‎Barbier‎

‎George BARBIER - (Gustave BEER)‎

‎La Promeneuse mélancolique. Robe d'après-midi de Beer pl.63 La Gazette du Bon ton 1922 n°8‎

‎Paris: Lucien Vogel éditeur 1922. Fine. Lucien Vogel éditeur Paris 1922 18 x 24 cm une feuille Original color print finely heightened with gold printed on laid paper signed in the top left of the plate. La Gazette du bon ton one of the most beautiful and influential fashion magazines of the twentieth century celebrating the talent of French creators and artists in the full bloom of Art Deco. The famous fashion magazine founded in 1912 by Lucien Vogel La Gazette du bon ton was published until 1925 with an interruption during the War from 1915 to 1920 due to the mobilization of its editor-in-chief. It consists of 69 issues printed in only 2000 copies and is illustrated notably with 573 color plates and 148 sketches representing models by great couturiers. From their publication these luxurious publications ""address bibliophiles and worldly aesthetes"" Françoise Tétart-Vittu ""La Gazette du bon ton"" in Dictionnaire de la mode 2016. Printed on fine laid paper they use a typeface specially created for the magazine by Georges Peignot the Cochin character adopted in 1946 by Christian Dior. The prints are created using the metallic stencil technique enhanced with colors and some highlighted with gold or palladium. The adventure begins in 1912 when Lucien Vogel a man of society and fashion - he had already participated in the magazine Femina - decides to found with his wife Cosette de Brunhoff sister of Jean the father of Babar the Gazette du bon ton whose subtitle was then ""Art modes et frivolités"". Georges Charensol reports the words of the editor-in-chief: ""In 1910 he observes there existed no fashion journal that was truly artistic and representative of the spirit of its time. I was therefore thinking of creating a luxury magazine with truly modern artists . I was certain of success because for fashion no country can rival France."" ""Un grand éditeur d'art. Lucien Vogel"" in Les Nouvelles littéraires no.133 May 1925. The magazine's success is immediate not only in France but also in the United States and South America. Originally Vogel therefore assembled a group of seven artists: André-Édouard Marty and Pierre Brissaud followed by Georges Lepape and Dammicourt; and finally his friends from the École des beaux-arts who were George Barbier Bernard Boutet de Monvel or Charles Martin. Other talents quickly joined the team: Guy Arnoux Léon Bakst Benito Boutet de Monvel Umberto Brunelleschi Chas Laborde Jean-Gabriel Domergue Raoul Dufy Édouard Halouze Alexandre Iacovleff Jean Émile Laboureur Charles Loupot Charles Martin Maggie Salcedo. These artists unknown for the most part when Lucien Vogel called upon them would subsequently become emblematic and sought-after artistic figures. These same illustrators created the drawings for the Gazette's advertisements. The plates highlight and sublimate the dresses of seven creators of the period: Lanvin Doeuillet Paquin Poiret Worth Vionnet and Doucet. The couturiers provided exclusive models for each issue. Nevertheless some of the illustrations feature no real model but only the illustrator's idea of the fashion of the day. La Gazette du bon ton is a decisive stage in fashion history. Combining aesthetic excellence and plastic unity it brought together for the first time the great talents from the worlds of arts letters and fashion and imposed through this alchemy a completely new image of woman slender independent and audacious also carried by the new generation of couturiers Coco Chanel Jean Patou Marcel Rochas. Taken over in 1920 by Condé Montrose Nast the Gazette du bon ton would largely inspire the new composition and aesthetic choices of the ""dying little journal"" that Nast had bought a few years earlier: Vogue magazine. Lucien Vogel éditeur unknown‎

Riferimento per il libraio : 84789

‎George Barbier‎

‎La Reine‎

‎<p>Original pochoir print by Barbier of a woman in a silver dress and hat. Printed with silver red pink blue silver black and grey colors from Panorama Dramatique. Casanova Décors et Costumes. Pink trim surrounds image. Dated in print 1918. Wooden frame with gilt front. Frame: 14.75 x 16.75 inches; Window: 7 x 8.25 inches.</p> Lucien Vogel‎

Riferimento per il libraio : 6620

‎George Barbier‎

‎Le Jeune Mozart‎

‎<p>Original pochoir by Barbier of a man playing a violin in formal attire from Panorama Dramatique. Printed with black gold red grey white and purple colors. Pink trim surrounds image. Wooden frame with gilt front. Frame: 14.75 x 16.75 inches; Window: 7 x 8.25 inches.</p> Lucien Vogel‎

Riferimento per il libraio : 6628

‎George BARBIER - Rene BOYLESVE‎

‎Les bains de Bade‎

‎Paris: Georges Crès 1921. Fine. Georges Crès Paris 1921 14 x 22.50 cm relié Edition printed on laid Arches and illustrated with a frontispiece 7 inset plates in chiaroscuro and in-text vignettes by George Barbier. Binding in half chocolate brown morocco spine in five compartments with some scratches marbled paper boards wrappers and spine preserved top edge gilt. Georges Crès hardcover‎

Riferimento per il libraio : 65059

‎George BARBIER - (Jeanne PAQUIN)‎

‎N'en dites rien.Robe d'après-midi de Paquin pl.5 La Gazette du Bon ton 1913 n°10‎

‎Paris: Lucien Vogel éditeur 1913. Fine. Lucien Vogel éditeur Paris Août 1913 19 x 24.50 cm une feuille Original colour print printed on laid paper and signed in the plate lower right. Original engraving produced for the illustration of La Gazette du Bon Ton one of the most beautiful and influential fashion journals of the 20th century celebrating the talent of French designers and artists at the height of the Art Deco era. A celebrated fashion magazine established in 1912 by Lucien Vogel La Gazette du bon ton appeared until 1925 with a hiatus from 1915 to 1920 due to the war the editor-in-chief having been called up for service. It consisted of 69 issues printed in only 2000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great designers. Right from the start this sumptuous publication “was aimed at bibliophiles and fashionable society” Françoise Tétart-Vittu “La Gazette du bon ton” in Dictionnaire de la mode 2016 and was printed on fine vergé paper using a type cut specially for the magazine by Georges Peignot known as Cochin later used in 1946 by Christian Dior. The prints were made using stencils heightened in colors some highlighted in gold or palladium. The story began in 1912 when Lucien Vogel a man of the world involved in fashion he had already been part of the fashion magazine Femina decided with his wife Cosette de Brunhoff – the sister of Jean creator of Babar – to set up the Gazette du bon ton subtitled at the time: “Art fashion frivolities.”  Georges Charensol noted the reasoning of the editor-in-chief: “’In 1910Â’ he observed ‘there was no really artistic fashion magazine nothing representative of the spirit of the time. My dream was therefore to make a luxury magazine with truly modern artistsÂ…I was assured of success because when it comes to fashion no country on earth can compete with France.’” “Un grand éditeur dÂ’art. Lucien Vogel” in Les Nouvelles littéraires no. 133 May 1925. The magazine was immediately successful not only in France but also in the United States and Latin America. At first Vogel put together a team of seven artists: André-Édouard Marty and Pierre Brissaud followed by Georges Lepape and Dammicourt as well as eventually his friends from school and the School of Fine Arts like George Barbier Bernard Boutet de Monvel and Charles Martin. Other talented people soon came flocking to join the team: Guy Arnoux Léon Bakst Benito Boutet de Monvel Umberto Brunelleschi Chas Laborde Jean-Gabriel Domergue Raoul Dufy Édouard Halouze Alexandre Iacovleff Jean Émile Laboureur Charles Loupot Chalres Martin Maggie Salcedo. These artist mostly unknown when Lucien Vogel sought them out later became emblematic and sought-after artistic figures. It was also they who worked on the advertising drawings for the Gazette. The plates put the spotlight on and celebrate dresses by seven designers of the age: Lanvin Doeuillet Paquin Poiret Worth Vionnet and Doucet. The designers provided exclusive models for each issue. Nonetheless some of the illustrations are not based on real models but simply on the illustratorÂ’s conception of the fashion of the day.    The Gazette du bon ton was an important step in the history of fashion. Combining aesthetic demands with the physical whole it brought together – for the first time – the great talents of the artistic literary and fashion worlds; and imposed through this alchemy a completely new image of women: slender independent and daring which was shared by the new generation of designers including Coco Chanel Jean Patou Marcel Rochas and so onÂ… Taken over in 1920 by Condé Montrose Nast the Gazette du bon ton was an important influence on the new layout and aesthetics of that “little dying paper” that Nast had bought a few years earlier: Vogue. Lucien Vogel éditeur unknown‎

Riferimento per il libraio : 89428

‎George BARBIER - (Charles-Frederick WORTH)‎

‎Rosalinde. Robe du soir de Worth pl.75 La Gazette du Bon ton 1922 n°10‎

‎Paris: Lucien Vogel éditeur 1922. Fine. Lucien Vogel éditeur Paris 1922 18 x 24 cm une feuille Original color print heightened in gold printed on laid paper signed at bottom left of the plate. Original engraving created for the illustration of La Gazette du bon ton one of the most beautiful and influential fashion magazines of the 20th century celebrating the talent of French creators and artists in the full flourishing of Art Deco. Famous fashion magazine founded in 1912 by Lucien Vogel La Gazette du bon ton was published until 1925 with an interruption during the War from 1915 to 1920 due to the mobilization of its editor-in-chief. It consists of 69 issues printed in only 2000 copies and is illustrated notably with 573 color plates and 148 sketches representing models by great couturiers. From their publication these luxurious publications ""address bibliophiles and worldly aesthetes"" Françoise Tétart-Vittu ""La Gazette du bon ton"" in Dictionnaire de la mode 2016. Printed on fine laid paper they use a typeface specially created for the magazine by Georges Peignot the Cochin character adopted in 1946 by Christian Dior. The prints are created using the metal stencil technique heightened in colors and some highlighted in gold or palladium. The adventure begins in 1912 when Lucien Vogel man of the world and fashion - he had already participated in the magazine Femina - decides to found with his wife Cosette de Brunhoff sister of Jean the father of Babar the Gazette du bon ton whose subtitle was then ""Art modes et frivolités."" Georges Charensol reports the editor-in-chief's words: ""In 1910 he observes there existed no fashion journal that was truly artistic and representative of the spirit of its time. I was therefore thinking of making a luxury magazine with truly modern artists . I was certain of success because for fashion no country can rival France."" ""Un grand éditeur d'art. Lucien Vogel"" in Les Nouvelles littéraires n°133 May 1925. The magazine's success is immediate not only in France but also in the United States and South America. Originally Vogel thus brings together a group of seven artists: André-Édouard Marty and Pierre Brissaud followed by Georges Lepape and Dammicourt; and finally his friends from the École des beaux-arts who are George Barbier Bernard Boutet de Monvel or Charles Martin. Other talents quickly come to join the team: Guy Arnoux Léon Bakst Benito Boutet de Monvel Umberto Brunelleschi Chas Laborde Jean-Gabriel Domergue Raoul Dufy Édouard Halouze Alexandre Iacovleff Jean Émile Laboureur Charles Loupot Charles Martin Maggie Salcedo. These artists unknown for the most part when Lucien Vogel calls upon them will subsequently become emblematic and sought-after artistic figures. It is these same illustrators who create the drawings for the Gazette's advertisements. The plates highlight and sublimate the dresses of seven creators of the period: Lanvin Doeuillet Paquin Poiret Worth Vionnet and Doucet. The couturiers provide exclusive models for each issue. Nevertheless some of the illustrations feature no real model but only the illustrator's idea of contemporary fashion. La Gazette du bon ton is a decisive step in the history of fashion. Combining aesthetic demand and plastic unity it brings together for the first time the great talents of the world of arts letters and fashion and imposes through this alchemy a completely new image of woman slender independent and bold also carried by the new generation of couturiers Coco Chanel Jean Patou Marcel Rochas. Taken over in 1920 by Condé Montrose Nast La Gazette du bon ton will largely inspire the new composition and aesthetic choices of the ""dying little journal"" that Nast had bought a few years earlier: Vogue magazine. Lucien Vogel éditeur unknown‎

Riferimento per il libraio : 84726

‎George BARBIER - (John REDFERN)‎

‎Rugby - Costume tailleur de Redfern pl.39 La Gazette du Bon ton 1914 n°4‎

‎Paris 1914. Fine. Paris Avril 1914 19 x 24.50 cm une feuille Original colour print printed on laid paper and signed in the plate lower right. Original engraving produced for the illustration of La Gazette du Bon Ton one of the most beautiful and influential fashion journals of the 20th century celebrating the talent of French designers and artists at the height of the Art Deco era. A celebrated fashion magazine established in 1912 by Lucien Vogel La Gazette du bon ton appeared until 1925 with a hiatus from 1915 to 1920 due to the war the editor-in-chief having been called up for service. It consisted of 69 issues printed in only 2000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great designers. Right from the start this sumptuous publication “was aimed at bibliophiles and fashionable society” Françoise Tétart-Vittu “La Gazette du bon ton” in Dictionnaire de la mode 2016 and was printed on fine vergé paper using a type cut specially for the magazine by Georges Peignot known as Cochin later used in 1946 by Christian Dior. The prints were made using stencils heightened in colors some highlighted in gold or palladium. The story began in 1912 when Lucien Vogel a man of the world involved in fashion he had already been part of the fashion magazine Femina decided with his wife Cosette de Brunhoff – the sister of Jean creator of Babar – to set up the Gazette du bon ton subtitled at the time: “Art fashion frivolities.”  Georges Charensol noted the reasoning of the editor-in-chief: “’In 1910Â’ he observed ‘there was no really artistic fashion magazine nothing representative of the spirit of the time. My dream was therefore to make a luxury magazine with truly modern artistsÂ…I was assured of success because when it comes to fashion no country on earth can compete with France.’” “Un grand éditeur dÂ’art. Lucien Vogel” in Les Nouvelles littéraires no. 133 May 1925. The magazine was immediately successful not only in France but also in the United States and Latin America. At first Vogel put together a team of seven artists: André-Édouard Marty and Pierre Brissaud followed by Georges Lepape and Dammicourt as well as eventually his friends from school and the School of Fine Arts like George Barbier Bernard Boutet de Monvel and Charles Martin. Other talented people soon came flocking to join the team: Guy Arnoux Léon Bakst Benito Boutet de Monvel Umberto Brunelleschi Chas Laborde Jean-Gabriel Domergue Raoul Dufy Édouard Halouze Alexandre Iacovleff Jean Émile Laboureur Charles Loupot Chalres Martin Maggie Salcedo. These artist mostly unknown when Lucien Vogel sought them out later became emblematic and sought-after artistic figures. It was also they who worked on the advertising drawings for the Gazette. The plates put the spotlight on and celebrate dresses by seven designers of the age: Lanvin Doeuillet Paquin Poiret Worth Vionnet and Doucet. The designers provided exclusive models for each issue. Nonetheless some of the illustrations are not based on real models but simply on the illustratorÂ’s conception of the fashion of the day.    The Gazette du bon ton was an important step in the history of fashion. Combining aesthetic demands with the physical whole it brought together – for the first time – the great talents of the artistic literary and fashion worlds; and imposed through this alchemy a completely new image of women: slender independent and daring which was shared by the new generation of designers including Coco Chanel Jean Patou Marcel Rochas and so onÂ… Taken over in 1920 by Condé Montrose Nast the Gazette du bon ton was an important influence on the new layout and aesthetics of that “little dying paper” that Nast had bought a few years earlier: Vogue. unknown‎

Riferimento per il libraio : 89440

‎George Barber Paley‎

‎Saul of Tarsus: A Drama in Five Acts Classic Reprint‎

‎paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback‎

Riferimento per il libraio : 1332601804.G ISBN : 1332601804 9781332601806

‎George Barbier‎

‎Unsalon dans une hotellerie a Venise; plate from Panorama Dramatique. Casanova Decors et Costumes‎

‎<p>Original Barbier pochoir in black gold green red pink blue and orange. Pink trim surrounds image. Paper 19.1 x 24.2 cm; Window: 17.2 x 22 cm.</p> Lucien Vogel‎

Riferimento per il libraio : 6630

‎George BARBIER - (Charles-Frederick WORTH)‎

‎Vesper. Robes du soir de Worth pl.60 La Gazette du Bon ton 1922 n°8‎

‎Paris: Lucien Vogel éditeur 1922. Fine. Lucien Vogel éditeur Paris 1922 18 x 24 cm une feuille Original color print heightened with gold printed on vergé paper signed in the plate. An original print used to illustrate the Gazette du bon ton one of the most attractive and influential 20th century fashion magazines featuring the talents of French artists and other contributors from the burgeoning Art Deco movement. A celebrated fashion magazine established in 1912 by Lucien Vogel La Gazette du bon ton appeared until 1925 with a hiatus from 1915 to 1920 due to the war the editor-in-chief having been called up for service. It consisted of 69 issues printed in only 2000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great designers. Right from the start this sumptuous publication “was aimed at bibliophiles and fashionable society” Françoise Tétart-Vittu “La Gazette du bon ton” in Dictionnaire de la mode 2016 and was printed on fine vergé paper using a type cut specially for the magazine by Georges Peignot known as Cochin later used in 1946 by Christian Dior. The prints were made using stencils heightened in colors some highlighted in gold or palladium. The story began in 1912 when Lucien Vogel a man of the world involved in fashion he had already been part of the fashion magazine Femina decided with his wife Cosette de Brunhoff – the sister of Jean creator of Babar – to set up the Gazette du bon ton subtitled at the time: “Art fashion frivolities.” Georges Charensol noted the reasoning of the editor-in-chief: “’In 1910’ he observed ‘there was no really artistic fashion magazine nothing representative of the spirit of the time. My dream was therefore to make a luxury magazine with truly modern artists…I was assured of success because when it comes to fashion no country on earth can compete with France.’” “Un grand éditeur d’art. Lucien Vogel” in Les Nouvelles littéraires no. 133 May 1925. The magazine was immediately successful not only in France but also in the United States and Latin America. At first Vogel put together a team of seven artists: André-Édouard Marty and Pierre Brissaud followed by Georges Lepape and Dammicourt as well as eventually his friends from school and the School of Fine Arts like George Barbier Bernard Boutet de Monvel and Charles Martin. Other talented people soon came flocking to join the team: Guy Arnoux Léon Bakst Benito Boutet de Monvel Umberto Brunelleschi Chas Laborde Jean-Gabriel Domergue Raoul Dufy Édouard Halouze Alexandre Iacovleff Jean Émile Laboureur Charles Loupot Chalres Martin Maggie Salcedo. These artist mostly unknown when Lucien Vogel sought them out later became emblematic and sought-after artistic figures. It was also they who worked on the advertising drawings for the Gazette. The plates put the spotlight on and celebrate dresses by seven designers of the age: Lanvin Doeuillet Paquin Poiret Worth Vionnet and Doucet. The designers provided exclusive models for each issue. Nonetheless some of the illustrations are not based on real models but simply on the illustrator’s conception of the fashion of the day. The Gazette du bon ton was an important step in the history of fashion. Combining aesthetic demands with the physical whole it brought together – for the first time – the great talents of the artistic literary and fashion worlds; and imposed through this alchemy a completely new image of women: slender independent and daring which was shared by the new generation of designers including Coco Chanel Jean Patou Marcel Rochas and so on… Taken over in 1920 by Condé Montrose Nast the Gazette du bon ton was an important influence on the new layout and aesthetics of that “little dying paper” that Nast had bought a few years earlier: Vogue. Lucien Vogel éditeur unknown‎

Riferimento per il libraio : 84736

‎George BARBIER‎

‎Vichy II ou Le Jeu des Marionnettes. La Gazette du Bon ton n°8-9. Été 1915 - Planche 3‎

‎Paris: Lucien Vogel éditeur 1915. Fine. Lucien Vogel éditeur Paris 1915 37.60 x 24.20 cm une feuille Original color print printed on vergé paper signed in the plate. An original print used to illustrate the Gazette du bon ton one of the most attractive and influential 20th century fashion magazines featuring the talents of French artists and other contributors from the burgeoning Art Deco movement. A celebrated fashion magazine established in 1912 by Lucien Vogel La Gazette du bon ton appeared until 1925 with a hiatus from 1915 to 1920 due to the war the editor-in-chief having been called up for service. It consisted of 69 issues printed in only 2000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great designers. Right from the start this sumptuous publication “was aimed at bibliophiles and fashionable society” Françoise Tétart-Vittu “La Gazette du bon ton” in Dictionnaire de la mode 2016 and was printed on fine vergé paper using a type cut specially for the magazine by Georges Peignot known as Cochin later used in 1946 by Christian Dior. The prints were made using stencils heightened in colors some highlighted in gold or palladium. The story began in 1912 when Lucien Vogel a man of the world involved in fashion he had already been part of the fashion magazine Femina decided with his wife Cosette de Brunhoff – the sister of Jean creator of Babar – to set up the Gazette du bon ton subtitled at the time: “Art fashion frivolities.” Georges Charensol noted the reasoning of the editor-in-chief: “’In 1910’ he observed ‘there was no really artistic fashion magazine nothing representative of the spirit of the time. My dream was therefore to make a luxury magazine with truly modern artists…I was assured of success because when it comes to fashion no country on earth can compete with France.’” “Un grand éditeur d’art. Lucien Vogel” in Les Nouvelles littéraires no. 133 May 1925. The magazine was immediately successful not only in France but also in the United States and Latin America. At first Vogel put together a team of seven artists: André-Édouard Marty and Pierre Brissaud followed by Georges Lepape and Dammicourt as well as eventually his friends from school and the School of Fine Arts like George Barbier Bernard Boutet de Monvel and Charles Martin. Other talented people soon came flocking to join the team: Guy Arnoux Léon Bakst Benito Boutet de Monvel Umberto Brunelleschi Chas Laborde Jean-Gabriel Domergue Raoul Dufy Édouard Halouze Alexandre Iacovleff Jean Émile Laboureur Charles Loupot Chalres Martin Maggie Salcedo. These artist mostly unknown when Lucien Vogel sought them out later became emblematic and sought-after artistic figures. It was also they who worked on the advertising drawings for the Gazette. The plates put the spotlight on and celebrate dresses by seven designers of the age: Lanvin Doeuillet Paquin Poiret Worth Vionnet and Doucet. The designers provided exclusive models for each issue. Nonetheless some of the illustrations are not based on real models but simply on the illustrator’s conception of the fashion of the day. The Gazette du bon ton was an important step in the history of fashion. Combining aesthetic demands with the physical whole it brought together – for the first time – the great talents of the artistic literary and fashion worlds; and imposed through this alchemy a completely new image of women: slender independent and daring which was shared by the new generation of designers including Coco Chanel Jean Patou Marcel Rochas and so on… Taken over in 1920 by Condé Montrose Nast the Gazette du bon ton was an important influence on the new layout and aesthetics of that “little dying paper” that Nast had bought a few years earlier: Vogue. Lucien Vogel éditeur unknown‎

Riferimento per il libraio : 51292

‎George Duckett Barber Beaumont‎

‎Ancient Oral Records of the Cimri or Britons in Asia and Europe: Recovered Through a Literal Aramitic Translation of the Old Welsh Bardic Relics Classic Reprint‎

‎paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback‎

Riferimento per il libraio : 0282425446.G ISBN : 0282425446 9780282425449

‎George Duckett Barber Beaumont‎

‎Suggestions on the Ancient Britons in Three Parts Vol. 1 of 3 Classic Reprint‎

‎hardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover‎

Riferimento per il libraio : 0656122420.G ISBN : 0656122420 9780656122424

‎George F Barber & Michael A Tomlan‎

‎George F. Barber's Cottage Souvenir Number Two: A Repository of Artistic Cottage Architecture with a new introduction‎

‎Watkins Glen NY: American Life Foundation and Study Institute 1982 Very Good minus condition with light cover wear small cover tear at bottom of spine fading on spine cover. Content clean and free of markings binding strong. Reprint of Barber's 1891 edition with new 32 page introduction by Tomlan. Black & white photos drawings and floor plans. American Life Foundation and Study Institute paperback‎

Riferimento per il libraio : 019489 ISBN : 089257058X 9780892570584

‎George Franklin Barber and Co‎

‎Modern Dwellings and Their Proper Construction: A Book of Practical Designs and Information for Those Who Wish to Build and Beautify Their Homes Classic Reprint‎

‎hardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover‎

Riferimento per il libraio : 0260054917.G ISBN : 0260054917 9780260054913

‎George Franklin Barber‎

‎The Cottage Souvenir No. 2: Containing One Hundred And Twenty Original Designs In Cottage And Detail Architecture Issue 2‎

‎like new. unknown‎

Riferimento per il libraio : 45170439 ISBN : 1015423272 9781015423275

‎George Ware Barber‎

‎Heat and Time of Exposure Necessary to Kill Larvae of the European Corn Borer in Ear Corn Classic Reprint‎

‎hardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover‎

Riferimento per il libraio : 0364851708.G ISBN : 0364851708 9780364851708

‎George Warren Barber‎

‎History of the Hermit of Erving Castle Classic Reprint‎

‎paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback‎

Riferimento per il libraio : 1333280475.G ISBN : 1333280475 9781333280475

‎Georges Barbier‎

‎Code Expliqué de la Presse Vol. 1: Traité Général de la Police de la Presse Et des Délits de Publication Comprenant le Commentaire Complet de la Loi . Périodique de l'Affichage French Edition‎

‎paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback‎

Riferimento per il libraio : 1334636052.G ISBN : 1334636052 9781334636059

‎Georges BARBIER ; Albert FLAMENT‎

‎Personnages de comédie‎

‎<p>SINGLE PRINT LIMITED TO 150 COPIES ON HOLLAND VELUM OF THE MOST FAMOUS WORK FROM THE COLLABORATION OF Barbier and Schlied. Copy n°97 signed by the author.</p><p>40 Figures headbands decorated letters by Georges Barbier engraved on wood in colors and worked by F.L. Schmied. Cover enhanced with gold and silver. Calligraphic text.</p><p>Lined and mosaic binding signed by Jeanne Langrand 1931.</p><p>Raspberry morocco crossed from one plate to the other and extending on the back with two wide strips of black morocco highlighted with twenty-five threads gilded for one of the strips palladium for the other the two strips crossing each other on a piece of cream morocco forming a decoration of iridescent lattices; smooth spine crossed with the same decoration gilded fillets at the head and palladium at the tail Title in large black letters; linings extending and repeating in symmetry the mosaic decoration of the covers; guards of pink moiré silk. Edges with matte gilding on witnesses. Covers and spines preserved.</p><p>Perfect condition case a little rubbed.</p><p><strong>DAZZLING ART-DECO MOSAIC BINDING DUE TO Jeanne LANGRAND.</strong></p><p>Jeanne Langrand was one of the pioneers of the modern style in the field of bookbinding. After the First World War with her sister Andrée she found herself at the School of Decorative Arts Jeanne as assistant professor and Andrée as director.</p><p>In this breathtaking binding of perfect mastery and great decorative audacity we can only admire the elegance of the mosaic tones the refined geometry of the composition with its symmetrical repetition in linings. Even the case bears witness to its particularly sober and relaxed style.</p><p>One of the great successes of the art of illustration from the interwar period in a brilliant binding in perfect harmonious harmony.</p> chez Meynial‎

Riferimento per il libraio : 1

‎Georges Gorree, Jean Barbier‎

‎Témoins de Dieu parmi les hommes - Foucauld Peyriguère Mère Térésa‎

‎Mame 1980. Broché. Etat satisfaisant. in-12. Tampons. Mame unknown‎

Riferimento per il libraio : 81551

‎Gerard Barbier (Autor)‎

‎Oracle Ge. 61 Orakelspielkarten mit dt. Erläuterungen von Gerard Barbier Autor‎

‎Urania Auflage: 1. Aufl. 31. März 2006. Auflage: 1. Aufl. 31. März 2006. Softcover.  124 x 68 x 28 cm. Ein Orakelspiel mit 61 Symbolkarten und dt. Anleitung für Amateure wie Fachleute. Die Besonderheit besteht in vier Jahreszeitenkarten. <br/><br/>Ein Orakelspiel mit 61 Symbolkarten und dt. Anleitung für Amateure wie Fachleute. Die Besonderheit besteht in vier Jahreszeitenkarten. Urania paperback‎

Riferimento per il libraio : BN15842 ISBN : 3898758311 9783898758314

‎Gertrude Audrey Barber‎

‎Index of Wills of Dutchess County N. Y Vol. 1: From 1742 to 1814 Inclusive Classic Reprint‎

‎hardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover‎

Riferimento per il libraio : 026774711X.G ISBN : 026774711X 9780267747115

‎Gessner, Salomon; Le Barbier‎

‎Oeuvres‎

‎Paris 1786-1793. Hardcover. Very Good. Contemporary mottled calf gilt-stamped ornament in spine compartments 5 raised bands gitl-stamped lettering in red and black leather spine labels a.e.g.; 3 volumes 4to 208 x 288 mm; with 3 unsigned engraved additional title-pages 73 of 74 plates lacking the plate to face p. 37 in Volume 2 and 70 vignettes after Le Barbier. Some light scuffing along joints and edges of boards; occasional foxing though plates are mostly unscathed; mid-19th century ownership signature on half-titles. A nice bright set. <br/><br/>Cohen-de Ricci 433; Ray The Art of the French Illustrated Book 39 "the happiest of all collaborations between artist and writer". hardcover‎

Riferimento per il libraio : D7472

‎Gignoux M Barbier R‎

‎Géologie des barrage et des aménagements hydrauliques‎

‎Masson & Cie 2026. Bon état légeres tâches blanches sur lea couverture mais globalement en bon état intérieur bon. in8. 2026. relié. 343 pages. Masson & Cie unknown‎

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