‎Sculpture‎

‎Artistes Multiples. Palazuelo - Seuphor‎

‎DERRIÈRE LE MIROIR N° 50. TENDANCES. Octobre 1952.‎

‎Paris, Maeght éditeur, 1952. In-folio (380 x 280 mm) en feuilles, 8 pages. 3 lithographies originales en couleurs dont 1 en triple page de PALAZUELO. Texte de Michel Seuphor "Il n'y a pas de repos". Exposition de peintures d'Olivier Debré, Jean Degottex, Ellsworth Kelly, Alain Naudé et Pablo Palazuelo. Lithographie par Mourlot, typographie Imprimerie Union. TIRAGE ORIGINAL RARE.‎

‎Exemplaire de l'édition originale en parfait état de conservation.‎

Referentie van de boekhandelaar : 322

‎Artistes Multiples. ARNAL, DMITRIENKO, KOSKAS, NEJAD, PALAZUELO, PAOLOZZI, REZVANI, SIGNOVERT, etc‎

‎Derrière le Miroir n° 22 - LES MAINS EBLOUIES - Octobre 1949.‎

‎Paris, Maeght éditeur, 1949. In-folio (380 x 280 mm) en feuilles, 8 pages. 4 BOIS GRAVÉS ORIGINAUX dont 3 en couleurs de Serge Rezvani. Texte de Pierre Descargues "Jamais autant qu'aujourd'hui". Première édition très rare. First edition, first printing in near mint condition.‎

‎ÉDITION ORIGINALE. Parfait état, rare.‎

Referentie van de boekhandelaar : 471-A

‎Artistes Multiples. TAL-COAT - Georges Duthuit, Georges Limbour.‎

‎DERRIÈRE LE MIROIR N° 82-83-84. TAL-COAT. Janv.-février 1956.‎

‎Paris, Maeght éditeur, 1956. In-folio (380 x 280 mm) en feuilles, 8 pages. 3 lithographies en couleurs en double page. Textes de Georges Duthuit "Seul existe ce qui est passage continuel" et Georges Limbour "Autour de l'atelier de Tal-Coat". Exposition de 25 peintures de 1955 et 1956. Tirage original. First edition, first printing in near mint condition.‎

‎Édition originale rare, ici en parfait état.‎

Referentie van de boekhandelaar : 332-A

‎ART SACRE 1965‎

‎L'art sacré N° 3-4 1965 : La sculpture et les images de la foi.‎

‎Couverture souple. Revue brochée. 32 pages.‎

‎Périodique. Revue mensuelle. Art Sacré, Novembre-décembre 1965.‎

Referentie van de boekhandelaar : 61570

‎ART NAIF] - DAIGLE, Yvon-M. et al.‎

‎La Fête au Québec et l'art naif‎

‎Montréal Trécarré 1993 In-4 bien couleurs, 157p. Cartonnage de l'éditeur, toile et jaquette illustré couleurs.‎

‎:: Une quarantaine de peintres. :: Textes de Guy Boulizon, Jean-Paul Laprise et Anne-Marie Desdouits. :: Bon état.‎

Referentie van de boekhandelaar : 32387

‎Arthur Dorothy‎

‎Modelage, moulage - manie tout N°20- materiel, equipement, tete d'enfant, corps feminin, danseuse, la terre cuite, buste d'enfant, torse, maternite, autres materiaux pour le moulage‎

‎FLEURUS. 2000. In-8. Broché. Etat d'usage, Couv. légèrement pliée, Dos satisfaisant, Intérieur frais. 119 pages. Nombreuses illustrations, dans et hors texte, noir et blanc.. . . . Classification Dewey : 730-Arts plastiques. Sculpture‎

‎Photos de Denys ROBERTS. Classification Dewey : 730-Arts plastiques. Sculpture‎

Referentie van de boekhandelaar : RO40036811

‎Art comtemporain‎

‎Trois sculpteurs, César, Roël d'Haese, Tinguely‎

‎Paris, Musée des Arts Décoratifs, 1965 18 x 21, sans pagination (ca 150pp.), illustrations en N/B, broché, bon état‎

Referentie van de boekhandelaar : 14204

‎Art 20th Century Gunther Roth Sculpture Modern Art Contemporary Art‎

‎1974 - 1991 Collection of Artists' Catalogs Ephemera & Photographs of Sculptural Works By Gunter Roth‎

‎Germany - Italy : Various Publishers 1974. Group of material concerning the artworks of Gunter Roth b. 1934 German-born sculptor; including: 1974 Gunter Roth Skulpturen und Zeichnungern eine Ausstellung des Stadtischen Suermondt-Museums in verbindung mit dem Musemsverein Aachen .16 pages; German text; black and white illustrated works; approx. 8" x 8 1/4" size as are all the following ephemera & catalogs; light wear rubbing 'perfect' binding pages detached; in very good condition. with a 1974 illustrated fold-out flyer for a Studio Schubert Milano exhibit of his works in Italian; Gunter Roth - Skulpturen - Figuren 80 -87 Galerie Philipp Aachen six-panel color folding brochure for this exhibit at the gallery German text; with 1990-91 Gunter Roth Skulpteren-Figuren 8 pages also Philipp Aachen b & w illustrated; with circa 1994 - 1999 series of color photographs of Roth's sculptural works: 6 8" x 8"; 11 8" x 10" size and 16 at 8" x 11 3/4" size; all printed on Kodak Professional Paper; usually with the date and size of the piece in centimeters given in pen on the back of each; some light wear to the ephemera and paper items photographs in very good condition; an interesting overview of this artists' work from this period; much of the material offers biographical detail and the artist's chronology. First Edition. Soft Cover. Very Good. Illus. by Gunter Roth. Various Publishers Paperback books‎

Referentie van de boekhandelaar : 23787

‎Art / Sculpture. Kozloff Arielle P. & Mitten Gordon Organized by‎

‎The GODS DELIGHT. The Human Figure in Classical Bronze.; Sections by Suzannah Fabing John J. Herrmann Jr. & Marion True. With contributions by Cornelius C. Vermeule III‎

‎Cleveland OH: Cleveland Museum of Art in cooperation with Indiana University Press 1988. Burgundy cloth with gold lettering and gold device on cover. Gold "CMA" Cleveland Museum of Art initials on back cover. Blue dust jacket. F/NF some minor wear. xiii 373 pp including Glossary. Illustrations from B&W photographs. Large 4to. 11-1/2" x 9" <br/><br/> Cleveland Museum of Art in cooperation with Indiana University Press hardcover books‎

Referentie van de boekhandelaar : 27348

‎Art et Style‎

‎L'Art Sculptural Negre. I et II (Art et Style 62/63) [TWO VOLUME SET].‎

‎TWO VOLUME SET.315x250. Unpaginated. Hardcover. Cover corners slightly bumped. Pages slightly yellowing. Else in good condition.‎

‎Artaud, Antonin / sculpture image by Pierre Baey‎

‎There's an old story.‎

‎Cold Turkey Press. Broadside. New and fine broadside roughly 7 x 10 and ideal for framing. Most Cold Turkey Press broadsides are in very limited editions usually designed with a poem or text on one side and art or photography on the other side. Printed in color on heavy card stock. Forever unique both in chosen artist and poet or photograph. Limited to one to 28 copies or one to 36 depending upon the issue. Cold Turkey Press unknown‎

Referentie van de boekhandelaar : 67803

‎Artisti: Abramovic Marina, Bausch Pina, Bijns Anna, Bourgeois Louis, Guy Alice, Hölzky Adriana, Hoover Nan, Kiel Edith, Lasker-Schüler Else, Lockwood Annea, Moesen Simonne, Schiaparelli Elsa, Sherman Cindy, Stoop Monique, Woutiers Michaelina‎

‎An unexpected journey - woman and art‎

‎An Unexpected Journey" takes us to a world of women artists from times past and present, from all over the world, who created their work sometimes under easy circumstances, most often though in great hardship. — Testi: Linden Riet van der, Vanderbroeck Paul et al. F.to: 25x31; pagg. 320; COL e BN; rileg. rigida con sovracoperta. Editore: Gynaika, Antwerpen, 1997.‎

‎Artisti: Alexander Marsia, Aycock Alice, Berlant Tony, Davis Michael, Dennis Donna, Ewoing Lauren, Fine Judd, Grant Joe Edward, Hicks Mary, Lere Mark, McMillen Michael, Miss Mary, Nauman Bruce, Oppenheim Dennis, Peterson John, Pinto Jody, Reiss Roland,‎

‎Projects. Architectural Sculpture‎

‎F.to: 23x30; pagg. 64; BN; rileg. brossura. Editore: Los Angeles Institute of Contemporary Art, Los Angeles, 1980.‎

‎Artisti: Amino Leo, Zelenak Edward, Nevelson Louise, McGowin Ed‎

‎A Plastic Presence [2 voll]‎

‎This was a landmark show of 49 American artists working with plastic materials. This show travelled to the San Francisco Museum of Art, and the Jewish Museum in New York. Ex-library item. — F.to: 26x20,5; pagg. 108+20; COL e BN; rileg. brossura. Editore: Milwaukee Art Center, Milwaukee, 1969.‎

‎Artisti: Arcangeli Maurizio, Art Orienté objet, Beecroft Vanessa, Bernardi Francesco, Cattelan Maurizio, Collishaw Mat, Donegan Cheryl, Gonzalez-Foerster D., Green Renée, Hepworth Stephen, Lane Abigail, Marisaldi Eva, Moro Liliana, Orozco Gabriel, Parreno‎

‎Soggetto Soggetto. Una nuova relazione nell’arte di oggi‎

‎Testi: Pasini Francesca, Russo Antonella et al. F.to: 23x31; pagg. 140; 111 COL e 41 B/N; rileg. brossura. Editore: Charta, Milano, 1994.‎

‎Artisti: Bell Larry, Bill Max, Boccioni Umberto, Brancusi Constantin, Calder Alexander, Caro Anthony, Castellani Enrico, Duchamp Marcel, Haacke Hans, Judd Donald, Klein Yves, Medalla David, Moore Henry, Smith Tony‎

‎Beyond Modern Sculpture. The effects of science and technology on the sculpture of this century‎

‎A pioneering critical study of the origins of modern sculptural form--the works that blink, move, create sound, and otherwise make new demands on space. Some 134 black-and-white photographs illustrate the ample text. Burnham, a sculptor with both art and engineering training, is a fellow at MIT's Center for Advanced Visual Research. He sees technological innovation as the ""controlling force"" in contemporary sculpture. — Testi: Burnham Jack. F.to: 20x24; pagg. 402; BN; rileg. rigida con sovracoperta. Editore: Georg Braziller, New York, 1967.‎

‎Artisti: Cadieux Geneviève, Collyer Robin, Genzken Isa, Graham Rodney, Miller Bernie, Nordman Maria‎

‎Crossroads‎

‎Testi: Yarlow Loretta, Storr Richard et al. F.to: 15x24; pagg. 88; COL e BN; rileg. brossura. Editore: Art Gallery of York University, Toronto, 1992.‎

‎Artisti: Demming Dagmar, Denda Elke, Eichhorn Maria, Fritsch Katharina, Genzken Isa, Gröting Asta, Horn Rebecca, Karrenberg Katharina, Sander Karin, Siem Wiebke, Stadtbäumer Pia, Trockel Rosemarie, Weiss-Leder Ute, Yufen Qin‎

‎Il logos del corpo vivente‎

‎Testi: Block René, Haerdter Michael et al. F.to: 24x33,5; pagg. 176; COL; rileg. brossura. Editore: Castello di Rivoli, Rivoli, 1995.‎

‎Artisti: Endo Toshikatsu, Muraoka Saburo‎

‎Giappone. la biennale di Venezia 1990.‎

‎Testi: Tatehata Akira. F.to: 23,5x32; pagg. 56; BN; rileg. brossura con scatola. Editore: The Japan Fondation, , 1990.‎

‎Artisti: Huebler Douglas, Samaras Lucas, Rivers Larry, Indiana Robert, di Suvero Mark, Dine Jim‎

‎Whitney Museum of American Art. Annual Exhibition 1966‎

‎F.to: 21X21; pagg. 94; BN; rileg. brossura. Editore: Whitney Museum , New York, 1967.‎

‎Artisti: Lutz Andres, Guggisberg Anders‎

‎Lutz & Guggisberg. Giardini di domani‎

‎Ideato e concepito da Lutz & Guggisberg in occasione del progetto il giardino presso la Collezione Maramotti, il libro include tutte le opere in mostra e altre non esposte, insieme a una ricca panoramica sull’allestimento. Le opere, fotografie con interventi pittorici e agglomerati di oggetti di recupero, rimandano alla visione post apocalittica di un paesaggio, a un momento in cui, dopo la catastrofe, la Natura si riappropria del suo spazio. Con rigorosa ironia Lutz & Guggisberg generano una dimensione altra, forse utopica, che è propria di ogni processo artistico. Nel testo sulla mostra l’antropologo e geografo Matteo Meschiari, partendo dal mito di Atlantide, riflette su distruzione e creazione e sul potere salvifico dell’immaginazione. Conceived by Lutz & Guggisberg on the occasion of the project il giardino at the Collezione Maramotti, the book includes all the artworks on display and some others not on show, together with a rich overview of the installation. The works, photographs incorporating elements of painting and assemblages of found objects, refer to a post-apocalyptic vision of a landscape, to a moment in which, after a disaster, Nature takes back its space. With rigorous irony Lutz & Guggisberg open up the alternate – perhaps utopian – dimension that is characteristic of any artistic process. In the exhibition text anthropologist and geographer Matteo Meschiari, starting from Atlantis legend, reflect on distruction and creation and on the redeeming power of imagination. — Testi: Meschiari Matteo. COL; rileg. rigida telata. Editore: A&Mbookstore Edizioni, Milano, 2018.‎

‎Artisti: Melotti Fausto, Clerici Fabrizio, Cara Ugo, Morandi Giorgio, Strada Nino Ernesto, De Pisis Filippo, Casorati Felice, Leonardi Leoncillo , Turcato Giulio, Afro, Basaldella Mirko, Bordoni Enrico, Broggini Luigi, Campigli Massimo, Cascella Pietro,‎

‎Handicraft as a fine art in Italy‎

‎"Carlo Ludovico Ragghianti, CADMA’s chairman, described the exhibition’s aim as ‘to perfect the quality of the Italian handicrafts by means of collaboration between artists and craftsmen’. Ragghianti described this ‘experiment’ as ‘part of a wider plan of action devoted to the revival and development of Italian handicrafts and [...] to the harmonising of Italian handicraft production with foreign and especially American, requirements’. Exhibits included ceramics, furniture, silverware and textiles designed by artists including Renato Guttuso, Fontana, Melotti, Giorgio Morandi and an abstract sculpture by the architect Sottsass. The catalogue, designed by the artist and designer Bruno Munari, reveals the unevenness of this collaboration – or at least its representation. Although no paintings were included in the exhibition, the cut-out corrugated cardboard cover depicts the creative work of the artist rather than artisan: a painter at his easel rather than a potter at his wheel. This is continued inside: the names and profiles for the thirty six artists and one architect are included but no details of the makers themselves are given – these are Sabatino’s anonymous ‘ghosts of the profession’ mentioned in the introduction. "Handicrafts as a Fine Art in Italy" was arguably one of the first exhibitions to present craft as art in post-war America. It precedes the larger MoMA exhibition XX Century Italian Art from 1949, which included terracotta and ceramic works by Arturo Martini and Fontana and which Lisa Hockemeyer has argued ‘demonstrates the curators’ acceptance of ceramic as a sculptural medium’. Both exhibitions in fact predate the widespread acceptance of the use of clay for artistic expression in the American context – as seen in the New York art world’s resistance to the Abstract Expressionist ceramics of Peter Voulkos and his Californian cohorts. It illustrates the difference of the concept of craft and art in the Italian context: for Hockemeyer, these artists’ use of clay was a result of the breakdown of hierarchies between the fine and decorative arts that occurred in the 1930s. It also speaks of the embryonic status of the field of design, in which there was an openness to who the modernisers of Italy’s crafts would be - artists or architects." A cura di Bruno Munari, una introduzione di Carlo Ludovico Ragghianti e le presenze di Afro, Mirko, Enrico Bordoni, Broggini, Campigli, Pietro Cascella, Casorati, Cherchi, Clerici, Consagra, De Pisis, Fabbri, Fontana, Fornasetti, Renato Gregorini, Guerrini, Guttuso, Levi, Paola Levi Montalcini, Marino, Melotti, Giovanni Michelucci, Morandi, Adriana Pincherle, Anita Pittoni, Pizzinato, Emanuele Rambaldi, Santomaso, Sassu, Carlo Sbisà, Maria Signorelli, Ettore Sottsas jr., Enrico Steiner, Nino Ernesto Strada, Turcato, Gianni Vagnetti. La mostra è presentata dalla CADMO, creata a Firenze dall’italo-americano Mar Ascoli, come organizzazione italiana della Fondazione americana "Handicraft Development Inc." con sede nella Casa dell’Artigianato Italiano dovuta all’architetto triestino Gustavo Pulitzer Finali. Stampato a Milano da Piero Bortolotti — Testi: Munari Bruno, Ragghianti Carlo Lodovico. pagg. 80; BN; rileg. cartone corrugato. Editore: Handicraft Development, New York, 1948.‎

‎Artisti: Rauschenberg Robert, Morris Robert, Stella Frank, Warhol Andy, Andre Carl, Bell Larry, Caro Anthony, Chamberlain John, Dine Jim, Flavin Dan, Indiana Robert, Judd Donald, LeWitt Sol, Martin Agnes, Noland Kenneth, Oldenburg Claes, Segal George‎

‎Definitive Statement . American art 1964-66‎

‎Testi: Plante Michael, Ebong Ima et al. F.to: 21,5x21,5; pagg. 180; BN; rileg. brossura. Editore: Brown University, Providence, 1986.‎

‎Arts of Asia‎

‎Arts of Asia ; September - October 1985 ; Volume 15 , Number 5 Far Eastern Lacquer in Los Anglese [cover subtitle]‎

‎Large quarto in glossy white, color photo illus wraps Includes the following well-illustrated articles: Hawaiian Dance Revival [hula]; Coiffure in Orissan Sculpture Part II: Brahmanical Female Figures and Buddhist Images ; Manansala: Master by the Lake ; Royal Regalia of Thailand; Sculpture of India ; CloisonnÈ of Kuo Ming-Chiao. || Arts -- Asia -- Periodicals. Arts -- Asie -- PÈriodiques. Japan, China. Southeast Asia‎

‎Arène, Paul - de Banville, Théodore - D'Aurevilly, Barbey - Bayard, Émile - Blanc, Charles - Brun, Charles - Castagnary - Clarétie, Jules - Clément, Charles - Coppée, F. - Couderc, Roger - Curnonski, Maurice - Davray, H.D. - Dorante - Galli, H. Gautier, Théophile - Javel, Firmin - Klingsor, Tristan - Lafage, Léon - Legrand, Marc - Marx, Roger - Mazel, H. - Moréas, Jean - Raynaud, E. - Rey, Paul - Saunier, Charles - Wolf, Albert...‎

‎Alexandre Falguière Sculpteur et Peintre. La Plume : Numéro exceptionnel consacré à Falguière‎

‎Paris, Société Anonyme La Plume 1898 117 reproductions en noir et blanc de l’oeuvre de Falguière et un frontispice en couleur aquarelle de Eugène Grasset, In-8 25 cm sur 19 reliure demi-percaline rouge, dos orné d’un chardon doré. Tête dorée. Couvertures d’origine conservées. 104 pages. Pièce de titre décolorée avec petit manques. Coupes et coins de la reliures frottées. Bon état d’occasion.‎

‎Bon état d’occasion‎

Referentie van de boekhandelaar : 98404