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after Karl Spitzweg (painting)
Der Bucherwurm The Bookworm
Vienna 1850s. 1 color engraving . 6x10.5". Minimal signs of wear. Slight discolorations. Text visible from verso side. Good. From the collection of the late Frederick G.Ruffner Jr. founder of Gale Research Detroit. [Vienna], [1850s]. unknown
Référence libraire : 74-0530
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after Nathaniel Dance (painting)
Portrait of Captain Cook
Paris: Magasin Pittoresque 1833. 1 black and white engraving. 3x3". Signs of wear. Type on verso side. Very Good.From the collection of the late Frederick G.Ruffner Jr. founder of Gale Research Detroit. Paris: Magasin Pittoresque, 1833. unknown
Référence libraire : 74-0496
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Agadati, Baruch / Barel, Yoav [Intro.]
Baruch Agadati: Water Colour Painting on Silk 1968
300X370 mm. 4 pages and 7 plates unbound and laid in portfolio. Portfolio yellowing. Portfolio corners worn. Spine edges worn. Worm holes on portfolio and pages - slight damage to plates. Pages and plates yellowing. Else in good condition.
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AGAGGIO, Nicole Doulat d'. -
La volupté dans l'hyperabstraction. / Sensual Hyperabstraction.
Paris, Paris Art Center, 1985, in-4°, 117 p., ill. en noir et en couleur, reliure en toile originale, jaquette en couleur.
Référence libraire : 19659aaf
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Agam, Yaacov
Yaacov Agam: Pictures - Sculptures [IN HEBREW AND ENGLISH]
IN HEBREW AND ENGLISH. Contains plates in color and black and white. 22.5X22 cm. Unnumbered pages. Softcover. Pen writing on title pages. Several pages slightly age stained. Library copy with usual signs. Else in good condition.
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Agam, Yaacov / Mandelbaum, Bernard
Art and Judaism: A Conversation Between Yaacov Agam and Bernard Mandelbaum
29.5x26 pages. 184 pages. Hardcover with illustrated dust-jacket. Cover slightly scratched. Spine edges slightly bumped. Else in good conditions. PLEASE NOTE: This item is overweight. We may ask for extra shipping costs.
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Agam, Yaacov / Weiss Davidson, Joan Marie [Tran.]
Homage to Yaacov Agam: Special Issue of the XXe Siecle Review
Contains plates in color and b&w. 320X250 mm. 159 pages. Gilt hardcover with dust jacket. Jacket edges slightly worn. Else in good condition. PLEASE NOTE: This item is overweight. We may ask for extra shipping costs.
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AGASSE.- SEROTA, N. / LAPAIRE, C. / LOCHE, R. / BUYSSENS, D. / SANGER, C.:
Jacques-Laurent Agasse 1767-1849 ou la séduction de l’Angleterre.
Genève, Musée d’art dt d’histoire, 1988, in-4to, 287 p., richement ill. par des peintures et dessins couleurs et n./b. de Jacques-Laurent Agasse, brochure originale.
Référence libraire : 115467aaf
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AGASSIZ, D. -
A.L. Du Cros, peintre et graveur 1748-1810. Etude biographique. ‘Société Vaudoise des Beaux-Arts’.
Lausanne, 1927, gr. in-8°, 51 p., + 8 planches, Ex. de Mll. Agassiz avec corrections d’auteur, avec sa signature, reliure carton original. Pièce de titre cuir sur plat devant.
Référence libraire : 5896aaf
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AGNEESSENS AUGUSTE FRANCOIS.
RESUME DE LA VIE DES PLUS GRANDS PEINTRES DE L'ECOLE FLAMANDE ET HOLLANDAISE, AVEC L'INDICATION DES PRINCIPAUX DE LEURS OUVRAGES QUI SE TROUVENT DANS LES EDIFICES PUBLICS DE LA BELGIQUE; SUIVI D'UNE NOMENCLATURE GENERALE DES PEINTRES BELGES QUI FLORISSAIENT PENDANT LES XV°, XVI° ET XVII° SIECLES, AVEC LE NOM DE LEURS MAITRES, LE GENRE DE LEUR TALENT, LA DATE DE LEUR NAISSANCE ET CELLE DE LEUR MORT; ET DE PLUSIEURS PLANCHES GRAVEES DES MONOGRAMMES OU CHIFFRES DES ANCIENS PEINTRES ET GRAVEURS DE L'ALLEMAGNE, DE LA FRANCE, DE L'ITALIE, ET DES PAYS-BAS; AVEC LEUR EXPLICATION.
BRUXELLES. CHEZ JOSSE SACRE, LIBRAIRE. 1841. PETIT IN-16 (9,5 X 14 X 1,5 CENTIMETRES ENVIRON) DE (4) + VIII ET 135 PAGES, RELIURE D'EPOQUE 1/2 BASANE HAVANE, DOS LISSE ORNE DE FILETS DORES, TITRE DORE. ILLUSTRE D'UN PORTRAIT DE RUBENS ET DE 5 PLANCHES HORS TEXTE DE MONOGRAMMES ET DE CHIFFRES. EDITION ORIGINALE. BON EXEMPLAIRE.
Référence libraire : 301
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AGNELLINI (Maurizio)
Ottocento italiano. Pittori e scultori - Opere e mercato
Novara, Istituto Geografico De Agostini, coll. « Biblioteca del Collezionismo d’Arte » 1999 3 volumes. In-4. Reliure de l’éditeur pleine toile noire sous jaquette en couleurs. 334 pp., 60 pl. en couleurs, reproductions en noir - 346 pp., 70 pl. en couleurs, reproductions en noir - 321 pp., 70 planches en couleurs, reproductions en noir. Ensemble en bon état.
Référence libraire : 53506
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AGNIESZKA CIESLINSKA.
Agnieszka Cieslinska. Figuratio. 6-31 Ocak 2014, Galeri Isik, Tesvikiye, Istanbul. [Exhibition catalogue]. Texts by Ryszard Otreba, Akira Kurosaki.
As New English Paperback. Pbo. Mint. 4to. (30 x 21 cm). In Turkish. Color and b/w ills. 48 p. 800 copies were printed. Agnieszka Cieslinska. Figuratio. 6-31 Ocak 2014, Galeri Isik, Tesvikiye, Istanbul. [Exhibition catalogue]. Texts by Ryszard Otreba, Akira Kurosaki.
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Agnisola
Paolo Boni il Fantastico e la Meccanica
Quaderni de Artepresente ,1976, in-12 de 120 pages ,illustrations in-texte ,broché ,Bon état , .(1 photo sur mon site https://www.vieuxlivre.fr .Les frais de port pour la France sont offerts à partir de 25 euros d'achat (Mondial relay ). (colissimo suivi +6,90 ).
Référence libraire : 37489
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Agnès Lacau St Guily
La Tour, une lumière dans la nuit
1992, Mame. In-8 carré, relié, cartonnage éditeur illustré, 135pp. Nombreuses reproductions couleurs. Ex-dono à l'encre. Petite épidermure sur gardes. Bon exemplaire
Référence libraire : ART7007m
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AGOSTI Barbara
Michel-Ange et son entourage.
Couverture souple. Broché. 23 x 28 cm. 384 pages.
Référence libraire : 133286
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AGOSTINI, Max
MAX AGOSTINI (GALERIE MARTIN-CAILLE).
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AGUETANT Pierre - BROUILLARD Eugène.
Caresses, Poèmes Avec Trente huit illustrations de Eugène Brouillard.
Sans lieu, ni nom, ( Macon , Protat) , 1924 ; in-16° broché, couverture rempliée beige imprimée en vert tendre et or ; 96pp. Texte imprimé en ocre, les illustrations, vignettes et pleines pages, sont tirées en bleu nuit.Edition originale, 1 des 30 exemplaires numérotés de grand luxe sur Rives , celui-ci n° 5, avec envoi autographe signé au Dr Gaudiot ( cf. Liste des souscripteurs en début d' ouvrage).
Référence libraire : cROU-958
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AGUILERA CERNI Vicente.
ALFAGEME.
Láminas con reproducciones a color intercaladas en el texto. ARTISTAS ESPAÑOLES CONTEMPORANEOS.
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AGUILERA CERNI, Vicente.
Luis Prades. Prólogo de Jacques Ratier.
Castellón de la Plana, 1981, 29,5 x 22 cm., tela original, 99 págs. incluso fotografías en negro e ilustraciones en color intercaladas en el texto + 4 h.
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AGUILERA CERNÍ, Vicente. BLASCO CARRASCOSA, Joan Àngel. CALLE, Romà de la.
Esguards d'Antoni Miró.
Valencia, Galería Punto, 1990, 29,5 x 24 cm., cartoné original, 176 págs. con numerosas láminas en colora toda página. (Obra realizada con notivo de la muestra Antonio Miró de la Galería Punto de Valencia).
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AGUILERA César.
DES DE MADRID. VICTORIANO BRIASCO, JOSE LUIS GALICIA, JULIA HIDALGO, JOSE MARIA IGLESIAS, RAFAEL SECO, FELIPE VALLEJO, JOAQUIN VAQUERO.
Papel cuché, ilustraciones a color.
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AGUILERA Emiliano M.
EDUARO ROSALES SU VIDA SU OBRA Y SU ARTE.
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AGUILERA, Emiliano M.
Domenicos Theotocópulos, El Greco. Reproducción fotográfica de los cuadros mas interesantes del famoso pintor.
Barcelona, Joaquín Gil Guiñón, 1933, 29 x 22 cm., 72 págs. incluso numerosas ilustraciones, algunas a toda pagina.
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AGUILERA, Emiliano M.
Eduardo Rosales. Su vida, su obra y su arte.
B., Iberia, 28 x 22 cm., 30 págs. - 40 láminas.
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AGUILERA, Emiliano M.
El Desnudo en las Artes.
Madrid, Ediciones Giner, 1972, 35 x 25 cm., tela original con sobrecubiertas, 393 págs. con numerosas ilustraciones y láminas a toda página en color + 1 h.
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AGUILERA, Emiliano M.
Julio Romero de Torres.
(Al fin:) Barcelona, Iberia, 1932, 29 x 22 cm., 48 págs. con numerosas ilustraciones, varias a toda página + 1 hoja plegada con 3 láminas.
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AGUILERA, Emiliano M.
La vida y los cuadros de Goya.
Barcelona, Iberia, 1962, 28'5 x 22 cm., 24 págs. + 1 h. + 81 láminas en papel couché + 1 h.
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AGUILERA, Emiliano M.
PANORAMA DE LA PINTURA ESPAÑOLA - Barcelona c. 1950. - Ilustrado
Barcelona, Edit. Hymnsa, S.A. Numerosas ilustraciones en b/n. 413 p. 4º. Holandesa algo rozada con dorados en el lomo. Ex libris. Conserva cubierta anterior original en el interior. Buen ejemplar.
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AGUILERA, Emiliano M.
TINTORETTO. SU VIDA, SU OBRA, SU ARTE.
28x22. 29p. 48 lam.
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AGUILERA, Emiliano M.
Tintoretto. Su vida, su obra, su arte.
B., Iberia, 1954, 28'5 x 22 cm., 29 págs. - 48 láminas.
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AGUILERA, Emiliano M.
TIZIANO. SU VIDA, SU OBRA, SU ARTE.
28x22. 31p. 48 láms. Enc. Al revés.
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AGUILERA, Emiliano M.
Tiziano. Su vida, su obra, su arte.
B., Iberia, 1952, 28'5 x 22 cm., 31 págs. - 48 láminas.
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AGUILERA, Emiliano M.
Vicente López. Ensayo biográfico y crítico.
Barcelona, Iberia, 1946, 28'5 x 22 cm., cartulina original con ilustración en la tapa anterior, 31 págs. + 48 láminas.
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Aguiló, Rosa
ROSA AGUILÓ. PINTURES - Girona 1994
Girona, Edit. Sales Municipals d'Exposició, 1994. Nombroses il·lustracions en color fora text. 15 p. 4t major. Rústica editorial il·lustrada. Molt bon exemplar. Primera edició. 1a edició. First edition. 1st edition.
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Agustín RUIZ CABRIADA
Aportation a una bibliografia de Goya
Junta tecnica de archivos bibliotecas y museos | Madrid 1946 | 16 x 22 cm | broché
Référence libraire : 4040
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AGUTTES (commissaire-priseur)
Paris, Drouot (salle 1). 20 octobre 2010 [20/10/2010]. Tableaux anciens, bijoux - argenterie, archéologie, arts primitif, extrême orient, céramique, objets d'art et d'ameublement, mobilier, tapisserie, tapis.
Paris: Aguttes, 2010 in-4, 64 pages, illustrations, 256 lots. Broché. (lots 91 à 98 art africain)
Référence libraire : 1374187
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AGUTTES (commissaire-priseur)
Paris, Drouot (salle 9 & 7). 17 et 18 octobre 2010 [17 & 18/10/2010]. 17 octobre 2010: Peinture XIXe et moderne. Ecoles russes et étrangères. Peintres basques. Tableaux impressionnistes. 18 octobre 2010: Oeuvres par Alexandre Iacovleff de la collection Audouin-Dubreuil et à divers. Tableaux russes. Peintres russes de l'école de Paris.
Paris: Aguttes, 2010 in-4, 135 pages, illustrations, 396 lots. Broché.
Référence libraire : 1374186
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AHMET GÜNESTEKIN.
Günestekin' 2010. Following the traces of sun a myth.= Günesin izinde bir mit. Texts by Yalçin Sadak.
New English Original bdg. HC. 4to. (27.5 x 25.5 cm). 288, [2] p. Color ills. In Turkish and English. 2000 copies were printed. With Dvd. "Ahmet Günestekin (born December 22, 1966 in Batman, Turkey) is a Turkish painter. He was born in the workers' camp at Garzan oil field in Batman, where his father was employed. He was the second youngest child of a seven children family. His passion for painting has been with him ever since his childhood. He was awarded his first prize in third grade when he was nine years old. His acquaintanceship with oil colors occurred at the same time, and in addition to this, his interest in literature appeared at this young age. Since that time, the artist has kept on working permanently. When he reached his high school years, he staged his first personal exhibition in the gallery at his school. Shortly after his graduation, he went on to study in the Faculty of Fine Arts at Mimar Sinan University in Istanbul. After a while he dropped out of this programme, but later went on to complete his graduate studies at the Anadolu University's Department of Management. For a period, he went into business, but soon returned to painting. In 1997, Günestekin established his first studio in Beyoglu and from there staged numerous personal and cooperative exhibitions. In the wake of his exhibition ¿Colors After Darkness¿, which he opened in 2003 iat Atatürk Cultural Center (AKM), he gradually began to release his name into the world of art. Through a great number of personal exhibitions, Günestekin¿s works of art now take their place in prestigious domestic and foreign collections. Ahmet Günestekin, whose signature of his great achievements is his distinctive language, has also attained great success in the design field. His art: Antique Modern While it exists as a definite and specific feature in modern art expression, form in post-modern times is observed and experienced as fragmented and imperceptible through a detached yet consecutive visual experience. Modern means: integrity, continuity, order, nature, form and, most importantly, simplicity. Post modern, on the other hand, is about pieces, disarray, detachedness, context, complexity and, most importantly, essence and ethnic culture. While modernism offers a unifying closed-circuit form mechanism, what is dominant in the art expression of the post-modern era is anti-form and a fragmented structure. (We designate the post-modern era as gaining clarity by 1990). The principles in a modern work of art can be listed as goal, distance, sovereignty, depiction of existence, metaphor, depth, interpretation, the designated, main code, narration, paranoia, the origin, metaphysics, and transcendence. What comes to the fore in the post-modern era, conversely, are characteristics like game, anarchy, process, puzzle, anti-thesis, nonexistence, disintegration, personal language (idiolect), irony, ambiguity, and immanence. From this perspective, Ahmet Günestekin's art expression bridges both the modern and post-modern approaches; whilst it harbors the modern characteristics and displays some features of the modern, and displays some features of the modern in terms of the space he reflects, it also offers a refuge for antique characteristics in terms of its themes. In actuality, Ahmet Günestekin, as an artist fascinated by the antique worlds, stands contrary to Modernism. However, the integrity and unity he reflects on the canvass are the principles of the modern work of art and they greet us as the most important principles that the artist gives the utmost importance to in composing his work. On the other hand, Ahmet Günestekin, who displays a completely post-modern attitude, also crosshatches the archetypes of the antique worlds, and transforms the ruptures of time - anachronisms - by greeting time perception, thereby transforming."
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AHMET OGRAS.
Ahmet Ogras. Eskihisar'dan Beyoglu'na Dört Mevsim Resim Sergisi. 25 Kasim - 13 Aralik 2013, Tünel Sanat Galerisi, Istanbul. [Exhibition catalogue].
As New English Paperback. Pbo. Mint. Large 8vo. (24 x 25 cm). In Turkish. 32 p. Color ills. Ahmet Ogras. Eskihisar'dan Beyoglu'na Dört Mevsim Resim Sergisi. 25 Kasim - 13 Aralik 2013, Tünel Sanat Galerisi, Istanbul. [Exhibition catalogue].
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AHNNE (Paul)
Les Chassériau du Musée de Strasbourg
1935 Strasbourg, Edition des Dernières nouvelles de Strasbourg, 1935, In huit, 17 pp, broché,
Référence libraire : 12086
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Ahronson, Meir [Curator] \ Goldfine, Gil [Ed.]
Michael Kovner: 1975-2001 [SIGNED BY MICHAEL KOVNER].
SIGNED BY MICHAEL KOVNER. 285X245 mm. 223 pages. Hardcover with dust-jacket. In good condition. PLEASE NOTE: This item is overweight. We may ask for extra shipping costs.
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Aiba Keisuke Naoto Nakamura Sculpture Painting Institute
Naoto Nakamura Chronological List of Works : Naoto's art that touches the heart of the Japanese people Limited edition of 500 copies <Japanese Version>
Naoto Nakamura Sculpture Research Institute 2009. Soft Cover. Fine. Number of pages: 96 pages Size: Large book 36cm x 26cm Naoto Nakamura Sculpture Research Institute paperback
Référence libraire : 2111902160307026
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Aicard, Jean [Fore-edge Painting]
King of Camargue; Roman Contemporain. Translated by George B. Ives. Etchings by Louis V. Ruet. Drawings by George Roux
Philadelphia: George Barrie & Son 1900. Limited Edition. Full leather. Near fine. A limited edition copy of King of Camargue by Jean Aicard decorated with a fine binding and fore-edge painting. Thick octavo 349pp. Full orange morocco gilt emblem stamped to both covers. Five raised bands title in gilt on spine. All edges gilt with gilt-embellished morocco and silk endpapers. Solid text block light rubbing to edges of binding. Gilt is scuffed and silk endpapers are fraying slightly. Internally clean overall a near fine copy. With 14 full-page plates including frontispiece each protected with a tissue guard. Each plate was produced in four formats: in bistre on Japanese paper on paper de Chine on India paper impressed to Japanese vellum and in color on Dutch paper. This is one of five copies specially bound for Mrs. W.J. White of Cleveland Ohio. The somewhat faint fore-edge painting depicts a woman reaching up to tame a horse artist unknown. George Barrie & Son unknown
Référence libraire : 16997
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AILLAUD Gilles - BLANKERT Albert - MONTIAS J.M.
VERMEER.
Hazan Paris 2004 In-4 carré ( 315 X 270 mm ) de 238 pages, cartonnage rouille à la bradel sous jaquette illustrée en couleurs. Superbe et abondante iconographie dans et hors-texte en couleurs et en noir. Très bel exemplaire en parfait état.
Référence libraire : 875004
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AILLAUD GILLES, BLANKERT ALBERT, MONTIAS JOHN MICHAEL
VERMEER
P., Hazan, 1986. In-4 relié toile verte avec jaquette, 230 pages. Excellent état
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Aillaud Gilles,Blankert Albert,Montias John Michael
Vermeer
Weber Cartonné avec jaquette 1987 Grand in-4 (35*29), cartonné sous jaquette illustrée, 230pp., iconographie abondante in et hors texte, en couleurs et en noir, chronologie et bibliographie, texte en allemand ; coins de la jaquette usés, bon état, gut Zustand. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
Référence libraire : bf3654
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AIME-AZAM Denise
Mazeppa - Géricault et son temps
- Plon, Paris 196, 14,5x21cm, broché. - Edition originale dont il n'a pas été tiré de grands papiers, un des ex du service de presse. Bel envoi de l'auteur. Ouvrage illustré de 26 illustrations hors-texte. Agréable exemplaire bien complet de sa jaquette illustrée qui comporte de petites déchirures marginales sans gravité. [ENGLISH DESCRIPTION ON DEMAND]
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Aimé SAINSON
Une école dauphinoise de peinture au XIXè siècle
Imp. Allier | Grenoble 1950 | 13.50 x 21 cm | agrafé
Référence libraire : 35572
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AINAUD DE LASARTE / SUBIRANA, J. / Rosa Mª.
MUSEO PICASSO. CATALOGO I.
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AINAUD DE LASARTE, Juan.
Jaime Huguet
Madrid, Artes y Artistas, 1955, 23 x 16'5 cm., cartoné original con sobrecubiertas, 45 págs. y 48 láminas en papel couché.
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