|
|
|
BEKAERT, Paul & VANROBAEYS, Piet.
Beelden buiten 1992.
Originele uitgeversomslag, 24.5x20 cm., pagina's zonder nummering, geillustreerd in kleur, tweetalige editie Nederlands/Deutsch. Groepstentoonstelling Tuin De Brabandere Tielt, met o.m. werk van Honore o 'O, Franz Graf, MandreDu Schu, Elmar Trenkwalder, Philip Van Isacker, Richard Venlet, Martin Walde, Lois Weinberger, Franz West & Richard Fleissner, Heimo Zobernig.
|
|
|
Marjan Sterckx
Sisyphus dochters. Beeldhouwsters en hun werk in de publieke ruimte (Parijs, Londen en Brussel, ca. 1770-1953). Tekst en Catalogus.
Softcover, 2 delen, Verhandelingen Nieuwe Reeks nummer 25. ISBN 9789065691132. Zowel de beeldhouwkunst als de publieke ruimte zijn eeuwenlang als mannelijke domeinen beschouwd. Toch waren er al vroeg, en vooral sinds de late achttiende eeuw, vrouwelijke beeldhouwers aan de slag in de (semi)publieke ruimte, en dit bovendien veel vaker dan men tot nu toe aannam. In Sisyphus? dochters gaat Marjan Sterckx in op deze unieke beeldhouwsters en hun werk in de stedelijke publieke en semipublieke ruimte in de periode ca. 1770-1953. Parijs, Londen en Brussel fungeren als casus. Na een analyse van de fysieke aanwezigheid en vertegenwoordiging van de beeldhouwwerken...... lees meer. Zowel de beeldhouwkunst als de publieke ruimte zijn eeuwenlang als mannelijke domeinen beschouwd. Toch waren er al vroeg, en vooral sinds de late achttiende eeuw, vrouwelijke beeldhouwers aan de slag in de (semi)publieke ruimte, en dit bovendien veel vaker dan men tot nu toe aannam. In Sisyphus? dochters gaat Marjan Sterckx in op deze unieke beeldhouwsters en hun werk in de stedelijke publieke en semipublieke ruimte in de periode ca. 1770-1953. Parijs, Londen en Brussel fungeren als casus.Na een analyse van de fysieke aanwezigheid en vertegenwoordiging van de beeldhouwwerken van vrouwen in de drie onderzochte steden, beschrijft de auteur de toenmalige moeilijkheden en mogelijkheden voor vrouwen met diverse profielen om beeldhouwer te worden, een degelijke opleiding te genieten en openbare opdrachten te bekomen in die steden. Vervolgens gaat ze in op de vormelijke en inhoudelijke kenmerken van het getraceerde beeldhouwwerk, en hun zichtbaarheid in de publieke en semipublieke ruimte. Een laatste deel behandelt de ontvangst, vroeger en nu, van de bestudeerde beeldhouwsters en hun (semi)publieke werken. Een tweede volume, de catalogus, inventariseert en illustreert waar mogelijk 365 niet eerder bijeengebrachte sculpturen van de hand van vrouwen in publieke en semipublieke buiten- en binnenruimtes in Parijs, Londen en Brussel in de periode ca. 1770-1953.
|
|
|
Welling, Wouter ( inl. )
Gerhard Lentink. Beelden sculptures. Environmentprojecten met / environmental projects with Reinout van den Bergh
Gebonden, rood linnen, titlvignet over rug gekleefd, 20,5 x 26cm., 80pp., uitgebreide z/w illustratie. ISBN 9090062297. Teksten in het Nederlands en Engels. Text in Dutch and English.
|
|
|
Guido Reuter.
Statue und Zeitlichkeit. 1400-1800.
Hardcover, 208pp., 30.5x22.5cm., ills. in b/w., new. ISBN 9783865687173. Der italienische Maler und Kunstschriftsteller Giovanni Battista Passeri hatte im 17. Jahr?¬hundert tadelnd uber Francesco Mochis im raschen Lauf gezeigte heilige Veronika in St. Peter in Rom geaussert, diese Figur sei kein andauerndes und unbewegliches Standbild mehr. Durch die zeitliche Struktur der Statue ? den Eindruck des fluchtigen Laufens ? hatte Mochi in den Augen Passeris die Grenze der Gattung uberschritten. Dass sich die Bildhauer dennoch in derartige von der Theorie gesteckte Grenzbereiche vorwagten, diese vereinzelt sogar uberschritten und welche Wege sie dabei beschritten, sind zentrale Themen dieses Buches.
|
|
|
Amanda W. Dorseth, Barbara C. Anderson, Mark A. Roglan (ed.).
Fernando Gallego and His Workshop: The Altarpiece from Ciudad Rodrigo, Paintings from the Collection of the University of Arizona Museum of Art.
Bound, cloth with dustjacket, 360pp., 28.5x25.5cm., ills. in col. and b/w., new. ISBN 9780856676512. The twenty-six panels of the altarpiece of the cathedral of Ciudad Rodrigo (Castile) rank among the most beautiful and ambitious works by two of Castile?s gifted late medieval painters, Fernando Gallego and the virtually unknown Master Bartolome. Accompanying a major new exhibition of their work, this extensively illustrated volume includes full catalog entries for each of the panels, as well as a collection of essays exploring both their cultural and artistic significance. Ranging in subject matter from the physical life and composition of the altarpiece itself, to Fernando Gallego, the Hispano-Flemish tradition in Spain and millennialism in late fifteenth-century Castile, these essays highlight individual techniques and workshop practices in the context of the cosmopolitan communities of a gothic city.
|
|
|
Ursula Strobele.
Bildhaueraufnahmestucke der Academie Royale de Peinture et de Sculpture in Paris 1700-1730.
Hardcover, 22 x 30 cm, 264 Seiten, 12 Farb- und 224 S/W-Abbildungen, . German Text. New! ISBN 9783865686657. Fur die begehrte Mitgliedschaft der 1648 gegrundeten Academie Royale de Peinture et de Sculpture in Paris reichten die sich bewerbenden Kunstler ein Aufnahmestuck ein. Es diente zur Ausstattung der Versammlungssale und fungierte als Lehrmaterial fur die auszubildenden Studenten. Das vorliegende Buch thematisiert die sogenannten ?morceaux de reception? der Bildhauer vorwiegend im Zeitraum von 1700?1730 ? eine Werkgruppe, die vielschichtige Erkenntnisse uber den kunstlerischen Schaffensprozess und die individuelle Gestaltungsfreiheit, aber auch uber institutionelle Abhangigkeiten prasentiert. Anhand von zahlreichen Beispielen werden Themen wie Sujetwahl, typologische Vorbilder, der Sockel als Buhne der Figur, die Darstellung von Bewegung und Schmerz u. v. m. behandelt.
|
|
|
Friberg, Harald; Dubois Patrice.
Gudmar Olovson sculptor.
Hardcover with orig. dustjacket, 264pp., 32x25cm., ills. in col., as new. ISBN 9789186425906.
|
|
|
Galerie De Beiaard
Eecken, Aanwezigheids- en bedank- album/ tentoonstellingen van Eecken
Ingebonden in groen leder met goudopdruk ( enkel fijne rand op voorplat ), 23,5 x 19cm., handgeschreven teksten en foto's, ingekleefd krantenartikeltje. Aanwezigheids- en bedankboek waar bevriende kunstenaars en kennissen hun wensen konden nalaten met betrekking tot twee tentoonstellingen van Eecken ( Galerie De Beiaard in Mechelen, 1961 en dubbeltentoonstelling met Jean Vervisch in La Maison des Architectes, Brussel, geen datum ). Eecken was een leerlinge van professor Marnix D'Havelose.
|
|
|
Alain Monvoisin.
Dictionnaire international de la sculpture moderne et contemporaine
Hardcover, 560pp., 23.5x31cm., ills. in col., good copy. (frontcover slightly bumped) ISBN 9782841052110.
|
|
|
Dewachter, Liliane (red.).
Guillaume Bijl.
Gebonden, groen kunstleder met titelvignet, 136pp., 31.5x23cm., oblong, ills. in kleur, goede staat. ISBN 9789072828026. Antwerpen a.o., Muhka o.a., 1996, 1996. Antwerpen a.o., Muhka o.a., 1996. Green leatherette over illustrated boards with tipped-in color plate (hardcover), 23 x 31,4 cms., 136 pp. text in Dutch, German, English and French with illustrations in colour, biography, bibliography
|
|
|
Tentoonstelling - catalogus.
BRITSE SCULPTUUR,BRITISCH SCULPTURE ( 1960 1988).
Paperback, 22 x 24 cm, 272 pp, geillustreerd. ISBN 9789072828019. Deze tentoonstelling is duidelijk kunsthistorisch van opzet en is opgebouwd rond pionierswerken van zesendertig kunstenaars die represantief zijn voor de ontwikkelingen die het aanzicht van de Britse sculpturale scene bepalen. Tekst in het Nederlands en Engels.
|
|
|
Gerard Xuriguera.
Jean Campa.
Relie, plats carton., pp. non-chifr. (ca.130pp.), nombr. ills. en coul., neuf. ISBN 9782914304108. Apres une courte periode figurative, Jean Campa aborde la forme abstraite. Du polyester a l'aluminium, en passant par le bronze et le fer soude, sa sculpture compose une musique rythmee et naturelle qui resonne en nous. Outre de nombreuses expositions personnelles, tant en France qu'a l'etranger, Jean Campa participe a de nombreux salons et en particulier a " Jeune sculpture " et au " Salon de mai ". Il a realise des oeuvres monumentales a Paris, Marly-Le-Roy, Sevres et Marseille. Les musees de Dunkerque et Saint-Omer ont fait l'acquisition de ses ?uvres.
|
|
|
Barbier, Jean Paul.
Botschaft der Steine. Indonesische Skulpturen aus der Sammlung Barbier-Mueller, Genf.
Hardcover with dustjacket, 211pp., 30.5x23.5cm., ills. in b/w., new. German text. ISBN 9783775707763.
|
|
|
N/A
Geert de Smet
Brochure, stevige witte papieromslag, 21 x 14.5cm., 16 pp . geillustreerd. Goede staat.
|
|
|
N/A
Trois sculpteurs Cesar Roel d'Haese Tinguely
softcover , couverture papier rouge, 21 x 17,5cm., pages ne sont pas numerotees. Juin - septembre 1965. Bon etat.
|
|
|
Kroesen, V. M. SCHMIDT (eds.)
Altar and its Environment, 1150-1400
Paperback, VI 314 pages ., 200 b/w ill. 100 colour ill., 220 x 280 mm, Languages: English, French . ISBN 9782503530444. The articles collected in this volume discuss the rise and spread of the altarpiece, or retable, as the standard altar decoration across Europe during the thirteenth and fourteenth centuries. Historians of art and liturgy have addressed such issues as the relations with other types of altar furnishings, regional variants, and their architectural, liturgical and socio-political context. The papers grew out of a symposium held at the University of Groningen (The Netherlands) in June, 2006, in which fourteen scholars from eight different countries participated. The period under scrutiny, c. 1150-c. 1400, has hitherto received only limited scholarly attention. It starts when the altarpiece was well established and ends with the great regional diversification of object types (such as the polyptych in Italy and the winged altarpiece in northern and central Europe). In turn, the altar decorations studied here are characterized by a relative uniformity stretching across media and regions, which enables comparisons to be made. The objects studied can be found in such diverse locations as Iceland, Sweden, Denmark, Germany, England, the Low Countries, central France, Catalonia, Mallorca, northern and central Italy, and Cyprus. This pan-European scope reveals connections that for many have always gone unnoticed, and contributes to a new perspective on European art that transcends modern national boundaries. The volume is illustrated with a wealth of plates and figures. Table of Contents; J.E.A. Kroesen and V.M. Schmidt, Introduction ? M. Bacci, Side Altars and ?Pro Anima? Chapels in the Medieval Mediterranean: Evidence from Cyprus ? P. Binski, Statues, Retables, and Ciboria: The English Gothic Altarpiece in Context, Before 1350 ? S.de Blaauw, Altar Imagery in Italy Before the Altarpiece ? A. De Marchi, La posterite du devant d?autel a Venise: retables orfevres et retables peints ? F. Espanol, Tabernacle-Retables in the Kingdom of Aragon ? F. Joubert, Un recours aux retables sculptes en pierre, a l?abbatiale de Saint-Denis (XIIIe siecle) ? S. Kemperdick, Altar Panels in Northern Germany, 1200-1350 ? J.E.A. Kroesen, Recentering Side Altars in Medieval Church Interiors: The Example of Late Romanesque Churches in Groningen ? P.-Y. Le Pogam, Le retable de Carrieres ? E. Nyborg, Retables with Two Spires: A Contribution on the Early Development of the Altarpiece ? V.M. Schmidt, Ensembles of Painted Altarpieces and Frontals ? P. Tangeberg, Retables and Winged Altarpieces from the Fourteenth Century: Swedish Altar Decorations in Their European Context ? R. Teres i Tomas, The Origin and Development of Stone Retables in Fourteenth-Century Catalonia ? L. van Tongeren, Use and Function of Altars in Liturgical Practice According to the Libri ordinarii in the Low Countries
|
|
|
Sumer, Hilde van.
Hilde Van Sumere.
Geniet, 32pp., 29.5x21cm., ills. in kleur en z/w., als nieuw. Tentoonstellingscatalogus.
|
|
|
ZADKINE, OSSIP.
LETTRES A ANDRE DE RIDDER.
Broche, couverture d' editeur illustre ( photo), 14,5x22,5cm, 146pp, illustre n/b. Avec un portrait d' Andre de Ridder dessine par Ossip Zadkine, un portrait de Ossip Zadkine dessine par Modigliani, une photographie du sculpteur et dix reproductions de ses oeuvres. Introduction de Jean Cassou.
|
|
|
STEPPE, J. K. (ed.)/ SMEYERS, M./ LAUWERYS, J.
WERELD VAN VROOMHEID EN SATIRE.
Gebonden, linnen, vergulde bandstempel, rug versierd met vergulde titel, 26,5x30cm, 334pp, rijkelijk geillustreerd met 177 platen z/w.in perfecte staat !! Laatgotische koorbanken in Vlaanderen. Volgende kerken worden besproken: Sint-Salvatorkerk te Brugge, geillustreerd met 19 platen; Sint-Pieterskerk te Leuven, geillustreerd met 19 platen, Sint-Sulpitiuskerk te Diest, geillustreerd met 34 platen; O.-L.-Vrouwekerk te Aarschot, geillustreerd met 38 platen; Sint-Katherinakerk te Hoogstraten, geillustreerd met 46 platen; Sint-Gertrudiskerk te Leuven, geillustreerd met 21 platen
|
|
|
Famke Peters and Christina Ceulemans, Venner
Masterly Hand. Interdisciplinary Research on the Late-Medieval Sculptor(s) Master of Elsloo in an International Perspective Proceedings of the Conference held at the Royal Institute for Cultural Heritage in Brussels on 20-21 October 2011. a Masterly Hand. Interdisciplinary Research on the Late-Medieval Sculptor(s) Master of Elsloo in an International Perspective
softcover, 345 p., 230 x 290 mm Languages: English, French, Dutch. ISBN 9782930054193. In 1940 the art historian J.J.M. Timmers introduced the name 'Master of Elsloo' to describe the anonymous creator of a late-Gothic wooden statue of St Anne with the Virgin and Child in St Augustine?s Church in Elsloo, a town in Limburg in the present-day Netherlands. In the following decades many other stylistically-related statues came to be associated with the St Anne. As a result, the Master of Elsloo?s oeuvre grew to include at least two-hundred works. Until recently, studies of these sculptures and their maker(s) have been almost exclusively stylistic in approach. Yet the works of the ?Master of Elsloo? evoke many questions that require thorough investigation. Questions about the identity of the woodcarver or, more likely, the woodcarvers grouped under the sobriquet of ?Master of Elsloo?, their artistic roots, their period and place of activity, and the organisation of their work in the workshop or shops. The major interdisciplinary research project carried out in 2010-2011 by the Royal Institute for Cultural Heritage in Brussels together with partners from Belgium and other countries was intended to shed new light on this sizeable group of statues and their makers. This time stylistic study was augmented by extensive examination of the materials and techniques employed with particular emphasis on workbench marks and the remains of any original polychromy. Also extremely important was the dendrochronological analysis of a large number of sculptures, which led to surprising results regarding the origin of the wood and the relationship between the works. A number of complementary studies help to situate the ?Master of Elsloo? more accurately in ?his? historical and artistic context. The results of all these studies were presented as papers at the colloquium organised by the Royal Institute for Cultural Heritage on 20 and 21 October 2011. A Masterly Hand. Interdisciplinary Research on the Late-Medieval Sculptor(s) Master of Elsloo in an International Perspective brings together the project?s findings, to which are added an inventory of works associated with the ?Master of Elsloo? and the results of new archival research. de herkomst van de Sint Anna re dreen in de parochiekerk nte Elsloo, Door Gerard Venner
|
|
|
Reifenscheid, Beate.
Daniel Coulet. Zwischen Himmel und Holle. Entre ciel et enfer.
Softcover with flaps, 143pp., 28x23cm., ills. in col., good copy. Text in French and German. ISBN 9788836616923.
|
|
|
WILSON, Robert
PAUL LANDOWSKI. LE TEMPLE DE L'HOMME
Broche, couverture carton illustree en couleurs et aux rabats, 230 x 300mm., 304pp., illusytration profonde en couleurs. ISBN 2879004500. Le ?« Temple de l'Homme ?» est un ensemble monumental dont Landowski developpe le projet tout au long de sa vie. Landowski veut raconter, en 200 metres de long sur 8 metres de haut (soit 1200 m?) de murs sculptes, l'histoire de l'humanite : un temple pour y chanter la grandeur de l'esprit humain ou tous les grands porteurs de lumiere sont assembles comme une symphonie des esprits (Carnets, inedit). Il doit etre a la fois un lieu de meditation, de reunions civiques, de congres internationaux, de spectacles. On y trouve egalement une bibliotheque et un cinema. L'inspiration du sculpteur est portee par sa conviction humaniste et sa volonte d'une Europe en paix. On y trouve l'influence de Romain Rolland et de Valery. Exposition au Petit Palais, 7 decembre 1999 - 5 mars 200. Livre est en bon etat.
|
|
|
Read, herbert.
Henry Moore. A study of his life and work.
Paperback, 284pp., 21x14.5cm., 245 plates, 16 in col., good copy (traces of use).
|
|
|
BENTEIN-STOELEN, Marie-Rose.
MIDDELHEIM. catalogue de la collection.
Originele geillustreerde uitgeversomslag in kleur met flappen, 20x27 cm., 176 pp. + 239 buitentekstplaten z/w. French tex t/ en francais. ; 4to 11" - 13" tall Publisher: Musee Middelheim Anvers, Belgium Katalogus van de verzameling. Openluchtmuseum voor beeldhouwkunst/Musee de sculpture en plein air/Open air museum of sculpture/Freiluftmuseum fur Plastik.
|
|
|
Mougin, Preface de Robert Lapoujade .
Bernard Mougin, une vie - une oeuvre, preface de Robert Lapoujade
relie, bound in dusjacket, in-4 avec sa jaquette, bon etat, 108 pages depliantes, photos en noir et en couleurs . Bernard Mougin sculpteur et peintre 1918 - 2002
|
|
|
STAPPAERTS, D.
JOZEF KETS. monografie, met opdracht / gesigneerd.
Gebonden, linnen, rug versierd met vergulde titel, originele geillustreerde (foto) omslagwikkel z/w, 23x28cm, 264pp, rijkelijk geillustreerd z/w. omslagwikkel heeft linksboven voorzijde een scheur van 10 cm Reprodukties met commentaar. Tekst leven en werk beeldhouwer J. Kets. Bibliografie. ***MET HANDGESCHREVEN OPDRACHT DOOR JOZEF KETS
|
|
|
N/A.
Noir Dans Le sculptural. / Het Zwart in de Beeldhouwkunst / Black in sculptural Art / Schwarz im skulpturalen Bereich.
Paperbound, 221pp., 28x23.5cm., richly illustr. in cl., as new. ISBN 907138621x. Exhibitioncatalogue with works of Marcel Broodthaers, Ado Hamelryck, Marie-Jo Lafontaine, Walter Leblanc, Louise Nevelson, Pierre Soulages, Bernar Venet, e.o.
|
|
|
Hg. Thomas Richter - Beitrage von S. Denecke, C. Lange, T. Richter, A. Schuller, B. Soding, H.-B. Spies
Bildhauer Hans Juncker,Wunderkind zwischen Spatrenaissance und Barock
400 Seiten, 291 Abbildungen ubwerw. in Farbe 23 x 29 cm, gebunden . ISBN 9783777422275. Das Gesamtwerk von Hans Juncker, einem Hauptmeister der deutschen Skulptur um 1600, wird erstmals umfassend vorgestellt. Dabei tritt ein hochkaratiges ?uvre zutage, das zwischen Spatrenaissance, Manierismus und Barock angesiedelt ist. Seine Kunstfertigkeit wie die visuelle Qualitat seiner Arbeiten werden in grossformatigen Tafeln eindrucksvoll prasentiert. Zum 400. Jubilaum der Weihe des Aschaffenburger Schlosses 2014 wird dem Bildhauer Hans Juncker (1582?nach 1624), der den Bau massgeblich gepragt hat, eine grosse Monografie gewidmet. Seine virtuos gearbeiteten Altare und Kanzeln sind zumeist aus kostbarem Alabaster gefertigt. Mit 16 Jahren vollendete die Ausnahmebegabung den Hochaltar in Darstadt. Fur das Mainzer Domkapitel entstand sein Hauptwerk, der Hochaltar der Aschaffenburger Schlosskirche. Der Bildband stellt Werk und Kunstlerpersonlichkeit in opulenter Bebilderung vor und erlautert den historischen Kontext, Restaurierungsfragen und uberregionale Einflusse.
|
|
|
Bettina Berg ; Yvette Deseyve ; Veronika Wiegartz ; vertaling : Ernst van Raaij
George Minne : Voorbode van de moderne kunst / Ein Anfang der Moderne.
Hardcover, 128 pagina's / seiten , NL / D, 315 x 225 x 15 mm, NIEUW / NEU, illustraties in kleur / z/w ISBN 9783868321906. Aufbruchstimmung, Weltschmerz und Dekadenz bestimmen den Zeitgeist des Fin de Siecle, der auch bei George Minne (1866-1941) zu finden ist. Als Entdecker des Ausdrucks avancierte er zu einem einflussreichen Bildhauer seiner Zeit und zog zahlreiche Kunstler der nachfolgenden Generationen wie etwa Kathe Kollwitz oder Wilhelm Lehmbruck in seinen Bann. Zarte Junglingsfiguren, die Schmerz, Einsamkeit und Trauer ausstrahlen, aber auch seine Mutter-Kind-Skulpturen aus dem Spatwerk rucken die menschliche Gestalt als Ausdruckstrager in den Mittelpunkt. Wissenschaftliche Beitrage, die die Herausforderung im Umgang mit seinem Werk und dem Symbolismus beleuchten, erganzen den Katalog. Am Ende steht nicht allein die Neuprasentation eines wunderbaren OEuvres, sondern die Wiederentdeckung eines faszinierenden Kunstlers! A spirit of departure, weltschmerz and decadence are characteristic of the fin de siecle ? as well as of the work of George Minne (1866-1941). As the ?discoverer of expression?, he advanced to become one of the most influential sculptors of his time and drew numerous artists of subsequent generations, including Kathe Kollwitz and Wilhelm Lehmbruck, under his spell. Delicate figures of young men radiate pain, loneliness and mourning; and the mother and child sculptures from his late work also place emphasis on the human figure as a bearer of expression. The result is a novel presentation of a prodigious oeuvre.
|
|
|
Jacques Bouzerand, Jean-Michel Ribettes
Rotraut - Sculptures monumentales
Relie, toile sous jaquette orig., 143pp., 29.5x29.5cm., ills. en coul., comme neuf. ISBN 9782909458489.
|
|
|
Till-Holger Borchert, Valeria Campagni
Pablo Atchugarry A Journey Between Matter and Light / Reis Tussen materie en licht
Hardcover, 33 x 24.5 cm, 336 p., 250 illustraties, tweetalig Nederlands/Engels, Fine copy. Including an index. ISBN 9789058562104. Atchugarry's vader, ook kunstenaar, bracht hem de liefde voor het vak bij. Niet zonder resultaat: Pablo hield zijn eerste solotentoonstelling in Montevideo (Uruguay) toen hij pas 18 was. Hij ontwikkelde zich niet enkel als kunstschilder, maar ook als gevierd kunstenaar met materialen als cement, hout en metaal. Vandaag is zijn werk in tal van verzamelingen vertegenwoordigd. In Lecco (Italie) heeft hij zijn eigen museum. In 2002 ontvangt hij de Michelangelo Award als erkenning voor zijn artistieke loopbaan; een jaar later vertegenwoordigt hij Uruguay op de biennale van Venetie. Naar aanleiding van een tentoonstelling in het Groeningemuseum te Brugge verschijnt een lijvige monografie waarin de kunstenaar in een omstandig interview honderduit over zijn leven en werk vertelt.
|
|
|
Judith Oexle; Markus Bauer; Marius Winzeler; St. Marienstern (Abbey : Panschwitz-Kuckau, Germany)
Zeit und Ewigkeit : 128 Tage in St. Marienstern : Ausstellungskatalog
softcover. 376 pp Illustrated. Fine copy. ISBN 3932863062.
|
|
|
Doise, Yves Charles.
Art et technique de la sculpture sur bois.
Broche, 272pp., 30x21cm., nombr. ills. et dessins en n/b., belle exemplaire (qq. petites traces d'usure sur la couverture). Oeuvre assez rare et bien cherche sur les techniques de la sculpture sur bois.
|
|
|
M. Schulz - Tullio Lombardo
Sculpture of Tullio Lombardo, Tullio Lombardo
Hardback VI 463 p., 339 b/w ill., 225 x 300 mm, Languages: English FINE COPY !!!! ISBN 9781909400177. In the first book ever devoted to the sculpture of Venice?s most famous Renaissance marble carver, Markham Schulz integrates all biographical data from primary and secondary sources and criticism of every epoch, with her own first-hand study of Tullio?s work over the course of forty years, to create a comprehensive picture of Tullio?s sculpture - its characteristics and iconography, its sources, development, and influence - within the context of Renaissance Venetian art. At the same time, she explores Tullio?s relations to his father Pietro and his brother Antonio, both renowned sculptors in their own right. The text is accompanied by 339 newly made and largely full-page illustrations, many of sculptures which, on account of their height and inaccessibility, have never been photographed before. Thus, every detail of the author?s meticulous and pellucid analyses is made manifest to the reader by illustrations, which not only meet the most exacting standards for the photography of sculpture, but also provide a treasury of gorgeous images. Educated in the History of Art at Radcliffe College, Harvard University, and the Institute of Fine Arts, NYU, Anne Markham Schulz has taught at the University of Illinois at Chicago Circle, Brown University, and the Universita Federico II at Naples. Table of Contents Acknowledgments Chapter 1-Tullio's Critical Fortune Chapter 2- Inscriptions, Documents, and Sources Chapter 3-The Style of Tullio's Sculpture and His Early Works Chapter 4-The Tomb of Doge Andrea Vendramin Chapter 5-In the Wake of the Vendramin Tomb: Tullio's Sculpture at the End of the Fifteenth and the Beginning of the Sixteenth Century Chapter 6-Tullio's Late Works Chapter 7-Conclusion Bibliography-List of illustrations-Illustrations-Index
|
|
|
Clerinx - Dethier
ROBERT VANDEREYCKEN.
Bound with dustjacket, 250 + 310mm, 318pp Good condition, with illustrations and plates in colour.
|
|
|
N/A.
terres cuites des XVIIe et XVIIIe siecles la collection van Herck Anvers.
Paperback, 300x228mm, 300p, several bw and col. illustrations .Texte en Francais ISBN 2872122893. The collection of Van Herck. Creacties of a whole school of European Baroque sculptors in Antwerp in the 17th and 18th centuries, including, Kerrickx, Faydherbe, Duquesnoy Scheemaekers, Exhibition: Royal Museum of Fine Arts in Antwerp. 2000/03/12 - 2000/06/04.
|
|
|
Louk Tilanus
kunst van Joseph Mendes Da Costa
gebonden (21,4 x 26.7 cm), 216 blz., ruim 200 afb. in kleur en zwart/wit, gebonden. ISBN 9789462620186. Joseph Mendes da Costa (1863-1939) is de belangrijkste Nederlandse beeldhouwer rond 1900. Hij decoreerde de gebouwen van Berlage, De Bazel, Staal en Kropholler met beelden en reliefs. Zijn kleine sculpturen zijn de mooiste die er in die tijd gemaakt zijn. Op het gebied van de kunstnijverheid is Mendes Da Costa een vernieuwer: zijn werk in steengoed (gres cerame) is in originaliteit en vormgeving met geen andere kunstennaar te vergelijken, ook niet in het buitenland. Dit boek geeft een overzicht van de werkzaamheden en artistieke betekenis van Mendes Da Costa en besluit met een complete, rijk geillustreerde oeuvrelijst.
|
|
|
N/A.
Elisabeth Frink. Recent sculpture and drawings.
Paperbound, unpag. (24pp.), 21.5x29.5cm., ills. in col. good condition. Exhib. 5 october - 9 november 1989.
|
|
|
R. J. Tuttle
Neptune Fountain in Bologna. Bronze, Marble, and Water in the Making of a Papal City
Hardback with dj., VI+248 p., 150 colour ill., 220 x 280 mm. Languages: English, Italian, Latin. ISBN 9781909400245. As a gateway to the central Piazza Maggiore and a work of singular beauty and elegance, the Neptune Fountain is one of Bologna?s most prized artistic gems, recognized by all but understood by very few. Richard Tuttle?s monograph represents the first comprehensive study of this iconic monument, executed between 1563 and 1567 by the Flemish artist Giambologna and the Sicilian architect Tomaso Laureti, that considers all of the complex aspects of its commission, planning, execution, iconography, and urban impact. Working with an extraordinary body of documentary and visual materials, Richard Tuttle (1941-2009)?one of the world?s foremost authorities on Renaissance Bologna?reveals how the fountain was created collaboratively by papal administrators and artists, how it depended on contemporary hydraulic technology, communicated political messages, and became an instrument of urban renewal. The book?s broad appeal, scholarly rigor, and eloquent writing promise to make it an indispensable source on Italian sixteenth-century sculpture, architecture and urban planning, as well as a definitive text on this remarkable Renaissance fountain. Richard J. Tuttle (1941?2009) taught Renaissance architectural history at Tulane University for thirty years (1977?2007), before moving to the University of Bologna?s Department of Architecture and Urban Planning in 2007. He was the author of numerous groundbreaking and award-winning studies on Renaissance architecture, sculpture, and urbanism, and was the world authority on sixteenth-century Bologna and the architect and theorist Jacopo Barozzi da Vignola. Nadja Aksamija is Associate Professor of Art History at Wesleyan University. Her published and forthcoming books and articles have examined, among others, sixteenth-century villas and castles in Bologna and Dubrovnik, notions of sacred landscape in Counter- Reformation painting and emblematics, and the restoration of Renaissance architectural monuments in the nineteenth and twentieth centuries. She is the recipient of prestigious grants and fellowships from the Getty Foundation, the Kress Foundation, and the Villa I Tatti in Florence, among others. Francesco Ceccarelli is Associate Professor of Architectural History at the University of Bologna. The focus of his research is the early modern and modern Italian city, from the Renaissance through Neoclassicism. He is the recipient of the Accademia Nazionale dei Lincei?s prestigious prize in History and History of Geography (2000) for his innovative research on the strategies of urban development in the Po valley during the Renaissance.
|
|
|
DIENST CULTUUR - GEMEENTEBESTUUR MERKSEM
1e Merksemse Biennale voor Beeldhouwkunst. 15 juni - 14 september 80.
Paperback, ca. 80 nietgenum. pp., 22x19.5cm., ills. in z/w., goede staat. Zeldzame catalogus voor hedendaagse beeldhouwkunst.
|
|
|
Edited by Ian Jenkins
Defining Beauty. The Body in Ancient Greek Art
Hardback, 280x240mm, 272p, 250 colour illustrations, English edition . ISBN 9780714122878. Expo: 26/03/2015 - 05/07/2015, British Museum, London Greek sculpture is full of breathing vitality and yet, at the same time, it reaches beyond mere imitation of nature to give form to thought in works of timeless beauty. For over 2000 years the Greeks experimented with representing the human body in works that range from prehistoric abstract simplicity to the full-blown realism of the age of Alexander the Great. The ancient Greeks invented the modern idea of the human body in art as an object of sensory delight and as a bearer of meaning. Their vision has had a profound influence on the way the western world sees itself. Drawing on the British Museums outstanding collection of Greek sculpture including extraordinary pieces from the Parthenon and the celebrated representation of a discus thrower and through a number of themed sections, this richly illustrated book explores the Greek portrayal of human character in sculpture, along with sexual and social identity. In athletics, the male body was displayed as if it was a living sculpture, and victors were commemorated by actual statues. In art, not only were mortal men and women represented in human form but also the gods and other beings of myth and the supernatural world. In a series of lively introductory chapters, written by a selection of academics, historians and artists, it is revealed how the Greeks themselves viewed the sculpture (which was vividly enhanced with colour), and how it was regarded and treated in later pagan antiquity. The revival of the Greek body in the modern era is also discussed, including the shock of the new effect of the arrival of the Parthenon sculptures in London at the beginning of the nineteenth century.
|
|
|
Marie-Pasquine et Jean-Bernard MATHON, directeurs.
Vierges a l'Enfant medievales de Catalogne, mises en perspectives. Suivi du Corpus des Vierges a l'Enfant (XIIe-XVe s.) des Pyrenees-Orientales. Actes du colloque a Perpignan, les 1er et 2 decembre 2011, en parallele avec l'exposition proposee par le Conseil general.
In-8 broche, 488 pages, abondante iconographie en couleurs. Bibliographie. (Histoire de l'art, 5.). ISBN 9782354121853. Ce colloque a souligne la specificite des Vierges des Pyrenees-Orientales, en les comparant avec des ?uvres de Catalogne du sud, du Languedoc, d'Ile-de-France, d'Italie ou d'Europe. Ce corpus departemental de 150 Vierges est le premier realise en France. 1450 g.Etat de neuf.
|
|
|
Catheline Perier-D'Ieteren, Ivo Mohrmann (eds.)
Retable de la Passion de Gustrow. Etude historique et technologique. Der passions altar der Pfarrkirche zu Gustrow. historische und technologische studie.
SOFTCOVER, couverture souple, 256 pages, 148 illustrations couleur, Francais / Allemand. ISBN 9789461360458. Cet ouvrage est la premiere monographie consacree au retable brabancon de la Passion du Christ de l?eglise Notre-Dame de Gustrow, oeuvre prestigieuse et pourtant meconnue. A doubles paires de volets (sculptes et peints) ce retable constitue un des rares temoins conserves de ce type de mobilier liturgique illustrant le savoir-faire des ateliers bruxellois au XVIe siecle. Les sculptures polychromees sont attribuees a la celebre dynastie des Borman , un soldat portant la signature de Jan Borman tandis que les peintures sont donnees a des maitres de l'entourage de Bernard Van Orley. L?etude prealable a l?intervention de restauration menee par une equipe internationale de chercheurs et restaurateurs belges et allemands a permis de reunir un important materiel inedit. Ainsi l?histoire de l?ensemble des restaurations anterieures et la personnalite du restaurateur Alois Hauser l?Ancien ont ete precisees. Les attributions ont ete reexaminees a travers une etude approfondie du style et des techniques d?execution des sculptures comme des peintures. Des informations essentielles et inattendues sur la genese des compositions et sur les collaborations entre peintres sont apparues suite a l?examen en reflectographie infrarouge des volets peints realise par la Hoschschule fur Bildende Kunste de Dresde. Enfin l?etude dendrochronologique a remis en question la datation de 1520-22 traditionnellement acceptee, ouvrant par la de nouvelles pistes de reflexion.
|
|
|
D'Hainaut-Zveny, R. Dekoninck (eds.)
Machinae spirituales. Les retables baroques dans les Pays-Bas meridionaux et en Europe - Contributions a une histoire formelle du sentiment religieux au XVIIe siecle
Paperback 321 pages., 198 colour ill., 230 x 290 mm, Languages: French, English . ISBN 9782930054254. Le Baroque s?offre aujourd?hui comme un miroir fascinant pour nos societes post-modernes que d?aucuns qualifient de neo-baroques. En effet, ne sommes-nous pas tentes de nous reconnaitre dans cet art de la demesure, aux effets speciaux tout droit sortis d?un Deus ex machina ? Or l?une des expressions les plus eloquentes de ce Baroque vitaliste et total est l?art du retable. Art spectaculaire s?il en est, il s?offre comme la toile de fond de la liturgie ostentatoire de la Contre-Reforme, et plus encore comme un ?« acteur ?» essentiel dans l?apprehension du divin. Sorte de trait d?union visuel entre l?ici-bas et l?au-dela, mais aussi, dans une relation non plus verticale mais horizontale, entre les croyants et l?Eglise catholique, il semble etre le point focal de la culture visuelle de la Contre-Reforme. Si le retable baroque est bien un phenomene europeen qui puise ses racines dans la culture artistique italienne, il prend neanmoins des formes specifiques dans chaque espace de la catholicite du xviie siecle. Or l?un des espaces ou il a connu un epanouissement tout particulier est celui des anciens Pays-Bas. Ce volume cherche a resituer ces ?« machines spirituelles ?» dans le tissu socio-culturel et religieux de l?epoque, tout en procedant a une etude genealogique et typologique de leurs materiaux, formes, themes et fonctions. Une telle approche du contexte culturel et religieux, des modeles et des types se trouve completee par l'analyse de la dynamique spirituelle et esthetique que suscitent ces retables. A ces etudes critiques s?adjoint en outre un inventaire des retables baroques des anciens Pays-Bas, qui se prolonge en ligne sur la banque de donnees BALaT de l?IRPA. Table of Contents Hommage a Paul Philippot Introduction Brigitte D?Hainaut-Zveny et Ralph Dekoninck Contextes spirituel et liturgique 1 ?« Un Midy de gloire... ?» La devotion a l?age baroque Christian Belin 2 Normes liturgiques relatives aux pratiques rituelles effectuees a l?autel Annick Delfosse Modeles, types et iconographies 3 Diversite et originalite d?une experience formelle de transition. Les triptyques des corporations de la cathedrale d?Anvers (1600) Natasja Peeters 4 Emergence d?une nouvelle typologie formelle entre tradition manieriste et impulsion rubenienne (1620-1625) Paul Philippot 5 Des Cieux descendus sur la Terre. Formes et significations des retables baroques et rococo dans les anciens Pays-Bas Michel Lefftz 6 Iconographic Typology of the Southern Netherlandish Retable (1585-1685) Valerie Herremans 7 Dispositio et elocutio. Homologies structurelles, formelles et fonctionnelles entre retables et frontispices baroques dans les anciens Pays-Bas Ralph Dekoninck et Annelyse Lemmens 8 Evolution du retable baroque a travers l?ensemble monumental de la paroisse d?Oiartzun (Gipuzkoa, Espagne) Maite Barrio Olano et Ion Berasain Salvarredi Formes, intentions et usages 9 Ruptures avec les retables medievaux. Les retables baroques comme lieux et moyens d?une ?« delocalisation ?» des representations du sacre et d?une ?« recomposition ?» du sujet de la devotion ?» Brigitte D?Hainaut-Zveny 10 Format and the devotional experience of nearness and distance in baroque altar pieces Joost Vander Auwera 11 The place of the Altarpiece in Rome?s Sacred Topography (1600) Pamela Jones 12 The altar and the Idol. Housing miracle working statues in the Southern Netherlands Maarten Delbeke 13 ?« Gloire ?» et deconstruction du retable baroque, entre Rome et Paris Frederic Cousinie 14 De la vision mystique a l??invention mystique? du tableau d?autel dans les ?uvres de Charles Le Brun et Eustache Le Sueur Anne Le Pas de Secheval 15 Resistance du polyptique. Le retable et 'l?esprit du Concile? (xvie-xviie siecles) Pierre-Antoine Fabre Questions de conservation et de restauration 16 Alterations, conservation et restauration des polychromies des autels baroques et rococo Myriam Serck-Dewaide
|
|
|
GEIRLANDT, K.J./ DRIES, J.
JAN DRIES, monografie
Gebonden, wit linnen, originele geillustreerde (foto) omslagwikkel in kleur, 29x29cm, 160pp, rijkelijk geillustreerd in kleur en z/w. IN PRIMA STAAT ISBN 9062162827. Omvangrijk en goed geillustreerde monografie
|
|
|
Roger Bodart.
Georges Grard.
Relie avec jaquette d'editeur, 15pp. +28planches n/b hors-texte, 25x18.5cm., bon etat.
|
|
|
BONNEURE, F.
HUBERT MINNEBO monografie
hardcover met geillustreerde stofwikkel, frontispice en geillustreerde schutbladen, 260 x 300 mm., 205 pp. illustraties en biografisch fotomateriaal. ISBN 9020916084. mooie monografie, schilderijen, beelden, monumenten, tekeningen, zijn levensloop. Met handtekening van de kunstenaar en de schrijver in colofon.
|
|
|
Johan Pas, voorwoord Luc Betrand, voorzitter Middelheimpromotors en Philip Heylen, Schepen voor Cultuur Stad Antwerpen
walk in the Park 50 jaar / 50 years Middelheim promotors
Hardback, 250x250mm, 184p, throughout colour illustrations, English/ Dutch (NL) edition . ISBN 9789053253922. De vzw Middelheim Promotors werd in 1965 opgericht met het doel het Middelheimmuseum te ondersteunen. Via de aankoop van kunstwerken, het uitgeven van edities en het organiseren van culturele activiteiten zorgt dit modern mecenaat tot op vandaag voor een dynamisch klimaat. In dit boek worden de historiek en de actualiteit van de Middelheim Promotors belicht aan de hand van getuigenissen van de oprichters en eenompleet overzicht van alle kunstwerken die door of met steun van de Middelheim Promotors werden verworven, gaande van Carl Andre tot Erwin Wurm. Daarnaast vindt de lezer een geillustreerde inventaris van de ongeveer honderd prenten en objecten die sinds 1969 door de Middelheim Promotors werden uitgegeven. Zo richt dit boek zich niet alleen tot de liefhebbers van heden- daagse beeldhouwkunst maar ook tot diegenen die zich aangetrokken voelen door grafische kunst en multipels.
|
|
|
Kasl
Making of Hispano-Flemish Style Art, Commerce, and Politics in Fifteenth-Century Castile
Hardcover with dusjacket - X+228 pages., 132 b/w ill. + 34 colour ill., 210 x 297 mm, Languages: English. ISBN 9782503546247. This book examines the phenomenon of "Hispano-Flemish" style in fifteenth-century Castile, providing an account of its most important monuments and describing the ways in which it is embedded in specific social and cultural settings. Trade, diplomacy, and immigration account for the widespread presence of art and artists from northern Europe in Castile during the period and these mechanisms of international contact and exchange are the starting point for this inquiry. Chapter one details commercial relations between Castile and the art-producing centers of northern Europe, stressing the dominant role of merchants from Burgos and documenting the prevalence of imported luxuries like tapestries, paintings, and sculpture. The presence of imported artworks in Castile was paralleled by a similarly robust number of immigrant artists, some itinerant and others attached to permanent workshops. Their influence is discussed in chapter two, with emphasis on the establishment of multi-generational family workshops under the direction of immigrant masters. Such workshops rooted foreign styles on Castilian soil and decisively influenced the ways in which visual conventions were learned, transformed, and transferred. The receptivity of patrons to the visual qualities of the imported style is analyzed in relation to its capacity to assert emerging social, political, and spiritual values. The adoption of northern forms in Castile, first detected in the sculptural decoration of funerary chapels of the mid-1430s, was sustained for the rest of the century, culminating in the completion of the monastery of Miraflores under the patronage of Isabel of Castile. Chapter three outlines the religious, commemorative, and political motives that informed the foundation of the monastery by Juan II and those that animated his daughter?s efforts to complete it. It establishes the chronology of works in relation to historical events and details the intervention of Juan and Simon de Colonia, Gil de Siloe, Juan de Flandes, and others. The reelaboration of Siloe?s northern European sculptural idiom at Miraflores was a distinctive process, stimulated by the demands of his royal patron, conditioned by the practices of a heterogeneous workshop, and obliged to visualize a new concept of royal sovereignty.
|
|
|
N/A.
ART MOSAN ET ARTS ANCIENS DU PAYS DE LIEGE.
Broche, couverture originale, 16x24cm, 327pp + 92pp planches n/b.
|
|
|
Receive by email
Download as PDF document
RSS feed
Permanent link
