‎Sciences occultes‎

‎Carol M. Armstrong Colin B. Bailey‎

‎Manet, le Portrait de la Vie,‎

‎Bruxelles, Fonds Mercator, 2013 Paperback, , dustjacket, 280x240mm, 214p, 150 colour illustrations. Texte en Francais ISBN 9789061538462.‎

‎En s'attachant a representer dans ses oeuvres le Paris de son temps, Edouard Manet (1832-1883) a pu y saisir la scene urbaine au dix-neuvieme siecle, accordant a la ? vie moderne ? une legitimite en tant que sujet artistique. Son regard detache, franc, et son traitement subversif tant de la peinture elle-meme que du sujet ont choque ses contemporains et ont fait de lui le pere de la peinture moderne. Ce remarquable ouvrage explore l'oeuvre de Manet en tant que portraitiste, aspect important mais souvent neglige de sa production, et couvre l'ensemble de la carriere du peintre. L'evolution stylistique de l'artiste y est envisagee de facon approfondie grace aux contributions d'eminents specialistes qui abordent l'influence des maitres hollandais du dix-septieme siecle, ou etablissent des paralleles avec l'oeuvre de Renoir et des liens avec les debuts de la photographie. Somptueusement illustre par des peintures et des oeuvres sur papier, ainsi que des photographies de ses modeles, cette etude majeure apporte un nouvel eclairage sur ce peintre essentiel de la modernite. Royal Academy, London Expo: 26/1/2013 - 14/4/2013.‎

書籍販売業者の参照番号 : 38624

‎Phillip van den Bossche‎

‎Victor Servranckx. De Jaren Twintig,‎

‎BE, AsaMER , 2012 Hardback, 280x230mm, 250p, Dutch (NL) edition.*nieuwstaat ISBN 9789074694087.‎

‎Victor Servranckx (1897 - 1965) geboren in Diegem bij Brussel, was een buitengewoon kunstenaar. Zijn werk evolueerde van mathematische constructies, over abstract-surrealistische werken en lyrische kleurenuitbarstingen naar materie-experimenten en symmetrische structuren. Deze enorme varieteit maakt van hem een boeiende individuele persoonlijkheid. Victor Servranckx wil de nadruk leggen op Servranckx' werk uit de jaren 1920 met een focus op het begin van zijn abstract-geometrische periode. De tentoonstelling toont hoe Servranckx een fascinatie voor het mechanische en de fabriek, zijn werkplaats, omzet in een artistiek denken dat veel verder gaat dan het schildersdoek en de vermenging van verschillende kunstdisciplines omvat. Victor Servranckx illustreert de veelzijdigheid van de kunstenaar: Servranckx als schilder, schrijver van manifesten, ontwerper van behangpapier, architect, meubelmaker, etc. of hoe modernisme uit de jaren 1920 doordrong in alle niveaus van het dagdagelijkse leven! Ook zijn contacten met oa de kunstenaars Rene Magritte en Filippo Tommasso Marinetti, en zijn deelname aan The international exhibition of Modern Art van de Societe Anonyme te New York worden onder de aandacht gebracht! Heel wat privecollecties alsook nationale en internationale musea verleenden hun medewerking aan deze tentoonstelling waaronder MoMa in New York, Centre Pompidou in Parijs, het Museum Moderner Kunst Stiftung Ludwig in Wenen, Lehmbruckmuseum in Duisberg, Museum van Elsene. MuZee, Oostende Expo: 15/9/2012 - 6/1/2013‎

書籍販売業者の参照番号 : 38631

‎Rudi Ekkart‎

‎Dutch and Flemish Painting: Portraits 1600-1800, Old Masters' Gallery Catalogues, Szepmuveszeti Muzeum Budapest, Volume 1.‎

‎NL-, Primavera, 2011 Bound, hardcover, 304 pag., 22 x 28 cm, bound, ca. 150 ill. mostly colour fine condition !. ISBN 9789059971004.‎

‎The collection of Dutch Old Master paintings in the Szepm?veszeti Muzeum, Budapest, is one of the largest in the world outside the Netherlands and Belgium. This first volume of its catalogue raisonne series discusses one hundred and five Dutch and Flemish portraits from 1600 to 1800, an abundant and varied section of the collection. Represented are such great masters like Anthony van Dyck, Frans Hals, Thomas de Keyser, Bartholomeus van der Helst, and it includes fine works by leading portraitists from nearly all the famous centres of Dutch painting. The core of this material comes from the Prince Esterhazy collection purchased in 1871, which was subsequently enriched by gifts and bequests of further Hungarian aristocrats and bourgeois collectors. Until recently the collection of portraits has been augmented through resolute or occasional aquisitions by gallery directors, starting with Karoly Pulszky, Gabriel Terey and others. This volume is the first systematic overview of that special part of the Budapest collection, containing new achievements of research: several new attributions, names of sitters, and unknown data to the provenance of the paintings. The text is in English and Hungarian. Rudi E.O. Ekkart, director of the Rijksbureau voor Kunsthistorische Documentatie in the Hague, is the leading authority on seventeenth-century Dutch and Flemish portraits, author of scholarly catalogues and co-curator of special exhibitions. He is professor of arthistory at the Utrecht University.‎

書籍販売業者の参照番号 : 38665

‎G.R. Dimler (ed.);‎

‎J. Kreihing Emblemata ethico-politica (Antwerp, 1661) ,‎

‎Turnhout, Brepols, 1999 Hardback, 228 p., 160 x 235 mm. ISBN 9782503507750.‎

‎With its 160 emblems this book is a veritable catalogue of mid-seventeenth century life and morality, advertising ?social-political? concern with civic morality, and embraces the whole of society from kings to beggars. With its 160 emblems this book is a veritable catalogue of mid-seventeenth life and morality. Its title advertises the book's "social-political" concern with civic morality, and embraces the whole of society from kings to beggars. The scope of this emblem book, written by a Dutch Jesuit working in Germany, is impressive. The major themes are religious faith, God, eternity,kingly conduct, war, victory, courtly life, advice to rulers, education, virtue, moderation, conscience, self-knowledge, modesty and chastity. He also treats bourgeois life and values, transience, folly, chance, vanity and satires on women. In fact, Kreihing has something to say about almost everything: gambling, gossip, gluttony, prostitution, suicide, pick-pockets, dress codes, cosmetics, nude bathing, bribery, female treachery, illicit love and taxation. The full introduction is followed by an alphabetical list of Kreihing's mottoes with their English translations. A second index lists the key motifs in the emblem pictures. Languages : English.‎

書籍販売業者の参照番号 : 39050

‎P. M. Daly;‎

‎Andrea Alciato, Jeremias Held Jeremias Held. 'Liber Emblematum' (Frankfurt-am-Main 1566),‎

‎Turnhout, Brepols, 1999 Hardback, VI+238 p., 301 b/w ill., 160 x 235 mm. ISBN 9782503525396.‎

‎This work by Jeremias Held (Henry Green, no. 74) is the second German translation of the emblems of Andrea Alciato, who is rightfully known as pater et princeps of the emblem. The first German translation was written by Wolfgang Hunger and published by Chrestien Wechel in a bilingual Latin-German edition in Paris in 1542. Held's version, printed in 1566 and 1580, has never before been offered in its entirety in a modern reprint. It, too, is a bilingual edition with the Latin texts followed by Held's German version. Jeremias Held produced this, the second German translation, which appeared in a 1566 and a 1580 edition. The 1566 edition was printed in Frankfurt-am-Main by Georg Raben for Simon Huter and Sigmund Feyerabend. The colophon is dated 1567. Held's version contains 132 woodcuts in text to Alciato's 212 emblems, and they are numbered i-ccxvii. The numbering of the emblems has caused some confusion. Henry Green (190) hastily called the number 217 a misprint, but it is not. The number 217 is correct and derives from the separate numbering of the alternative versions of the epigrams, which Alciato had labled ?aliud,? to four of the emblems. Held's written German is simple and colloquial. In fact it is sloppy. In matters of orthography, we cannot know if the typesetting accurately represents his intentions, but it probably does. Languages : English, Latin.‎

書籍販売業者の参照番号 : 39052

‎N/A;‎

‎Journal of Celtic Studies 1-2 (1949/1950 & 1953/1958) [rpt],‎

‎Turnhout, Brepols, 2005 Paperback, XII+508 pages ., 160 x 240 mm .Languages : English. ISBN 9782503515724.‎

‎The Journal of Celtic Studies was founded by Professor Howard Maxwell Meroney: its first issue appeared in 1949 and rapidly gave the new publication a distinctive character. Meroney's last volume appeared in 1982/3, co-edited with David Dumville. Contents volume 1: J. Vendryes, Irlandais rug- Pr fixe Superlatif H. Pedersen, Old Irish ainder, 'A Young Woman' J. Whatmough, Gaulish tw??os, auot, ieuru A. Tovar, Pre-Indoeuropeans, Pre-Celts, and Celts in the Hispanic Peninsula W. Krause, The Imperfect in British and Kuchean R. Pettazzoni, The Gaulish Three-faced God on Planetary Vases V. Pisani, Studies in Gaulish Vocabulary A. Heiermeier, IE *sreu-/sru-, 'To Flow, To Stream,' in Celtic, Especially Irish, River-Names K. Jackson, Brittonica K. Mulchrone, Flannac n mac Cellaich R Breg Hoc Carmen V. Hull, The Text of Baile Binnb rlach mac Buain from MS23.N.10 of the Royal Irish Academy R. M. Smith, The Six Gifts A. Matheson, Some Proverbs and Proverbial Expressions from Lewis B.J. Whiting, Lowland Scots and Celtic Proverbs in North Carolina J. Pokorny, Some Celtic Etymologies G. Bonfante,,French lez, Prov. latz: A Case of Celtic Substratum in Gallo-Roman Romance G. Lehmacher, The Ancient Celtic Year D.A. Binchy, Ir. forggu (W goreu ?), d gu M. Schlauch, On Conall Corc and the Relations of Old Ireland with the Orient C. Donahue, Grendel and the Clanna Cain T. Peete Cross, "Sohrab and Rustum" in Ireland O. Bergin, Old Irish dligid R.I. Best, The Yellow book of Lecan P. Grosjean, The Pedigree of Saint Caelainn H. Meroney, Studies in Early Irish Satire M. E. Dobbs, A Poem on the U Dega A. Sommerfelt, The Norsemen in Present Day Donegal Tradition S. Searcaigh, Some Uses and Omissions of the Article in Irish Contents volume 2: R. A. Fowkes, Sanskrit Evidence in Welsh Etymologies E. P. Hamp, Morphological Correspondences in Cornish and Breton J. Pokorny, Further Note on Old Irish derc, 'berry' E. Mayrhofer-Passler, S?tanta C?chulinn und der Genius Cucullatus H. W. Bailey and A. S. C. Ross, Irisi on Lyonesse V. Hull;,C? Chulainn's Feats M. E. Dobbs, Notes on the Lists of Irish Historic Tales H. Meroney, Studies in Early Irish Satire R. M. Smith, Shane O'Neill's Last Letter J. L. Campbell, Some Errors in the Names of Animals in Gaelic Dictionaries T. S. M ille, Some Modern Irish Words E. P. Hamp, Notulae Celtibericae K. Jackson, The Site of Mount Badon A. S. D. Smith ("Caradar"), An Examination of the Functions and Formsof the Cornish Verb bos H. Meroney, The Alphabet of the World H. Meroney, The Titles of Some Early Irish Law-Tracts R. M. Smith, The Alphabet hanmer and the Cesair Myth J. Lorne Campbell, Some Errors in Professor P. Hume Brown's Edition of Donald Munro's Description of the Western Islands C. A. Sheehan, The Contribuiton of Charles O'Conor of Belanagare to Gaelic Scholarship in Eighteenth-Century Ireland.‎

書籍販売業者の参照番号 : 39235

‎N/A;‎

‎Journal of Celtic Studies 4 (2004),‎

‎Turnhout, Brepols, 2005 Paperback, XII+269 p., 160 x 240 mm.Languages : English. ISBN 9782503513782.‎

‎The Journal of Celtic Studies was founded by Professor Howard Maxwell Meroney: its first issue appeared in 1949 and rapidly gave the new publication a distinctive character. Meroney's last volume appeared in 1982/3, co-edited with David DumvillePreface David N. Dumville, Howard Maxwell Meroney K. Megan McGowan, The Four Masters and the governance of Ireland in the Middle Ages Robin Chapman Stacey, Law and memory in early mediaeval Ireland Clare Downham, The historical importance of Viking-Age Waterford David N. Dumville, Mael Brigte mac Torn in, pluralist (+ 927) Iestyn Daniel, The date, origin, and authorship of "The Mabinogion" in the light of Ymborth yr enaid G.R. Isaac, The Old- and early Middle-Welsh "future" tense: form and function of a moribund category H rold Pettiau, A porsopography of Breton rulership, A.D. 818-952 SHORTER ARTICLES K.R. Dark, Back to ?The Dark Ages? Terminology and preconception in the archaeology of fifth- to seventh-centuryBritain Andrew Breeze, Morville in Shropshire and Myfyr in Gwynedd ?M. Miller, Final stages in the construction of the Harleian Annales Cambriae: the evidence of the framework Daniel Huws, The Old-Welsh englynof the Margam-Abbey charter: a Lhuydian joke TEXTS S. Roberts, Plaints in mediaeval Welsh law‎

書籍販売業者の参照番号 : 39237

‎N/A;‎

‎Journal of Medieval Latin 20/2010,‎

‎Turnhout, Brepols, 2011 Paperback, XXXIV+350 p., 3 b/w ill., 160 x 250 mm. ISBN 9782503533346.‎

‎Andrew Cain, Patrick's Confessio and Jerome's Epistula 52 to Nepotian - Jennifer Karyn Reid, Patrician and Augustinian Ideas of the 'Inner Man' - Rita Copeland, Naming, Knowing, and the Object of Language in Alexander Neckam's Grammar Curriculum - Richard Matthew Pollard, Denuo on Lucan, the Orpheus and 'Aethicus Ister' : Nihil Sub Sole Novum - Michael Winterbottom, William of Malmesbury and the Normans - Nicholas Perkins, Biblical Allusion and Prophetic Authority in Gildas's De excidio Britanniae - David C. Cox, The Literary Remains of Adam, Abbot of Evesham (1161-1189) - Richard M. A. Marshall, Studies on the 'Ars Grammatici Sergi{li}i' with an Edition - Tina Chronopoulos, Brief Lives of Sidonius, Symmachus, and Fulgentius Written in Early Twelfth Century England. Languages : English, Latin.‎

書籍販売業者の参照番号 : 39263

‎N/A;‎

‎Journal of Medieval Latin 22/2012,‎

‎Turnhout, Brepols, 2013 Paperback, approx. 250 p., 178 x 254 mm. ISBN 9782503543888.‎

‎Michael D. Elliott, Wulfstan?s Commonplace Book Revised: The Structure and Development of "Block 7," on Pastoral Privilege and Responsibility ? Elizabeth Boyle, The Authorship and Transmission of De tribus habitaculis animae ? Sinead O?Sullivan, The Sacred and the Obscure: Greek and the Carolingian Reception of Martianus Capella ? Gregory Hays, John of Garland?s Clauis Compendii: Notes and Explications ? Michael W. Herren, John Scottus and Greek Mythology: Reprising an Ancient Hermeneutic in the Paris Commentary on Martianus Capella ? Jonathan Davis-Secord, Rhythm and Music: The Sequences of Notker Balbulus ? Martin Camargo, In Search of Geoffrey of Vinsauf?s Lost "Long Documentum" ? Tristan Major, Words, Wit, and Wordplay in the Latin Works of the Venerable Bede ? Bryan Carella, Alcuin and the Legatine Capitulary of 786: The Evidence of Scriptural Citations ? Alexander Andree, Laon Revisited: Master Anselm and the Creation of a Theological School in the Twelfth Century (A Review Essay). Languages : English, Latin.‎

書籍販売業者の参照番号 : 39266

‎DRAGUET, Michel.‎

‎ALECHINSKY VAN A TOT Y. CATALOGUE RAISONNABLE VAN EEN RETROSPECTIEF.‎

‎Tielt, Lannoo / KMSK Brussel, 2007 Gebonden, gekartoneerde originele uitgeversomslag in kleur, 29.4x23.5 cm., 292 pp. + 4, rijkelijk geillustreerd in z/w en in kleur. ISBN 9789020974010.‎

‎Tentoonstelling KMSK Brussel 23 november 2007 tot 30 maart 2008.‎

書籍販売業者の参照番号 : 39329

‎N/A;‎

‎lettres romanes - 62.1-2 (2008) ,‎

‎Turnhout, Brepols, 2008 Paperback, 168 p., 156 x 234 mm. ISBN 9782503534138.‎

‎Languages : French.‎

書籍販売業者の参照番号 : 39370

‎N/A;‎

‎lettres romanes - 61.1-2 (2007),‎

‎Turnhout, Brepols, 2007 Paperback, approx. 168 p., 156 x 234 mm. ISBN 9782503534152.‎

‎Languages : French.‎

書籍販売業者の参照番号 : 39372

‎N/A;‎

‎lettres romanes - 65.1-2 (2011),‎

‎Turnhout, Brepols, 2012 Paperback, 314 p., 156 x 234 mm. ISBN 9782503536361.‎

‎Languages : French.‎

書籍販売業者の参照番号 : 39377

‎R. Utz, T. Shippey (eds.);‎

‎Medievalism in the Modern World Essays in Honour of Leslie Workman,‎

‎Turnhout, Brepols, 1998 Hardback, XIV+452 p., 165 x 245 mm. ISBN 9782503501666.‎

‎This interdisciplinary collection of essays from leading scholars in Europe, North America, and Australia examine the phenomenon of medievalism from the perspective of history, politics, scholarship, art, and literature. The twenty-six essays in this volume examine the process of creating the Middle Ages. In doing so, they honour Leslie Workman, who has led the revival of the study of medievalism in the past two generations, and leads this sub-discipline towards the comprehensiveness that Lord Acton as early as 1859 had promised: ?Two great principles divide the world, and contend for the mastery: antiquity and the Middle Ages. These are the two civilizations that have preceded us, the two elements of which ours is composed. All political as well as religious questions reduce themselves practically to this. This is the great dualism that runs through our society. While using differnt approaches and discussing topics in a variety of specialised fields, the contributions clearly centre on negotiating the reception of medieval culture in the Early Modern, Modern and Contemporary periods, thus presenting a broad and representative picture of current research in medievalism. Languages : English.‎

書籍販売業者の参照番号 : 39402

‎R. Utz;‎

‎Chaucer and the Discourse of German Philology A History of Reception and an Annotated Bibliography of Studies, 1798-1948,‎

‎Turnhout, Brepols, 2002 Hardback, XXII+446 p., 160 x 240 mm. ISBN 9782503510866.‎

‎This publication focuses on the genesis of modern Chaucer criticism, which was heavily formed by German philologists, and emphasizes the 'Chaucerphilology of 1870-1914. In the nineteenth and early twentieth century, German-speaking scholars played a decisive role in founding and shaping the study of medieval and early modern English language and culture. During this process, aesthetic and literary enthusiasms were gradually replaced, first by broadly comparative and then by increasingly narrow scientistic practices, all confusingly subsumed under the term 'philology'. Towards 1871, German and Austrian Anglicists were successful at imposing-- for about 30 years -- many of their philological discoursive practices on their English-speaking counterparts by focusing on strict textual criticism, chronology, historical linguistics, prosody, and literary history. After World War I, these philological practices were rejected in the U.K. and the United States because they were 'Made in Germany', but have remained essential features of German medieval scholarship until the present day. This book offers a case study of these foundational developments by investigating the reception of Geoffrey Chaucer by eminent scholars such as V.A. Huber, W. Hertzberg, B. ten Brink, J. Zupitza, E. Fluegel, and J. Koch. The narrative of their nationalist, scientist, and self-fashioning efforts is complemented by a comprehensive annotated bibliography of German Chaucer criticism between 1793 and 1948. Languages : English.‎

書籍販売業者の参照番号 : 39404

‎J. Kennedy;‎

‎Translating the Sagas Two Hundred Years of Challenge and Response,‎

‎Turnhout, Brepols, 2007 Hardback, X+221 p., 160 x 240 mm. ISBN 9782503507729.‎

‎Few speakers of English have ever been able to read the Icelandic sagas in the original language, and published saga translations have played a major role in shaping attitudes towards Viking Age Scandinavia and the great literary achievements of medieval Iceland in the English-speaking world. This book is the first publication to provide an extended examination of the history and development of Icelandic saga translations into English from their beginnings in the eighteenth century to today. It explores reasons for undertaking saga translation, and the challenges confronting translators. Chapters are devoted to the pioneering saga translations, the later Victorian and Edwardian eras, the often-neglected period of the two World Wars and their aftermath, and the upsurge of saga translation in the second half of the twentieth century. The contributions of individual translators and teams are reviewed, from James Johnstone in the 1780s through major Victorians such as Samuel Laing, George Webbe Dasent, and William Morris, distinguished twentieth century figures such as Lee M. Hollander, Gwyn Jones, Magnus Magnusson and Hermann Palsson, and George Johnston, and the great co-operative project which produced The Complete Sagas of Icelanders at the century?s end. The book concludes with saga translation facing interesting new possibilities and challenges, not least those generated by information technology. Languages : English.‎

書籍販売業者の参照番号 : 39406

‎TODTS, Herwig.‎

‎GOYA, REDON, ENSOR : GROTESKE SCHILDERIJEN EN TEKENINGEN.‎

‎Tielt, Lannoo, 2009 Gebonden, originele softcover uitgeversomslag in kleur, 24.5x19.5 cm., 238 pp. + 2, uitgebreid geillustreerd in kleur en in z/w. ISBN 9789020983418.‎

‎Uitgegeven ter gelegenheid van de gelijknamige tentoonstelling in het KMSK Antwerpen van 14 maart tot 14 juni 2009. Ensors ontmoeting met het werk van Goya en Redon was voor de definitieve artistieke koerswending in zijn oeuvre misschien wel van doorsslaggevende betekenis. De herontdekking van Goya gaat hand in hand met de groeiende waardering van het groteske : kunstenaars zoals Redon en Ensor gaan opzettelijk op zoek naar motieven en vormen die gelijktijdig gevoelens van afkeer, verbazing en lust opwekken. Hier wordt stilgestaan bij de overeenkomsten en verschillen tussen het werk van drie grootmeesters van de groteske.‎

書籍販売業者の参照番号 : 39414

‎S. Trigg (ed.);‎

‎Medievalism and the Gothic in Australian Culture,‎

‎Turnhout, Brepols, 2005 Hardback, XXIV+302 p., 7 b/w ill., 160 x 240 mm. ISBN 9782503517025.‎

‎This collection opens up a new field of academic and general interest: Australian medievalism. That is, the heritage and continuing influence of medieval and gothic themes, ideas and cultural practices. Geographically removed from Europe, and distinguished by its eighteenth-century colonial settlement, Australia is a fascinating testing-ground on which to explore the cultural residues of medieval and gothic tradition. These traditions take a distinctive form, once they have been 'transported' to a different topographical setting, and a cultural context whose relationship with Europe has always been dynamic and troubled. Early colonists attempted to make the unfamiliar landscape of Australia familiar by inscribing it with European traditions: since then, a diverse range of responses and attitudes to the medieval and gothic past have been played out in Australian culture, from traditional forms of historical reconstruction through to playful postmodernist pastiche. These essays examine the early narratives of Australian 'discovery' and the settlement of what was perceived as a hostile, gothic environment; exercises of medieval revivalism and association consonant with the British nineteenth-century rediscovery of chivalric ideals and aesthetic, spiritual and architectural practices and models; the conscious invocation and interrogation of medieval and gothic tropes in Australian fiction and poetry, including children's literature; the transformation of those tropes in fantasy, role-playing games and subcultural groups; and finally, the implication of the medieval past for discussions of Australian nationalism. Languages : English.‎

書籍販売業者の参照番号 : 39438

‎L. D'Arcens;‎

‎Old Songs in the Timeless Land: Medievalism in Australian Literature 1840-1910,‎

‎Turnhout, Brepols, 2011 Hardback, XIV+216 p., 15 b/w ill., 156 x 234 mm. ISBN 9782503535661.‎

‎This volume is the first close examination of the rich and diverse body of medievalist texts produced in late colonial and early Federal (ie post-1901) Australia. It examines the many ways in which early Australian novelists, poets, and dramatists drew on the motifs, events, and personages of the medieval past, and places particular emphasis on how they used the European past to illuminate their sense of the Australian present. Broadly stated, the book argues that a study of early Australian medievalist literature and theatre uncovers a rich and revealing drama in which the forces of cultural nostalgia and cultural amnesia sometimes contended against one another, and sometimes harmonised, to produce a unique and distinctive corpus. The book significantly extends current knowledge about nineteenth-century literary and theatrical medievalism by offering an exploration of how medievalist discourses and idioms came to be taken up within a major, but as yet under-examined, branch of Anglophone literature. It aims also to broaden the cultural ambit of nineteenth-century medievalism by offering analyses of popular and ephemeral instances alongside more ?serious? medievalist texts. The study balances an interest in how this medievalism responded to local conditions with an interest in its international complexion, examining how Australian medievalist novels, poems, and plays, participated in imperial and transpacific intellectual and entertainment circuits. While the emphasis of the volume is on close, historically-contextualising interpretations of texts, it has woven through its arguments a series of meditations on such theoretical matters as how we determine the boundaries of medievalism, how we might develop an account of colonial medievalism as non-derivative, whether medievalist discourses are equally amenable across gender, class, and ideological lines, and how the premodern past is evoked as a means for formulating the present and the future. Languages : English.‎

書籍販売業者の参照番号 : 39440

‎J. Chapuis (ed.);‎

‎Invention. Northern Renaissance Studies in Honor of Molly Faries,‎

‎Turnhout, Brepols, 2008 Hardback, XLVIII+231 pages., 188 b/w ill. + 35 colour ill., 210 x 297 mm.*NEW ISBN 9782503527680.‎

‎Invention: Northern Renaissance Studies in Honor of Molly Faries, evokes Molly's passion for understanding an artist's creative process. The term 'invention' is here understood in the widest possible sense: How did a work of art come into being? How did an artist react to new stimuli or adapt to a new culture? Was innovation valued above adherence to a local tradition? To what degree could artists shape their patrons? taste? How did artists transform their own inventions over time and adopt those of others Was there a concept of invention specific to the Northern Renaissance and how did it differ from ours . The authors who tackle these and other questions include university professors, curators, conservators, and conservation scientists, all recognized specialists in northern European art of the fifteenth and sixteenth centuries. The artists they discuss are among the greatest painters, manuscript illuminators, printmakers, and sculptors: Johan Maelwael, the Limbourg brothers, Jan Van Eyck, Rogier van der Weyden, Hans Memling, Lieven van Lathem, Juan de Flandes, Jean Hey, Albrecht Durer, Hieronymus Bosch, Master H.L., Jacques Du Broeucq, and Jan Brueghel the Elder. Table of content: J.R.J. van Asperen de Boer, ?Laudatio Molly Faries?; Julien Chapuis, ?Introduction: Engaging Tradition in Fifteenth-Century Art?; Victor Schmidt, ?Johan Maelwael and the Beginnings of Netherlandish Canvas Painting?; Timothy Husband, ?The Pictorial Intelligence in the Belles Heures of Jean de France, Duke of Berry?; Carol Purtle, ?Intention and Invention in Jan van Eyck?s Panel of Saint Barbara?; Alfred Acres, ?Posing Intentions in Renaissance Painting?; Catherine Metzger and Michael Palmer, ?The Creative Process in Rogier van der Weyden's Portraits?; Till-Holger Borchert, ?Hans Memling and Early Netherlandish Painting?; Maryan Ainsworth, ?Juan de Flandes, Chameleon Painter?; Anne van Buren, ?Van Lathem?s Costumes?; Larry Silver, ?Translating D rer into Dutch?; Walter Gibson, ?An Infernal Invention: Bosch?s Tree-Man?; Corine Schleif and Volker Schier, ?Puzzles on and beneath the Surface: Matching Technical Discoveries with Historical Narratives, the Case of Changed Subjectivity in the Imhoff Epitaph?; Martha Wolff, ?Observations on Underdrawings in the Paintings of the Master of Moulins?; Philippe Lorentz, ?The Painter?s Role in the Conception of Sculpture: Jean Hey and the Statues from Chantelle?; Jeffrey Chipps Smith, ?Master H. L. and the Challenge of Translating Invention in Different Media?; Matt Kavaler, ?Jacques Dubroeucq and Northern Perspectives on the Antique Mode? Bibliography of Molly Faries‎

書籍販売業者の参照番号 : 39503

‎J. Chapuis (ed.);‎

‎Mediaeval Journal 2:2 (2012),‎

‎Turnhout, Brepols, 2012 Paperback, approx. X+120 p., 156 x 234 mm. ISBN 9782503543086.‎

‎Languages : English.‎

書籍販売業者の参照番号 : 39506

‎Thomas Aquinas;‎

‎Division and Methods of the Sciences Translated with introduction and notes by Armand Maurer, 4th revised edition,‎

‎Turnhout, Brepols, 1986 Paperback, 161 p., 140 x 210 mm. ISBN 9780888442796.‎

‎Languages : English.‎

書籍販売業者の参照番号 : 39531

‎N/A;‎

‎Fleury Play of Herod,‎

‎Turnhout, Brepols, 1965 Paperback, 72 p., + plate, 140 x 210 mm. ISBN 9780888442543.‎

‎Languages : English.‎

書籍販売業者の参照番号 : 39533

‎John of Paris;‎

‎On Royal and Papal Power,‎

‎Turnhout, Brepols, 1971 Paperback, 261 p., 140 x 210 mm. ISBN 9780888442581.‎

‎Languages : English.‎

書籍販売業者の参照番号 : 39535

‎Joseph Kimhi;‎

‎Book of the Covenant,‎

‎Turnhout, Brepols, 1972 Paperback, 88 pages ., 140 x 210 mm. ISBN 9780888442611.‎

‎Languages : English.‎

書籍販売業者の参照番号 : 39537