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DESCHAMPS PAUL
LA SCULPTURE FRANCAISE EPOQUE ROMANE
Le Chêne. 1947. In-8 Carré. Relié. Bon état. Couv. convenable. Dos satisfaisant. Intérieur frais. 151 pages. Photo en noir et blanc en frontispice. Illustré de nombreuses photos en noir et blanc dans et hors texte. 1er plat légèrement abîmé sur le bord inférieur. 'Arts du monde', collection dir. par Georges Miré. Photographies prises par Eliane Janet-le Caisne.
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Descharnes, Robert
Die Eroberung des Irrationalen. Dali. Sein Werk - Sein Leben.
Köln, DuMont 1984. Gr.4°. 455 S. OLwd.
Référence libraire : 50400AB
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DeSchepper, Luc
Candida
White octavo; 147 p ; 21 cm. Medicine & Healing.
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Descourtis, Charles-Melchior [1753-1820] After Taunay
La Rixe The Brawl Original Antique Engraving By Charles-Melchior Descourtis
Paris: Chez Descourtis 1785. Original Antique Engraving . Single Sheet. Near Fine. 13" x 18. Original Antique Engraving Printed In Colors On Antique Paper Plate Mark 10 3/8" X 15 3/8". Lettered Below At Left "Taunay Pinx" At Right "Descourtis Scupt" Below "La Rixe" And "Paris Chez Descourtis Vue Des Grands Degres No. 12". One Of A Series Of Four Images. Descourtis Was A Pupil Of Jean-François Janinet And Like Him Specialized In The Production Of Colour Prints Using Aquatint And Wash-Manner. Among His Earliest Known Works Is A Series Of Four Engravings Of Views Of Paris And Rome After Paintings By Pierre Antoine De Machy Which Appeared In 1784. He Collaborated With Janinet On The Illustrations For Vues Remarquables Des Montagnes De La Suisse 1785 Which Were Engraved After Several Artists. He Is Best Known However For His Four Colour Prints After The Genre Scenes Of Nicolas-Antoine Taunay Notably The Village Wedding 1785 And Its Pendant The Village Fair 1788. The Subtle Green Tones Of The Landscape Setting Complementing The White And Red Of The Small Figures Successfully Convey The Gentle Mood Of Taunay's Rural Scenes. The Second Pair The Tambourine And The Brawl Both Animated Slightly Grotesque Compositions Are Less Finely Executed. Such Prints Of Genre Scenes Were Avidly Collected By Contemporaries. Descourtis Also Produced A Number Of Portrait Engravings Including Princess Wilhelmina Of Prussia 1791. From The Later 1790S He Engraved Numerous Works After Jean-Frederic Schall Notably The Lover Surprised And The Peeping Toms As Well As A Series Of Illustrations To Bernardin De Saint-Pierre's Novel Paul Et Virginie 1788. Source: Web Gallery Of Art. <br/> <br/> Chez Descourtis unknown
Référence libraire : 015952
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Descourtis, Charles-Melchior [1753-1820] After Taunay
Noce De Village Village Wedding Original Antique Engraving By Charles-Melchior Descourtis
Paris 1785 1785. Original Antique Engraving . Single Sheet. Very Good. 13" x 18. Original Antique Engraving Printed In Colors On Antique Paper Plate Mark 11" X 15". Lettered Below At Left "Taunay Pinx" At Right "Descourtis Scupt" Below "Noce De Village" / "Tire Du Cabinet De Monsieur Godefroy" / Ancien Controleur General De La Marine" No Printer's Information Below. Variant Very Early Printing With Very Strong Lines And Monochromatic Sky. One Of A Series Of Four Images. Descourtis Was A Pupil Of Jean-François Janinet And Like Him Specialized In The Production Of Colour Prints Using Aquatint And Wash-Manner. Among His Earliest Known Works Is A Series Of Four Engravings Of Views Of Paris And Rome After Paintings By Pierre Antoine De Machy Which Appeared In 1784. He Collaborated With Janinet On The Illustrations For Vues Remarquables Des Montagnes De La Suisse 1785 Which Were Engraved After Several Artists. He Is Best Known However For His Four Colour Prints After The Genre Scenes Of Nicolas-Antoine Taunay Notably The Village Wedding 1785 And Its Pendant The Village Fair 1788. The Subtle Green Tones Of The Landscape Setting Complementing The White And Red Of The Small Figures Successfully Convey The Gentle Mood Of Taunay's Rural Scenes. The Second Pair The Tambourine And The Brawl Both Animated Slightly Grotesque Compositions Are Less Finely Executed. Such Prints Of Genre Scenes Were Avidly Collected By Contemporaries. Descourtis Also Produced A Number Of Portrait Engravings Including Princess Wilhelmina Of Prussia 1791. From The Later 1790S He Engraved Numerous Works After Jean-Frederic Schall Notably The Lover Surprised And The Peeping Toms As Well As A Series Of Illustrations To Bernardin De Saint-Pierre's Novel Paul Et Virginie 1788. Source: Web Gallery Of Art. <br/> <br/> unknown
Référence libraire : 015961
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DESHAIRS LEON & ALII
L'ART DES ORIGINES A NOS JOURS, 2 TOMES
Librairie Larousse. 1947. In-4 Carré. Cartonnage d'éditeurs. Bon état. Couv. convenable. Dos satisfaisant. Intérieur frais. 422 pages pour le tome I et 436 pages pour le tome II. Illustrés de très nombreuses photos héliogravées en noir et blanc dans et hors texte. Tranche violette. Sous la dir. de Léon Deshairs. Préface de Paul Léon. Tome I: L'Art antique, Le Moyen Age, La Renaissance, Le XVIIe siècle. Tome II: Le XVIIe siècle (suite). Le XVIIIe siècle. XIXe et XXe siècles. Extrême Orient. L'Art de l'Amérique ancienne. L'Art nègre.
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DESHAIRS LEON & ALII
L'ART DES ORIGINES A NOS JOURS, 2 TOMES
Librairie Larousse. Non daté. In-4 Carré. Relié demi-cuir. Bon état. Couv. convenable. Dos satisfaisant. Intérieur frais. 424 pages pour le tome I et 436 pages pour le tome II. Illustrés de très nombreuses photos héliogravées en noir et blanc dans et hors texte, et de photos en couleur encollées hors texte. Reliures d'éditeur vertes et dorées. Tranches rouges. Etiquettes de code sur les dos. Tampons et annotations de bibliothèque en pages de titre. Dos et bords des plats légèrement frottés. Vers 1930. Sous la dir. de Léon Deshairs. Préface de Paul Léon.
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DESHAIRS LEON & ALII
L'ART DES ORIGINES A NOS JOURS, 53 FASCICULES (INCOMPLET)
Librairie Larousse. 1932. In-4 Carré. Broché. Etat d'usage. Couv. légèrement passée. Dos abîmé. Intérieur acceptable. 53 fascicules d'env. 20-30 pages chacun. Fasc. n° 2 manquant. Feuillets doubles non brochés. Illustrés de très nombreuses photos héliogravées en noir et blanc dans et hors texte, et de nombreuses photos en couleur encollées sur planches hors texte. Texte sur 2 colonnes. Quelques plats abîmés. Sous la dir. de Léon Deshairs. Préface de Paul LÉON. L'Art antique, Le Moyen Age, La Renaissance, Le XVIIe siècle. Le XVIIIe siècle. XIXe et XXe siècles. Extrême Orient. L'Art de l'Amérique ancienne. L'Art nègre. Fasc. 34: Index.
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DESHAIRS LEON & ALII
L'ART DES ORIGINES A NOS JOURS, FASC. 17, L'ART ITALIEN AU XVe SIECLE
Librairie Larousse. 1932. In-4 Carré. En feuillets. Bon état. Couv. convenable. Dos frotté. Intérieur frais. Paginé de 258 à 272. Feuillets doubles non brochés. Illustré de nombreuses photos héliogravées en noir et blanc dans et hors texte. Texte sur 2 colonnes. Sous la dir. de Léon Deshairs. L'Art italien au XVe siècle.
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DESHAIRS LEON & ALII
L'ART DES ORIGINES A NOS JOURS, FASC. 18, L'ART ITALIEN AU XVe SIECLE (SUITE), L'ART ITALIEN AU XVIe SIECLE
Librairie Larousse. 1932. In-4 Carré. En feuillets. Etat d'usage. Couv. convenable. Dos abîmé. Intérieur frais. Paginé de 273 à 288. Feuillets doubles non brochés. Illustré de nombreuses photos héliogravées en noir et blanc dans et hors texte. Texte sur 2 colonnes. Sous la dir. de Léon Deshairs. L'Art italien au XVe siècle (suite). L'Art italien au XVIe siècle.
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DESHAIRS LEON & ALII
L'ART DES ORIGINES A NOS JOURS, FASC. 19, L'ART ITALIEN AU XVIe SIECLE (SUITE), LA RENAISSANCE EN FRANCE
Librairie Larousse. 1932. In-4 Carré. En feuillets. Etat d'usage. Couv. convenable. Coiffe en pied abîmée. Intérieur frais. Paginé de 289 à 304. Feuillets doubles non brochés. Illustré de nombreuses photos héliogravées en noir et blanc dans et hors texte. Texte sur 2 colonnes. Sous la dir. de Léon Deshairs. L'Art italien au XVIe siècle (suite). La Renaissance en France.
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DESHOULIERES F.
AU DEBUT DE L'ART ROMAN, LES EGLISES DU XIe SIECLE EN FRANCE
La Renaissance du Livre. Non daté. In-8 Carré. Broché. Bon état. Couv. convenable. Dos plié. Quelques rousseurs. 180 pages. Illustré de nombreux dessins en noir et blanc dans le texte et de photos en noir et blanc hors texte. Etiquette de code sur le dos. Tampons et annotation de bibliothèque sur le 1er plat et en page de titre. Quelques annotations au crayon dans le texte. 'A travers l'art français', Collection dir. par Georges Huisman.
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Desi Arnaz
A Book 1976 Signed
New York NY: William Morrow 1976. Book. Very Good. Hardcover. Signed by Authors. 8vo - over 7¾" - 9¾" tall. Hard Cover Very Good . Grey boards with black cloth spine gilt lettering on spine. Next to no flaws with barely visible bumping on top and bottom of spine. SIGNED BY AUTHOR on first free page in large black ink "To Doris and Sidney Gracias Desi Arnaz" Binding tight. Pages clean. 322 pages. Starting with page 291 and ending with 322 last page the pages are upside down and book needs to be turned around to continue reading a unique printing error Dust jacket is in Very Good condition and is protected by a mylar cover with a very little chipping on top and bottom of dj spine. NOT price clipped. B&W photos throughout. A scarce signed very special edition. Full Title is: A Book By Desi Arnaz: The Outspoken Memoir of "Ricky Ricardo" - The Man Who Loved Lucy. William Morrow hardcover
Référence libraire : 74 ISBN : 0688003427 9780688003425
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Design
Positionen Deutschland. Ausstellungskatalog.
Stuttgart, Institut für Auslandsbeziehungen, ohne Jahr (um 1993). 4°. 144 Seiten mit vielen Abbildungen. Orig.-Karton. Tadellos.
Référence libraire : 701244
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Designed And Engraved By Michael Angelo Rooker
Brokenhurst in Hampshire The Seat of Edward Morant Esqr Member for Lymington Original Engraving By M. A. Rooker
London: G. Kearsley 1777. No Binding. Near Fine. Engraved Area 7 1/4" X 4 7/8" Very Nicely Hand Colored. <br/> <br/> G. Kearsley unknown
Référence libraire : 015939
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Designs By John Lasseter, John Musker, Ron Clements, Glen Keane, Tim Burton, Brad Bird, Henry Selick, Chris Buck, And Mark Dinda
Suite Of Fourteen Sheets With Character Sketches For Walt Disney Film "The Fox And The Hound
Los Angeles: Walt Disney Productions 1981. 1st Edition . No Binding. Fine. Fourteen Sheets 14" X 11" Each With 7 Views Of The Major Characters Including "Young" And "Old" Sheets And Disney Copyright Information And Date 1981 At Lower Left Corner. Fine. With The Transmission Envelope To A Disney Executive. The Fox And The Hound Is A 1981 American Animated Drama Film Produced By Walt Disney Productions And Loosely Based On The Novel Of The Same Name By Daniel P. Mannix. The Film Tells The Story Of Two Unlikely Friends A Red Fox Named Tod And A Hound Dog Named Copper Who Struggle To Preserve Their Friendship Despite Their Emerging Instincts And The Surrounding Social Pressures Demanding Them To Be Adversaries. Directed By Ted Berman Richard Rich And Art Stevens The Film Included The Voices Of Mickey Rooney Kurt Russell Keith Mitchell And Corey Feldman. By Late 1978 Frank Thomas Ollie Johnston And Cliff Nordberg Had Completed Their Animation. Thomas Had Animated Scenes Of Tod And Cooper Using Dialogue Larry Clemmons Had Written And Recorded With The Child Actors. This Project Would Mark The Last Film To Have The Involvement Of The Disney's Nine Old Men Who Had Retired Early During Production And Animation Was Turned Over The Next Generation Of Directors And Animators Which Included John Lasseter John Musker Ron Clements Glen Keane Tim Burton Brad Bird Henry Selick Chris Buck And Mark Dindal All Of Whom Would Finalize The Animation And Complete The Film's Production. These Animators Had Moved Through The In-House Animation Training Program And Would Play An Important Role In The Disney Renaissance Of The 1980'S And 1990'S. The Fox And The Hound Was Released To Theaters On July 10 1981 To Financial Success.3 At The Time Of Release It Was The Most Expensive Animated Film Produced To Date Costing $12 Million. It Was Re-Released To Theaters On March 25 1988.3 A Direct-To-Video Followup The Fox And The Hound 2 Was Released To Dvd On December 12 2006. <br/> <br/> Walt Disney Productions unknown
Référence libraire : 038614
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DESPEUX Catherine
Taiji Quan : Art martial - Technique de longue vie
Guy Trédaniel, éditions de la Maisne, 1995, 316 pp., broché, très légères traces d'usage, état correct.
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DESPRETZ Andre
Bert De Clerck
35pp.+ 23 platen buiten tekst + bijgevoegd; genummerde originele ets van B. De CLerck, gesigneerd door B. De Clerck, beperkte en genummerde oplage van 300 exemplaren: dit is nr. 274/300, 24cm., linnen band, zeer goede staat, S87038
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Desser, David
Ozu's Tokyo Story
Paperback in very good condition. CM Used
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Desser, David (ed.)
Cinema Journal 32, No. 3, Spring 1993
Paperback in very good condition. HCW Used
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Desser, David (ed.)
Cinema Journal 33, No. 1, Fall 1993
Paperback in very good condition. HCW Used
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Desser, David (ed.)
Cinema Journal 33, No. 2, Winter 1994
Paperback in very good condition. HCW Used
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Desser, David (ed.)
Cinema Journal 33, No. 4, Summer 1994
Paperback in very good condition. HCW Used
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Desser, David (ed.)
Cinema Journal 34, No. 1, Fall 1994
Paperback in very good condition. HCW Used
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Desser, David (ed.)
Cinema Journal 34, No. 2, Winter 1995
Paperback in very good condition. HCW Used
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Desser, David (ed.)
Cinema Journal 34, No. 3, Spring 1995
Paperback in very good condition. HCW Used
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Desser, David (ed.)
Cinema Journal 34, No. 4, Summer 1995
Paperback in very good condition. HCW Used
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Desser, David (ed.)
Cinema Journal 35, No. 2, Winter 1996
Paperback in very good condition. HCW Used
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Desser, David (ed.)
Cinema Journal 35, No. 3, Spring 1996
Paperback in very good condition. HCW Used
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Desser, David (ed.)
Cinema Journal 36, No. 1, Fall 1996
Paperback in very good condition. HCW Used
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Desser, David (ed.)
Cinema Journal 36, No. 2, Winter 1997
Paperback in very good condition. HCW Used
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Desser, David (ed.)
Cinema Journal 36, No. 3, Spring 1997
Paperback in very good condition. HCW Used
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Desser, David (ed.)
Cinema Journal 36, No. 4, Summer 1997
Paperback in good condition. Light creases on upper edges of covers, affecting pages. Minor abrasions on contents page. Pages are clean and contents are clear throughout. HCW Used
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Desser, David (ed.)
Cinema Journal 37, No. 1, Fall 1997
Paperback in very good condition. HCW Used
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Dessoir, Ferdinand, Schauspieler (1835-1892).
Eigenh. Widmung mit U. Gratz, 12. VII. 1875.
1 S. Qu.-8vo. "Ernst ist das Leben, doch heiter die Kunst! sagt der Dichter: wahrscheinlich hat er dabei nicht an einen Julimonat in Gratz gedacht, sonst hätte er wohl anders gesungen! […]". - Der Sohn Ludwig und Therese Dessoirs wurde zunächst von den Eltern ausgebildet und erhielt später Unterricht von Friedrich Werner in Mannheim. Er debütierte 1852 in Freiburg/Breisgau, spielte später in Meißen, Glogau, Mainz, Heidelberg, Stettin und Leipzig (1857-61), ging anschließend nach Bremen und führte 1863/64 in Weimar erstmals auch Regie. Seit 1864 am Kgl. Schauspielhaus Berlin tätig, ging er über Weimar nach Breslau und trat 1870 dem Verband der Hofbühne in Dresden bei. Dessoir pachtete 1877 das Breslauer Residenztheater, versuchte sich erfolglos als Theaterdirektor, kehrte 1880 am Prager Landestheater auf die Bühne zurück und spielte 1885-89 am Hoftheater St. Petersburg; seit 1889 gab er in Dresden Schauspielunterricht.
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Dessoir, Ludwig (i. e. Leopold Dessauer), Schauspieler (1810-1874).
Eigenh. Brief mit U. Altaussee, 14. VI. 1868.
4 SS. auf Doppelblatt. 8vo. An eine Freundin über alte Freundschaften sowie einen Artikel über ihn in der "Neuen Freien Presse", der ihn an einen Nekrolog erinnert: "Entschuldigen Sie, wenn ich dieses unpassende Epitheton gebrauche. Wir, wahrhaft Alten, glauben nur an eine Freundschaft unter uns Zeitgenoßen und so will ich mir denn einreden, Sie wären ein 70 jähriges Mütterchen und wir kennten uns schon seit Menschengedenken [...] Eigentlich ist es nie wahr, wen[n] die Menschen glauben, daß man sich von früh an kennen müße, um sich so ganz treu zu bleiben. Ich weiß aus eigener Erfahrung, daß die meisten dieser Verhältniße complet vertrocknen [...] So war ich der Jugendfreund Palaky's [d. i. wohl der Historiker František Palacký, 1798-1876] und was lebt aus jener Zeit noch in meiner Erinnerung fort? Nichts, als daß er große Füße und eine ebensolche Neigung zum Tanze besaß. Wie würde es mich jezt freuen [...] tanzte man mit ihm über Österreichs Grenze hinaus! Hätte mir der Artikel der 'Freien Presse' nicht Ihren und noch ein pa[a]r andere liebe Briefe eingetragen, ich könnte mich über ihn ärgern. Primo - liest man so etwas wie einen Nekrolog - secundo, macht er eine Menge Leute rebellisch, die einem perturbiren zu müßen glauben [...] tertio ist einem dadurch die letzte Möglichkeit geraubt, sein Alter verleugnen zu können - sogar in fernen Gebirgsländern wo man auch schon Zeitungen liest. In diesem Falle befinde ich mich in diesem Augenblicke. Ich wohne mit meiner Schwester am Fuße des Loser, inmitten grüner Wiesen und zur Seite eines herrlichen Waldes. Die Landschaft läßt nichts zu wünschen übrig, aber um so mehr die Staffage: das alte Geschwisterpa[a]r! Wäre es nicht viel schöner, wir wären junge Neuvermählte? [...]". - Auf Briefpapier mit Trauerrand. Eine biographische Notiz von alter Sammlerhand in Bleistift. Mit kleinen Randläsuren.
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Dessoir, Therese, geb. Reimann, Schauspielerin (1810-1866).
Eigenh. Brief mit U. Leipzig, 19. I. 1845.
1 S. 8vo. An einen namentlich nicht genannten "Doctor": "Ihre gütige Nachsicht in Anspruch nehmend, daß ich so spät der Pflicht nachkomme, Ihnen für die überaus freundliche Einladung zu Ihren vortrefflichen Vorlesungen meinen ergebensten Dank zu sagen - erlaube ich mir zu gleicher Zeit den Betrag des Subscribtionspreises [!] für dieselben zu übersenden [...]". - Am Hoftheater in Hannover 1827 debütierend, lebte und spielte die Künstlerin mit großem Erfolg vornehmlich in Leipzig, wo sie den Schauspieler Ludwig D. (1810-74) ehelichte, sowie in Breslau, Mannheim und Stuttgart. Ihrer Ehe entstammte der Schauspieler Ferdinand Dessoir (1835-92). - Aus dem Besitz und in bedruckter Originalmappe der berühmten Autographensammlung des österreichischen Industriellen Adalbert Freiherr von Lanna (1836-1909).
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Dessoir, Therese, geb. Reimann, Schauspielerin (1810-1866).
Eigenh. Brief mit U. Leipzig, 31. [!] VI. 1839.
1 S. 4to. An Hofmarschall Frhn. Spiegel von und zu Pickelsheim: "Schon längst den Wunsche hegend, daß es mir vergönnt sein mögte [!], [...] Gastrollen auf dem Großherzoglichen Hoftheater geben zu dürfen, erlaube ich mir [...] ergebenst anzufragen, ob Sie viel[l]eicht geneigt wären, mir ein Gastspiel zu gestatten? [...] Das Repertoire enthält nur diejenigen Rollen, in welchen ich vorzugsweise aufzutreten wünsche, also: Griseldis ... Grieseldis / [...] / Faust ... Gretchen / [...] / Maria Stuart ... Maria [...]". - Am Hoftheater in Hannover 1827 debütierend, lebte und spielte die Künstlerin mit großem Erfolg vornehmlich in Leipzig, wo sie den Schauspieler Ludwig D. (1810-1874) ehelichte, sowie in Breslau, Mannheim und Stuttgart. Ihrer Ehe entstammte der Schauspieler Ferdinand Dessoir (1835-1892). - Verso ein 5zeiliger Bearbeitungsvermerk von alter Hand, demzufolge die Dessoir "keine besonders geeignete Schauspielerin ist". - Aus dem Besitz und in bedruckter Originalmappe der berühmten Autographensammlung des österreichischen Industriellen Adalbert Freiherr von Lanna (1836-1909).
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DESSÌ, Simone (a cura di)
Cercando un altro Egitto + La chitarra e il potere
"La chitarra e il potere. Gli autori della canzone politica contemporanea" (Il pane e le rose, 3). Autori: Bertelli, Della Mea, Manfredi, Marini, Masi, Pietrangeli. Interventi di Alessandro Portelli e Ivan Della Mea. A cura di Simone Dessì e Giaime Pintor + "Cercando un altro Egitto. Canzonettiere ad uso delle giovani e giovanissime generazioni" (Il pane e le rose, 2). Autori: Bennato, Dalla, De Gregori, Guccini, Lolli, Venditti. A cura di Simone Dessì Copertine di Giuliano Vittori. Disegni di Pablo Echaurren. 16mo (18x11 cm). pp. 168 + 160. . Molto buono (Very Good). . Prima edizione (First Edition). .
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Destinn, Emmy, Sängerin (1878-1930).
Eigenh. Postkarte m. U. Wien, 19. VI. 1902.
1 S. Qu.-8vo. Mit eh. Adresse verso. An Horst Bulss: "vielen Dank für Ihre lieben, anerkennenden Worte, die von dem Sohne des grossen Künstlers doppelt schmeichelhaft klangen […]".
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DESTREE Olivier Georges
Les préraphaélites. Notes sur l'art décoratif et la peinture en Angleterre
111 + [viii] pp.illustrated with 5 portraits, 1st edition, 23cm., softcover, pages still uncut, some foxing, good condition, [Text in French], S83415
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Desvignes, Lucette; Curtis, Jerry L (translator/editor)
Encore Toi Electre / You Again Electra : Piece En Cinq Actes / A Five Act Play
Edwin Mellen 2008. 182pp. Green cloth hardback with b&w image of author on front cover no DJ bilingual text in French and English bibliography Encore Toi Electre / You Again Electra : Piece En Cinq Actes / A Five Act Play . Hard Cover. Very Good/No Jacket. Edwin Mellen Hardcover
Référence libraire : w201029052 ISBN : 0773449507 9780773449503
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DETREMMERIE, MARIJKE ( ed.).
MAGIE VAN DE EDELSMEEDKUNST. EUROPEES ZILVER UIT PRIVEBEZIT 1500 - 1850.
softcover originele geillustreerde uitgeversomslag, 25x30cm, 287pp, rijkelijk geillustreerd in kleur. ISBN 9053251987. Europees zilver uit privebezit 1500-1850. Boek is in prima staat.
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DETREMMERIE, Marijke (ed.).
MAGIE VAN DE EDELSMEEDKUNST. EUROPEES ZILVER UIT PRIVEBEZIT 1500 - 1850.
Gebonden, zwarte linnen hardcover met goudopdruk, originele uitgeversomslag in kleur, 30.5x25.5 cm., 287 pp., rijkelijk geillustreerd in kleur. ISBN 9789053251980. Europees zilver uit privebezit 1500-1850.
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Detroit MI: Detroit Institute of Arts Apr. 13 to May 26 1926
12th Annual Exhibition of American Art
1926. Softbound. Good cover weak or ripped at spine almost off soiled some checkmarks. White wraps. 15 pp. 9 bw plates. Lists 162 works by almost as many American artists. Many New Hope artists as well as New York artists are included in this exhibition. paperback books
Référence libraire : 141273
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Detroit MI: Detroit Institute of Arts Apr. 18 to May 14 1978
Works in Progress IV 1978: Nancy Gordon
1978. Softcover. VG- slight yellowing to covers. White wraps. 16 pp. 14 bw plates. Includes an introduction by Mary Jacob 5-page essay "Private Lives and Public Images: The Portraiture of Nancy Gordon" with 1 note by Mary Jacob the catalogue of 23 works mostly photographs chronology exhibitions collections and bibliography. unknown books
Référence libraire : 15649
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Detroit MI: Detroit Institute of Arts Apr. 23 to May 31 1929
15th Annual Exhibition of American Art
1929. Softbound. VG- slight soiling. White wraps. 15 pp. 1 bw plate on cover. Lists 128 works by almost as many American artists. Two-page Foreword by Clyde H. Burroughs. Many New Hope artists as well as New York artists are included in this exhibition. paperback books
Référence libraire : 141271
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Detroit MI: Detroit Institute of Arts Apr. 23 to June 9 1957
Painting in America: The Story of 450 Years
1957. Softcover. VG- faint pencil marks front cover. Color wraps. 32 pp. 18 bw plates. Catalogue listing of 185 works with a two-page introductory essay by E.P. Richardson. unknown books
Référence libraire : 12218
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Detroit MI: Detroit Institute of Arts Apr. 26 to May 31 1927
13th Annual Exhibition of American Art
1927. Softbound. Good cover weak or ripped at spine almost off soiled some checkmarks. White wraps. 15 pp. 11bw plates. Lists 153 works by almost as many American artists. Many New Hope artists as well as New York artists are included in this exhibition. paperback books
Référence libraire : 141274
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Detroit MI: Detroit Institute of Arts Apr. 3 20 1929
Eighth Loan Exhibition of Old Masters: Paintings by Anthony Van Dyck
1929. Softcover. Good- cover soiled & ragged along edges spine with 5 small rips. Brown wraps. Appx. 100 pp. 50 bw plates. Illustrated and annotated catalogue of 50 works with an 18-page introduction by W.R. Valentiner. Excellent bw engravings one on front cover. unknown books
Référence libraire : 12780
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