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FORE-EDGE PAINTING; GAY, John; COLLINS, William
Fables
London: Printed for J. Sharpe 1824. 'The Entrance to Hyde Park'<br /> An Early-to-Mid Twentieth Century Fore-Edge Painting<br /> <br /> FORE-EDGE PAINTING. GAY John. Fables. London: Printed for J. Sharpe 1812 i.e. 1824. <br /> <br /> With an early to mid twentieth century fore-edge painting of the "Entrance to Hyde Park" by an unidentified artist.<br /> <br /> Volumes I & II of three bound in one. <br /> <br /> Sixteenmo 4 3/4 x 3 inches; 121 x 76 mm. Engraved frontispiece engraved general title-page iv 1-155 1 blank engraved frontispiece 1-142 pp. <br /> <br /> Bound ca. 1824 in full red straight grain morocco covers decoratively bordered in gilt and blind smooth spine decoratively tooled and lettered in gilt in compartments gilt board edges blind tooled turn-ins gray endpapers all edges gilt. <br /> <br /> Contents: Volume I The Fables of John Gay; Volume II The Poetical Works of John Gay volume I only. London: Printed for J. Sharpe, 1824 unknown
Riferimento per il libraio : 05177
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FORE-EDGE PAINTING.
Landscape Series of Poets. Gleanings From the Sacred Poets With Biographical Notices of the Authors. WITH A LOVELY FORE-EDGE PAINTING SHOWING POSSIBLY MOCCAS COURT.
Gall & Inglis. Edinburgh. No date c.1885. Gall & Inglis. Reprint. WITH BEAUTIFULLY BORDERED FORE-EDGE DISPLAYING MOCCAS COURT AND CHURCH. No date c.1885. Original decorated brown cloth gilt extra decorated in gilt to spine with coloured sunken floral embossed emblem to upper board. All edges gilt. Each page of text has a variety of coloured illustrated borders. Endpapers marked long prize presentation inscription ink blots to prelims title page and frontis. clean. generally a very clean and sound copy. hardcover
Riferimento per il libraio : 98024
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FORE-EDGE PAINTING; HAYWOOD, Helen, artist; JOHNSON, Samuel
Lives of the most Eminent English Poets: The
London: Printed for F.C. and J. Rivington; W. Nicol and Son… 1821. With Two Very Fine Fore-Edge Paintings by Helen R. Haywood<br /> Depicting the Homes of Abraham Cowley and Alexander Pope - Both with a Fine Portrait<br /> <br /> FORE-EDGE PAINTING. HAYWOOD Helen R. artist. JOHNSON Samuel. The Lives of the most eminent English Poets: with Critical Observations on their Works… A New Edition Corrected. In two volumes. London: Printed for F.C. and J. Rivington; W. Nicol and Son… 1821.<br /> <br /> With two very fine early twentieth century fore-edge paintings by Helen R. Haywood. The first volume with a fine view of Chertsey Bridge and with a portrait of Abraham Cowley on the left side; The second volume with a fine view of Alexander Pope's Villa Twickenham and with a portrait of Pope on the left-side.<br /> <br /> Two octavo volumes 8 3/8 x 5 1/8 inches; 212 x 130 mm. viii 1-446; iv 1-454 pp. <br /> <br /> Full contemporary dark blue calf covers elaborately decorated in gilt and blind spines with four shallow raised bands decoratively tooled and lettered in gilt in compartments decorative gilt board-edges and turn-ins red and blue marbled endpapers all edges gilt. Housed in an early blue cloth slipcase. Gilt on spines very slightly dulled otherwise near fine.<br /> <br /> These fore-edge paintings were done by Helen Haywood sometime between 1927 and 1940. Front flyleaf of volume one with "Cowley" and "Chertsey Bridge"; volume two with "Pope" and "Pope's Villa Twickenham" both in the hand of Helen Haywood. <br /> <br /> Helen R. Haywood 1908-1995 was an English writer and illustrator of children's books. She was born in England in 1908 but was taken as a child to Chile where her father an engineer worked on the trans-Andean railway. She remained in Chile until she was approximately 15 years old. Her experiences were recounted in an unpublished novel"Childhood in Chile." Miss Haywood was a keen student of science and an amateur naturalist and anthropologist. Many of the books she illustrated for the publisher Hutchinson & Co. London were keenly observed and scrupulously accurate depictions of plants birds and animals. When commissioned to do illustrations for a children's book on dinosaurs her research into the skin colors she subsequently chose for her dinosaur illustrations was cited by the Royal Academy of Sciences. Haywood was also a practitioner of the art of fore-edge painting. She became acquainted with the art form through an uncle who was associated with the Bayntun-Riviere Bindery of Bath. She did several fore-edge and double fore-edge paintings on commission every year from the 1930s to the 1970s for Inman's Books an antiquarian book dealer in New York City. She died in Bournemouth England in 1995.<br /> <br /> Abraham Cowley 1618-1667 was an English poet born in the City of London late in 1618. He was one of the leading English poets of the 17th century with 14 printings of his Works published between 1668 and 1721. Around 1663 Cowley obtained permission to retire into the country; and through his friend Lord St Albans he obtained a property near Chertsey where devoting himself to botany and books he lived in comparative solitude until his death.<br /> <br /> Alexander Pope 1688-1744 was a poet and satirist of the Augustan period and one of its greatest artistic exponents. Considered the foremost English poet of the early 18th century and a master of the heroic couplet he is best known for satirical and discursive poetry including The Rape of the Lock The Dunciad and An Essay on Criticism and for his translation of Homer. In 1719 he moved to Pope's Villa in Twickenham then a village west of London in Middlesex where he created gardens and an underground grotto. The house and grotto were topics of 18th- and 19th-century poetry and art. London: Printed for F.C. and J. Rivington; W. Nicol and Son…, 1821 unknown
Riferimento per il libraio : 05160
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FORE-EDGE PAINTING; SCOTT, Sir Walter
Marmion: A Tale of Flodden Field…
Edinburgh: Archibald Constable and Company 1811. Day set on Norham's castled steep.<br /> And Tweed's fair river broad and deep… "<br /> Bound by Taylor & Hessey and with a Fine Fore-Edge Painting <br /> by the "Double-Line Painter"<br /> <br /> FORE-EDGE PAINTING. TAYLOR & HESSEY binder. DOUBLE-LINE PAINTER artist. SCOTT Sir Walter. Marmion: A Tale of Flodden Field… The eighth edition. Edinburgh: Archibald Constable and Company 1811. <br /> <br /> With a very fine early twentieth century fore-edge painting by the "Double-Line Painter" showing a view of Norham Castle in Northumberland depicting the opening lines of the poem.<br /> <br /> Octavo 8 1/4 x 5 1/4 inches; 210 x 133 mm. viii 1-377 1 blank i-cxxviii pp. Additional engraved vignette title-page and nine engraved plates. The title-page and plates with old water stain at top left corner some occasional and light spotting otherwise near fine.<br /> <br /> Handsomely bound ca. 1811 by Taylor and Hessey Booksellers London. Stamp-signed in gilt on the fore-edge of the front board "Bound by Taylor & Hessey". Full dark blue straight-grain morocco covers elaborately paneled in gilt spine with five raised bands three of them double elaborately decorated and lettered in gilt in compartments decorative gilt board-edges and turn-ins ochre watered silk liners and endleaves all edges gilt. With the engraved bookplate of Isabel Beckwith Closson on front blank. A lovely example.<br /> <br /> The "Double-Line Painter" was an English artist name unknown possibly active in the 1920s. The most identifiable feature of this artist's work is the label for the painting. The artist labels his own paintings on the the front fly-leaf. If you look carefully you will see a neat light penciled double-line above and below the written title like an architect would do. The painting title itself is also neatly written in tiny letters. This artist is highly skilled painter with high productivity." Jeff Weber. Annotated Dictionary of Fore-Edge Painting Artists & Binders pp. 95-96. Jeff Weber cites eight examples of the "Double-Line" artist in his book on pp. 96-97.<br /> <br /> 'Norham Castle' is in Northumberland England overlooking the River Tweed on the border between England and Scotland. In the nineteenth century Norham Castle became well known far and wide from the paintings of J. M. W. Turner. He first painted the castle in 1797 but returned to paint it many times.<br /> <br /> “Taylor & Hessey were busy throughout these fifteen years 1808-1823 not only in publishing and in binding but also in re-binding books published by others. They issued among other works Pope's translation of the Iliad and Thomson's Seasons; but they also put fine bindings upon books by Milton Crabbe Cowper Scott and others published by Johnson or by Sharpe or by Hatchard or by Reeves or by Longman… Taylor & Hessey usually bound their fine books in morocco—red blue brown crimson green—and "signed" their bindings by stamping their name in gilt in the fore-edge of the binding not the leaves note whenever the boards inside the leather were thick enough to carry the name of the firm… C.J. Weber Fore-Edge Painting pp. 106-7.<br /> <br /> Provenance: Isabel Beckwith Closson 1907-2004; Weber. 1001 Fore-Edge Paintings. Maine 1949. P. 152; Randall Moscovitz. Edinburgh: Archibald Constable and Company, 1811 unknown
Riferimento per il libraio : 05168
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Fore-edge painting) Sherer, Joseph Moyle].
NOTES AND REFLECTIONS DURING A RAMBLE IN GERMANY. By the Author of 'Recollections of the Peninsula' 'Sketches in India' Scenes & Impressions in Egypt and Italy' and 'Story of a Life.' Second Edition.
London: Longman Rees Orme Brown and Green 1827. Second Edition. Hardcover. Good. Red morocco gilt binding rubbed and worn with rear board detached and front board starting. Contains a double fore-edge painting one a view of the Castle on the Rhine and the other of Oxfordshire with fishing scene. The book is inscribed in a contemporary hand to "J. L. Sealy from his affectionate friend T. W. Tindal." <br/><br/> Longman, Rees, Orme, Brown and Green hardcover
Riferimento per il libraio : WB15033
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FORE-EDGE PAINTING; [EDWARDS OF HALIFAX, binder]; COWPER, William
Poems by William Cowper
London: Printed for J. Johnson and Co 1812. Two Superb Edwards of Halifax 'Etruscan' Bindings <br /> With Two Fine Early Twentieth Century Fore-Edge Paintings<br /> <br /> FORE-EDGE PAINTING. EDWARDS OF HALIFAX binder. COWPER William. Poems by William Cowper Of the Inner Tempe Esq. In Two Volumes. A New Edition. London: Printed for J. Johnson and Co. 1812.<br /> <br /> Each volume with a fine early twentieth century fore-edge painting most likely by Joseph Clayton Clark a.k.a. KYD.<br /> <br /> Two small octavo volumes 6 1/4 x 3 3/4 inches; 158 x 95 mm. 2 x 1-368; viii 1-368 pp. Each volume with a small typed label on the verso of the front free endpaper describing the fore-edge scene. Each volume with an ink inscription on the verso of the title-page presenting the book "To St. Mary of -the-Woods College from Gladys M. Moloney.<br /> <br /> Contemporary matching "Etruscan Calf" bindings by Edwards of Halifax each with a fore-edge painting. Covers with gilt pentaglyph and metope border stenciled frame of palmettes central panel enclosed by a stenciled border enclosed is a stenciled device of a fan–like shape with tulips on a pointillé background and other geometric shapes spine with five raised bands elaborately tooled in gilt in compartments two red morocco gilt lettered labels gilt board edges and turn ins marbled endpapers all edges gilt. Joints expertly and almost invisibly repaired. Housed in a specially made full red morocco vertical slipcase two spines with five raised bands decoratively ruled and lettered in gilt in compartments. The case is stamped in gilt "Made by Sangorski & Sutcliffe London England / For Marshall Field and Company."<br /> <br /> The superb fore-edge paintings were executed in the early twentieth century and are of the highest quality. They are possibly the work of Joseph Clayton Clark a.k.a. KYD. The paintings depict "Berkhampsted. Cowper's Birthplace" & "East Dereham Churchyard. Cowper's Burial Place"<br /> <br /> Two very Fine examples of Edwards of Halifax bindings with two exceptionally fine early twentieth century fore-edge paintings.<br /> <br /> Edwards of Halifax was distinguished English Yorkshire family of bookbinders and booksellers of whom William Halifax 1723-1808 and his son James 1756-1816 were the most famous. William Halifax was known for his revival of the fore-edge painting and Etruscan calf bindings the latter which if not evolved by William were successfully adopted by him. He also redeveloped the art of painting under transparent vellum. All three specialities seem to have been carried on both in the Edwards' home town of Halifax where Thomas 1762-1834 another son was in business until 1826 and in London where James and John 1785-c 1791 opened a book store in 1784. <br /> <br /> Gladys McKenney Molony 1907-1996. Born in Toledo Ohio she received her B.A. at Saint Mary-of-the-Woods College in Terre Haute Indiana. In 1930 she married William R. Molony Jr. M.D. and moved to Los Angeles CA. She was a patroness of the Los Angeles Museum of Art and the Los Angeles Civic Light Opera. She donated her fine collection of Fore-Edge Paintings to Saint Mary-of-the-Woods College in 1967. A catalog of The Gladys McKenney Molony collection of fore-edge paintings in the Rare Book Room Saint Mary-of-the-Woods College Library was apparently issued in 1973.<br /> <br /> Provenance: William E. Henzel Chicago Ill; Valentine Miller; Mrs. Philip D. Sang; Gladys McKenney Molony presented to the Saint Mary-of-the-Woods College Library Indiana November 1986. London: Printed for J. Johnson and Co, 1812 unknown
Riferimento per il libraio : 06245
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FORE-EDGE PAINTING; TAYLOR & HESSEY, binders; COWPER, William
Poems by William Cowper
London: Printed for J. Johnson and Co. 1811. Bound by Taylor and Hessey<br /> With an Early Twentieth Century Fore-Edge Painting <br /> <br /> FORE-EDGE PAINTING. TAYLOR & HESSEY binder. COWPER William. Poems by William Cowper of the Inner Temple Esq. In two volumes. A New Edition. London: Printed for J. Johnson and Co. 1811. <br /> <br /> With an early twentieth century fore-edge painting by an unidentified artist showing a man and two ladies seated by a fireplace. The man is reading his newspaper and a dog is seated at his feet.<br /> <br /> Two octavo volumes bound in one 8 5/16 x 5 1/4 inches; 211 x 133 mm. i-xvi 1-438; i-vi 2 1-427 1 blank pp. <br /> <br /> Bound ca. 1811 by Taylor and Hessey Booksellers London. Stamp-signed in gilt on the fore-edges of the boards "Bound and Sold by" & "Taylor and Hessey". Full dark red straight-grain morocco covers elaborately paneled in gilt spine with three 'double' raised bands elaborately decorated and lettered in gilt in compartments decorative gilt board-edges and turn-ins later pink endpapers all edges gilt. Soundly but rather crudely rebacked with the original spine laid down.<br /> <br /> “Taylor & Hessey were busy throughout these fifteen years 1808-1823 not only in publishing and in binding but also in re-binding books published by others. They issued among other works Pope's translation of the Iliad and Thomson's Seasons; but they also put fine bindings upon books by Milton Crabbe Cowper Scott and others published by Johnson or by Sharpe or by Hatchard or by Reeves or by Longman… Taylor & Hessey usually bound their fine books in morocco—red blue brown crimson green—and "signed" their bindings by stamping their name in gilt in the fore-edge of the binding not the leaves note whenever the boards inside the leather were thick enough to carry the name of the firm… C.J. Weber Fore-Edge Painting pp. 106-7. London: Printed for J. Johnson and Co., 1811 unknown
Riferimento per il libraio : 05169
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FORE-EDGE PAINTING; HAYWOOD, Helen, artist; BURNS, Robert
Poetical Works of Robert Burns; The
London: Printed for John Bumpus Walker and Co.… 1822. With Two Very Fine Fore-Edge Paintings by Helen R. Haywood<br /> Depicting Burns Cottage with a Portrait of Robert Burns <br /> and a Fine View of the Bridges on the River Ayr<br /> <br /> FORE-EDGE PAINTING. HAYWOOD Helen artist. BURNS Robert. The Poetical Works of Robert Burns; Including the Pieces Published in his Correspondence and Reliques: With his Songs and Fragments. To which are prefixed a history of the poems by his brother Gilbert Burns and a sketch of his life. In two volumes. London: Printed for John Bumpus Walker and Co.… 1822. <br /> <br /> Two small octavo volumes 6 1/8 x 4 inches; 157 x 101 mm.i-xxx 1-268; i-xii 1-262 pp. <br /> <br /> Contemporary full dark blue straight-grain morocco covers elaborately decorated in gilt and blind spines with four shallow raised bands decoratively tooled and lettered in gilt in compartments decorative gilt board-edges and turn-ins pale blue endpapers all edges gilt. Housed in an early blue cloth slipcase. A fine pair of Helen Haywood Fore-Edge Paintings.<br /> <br /> With two very fine early twentieth century fore-edge paintings by Helen R. Haywood. The first volume with a fine view of Burns Cottage with a portrait of Robert Burns on the left side; The second volume with a fine view of Ayr River Bridges.<br /> <br /> These fore-edge paintings were done by Helen Haywood sometime between 1927 and 1940. Front flyleaf of volume one with "Burns" and "The Birthplace"; volume two with "Ayr" all in the hand of Helen Haywood. <br /> <br /> Helen R. Haywood 1908-1995 was an English writer and illustrator of children's books. She was born in England in 1908 but was taken as a child to Chile where her father an engineer worked on the trans-Andean railway. She remained in Chile until she was approximately 15 years old. Her experiences were recounted in an unpublished novel"Childhood in Chile." Miss Haywood was a keen student of science and an amateur naturalist and anthropologist. Many of the books she illustrated for the publisher Hutchinson & Co. London were keenly observed and scrupulously accurate depictions of plants birds and animals. When commissioned to do illustrations for a children's book on dinosaurs her research into the skin colors she subsequently chose for her dinosaur illustrations was cited by the Royal Academy of Sciences. Haywood was also a practitioner of the art of fore-edge painting. She became acquainted with the art form through an uncle who was associated with the Bayntun-Riviere Bindery of Bath. She did several fore-edge and double fore-edge paintings on commission every year from the 1930s to the 1970s for Inman's Books an antiquarian book dealer in New York City. She died in Bournemouth England in 1995.<br /> <br /> Provenance: Christie's New York December 8th 1989 lot 202 to Randal Moscovitz. London: Printed for John Bumpus, Walker and Co.…, 1822 unknown
Riferimento per il libraio : 05161
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FORE-EDGE PAINTING
The Book of Common Prayer.
London: Published for John Reeves Esq 1811. With a beautiful early fore-edge painting An attractively bound 19th-century Book of Common Prayer with a charming contemporary fore-edge painting of a Thames-side view depicting Blackfriar's Bridge and St Paul's Cathedral. Provenance: the Zion Research Library with their bookplate dated 1937. The library was a Protestant non-sectarian library based in Boston Massachusetts dedicated to the study of the Bible and the history of the Christian Church. Duodecimo 140 x 80 mm. Contemporary red morocco spine ruled and lettered in gilt boards and edges ruled in gilt turn-ins with gilt foliate design green coated endpapers edges gilt with contemporary fore-edge painting 2 silk bookmarkers. Housed in a custom red cloth chemise and red pull-off case. Recent pencil annotations to title page. Rubbing to spine ends and corners a couple of nicks to front free endpaper. A very good copy. hardcover
Riferimento per il libraio : 182444
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FORE-EDGE PAINTING - SCOTT, Sir Walter.
The Lay of the Last Minstrel.
London: printed for Longman Hurst Rees and Orme and A. Constable and Co. Edinburgh by James Ballantyne & co. Edinburgh 1806. Royal associations and vanishing paintings Early edition prettily bound by Queen Charlotte's bookbinder and with a modern double fore-edge painting by Martin Frost MBE who was listed in the 2019 New Years Honours for maintaining the "critically endangered" art. The fore-edge paintings depict two scenes of the work's setting of St Mary's Abbey Melrose and further scenes showing Scott's home of Abbortsford and Portinscale Bridge in the Lake District. The binder Charles Meyer d. 1809 was the appointed bookbinder of Queen Charlotte and the princesses. He moved from Germany to England in 1797 and established himself at St Martin's Lane London. Meyer bound this copy for the royal apothecary Everard Augustus Brande 1776-1868. Like his father Brande was the appointed "Apothecary to the Person" in George III's royal household tasked with dispensing medicines for George III and Queen Charlotte and tending to their health. Brande left the position on the king's death but was later reappointed by William IV. Brande's bookplate is on the front pastedown. This fourth edition follows the phenomenally successful first by one year. Octavo 213 x 128 mm. Contemporary green straight-grain morocco by Charles Meyer spine lettered in gilt and with central device in compartments covers bordered in gilt with fillets and wide roll board edges and turn-ins ruled in gilt brown coated endpapers binder's ticket on rear free endpaper verso. Gilt edges with gauffered border and double-sided colour fore-edge painting depicting four views by Martin Frost signed and dated 1977 on his authentication ticket on rear free endpaper recto. Housed in a green morocco folding box by Frost. Spine darkened gilt remaining bright tiny chip to headcap inner hinges split but firm 4 cm closed tear to head of rear free endpaper occasional browning but clean overall. A very good copy. Ramsden p. 106. unknown
Riferimento per il libraio : 175659
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FORE-EDGE PAINTING; SCOTT, Sir Walter
The Poetical Works of Sir Walter Scott Bart
Edinburgh: Printed for Arch. Constable and Co. 1822. Two Fine Early-to-Mid Twentieth Century Fore-Edge Paintings<br /> Depicting Two Scottish Castles<br /> <br /> FORE-EDGE PAINTING. SCOTT Sir Walter. The Poetical Works of Sir Walter Scott Bart. The Lady of the Lake & The Bridal of Triermain & Harold the Dauntless. Edinburgh: Printed for Arch. Constable and Co. 1822.<br /> <br /> Each volume with a fine early-to-mid twentieth century fore-edge painting depicting Craigmillar Castle in Edinburgh and Loch Leven Castle.<br /> <br /> Two octavo volumes 6 1/2 x 3 7/8 inches; 166 x 99 mm. iv 1-9 10-380; iii-vi 1-3 4-384 1 1 blank pp.<br /> Some light water-staining to preliminary and final leaves.<br /> <br /> Full contemporary dark blue straight-grain morocco front and back covers with elaborate gilt vignette. Spines with four raised bands decoratively tooled and lettered in gilt in compartments decorative gilt turn-ins gray end-papers.<br /> <br /> Volumes IV & V of The Poetical Works of Sir Walter Scott.<br /> <br /> "The Scene from the following Poem is laid chiefly in the vicinity of Loch-Katrine in the Western Highlands of Perthshire. The time of Action includes Six Days and the transactions of each day occupy a Canto."<br /> <br /> These two volumes were sold in 1965 by Dawson's Book Shop in Los Angeles Catalog 355 item 113.<br /> <br /> Craigmillar Castle is a ruined medieval castle in Edinburgh Scotland. It is three miles 4.8 km south-east of the city center on a low hill to the south of the modern suburb of Craigmillar. The Preston family of Craigmillar the local feudal barons began building the castle in the late 14th century and building works continued through the 15th and 16th centuries. In 1660 the castle was sold to Sir John Gilmour Lord President of the Court of Session who made further alterations. The Gilmours left Craigmillar in the 18th century and the castle fell into ruin. It is now in the care of Historic Environment Scotland as a scheduled monument. Craigmillar Castle is best known for its association with Mary Queen of Scots. Following an illness after the birth of her son the future James VI Mary arrived at Craigmillar on 20 November 1566 to convalesce. Before she left on 7 December 1566 a pact known as the "Craigmillar Bond" was made with or without her knowledge to dispose of her husband Henry Stuart Lord Darnley. Craigmillar is one of the best-preserved medieval castles in Scotland. The central tower house or keep is surrounded by a 15th-century courtyard wall with "particularly fine" defensive features. Within this are additional ranges and the whole is enclosed by an outer courtyard wall containing a chapel and a doocot<br /> <br /> Loch Leven Castle is a ruined castle on an island in Loch Leven in the Perth and Kinross local authority area of Scotland. Possibly built around 1300 the castle was the location of military action during the Wars of Scottish Independence 1296–1357. In the latter part of the 14th century the castle was granted by his uncle to William Douglas 1st Earl of Douglas and remained in the Douglases' hands for the next 300 years. Mary Queen of Scots was imprisoned here in 1567–68 and forced to abdicate as queen before escaping with the help of her gaoler's family. In 1588 the Queen's gaoler inherited the title Earl of Morton and moved away from the castle. It was bought in 1675 by Sir William Bruce who used the castle as a focal point in his garden; it was never again used as a residence. Edinburgh: Printed for Arch. Constable and Co., 1822 unknown
Riferimento per il libraio : 04889
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FORESTIER.- PIACHAUD, René-Louis:
Le portrait d'un peintre: H.-C. Forestier.
Genève, Albert Ciana, 1923, gr. in-8vo, XVI + front. + 88 p. + 40 planches, non coupé, un des 300 ex. sur Hollande van Gelder n° 29, signé par l’auteur, brochure originale, rempliée, l’état de neuf.
Riferimento per il libraio : 69012aaf
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FORESTIER.- PIACHAUD, René-Louis:
Le portrait d'un peintre: H.-C. Forestier.
Genève, Albert Ciana, 1923, in-4to, XVI + front. + 88 p. + 40 planches, non rogné, un des 300 exemplaires num. et signés par l’auteur, n° 37. reliure en demi-cuir brun, pièce de titre en cuir sur le dos, plats marbrés. BEL EXEMPLAIRE
Riferimento per il libraio : 88425aaf
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Forge, Andrew
British painting '74: [catalogue of an exhibition held 26 September-17 November 1974)
This is an almost very good softcover copy with some cover wear. The covers are toned, spine darkened. Completely clean inside. This catalog was prepared to accompany the exhibition at the Arts Council in 1974. This was the second exhibition in the series. Introduction by Andrew Forge. Illustrated in black & white with reproductions of 203 works. Includes work by over 130 British painters. 10" high X 8" wide. Corrigenda sheet laid in. This book will be securely packed and shipped with tracking.
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FORGUES Eugène.
Gavarni. Ouvrage accompagné de 23 gravures.
1887 Paris, Rouam, Londres, Gilbert, Wood &Ce, 1887 ; grand in-8 broché de 68 pp- et (2) ff. de tables. Illustra dans et hors texte le texte de 23 reproductions des oeuvres de Gavarni; couverture beige illustrée d'un large encadrement en noir avec titre en noir et rouge au 1er plat, titre en noir au dos
Riferimento per il libraio : 12004
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FORLANI TEMPESTI, Anna
LA RENAISSANCE ITALIENNE. Léonard de Vinc - Le Perugin - Lucas Signorelli - Miche Ange - Raphaël
Paris Editions Princesse 1977 in 4 (30,5 x 25,5) 1 volume reliure cartonnée de l'éditeur sous jaquette illustrée en couleurs, 96 pages, avec de nombreuses reproductions en noir et blanc et en couleurs. Collection '' Dessins et Aquarelles des Grands Maîtres ''. Bel exemplaire ( Photographies sur demande / We can send pictures of this book on simple request )
Riferimento per il libraio : 32644
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Forman, W. u. B
Kunst ferner Länder. Vorderasien, Indien, Tibet, China, Japan, Tschuktschen-Halbinsel.
Prag, Artia, (1957). 4°. M. zahlr. (teils farb.) Taf. 325 S. OLwd. im OPp.-Schuber. Rücken etwas verblichen. Schuberkanten teils beschabt.
Riferimento per il libraio : 133942
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Formes et Couleurs
Formes et Couleurs, N° 1, 1942 : Deuxième millénaire de Genève.
Lausanne, Formes et Couleurs, 1942. 23 x 31, sans pagination, très nombreuses illustrations en couleurs et en N/B, nombreuses pages publicitaires, broché, très bon état.
Riferimento per il libraio : 106.995
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Formes et Couleurs
Formes et Couleurs, N° 1, 1945 : Caractères.
Lausanne, Formes et Couleurs, 1945. 23 x 31, sans pagination, très nombreuses illustrations en couleurs et en N/B, nombreuses pages publicitaires, broché, bon état (haut du dos légèrement abîmé).
Riferimento per il libraio : 107.003
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Formes et Couleurs
Formes et Couleurs, N° 1, 1946 : La table.
Lausanne, Formes et Couleurs, 1946. 23 x 31, sans pagination, très nombreuses illustrations en couleurs et en N/B, nombreuses pages publicitaires, broché, très bon état.
Riferimento per il libraio : 106.993
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Formes et Couleurs
Formes et Couleurs, N° 1, 1946 : La table.
Lausanne, Formes et Couleurs, 1946. 23 x 31, sans pagination, très nombreuses illustrations en couleurs et en N/B, nombreuses pages publicitaires, broché, très bon état.
Riferimento per il libraio : 107.004
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Formes et Couleurs
Formes et Couleurs, N° 1, 1947 : Le cheval.
Lausanne, Formes et Couleurs, 1947. 23 x 31, sans pagination, très nombreuses illustrations en couleurs et en N/B, nombreuses pages publicitaires, broché, très bon état.
Riferimento per il libraio : 106.992
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Formes et Couleurs
Formes et Couleurs, N° 1, 1948 : Médecine.
Lausanne, Formes et Couleurs, 1948. 23 x 31, sans pagination, très nombreuses illustrations en couleurs et en N/B, nombreuses pages publicitaires, broché, très bon état.
Riferimento per il libraio : 106.980
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Formes et Couleurs
Formes et Couleurs, N° 1, 1949 : Egypte.
Lausanne, Formes et Couleurs, 1949. 23 x 31, sans pagination, très nombreuses illustrations en couleurs et en N/B, nombreuses pages publicitaires, broché, très bon état.
Riferimento per il libraio : 106.982
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Formes et Couleurs
Formes et Couleurs, N° 2 (11e série), 1949 : Le ciel.
Lausanne, Formes et Couleurs, 1949. 23 x 31, sans pagination, très nombreuses illustrations en couleurs et en N/B, nombreuses pages publicitaires, broché, très bon état.
Riferimento per il libraio : 106.983
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Formes et Couleurs
Formes et Couleurs, N° 2 , 1945 : Poésie.
Lausanne, Formes et Couleurs, 1945. 23 x 31, sans pagination, très nombreuses illustrations en couleurs et en N/B, nombreuses pages publicitaires, broché, très bon état.
Riferimento per il libraio : 106.987
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Formes et Couleurs
Formes et Couleurs, N° 2, 1944 : Pierre Bonnard.
Lausanne, Formes et Couleurs, 1944. 23 x 31, sans pagination, très nombreuses illustrations en couleurs et en N/B, nombreuses pages publicitaires, broché, très bon état.
Riferimento per il libraio : 106.999
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Formes et Couleurs
Formes et Couleurs, N° 2, 1946 : Amour.
Lausanne, Formes et Couleurs, 1946. 23 x 31, sans pagination, très nombreuses illustrations en couleurs et en N/B, nombreuses pages publicitaires, broché, bon état (dos légèrement abîmé).
Riferimento per il libraio : 106.978
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Formes et Couleurs
Formes et Couleurs, N° 2, 1947 : Montagne.
Lausanne, Formes et Couleurs, 1947. 23 x 31, sans pagination, très nombreuses illustrations en couleurs et en N/B, nombreuses pages publicitaires, broché, très bon état.
Riferimento per il libraio : 106.991
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Formes et Couleurs
Formes et Couleurs, N° 2, 1948 : Musique.
Lausanne, Formes et Couleurs, 1948. 23 x 31, sans pagination, très nombreuses illustrations en couleurs et en N/B, nombreuses pages publicitaires, broché, très bon état
Riferimento per il libraio : 106.979
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Formes et Couleurs
Formes et Couleurs, N° 3 , 1948 : Rubens.
Lausanne, Formes et Couleurs, 1948. 23 x 31, sans pagination, très nombreuses illustrations en couleurs et en N/B, nombreuses pages publicitaires, broché, très bon état.
Riferimento per il libraio : 106.984
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Formes et Couleurs
Formes et Couleurs, N° 3, 1944 : Théâtre.
Lausanne, Formes et Couleurs, 1944. 23 x 31, sans pagination, très nombreuses illustrations en couleurs et en N/B, nombreuses pages publicitaires, broché, très bon état
Riferimento per il libraio : 106.977
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Formes et Couleurs
Formes et Couleurs, N° 3, 1946 : L'art et la guerre.
Lausanne, Formes et Couleurs, 1946. 23 x 31, sans pagination, très nombreuses illustrations en couleurs et en N/B, nombreuses pages publicitaires, broché, très bon état
Riferimento per il libraio : 106.976
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Formes et Couleurs
Formes et Couleurs, N° 3, 1946 : L'art et la guerre.
Lausanne, Formes et Couleurs, 1946. 23 x 31, sans pagination, très nombreuses illustrations en couleurs et en N/B, nombreuses pages publicitaires, broché, très bon état
Riferimento per il libraio : 107.006
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Formes et Couleurs
Formes et Couleurs, N° 3, 1947 : La mer.
Lausanne, Formes et Couleurs, 1947. 23 x 31, sans pagination, très nombreuses illustrations en couleurs et en N/B, nombreuses pages publicitaires, broché, très bon état.
Riferimento per il libraio : 106.990
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Formes et Couleurs
Formes et Couleurs, N° 3/4 , 1945 : Romantisme.
Lausanne, Formes et Couleurs, 1945. 23 x 31, sans pagination, très nombreuses illustrations en couleurs et en N/B, nombreuses pages publicitaires, broché, très bon état.
Riferimento per il libraio : 106.985
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Formes et Couleurs
Formes et Couleurs, N° 4, 1942 : Auberjonois.
Lausanne, Formes et Couleurs, 1942. 23 x 31, sans pagination, très nombreuses illustrations en couleurs et en N/B, nombreuses pages publicitaires, broché, très bon état.
Riferimento per il libraio : 107.001
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Formes et Couleurs
Formes et Couleurs, N° 4, 1944 : La demeure.
Lausanne, Formes et Couleurs, 1944. 23 x 31, sans pagination, très nombreuses illustrations en couleurs et en N/B, nombreuses pages publicitaires, broché, bon état (papier collant au dos)
Riferimento per il libraio : 106.997
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Formes et Couleurs
Formes et Couleurs, N° 4, 1944 : La demeure.
Lausanne, Formes et Couleurs, 1944. 23 x 31, sans pagination, très nombreuses illustrations en couleurs et en N/B, nombreuses pages publicitaires, broché, très bon état.
Riferimento per il libraio : 106.998
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Formes et Couleurs
Formes et Couleurs, N° 4, 1947 : La mode.
Lausanne, Formes et Couleurs, 1947. 23 x 31, sans pagination, très nombreuses illustrations en couleurs et en N/B, nombreuses pages publicitaires, broché, très bon état
Riferimento per il libraio : 106.975
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Formes et Couleurs
Formes et Couleurs, N° 4, 1948 : La danse.
Lausanne, Formes et Couleurs, 1948. 23 x 31, sans pagination, très nombreuses illustrations en couleurs et en N/B, nombreuses pages publicitaires, broché, très bon état
Riferimento per il libraio : 106.972
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Formes et Couleurs
Formes et Couleurs, N° 4/5, 1946 : L'enfance.
Lausanne, Formes et Couleurs, 1946. 23 x 31, sans pagination, très nombreuses illustrations en couleurs et en N/B, nombreuses pages publicitaires, broché, très bon état.
Riferimento per il libraio : 106.989
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Formes et Couleurs
Formes et Couleurs, N° 5 , 1947 : La scène.
Lausanne, Formes et Couleurs, 1947. 23 x 31, sans pagination, très nombreuses illustrations en couleurs et en N/B, nombreuses pages publicitaires, broché, bon état (dos légèrement défraîchi).
Riferimento per il libraio : 106.986
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Formes et Couleurs
Formes et Couleurs, N° 5/6 , 1945 : La Suisse.
Lausanne, Formes et Couleurs, 1945. 23 x 31, sans pagination, très nombreuses illustrations en couleurs et en N/B, nombreuses pages publicitaires, broché, très bon état.
Riferimento per il libraio : 106.988
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Formes et Couleurs
Formes et Couleurs, N° 5/6 , 1945 : La Suisse.
Lausanne, Formes et Couleurs, 1945. 23 x 31, sans pagination, très nombreuses illustrations en couleurs et en N/B, nombreuses pages publicitaires, broché, très bon état.
Riferimento per il libraio : 107.005
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Formes et Couleurs
Formes et Couleurs, N° 5/6, 1942.
Lausanne, Formes et Couleurs, 1942. 23 x 31, sans pagination, très nombreuses illustrations en couleurs et en N/B, nombreuses pages publicitaires, broché, très bon état.
Riferimento per il libraio : 107.000
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Formes et Couleurs
Formes et Couleurs, N° 5/6, 1948 : Le livre et les arts graphiques.
Lausanne, Formes et Couleurs, 1948. 23 x 31, sans pagination, très nombreuses illustrations en couleurs et en N/B, nombreuses pages publicitaires, broché, très bon état
Riferimento per il libraio : 106.971
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Formes et Couleurs
Formes et Couleurs, N° 6, 1944 : Paris.
Lausanne, Formes et Couleurs, 1944. 23 x 31, sans pagination, très nombreuses illustrations en couleurs et en N/B, nombreuses pages publicitaires, broché, très bon état.
Riferimento per il libraio : 106.996
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Formes et Couleurs
Formes et Couleurs, N° 6, 1944 : Paris.
Lausanne, Formes et Couleurs, 1944. 23 x 31, sans pagination, très nombreuses illustrations en couleurs et en N/B, nombreuses pages publicitaires, broché, très bon état.
Riferimento per il libraio : 107.002
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Formes et Couleurs
Formes et Couleurs, N° 6, 1946 : Le cinéma
Lausanne, Formes et Couleurs, 1946. 23 x 31, sans pagination, très nombreuses illustrations en couleurs et en N/B, nombreuses pages publicitaires, broché, très bon état
Riferimento per il libraio : 106.973
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