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(envoi à Jean-Paul SARTRE) - Pierre BOST
Un an dans un tiroir. - Exemplaire de Jean-Paul Sartre
Gallimard | Paris 1945 | 11.8 x 18.6 cm | Broché
Référence libraire : 91190
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(FAULKNER, William, Jean-Paul Sartre, Ignazio Silone, Margaret Mead)
Les Temps Modernes. Nos. 63-67 Janvier 1951 - Mai 1951 Five Separate Issues
Paris: Les Temps Modernes 1951. Softcover. Very Good. Nos. 63-67. January 1951 - May 1951. Text in French. Directeur: Jean-Paul Sartre. Printed wrappers. Toned spines with chips and tears pages lightly toned toning on the wraps of three issues overall very good. Five issues each containing a contribution by William Faulkner. Contains "Palmiers Sauvages" the first appearance in French of Faulkner's "Wild Palms" complete in five parts translated into French by M. E. Coindreau; other contributions by Ignazio Silone Margaret Mead Jean Paul Sartre and many more. Les Temps Modernes unknown
Référence libraire : 511232
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(FITOUSSI Jean-Paul) -
Entre convergences et interets nationaux: l'Europe.
Parigi 1994 8vo brossura editoriale pp. 454 con illustrazioni n.t. unknown
Référence libraire : 4-95000
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(GENET, Jean). SARTRE, Jean-Paul
Saint Genet: Comédien et Martyr Saint Genet: Actor and Martyr
Paris: Gallimard 1952. Softcover. Good. First edition. Printed wrappers. Text in French. Ownership signature of Chilean pianist Claudio Arrau on front fly "New York 1961" pages toned covers slightly soiled and worn with a bit of loss to corners and edges spine moderately toned about good. Volume one only of the five-volume Collection Blanche complete works of Jean Genet. Gallimard unknown
Référence libraire : 501129
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(GOLDING, William, Angus Wilson, Jean-Paul Sartre, Ilya Ehrenberg, Alain Robbe-Grillet, and Leonid Leonov.) ANDERSON, Perry, edi
New Left Review – Number 29 January - February 1965
London: New Left Review 1965. Softcover. Near Fine. Periodical. 96pp. Blue printed wrappers. Wrapper spine and edges lightly toned else near fine. "The Condition of the Novel" by Angus Wilson Jean-Paul Sartre William Golding Ilya Ehrenberg Alain Robbe-Grillet and Leonid Leonov. New Left Review unknown
Référence libraire : 593435
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(GUERRE 39-45) SARTRE (Jean-Paul)
Les carnets de la frôle de guerre. Novembre 1939-Mars 1940.
Paris, NRF Gallimard, 1983. In-8 broché, 432 pp.
Référence libraire : 7885
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(HUGHES, Ted, Jean-Paul Sartre, Louis Kronenberger, WS. Mervin, Hugo Williams, John Wain). SPENDER, Stephen and Melvin J. Lasky,
Encounter – May 1964 Vol. XXII No. 5
London: Panton House 1964. Softcover. Good. Periodical. Small quarto. 95pp. Printed wrappers. Stains on wraps foredge and first page toned spine good only. Contributions by: Ted Hughes Jean-Paul Sartre Louis Kronenberger W.S. Mervin Hugo Williams Anthony Hartley R. Praver Jhabvala Philip Rieff D.J. Enright Gavin Ewart Dennis Brutus Peter Redgrove John Wain Leonard Woolf and more. Panton House unknown
Référence libraire : 603699
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(HUGHES, Ted, Jean-Paul Sartre, Louis Kronenberger, WS. Mervin, Hugo Williams, John Wain). SPENDER, Stephen and Melvin J. Lasky,
Encounter – May 1964 Vol. XXII No. 5
London: Panton House 1964. Softcover. Fine. Vol. XXII No. 5. Small quarto. 95pp. About fine in blue wrappers. Contributions by: Ted Hughes Jean-Paul Sartre Louis Kronenberger W.S. Mervin Hugo Williams Anthony Hartley R. Praver Jhabvala Philip Rieff D.J. Enright Gavin Ewart Dennis Brutus Peter Redgrove John Wain Leonard Woolf and more. Panton House unknown
Référence libraire : 542351
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(Jean-Paul SARTRE) - Annie COHEN-SOLAL
Album Sartre
Paris: Gallimard Bibliothèque de La Pléiade 1991. Fine. Gallimard Bibliothèque de La Pléiade Paris 1991 10.50 x 17.50 cm reliure de l'éditeur sous étui souple et cartonné First edition. Publisher's full brown grained sheep binding orange top edge smooth spine decorated with gilt fillets. Rich iconography. Handsome copy complete with its glassine wrapper and slipcase. Gallimard, Bibliothèque de La Pléiade unknown
Référence libraire : 83325
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(Jean-Paul SARTRE) - Annie COHEN-SOLAL
Album Sartre
Paris: Gallimard Bibliothèque de La Pléiade 1991. Fine. Gallimard Bibliothèque de La Pléiade Paris 1991 10.50 x 17.50 cm reliure de l'éditeur sous étui First edition. Publisher's binding in full brown grained sheep orange top edge smooth spine decorated with gilt fillets. Rich iconography. Fine copy complete with its protective jacket and slipcase. Gallimard, Bibliothèque de La Pléiade unknown
Référence libraire : 79985
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(Jean-Paul SARTRE) - Annie COHEN-SOLAL
Album Sartre
Paris: Gallimard Bibliothèque de La Pléiade 1991. Fine. Gallimard Bibliothèque de La Pléiade Paris 1991 10.50 x 17.50 cm reliure de l'éditeur sous étui First edition. Publisher's full brown grained sheepskin binding orange top edge smooth spine decorated with gilt fillets. Richly illustrated. Handsome copy complete with its glassine wrapper and slipcase. Gallimard, Bibliothèque de La Pléiade unknown
Référence libraire : 70263
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(Jean-Paul SARTRE) - Annie COHEN-SOLAL
Album Sartre
Paris: Gallimard Bibliothèque de La Pléiade 1991. Fine. Gallimard Bibliothèque de La Pléiade Paris 1991 10.50 x 17.50 cm reliure de l'éditeur sous étui First edition. Publisher's full brown grained sheepskin orange top edge smooth spine decorated with gilt fillets. Richly illustrated. Handsome copy complete with its cellophane wrapper and slipcase. Gallimard, Bibliothèque de La Pléiade unknown
Référence libraire : 67809
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(Jean-Paul SARTRE) - Annie COHEN-SOLAL
Album Sartre
Paris: Gallimard Bibliothèque de La Pléiade 1991. Fine. Gallimard Bibliothèque de La Pléiade Paris 1991 10.50 x 17.50 cm reliure de l'éditeur sous étui First edition. Publisher's binding in full brown grained sheep orange top edge smooth spine decorated with gilt fillets. Rich iconography. Fine copy complete with its cellophane wrapper as well as its slipcase. Gallimard, Bibliothèque de La Pléiade unknown
Référence libraire : 57178
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(Jean-Paul SARTRE) - Annie COHEN-SOLAL
Album Sartre
Paris: Gallimard Bibliothèque de La Pléiade 1991. Fine. Gallimard Bibliothèque de La Pléiade Paris 1991 10.50 x 17.50 cm reliure de l'éditeur sous étui First edition. Publisher's binding in full brown grained sheep orange top edge smooth spine decorated with gilt fillets. Rich iconography. Fine copy complete with its glassine wrapper and slipcase. Gallimard, Bibliothèque de La Pléiade unknown
Référence libraire : 54074
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(Jean-Paul SARTRE) - Annie COHEN-SOLAL
Album Sartre
Paris: Gallimard Bibliothèque de La Pléiade 1991. Fine. Gallimard Bibliothèque de La Pléiade Paris 1991 10.50 x 17.50 cm reliure de l'éditeur First edition. Richly illustrated. A very good copy complete with plastic wrappers. Gallimard, Bibliothèque de La Pléiade unknown
Référence libraire : 36040
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(Jean-Paul) Sarte
Kean or Disorder And Genius
London: Hamish Hamilton 1954. Hardcover. Fair Condition/Fair. From the library of Ronald Harwood. Based on the play by Alexandre Dumas. Good secondhand copy. Comes from a smoking household. Size: Octavo. Quantity Available: 1. Shipped Weight: Under 1 kilo. Category: Theatre & Plays; Inventory No: 71160. . Hamish Hamilton hardcover
Référence libraire : 71160
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(Jean-Paul SARTRE) - Maurice BLANCHOT
Le roman de Jean-Paul Sartre. Manuscrit autographe et tapuscrit complets.
s. l. Paris: S. n. Paysage dimanche 1945. Fine. S. n. Paysage dimanche s. l. • Paris s. d. 1945 11.50 x 22 cm 3 pages 1/2 in-4 Autograph manuscript by the author 3½ pages octavo published in the October 21 1945 issue no. 19 of Paysage dimanche. Complete recto-verso manuscript in very dense handwriting with numerous deletions corrections and additions. Literary chronicle published on the occasion of the publication of the first two volumes of Jean-Paul Sartre's trilogy Les chemins de la liberté: ""L'Age de raison"" and ""Le Sursis"". Together with the complete typescript with one deletion and one autograph correction by the author. When this chronicle appeared in autumn 1945 Maurice Blanchot and Jean-Paul Sartre had already demonstrated their mutual interest in each other's respective work in articles that were sometimes critical sometimes laudatory always attentive. Similarly if Les chemins de la liberté aroused Blanchot's admiration it was essentially through the philosopher's skillful use of the influence of two monuments of Anglo-Saxon literature Virginia Woolf and John Dos Passos: « Ce qui nous paraît frappant c'est le caractère d'œuvre d'art qu'en reçoit le livre œuvre extrêmement composée calculée avec un souci infiniment sûr des effets où la confusion reste claire où le désordre est perfection et telle qu'on y reconnaît sans cesse la présence de l'écrivain le plus lucide capable de tout obtenir du langage dont il est maître. » ""What strikes us as remarkable is the character of a work of art that the book receives an extremely composed work calculated with infinitely sure concern for effects where confusion remains clear where disorder is perfection and such that one constantly recognizes the presence of the most lucid writer capable of obtaining everything from the language he masters."" But this ""Roman de Sartre"" was above all an opportunity for Blanchot to raise the question of the links between literature and politics on which the two men would have great difficulty agreeing in the following decades. Thus Blanchot summarized Sartre's vision evoking the problem of commitment: « Il est indéniable que l'art de Sartre atteint son plus grand pouvoir lorsqu'il décrit l'engloutissement des consciences par les choses qui les hantent et les débordent et de laquelle elles coulent comme une pâte pleine d'odeurs. Le monde qu'il sent est celui d'une métamorphose mais cette métamorphose n'est pas changement de forme elle n'est pas la transformation d'un être en un autre être fût-ce d'un homme en une vermine ; elle va plus loin elle est irrémédiable car c'est la conscience même qui devient un matériel c'est la pensée qui se fige en une substance gluante visqueuse sans contour sans apparence un dedans triste et vague que nous ne pouvons saisir et qui pourtant comme tel continue désespérément à penser. Tel est l'univers dans lequel nous sommes jetés tant que nous n'essayons pas de le reprendre par une action qui nous engage. » ""It is undeniable that Sartre's art reaches its greatest power when he describes the engulfing of consciousness by the things that haunt and overwhelm them and from which they flow like a paste full of odors. The world he perceives is one of metamorphosis but this metamorphosis is not a change of form it is not the transformation of one being into another being even of a man into vermin; it goes further it is irreparable for it is consciousness itself that becomes material it is thought that freezes into a sticky viscous substance without contour without appearance a sad and vague interior that we cannot grasp and which nevertheless as such continues desperately to think. Such is the universe into which we are thrown as long as we do not try to reclaim it through an action that commits us."" The third volume of Les Chemins de la liberté not yet published left little doubt in Blanchot's eyes as to its content; and he summarized somewhat sarcastically: « Ce qui suivra est facile à S. n.[ Paysage dimanche] unknown
Référence libraire : 82300
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(Jean-Paul SARTRE) - Maurice BLANCHOT
Le roman de Jean-Paul Sartre - Manuscrit autographe et tapuscrit complets.
s. l. Paris: S. n. Paysage dimanche 1945. Fine. S. n. Paysage dimanche s. l. • Paris s. d. 1945 11.50 x 22 cm 3 pages 1/2 in-4 Autograph manuscript by the author of 3½ pages octavo published in the October 21 1945 issue no. 19 of Paysage dimanche. Complete recto-verso manuscript very densely written with numerous deletions corrections and additions. Literary chronicle published on the occasion of the publication of the first two volumes of Jean-Paul Sartre's trilogy Les chemins de la liberté: ""L'Age de raison"" and ""Le Sursis"". The complete typescript is included with one deletion and one autograph correction by the author. When this chronicle appeared in autumn 1945 Maurice Blanchot and Jean-Paul Sartre had already demonstrated mutual interest in their respective works in articles sometimes critical sometimes laudatory always attentive. Similarly if Les chemins de la liberté aroused Blanchot's admiration it was essentially through the use the philosopher had made of the influence of two monuments of Anglo-Saxon literature Virginia Woolf and John Dos Passos: « Ce qui nous paraît frappant c'est le caractère d'œuvre d'art qu'en reçoit le livre œuvre extrêmement composée calculée avec un souci infiniment sûr des effets où la confusion reste claire où le désordre est perfection et telle qu'on y reconnaît sans cesse la présence de l'écrivain le plus lucide capable de tout obtenir du langage dont il est maître. » ""What strikes us is the character of a work of art that the book receives an extremely composed work calculated with infinitely sure concern for effects where confusion remains clear where disorder is perfection and such that one constantly recognizes the presence of the most lucid writer capable of obtaining everything from the language he masters."" But this ""Novel by Sartre"" is above all an opportunity for Blanchot to raise the question of the links between literature and politics on which the two men would have great difficulty agreeing in the following decades. Thus Blanchot summarizes Sartre's vision evoking the problem of engagement: « Il est indéniable que l'art de Sartre atteint son plus grand pouvoir lorsqu'il décrit l'engloutissement des consciences par les choses qui les hantent et les débordent et de laquelle elles coulent comme une pâte pleine d'odeurs. Le monde qu'il sent est celui d'une métamorphose mais cette métamorphose n'est pas changement de forme elle n'est pas la transformation d'un être en un autre être fût-ce d'un homme en une vermine ; elle va plus loin elle est irrémédiable car c'est la conscience même qui devient un matériel c'est la pensée qui se fige en une substance gluante visqueuse sans contour sans apparence un dedans triste et vague que nous ne pouvons saisir et qui pourtant comme tel continue désespérément à penser. Tel est l'univers dans lequel nous sommes jetés tant que nous n'essayons pas de le reprendre par une action qui nous engage. » ""It is undeniable that Sartre's art reaches its greatest power when he describes the engulfment of consciousness by things that haunt and overwhelm it and from which it flows like a paste full of odors. The world he feels is one of metamorphosis but this metamorphosis is not a change of form it is not the transformation of one being into another being even of a man into vermin; it goes further it is irreparable because it is consciousness itself that becomes material it is thought that hardens into a sticky viscous substance without contour without appearance a sad and vague interior that we cannot grasp and which nevertheless as such continues desperately to think. Such is the universe into which we are thrown as long as we do not try to reclaim it through action that engages us."" The third volume of Les Chemins de la liberté not yet published leaves in Blanchot's eyes little doubt as to its content; and he summarizes somewhat sarcastically: « Ce qui suivra est facile à imaginer : nous aurons la guerre l'occupation S. n.[ Paysage dimanche] unknown
Référence libraire : 44941
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(JUSTICE) LACROIX Jean-Paul :
Le palais indiscret.
1965 Julliard Paris 1965. E.O (pas de grand papier). Bel envoi à un célèbre avocat et batonier complété de deux lettres autographes. Reliure in-8 plein chagrin noir, dos à 4 nerfs et fleurons, couvertures conservées, étui
Référence libraire : 10073
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(le CHANOIS, Jean-Paul)
Cover Title: Natural Childbirth Right Before Your Eyes!
New York: Ben Adler Advertising Service Inc 1958. Softcover. Near Fine. First edition. Slim quarto. 31 1 pp. Heavily illustrated in black and white from film stills photographs and drawings. Stapled self-wrappers. Small ownership signature of a noted American psychologist in the corner of one page very slight mustiness staples lightly oxidized near fine.<br /> <br /> An advertising piece for both natural childbirth and French director Jean-Paul le Chanois's film The Case of Dr. Laurent reportedly the first movie to feature natural childbirth. Profusely illustrated with captioned film stills black and white photographs and drawings of preparatory exercises for the mother-to-be and drawings illustrating positions the baby may take in the womb. The final two pages features a 1956 speech by Pope Pius XII on natural childbirth. <br /> <br /> An interesting and we surmise somewhat avant-garde promotional piece for both natural birth and French cinema. Ben Adler Advertising Service, Inc unknown
Référence libraire : 463145
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(POESIE) DADELSEN (Jean-Paul de)
Jonas. Avant-propos par Henri Thomas.
Paris, NRF Gallimard, 1962. Grand in-8 broché (couverture légèrement tâchées), 123 pp.
Référence libraire : 11195
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(RIMBAUD). VAILLANT (Jean-Paul).
Rimbaud tel qu’il fut d’après des faits inconnus et avec des lettes inédites.
P., Le Rouge et le Noir, Galerie Littéraire, 1930, in-12, br., 91 p. Edition originale. 1/55 ex. de tête num. sur pur fil Lafuma, avec un envoi a.s. de l’auteur.
Référence libraire : 21893
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(Riopelle, Jean-Paul; b. 1923). Prat, Jean-Louis; Vigneault, Gilles; et al.
JEAN-PAUL RIOPELLE; D'hier et d'aujourd'hui.
Paris: Fondation Maeght 1990. 1990. Very good. - Small quarto circa 9-3/4 inches high by 8-1/4 inches wide softcover bound in pictorial wrappers. The binding is slightly bumped with some very minor soiling. The head & tail of the spine are very lightly chipped. The wraps are slightly bowed. 117 pages plus colophon. Profusely illustrated in color and black & white. Very good. <p>Catalog edited by Jean-Louis Prat for an exhibition curated by Prat which was shown at Fondation Maeght from 28 April to 25 June 1990. The text is in French. (Paris): Fondation Maeght, 1990. paperback
Référence libraire : 23715
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(RIOPELLE, Jean-Paul), GLOZER, Laszlo.
Westkunst. Zeitgenössische Kunst seit 1939.
Köln, DuMont Buchverlag, (1981). 24.5 cm 524 pages, illustrations noir et blanc et couleurs. Broché. Couverture jaunie.
Référence libraire : 1809
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(SARTE, Jean-Paul, Allen Ginsburg, Bruce Nelson, Moffett Hall, David Harris, John Taylor, Lyle Downing, Wiliam E. Hopkins, and J
The Bowditch Review – 2 Fall 1967
Berkeley California: Unitas The Inter-Seminary Council and The Campus Ministry Association 1967. Softcover. Near Fine. Periodical. Small quarto. 75pp. Pictorial stapled wrappers. Modest foxing on front cover near fine. Includes: "Address Before The International War Crimes Tribunal" by Jean-Paul Sarte "from Wichita Vortex Sutra" by Allen Ginsberg "The Christian Resistance" by Bruce Nelson; with additional contributions by Moffett Hall John Taylor Lyle Downing and more. Unitas, The Inter-Seminary Council and The Campus Ministry Association unknown
Référence libraire : 592708
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(Sartre, Jean-Paul).
Deux numŽros spŽciaux de la Revue Obliques consacrŽs ˆ Sartre.NumŽro spŽcial 18-19 Sartre. NumŽro 24-25 Sartre et les Arts.
Paris 1980-1981. 268x210mm. 320Êpages photos couleurs et n/b brochŽ. Bel exemplaire. 2398 unknown
Référence libraire : 99077
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(SARTRE, Jean-Paul)
Evergreen Review – Volume 14 Number 84 November 1970
New York: Evergreen Review 1970. Softcover. Very Good. Volume 14 Number 84. Cover photograph by Brian D. Hennessey. Quarto. Illustrated. Pictorial wrappers. Faint pencil erasure and crease on cover moderate rubbing small stains on rear wrap and margin of last two leaves very good. Includes: "The Socialism That Came In From The Cold" an article by Jean-Paul Satre; "The Dogchain Gang" a poem by Stan Rice; "Morning: Phone Rings" a poem by Hitoshi Anzai; "American Pastime" a story by David O. Weber; "Frank Fleet and His Electronic Sex Machine - episode XVII" a comic by Dick Strong and Lance Sterling; an ad for Truth and Soul clothing the fashion label founded by New York Dolls' members Sylvain Sylvain and Billy Murcia. Additional contributions by: Nat Hentoff Dotson Rader Richard Brautigan and Michael O'Donoghue. Evergreen Review unknown
Référence libraire : 552973
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(Sartre, Jean-Paul) Greene, Norman N.
JEAN-PAUL SARTRE: The Existentialist Ethic.
Ann Arbor:: University of Michigan Press 1960. Hardcover first edition -. Very near fine in a near fine dustjacket a bit of rubbing and wear to the dj. First printing. A book which focuses on Sartre's ethical and political views and measures them against the three great orthodoxies of the times - Catholicism Marxism and liberalism - Notes. vii 213 pp. University of Michigan Press, hardcover
Référence libraire : 85890
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(Sartre, Jean-Paul). Lapointe, Francois and Claire Lapointe
Jean-Paul Sartre and his critics; an international bibliography 1938-1975
Bowling Green: Philosophy Documentation Center Bowling Green State University 1975. iv 447p. original gold cloth ex libris Bibliographies of famous philosophers. Philosophy Documentation Center, Bowling Green State University unknown
Référence libraire : 1297 ISBN : 0912632321 9780912632322
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(Sartre, Jean-Paul) Beigbeder, Marc
L'homme Sartre. Essai de dévoilement préexistentiel
Paris: Bordas 1947. First Edition . Soft cover. Very Good/Very Good. Very good in original wrappers and dust jacket. Illustrated with photographs. <br/> <br/> Bordas paperback
Référence libraire : b22776
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(Sartre, Jean-Paul]. Vittorini, Elio
LES HOMMES ET LES AUTRES. UOMINI E NO. Signed
Geneva: Editions du Continent 1945. First Edition. Soft cover. First Edition. Soft cover. Signed by Author. First French Edition of 'Uomini e No' Men and not Men a novel of resistance against the German occupation of Italy Inscribed and Signed by the author to Jean-Paul Sartre on the front endpaper. With Cesare Pavese Vittorini an acclaimed translator novelist his Conversations In Sicily was published in the United States with an introduction by Ernest Hemingway editor and anti - fascist was a pioneer in translating English French and American authors into Italian. A bright fresh copy in the original wrappers. Housed in an elegant custom clamshell case black cloth over marbled paper red morocco spine label with gilt titles. A significant Association. Editions du Continent unknown
Référence libraire : 26708
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(Sartre, Jean-Paul)
Les Jeux Sont Faits; . . . Participez au Grand Concours
Paris: France Dimanche 1948. Evenly toned; a few incidental wrinkles and a small bit of shallow wear to two corners. Single leaf approx. 5-1/4 X 8-1/4 in. printed on both sides. Broadsheet entry blank for a contest sponsored by the tabloid journal "France Dimanche" asking for audience response to the film by Jean Delannoy based on a screenplay by Jean-Paul Sartre. The film which premiered at the Cannes Festival in 1947 tells the story of a man and a woman who though unknown to each are destined to be together as life partners. They themselves only meet after both have died but are given a second chance at life if they can return and realize their love in the real world. Once back in life however they find themselves absorbed in unresolved matters from their previous lives and fail in their mission. The contest asks readers of "France Dimanche" two questions: 1. would you have done as Eve and Pierre why or why not and 2. should Jean-Paul Sartre be condemned or offered a chair at the Academie An intriguing ephemeron from a moment of intellectual ferment in post-war Paris. France Dimanche unknown
Référence libraire : 206196
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(Sartre, Jean-Paul)
LES TEMPS MODERNES MARS 1962
Paris 1962. Single issue of this celebrated journal. In French. Sm.8vo. pp.1205-1396 original wraps. Good a few light stains on wraps leaves broened not brittle. paperback
Référence libraire : a54245
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(Sartre, Jean-Paul]. Urovskaia, ET. E. T.
LES VUES ESTHETIQUES DE JEAN-PAUL SARTRE. Signed
Lenningrad: Leningrad 1969. First Edition. Soft cover. First Edition. Soft cover. Signed by Author. First Edition of this Russian thesis examining the esthetic views of Jean-Paul Sartre. Inscribed by the author to Sartre on the title-page and Inscribed and Signed by Jean-Paul Sartre to close friend Michelle Vian Boris Vian's wife. A fresh bright copy in the original printed wrappers. 16 pp. Housed in an elegant custom clamshell case black cloth over marbled paper red morocco spine label with gilt titles. An uncommon Sartre title. An Important Association Copies as Sartre began a life-long affair with writer & maverick creative force Boris Vian's first wife Michele L'Eglise in the late 40's which lasted until Sartre's death in 1980. L'Eglise & Vian divorced in 1951. Sartre & de Beauvoir loved Boris & promoted him often. Sartre nominated Vian for a celebrated literary prize for the novel L'Ecume. Vian's extraordinary work mirrored his fascinating life. A jazz trumpeter film actor cabaret singer translator record company executive jazz writer inventor of the elastic wheel Vian moved in both the world of Miles Davis & Dizzie Gillespie as well as that of Sartre & de Beauvoir. Leningrad unknown
Référence libraire : 26706
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(Sartre, Jean-Paul). Prince, Gerald Joseph
Métaphysique et technique dans l'oeuvre romanesque de Sartre
Genève: Librairie Droz 1968. 147 2p. original stiff wrappers. Librairie Droz unknown
Référence libraire : 1460
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(Sartre, Jean-Paul)
Photo Album For Sartre from the Kibbutz Lehavot HaBashan
Kibbutz Lehavot HaBashan 1967. 15 vintage black and with photos approximately 180 × 130 mm. Mounted on black album card leaves. With 3 pages of typed text in French about the history of the kibbutz. In blue leatherette album with gilt floral ornament to panel. In fine condition. 15 vintage black and with photos approximately 180 × 130 mm. Mounted on black album card leaves. With 3 pages of typed text in French about the history of the kibbutz. In blue leatherette album with gilt floral ornament to panel. With a dedication in French: “A Jean Paul Sartre en souvenir d’une journee a Lahavot Habachan. 17/3/1967â€. <p>The photos are showing the view the facilities and the daily life of the kibbutz. <p><p><br /> This unique photo album was a gift to Jean-Paul Sartre 1905–1980 the French existentialist philosopher Nobel Prize winner and political activist who visited kibbutz Lehavot HaBashan on March 17 1967. <p><p><br /> Sartre and his wife Simone de Beauvoir arrived to Israel on March 14 1967 after their voyage to Egypt as a month-long visit to the Middle East. The travel was intended to clarify the possibilities of a dialogue between the Arab and Israeli left. A special edition of “Les Temps Modernes†edited by Sartre and published in June 1967 planned to coincide with this voyage wherein Arabs and Israelis could put their views alongside each other. This highly significant dialogue of the time was interrupted by the Six-Day War.<p>. unknown
Référence libraire : 48
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(SARTRE, Jean-Paul). Charles Dullin, directed by
Theater Program: Les Mouches. Mise en scène par Charles Dullin. Théatre de la Cité
Paris: Théatre de la Cité 1943. Softcover. Very Good. Theater program. Slim 24mo. Measuring approximately 4" x 5". Two thin leaves folded and stapled to make eight pages. Illustrated with a portrait of Dullin and an ad for Secours National Entr'aide D'Hiver du Maréchal. Moderate wear very good. Prints a page of text by Dullin an analysis of the play a cast list and material regarding the theater. An interesting piece of theater ephemera from the first production of Sartre's The Flies staged in Nazi-occupied Paris. Théatre de la Cité unknown
Référence libraire : 597082
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(Sartre, Jean-Paul) Hardwick, Elizabeth
We Are All Murderers" review of The Condemned of Altona in New York Review of Books March 3 1966
First Edition . Near fine in original wrappers. <br/> <br/> unknown
Référence libraire : b4644
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(Sartre, Jean-Paul).
Deux numéros spéciaux de la Revue Obliques consacrés à Sartre.Numéro spécial 18-19 Sartre. Numéro 24-25 Sartre et les Arts.
Paris, 1980-1981, 268x210mm, 384 + 320pages, broché. Bel exemplaire.
Référence libraire : 99077
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(THEATRE) SARTRE (Jean-Paul)
Théâtre I.
Paris, NRF Gallimard - Collection "Soleil" n° 48. In-8 reliure d'éditeur sous jaquette rhodoïd, 316 pp. Tirage limité, exemplaire numéroté. - Les mouches - Huis clos - Morts sans sépulture - La putain respectueuse.
Référence libraire : 9458
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(to Francis PONGE) - Jean-Paul MARAT
Textes choisis
Paris: Les Editions de Minuit 1945. Fine. Les Editions de Minuit Paris 1945 12 x 16.50 cm broché First edition of this selection of texts with a preface by Lucien Scheler. Precious autograph inscription from him to Francis Ponge. With a frontispiece portrait of J.P. Marat after a linocut by L. Scheler. Spine slightly sunned a tiny corner loss to the heads of the first pages. Les Editions de Minuit unknown
Référence libraire : 27736
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(to Jean-Paul SARTRE) - Ahmed Sekou TOURE
Message du président Ahmed Sekou Touré au festival culturel d'Alger - L'art africain - L'artiste révolutionnaire - Exemplaire relié pour Jean-Paul Sartre • Message from President Ahmed Sekou Touré to the Algiers Cultural Festival – African Art – The Revolutionary Artist – Copy Bound for Jean-Paul Sartre
No Location: Sans nom d'éditeur 1969. Fine. Sans nom d'éditeur No Location s. d. 1969 15.6 x 23 cm Relié First edition of this collection of political speeches.Full red percaline binding smooth spine without lettering showing slight rubbing gilt inscription stamped to the upper cover: ""République de Guinée R.D.A. à S.E. Jean Paul Sartre. N°30""; endpapers partly toned a contemporary presentation binding offered to Jean-Paul Sartre.Frontispiece photographic portrait bearing the autograph signature of President Ahmed Sékou Touré: Secretary General of the Parti Démocratique de Guinée Supreme Leader of the Revolution. Sans nom d'éditeur unknown
Référence libraire : 89981
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(VESPINI Jean-Paul) -
La Grande Guida al Ciclismo.
Milano Vallardi 1992 8vo cm. 25 x 175 cartonato con copertina illustrata a colori pp. 192 ampiamente illustrato da fotografie e da tavole fotografiche anche a colori alcune aderenze alle pagine dovute ad umidità . unknown
Référence libraire : 2-93253
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(VILLIERS de L'ISLE-ADAM). Jean-Pierre CASTEX - Jean-Paul AVICE.
VILLIERS DE L'ISLE-ADAM, 1838-1889. Catalogue d'exposition.
1989 Paris, Agence culturelle de Paris, 1989. Catalogue de l'exposition présentée à la Bibliothèque historique de la Ville de Paris du 28 décembre 1989 au 2 février 1990, à l'occasion du centenaire de la disparition de Villiers de L'Isle-Adam. Comprenant 521 notices et des descriptions détaillées de manuscrits et d'éditions rares. Avec 17 illustrations pleine page en noir et en couleurs. Grand in-8 broché de 162 pp. Couverture illustrée. Mentions manuscrites sur la couverture et le faux-titre, sinon bon état.
Référence libraire : 13913
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(Vroom, Jean-Paul) Robert Douwma:
Jean-Paul Vroom Engravings etchings lithographs and screenprints 1941-1982
-Robert Douwma 1982-. Exhibition catalogue. 240x165mm 44 pages. Illustrated in colour and black and white. Card covers. Very good indeed. With price-list and invitation card loosely inserted. We are specialists in Catalogues: Exhibitions Auctions Collections etc. with a picture of the cover available on request. All items are as described and dispatched within 36 hours in a secure package. We are professional booksellers with over 30 years experience and a real-life bookshop. You may order with confidence. Jean-Paul Vroom Engravings etchings lithographs and screenprints 1941-1982 Dutch artist -Robert Douwma (1982)- unknown
Référence libraire : 23383
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(WOLS). SARTRE (Jean-Paul).
Visages. Précédé de Portraits officiels.
P., Chez Seghers, 1948, in-12, br., 41 p. Edition originale. 1/900 ex. num. sur Crèvecoeur du Marais. Avec 4 pointes-sèches originales de WOLS. Bel exemplaire.Busch, Das Druckgraphische Werk, 46-49.
Référence libraire : 23031
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(à Francis PONGE) - Jean-Paul MARAT
Textes choisis
Les Editions de Minuit | Paris 1945 | 12 x 16.50 cm | broché
Référence libraire : 27736
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(à Jean-Paul SARTRE) - Ahmed Sékou TOURÉ
Message du président Ahmed Sekou Touré au festival culturel d'Alger - L'art africain - L'artiste révolutionnaire - Exemplaire relié pour Jean-Paul Sartre
Sans nom d'éditeur | Sans lieu d'édition s. d. [1969] | 15.6 x 23 cm | Relié
Référence libraire : 89981
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(à Jean-Paul SARTRE) - Alexeï Sourkov
Télégramme adressé à Jean-Paul Sartre
s. n. | Moscou 1955 | 21.1 x 11.7 cm | Une feuille
Référence libraire : 91212
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- Mariage Jean-Paul - Epry Charles
Partition de la chanson : Boniment du diable Dédicacée par Jean-Paul Mariage Poésie
Partitions sur la sorcellerie, diable et démons Jouve Edouard 1911
Référence libraire : 27316
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