|
LO DUCA, J.M. - MARTIN, Robert Henri
De Rennes à Rennes
PARIS, Ed. Jean Picollec - 1986 - In-4 à l'italienne - Cartonnage éditeur frotté llustré en couleurs - Nombreuses illustrations NB et en couleurs de R.H. Martin - Signet - 125 pages
Referentie van de boekhandelaar : 8603
|
|
|
LO DUCA, Joseph Marie
Erotique de l'art.
Paris, La Jeune Parque, 1966 - In-4 , Sous emboîtage - Reliure imitation cuir rouge d'éditeur -1er plat orné d'un décor de filets dorés avec titre imprimé - dos à caissons dorés - importante iconographie en noir et en couleurs, certianes illustrations PP - Edition originale hors commerce.- Ex. comme neuf.
|
|
|
LO DUCA, Joseph Marie
Erotique de l'art.
Paris, La Jeune Parque, 1966 - In-4 , Sous emboîtage - Reliure imitation cuir rouge d'éditeur -1er plat orné d'un décor de filets dorés avec titre imprimé - dos à caissons dorés - importante iconographie en noir et en couleurs, certianes illustrations PP - Edition originale hors commerce.- Ex. comme neuf.
Referentie van de boekhandelaar : 3990
|
|
|
LOBELLE-CALUWE, H. - Memling, Hans
LE MUSÉE MEMLING À L'HÔPITAL SAINT-JEAN DE BRUGES - Paris s/f - Muy ilustrado
Paris, Éditions Albin Michel, s/f. Numerosas ilustraciones en color. 126p. 4º mayor. Rústica editorial ilustrada. Muy buen ejemplar.
|
|
|
Lobelle-Caluwe, Hilde
Musée Memling Bruges
Crédit Communal, Ludion S.A., Bruxelles, 1987. In-4, broché sous couverture illustrée en couleur, 126 pp. Le musée Memling à l'hôpital Saint-Jean de Bruges - Le domaine de l'hôpital et les bâtiments historiques : le domaine de l'hôpital. - les bâtiments historiques. - les salles des malades et l'église. - le couvent des frères, l'ancienne apothicairerie ...
Referentie van de boekhandelaar : 1876
|
|
|
LOBSTEIN Dominique
Défense et illustration de l'impressionisme. Ernest Hoschedé et son "Brelan deSalons" (1890)
L'Echelle de Jacob, 2008. In-8. Broché. Portrait en couverture. 260 pages. Avec catalogues des ventes Hoschedé. Index. Hormis une petite déchirure sur la 4ème de couverture réparée, ouvrage en bon état
Referentie van de boekhandelaar : 5486
|
|
|
LOCHER Hubert
Deutsche Malerei im 19. Jahrhundert
213pp.richly illustrated in colour & bl/w, 28cm., cart.cover, VG
|
|
|
LOCHER Hubert
Deutsche Malerei im 19. Jahrhundert
Darmstadt, Wissenschaftliche Buchgesellschaft 2005 213pp.richly illustrated in colour & bl/w, 28cm., cart.cover, VG
Referentie van de boekhandelaar : S61626
|
|
|
LOCHER J.L. (sous la direction de)
La vie et l'oeuvre de M.C. ESCHER.
CHENE/HACHETTE 1981, reliure pleine toile d'éditeur avec jaquette illustrée, 25x31 cm, 349 pages, richement illustré en noir et blanc et couleurs. Biographie et bibliographie.
Referentie van de boekhandelaar : 6494
|
|
|
Locher, Hans
Piet Mondrian - Colour, Structure and Symbolism
Verlag Gachnang & Springer, Berne/Berlin, 1994. In-8, cartonnage éditeur illustré en couleurs, 93 pp. Composition A. - Reality. - Evolution. - Utopian Function. - Landscape. - Flower. - Experiments. - Change. - Frame and Title. - Contraction and Expansion. - Exchange with Bart van der Leck. - Lozenge Shape. - Elaborations. - Diagonals. - ...
Referentie van de boekhandelaar : 1002
|
|
|
LOCHER, Hubert;
DEUTSCHE MALEREI IM 19. JAHRHUNDERT,
Darmstadt, Primus Verlag, 2005 Gebunden, Leinen mit Schutzumschlag, 205 x 275mm., 211S., illustriert. ISBN 3896785303.
Referentie van de boekhandelaar : 29135
|
|
|
Lochnan, Katharine A. and Carol Jacobi
William Holman Hunt and the Pre-raphaelite Vision.
Yale University Press, New Haven and London, 2009. 221 Seiten / pp., mit zahlreichen Abbildungen / richly illustrated; 4°, 28,5 x 23,5 cm, Pappeinband / Hardcover
Referentie van de boekhandelaar : 39627
|
|
|
LOEB EDOUARD
L'ILE
P., Les pas perdus, 1951. In-12 broché, 68 pages. Un des 400 exemplaires numérotés sur Marais.
|
|
|
LOEB, Pierre
Voyages à travers la Peinture [ Edition originale ]
Un des 120 exemplaires tirés sur papier de Rives B.F.K. à la cuve, avec une eau-forte originale de Wilfredo Lam (n°36) 1 vol. grand in-8 br. sous couv. rempliée, Galerie Pierre, de Paris, 1946, 144 pp. Rare exemplaire de l'édition originale, mais incomplet de l'eau-forte annoncée de Wilfredo Lam. Exemplaire de belle provenance, portant l'ex-libris Hélène Anavi, à Paulhiac. Juive roumaine née au Liban, américaine, Hélène Anavi (1904-1984) avait emporté à la suite de son divorce d'avec Claude Hersaint l'essentiel de sa collection d'art moderne (Balthus, Dali, Miro, Dubuffet, Mathieu, etc...) dans son moulin de Paulhiac. Etat très satisfaisant (sans l'eau-forte annoncée, dos lég. frotté en queue, qq. rouss., bon état par ailleurs, cachet à froid d'ex-libris Hélène Anavi, Paulhiac ) Français
|
|
|
LOEB, Pierre
Voyages à travers la Peinture [ Edition originale ]
Un des 120 exemplaires tirés sur papier de Rives B.F.K. à la cuve, avec une eau-forte originale de Wilfredo Lam (n°36) 1 vol. grand in-8 br. sous couv. rempliée, Galerie Pierre, de Paris, 1946, 144 pp.
Referentie van de boekhandelaar : 61655
|
|
|
Loewenstein, F.E
Die Handzeichnungen d. japanischen Holzschnittmeister.
Plauen, Schulz & Co. 1922. 4°. M. 32 (2 farb. mont.) Taf. 3 Bl., 71 S. OHlwd. m. Rsign. M. mehr. St. (Ostasiatische Graphik 2).
Referentie van de boekhandelaar : 414478
|
|
|
LOEWER, Claude - HUG, Charlotte / TSCHOPP, Walter / WAHLER, Marc-Olivier:
Claude Loewer. L’évasion calculée. Travaux de 1938 à 1993 avec le catalogue raisonné des tapisseries de 1953 à 1974. Textes de Charlotte Hug, Walter Tschopp, Marc-Olivier Wahler.
Lausanne, Editions Acatos, 1993, in-4to, 312 p. richement ill. de photos couleurs et n/b d’après les tableaux de l’artiste, reliure en toile originale. Jaquette ill. en couleur.
Referentie van de boekhandelaar : 115017aaf
|
|
|
Loewig, R
Sei ein Himmel gnädig meiner späten Ernte". Gedichte u. Zeichnungen.
(Berlin, 1978). Quer-4°. M. zahlr. Abb. d. Künstlers. 94 S. Ill. OKart. Rücken leicht bestoßen.
Referentie van de boekhandelaar : 632931
|
|
|
LOEWINSON-LESSING Vladimir & NICOULINE Nicolas
Le musée de l'Ermitage, Léningrad [dans: Les Primitifs Flamands. I: Corpus de la peinture des anciens Pays-Bas méridionaux au quinzième siècle, 8]
Bruxelles, Centre National de recherches "Primitifs Flamands" 1965 [ix] + 68pp. + 125 planches hors texte, 29cm., reliure toile, jaq.ill., bel état, dans la série "Les Primitifs Flamands. I: Corpus de la peinture des anciens Pays-Bas méridionaux au quinzième siècle" volume 8, S84592
Referentie van de boekhandelaar : S84592
|
|
|
LOEWINSON-LESSING Vladimir & NICOULINE Nicolas
Le musée de l'Ermitage, Léningrad [dans: Les Primitifs Flamands. I: Corpus de la peinture des anciens Pays-Bas méridionaux au quinzième siècle, 8]
[ix] + 68pp. + 125 planches hors texte, 29cm., reliure toile, jaq.ill., bel état, dans la série "Les Primitifs Flamands. I: Corpus de la peinture des anciens Pays-Bas méridionaux au quinzième siècle" volume 8, S84592
|
|
|
LOGAN.- collectif
1) Omar Logang. Peintures. 11 au 18 septembre. 2) Logang y sur de Marruecos. Pinturas 2005. 2 livres ens.
Nice, Galerie Artemisi, 2008, in-4to, 1) 37 p. richement ill. couleurs des oeuvres d’Omar Logang. 2) P. n. n., env. 45 p., richement ill. couleurs, brochure originale.
Referentie van de boekhandelaar : 111157aaf
|
|
|
Lohse, B. u. H. Busch (Hrsg.)
Kleinodien. Auserlesene Kunstwerke in Deutschland.
Frankfurt, Umschau, (1958). 4°. M. zahlr. (teils farb.) Abb. 256 S. OLwd. Widm. a. Vorsatz.
Referentie van de boekhandelaar : 133400
|
|
|
LOILIER (Hervé)
Loilier Entre Orient et Occident.
Paris, Editions du Léopard d'Or, 2008. Gr. in 4 (290 x 290) de 320 p., 1 f. Cartonnage glacé illustré en couleurs de l'éditeur, titre en blanc au dos, jaquette illustrée en couleurs (à l'identique). Etat neuf.
Referentie van de boekhandelaar : EYL-12
|
|
|
LOIR (Luigi) - (Photo de la 2e collection Félix Potin) Photo Petit.
Photographie de la collection Félix Potin (4 x 7,5 cm) représentant : Luigi Loir, peintre.
- Photographie 4 x 7, 5 cm. Notice biographique collée au dos. Légèrement tachée.
Referentie van de boekhandelaar : 51596
|
|
|
Loire
Gabriel Loire. Croquis de voyages (Vision sur un peintre)
aux éditions Vision sur les arts ,1981, in-8 de xxx pages ,illustrations in-texte ,Relié, jaquette illustrée ,Bon état , .(3 photos du livre sur mon site https://www.vieuxlivre.fr) .Les frais de port pour la France sont offerts à partir de 25 euros d'achat (Mondial relay ). (colissimo suivi +6,90 ).
Referentie van de boekhandelaar : 48853
|
|
|
Loire, Stéphane (dir.)
La collection Lemme - Tableaux romains des XVIIe et XVIIIe siècles
Editions de la Réunion des musées nationaux, Paris, 1998. In-4, broché sous couverture illustrée en couleur, 335 pp. Avant-propos, par Françoise Cachin - Une seule passion, par Pierre Rosenberg - A l'origine d'une collection, par Fabrizio Lemme et Fiammetta Luly Lemme - La donation au Louvre, par Jean-Pierre Cuzin - Les grandes étapes de l'évolution des arts figuratifs ...
Referentie van de boekhandelaar : 3108
|
|
|
LOIZE (Jean)
Deux amours de peintres.
Montpellier La Murène 1989 une plaquette in-8°, 53 (1) pp., couverture crème titrée sépia à rabat. (présence de faibles brunissures et discrètes marques à la couverture). 8 hors-texte en noir. Publication soignée. Exemplaire non coupé.
Referentie van de boekhandelaar : 025733
|
|
|
LOLITA ASIL.
Hayat çizgileri.= Infinite life.
Fine English Paperback. Pbo. Good. B/w and color ills. 1000 copies were printed. In Turkish and English. Hayat çizgileri.= Infinite life.
|
|
|
Lomarti
LOMARTI. Pintura. Escultura - Tarragona 2006 - Il·lustrat
Tarragona, Museu d'Art Modern de Tarragona, 2006. 35 p. 8è apaisat. Rústica editorial. Molt bon exemplar. Catàleg de l'exposició celebrada al Museu d'Art Modern de Tarragona del 9 de febrer al 12 de març.
|
|
|
LOMBARDO (S.)
AU DELA DU MIROIR... Jacobo BORGES, romantique et baroque
NOIR ET BLANC 1992 Un volume in-8° oblong, 43 (1) pp., couverture illustrée à rabat. (couverture tâchée et faiblement marquée). Reproductions en couleurs d'oeuvres de Jacobo Borges.
Referentie van de boekhandelaar : 027835
|
|
|
LOMPRET Marcel de
"Tableaux et collectionneurs; causerie."
Anvers, Editeurs-Imprimeurs V. van Dieren, 1962. 17 x 25, 40 pp., quelques illustrations en N/B, broché, bon état.
Referentie van de boekhandelaar : 65285
|
|
|
London
British Historical Portraits. A selection from the National Portrait Gallery with biographical notes.
Cambridge, Univ. Press 1957. 8°, 265(1) S., m. 382 Abb., OLn. m. ill. OU., an diesem etliche Gebrauchsspuren, sonst sehr schönes Expl.
Referentie van de boekhandelaar : EEzz5998
|
|
|
Longacre, James Barton (engr) (1794 - 1869), after a painting by Pine
George Read.
Philadelphia PA: Longacre 1822. Engraving. 8 x 9.7 cm. Very Good with minor foxing. [Philadelphia, PA]: Longacre, [1822]. unknown
Referentie van de boekhandelaar : 68-8400
|
|
|
Longacre, James Barton (1794 - 1869) after a painting by Pine; T B Welch (engr).
Robert Morris.
Philadelphia PA: Longacre ca. 1850. Engraving. 8 x 11.5 cm. Very Good with minor foxing. [Philadelphia, PA]: Longacre, [ca. 1850]. unknown
Referentie van de boekhandelaar : 68-8395
|
|
|
Longacre, James Barton (1794 - 1869) after a painting by Pine; George B Ellis (engr).
Thomas Stone
Philadelphia PA: Longacre ca. 1850. Engraving. 8 x 9.5 cm. Very Good with minor foxing. [Philadelphia, PA]: Longacre, [ca. 1850]. unknown
Referentie van de boekhandelaar : 68-8390
|
|
|
Longaretti, Trent
LONGARETTI
1st Edition. Original Green Wrappers. 8vo. 11 pages ; 22 cm. A very scarce exhibition catalog from Trento Longarettis 1-man show at the Monza Museo Civic Dellarengario from November 23rd through December 5th in 1968. Includes a brief introduction from the artist and 9 plates of Longarettis work (mostly black and white with one plate in color) . Trento Longaretti (1916 Present) is an Italian painter from Treviglio, in the Province of Bergamo in Lombardy. He studied at the Brera Academy in the 1930s, where he was taught by renowned artists including painters Aldo Carpi and Pompeo Borra, and sculptors Francesco Messina and Marino Marini. He says that painting is an elixir for long life, and continues to paint and exhibit as a centenarian
He was on the fringes of the Corrente movement started by his friends and classmates in the 1930s to oppose the Novecento Italiano movement that was influenced by Italian Fascism. He was drafted by the Italian Army in 1939, completing tours of duty that until 1945 interrupted his artwork though still enabling him to attend several exhibitions, including the Mostra degli artisti in armi exhibit at the Palazzo delle Esposizioni in Rome
He became involved in the Italian figurative art movement of the mid 1900s. His growing stature as a painter in Italy led to exhibitions at increasingly prestigious events, such as the Venice Biennale and Rome Quadriennale. It ultimately led to Longaretti earning the Chair of Painting and becoming the director of the Accademia Carrara in Bergamo in 1953, a position he held until retiring in 1978
(Wikipedia, 2017) OCLC lists no copies worldwide. Slight wear to wrappers and very faint toning to inside pages but overall in very good condition. Rare. (ITART-1-44) xx
|
|
|
Longaretti, Trento
GALLERIA TRENTADUE: DAL 27 MAGGIO AL 25 GIUGNO 1983
1st Edition. Original Illustrated Wrappers. 8vo. 18 pages ; 23 cm. In Italian. Title translates into English as, Galleria Trentadue. From May 27th TO June 25th, 1983. Rare Catalog from Longarettis 1983 exhibition in Milan. Includes reproductions in color and black and white throughout. Trento Longaretti (1916 Present) is an Italian painter from Treviglio, in the Province of Bergamo in Lombardy. He studied at the Brera Academy in the 1930s, where he was taught by renowned artists including painters Aldo Carpi and Pompeo Borra, and sculptors Francesco Messina and Marino Marini. He says that painting is an elixir for long life, and continues to paint and exhibit as a centenarian
(Wikipedia, 2017) OCLC lists no copies worldwide. Very good condition. (ITART-1-57) xx
|
|
|
Longaretti, Trento
TRENTO LONGARETTI: ARCHIVAL LOT 2 [9 ILLUSTRATED CATALOGS]
This lot includes nine 1st edition illustrated exhibition catalogs from the prolific 20th century Italian artist Trento Longaretti. Includes 8 exhibition catalogs from: 1) Treviglio: Galleria Ferrari, 1967. 2) Paris: Gallerie Bernheim, 1971. 3) Treviglio: Gallerie Ferrari, 1972. 4) Munich: Kunstsalon Rose Lörch, 1976. 5) Lombardy (Usmate Velate) : Villa Borgia, 1989. 6) Eschenz: Galerie Zur Krone, 1991. 7) Turin: Societa Promotrice delle Belle Arti, 2002. Also includes a copies of Longaretti Cinquant'anni di Pittura, published by the Galleria Ferrari in 1980 as well as a brief illustrated biography of Longaretti published by the Comanducci Edition DArte Milano. Trento Longaretti (1916 Present) is an Italian painter from Treviglio, in the Province of Bergamo in Lombardy. He studied at the Brera Academy in the 1930s, where he was taught by renowned artists including painters Aldo Carpi and Pompeo Borra, and sculptors Francesco Messina and Marino Marini. He says that painting is an elixir for long life, and continues to paint and exhibit as a centenarian
He was on the fringes of the Corrente movement started by his friends and classmates in the 1930s to oppose the Novecento Italiano movement that was influenced by Italian Fascism. He was drafted by the Italian Army in 1939, completing tours of duty that until 1945 interrupted his artwork though still enabling him to attend several exhibitions, including the Mostra degli artisti in armi exhibit at the Palazzo delle Esposizioni in Rome
He became involved in the Italian figurative art movement of the mid 1900s. His growing stature as a painter in Italy led to exhibitions at increasingly prestigious events, such as the Venice Biennale and Rome Quadriennale. It ultimately led to Longaretti earning the Chair of Painting and becoming the director of the Accademia Carrara in Bergamo in 1953, a position he held until retiring in 1978
(Wikipedia, 2017) Items have some edgewear and a few markings throughout but all are between About very good and very good condition. (ITART-1-55)
|
|
|
Longaretti, Trento
TRENTO LONGARETTI: ARCHIVAL LOT 3 [CORRESPONDENCES AND DRAWING]
Includes several pieces of Longarettis correspondence, including two lengthy hand-written postcards, a two-page letter, an inscribed brochure from the Artists 1979 show in Zurich, and a warmly inscribed business card. Most of these correspondences are between Longaretti and a New York City based art gallery owner. Also includes several items from Longarettis trip to New York for his first public exhibition in the United States (at Columbia University in 1968) . These items include: 1) a drawing of a man in red pen that Longaretti doodled while in New York. 2) a set of 4 type-written drafts of Longarettis biography for the exhibition and two official invitations for the exhibition, and 3) The original price-guide for the 38 works that Longaretti showed at Columbia. This lot also includes 4 illustrated postcards of Longarettis Madre con Babino Davanti al Monastero, all unsigned. ARTIST BIOGRAPHY: Trento Longaretti (1916 Present) is an Italian painter from Treviglio, in the Province of Bergamo in Lombardy. He studied at the Brera Academy in the 1930s, where he was taught by renowned artists including painters Aldo Carpi and Pompeo Borra, and sculptors Francesco Messina and Marino Marini. He says that painting is an elixir for long life, and continues to paint and exhibit as a centenarian
He was on the fringes of the Corrente movement started by his friends and classmates in the 1930s to oppose the Novecento Italiano movement that was influenced by Italian Fascism. He was drafted by the Italian Army in 1939, completing tours of duty that until 1945 interrupted his artwork though still enabling him to attend several exhibitions, including the Mostra degli artisti in armi exhibit at the Palazzo delle Esposizioni in Rome
He became involved in the Italian figurative art movement of the mid 1900s. His growing stature as a painter in Italy led to exhibitions at increasingly prestigious events, such as the Venice Biennale and Rome Quadriennale. It ultimately led to Longaretti earning the Chair of Painting and becoming the director of the Accademia Carrara in Bergamo in 1953, a position he held until retiring in 1978
(Wikipedia, 2017) Paper is toning and slightly worn for the Columbia University Materials which are otherwise in good condition. The hand-written correspondence and postcards are in about very good to very good condition. (ITART-1-56)
|
|
|
Longaretti, Trento
WORKS BY TRENTO LONGARETTI
1st Edition. Original Wrappers. 8vo. 2 pages ; 20 cm. Scarce exhibition brochure from Longarettis show at the Artists Own Gallery on 26 Kingsley St. In London in 1966. He shared the space with Virgilio Ciminaghi. Includes a brief introduction from Carlo Pirovano, one plate of Longarettis work and a list of the 20 works that were on display in London. OCLC lists no copies worldwide. Slight toning. Overall very good condition. (ITART-1-54) xx
|
|
|
Longaretti, Trento ; Galleria L'Approdo
LONGARETTI: [MOSTRA PERSONALE DI TRENTO LONGARETTI, DIPINTI, ACQUARELLI, DISEGNI; DAL 15 MAGGIO AL 6 GIUGNO 1976]
1st Edition. Original Illustrated Wrappers. 8vo. [10] pages ; 20 cm. In Italian. Title translates into English as, Longaretti: [Exhibition Of Trento Longaretti Paintings, Watercolors, And Drawings: From May 15th To June 6th 1976]. Scarce exhibition catalog from Galleria LApprodo. Trento Longaretti (1916 Present) is an Italian painter from Treviglio, in the Province of Bergamo in Lombardy. He studied at the Brera Academy in the 1930s, where he was taught by renowned artists including painters Aldo Carpi and Pompeo Borra, and sculptors Francesco Messina and Marino Marini. He says that painting is an elixir for long life, and continues to paint and exhibit as a centenarian
(Wikipedia, 2017) OCLC lists 2 copies worldwide. Very good condition. (ITART-1-51) xx
|
|
|
Longaretti, Trento; De Santi, Floriano
LONGARETTI: PAESAGGI E NATURE MORTE [INSCRIBED BY THE ARTIST]
1st Edition. Original Illustrated Wrappers. 8vo. 94 pages ; 25 cm. In Italian. Title translates into English as, Longaretti: Landscapes and Natural Death. Trento Longaretti (1916 Present) is an Italian painter from Treviglio, in the Province of Bergamo in Lombardy. He studied at the Brera Academy in the 1930s, where he was taught by renowned artists including painters Aldo Carpi and Pompeo Borra, and sculptors Francesco Messina and Marino Marini. He says that painting is an elixir for long life, and continues to paint and exhibit as a centenarian
(Wikipedia, 2017) OCLC lists just 4 copies worldwide (Bib Nazionale Ctr Vittorio Emanuele Ii, Rovereto Civica, Univ Cattolica Del Sacro Cuore, University Of Parma-Arts & Theatre Library) and none outside of Italy. Inscribed by the author on the title page. Very good+ condition. (ITART-1-49)
|
|
|
Longaretti, Trento; Mascherpa, Giorgio
LONGARETTI. ACQUAFORTI. [INSCRIBED BY THE ARTIST]
1st Edition. Original Paper Wrappers. 4to. 65 unnumbered pages with; 28 cm. In Italian. A brief Italian Introduction by Giorgio Mascherpa followed by 56 plates of drawings by Longaretti. Trento Longaretti (1916 Present) is an Italian painter from Treviglio, in the Province of Bergamo in Lombardy. He studied at the Brera Academy in the 1930s, where he was taught by renowned artists including painters Aldo Carpi and Pompeo Borra, and sculptors Francesco Messina and Marino Marini. He says that painting is an "elixir for long life", and continues to paint and exhibit as a centenarian
He was on the fringes of the Corrente movement started by his friends and classmates in the 1930s to oppose the Novecento Italiano movement that was influenced by Italian Fascism. He was drafted by the Italian Army in 1939, completing tours of duty that until 1945 interrupted his artwork though still enabling him to attend several exhibitions, including the Mostra degli artisti in armi exhibit at the Palazzo delle Esposizioni in Rome
He became involved in the Italian figurative art movement of the mid 1900s. His growing stature as a painter in Italy led to exhibitions at increasingly prestigious events, such as the Venice Biennale and Rome Quadriennale. It ultimately led to Longaretti earning the "Chair of Painting" and becoming the director of the Accademia Carrara in Bergamo in 1953, a position he held until retiring in 1978
(Wikipedia, 2017) OCLC lists no copies of this collection worldwide. Inscribed by Longaretti on the first inside page. A beautiful copy. Very good+ condition. (ITART-1-7)
|
|
|
Longaretti, Trento; Pirovano, Carlo
LONGARETTI [INSCRIBED BY THE ARTIST]
1st Edition. Original Boards with Original Dust Jacket. 4to. 189 pages ; 29 cm. In Italian. Introduction by Art Historian Carlo Pirovano who served as Scientific Director of the publishing house Electa. Trento Longaretti (1916 Present) is an Italian painter from Treviglio, in the Province of Bergamo in Lombardy. He studied at the Brera Academy in the 1930s, where he was taught by renowned artists including painters Aldo Carpi and Pompeo Borra, and sculptors Francesco Messina and Marino Marini. He says that painting is an elixir for long life, and continues to paint and exhibit as a centenarian
He was on the fringes of the Corrente movement started by his friends and classmates in the 1930s to oppose the Novecento Italiano movement that was influenced by Italian Fascism. He was drafted by the Italian Army in 1939, completing tours of duty that until 1945 interrupted his artwork though still enabling him to attend several exhibitions, including the Mostra degli artisti in armi exhibit at the Palazzo delle Esposizioni in Rome
He became involved in the Italian figurative art movement of the mid 1900s. His growing stature as a painter in Italy led to exhibitions at increasingly prestigious events, such as the Venice Biennale and Rome Quadriennale. It ultimately led to Longaretti earning the Chair of Painting and becoming the director of the Accademia Carrara in Bergamo in 1953, a position he held until retiring in 1978
(Wikipedia, 2017) Includes 237 plates of Longarettis work. OCLC listings are a bit unclear but there are at least 2 copies worldwide (MART, Bibliothek Der Universitat Der Kunste) and possibly 10-15 more between this edition and a later edition published in the following year. This copy is inscribed by the artist on the title page. Dust Jacket has some edgewear but overall both the book and jacket are in very good condition. Important. (ITART-1-45)
|
|
|
Longaretti, Trento; Pirovano, Carlo
MOSTRA ANTOLOGICA DI TRENTO LONGARETTI
1st Edition. Original Wrappers with Original Illustrated Dust Jacket. 4to. [7], [60] pages with XXX plates ; 28 cm. In Italian. Trento Longaretti (1916 Present) is an Italian painter from Treviglio, in the Province of Bergamo in Lombardy. He studied at the Brera Academy in the 1930s, where he was taught by renowned artists including painters Aldo Carpi and Pompeo Borra, and sculptors Francesco Messina and Marino Marini. He says that painting is an elixir for long life, and continues to paint and exhibit as a centenarian
(Wikipedia, 2017) OCLC lists 3 copies worldwide (Getty Museum, Frick Museum, Kunsthistorisches Institut In Florenz) . Some wear to Jacket and slight toning but overall both Jacket and Book are about very good condition. (ITART-1-50) xx
|
|
|
LONGHI (Roberto).
Le Caravage.
1952 Milan, Martello,1952; grand in-4 pleine verte éditeur plastifiée, titre doré sur fond noir 1er plat et dos; 49pp. de texte illustrées de 47 figures en noir et 50 planches H.T. en couleurs.
Referentie van de boekhandelaar : cROU-96
|
|
|
Longhi, Roberto
Disegno della pittura italiana. A cura di Carlo Volpe.
Firenze, G. C. Sansoni Editore, 1979. Vol. I: Da Cimabue a Giovanni Bellini. - Vol. II: Da Leonardo al Canaletto. VIII, 326 S., 254 s/w Taf.; 343 S., 248 s/w Taf. 4°, Original-Kunstledereinbände mit Original-Schutzumschlägen. - Original faux leather bindings with original dust jackets. [2 Warenabbildungen]
Referentie van de boekhandelaar : 24483
|
|
|
Longhi, Roberto
Piero Della Francesca: La Legense de la Croix - Le mur de gauche des fresques de S. Francesco a Arezzo [Exemplaire No. 442]
36x28 cm. 9+34 pages. Hardcover with dust jacket. In good condition. PLEASE NOTE: This item is overweight. We may ask for extra shipping costs.
|
|
|
LONGOBARDI
Xavier Longobardi. Peintures 1972 à 1984.
Broché. 18 pages. Cachets.
|
|
|
LONGPERIER Adrien de (DELACROIX Eugène)
Lettre autographe signée sur le plafond de Eugène Delacroix à la galerie d'Apollon du palais du Louvre
- 13 septembre 1852, 12,2x19cm, une feuille. - Longue lettre autographe signée de l'archéologue et conservateur des antiques du musée du Louvre, Adrien de Longpérier, à un journaliste, 4 pages sur une feuille rempliée. Dans cette passionnante lettre sur Eugène Delacroix, le conservateur des antiquités égyptiennes Longpérier fustige un journaliste, auteur d'une dure critique du plafond du peintre à la galerie d'Apollon du Louvre : "mais quand il s'agit seulement d'un plafond, fait pour une galerie roccoco, quand du reste j'ai reconnu que cet ouvrage produit un excellent effet décoratif que le ton général est parfaitement adapté à la place et qu'outre cela le tableau contient un certain noombre de détails traités avec un véritable talent, je ne vois pas la nécessité d'aller attaquer très vivement très rudement non seulement l'oeuvre mais encore la personne de l'artiste". Delacroix avait réalisé composition intitulée Apollon terrassant Python pour la galerie construite sous Louis XIV et nouvellement restaurée sous la seconde République. En pleine querelle des romantiques, Longpérier cite également Jean-Auguste Dominique Ingres, auteur lui-même d'un plafond au Louvre (L'apothéose d'Homère) : "Comme vous avez l'imprudence de mettre le plafond d'Homère en parallèle avec celui d'Apollon, vous n'eussiez pas pu empêcher que, dans la discussion, on ne s'en prit à votre vénérable ami. Croyez vous que si Ingres, qui aime si peu la discussion, vous eu su un bien grand gré de ces horizons que vous lui eussiez procurés ? [...] Imaginez-vous que vous ayez fait le sacrifice d'une somme assez considérable pour fonder un journal, et que je vous apporte un article violent contre M. Ingres ? (Je dis : imaginez, car je suis, moi, un admirateur de M. Ingres et n'ai en aucune manière envie de le critiquer) [...] Iriez-vous donner aide à celui qui voudrait le combattre ?". Ingres, peintre représentant l'école classique avait sa préférence, à la différence de Delacroix le romantique, dont il n'apprécie pas le style mais reconnaît malgré tout les qualités humaines :"J'ai reconnu que c'est un homme très doux, très poli, fort instruit et fort modeste [...] Je parle de l'homme ; quant à ses oeuvres, elles sont plus ou moins bonnes. Il y en a même de fort mauvaises" . Longpérier parle longuement des travaux de restauration au Louvre menés par l'architecte Félix Duban, qui supervisait la rénovation de la galerie d'Apollon et d'autres chantiers majeurs : " Je verrais avec grand plaisir que vous fissiez sentir le mérite de la restauration de la galerie d'Apollon, de la façade du jardin de l'infante, de la façade d'Henri IV sur le quai et du plafond de la Salle des sept cheminées décoré, avec tout de goût, de figures peintes. Le public, dirigé par des journalistes peu instruits, a critiqué bien à tort l'emploi de ces grandes figures si harmonieusement colorées". [ENGLISH DESCRIPTION ON DEMAND]
|
|
De zoekresultaten per email ontvangen
Zoekresultaten downloaden als PDF
RSS feed
Permanente link
