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Renato Santarossa
A clean, unmarked book with a tight binding. 9 5/8"w x 9 1/8"h. Text in French
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Parkinson, Cecelia; Parker, John
Profiles - 24 New Zealand Potters
A clean, unmarked book with a tight binding. Full metalic gray clothboards. Slightly bumped corner. Light wear to dust jacket. 8 1/2"w x 11 1/8"h. 112 pages. Many b&w and color photographs.
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Looper, Matthew G.
Lightning Warrior: Maya Art and Kingship at Quirigua (Linda Schele Series in Maya and Pre-Columbian Studies)
A clean, unmarked book with a tight binding. Small mark on front free endpaper. Full brown cloth boards. 8 5/8"w x 11 1/4"h. 266 pages. Many b&w photos and illustrations.
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Fry, Edward F.
David Smith
Book shows minor wear to covers, a bump to the lower front corner. Binding is solid and square, text/interior is clean and free of marking of any kind. 185 pages with glossy paper, large, sometimes full page, mostly b&w photos of the artist's work.
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Burnham, Jack
Great Western Salt Works : Essays on the Meaning of Post-Formalist Art
Slight ink marks. Tight binding. 7 3/4"w x 8 1/2"h. 168 pages. Black and white illustrations.
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Hunter, Sam; Don Hawthorne
George Segal
Ex-library book with the usual stamps, stickers, etc. Binding is solid and text/interior is clean and free of marking of any kind. Heavily textured cream cloth/boards with black lettering in impressively good shape though the dust jacket protective cover has been taped to book's covers. Photo skyline end papers in sepia with large open tear to upper corner of front, library markings. 379 pages with 432 large, often full page illustrations on heavy paper, 213 in color. Comprehensive monograph of the subject, with a great many photos of his archetypal white plaster figures. Contents include The casting process in Segal's studio, Public sculpture: polemics, issues, the work, Environmental sculpture, Bas-reliefs, Fragments, Oil on canvas, work on paper, Bibliography: critical reception, Selected bibliographical listings, statements by the artist, exhibition list, bibliography, public collections, catalogue and index.
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Lucie-Smity, Edward
Adam: The Male Figure in Art
Book is in excellent condition with a tiny bump to lower front corner, scuffing to back cover as the only flaws. Binding is solid and square, covers otherwise have sharp corners, exterior shows no other blemishes, text/interior is clean and free of marking of any kind. Large format: 9.25x11.25 inches with introduction by the author. Profusely illustrated with b&w and color plates: photos and reproductions of Greek vases, sculpture, classic and current painting from many genres, photos of same, most featuring nude men, 162 illustrations, many full page. Contents include: The heroic nude, The child, youth and the feminized male, Naked victims, The noble savage, Naked not nude, The triumph of the female, The male nude and the avant-garde, The mirror of homosexual desire.
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Tsutakawa, George; Staff, Masayoshi Homma
Exhibition of Fountain Sculptures
Exhibition catalog in excellent condition with faint rubbing to back (white) panel only. Otherwise as new; no creasing. Binding is solid and square, covers have sharp corners, exterior shows no blemishes, text/interior is clean and free of marking of any kind. 19 pages with b&w photos throughout. Text is in English and Japanese. Depicts creation of Song of Forest with large photos of 15 other Tsutakawa sculptures and fountains, including Expo '74 fountain, Unity sculpture, Somerset fountain, Safeco Fountain, (Seattle), Bentall fountain, Obos 69 fountain, Garth fountain, etc.
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Riboud, Barbara Chase and Carlos Basualdo
Barbara Chase Riboud: Malcolm X Complete
A clean, unmarked book with a tight binding. Still in shrinkwrap. 9 1/2"w x 13"h.
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Grade, John and Julie Decker, Nicholas Bell
John Grade : Reclaimed
A clean, unmarked book with a tight binding. Very large and heavy. 10 1/8"w x 13"h. 304 pages. Many color photos.
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Halper, Vicki; Lucy R. Lippard
Gloria Bornstein: Retelling, 1975-1998
Staple-bound publication, 8 1/2"w x 11"h. 48 pages. Many photos and illustrations.
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Carter, Joseph Coleman
The Sculpture of the Sanctuary of Athena Polias at Priene (Reports of the Research Committee of the Society of Antiquaries of London No. XLII)
A clean, unmarked book with a tight binding. Full red cloth boards. 8 3/4"w x 11"h. Approx. 400 pages.
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Aldred, Cyril
Old Kingdom Art in Ancient Egypt
A clean, unmarked book with a tight binding. Full black cloth boards. Small tears on worn dust jacket. 4 7/8"w x 7 1/8"h. 40 pages of text; 71 b&w photographs.
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Werner Blaser
Werner Sobek: Art of Engineering - Ingenieurkunst
Book is in excellent condition, brand new, still in shrinkwrap from publisher. Binding is solid and square, covers have sharp corners, exterior shows no blemishes, text/interior is clean and free of marking of any kind. The engineer, Werner Sobek understands better than most how to unite the demands of structural engineering with the design of the building. His work with steel, titanium, glass, fabric, wood or concrete exceeds the boundaries of what is usual, whilst at the same time, his structures are sensible, logical, simple in ther construction and outstanding in form. Werner Sobek has worked with his team throughout the world, building in Lima, Chicago, Limoges, Bangkok and Shanghai, and working together with architects such as Hans Hollein, Helmut Jahn, Christoph Ingenhoven, Finn Geipel and This book provides the first fundamental overview of Werner Sobek's work, examining the most important projects of the last ten years. The technical innovation of his constructions is documented in precise plans and drawings, large format duotone photographs convey an extraordinary aesthetic impression.
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Neto, Ernesto; Louis Grachos; Erin Shirreff
Ernesto Neto
Exhibition catalog for a show held at the publisher's gallery in excellent condition. Binding is solid and square, covers have sharp corners, exterior shows no blemishes, text/interior is clean and free of marking of any kind. French folds on heavy paper with illustrated covers, 14 pages within with full size full color photos of the artist's work: exteriors and interiors for a show from April 1 - May 28 2000. Contains artist's statement and intro by Louis Grachos and Erin Shirreff
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Moore, Henry; Herbert Read (intro)
Henry Moore: Sculpture and Drawings
Full tan cloth boards show slight wear. Tiny spots on rear cover. 9 3/4"w x 11 3/4"h. Many illustrations in b&w, plus tipped in color plates.
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Komaroff, Linda; Khafipour, Hani ;Sheila Canby; Dayani, Sheida ;Keshmirshekan, Hamid
In the Fields of Empty Days: The Intersection of Past and Present in Iranian Art
Book is in excellent condition with reversed binding: text spine is where the page ends would usually be. A few very small indications of use; bumped upper corner, otherwise Fine. Binding is solid and square, covers have sharp corners, exterior shows no blemishes, text/interior is clean and free of marking of any kind. Heavily illustrated with a great many full page, full color illustations, prints, photos of the exhibition the book is derived from, lots of blasphemous material, mocking of authorities, especially the Shaw of Iran, re-creation of persian miniatures, photos from the Iranian revolution. Contributors to the exhibition include: Yasmin Sinai, Reza Mafi, Siah Armajani, Ali Akbar Sadeghi, Shoja Azari, Arviz Tanavoli, Abbas, Shirin Neshat, Hussien Qular Aqasi, Antonin Sevruguin, Herbert rose Barraud, Luigi Pesce, Fataneh Dadkhan, Shazedeh Ehtejab, Nicky Nodjoumi, Kaveh Golestan, Kimon Evan Marengo, etc.
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Boullata, Kamal
Palestinian Art: From 1850 to the Present
Book is bumped at top and bottom of spines and has small tears on top and bottom of spine. Interior is clean and unmarked; tight binding. 8 3/4"w x 10 5/8"h. 364 pages. Many color illustrations.
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Tussaud, John Theodore
The Romance of Madame Tussaud's
A clean, unmarked book with a tight binding. Two inch square blemish on front cover. Pasted-down illustration of Madame on green cloth cover. Light edge wear, loose front hinge, and age-toned pages. 868 pages. Black and white illustrations.
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U. BAHADIR ALKIM.
Yesemek. Tasocagi ve heykel atelyesinde yapilan kazi ve arastirmalar.
Fine Fine English Original bdg. Dust wrapper. 4to. (33 x 24 cm). In Turkish. [xx], 125, [1] p., Lvi b/w plts., 3 huge folding maps. Yesemek. Tasocagi ve heykel atelyesinde yapilan kazi ve arastirmalar.
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ALI HASSOUN.
Ali Hassoun. Verso Oriente. Testi di Gabriele Mandel Khân, Ivan Quaroni. [Exhibition catalogue]. 24 Aprile - 31 Maggio 2004, Spirale Artecontemporanea.
As New As New English Paperback. Pbo. Dust wrapper. Mint. 4to. (30 x 24 cm). In English and Italian. 45, [1] p. Color ills. For Ali Hassoun, born in Saïda (Lebanon) in 1964, but living in Italy, art is inevitably a borderland, a fertile ridge where two different cultures meet: the traditional, spiritual culture of Islam and the dynamic, evolutionary culture of the West. In this meeting, East and West, North and South are only apparently geographical coordinates. They are rather topical places in the mind, spiritual directions which pass the baton to one another, like the perfect laps in a trip touching in turn upon the extreme opposites of ascension: the zenith and the nadir, Alpha and Omega, vile lead and alchemic gold, the terrestrial world and the imagination, the spirit and the body, and all the possible variants on a polarity which is always merely symbolic. In the artist's works the East and the West continually change sides, alluding to ambiguous meanings, now clear and now hidden. Ali Hassoun's iconography is constructed by stealing from contemporary visual culture images of a variegated humanity intent on the humble occupations of a daily life that has not yet been brutalised by the signs of the technological era. Like a computer hacker, but employing techniques which are entirely manual, Ali metaphorically "copies and pastes" onto his canvas photographs of people taken from the pages of a book or a magazine. He paints portraits of men and women, changing them using an ancient tool which contains within itself the balsamic germ of transfiguration. And yet, in his painting, precise and detailed to the point of verging on hyper-realism, there is nothing of the documentary. Like Emilio Salgari, Hassoun does not need to plough the waves or travel the caravan routes to come up with his visions. His travels are immobile, typical of a multimedia age such as our own, when information abounds but knowledge is rare. An age in which painting has come back into fashion - if it had ever gone out of fashion - but feeling the influence of the clarity of liquid crystal, of the pervasive vocabulary of the big plasma screen, of the hi-tech aesthetic born out of cyber imagery and the virtual settings of videogames. Painting containing gelid icons, the heroines of a new cybernetic sensuality, portraits of aidoru and computer alter egos, replicants and cyborgs, singing the fictitious myth of a trans-human future. In Italy, Ali Hassoun's painting is a return to Vasari's Bella Maniera, the full perfection of the great lesson of the Renaissance: painting with no mediation, no alibis and no tricks. In his works, Arab shepherds, students of the Koranic schools, cabalists, old wise men and African women dressed in fabrics of gaudy colours move about in a scenario in which landscape notation is abolished, swept away by an artificial background, a citation of great masterpieces of Art History, from the Michelangelo of the Sistine Chapel to Picasso's Guernica, from the fourteenth-century Sienese painters - Simone Martini and the Lorenzettis - to Capogrossi. The Levantine faces and statuesque bodies of his African women, the elegance and grace of his Indian maids are surrounded not by a desert, by a marketplace, by the interior of a mosque or a zawiyya nor by a minaret or a medina, but by a world of spirits, of platonic psychopomps floating suspended between Earth and Sky. In his most recent works Ali Hassoun has moved eastward. His women are now wearing the colours of India. They are wheat grinders, water bearers, even cabalists, intent on drawing a five-pointed star in the earth, hiding the secret of the golden section. The birth of a primitive femininity is everywhere, blended with the mystics of the elements - Air, Water, Earth and Fire - transfused in the grammar of light as in the use of clayey colours, in the transparency of ethereal figures and in the symbolism of water. Once again there are images of the "well of science" from which to draw the water of wisdom
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BEDRI BAYKAM.
Carte blanche a Bedri Baykam. Hommage a Edvard Munch. [Exhibition catalogue]. 15 Avril - 18 Juillet 2010, Pinacotheque de Paris.
New English Paperback. Pbo. 4to. (28 x 21 cm). In French and English. 125, [3] p. Color ills. "Donner "carte blanche" à un artiste, c'est lui accorder tout pouvoir créatif. Cela va sans dire. On peut même ajouter que c'est la moindre des libertés à laquelle il peut aspirer en tant que créateur soucieux d'approcher une véritè au fil de ses impulsions et de ses réflexions "expérimentales" jalonnant sa carrirè".
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Curated by BERAL MADRA.
Fourteen Turkish and Greek contemporary artists.= Ondört Türk ve Yunan çagdas sanatçi. [Exhibition catalogue]. 25th March - 18th April 1992, MSÜ Istanbul Painting and Sculpture Museum. Edited by Kemal Iskender, Barika Göncü, Esat C. Basak.
Very Good English Paperback. Pbo. 4to. (34 x 23 cm). In English, Turkish, and Greek. [64] p. Color and b/w ills. 3000 copies were printed. Fourteen Turkish and Greek contemporary artists.= Ondört Türk ve Yunan çagdas sanatçi. [Exhibition catalogue]. 25th March - 18th April 1992, MSÜ Istanbul Painting and Sculpture Museum. Edited by Kemal Iskender, Barika Göncü, Esat C. Basak.
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DEVRIM ERBIL.
Devrim Erbil. Istanbul. Poetic abstractions.= Istanbul. Siirsel soyutlamalar. 20 Aralik 2013 - 20 Ocak 2014. [Exhibition catalogue]. Texts by Kaya Özsezgin et all.
New English Paperback. Pbo. Roy. 8vo. (24 x 17 cm). In English and Turkish. 32 p. Color ills. 500 copies were printed. Devrim Erbil. Istanbul. Poetic abstractions.= Istanbul. Siirsel soyutlamalar. 20 Aralik 2013 - 20 Ocak 2014. [Exhibition catalogue]. Texts by Kaya Özsezgin et all.
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ASLI KUTLUAY.
Asli Kutluay. [Catalogue of artist].
Fine English Paperback. Pbo. Oblong large 8vo. In English and Turkish. [20] p. Missing Cd. Born in 1970, Ankara, Asli Kutluay started her successful career in design and her life in the arts with the silver medal she won in Shankar's International Children's Competition at the age of 10. As a result of her interest in geometry and art during her high school years, she began her undergraduate studies in the Department of Industrial Design at METU (Middle East Technical University) in 1988. After finishing her undergraduate studies in 1992 and starting graduate master studies in the Department of Graphical Design at Bilkent University the same year, Asli Kutluay earned a reward at the 'Pari Emballage' in Paris with her 'Minimal Packages for Cyber Shopping' project upon receiving her master's degree in 1994. Having founded ASK Design Office in 1996, Asli Kutluay has taken part in many projects varying from vehicle dressing to furniture, interior and industrial design. Apart from theer, she has contributed to various other projects with her artistic identity.
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GABOR A. NAGY, ADAM BOTA, JESSICA BUHLMANN, KONSTANTIN DERY, DEENESH GHYCZY, SIMONE HAACK, RENE HOLM, FRANZISCA KLOTZ, ALEJANDRO RODRIGUEZ GONZALEZ, STEFFI STANGL, ANNE WÖLK.
Technology won't save us. International Young Art from Berlin. On the Occasion of the 12th Istanbul Biennial 2011.= Teknoloji bizi kurtarmayacak. Berlin'den Uluslararasi Genç Sanat. 12. Istanbul Bienali Paralel Etkinlikleri 2011. September 15 - October 15, 2001. Curator: Uwe Goldenstein.
New English Paperback. Pbo. Mint. Oblong large 8vo. (20 x 21 cm). In English, German, and Turkish. Color ills. 48, [5] p. "This exhibition Technology Won't Save Us: International Young Art From Berlin, running concurrently with the 12th Istanbul Biennial, bears a title whose pessimism reflects the philosophical underpinnings of many of the works in the show. Inspired by the theories of Vilém Flusser, who in 1978 predicted a "crisis of values" in a world ruled by images rather than ideas, this exhibition consists mostly of paintings depicting a bleak, dehumanized technological world. One could instance Gábor A. Nagy's collapsing of foreground and background on his canvases - suggesting that all images are ultimately, so to speak, two-dimensional - or Adam Bota's blurring of individual and group identity in his painting of dancers in a techno club. The artists in the show are all German artists of roughly the same generation - born in the 70s or later - and their visions of the world we live in now are bracing and eye-opening".
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Text by MAHMUT NÜVIT.
Suret-siz: (Adem Genç, Balkan Naci Islimyeli, Bedri Baykam).= You the Visage, Visageless. Tunca sanat 15 Aralik 2010 - 30 Ocak 2011 [Exhibition catalogue]. Translator: Fred Stark.
New English Paperback. Pbo. 4to. (28 x 24 cm). In English and Turkish. 127 p. Color ills. 1000 copies were printed. Suret-siz: (Adem Genç, Balkan Naci Islimyeli, Bedri Baykam). You the Visage, Visageless. Tunca sanat 15 Aralik 2010 - 30 Ocak 2011 [Exhibition catalogue]. Translator: Fred Stark.
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KAYA ÖZSEZGIN.
Türk plâstik sanatçilari: Ansiklopedik sözlük.
Fine English Paperback. Pbo. Fine. Roy. 8vo. (24 x 16 cm). In Turkish. 344 p. Color ills. 1500 copies were printed. Türk plâstik sanatçilari: Ansiklopedik sözlük.
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Texts by KAYA ÖZSEZGIN.
Türk resminde soyut egilimler. Sam'da Istanbul kültür günleri, 11-16 Mayis 2006 [Exhibition catalogue].
Fine English Paperback. Pbo. 4to. (33 x 24 cm). 51 p. Color ills. In Turkish and Arabic. Very good. Türk resminde soyut egilimler. Sam'da Istanbul kültür günleri, 11-16 Mayis 2006 [Exhibition catalogue].
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NAILE AKINCI.
Naile Akinci. 2-28 Mart 2000 Evin Sanat Galerisi. [Exhibition catalogue].
Fine English Paperback. Pbo. 8vo. (23 x 11 cm). In Turkish. 40, [1] p. Color ills. Naile Akinci. 2-28 Mart 2000 Evin Sanat Galerisi. [Exhibition catalogue].
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MEHMET GÜLER.
Mehmet Güler. Peaceful occupation. 1969-2000 painting - graphic.= Barisçil kusatma. 1969-2000 yagliboya - grafik. [Artist catalogue]. Texts by Kaya Özsezgin. Foreword by Yüksel Pazarkaya.
Very Good Very Good English Original bdg. Dust wrapper. 4to. (32 x 25 cm). In English and Turkish. 223 p., color and b/w ills. 1500 copies were printed. Mehmet Güler. Peaceful occupation. 1969-2000 painting - graphic.= Barisçil kusatma. 1969-2000 yagliboya - grafik. Texts by Kaya Özsezgin. Foreword by Yüksel Pazarkaya.
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BEDRI BAYKAM.
Binyil kirilmasi. Dün ve yarin mercek altinda.
Fine English Paperback. Pbo. Roy. 8vo. (24 x 17 cm). In Turkish. 463 p. Binyil kirilmasi. Dün ve yarin mercek altinda.
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BERLINDE DE BRUYCKERE.
Berlinde de Bruyckere. The wound.= Yara. [Exhibition catalogue]. Editor: Ilkay Baliç. Curator: Selen Ansen.
Fine English Original cloth bdg. HC. 176 p. In English and Turkish. Small 4to. Color and b/w ills. Flemish artist Berlin De Bruyckere frequently uses material such as wax, wood, wool, horse skin and hair to produce sculptures and drawings that refer to the body's fragility, to suffering and desire. The new works the artist will show in Istanbul include "-009-, 2011-2012" and a new series entitled "The Wound". As part of the exhibition, two new works will be presented at the Çukurcuma Hamam. This space was included as an exhibition venue at the artist's request, who wished to engage her work in a dialogue with the local context and architectural heritage. This additional exhibition site also refers to the idea of cleansing the body, rubbing off the extra layer of skin, which in a sense implies moulting. Includes Nadar's hermaphrodite photographs in 1861 and examples from a rare Ottoman medical album which De Bruyckere has discovered in a library in Istanbul etc.
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SÜLEYMAN SAIM TEKCAN.
Süleyman Saim Tekcan. At'nagme II. 28 Nisan - 23 Mayis 2015, Galeri Isik. [Exhibition catalogue]. Texts by Semra Germaner.
New English Paperback. Pbo. 4to. (27 x 24 cm). In English and Turkish. Color and b/w ills. 87 p. 1000 copies were printed. Tekcan's biography: 1940 Born in Trabzon 1963 Graduated from the Painting Department of Ankara Gazi Education Institute. Studied at the Painting Department of Istanbul State Academy of Fine Arts (Miamr Sinan Univeristy) and completed his competense in arts education at the faculty of the same university. 1968-1975 Work as a member of the academic staff at Atatürk Education Faculty 1970-1971 Carried out research in Germany on printmaking education 1975 Joined the staff of Mimar Sinan University Fine Arts Faculty 1985 Professorship. Was appointed to the Chair of the Graphic Art Department the same year 1987 Two-month Original Prints Seminar in Sarajevo Arts Academy 1991 Original Print Seminar at Ankara Bilkent University 1991 Two conferences in Bonn, Germany, named ¿12 Artist in Turkish Graphic Art¿ and ¿ A cross-section of Contemporary Turkish Painting¿ 1994-1995 Dean of the Fine Arts Faculty of Mimar Sinan University as well as the Head of Graphic Arts Department. 1996 Established the Fine Arts Faculty of Yeditepe University which began its educational activities in Büyükada and was the Dean during its first year. 2006 IMOGA-Istanbul Museum of Graphic Arts, Founder and Chairman. 2007 Established the Fine Arts Faculty of I¿¿k University and is the Dean of the Faculty. 2008 Chairman of 1.st International Printmaking Biennial Organization Committee."
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TAHSIN ÖZGÜÇ [FESTSCHRIFT].
Anatolia and the Ancient Near East. Studies in honor of Tahsin Özgüç.= Tahsin Özgüç'e armagan. Edited by Kutlu Emre, Machteld Mellink, Barthel Hrouda, Nimet Özgüç.
Fine Fine English Original bdg. Dust wrapper. 4to. (32 x 25 cm). In English. [xviii], 525 p., 2 folding pages, 141 b/w plts. Anatolia and the Ancient Near East. Studies in honor of Tahsin Özgüç.= Tahsin Özgüç'e armagan. Edited by Kutlu Emre, Machteld Mellink, Barthel Hrouda, Nimet Özgüç. ARCHEOLOGY Prehistory Anatolian civilizations Middle East History of art.
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A.MUHLIS ERGIN, FIGEN BATI.
Deniz Kuvvetleri Komutanligi Ikinci Geleneksel 'Deniz' Konulu Resim Yarismasi. [Sergi katalogu].
Fine English Paperback., Fine., 17 x 23 cm., 63 p., color ills., "Deniz Kuvvetleri Komutanligi Ikinci Geleneksel 'Deniz' Konulu Resim Yarismasi. [Sergi katalogu].", A.Muhlis Ergin, Figen Bati, Deniz Müzesi Komutanligi, Ist., 1997.
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ZÜHRE INDIRKAS.
Ana tanriçalar, Kybele ve çagdas Türk resmindeki izdüsümleri.
Fine English Original bdg., Fine., 24 x 17 cm., [10], 151 p., color ills., "Ana tanriçalar, Kybele ve çagdas Türk resmindeki izdüsümleri.", Zühre Indirkas, TC Kültür Bakanligi Yayinlari, Ank., 2001.
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HASIM NUR GÜREL.
Türk resminden on iki örnekle portre üç köseli görsellik.
Fine English Paperback., Very good., 20 x 14 cm, N.d.i , 40 p., b/w and color ills. "Türk resminden on iki örnekle portre üç köseli görsellik., HASIM NUR GÜREL, Sevimce Sanat Galerisi Yayinlari, Istanbul"
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BEDRI BAYKAM.
Binyil kirilmasi. Dün ve yarin mercek altinda.
Fine English Paperback. Pbo. 463 p. Large 8vo. (23.5 x 16 cm). Binyil kirilmasi. Dün ve yarin mercek altinda.
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NUROL MATBAACILIK.
Her yönüyle Kayseri. [Fotograf sergisi 95].
Fine English Paperback., Fine., 22 x 22 cm, 108 p., b/w and color ills., "Her yönüyle Kayseri. [Fotograf sergisi 95], NUROL MATBAACILIK, Nurol Matbaacilik, 1995"
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KAYA ÖZSEZGIN.
Cumhuriyet'in 75. yilinda Türk resmi.
Fine English Paperback., Very good., 24 x 19 cm, 158 p., b/w and color ills., ve belritilmemistir. "Cumhuriyet'in 75. Yilinda Türk resmi, KAYA ÖZSEZGIN, Türkiye Is Bankasi Kültür Yayinlari"
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ABDÜLKADIR GÜNYAZ.
O günlerden bu günlere. Anilar / elestiriler.
Very Good English Paperback. Pbo. Cr. 8vo. (20 x 14 cm). In Turkish. 278, [2] p. O günlerden bu günlere. Anilar / elestiriler. HISTORY OF ART Turkish art Painting Criticism.
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NECLA YAZICIOGLU YAVI.
Isletme bilimi gözüyle Türk resim sanatinin piyasa arastirmasi.
Fine English Paperback., Fine., 28 x 20 cm, 80 p., b/w ills. "Isletme bilimi gözüyle Türk resim sanatinin piyasa arastirmasi, NECLA YAZICIOGLU YAVI, Yazici Yayinevi, Izmir"
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Salih Zeki Armagan Kitabi (Fetstchrift - Melanges).
Salih Zeki 1960-1990 30. yil resim sergisine onur vermenizi diler. 7 Kasim / 26 Kasim 1990. [Exhibition catalogue]
Very Good English Salih Zeki 1960 - 1990 30. Yil Resim Sergisine Onur Vermenizi Diler 7 Kasim / 26 Kasim 1990, Salih Zeki armagan kitabi, Edpa sanat galerisi, Ist., with no date. Paperback. Pbo. 28 p. Large 8vo. (23 x 16 cm). B/w and color ills.
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HASAN TASDEMIR.
Hasan Tasdemir. Photographs by Müjgan ulfa.
Fine English Paperback. Pbo. Fine. Ills. 48 p. 4to. (29 x 23 cm). In Turkish. 2000 copies were printed. Hasan Tasdemir. Photographs by Müjgan ulfa.
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Texts by CEMALNUR SARGUT, MERAL HASIRCI, NAZLI KAYAHAN, NESE TAS.
Hz. Muhammed (s.a.s)'nin Dogumunun 1435'inci senesi vesîlesiyle.
Fine English Paperback. Pbo. with flap (mikleb). 4to. (30 x 21 cm). 64 p. Fully color ills. Including invitation card as folded. Hz. Muhammed (s.a.s)'nin Dogumunun 1435'inci senesi vesîlesiyle.
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NIMET ÜYKEN.
Türkiye Jokey Kulübü tarihçesi (50. yil).
As New English Paperback. Pbo. Roy. 8vo. (24 x 17 cm). In Turkish. 260, [1] p. B/w and color ills. Turkish Jokey Club's corporate history. Türkiye Jokey Kulübü tarihçesi (50. yil).
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SALIH COSKUN.
Coskun Exposition du 16 Novembre 2001 au 17 Fevrier 2002 - Musee Saint Loup-Troyes. [Exhibition catalogue]. texts by: Ante Glibota
Very Good English Paperback. Pbo. 4to. (31 x 22 cm). In French. [1], 64 p. B/w and color ills. Coskun Exposition du 16 Novembre 2001 au 17 Fevrier 2002 - Musee Saint Loup-Troyes. [Exhibition catalogue]. texts by: Ante Glibota
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BEHÇET SAFA.
[Behçet] Safa. La luce fu su loro leggera.= 1960-1990. Isik vurur üzerlerine hafifçe. 5 Nisan - 5 Mayis 2011 Galeri Tantekin. Translator: Meryem Mine Çilingiroglu. Curated by Jale Durna, Mehmet [Tantekin].
As New English Paperback. Pbo. Mint. 4to. (28 x 23 cm). In Turkish and Italian. [xxv], 125 p. Several folding plts. [Behçet] Safa. La luce fu su loro leggera.= 1960-1990. Isik vurur üzerlerine hafifçe. 5 Nisan - 5 Mayis 2011 Galeri Tantekin. Translator: Meryem Mine Çilingiroglu. Curated by Jale Durna, Mehmet [Tantekin].
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LOLITA ASIL.
Hayat çizgileri.= Infinite life.
Fine English Paperback. Pbo. Good. B/w and color ills. 1000 copies were printed. In Turkish and English. Hayat çizgileri.= Infinite life.
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