portraits and plates; and often with ads for the products of the Roycroft Shop (furniture, brass, books, bindings, etc.); as well as some commercial ads (like Pears' Soap). Some printing in red and black. 8vo. 15.5 x 20. 5 cm. Uncut. Sewn into original printed wraps, as issued. Fine condition. Hubbard (1856-1915), was a prolific writer and a tireless entrepreneur who is most famous today as the founder and guiding lig h t of the Roycroft printing and craft shops. These were based on the Hammersmith arts and crafts complex of William Morris, but with many American and Hubbard-ian twists and turns. Until his death on t he S.S. Lusitania, he was one of the most dynamic and famous men in the world. On his first trip abroad his letters home were mostly travelogue, and they became the basis for his first magazine eff ort . He sold Putnam's the idea of putting out a brief 'Little Journey' biographical sketch on a monthly basis. Later, when he established his own print shop, he took over the whole project. He also p rint ed and published two national opinion magazines, the 'Fra' and the 'Philistine'. He was also responsible for the famed 'A Message to Garcia'. "The graveyards are full of people the World could no t do without" -- Elbert Hubbard, 'Epigrams' (1911)‎

‎Hubbard, Elbert (1856-1915)‎

‎LITTLE JOURNEYS TO THE HOMES OF REFORMERS. RICHARD COBDEN: Vol. XX, April. 1907. No. 4.‎

‎The original individual volumes. Each volume usually consists of: at least a 26 page text; frequently enhanced with woodcut devices and ornaments (many designed by Samuel Warner), and portraits and plates; and often with ads for the products of the Roycroft Shop (furniture, brass, books, bindings, etc.); as well as some commercial ads (Pears' Soap). Some printing in red and black. 8vo. 15.5 x 20. 5 cm. Uncut. Sewn into original printed wraps, as issued. Fine condition. Hubbard (1856-1915), was a prolific writer and a tireless entrepreneur who is most famous today as the founder and guiding lig h t of the Roycroft printing and craft shops. These were based on the Hammersmith arts and crafts complex of William Morris, but with many American and Hubbard-ian twists and turns. Until his death on t he S.S. Lusitania, he was one of the most dynamic and famous men in the world. On his first trip abroad his letters home were mostly travelogue, and they became the basis for his first magazine eff ort . He sold Putnam's the idea of putting out a brief 'Little Journey' biographical sketch on a monthly basis. Later, when he established his own print shop, he took over the whole project. He also p rint ed and published two national opinion magazines, the 'Fra' and the 'Philistine'. He was also responsible for the famed 'A Message to Garcia'. "The graveyards are full of people the World could no t do without" -- Elbert Hubbard, 'Epigrams' (1911)‎

‎Hubbard, Elbert (1856-1915);‎

‎LITTLE JOURNEYS TO THE HOMES OF EMINENT ARTISTS. THORWALDSEN: Vol. X, April. 1902. No. 4.‎

‎The original individual volumes. Each volume usually consists of: at least a 26 page text; frequently enhanced with woodcut devices and ornaments (many designed by Samuel Warner), and portraits and pl ates; and often with ads for the products of the Roycroft Shop (furniture, brass, books, bindings, etc.); as well as some commercial ads (Pears' Soap). Some printing in red and black. 8vo. 15.5 x 20. 5 cm. Uncut. Sewn into original printed wraps, as issued. Fine condition. Hubbard (1856-1915), was a prolific writer and a tireless entrepreneur who is most famous today as the founder and guiding lig h t of the Roycroft printing and craft shops. These were based on the Hammersmith arts and crafts complex of William Morris, but with many American and Hubbard-ian twists and turns. Until his death on t he S.S. Lusitania, he was one of the most dynamic and famous men in the world. On his first trip abroad his letters home were mostly travelogue, and they became the basis for his first magazine eff ort . He sold Putnam's the idea of putting out a brief 'Little Journey' biographical sketch on a monthly basis. Later, when he established his own print shop, he took over the whole project. He also p rint ed and published two national opinion magazines, the 'Fra' and the 'Philistine'. He was also responsible for the famed 'A Message to Garcia'. "The graveyards are full of people the World could no t do without" -- Elbert Hubbard, 'Epigrams' (1911)‎

‎Hubbard, Elbert (1856-1915); Girard, Stephen.‎

‎LITTLE JOURNEYS TO THE HOMES OF GREAT BUSINESS MEN. STEPHEN GIRARD: Vol. 24, March. 1909. No. 3.‎

‎The original individual volumes. Each volume usually consists of: at least a 26 page text; frequently enhanced with woodcut devices and ornaments (many designed by Samuel Warner), and portraits and plates; and often with ads for the products of the Roycroft Shop (furniture, brass, books, bindings, etc.); as well as some commercial ads (like Pears' Soap). Some printing in red and black. 8vo. 15.5 x 20. 5 cm. Uncut. Sewn into original printed wraps, as issued. Fine condition. Hubbard (1856-1915), was a prolific writer and a tireless entrepreneur who is most famous today as the founder and guiding lig h t of the Roycroft printing and craft shops. These were based on the Hammersmith arts and crafts complex of William Morris, but with many American and Hubbard-ian twists and turns. Until his death on t he S.S. Lusitania, he was one of the most dynamic and famous men in the world. On his first trip abroad his letters home were mostly travelogue, and they became the basis for his first magazine eff ort . He sold Putnam's the idea of putting out a brief 'Little Journey' biographical sketch on a monthly basis. Later, when he established his own print shop, he took over the whole project. He also p rint ed and published two national opinion magazines, the 'Fra' and the 'Philistine'. He was also responsible for the famed 'A Message to Garcia'. "The graveyards are full of people the World could no t do without" -- Elbert Hubbard, 'Epigrams' (1911)‎

‎Hubbard, Ethel Daniels; Gillespie, Jessie (illustrator)‎

‎Ann of Ava‎

‎Small dark red octavo, 245 p, [12] leaves of b&w plates, b&w illus, portraits ; 20 cm. No matches for specific edition and date. || Scarce. || Missionaries, Judson, Ann Hasseltine, 1789-1826 -- Burma -- Biography.‎

‎Hubbard, Gurdon Saltonstall; Caroline M McIlvaine (Intro)‎

‎The Autobiography of Gurdon Saltonstall Hubbard PA-PA-MA-TA-BE "The Swift Walker"‎

‎Chicago: R. R. Donnelley & Sons / The Lakeside Press. Very Good with no dust jacket. 1911. First Edition Thus. First Printing. Hard Cover. Publisher's full green cloth gilt lettering on spine gilt border and publisher's medallion gilt on cover t.e.g. fore-edge deckle. Illustrated with Tissue-Protected engraved portrait frontispiece. . Head of spine has very slight shelf-wear one faint scratch at the top edge of the front cover and a light scuff on the bottom edge of the rear cover else pristine unmarked tight square and clean. VERY GOOD. . The Lakeside Classics Series. Vol. 9. B&W Illustrations. 12mo 7" - 7½" tall. xxvii 182 pp . R. R. Donnelley & Sons / The Lakeside Press hardcover‎

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‎Hubbard, Gurdon Saltonstall; Caroline M McIlvaine (Intro)‎

‎The Autobiography of Gurdon Saltonstall Hubbard PA-PA-MA-TA-BE "The Swift Walker"‎

‎Chicago: R. R. Donnelley & Sons / The Lakeside Press. Near Fine with No dust jacket as issued. 1911. First Edition Thus. First Printing. Hard Cover. Publisher's full green cloth gilt lettering on spine gilt border and publisher's medallion gilt on cover t.e.g. fore-edge deckle. Illustrated with tissue-protected engraved portrait frontispiece. Gurdon Saltonstall Hubbard 1802 – 1886 was an American fur trader insurance underwriter and land speculator. Hubbard first arrived in Chicago on October 1 1818. He went on to build Chicago's first stockyard and help foment a land boom for Chicago in the East. On several trips throughout Illinois he became the adopted son of Chief Waba of the Kickapoo and married Watseka niece of Chief Tamin of the Kankakee Potawatomi. After he walked for 75 miles in a single night to warn the town of Danville of an impending raid by Indians he earned the nickname "Pa-pa-ma-ta-be" or "Swift-Walker." When a local Indian tribe questioned his ability to perform this feat he challenged their champion walker to a race. Hubbard's challenger lost by several miles and was unable to move the next day. Hubbard seemed to be unaffected. . Former owner's signature stamp on ffep otherwise unmarked gilt bright a few pages very lightly soiled corners sharp tight and square. NEAR FINE. . The Lakeside Classics Series. Vol. 9. B&W Illustrations. 12mo 7" - 7½" tall. xxvii 182 pp . R. R. Donnelley & Sons / The Lakeside Press hardcover‎

Referenz des Buchhändlers : 8463

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‎Hubbard, Gurdon Saltonstall; Caroline M McIlvaine (Intro)‎

‎The Autobiography of Gurdon Saltonstall Hubbard‎

‎Chicago: R. R. Donnelley & Sons / The Lakeside Press. Near Fine with no dust jacket. 1911. First Edition Thus. First Printing. Hard Cover. Publisher's full dark green cloth with gilt lettering on spine gilt border on front cover embossed publisher's medallion on front cover in gilt t.e.g. fore-edge and bottom edge deckle. B&W portrait frontispiece with intact tissue guard. . Head and heel of spine and rear cover are very slightly rubbed gilt on spine is fading a tiny bit else pristine unmarked tight square and clean. NEAR FINE. . The Lakeside Classics Series. Vol. 9. B&W Illustrations. 12mo 7" - 7½" tall. xvii 182 pp . R. R. Donnelley & Sons / The Lakeside Press hardcover‎

Referenz des Buchhändlers : 15961

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€ 338,44 Kaufen

‎Hubbard, Gurdon Saltonstall.‎

‎THE AUTOBIOGRAPHY OF GURDON SALTONSTALL HUBBARD. Introduction by Caroline M. McIlvaine.‎

‎pp. xxvii, 182. Small 8vo. Original cloth spine over paper covered boards. Original priced dust jacket, soiled. Hardbound. Very good+. First published in 1911. This autobiography includes much on the American Fur Company, and the mid-West 1812 to 1830. Howes H-749. W12‎

‎Hubbuch, Karl‎

‎Frühe Zeichnungen, Druckgraphik, 30 er Jahre, Spätwerk‎

‎Michael Hasenclever München 1987. 78 n. n. Seitgen. Mit 137 teils farbigen Abbildungen. Farbig illustrierte Originalbroschur. 24x19 cm‎

‎* Karl Hubbuch (* 21. November 1891 in Karlsruhe; ? 26. Dezember 1979 in Karlsruhe) war ein deutscher Maler, Lithograf und Kunstprofessor. Karl Hubbuch war Sohn eines Karlsruher Telegraphenbeamten. Hubbuch besuchte zwischen 1908 und 1912 die Staatliche Akademie der Bildenden Künste Karlsruhe, wo er Freundschaft mit Rudolf Schlichter und Georg Scholz schloss. Er studierte danach an der Schule des Museums der angewandten Künste in Berlin unter Emil Orlik, zur gleichen Zeit als George Grosz dort ein Kursteilnehmer war. Er ging 1914 freiwillig zum Militär und diente als Artillerist bis 1918. 1920 bis 1922 war er Meisterschüler bei Walter Conz und Ernst Würtenberger in Karlsruhe. 1922 studierte er wieder bei Orlik, dieses Mal an der preußischen Akademie der feinen Künste in Berlin. 1924 fing Hubbuch an, Lithographie an der Akademie in Karlsruhe zu unterrichten, die ihn 1928 zum hauptamtlichen Professor ernannte. 1925 bis 1933 war er Professor in Karlsruhe. Er machte zu dieser Zeit alljährlich Studienreisen nach Frankreich. Während der 20er und frühen 30er Jahre war seine Arbeit in zahlreichen Ausstellungen zu sehen, unter ihnen 1925 ?Neue Sachlichkeit? in Mannheim und eine Gemeinschaftsausstellung mit Otto Dix und George Grosz in der Galerie Neumann-Nierendorf in Berlin. Zusammen mit seinen Künstlerkollegen Hermann Brand, Erwin Spuler und Anton Weber gab er 1930 in Karlsruhe die kritische Künstlerzeitschrift Zakpo heraus; es erscheinen zwei Ausgaben. 1933 wurde Hubbuch wie sein Professorenkollege Wilhelm Schnarrenberger von der Karlsruher Kunstakademie entlassen, nach Kriegsende wieder eingesetzt. Zwischen 1935 und 1945 wurde Hubbuch vom NS-Regime der Vorwurf der entarteten Kunst gemacht und es wurde ihm verboten, als Künstler zu arbeiten. Von September bis Dezember 1939 arbeitete er in der Staatlichen Majolika Manufaktur Karlsruhe und ab 1940 für ein Jahr als Uhrenmaler. Von 1941 bis 1945 war er wieder in der Karlsruher Majolika als keramischer Maler tätig. Nach dem Krieg wurde seine Ernennung als Professor an der Akademie in Karlsruhe erneuert, an der er von 1947 bis 1957 wirkte. Er begann noch einmal, seine Arbeit auszustellen (zum Beispiel in der Großen Kollektivausstellung im Badischen Kunstverein in Karlsruhe). Er machte Reisen nach Holland und Italien. 1957 zog er sich von seiner Professur zurück, beteiligte sich aber in den 1960er und 1970er Jahren weiterhin aktiv an zahlreichen Ausstellungen in Europa. 1965 war er Ehrengast der Villa Massimo in Rom. Hubbuch kann vermutlich am ehesten als Vertreter des Verismus und der ?Neuen Sachlichkeit? eingeordnet werden. Seine neorealistische Kunst vervollkommnete er weniger offenkundig politisch als Kollegen wie Grosz und Dix. Eine wissenschaftliche Auseinandersetzung mit dem Gesamtwerk begann erst nach dem Tode Hubbuchs. Im Museum Schloss Gochsheim in Kraichtal bei Karlsruhe befindet sich die wohl größte Sammlung seiner Arbeiten. In Freiburg im Breisgau befasst sich die ?Karl Hubbuch Stiftung? mit seinem Lebenswerk. (Quelle Wikipedia)‎

Referenz des Buchhändlers : 139986

‎HUBER Alexander -‎

‎La montagna ed io.‎

‎Milano, Corbaccio, 2009, 8vo (cm 20 x 14) legatura editoriale con sovraccoperta illustrata a colori, pp. 270 con numerose fotografie a colori fuori testo.‎

MareMagnum

Libreria Piani
Monte San Pietro, IT
[Bücher von Libreria Piani]

€ 10,00 Kaufen

‎Huber, Alexander und Karin Steinbach Tarnutzer‎

‎Der Berg in mir : Klettern am Limit. Mit Interviews von Karin Steinbach ERSTAUSGABE.‎

‎München : Malik, 2007. 312, [32] S. Mit zahlreichen farbigen Abbildungen ; 22 cm Originalpappband mit Originalumschlag‎

‎FRISCHES, SEHR schönes Exemplar der ERSTAUSGABE. SIGNIERT von HUBER auf der Titelseite.‎

Referenz des Buchhändlers : 194502

‎Huber, Alfons und Huber Maier (Hrsg.)‎

‎Jahresbericht des Historischen Vereins für Straubing und Umgebung. 120.Jahrgang.‎

‎Straubing , Oskar Beck, 2018. 391 Seiten. Mit zahlreichen, teils farbigen Abbildungen. Originalpappband.22 cm‎

‎SEHR schönes Exemplar. - U.a. :Ausgrabungen und Funde im Stadtgebiet Straubing 2014+2015, Ludwig der Bayer und Straubing, Humanismus in Straubing, Der La-Plata-Reisende Ulrich Schmidl, Das Jesuitentheater in Straubing, Die Präfekten und ihre Stellvertreter des Jesuiten Musikseminars des hl. Franz Xaver zu Straubing, Die Inspektoren des jesuitischen Musikseminars S. Francisci Xaverii in Straubing eröffnet am 4. Dezember 1725, Lautenliedpionier zwischen Wandervogel Romantik und NS Ideologie, Tiberius Burger, Stolpersteine in Straubing" .‎

Referenz des Buchhändlers : 264545

‎Huber, Alfons und Johannes Prammer (Hrsg.)‎

‎Historischer Verein für Straubing und Umgebung. 103. Jahrgang. 2001..‎

‎Straubing, Historischer Verein für Straubing u. Umgebung, 2002. 560 Seiten mit zahlreichen Abbildungen im Text und auf Tafeln 24 cm. Originalbroschur.‎

‎SEHR gutes Exemplar . U.a. : Hedwig und die Grafen von Windberg-Bogen. Sankt Jakob - sein Gewölbe näher besehen. Die Reisebeschreibung Ulrich Schmidls nach der Hamburger Handschrift. Die Rezeptionsgeschichte von Ulrich Schmidls " Wahrhaftige Beschreibung" von 1567 bis heute. Komponist P. Hugo Rernpöck O. Praem. Säkularisation und Wiedereröffnung des Karmeliterklosters Straubing. Die Pfarrei Ittling. Das Bruder-Straubinger-Denkmal. Zur Orgelgeschichte des ehemaligen Landkreises Mallersdorf.‎

Referenz des Buchhändlers : 245637

‎Huber, Alfons und Johannes Prammer (Hrsg.)‎

‎Historischer Verein für Straubing und Umgebung. 103. Jahrgang. 2001..‎

‎Straubing, Historischer Verein für Straubing u. Umgebung, 2002. 560 Seiten mit zahlreichen Abbildungen im Text und auf Tafeln 24 cm. Originalbroschur.‎

‎SEHR gutes Exemplar . U.a. : Hedwig und die Grafen von Windberg-Bogen. Sankt Jakob - sein Gewölbe näher besehen. Die Reisebeschreibung Ulrich Schmidls nach der Hamburger Handschrift. Die Rezeptionsgeschichte von Ulrich Schmidls " Wahrhaftige Beschreibung" von 1567 bis heute. Komponist P. Hugo Rernpöck O. Praem. Säkularisation und Wiedereröffnung des Karmeliterklosters Straubing. Die Pfarrei Ittling. Das Bruder-Straubinger-Denkmal. Zur Orgelgeschichte des ehemaligen Landkreises Mallersdorf.‎

Referenz des Buchhändlers : 247134

‎Huber, Christian‎

‎Vom Himmel in die Hölle. Zeitzeugenbericht eins Nachtfernaufklärers.‎

‎Rosenheim, Rosenheimer Verlag 2014. 206 Seiten., 8°. illustrierte OPappe.,‎

‎Der Einband ist gering berieben, sonst gutes Exemplar.‎

Referenz des Buchhändlers : 97067

‎Huber, Clara (Herausgeber)‎

‎"... Der Tod ... war nicht vergebens". Kurt Huber zum Gedächtnis. ERSTAUSGABE.‎

‎München : Nymphenburger, 1986. 180 Seiten, 20 cm, Mit einigen Schwarz-Weiß- Abbildungen. Originalpappband mit Original-Schutzumschlag.‎

‎Nur der Umschlag mit GANZ leichten Gebrauchsspuren, sonst SEHR gutes Exemplar. Mit Verzeichnis der Schriften in der Erscheinungsfolge.‎

Referenz des Buchhändlers : 306800

‎Huber, Hans Dieter‎

‎Niels Stensen. Aus seinem Forscher-, Wander-, Priesterleben‎

‎Paderborn: Bonifatiuswerk der deutschen Katholiken, 1983. 20 cm ; kart.‎

‎Einschübe und Anhang von Mechthild Ludwig und Michael Henn. Paperbackausgabe, 60 Seiten mit zahlreichen Abbildungen. Gutes Exemplar. hw1063‎

Referenz des Buchhändlers : 98237

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Antiquariat Weber
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‎Huber, Inge‎

‎Curnonsky oder das Geheimnis des Maurice-Edmond Sailland. [Übers. der franz. Orig.: Regine Schmidt]‎

‎München : Coll. Rolf Heyne 2010. 255 S. : Ill. ; 26 cm Pappe 0‎

‎Zustand: Pappeinband mit Schutzumschlag, Vorderdeckel mit mehreren tiefen Druckstellen, sonst gut --- Inhalt: Curnonsky ist Maurice-Edmond Sailland, der berühmteste Gourmet und Gastronom Frankreichs und zugleich der bekannteste Unbekannte des 20. Jahrhunderts. Sein schillerndes Leben im Reich der Erotik und Schlemmerei gleicht einem Kriminalroman und zugleich einem griechischen Drama. Umfangreich illustriert. Das vergessene Genie der belle epoque ROT2-1 ISBN: 9783899104370‎

Referenz des Buchhändlers : 75738

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Antiquariat Biebusch
DE - Lilienthal
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€ 15,00 Kaufen

‎Huber, Inge‎

‎Curnonsky oder das Geheimnis des Maurice-Edmond Sailland,‎

‎München, Collection Rolf Heyne, 2010. 4°, 255 S. mit zahlreichen s/w- und Farbabbildungen, original Leineneinband (Hardcover) mit original Schutzumschlag, Erstausgabe wie neu - noch original verschweißt.‎

Referenz des Buchhändlers : 15850CB

‎Huber, Inge‎

‎Curnonsky oder Das Geheimnis des Maurice-Edmond Sailland‎

‎München: Collection Rolf Heyne, 2010. 255 S. ; 25,5 x 20 cm ; Pp. ;‎

‎Hardcoverausgabe mit Schutzumschlag, 255 Seiten mit zahlreichen schönen und interessanten Abbildungen. Gutes Exemplar. hw801 ISBN: 9783899104370‎

Referenz des Buchhändlers : 130244

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‎Huber, Johannes‎

‎Biographische Skizzen und kulturhistorische Aufsätze.‎

‎Leipzig, Duncker & Humblot 1873. HLn. d. Zt. 447 S. 8°. Ebd. etw. berieb. Rücken aufgehellt. Stellenw. stockfl.‎

‎Der >kleinen Schriften< zweite Ausgabe. Inhalt: Lamennais - Jacob B&ouml;hme - Spinoza - Communismus und Sozialismus - Die Nachtseiten von London - Deutsches Studentenleben. Der Autor war Prof. d. Philosophie an der Universit&auml;t M&uuml;nchen.‎

Referenz des Buchhändlers : 9896

‎Huber, Kurt‎

‎Stationen seines Lebens in Dokumenten und Bildern. Hrsg.: Kurt-Huber-Gymnasium, Gräfelfing. Für den Inhalt verantwortlich: Toni Liebl. Erstausgabe.‎

‎Gräfelfing: Albrecht, ohne Jahresangabe. 116 Seiten, mit dokumentarischen Abbildungen, Originalleinen mit Originalumschlag, ca. 22 x 28 cm.‎

‎FRISCHES, sehr gutes Exemplar.. U.a.: Kindheit, Jugend, Studium. Wissenschaftler und Lehrer. Leibniz. Volksliedforschung. Kurt Huber und Carl Orff. Die Weisse Rose. Abdruck: Flugblätter der Weissen Rose. Abdruck: Anklageschrift des Prozesses.‎

Referenz des Buchhändlers : 308758

‎Huber, P. Engelbert‎

‎Marie Gabrielle, Prinzessin von Bayern.‎

‎Diessen, Jos. C. Huber, 1914. 3. Aufl. Mit 130 Bildern und 2 Faksimiles, 181 S. 8°, OLnbd. mit Goldprägung und Wappensupralibro.‎

‎Einband nur leicht berieben. Schönes Ex.‎

Referenz des Buchhändlers : 193611

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Buch & Cafe Antiquarius
Germany Alemania Alemanha Allemagne
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‎HUBER, Stephan‎

‎Stephan Huber 1987. (Ausstellung) Galerie Beatrix Wilhelm, Stuttgart 30 Januar bis 5. März 1988.‎

‎(Stuttgart) 1988. 24 n. n. Seiten. Mit meist ganzseitigen, farbigen Abbildungen. Originalbroschur. 24x17 cm‎

‎* DabeI. Stephan Huber Kunstraum München. Verlag Beatrix Wilhelmn Stuttgart 1986. Auflage 1000 Exemplare (64 n. n. Seiten mit 28 meist farbigen Abbildungen. Original-Leinwand-Einband mit farbig mont. Titelbild). --- Stephan Huber (* 1952 in Lindenberg im Allgäu) ist ein deutscher Bildhauer und Objektkünstler. Seine meist großformatigen, oft im öffentlichen Raum realisierten Werke verallgemeinern autobiografische Motive zu allgemeingültigen Symbolen sozialer oder seelischer Zustände, die über das Private hinausreichen. Mit ihrer katholisch-opulenten Bilderfreudigkeit stellen sich Hubers Arbeiten in die Tradition des barocken Welttheaters spezifisch bayerischer Prägung. Zwischen 1971 und 1978 studierte Huber bei Horst Sauerbruch an der Akademie der Bildenden Künste München. 1980?1981 verbrachte er ein Jahr als Stipendiat am P.S.1 in New York. Nach ersten Einzelausstellungen im Münchner Lenbachhaus, dem Westfälischen Kunstverein Münster und dem Bonner Kunstverein war er 1987 Teilnehmer der Documenta 8 in Kassel. 1989?1990 unterrichtete er als Gastprofessor an der Kunstakademie in Karlsruhe. Harald Szeemann lud ihn 1999 ein, auf der Biennale di Venezia eine große Installation im ehemaligen Marinestützpunkt, dem Arsenale, zu realisieren. Seit 2004 ist Huber als Nachfolger von James Reineking, dessen Lehrstuhl er zuvor vertreten hatte, Professor an der Münchner Kunstakademie. Im selben Jahr wählte ihn die Bayerische Akademie der Schönen Künste zum Mitglied in der Klasse Bildende Kunst. Stephan Huber ist verheiratet und hat zwei Töchter, er lebt in München und im Ostallgäu. Sein Werk wurde vielfach ausgezeichnet, unter anderem mit dem Rolandpreis für Kunst im öffentlichen Raum (Bremen, 2007) und dem Kunstpreis der Stadt München (2008). Stephan Hubers Werk, das sich aus plastischen und raumbezogenen Anfängen heraus seit Mitte der 1980er-Jahre zu großer medialer Breite entwickelte, umfasst neben Objekten und Installationen auch Graphiken, Filme, performative Projekte und Puppentheaterstücke. Seine Arbeiten sind durch eine reiche, erzählerische Sprache gekennzeichnet, die ihre weit ausgreifenden autobiographischen, kunsthistorischen, politischen oder literarischen Bezüge zu prägnanten, archetypischen Bildern verdichtet. So schafft Huber zwar stets persönlich gefärbte, aber zugleich universal lesbare und emotional erfahrbare ?Ikonographien, in denen sich ein hoher intellektueller und ästhetischer Anspruch mit unmittelbarer Verständlichkeit verbindet.? Die manchmal pathetische Überwältigungsästhetik, die dabei zum Einsatz kommt, wird zugleich durch humorvolle Offenlegung ihres Mechanismus, durch ironische Distanzierung oder eine unerwartete Wendung des Geschehens gebrochen und humanisiert. Zu den immer wiederkehrenden Metaphern in Hubers Werk gehören exakt maßstabsgetreu modellierte, neutral weiße Modelle von Alpengipfeln, die, aus ihrem Zusammenhang isoliert, als archaische bildhauerische Urformen stehenbleiben und in ihrer Ambivalenz von Schönheit und Bedrohung an die romantische Konzeption des Sublimen anknüpfen (Gran Paradiso, Neue Messe München, 1997; Depositopo, Biennale von Venedig, 1999); überdimensionale Hüte, die sowohl beschirmen als auch wie Damoklesschwerter über den Köpfen der Betrachter schweben (Grünes Dach, Coburg, 1998); oder hin und her pendelnde Kandelaber, die eine für alternativlos genommene Ordnung in einen unwägbaren, wie Buridans Esel von einem Extrem ins andere stürzenden Zustand der fortwährenden Unsicherheit versetzen (Acta non verba, Villa Demidoff, Pratolino, 1986; Sleep Of The Reason, Royal Scottish Academy Edinburgh, 1987). Das Spiel mit der irritierenden Verfremdung, die vermeintliche Gewissheiten brüchig werden lässt und so erst bewusstmacht und hinterfragt, ist charakteristisch für Hubers Werk. ?In der Tradition des Münchner Dadaismus? arbeiten Hubers Skulpturen und Installationen mit der Vertauschung des gewohnten Kontextes (ein Kronleuchter hängt zwischen Hausfassaden: Das große Leuchten, Vorplatz des Künstlerhauses Hannover, 2006), mit Größenverschiebungen (Bergmodelle rücken Fernes in greifbare Nähe: From the Bergs, Villa Jauss Oberstdorf, 2003; übergroße Hüte lassen den Betrachter schrumpfen, winzige Türen zwingen ihm beim Durchschreiten eine gebückte Haltung auf: Ichkuppel, Projektraum Berlin, 1997), mit der Veränderung von Perspektiven (eine Zimmereinrichtung ist um 90° gedreht: Ich liebe Dich, Städtische Galerie im Lenbachhaus München, 1983; unter dem Fußbodenparkett taucht Deckenstuck auf: Der Raum des Vaters, Bonner Kunstverein, 1984), Paradoxien (eine Ziegelwand fällt wie ein Vorhang herab: Rotwand : Diaphan, Städtische Galerie im Lenbachhaus München, 1996) und Überraschungen (hinter aufklappbaren Fensterläden verbergen sich Katastrophenvideos, hinter Schranktüren Ausblicke auf den Sternenhimmel: Der Schrank, Hypo-Bank Magdeburg, 1994; aus einer Wolkenskulptur fällt unvermutet Regen: Cumulus : Cambodunum, Theaterplatz Kempten, 2007). Oft kombiniert Huber einzelne Arbeiten zu Raumpassagen, die sukzessive zu erkunden sind (Das Spielzimmer, Bonner Kunstverein, 1984; Rote Sonnen, Kunstraum München, 1986). Der bisher umfangreichste derartige Werkkomplex entstand 2001 / 2002 für Einzelausstellungen im Lenbachhaus München, im Museum der bildenden Künste Leipzig und im Kunstverein Hannover. Unter dem Titel 8,5 Zi.-Whg. f. Künstler, 49 J. (bzw. 7,5 Zi.-Whg.... / 8-Zi.-Whg....) führte Huber zahlreiche aufeinander bezogene skulpturale, installative, graphische und filmische Werke zu einem sich über mehrere Kabinette erstreckenden Ensemble zusammen, das in seiner Gesamtheit als ästhetisches Psychogramm des Künstlers zu verstehen war. Diese Arbeit an der eigenen Biografie zieht sich durch Hubers gesamtes Schaffen. Verweise auf die Herkunft des Künstlers ? etwa Berge oder großbürgerliche Interieurs ? mischen sich dabei mit fiktionalen Elementen (so in dem oft variierten Werk Shining, in dem Huber ein Modell des realen elterlichen Hauses in eine surreal-menschenleere Eiswüste versetzt). Indem Huber sich selbst zum Protagonisten macht und seine Heimat, seine Kindheit, aber auch Gesehenes, Gelesenes, Erinnertes thematisiert, umreißt er den eigenen sozialen, geografischen wie intellektuellen Horizont, innerhalb dessen er sich bewegt (beispielhaft in den Buchobjekten, die echte und frei erdachte literarische Bezüge unterschiedslos und gleichwertig behandeln: Der Schrank, 1978; Katastrophen und Rettung, Versicherungskammer Bayern, München, 2005). Wie Hubers scheinbar konkret lokalisierbare ?Landschaften? nicht als Abbilder wirklicher physischer Gegebenheiten, sondern als Sinnbilder einer psychoanalytisch reflektierten ?Seelenlandschaft? zu lesen sind, ist auch ?Heimat? für ihn kein vornehmlich geographischer Begriff, sondern als Chiffre für jede Form der persönlichen Verortung ein Gegenmodell zu globaler Ortslosigkeit und Selbstentfremdung. Paradigmatisch für diese Haltung sind die Karten, die Huber seit den späten 1990er-Jahren entwirft: Collagen echter und erfundener Landkarten, in denen sich persönliche Erlebnisse, Erfahrungen, Wünsche und Prägungen in einer fiktiven räumlichen Ordnung und anspielungsreichen topografischen Bezeichnungen niederschlagen. Es entstehen halbdokumentarische, durch die scheinbar unbestechliche Exaktheit des Kartenmaterials verbriefte Ordnungssysteme, mit denen der Künstler die eigene Existenz vermisst und den Einzugsbereich seines Denkens und Handelns abzustecken unternimmt. Der Versuch eines erschöpfenden, widerspruchsfrei gültigen Weltbildes aber bleibt stets Fragment, weil die den Künstler umgebende, ihn ausmachende Welt nicht in einem Panoramablick erfasst werden kann, sondern aus immer neuen Perspektiven kartographiert, also revidiert werden muss. 2015 veröffentlichte Huber alle bis zu diesem Zeitpunkt entstandenen Karten in seinem Weltatlas, einem Künstlerbuch, das in bewusster Anlehnung an den Diercke Weltatlas gestaltet war. Das Prinzip, auf historische und örtliche Tatsachen bezugzunehmen und sie fiktiv weiterzudenken, hat Huber auch in zahlreichen Arbeiten verfolgt, die er als Kunst-am-Bau-Projekte in kommunalem oder privatem Auftrag realisierte: In vier Filmen für das Leibniz-Rechenzentrum (Garching bei München) etwa trifft Gottfried Wilhelm Leibniz u. a. mit Theodor W. Adorno, Stephan Huber und dem Teufel zusammen und verhandelt mathematische wie ästhetische Fragen (Großes Lob des binären Systems, 2006); die Frankfurter Treppe im Main Tower (Frankfurt am Main, 1999) und das Stiftermosaik im Leipziger Museum der bildenden Künste (2003) versammeln Persönlichkeiten unterschiedlicher Epochen zu unmöglichen Gruppenporträts; von Hubers Auseinandersetzung mit dem dichterischen Werk Else Lasker-Schülers schließlich zeugt das ebenfalls in Mosaiktechnik gefertigte Denkmal für die Schriftstellerin in Wuppertal (Meinwärts, 1989). In den letzten Jahren hat Hubers Interesse an bühnenhaften Szenarien und episodischen Erzählungen zur Produktion mehrerer Puppentheaterstücke und Marionettenspiele geführt. In betont burlesker Manier dient die Figur des Kasperl als unverfälscht-naiver Kontrast zum Zeitgeschehen und seinen mitunter künstlich verkomplizierten intellektuellen Diskursen, in die der Kasperl schicksalhaft verwickelt wird (Love and Peace, 2008; Drei Kasperlstücke für das Ruhrgebiet, 2010). Daneben entstanden Vortragsperformances mit Video- und Chorbegleitung. (Quelle Wikipedia)‎

Referenz des Buchhändlers : 141124

‎Huber, Wolfgang‎

‎Dietrich Bonhoeffer.‎

‎München : C.H. Beck, 2020. Auf dem Weg zur Freiheit (Ein Porträt) 336 S. (22 cm) Pappband mit Umschlag / gebundene Ausgabe‎

‎Hardcover; 3., durchgesehene Aufl.; Sehr guter Zustand.‎

Referenz des Buchhändlers : 56935

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Antiquariat Smock
DE - Freiburg
[Bücher von Antiquariat Smock]

€ 18,00 Kaufen

‎Huber-Greub, Barbara (Herausgeber)‎

‎Johann Jakob Bachofen : (1815 - 1887) ; eine Begleitpublikation zur Ausstellung im Historischen Museum Basel 1987. ERSTAUSGABE.‎

‎Basel : Historisches Museum, 1987. 152 Seiten : Mit Schwarz-Weiß- Abbildungen. ; 24 cm Originalbroschur.‎

‎Schönes Exemplar der ERSTAUSGABE. U.a. : Bachofen und das römische Recht. Die antike Kunst im Werk Bachofens. Bachofen, das Mutterrecht und die Ethnologie. Zur Rezeptionsgeschichte des Mutterrechts. Mutterrecht und Frauenbewegung.‎

Referenz des Buchhändlers : 295959

‎Hubert Seipel‎

‎Putin ora parla lui‎

‎Opera in buono stato di conservazione. Qualche segno sulla sovra copertina, interno ottimo‎

‎Huble, Al; Sedgwick, J Kent [Editor]‎

‎The Huble Diaries: A Pioneer Homesteader's Daily Record 1909-1919‎

‎Prince George BC: GIScome Portage Historical Society 1992. Book. Illus. by Bathy Stephen; Schaber Darrell. Good. Plastic Comb. Second Printing. 4to - over 9¾" - 12" tall. 217 pages. Index. Reprint of the 1989 first edition. Albert James Huble was born at Oak Lake Ontario in 1872. In 1903 he took up a trapline on a creek which came to bear his name to the northeast of Giscome Portage British Columbia. Provides excellent insight into the daily lives of settlers in northern B.C. Average wear. Unmarked. A sound copy. GIScome Portage Historical Society Paperback‎

Referenz des Buchhändlers : 463H3776

Biblio.com

RareNonFiction.com
Canada Canadá Canadá Canada
[Bücher von RareNonFiction.com]

€ 169,18 Kaufen

‎Huc, Evariste Regis (Abbe)‎

‎Travels In Tartary Thibet and China During The Years 1844-5-6‎

‎Chicago & London: Open Court Publishing 1900. First edition thus. Hardcover. Very Good. Octavos; xv 326; x 342 v pages black cloth with pictorial designs in yellow. spines a bit scuffed <br/><br/>Huc was a Vincentian missionary to Beijing and later Hei Shui beyond the Great Wall. Then he travelled to Tibet and opened a church at Lhasa. It was a remarkable journey. His considered remarks on Buddhism resulted in this memoir being put on the Index of Banned Books by the Catholic Church. This work exhibits "for the first time a complete representation of countries previously almost unknown to Europeans and indeed considered practically inaccessible . - publisher's Preface." Folding map 50 woodcuts Open Court Publishing hardcover‎

Referenz des Buchhändlers : 0006171

Biblio.com

Thomas J. Joyce And Company
United States Estados Unidos Estados Unidos États-Unis
[Bücher von Thomas J. Joyce And Company]

€ 126,91 Kaufen

‎Huch, Ricarda‎

‎Die Geschichten von Garibaldi in 3 Teilen HIER : ZWEI (2) Bände. Band I : Die Verteidigung Roms . Roman. Viertes Tausend. ( 1906) Band II : Der Kampf um Rom . Roman. Dritte Auflage (1907). MIt Buchschmuck von Eduard Pfennig.‎

‎Stuttgart/Leipzig, Deutsche Verlags-Anstalt, 1907. 1907. 375, 371 Seiten. Rote Originalleinenbände mit reicher Deckel-und Rückenvergoldung. 20 cm‎

‎In einem Band Restspuren auf Innendeckel eines dort entfernten Exlibris, die Vorsätze jeweils entfernt( wohl wegen Vorbesitzer), Deckel eines Bandes etwas fleckig, die ersten Seiten der "Verteidigung Roms" mit kleineren Stockflecken, sonst gutes Exemplar der Ausgabe in ZWEI Bänden.‎

Referenz des Buchhändlers : 237776

‎Huch, Ricarda‎

‎In einem Gedenkbuch zu sammeln ... Bilder deutscher Widerstandskämpfer hrsg. und eingeleitet von Wolfgang-Matthias Schwiedrzik.‎

‎Leipzig, Leipziger Universitäts-Verlag, 1997. 251 S. MIt zahlr. s/w Abb. 25 cm. OPp.‎

‎Biograpische Skizzen deutscher Widerstandskämpfer (Weiße Rose, 20. Juli). Huchs Ziel war es, "das deutsche Volk die beteiligten Personen kannen und verehren zu lehren" (aus einem Brief an Herbert Krimm). - Gutes, sauberes Exemplar‎

Referenz des Buchhändlers : 96250

‎Huch, Ricarda‎

‎Michael Bakunin und die Anarchie. ERSTAUSGABE.‎

‎Leipzig, Insel Verlag, 1923. 271 Seiten. Originalleinen. 19,5 cm‎

‎SEHR gutes Exemplar der ERSTAUSGABE. Schönes Exlibris für Gena Ackermann, 1923 auf dem Innendeckel.‎

Referenz des Buchhändlers : 306914

‎Huchthasen, Peter A.;Nguyen, Thi Lung‎

‎Echoes of the Mekong‎

‎Excellent copy, as-new in every respect with dust jacket showing light shelfwear only. "Autographed copy" sticker to front, signed on title page.‎

‎Huchting, Detmar‎

‎Beethoven : Ein biografischer Bilderbogen.‎

‎Hamburg : Edel Classics, 2007. 120 Seiten ; Mit zahlreichen farbigen Abbildungen ; Originalpappband mit Original-Schutzumschlag.‎

‎FRISCHES, SEHR schönes Exemplar. OHNE die CDs.‎

Referenz des Buchhändlers : 282242

‎Huck, Gerhard‎

‎Joseph Dietzgen : (1828 - 1888) ; e. Beitrag zur Ideengeschichte d. Sozialismus im 19. Jh. Geschichte und Gesellschaft ; Bd. 22. 1. Aufl.‎

‎Stuttgart : Klett-Cotta, 1979. 194 S.; 23 cm. Originalleinen.‎

‎Gutes Ex.; Einband berieben. - Peter Josef Dietzgen, bekannt als Josef Dietzgen (* 9. Dezember 1828 in Stadt Blankenberg, heute Stadtteil von Hennef im Rhein-Sieg-Kreis; ? 15. April 1888 in Chicago) war ein materialistischer Philosoph, sozialistischer Theoretiker und Journalist der deutschen Arbeiterbewegung bzw. der deutschsprachigen Arbeiterbewegung in New York und Chicago. // INHALT : Einleitung --- Wirkungsgeschichte als Problemaufriß --- Joseph Dietzgens Leben und Werk --- Jugendjahre 1828-1864 --- Herkunft und Bildung --- Die Revolution von 1848 im Siegkreis --- Amerika-Erfahrungen --- Von Feuerbach zu Marx --- Jahre der philosophischen Entfaltung 1865-1869 --- Die St. Petersburger Periode --- "Das Wesen der menschlichen Kopfarbeit" --- Beiträge zur Verbreitung des "Kapitals" von Marx --- Exkurs: Soziale Lage und Klassenbewußtsein bei Dietzgen --- Jahre des Wirkens in der deutschen Arbeiterbewegung 1869-1884 --- Anfänge politischer Praxis --- Beiträge zur Theoriedebatte in der deutschen Sozialdemokratie --- Unter dem Sozialistengesetz --- Letzte Lebensjahre 1884-1888 --- In der deutsch-amerikanischen Arbeiterbewegung --- Zwischen Sozialismus und Anarchismus --- Abkürzungen --- Quellen- und Literaturverzeichnis Personenverzeichnis. ISBN 9783129131701‎

Referenz des Buchhändlers : 1077901

Antiquariat.de

Fundus-Online GbR
DE - Berlin
[Bücher von Fundus-Online GbR]

€ 20,00 Kaufen

Anzahl der Treffer : 65.181 (1304 seiten)

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