‎Sculpture‎

‎Artisti: Bell Larry, Bill Max, Boccioni Umberto, Brancusi Constantin, Calder Alexander, Caro Anthony, Castellani Enrico, Duchamp Marcel, Haacke Hans, Judd Donald, Klein Yves, Medalla David, Moore Henry, Smith Tony‎

‎Beyond Modern Sculpture. The effects of science and technology on the sculpture of this century‎

‎A pioneering critical study of the origins of modern sculptural form--the works that blink, move, create sound, and otherwise make new demands on space. Some 134 black-and-white photographs illustrate the ample text. Burnham, a sculptor with both art and engineering training, is a fellow at MIT's Center for Advanced Visual Research. He sees technological innovation as the ""controlling force"" in contemporary sculpture. — Testi: Burnham Jack. F.to: 20x24; pagg. 402; BN; rileg. rigida con sovracoperta. Editore: Georg Braziller, New York, 1967.‎

‎Artisti: Cadieux Geneviève, Collyer Robin, Genzken Isa, Graham Rodney, Miller Bernie, Nordman Maria‎

‎Crossroads‎

‎Testi: Yarlow Loretta, Storr Richard et al. F.to: 15x24; pagg. 88; COL e BN; rileg. brossura. Editore: Art Gallery of York University, Toronto, 1992.‎

‎Artisti: Demming Dagmar, Denda Elke, Eichhorn Maria, Fritsch Katharina, Genzken Isa, Gröting Asta, Horn Rebecca, Karrenberg Katharina, Sander Karin, Siem Wiebke, Stadtbäumer Pia, Trockel Rosemarie, Weiss-Leder Ute, Yufen Qin‎

‎Il logos del corpo vivente‎

‎Testi: Block René, Haerdter Michael et al. F.to: 24x33,5; pagg. 176; COL; rileg. brossura. Editore: Castello di Rivoli, Rivoli, 1995.‎

‎Artisti: Endo Toshikatsu, Muraoka Saburo‎

‎Giappone. la biennale di Venezia 1990.‎

‎Testi: Tatehata Akira. F.to: 23,5x32; pagg. 56; BN; rileg. brossura con scatola. Editore: The Japan Fondation, , 1990.‎

‎Artisti: Huebler Douglas, Samaras Lucas, Rivers Larry, Indiana Robert, di Suvero Mark, Dine Jim‎

‎Whitney Museum of American Art. Annual Exhibition 1966‎

‎F.to: 21X21; pagg. 94; BN; rileg. brossura. Editore: Whitney Museum , New York, 1967.‎

‎Artisti: Lutz Andres, Guggisberg Anders‎

‎Lutz & Guggisberg. Giardini di domani‎

‎Ideato e concepito da Lutz & Guggisberg in occasione del progetto il giardino presso la Collezione Maramotti, il libro include tutte le opere in mostra e altre non esposte, insieme a una ricca panoramica sull’allestimento. Le opere, fotografie con interventi pittorici e agglomerati di oggetti di recupero, rimandano alla visione post apocalittica di un paesaggio, a un momento in cui, dopo la catastrofe, la Natura si riappropria del suo spazio. Con rigorosa ironia Lutz & Guggisberg generano una dimensione altra, forse utopica, che è propria di ogni processo artistico. Nel testo sulla mostra l’antropologo e geografo Matteo Meschiari, partendo dal mito di Atlantide, riflette su distruzione e creazione e sul potere salvifico dell’immaginazione. Conceived by Lutz & Guggisberg on the occasion of the project il giardino at the Collezione Maramotti, the book includes all the artworks on display and some others not on show, together with a rich overview of the installation. The works, photographs incorporating elements of painting and assemblages of found objects, refer to a post-apocalyptic vision of a landscape, to a moment in which, after a disaster, Nature takes back its space. With rigorous irony Lutz & Guggisberg open up the alternate – perhaps utopian – dimension that is characteristic of any artistic process. In the exhibition text anthropologist and geographer Matteo Meschiari, starting from Atlantis legend, reflect on distruction and creation and on the redeeming power of imagination. — Testi: Meschiari Matteo. COL; rileg. rigida telata. Editore: A&Mbookstore Edizioni, Milano, 2018.‎

‎Artisti: Melotti Fausto, Clerici Fabrizio, Cara Ugo, Morandi Giorgio, Strada Nino Ernesto, De Pisis Filippo, Casorati Felice, Leonardi Leoncillo , Turcato Giulio, Afro, Basaldella Mirko, Bordoni Enrico, Broggini Luigi, Campigli Massimo, Cascella Pietro,‎

‎Handicraft as a fine art in Italy‎

‎"Carlo Ludovico Ragghianti, CADMA’s chairman, described the exhibition’s aim as ‘to perfect the quality of the Italian handicrafts by means of collaboration between artists and craftsmen’. Ragghianti described this ‘experiment’ as ‘part of a wider plan of action devoted to the revival and development of Italian handicrafts and [...] to the harmonising of Italian handicraft production with foreign and especially American, requirements’. Exhibits included ceramics, furniture, silverware and textiles designed by artists including Renato Guttuso, Fontana, Melotti, Giorgio Morandi and an abstract sculpture by the architect Sottsass. The catalogue, designed by the artist and designer Bruno Munari, reveals the unevenness of this collaboration – or at least its representation. Although no paintings were included in the exhibition, the cut-out corrugated cardboard cover depicts the creative work of the artist rather than artisan: a painter at his easel rather than a potter at his wheel. This is continued inside: the names and profiles for the thirty six artists and one architect are included but no details of the makers themselves are given – these are Sabatino’s anonymous ‘ghosts of the profession’ mentioned in the introduction. "Handicrafts as a Fine Art in Italy" was arguably one of the first exhibitions to present craft as art in post-war America. It precedes the larger MoMA exhibition XX Century Italian Art from 1949, which included terracotta and ceramic works by Arturo Martini and Fontana and which Lisa Hockemeyer has argued ‘demonstrates the curators’ acceptance of ceramic as a sculptural medium’. Both exhibitions in fact predate the widespread acceptance of the use of clay for artistic expression in the American context – as seen in the New York art world’s resistance to the Abstract Expressionist ceramics of Peter Voulkos and his Californian cohorts. It illustrates the difference of the concept of craft and art in the Italian context: for Hockemeyer, these artists’ use of clay was a result of the breakdown of hierarchies between the fine and decorative arts that occurred in the 1930s. It also speaks of the embryonic status of the field of design, in which there was an openness to who the modernisers of Italy’s crafts would be - artists or architects." A cura di Bruno Munari, una introduzione di Carlo Ludovico Ragghianti e le presenze di Afro, Mirko, Enrico Bordoni, Broggini, Campigli, Pietro Cascella, Casorati, Cherchi, Clerici, Consagra, De Pisis, Fabbri, Fontana, Fornasetti, Renato Gregorini, Guerrini, Guttuso, Levi, Paola Levi Montalcini, Marino, Melotti, Giovanni Michelucci, Morandi, Adriana Pincherle, Anita Pittoni, Pizzinato, Emanuele Rambaldi, Santomaso, Sassu, Carlo Sbisà, Maria Signorelli, Ettore Sottsas jr., Enrico Steiner, Nino Ernesto Strada, Turcato, Gianni Vagnetti. La mostra è presentata dalla CADMO, creata a Firenze dall’italo-americano Mar Ascoli, come organizzazione italiana della Fondazione americana "Handicraft Development Inc." con sede nella Casa dell’Artigianato Italiano dovuta all’architetto triestino Gustavo Pulitzer Finali. Stampato a Milano da Piero Bortolotti — Testi: Munari Bruno, Ragghianti Carlo Lodovico. pagg. 80; BN; rileg. cartone corrugato. Editore: Handicraft Development, New York, 1948.‎

‎Artisti: Rauschenberg Robert, Morris Robert, Stella Frank, Warhol Andy, Andre Carl, Bell Larry, Caro Anthony, Chamberlain John, Dine Jim, Flavin Dan, Indiana Robert, Judd Donald, LeWitt Sol, Martin Agnes, Noland Kenneth, Oldenburg Claes, Segal George‎

‎Definitive Statement . American art 1964-66‎

‎Testi: Plante Michael, Ebong Ima et al. F.to: 21,5x21,5; pagg. 180; BN; rileg. brossura. Editore: Brown University, Providence, 1986.‎

‎Arts of Asia‎

‎Arts of Asia ; September - October 1985 ; Volume 15 , Number 5 Far Eastern Lacquer in Los Anglese [cover subtitle]‎

‎Large quarto in glossy white, color photo illus wraps Includes the following well-illustrated articles: Hawaiian Dance Revival [hula]; Coiffure in Orissan Sculpture Part II: Brahmanical Female Figures and Buddhist Images ; Manansala: Master by the Lake ; Royal Regalia of Thailand; Sculpture of India ; CloisonnÈ of Kuo Ming-Chiao. || Arts -- Asia -- Periodicals. Arts -- Asie -- PÈriodiques. Japan, China. Southeast Asia‎

‎ARVOIS E.‎

‎SAVOIR FAIRE DE LA MOSAIQUE / COLLECTION SAVOIR FAIRE N°17/18‎

‎SELECTION J.JACOBS. 1966. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 84 pages - frontispice noir et blanc - nombreuses photos et modèles couleur et noir et blanc dans et hors texte - plats contrepliés - + 1 coupure de presse relative au thème de l'ouvrage. . . . Classification Dewey : 730-Arts plastiques. Sculpture‎

‎Classification Dewey : 730-Arts plastiques. Sculpture‎

Bookseller reference : R240119354

‎Asawa, Ruth ; Laib, Jonathan‎

‎Ruth Asawa‎

‎New York: Christie's 2015. Paperback. Fine. 8vo. 174 2 pp. Bound in illustrated wrappers. Illustrations chiefly color. Catalog of an exhibition held at Christie's New York from September 9-October 3 2015 and at Christie's Japan Ltd. Tokyo from October 16-November 6 2015. Near Fine light shelf wear to extremities otherwise bright clean copy. <br/><br/> Christie's paperback‎

Bookseller reference : 004050 ISBN : 1943844712 9781943844715

‎ASH, Emily ( intr. );‎

‎DAVID MACH. LIKENESS GUARANTEED,‎

‎London, Academy Editions, 1995 Illustrated cardboard cover b/w, 240 x 300mm., 128pp., colour illustration throughout.In good condition. ISBN 854903500.‎

‎Academy Editions in association with Newlyn, 1995. Published in association with a touring exhibition. 128pp. Many colour illustrations. Produced to accompany the "Likeness Guaranteed" exhibition at Newlyn Art Gallery, this book illustrates the vast range of work by the Scottish sculptor David Mach (b.1956), and includes an interview with Mach by Tim Marlow.‎

Bookseller reference : 29148

‎Asian Art Museum of San Francisco; Berger, Patricia‎

‎Ancestral dwellings ; furnishing the Han tomb Asian Art Museum of San Francisco, March 7-July 12, 1987‎

‎Octavo in white color-illus stapled wrappers; 24 p. : illus. ; 23 cm Sepulchral monuments -- China -- Exhibitions. Funeral rites and ceremonies -- China -- Exhibitions; Exhibition catalog‎

‎Ass. des Conservateurs de haute Normandie‎

‎Britannica 30 ans de sculpture‎

‎La différence 1988 In-4 broché, 271 pp;‎

‎Bon état d’occasion‎

Bookseller reference : 26837

‎Association De La Jeune Sculpture, Paris; Et Al‎

‎21e SALON DE LA JEUNE SCULPTURE 21st Salon of Young Sculptors. Les Halles Paris and Galerie Jacques Casanova Palais-Royale Paris 1969‎

‎Paris France: Association De La Jeune Sculpture Et Al. As New. 1969. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request – – IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - Text in French. 220 pp. With 194 ills. 19 x 14 cm. -- with a bonus offer-- . Association De La Jeune Sculpture, Et Al paperback‎

Bookseller reference : 59146

‎Association of Finnish Sculptors‎

‎HEART: Helsinki Environmental Art Projects‎

‎56 pages, illustrated, also includes CD in sleeve at rear of book. eng‎

‎ASTUGUEVIEILLE (Christian).‎

‎Christian Astuguevieille. Sculptures.‎

‎Galerie Clara Scremini 1999 1 vol. broché in-8, broché, couverture bleue, 55 pp. Catalogue d'exposition avec de nombreuses illustrations en couleurs. Exemplaire enrichi d'une signature de l'artiste et d'un gris-gris. En excellente condition.‎

Bookseller reference : 95991

‎ATELIER BUSATO‎

‎Sculpteurs de rêves. L'atelier Busato. Catalogue de l'exposition à l'Hôtel de la monnaie.‎

‎Couverture souple. Broché. 116 pages. 20 x 21 cm.‎

‎Livre. Atelier Busato, 1987.‎

Bookseller reference : 4630

‎Ater, Renee‎

‎Remaking Race and History‎

‎Berkeley: University of California Press 2011. First edition. Hardcover. Near Fine/very good . 8vo. 10 200 2 pp. Bound in full grey cloth title in black on spine in illustrated dust jacket. Illustrations in full color and black and white. Includes bibliography and index. Near Fine minor rubbing and wear otherwise clean copy in Very Good dust jacket with 1/2" tear to upper edge of rear cover light scuffing and wear. <br/><br/> University of California Press hardcover‎

Bookseller reference : 003867 ISBN : 0520262123 9780520262126

‎Atherton Cynthia Packert‎

‎The Sculpture of Early Medieval Rajasthan Studies in Asian Art and Archaeology Vol 21‎

‎<p>VG condition quarto hardcover in VG- condition dustjacket edge wear and slight tears to dj clean and unmarked 252 pp. Illustrated with 108 pages of b&w photos and diagrams on glossy stock.</p><p>During the early medieval period from the seventh to the ninth centuries the area of western India now known as Rajasthan was transformed from a politically and artistically minor region to one of relative importance. Rajasthan was the homeland of the Gurjara Pratiharas one of the most powerful dynasties in northern India and many important temples were produced during their brief tenure there. While these monuments provide rich sources of information about iconographic preferences and artistic styles this book argues that they further provide important and overlooked clues to Rajasthan's charged early political history. In analyzing sculptural style and iconographic programs within chronological and regional parameters the book proposes that the Gurjara Pratihara presence in Rajasthan was energizing but disruptive particularly to dominant religious and stylistic patterns in the region.</p> Brill hardcover‎

Bookseller reference : biblio1905 ISBN : 9004107894 9789004107892

‎ATTARDI UGO ] MASSIMO RIPOSATI‎

‎Ugo Attardi. Sculptures peintures dessins‎

‎Edizioni Carte Segrete Edizioni Carte Segrete 1983. In-8 carré broché, couverture illustrée. Reproduction hors texte en noir et en couleurs.‎

‎Toutes les expéditions sont faites en suivi au-dessus de 25 euros. Expédition quotidienne pour les envois simples, suivis, recommandés ou Colissimo.‎

Bookseller reference : 15839

‎AUBERT (Marcel)‎

‎Die gotische Plastik Frankreichs, 1140-1225.‎

‎Firenze, Pantheon Casa Editrice, 1929. Fort in-4, demi-maroquin bleu à coins, dos à nerfs titré, XVI-137 pp., suivies de 88 planches sous serpentes légendées. 1929‎

‎Traduction allemande de l'ouvrage paru la même année à Paris sous le titre "La Sculpture française au début de l'époque gothique". Dos passé et coins frottés. Intérieur très frais. Bel exemplaire en reliure d’éditeur. - Frais de port : -France 9,65 € -U.E. 11 € -Monde (z B : 17 €) (z C : 42 €)‎

Bookseller reference : 529040

‎Aubert Marcel‎

‎La sculpture romane‎

‎Alpina Encyclopédie Alpina illustrée Feuillets sous chemise 1946 In-4 (25 x 35 cm.), feuillets sous chemise illustrée, non paginé (30-50 pages), introduction de Marcel Aubert, illustrations en noir et blanc, bien complet des 40 planches mais feuillet de texte manquant ; dos de la chemise déchiré, chemise défraîchie, quelques rousseurs, assez bon état. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.‎

Bookseller reference : xs1925

‎AUBERT MARCEL‎

‎LA SCULPTURE ROMANE‎

‎Alpina. 1942. In-4 Carré. En feuillets. Etat d'usage. Couv. légèrement passée. Dos frotté. Intérieur acceptable. 40 planches volantes (feuillets doubles) de photos en noir et blanc grand format. 3 pages de texte. 'Encyclopédie Alpina illustrée', Collection sous la dir. de Fr. Gebelin. Intro. de Marcel Aubert.‎

‎AUBERT Marcel et SOUGEZ Emmanuel.‎

‎Le Louvre. Sculpture de la REnaissance Italienne.‎

‎DE L'ILLUSTRATION. Non daté. In-Folio. En feuillets. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 4 pages de texte + 15 planches, dont 3 contre-collées en couleurs, d'illustrations en héliogravure. Quelques photos en héliogravure, dans le texte. Feuillets rangés dans une chemise rempliée.. . . . Classification Dewey : 730-Arts plastiques. Sculpture‎

‎Classification Dewey : 730-Arts plastiques. Sculpture‎

Bookseller reference : RO80061819