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RAPHAEL Raffaello Sanzio d'Urbino (1483-1520)
Decorative pilaster with fruit flowers and tendrils
Rome 1772. Copper engraving by Ottaviani after drawings by Savorelli and Camporesi printed in light brown coloured ink with contemporary hand-colouring. Good condition. Trimmed to just within plate mark along lower margin expert repairs to left margin not affecting image area. A highly decorative print from the famous "Loggie di Rafaele nel Vaticano" series with contemporary colouring of the highest quality from the golden age of the hand-coloured print.<br/> <br/> A very fine image from the first part of a work titled "Loggie di Rafaele nel Vaticano" depicting the decorative work executed by Raphael and his assistants between 1518-1519 in the Vatican. This remarkable print one of the first to be published of the decoration of the Logge on the main storey of the Vatican apartments was probably planned as early as 1760 but was not executed until between 1772 and 1776. The project as a whole was carried out by the painter Gaetano Savorelli the draughtsman Ludovico Teseo the architect Pietro Camporesi and the engravers Giovanni Ottaviani and Giovanni Volpato. The plate is remarkable not only as the first important visual record of Raphael's work but also for the quality of the hand-colouring - the work on this image is in our opinion some of the greatest to be produced in Europe during the whole of the eighteenth century: the golden age of the hand-coloured print. The whole series was of importance not just for the size and magnificent colouring of the prints but also because of the influence they had on contemporary taste. The decision was made to "borrow" elements from Raphael's Vatican tapestries and insert them where the original frescoes were in too poor a state to be legible. The finished plates therefore represented an amalgam of design elements presented with a crisp freshness of colour that held enormous appeal and stimulated the taste for the "grotesque" in the neo-classical period.<br/> <br/> Cf. Brunet IV 1110; cf. Berlin Katalog 4068; cf. Lambert Pattern and Design V. & A.: 1983 p. 26; "Raphael Invenit: Stampe da Rafaello" 1985 Ottaviano 4; Raphael: Reproduktions-graphik aus vier Jahrhunderten Coburg: 1984 p. 104. unknown
書籍販売業者の参照番号
: 17002
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RAPHAEL Raffaello Sanzio d'Urbino (1483-1520)
Decorative pilaster with fruit flowers and tendrils
Rome 1772. Copper engraving by Ottaviani after drawings by Savorelli and Camporesi printed in light brown coloured ink with contemporary hand-colouring. Trimmed to platemark left margin. Good condition. A highly decorative print from the famous "Loggie di Rafaele nel Vaticano" series with contemporary colouring of the highest quality from the golden age of the hand-coloured print.<br/> <br/> A very fine image from the first part of a work titled "Loggie di Rafaele nel Vaticano" depicting the decorative work executed by Raphael and his assistants between 1518-1519 in the Vatican. This remarkable print one of the first to be published of the decoration of the Logge on the main storey of the Vatican apartments was probably planned as early as 1760 but was not executed until between 1772 and 1776. The project as a whole was carried out by the painter Gaetano Savorelli the draughtsman Ludovico Teseo the architect Pietro Camporesi and the engravers Giovanni Ottaviani and Giovanni Volpato. The plate is remarkable not only as the first important visual record of Raphael's work but also for the quality of the hand-colouring - the work on this image is in our opinion some of the greatest to be produced in Europe during the whole of the eighteenth century: the golden age of the hand-coloured print. The whole series was of importance not just for the size and magnificent colouring of the prints but also because of the influence they had on contemporary taste. The decision was made to "borrow" elements from Raphael's Vatican tapestries and insert them where the original frescoes were in too poor a state to be legible. The finished plates therefore represented an amalgam of design elements presented with a crisp freshness of colour that held enormous appeal and stimulated the taste for the "grotesque" in the neo-classical period.<br/> <br/> Cf. Brunet IV 1110; cf. Berlin Katalog 4068; cf. Lambert Pattern and Design V. & A.: 1983 p. 26; "Raphael Invenit: Stampe da Rafaello" 1985 Ottaviano 11; Raphael: Reproduktions-graphik aus vier Jahrhunderten Coburg: 1984 p. 104. unknown
書籍販売業者の参照番号
: 21936
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RAPHAEL Raffaello Sanzio d'Urbino (1483-1520)
Decorative pilaster with fruit flowers and tendrils
Rome 1772. Copper engraving by Ottaviani after drawings by Savorelli and Camporesi printed in light brown coloured ink with contemporary hand-colouring. Good condition. Trimmed to just within plate mark along lower margin expert repair to upper left corner just affecting image area small repairs to right blank margin. A highly decorative print from the famous "Loggie di Rafaele nel Vaticano" series with contemporary colouring of the highest quality from the golden age of the hand-coloured print.<br/> <br/> A very fine image from the first part of a work titled "Loggie di Rafaele nel Vaticano" depicting the decorative work executed by Raphael and his assistants between 1518-1519 in the Vatican. This remarkable print one of the first to be published of the decoration of the Logge on the main storey of the Vatican apartments was probably planned as early as 1760 but was not executed until between 1772 and 1776. The project as a whole was carried out by the painter Gaetano Savorelli the draughtsman Ludovico Teseo the architect Pietro Camporesi and the engravers Giovanni Ottaviani and Giovanni Volpato. The plate is remarkable not only as the first important visual record of Raphael's work but also for the quality of the hand-colouring - the work on this image is in our opinion some of the greatest to be produced in Europe during the whole of the eighteenth century: the golden age of the hand-coloured print. The whole series was of importance not just for the size and magnificent colouring of the prints but also because of the influence they had on contemporary taste. The decision was made to "borrow" elements from Raphael's Vatican tapestries and insert them where the original frescoes were in too poor a state to be legible. The finished plates therefore represented an amalgam of design elements presented with a crisp freshness of colour that held enormous appeal and stimulated the taste for the "grotesque" in the neo-classical period.<br/> <br/> Cf. Brunet IV 1110; cf. Berlin Katalog 4068; cf. Lambert Pattern and Design V. & A.: 1983 p. 26; "Raphael Invenit: Stampe da Rafaello" 1985 Ottaviano 5; Raphael: Reproduktions-graphik aus vier Jahrhunderten Coburg: 1984 p. 104. unknown
書籍販売業者の参照番号
: 17009
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RAPHAEL Raffaello Sanzio d'Urbino (1483-1520)
Decorative pilaster with fruit flowers and tendrils
Rome 1772. Copper engraving by Ottaviani after drawings by Savorelli and Camporesi printed in light brown coloured ink with contemporary hand-colouring. Good condition. Sight size: 43 x 17 1/4 inches. A highly decorative print from the famous "Loggie di Rafaele nel Vaticano" series with contemporary colouring of the highest quality from the golden age of the hand-coloured print.<br/> <br/> A very fine image from the first part of a work titled "Loggie di Rafaele nel Vaticano" depicting the decorative work executed by Raphael and his assistants between 1518-1519 in the Vatican. This remarkable print one of the first to be published of the decoration of the Logge on the main storey of the Vatican apartments was probably planned as early as 1760 but was not executed until between 1772 and 1776. The project as a whole was carried out by the painter Gaetano Savorelli the draughtsman Ludovico Teseo the architect Pietro Camporesi and the engravers Giovanni Ottaviani and Giovanni Volpato. The plate is remarkable not only as the first important visual record of Raphael's work but also for the quality of the hand-colouring - the work on this image is in our opinion some of the greatest to be produced in Europe during the whole of the eighteenth century: the golden age of the hand-coloured print. The whole series was of importance not just for the size and magnificent colouring of the prints but also because of the influence they had on contemporary taste. The decision was made to "borrow" elements from Raphael's Vatican tapestries and insert them where the original frescoes were in too poor a state to be legible. The finished plates therefore represented an amalgam of design elements presented with a crisp freshness of colour that held enormous appeal and stimulated the taste for the "grotesque" in the neo-classical period.<br/> <br/> Cf. Brunet IV 1110; cf. Berlin Katalog 4068; cf. Lambert Pattern and Design V. & A.: 1983 p. 26; "Raphael Invenit: Stampe da Rafaello" 1985 Ottaviano 13;Raphael: Reproduktions-graphik aus vier Jahrhunderten Coburg: 1984 p. 104. unknown
書籍販売業者の参照番号
: 17014
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RAPHAEL Raffaello Sanzio d'Urbino (1483-1520)
Decorative pilaster with fruit flowers and tendrils
Rome 1772. Copper engraving by Ottaviani after drawings by Ludovico Teseo printed in black with stunning later professional hand-colouring. Very good condition. A highly decorative print from the famous "Loggie di Rafaele nel Vaticano" series with later professional hand-colouring.<br/> <br/> A very fine image from the first part of a work titled "Loggie di Rafaele nel Vaticano" depicting the decorative work and executed by Raphael and his assistants between 1518-1519 in the Vatican. This remarkable print one of the first to be published of the decoration of the Logge on the main storey of the Vatican apartments was probably planned as early as 1760 but was not executed until between 1772 and 1776. The project as a whole was carried out by the painter Gaetano Savorelli the draughtsman Ludovico Teseo the architect Pietro Camporesi and the engravers Giovanni Ottaviani and Giovanni Volpato. The whole series was remarkable not just for the size and magnificent colouring of the prints but also because of the influence they had on contemporary taste. The decision was made to "borrow" elements from Raphael's Vatican tapestries and insert them where the original frescoes were in too poor a state to be legible. The finished plates therefore represented an amalgam of design elements presented with a crisp freshness of colour that held enormous appeal and stimulated the taste for the "grotesque" in the neo-classical period.<br/> <br/> Cf. Brunet IV 1110; cf. Berlin Katalog 4068; cf. Lambert Pattern and Design V. & A.: 1983 p. 26; "Raphael Invenit: Stampe da Rafaello" 1985 Ottaviano 2; Raphael: Reproduktions-graphik aus vier Jahrhunderten Coburg: 1984 p. 104. unknown
書籍販売業者の参照番号
: 14588
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RAPHAEL Raffaello Sanzio d'Urbino (1483-1520)
Decorative pilaster with fruit flowers and tendrils
Rome 1772. Copper engraving by Ottaviani after drawings by Savorelli and Camporesi printed in light brown coloured ink with contemporary hand-colouring. Good condition. Sight size: 43 x 17 inches. A highly decorative print from the famous "Loggie di Rafaele nel Vaticano" series with contemporary colouring of the highest quality from the golden age of the hand-coloured print.<br/> <br/> A very fine image from the first part of a work titled "Loggie di Rafaele nel Vaticano" depicting the decorative work executed by Raphael and his assistants between 1518-1519 in the Vatican. This remarkable print one of the first to be published of the decoration of the Logge on the main storey of the Vatican apartments was probably planned as early as 1760 but was not executed until between 1772 and 1776. The project as a whole was carried out by the painter Gaetano Savorelli the draughtsman Ludovico Teseo the architect Pietro Camporesi and the engravers Giovanni Ottaviani and Giovanni Volpato. The plate is remarkable not only as the first important visual record of Raphael's work but also for the quality of the hand-colouring - the work on this image is in our opinion some of the greatest to be produced in Europe during the whole of the eighteenth century: the golden age of the hand-coloured print. The whole series was of importance not just for the size and magnificent colouring of the prints but also because of the influence they had on contemporary taste. The decision was made to "borrow" elements from Raphael's Vatican tapestries and insert them where the original frescoes were in too poor a state to be legible. The finished plates therefore represented an amalgam of design elements presented with a crisp freshness of colour that held enormous appeal and stimulated the taste for the "grotesque" in the neo-classical period.<br/> <br/> Cf. Brunet IV 1110; cf. Berlin Katalog 4068; cf. Lambert Pattern and Design V. & A.: 1983 p. 26; "Raphael Invenit: Stampe da Rafaello" 1985 Ottaviano 11; Raphael: Reproduktions-graphik aus vier Jahrhunderten Coburg: 1984 p. 104. unknown
書籍販売業者の参照番号
: 17012
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RAPHAEL Raffaello Sanzio d'Urbino (1483-1520)
Doorway to Vatican Loggia
Rome 1772. Copper engraving by Ottaviani after drawings by Savorelli and Camporesi printed in light brown coloured ink with contemporary hand-colouring. Good condition. Three repaired tears to the left blank margin. Sight size: 31 1/8 x 18 1/4 inches. A highly decorative print from the famous "Loggie di Rafaele nel Vaticano" series with contemporary colouring of the highest quality from the golden age of the hand-coloured print.<br/> <br/> A very fine image from the first part of a work titled "Loggie di Rafaele nel Vaticano" depicting the decorative work executed by Raphael and his assistants between 1518-1519 in the Vatican. This remarkable print one of the first to be published of the decoration of the Logge on the main storey of the Vatican apartments was probably planned as early as 1760 but was not executed until between 1772 and 1776. The project as a whole was carried out by the painter Gaetano Savorelli the draughtsman Ludovico Teseo the architect Pietro Camporesi and the engravers Giovanni Ottaviani and Giovanni Volpato. The plate is remarkable not only as the first important visual record of Raphael's work but also for the quality of the hand-colouring - the work on this image is in our opinion some of the greatest to be produced in Europe during the whole of the eighteenth century: the golden age of the hand-coloured print. The whole series was of importance not just for the size and magnificent colouring of the prints but also because of the influence they had on contemporary taste. The decision was made to "borrow" elements from Raphael's Vatican tapestries and insert them where the original frescoes were in too poor a state to be legible. The finished plates therefore represented an amalgam of design elements presented with a crisp freshness of colour that held enormous appeal and stimulated the taste for the "grotesque" in the neo-classical period.<br/> <br/> Cf. Brunet IV 1110; cf. Berlin Katalog 4068; cf. Lambert Pattern and Design V. & A.: 1983 p. 26; "Raphael Invenit: Stampe da Rafaello" 1985 Ottaviano 17; Raphael: Reproduktions-graphik aus vier Jahrhunderten Coburg: 1984 p. 104. unknown
書籍販売業者の参照番号
: 17013
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RAPHAEL Raffaello Sanzio d'Urbino (1483-1520)
Eve Conceived Cain and his brother Abel Concepit Heva et peperit Cain Frantremque ejus Abel
Rome 1774. Copper engraving by Ottaviani after drawings by Savorelli and Camporesi printed in light brown coloured ink with contemporary hand-colouring. Good condition. Shaved within plate mark expert neat repairs to left margin one just affecting the image area. A stunning plate from "Logge di Rafaele nel Vaticano": with contemporary colouring of the highest quality from the golden age of the hand-coloured print.<br/> <br/> A very fine image from the second part of a work titled "Loggie di Rafaele nel Vaticano" depicting the decorative work executed by Raphael and his assistants between 1518-1519 in the Vatican. They were drawn by Gaetano Savorelli a Roman painter and draughtsman best known for his Raphael drawings and Pietro Camporesi a Roman architect who worked for Pope Clemens XIII and Pius VI on rooms for the Vatican Museum. The first to illustrate the famous frescoes these beautiful plates were probably planned as early as 1760 but were not executed until 1772 to 1776. The plate is remarkable not only as the first important visual record of Raphael's work but also for the quality of the hand-colouring - the work on this image is in our opinion some of the greatest to be produced in Europe during the whole of the eighteenth century: the golden age of the hand-coloured print. They were remarkable not just for their size and magnificent colouring but also because of the influence they had on contemporary taste. The decision was made to "borrow" elements from Raphael's Vatican tapestries and insert them where the original frescoes were in too poor a state to be legible. The finished plates therefore represented an amalgam of design elements presented with a crisp freshness of colour that held enormous appeal and did much to stimulate the taste for the "grotesque" in the Neo-classical period. A year after the death of his principal patron Julius II Raphael succeeded Donato Bramante in 1514 as the official Vatican architect. Having previously adorned the "Stanze" or chambers of Julius on the second floor of the papal apartments in the Vatican palace he was commissioned by Leo X in 1517 to decorate the adjacent Logge. He designed an elaborate cycle of ornamental frescoes for the room's ceiling vaults doors and auxiliary pillars which were executed by his assistants Giulio Romano and Giovanni da Udine. Twelve of the quadrilateral ceiling vaults were adorned with murals of familiar Old Testament scenes and one with a scene from the New Testament while the more decorative frescoes painted on the pilasters by Udine were covered with imaginative compositions of 'grotesque' motifs like foliage fruit and chimerical beasts. The biblical scene depicted shows the infant brothers Cain and Abel vying for their mother's attention. Adam is sowing nearby.<br/> <br/> Cf. Brunet IV 1110 & 1111; cf. Berlin Katalog. 4068 & 4066; "Raphael Invenit: Stampe da Rafaello" 1985 Ottaviano 22; cf. "Raphael: Reproduktions-graphik aus vier Jahrhunderten" Coburg 1984 104 & no. 245. unknown
書籍販売業者の参照番号
: 17011
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Raphael Raphael
Facsimiles of Original Studies: In the University Galleries Oxford Classic Reprint
paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
書籍販売業者の参照番号
: 1331985439.G ISBN : 1331985439 9781331985433
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RAPHAEL Raffaello Sanzio d'Urbino (1483-1520)
Jacob's Ladder Vidit Jacob in somnis scalam stantem super terram et cacumen illius tangens Coelum: Angelos ascendentes et descendentes: et Dnum innixum scalæ
Rome 1770. Copper engraving on two joined sheets by Ottaviani after drawings by Savorelli and Camporesi printed in light brown coloured ink with contemporary hand-colouring. Neat marginal restoration. A stunning plate from "Logge di Rafaele nel Vaticano": with contemporary colouring of the highest quality from the golden age of the hand-coloured print. The main panel shows Jacob at Luza having a vision of the angels ascending and descending by a ladder which reached from earth to heaven.<br/> <br/> A very fine image from the second part of a work titled "Loggie di Rafaele nel Vaticano" depicting the decorative work executed by Raphael and his assistants between 1518-1519 in the Vatican. They were drawn by Gaetano Savorelli a Roman painter and draughtsman best known for his Raphael drawings and Pietro Camporesi a Roman architect who worked for Pope Clemens XIII and Pius VI on rooms for the Vatican Museum. The first to illustrate the famous frescoes these beautiful plates were probably planned as early as 1760 but were not executed until 1772 to 1776. The plate is remarkable not only as the first important visual record of Raphael's work but also for the quality of the hand-colouring - the work on this image is in our opinion some of the greatest to be produced in Europe during the whole of the eighteenth century: the golden age of the hand-coloured print. They were remarkable not just for their size and magnificent colouring but also because of the influence they had on contemporary taste. The decision was made to "borrow" elements from Raphael's Vatican tapestries and insert them where the original frescoes were in too poor a state to be legible. The finished plates therefore represented an amalgam of design elements presented with a crisp freshness of colour that held enormous appeal and did much to stimulate the taste for the "grotesque" in the Neo-classical period. A year after the death of his principal patron Julius II Raphael succeeded Donato Bramante in 1514 as the official Vatican architect. Having previously adorned the "Stanze" or chambers of Julius on the second floor of the papal apartments in the Vatican palace he was commissioned by Leo X in 1517 to decorate the adjacent Logge. He designed an elaborate cycle of ornamental frescoes for the room's ceiling vaults doors and auxiliary pillars which were executed by his assistants Giulio Romano and Giovanni da Udine. Twelve of the quadrilateral ceiling vaults were adorned with murals of familiar Old Testament scenes and one with a scene from the New Testament while the more decorative frescoes painted on the pilasters by Udine were covered with imaginative compositions of 'grotesque' motifs like foliage fruit and chimerical beasts.<br/> <br/> Cf. Brunet IV 1110 & 1111; cf. Berlin Katalog 4068 & 4066; "Raphael Invenit: Stampe da Rafaello" 1985 Ottaviano 22; cf. "Raphael: Reproduktions-graphik aus vier Jahrhunderten" Coburg 1984 104 & no. 245. unknown
書籍販売業者の参照番号
: 20166
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RAPHAEL Raffaello Sanzio d'Urbino (1483-1520)
Joseph and His Brothers Vidi consurgere manipulum meum et stare vestrosq: manipulos adorare meum . Et vidi quasi solem et lunam et stallas undecim adorare me
Rome 1774. Copper engraving on two joined sheets by Ottaviani after drawings by Savorelli and Camporesi printed in light brown coloured ink with contemporary hand-colouring. Neat marginal restoration. A stunning plate from "Logge di Rafaele nel Vaticano": with contemporary colouring of the highest quality from the golden age of the hand-coloured print. The main panel shows Joseph telling his brothers of his prophetic dreams "Hear my dream which I dreamed. I thought we were binding sheaves in the field: and my sheaf arose as it were and stood and your sheaves standing about bowed down before my sheaf . I saw in . another dream as it were the sun and the moon and eleven stars worshipping me."<br/> <br/> A very fine image from the second part of a work titled "Loggie di Rafaele nel Vaticano" depicting the decorative work executed by Raphael and his assistants between 1518-1519 in the Vatican. They were drawn by Gaetano Savorelli a Roman painter and draughtsman best known for his Raphael drawings and Pietro Camporesi a Roman architect who worked for Pope Clemens XIII and Pius VI on rooms for the Vatican Museum. The first to illustrate the famous frescoes these beautiful plates were probably planned as early as 1760 but were not executed until 1772 to 1776. The plate is remarkable not only as the first important visual record of Raphael's work but also for the quality of the hand-colouring - the work on this image is in our opinion some of the greatest to be produced in Europe during the whole of the eighteenth century: the golden age of the hand-coloured print. They were remarkable not just for their size and magnificent colouring but also because of the influence they had on contemporary taste. The decision was made to "borrow" elements from Raphael's Vatican tapestries and insert them where the original frescoes were in too poor a state to be legible. The finished plates therefore represented an amalgam of design elements presented with a crisp freshness of colour that held enormous appeal and did much to stimulate the taste for the "grotesque" in the Neo-classical period. A year after the death of his principal patron Julius II Raphael succeeded Donato Bramante in 1514 as the official Vatican architect. Having previously adorned the "Stanze" or chambers of Julius on the second floor of the papal apartments in the Vatican palace he was commissioned by Leo X in 1517 to decorate the adjacent Logge. He designed an elaborate cycle of ornamental frescoes for the room's ceiling vaults doors and auxiliary pillars which were executed by his assistants Giulio Romano and Giovanni da Udine. Twelve of the quadrilateral ceiling vaults were adorned with murals of familiar Old Testament scenes and one with a scene from the New Testament while the more decorative frescoes painted on the pilasters by Udine were covered with imaginative compositions of 'grotesque' motifs like foliage fruit and chimerical beasts.<br/> <br/> Cf. Brunet IV 1110 & 1111; cf. Berlin Katalog 4068 & 4066; "Raphael Invenit: Stampe da Rafaello" 1985 Ottaviano 22; cf. "Raphael: Reproduktions-graphik aus vier Jahrhunderten" Coburg 1984 104 & no. 245. unknown
書籍販売業者の参照番号
: 20167
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RAPHAEL Raffaello Sanzio d'Urbino (1483-1520)
King David in Triumph Subacta Syria tulit David arma aurea et detula ea in Jerusalem
Rome 1774. Copper engraving on two joined sheets by Ottaviani after drawings by Savorelli and Camporesi printed in light brown coloured ink with contemporary hand-colouring. Neat marginal restoration. A stunning plate from "Logge di Rafaele nel Vaticano": with contemporary colouring of the highest quality from the golden age of the hand-coloured print. The main panel shows King David having subdued Syria returning to Jersusalem with armour made of gold.<br/> <br/> A very fine image from the second part of a work titled "Loggie di Rafaele nel Vaticano" depicting the decorative work executed by Raphael and his assistants between 1518-1519 in the Vatican. They were drawn by Gaetano Savorelli a Roman painter and draughtsman best known for his Raphael drawings and Pietro Camporesi a Roman architect who worked for Pope Clemens XIII and Pius VI on rooms for the Vatican Museum. The first to illustrate the famous frescoes these beautiful plates were probably planned as early as 1760 but were not executed until 1772 to 1776. The plate is remarkable not only as the first important visual record of Raphael's work but also for the quality of the hand-colouring - the work on this image is in our opinion some of the greatest to be produced in Europe during the whole of the eighteenth century: the golden age of the hand-coloured print. They were remarkable not just for their size and magnificent colouring but also because of the influence they had on contemporary taste. The decision was made to "borrow" elements from Raphael's Vatican tapestries and insert them where the original frescoes were in too poor a state to be legible. The finished plates therefore represented an amalgam of design elements presented with a crisp freshness of colour that held enormous appeal and did much to stimulate the taste for the "grotesque" in the Neo-classical period. A year after the death of his principal patron Julius II Raphael succeeded Donato Bramante in 1514 as the official Vatican architect. Having previously adorned the "Stanze" or chambers of Julius on the second floor of the papal apartments in the Vatican palace he was commissioned by Leo X in 1517 to decorate the adjacent Logge. He designed an elaborate cycle of ornamental frescoes for the room's ceiling vaults doors and auxiliary pillars which were executed by his assistants Giulio Romano and Giovanni da Udine. Twelve of the quadrilateral ceiling vaults were adorned with murals of familiar Old Testament scenes and one with a scene from the New Testament while the more decorative frescoes painted on the pilasters by Udine were covered with imaginative compositions of 'grotesque' motifs like foliage fruit and chimerical beasts.<br/> <br/> Cf. Brunet IV 1110 & 1111; cf. Berlin Katalog 4068 & 4066; "Raphael Invenit: Stampe da Rafaello" 1985 Ottaviano 22; cf. "Raphael: Reproduktions-graphik aus vier Jahrhunderten" Coburg 1984 104 & no. 245. unknown
書籍販売業者の参照番号
: 20169
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RAPHAEL Raffaello Sanzio d'Urbino (1483-1520)
Last Supper Discumbentibus et edentibus Discipulis dixit Jesus unus ex Vobis me proditurus est
Rome 1774. Copper engraving on two joined sheets by Ottaviani after drawings by Savorelli and Camporesi printed in light brown coloured ink with contemporary hand-colouring. Neat marginal restoration. A stunning plate from "Logge di Rafaele nel Vaticano": with contemporary colouring of the highest quality from the golden age of the hand-coloured print. The main panel shows the moment during the Last Supper when Jesus announces that one of the twelve disciples will betray him.<br/> <br/> A very fine image from the second part of a work titled "Loggie di Rafaele nel Vaticano" depicting the decorative work executed by Raphael and his assistants between 1518-1519 in the Vatican. They were drawn by Gaetano Savorelli a Roman painter and draughtsman best known for his Raphael drawings and Pietro Camporesi a Roman architect who worked for Pope Clemens XIII and Pius VI on rooms for the Vatican Museum. The first to illustrate the famous frescoes these beautiful plates were probably planned as early as 1760 but were not executed until 1772 to 1776. The plate is remarkable not only as the first important visual record of Raphael's work but also for the quality of the hand-colouring - the work on this image is in our opinion some of the greatest to be produced in Europe during the whole of the eighteenth century: the golden age of the hand-coloured print. They were remarkable not just for their size and magnificent colouring but also because of the influence they had on contemporary taste. The decision was made to "borrow" elements from Raphael's Vatican tapestries and insert them where the original frescoes were in too poor a state to be legible. The finished plates therefore represented an amalgam of design elements presented with a crisp freshness of colour that held enormous appeal and did much to stimulate the taste for the "grotesque" in the Neo-classical period. A year after the death of his principal patron Julius II Raphael succeeded Donato Bramante in 1514 as the official Vatican architect. Having previously adorned the "Stanze" or chambers of Julius on the second floor of the papal apartments in the Vatican palace he was commissioned by Leo X in 1517 to decorate the adjacent Logge. He designed an elaborate cycle of ornamental frescoes for the room's ceiling vaults doors and auxiliary pillars which were executed by his assistants Giulio Romano and Giovanni da Udine. Twelve of the quadrilateral ceiling vaults were adorned with murals of familiar Old Testament scenes and one with a scene from the New Testament while the more decorative frescoes painted on the pilasters by Udine were covered with imaginative compositions of 'grotesque' motifs like foliage fruit and chimerical beasts.<br/> <br/> Cf. Brunet IV 1110 & 1111; cf. Berlin Katalog 4068 & 4066; "Raphael Invenit: Stampe da Rafaello" 1985 Ottaviano 22; cf. "Raphael: Reproduktions-graphik aus vier Jahrhunderten" Coburg 1984 104 & no. 245. unknown
書籍販売業者の参照番号
: 20170
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RAPHAEL Raffaello Sanzio d'Urbino (1483-1520)
Loggie di Rafaele nel Vaticano
Rome 1772. Copper engraving with stunning early colour. Printed on laid paper with added wove margins. In excellent condition with the exception of some light foxing in the margins. Image size: 22 7/8 x 15 3/4 inches. This beautiful perspective view of Raphael's Loggia with contemporary colouring of the highest quality from the golden age of the hand-coloured print served as the frontispiece to the celebrated text "Loggie di Rafaele nel Vaticano".<br/> <br/> This arresting print is a general perspective view of Raphael's design for the Loggia at the Vatican with a large profile portrait of Raphael in a medallion over the entrance to the corridor. The plate served as the frontispiece to the first part of the "Logge di Rafaele nel Vaticano" which depicted the decorative work executed by Raphael and his assistants between 1518-1519 in the Vatican. The project as a whole was carried out by the painter Gaetano Savorelli the draughtsman Ludovico Teseo the architect Pietro Camporesi and the engravers Giovanni Ottaviani and Giovanni Volpato. The plate is remarkable not only as the first important visual record of Raphael's work but also for the quality of the hand-colouring - the work on this image is in our opinion some of the greatest to be produced in Europe during the whole of the eighteenth century: the golden age of the hand-coloured print. The whole series was remarkable not just for the size and magnificent colouring of the prints but also because of the influence they had on contemporary taste. The decision was made to "borrow" elements from Raphael's Vatican tapestries and insert them where the original frescoes were in too poor a state to be legible. The finished plates therefore represented an amalgam of design elements presented with a crisp freshness of colour that held enormous appeal and stimulated the taste for the "grotesque" in the neo-classical period.<br/> <br/> Cf. Brunet IV 1110; cf. Berlin Katalog 4068; Lambert Pattern and Design V. & A.: 1983 p. 26; "Raphael Invenit: Stampe da Rafaello" 1985 Volpato 1; Raphael: Reproduktions-graphik aus vier Jahrhunderten Coburg: 1984 p. 104; G. Marini editor Giovanni Volpato 1735-1803 1988 no. 198. unknown
書籍販売業者の参照番号
: 16447
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RAPHAEL Raffaello Sanzio d'Urbino (1483-1520)
Moses Descends from Mount Sinai Descendit de Monte Sinai tenens Tabulas in manibus: Videbantq: Filii Israel cornutam faciem ejus
Rome 1774. Copper engraving on two joined sheets by Ottaviani after drawings by Savorelli and Camporesi printed in light brown coloured ink with contemporary hand-colouring. Neat marginal restoration. A stunning plate from "Logge di Rafaele nel Vaticano": with contemporary colouring of the highest quality from the golden age of the hand-coloured print. The main panel shows Moses coming down from Mount Sinai holding the tablets bearing the ten words of the Covenant his face "horned from the conversation of the Lord". Aaron and the children of Israel seeing the face of Moses "horned" are afraid to come near.<br/> <br/> A very fine image from the second part of a work titled "Loggie di Rafaele nel Vaticano" depicting the decorative work executed by Raphael and his assistants between 1518-1519 in the Vatican. They were drawn by Gaetano Savorelli a Roman painter and draughtsman best known for his Raphael drawings and Pietro Camporesi a Roman architect who worked for Pope Clemens XIII and Pius VI on rooms for the Vatican Museum. The first to illustrate the famous frescoes these beautiful plates were probably planned as early as 1760 but were not executed until 1772 to 1776. The plate is remarkable not only as the first important visual record of Raphael's work but also for the quality of the hand-colouring - the work on this image is in our opinion some of the greatest to be produced in Europe during the whole of the eighteenth century: the golden age of the hand-coloured print. They were remarkable not just for their size and magnificent colouring but also because of the influence they had on contemporary taste. The decision was made to "borrow" elements from Raphael's Vatican tapestries and insert them where the original frescoes were in too poor a state to be legible. The finished plates therefore represented an amalgam of design elements presented with a crisp freshness of colour that held enormous appeal and did much to stimulate the taste for the "grotesque" in the Neo-classical period. A year after the death of his principal patron Julius II Raphael succeeded Donato Bramante in 1514 as the official Vatican architect. Having previously adorned the "Stanze" or chambers of Julius on the second floor of the papal apartments in the Vatican palace he was commissioned by Leo X in 1517 to decorate the adjacent Logge. He designed an elaborate cycle of ornamental frescoes for the room's ceiling vaults doors and auxiliary pillars which were executed by his assistants Giulio Romano and Giovanni da Udine. Twelve of the quadrilateral ceiling vaults were adorned with murals of familiar Old Testament scenes and one with a scene from the New Testament while the more decorative frescoes painted on the pilasters by Udine were covered with imaginative compositions of 'grotesque' motifs like foliage fruit and chimerical beasts.<br/> <br/> Cf. Brunet IV 1110 & 1111; cf. Berlin Katalog 4068 & 4066; "Raphael Invenit: Stampe da Rafaello" 1985 Ottaviano 22; cf. "Raphael: Reproduktions-graphik aus vier Jahrhunderten" Coburg 1984 104 & no. 245. unknown
書籍販売業者の参照番号
: 20168
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RAPHAEL Raffaello Sanzio d'Urbino (1483-1520) - Nicolas DORIGNY (1648-1746, engraver)
Psyches et Amoris nuptiae fabula a Raphaele Sanctio Urbinate Romae in Farnesianis hortis Transtyberim ad veterum aemulationem ac laudem colorum luminibus expressa a. Dorigny. delineata et incisa et a Ioanne Petro Belloriio notis illustrata
Rome: Domenico de' Rossi 1693. Large folio. 10 hand-coloured engraved plates by Dorigny on laid paper each 15 7/8 x 26 inches approximately titles and imprints printed in gold black ink-ruled borders each plate cut to the edge of the image mounted on large sheets of contemporary thick laid paper each 29 3/8 x 40 3/8 inches approximately. Unbound<br/> <br/> A suite of ten engraved plates with very fine original hand colouring offering a stunning visual record of one of the best of the decorative interior schemes carried out by Raphael in Rome.<br/> <br/> This wonderful series records Raphael's 'Cupid and Psyche' series of frescoes carried out by him between 1516 and 1518 in the Loggia of Psyche in the villa Farnesina in Rome. The series also comes with a title and an eleventh plate of the ceiling fresco in the adjoining Sala di Galatea executed in 1512: neither the plate nor the title are present here. Originally published by the Rossis the engravings are the work of Nicolas Dorigny 1658-1746 who lived and worked in Rome between about 1690 and 1719. The painter classicist and art historian Giovanni Pietro Bellori 1613-1696 provided the text at the foot of the plates appropriate excerpts from Apuleuis's Golden Ass.<br/> <br/> "Raphael Invenit: Stampe da Rafaello" 1985 Dorigny 37-46; cf. Brunet IV 1111; cf. Berlin Katalog 4066. Domenico de' Rossi unknown
書籍販売業者の参照番号
: 15680
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Raphael Rafatpanah
ReasonML Quick Start Guide: Build fast and type-safe React applications that leverage the JavaScript and OCaml ecosystems
new. unknown
書籍販売業者の参照番号
: 35261969-n ISBN : 1789340780 9781789340785
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Raphael Rafatpanah
ReasonML Quick Start Guide: Build fast and type-safe React applications that leverage the JavaScript and OCaml ecosystems
like new. unknown
書籍販売業者の参照番号
: 35261969 ISBN : 1789340780 9781789340785
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Raphael Rago
THE GRANDCHILDREN TRIANON: HUNGARY AND THE HUNGARIAN MINORITY IN THE COMMUNIST STATES
US: Columbia Univers Press 1989. Hardcover. Very Good /No DJ. Navy cloth over boards with gilt particulars and publisher's emblem to spine. Pages are clean and unmarked. Soiling to lower edge; otherwise text block is clean. Boards are clean and bright with light rubbing to corners and ends of spine; rear board slightly bowed. Binding is tight and square. Columbia Univers Press hardcover
書籍販売業者の参照番号
: 64293
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RAPHAEL Raffaello Sanzio d'Urbino (1483-1520)
The Lord appears to Issac Apparvit Isaac Dominus et ait: ne descendas in Aegyptum sed quiesce in terra quam dixero tibi
Rome 1774. Copper engraving on two joined sheets by Ottaviani after drawings by Savorelli and Camporesi printed in light brown coloured ink with contemporary hand-colouring. Neat marginal restoration. A stunning plate from "Logge di Rafaele nel Vaticano": with contemporary colouring of the highest quality from the golden age of the hand-coloured print. In the main panel the Lord appears to Isaac and tells him not to go down into Egypt but to stay in Gerara.<br/> <br/> A very fine image from the second part of a work titled "Loggie di Rafaele nel Vaticano" depicting the decorative work executed by Raphael and his assistants between 1518-1519 in the Vatican. They were drawn by Gaetano Savorelli a Roman painter and draughtsman best known for his Raphael drawings and Pietro Camporesi a Roman architect who worked for Pope Clemens XIII and Pius VI on rooms for the Vatican Museum. The first to illustrate the famous frescoes these beautiful plates were probably planned as early as 1760 but were not executed until 1772 to 1776. The plate is remarkable not only as the first important visual record of Raphael's work but also for the quality of the hand-colouring - the work on this image is in our opinion some of the greatest to be produced in Europe during the whole of the eighteenth century: the golden age of the hand-coloured print. They were remarkable not just for their size and magnificent colouring but also because of the influence they had on contemporary taste. The decision was made to "borrow" elements from Raphael's Vatican tapestries and insert them where the original frescoes were in too poor a state to be legible. The finished plates therefore represented an amalgam of design elements presented with a crisp freshness of colour that held enormous appeal and did much to stimulate the taste for the "grotesque" in the Neo-classical period. A year after the death of his principal patron Julius II Raphael succeeded Donato Bramante in 1514 as the official Vatican architect. Having previously adorned the "Stanze" or chambers of Julius on the second floor of the papal apartments in the Vatican palace he was commissioned by Leo X in 1517 to decorate the adjacent Logge. He designed an elaborate cycle of ornamental frescoes for the room's ceiling vaults doors and auxiliary pillars which were executed by his assistants Giulio Romano and Giovanni da Udine. Twelve of the quadrilateral ceiling vaults were adorned with murals of familiar Old Testament scenes and one with a scene from the New Testament while the more decorative frescoes painted on the pilasters by Udine were covered with imaginative compositions of 'grotesque' motifs like foliage fruit and chimerical beasts.<br/> <br/> Cf. Brunet IV 1110 & 1111; cf. Berlin Katalog 4068 & 4066; "Raphael Invenit: Stampe da Rafaello" 1985 Ottaviano 22; cf. "Raphael: Reproduktions-graphik aus vier Jahrhunderten" Coburg 1984 104 & no. 245. unknown
書籍販売業者の参照番号
: 20165
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Raphael Rauch
Visuelle Integration« Raphael Rauch
Visuelle Integration« <br/><br/>Visuelle Integration« unknown
書籍販売業者の参照番号
: BN115094 ISBN : 352531048X 9783525310489
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Raphael Raffaello Sanzio da Urbino Frank E. Washburn; Arduino Colasanti
LE STANZE DI RAFFAELLO
New York 1936. Limited Edition. Hard Cover. Very Good binding. Limited Edition of Le Stanze di Raffaello with text on the life and work of Raphael in Italian and English and eighteen loose plates laid in at the rear. This copy numbered 1637 of 2000. Quarter paper vellum over tan paper covered boards with gilt lettering. Binding designed to accommodate the loose plates at the rear. Very Good. 238 pp. Folio. Very Good binding. unknown books
書籍販売業者の参照番号
: 285917
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RAPHAEL RAYMOND
LES PLUS GRAND NUMEROS
CALMANN LEVY EDITEUR. 2001. In-4. Cartonné. Très bon état, Couv. fraîche, Dos satisfaisant, Intérieur frais. 95 pages. Nombreuses photographies en noir et blanc et en couleur, dans le texte et hors texte.. . . . Classification Dewey : 790-Loisirs et arts du spectacle
書籍販売業者の参照番号
: R240007521
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Raphael Reed, Lynn
Creating Gender-Fair Schools & Classrooms: Engendering Social Justice For 5 to 13 year olds Lucky Duck Books
paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
書籍販売業者の参照番号
: 1412923573.G ISBN : 1412923573 9781412923576
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Raphael Romeikat
A PHP compiler for the .NET platform
new. unknown
書籍販売業者の参照番号
: 5212084-n ISBN : 3836414708 9783836414708
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Raphael Romeikat
A PHP compiler for the .NET platform
like new. unknown
書籍販売業者の参照番号
: 5212084 ISBN : 3836414708 9783836414708
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Raphael Romeikat
A PHP Compiler for the .Net Platform
Paperback / softback. New. paperback
書籍販売業者の参照番号
: B9783836414708 ISBN : 3836414708 9783836414708
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Raphael Rohr
Auf die Plätze . fertig . los! Raphael Rohr
Auf die Plätze . fertig . los! <br/><br/>Auf die Plätze . fertig . los! unknown
書籍販売業者の参照番号
: BN115068 ISBN : 3609684437 9783609684437
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Raphael Rohr, Raphael
Feuer aus! Brand- und Löschlehre Kleinlöschgeräte Jugendfeuerwehr richtig gut ausbilden Brand- und Löschlehre Kleinlöschgeräte - Ausbildungs-DVD Trainer-Leitfaden Reihe Jugendfeuerwehr / Raphael Rohr Raphael
ecomed Sicherheit 2011. 2011. Feuer aus! Brand- und Löschlehre Kleinlöschgeräte Jugendfeuerwehr richtig gut ausbilden Brand- und Löschlehre Kleinlöschgeräte - Ausbildungs-DVD Trainer-Leitfaden Reihe Jugendfeuerwehr <br/><br/> ecomed Sicherheit unknown
書籍販売業者の参照番号
: BN72918 ISBN : 3609684356 9783609684352
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Raphael Rottinger
Führen von Einsatzorganisationen in der Chaosphase : Wie die Zusammenarbeit zwischen Polizei Feuerwehr Rettungsdienst und Spezialkräften gelingt
Paperback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; N/A paperback
書籍販売業者の参照番号
: ria9783658460969_inp ISBN : 3658460962 9783658460969
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Raphael Rom
Multiple Access Protocols : Performance and Analysis
Paperback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; N/A paperback
書籍販売業者の参照番号
: ria9781461279976_inp ISBN : 1461279976 9781461279976
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Raphael Rom
Multiple Access Protocols: Performance and Analysis Telecommunication Networks and Computer Systems
Springer New York 2012. Paperback. New. reprint edition. 185 pages. 9.25x6.10x0.50 inches. Springer New York paperback
書籍販売業者の参照番号
: x-1461279976 ISBN : 1461279976 9781461279976
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Raphael Rom Moshe Sidi
Multiple Access Protocols
Springer pp. 188 . Papeback. New. Springer unknown
書籍販売業者の参照番号
: 648006208 ISBN : 1461279976 9781461279976
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Raphael Romi
Méthodologie de la recherche en droit : Master et doctorat ancienne édition
Lexis Nexis 2006. Paperback. Very Good. Former library book. Edition 2006. Ammareal gives back up to 15% of this item's net price to charity organizations. Lexis Nexis paperback
書籍販売業者の参照番号
: I-142-460 ISBN : 2711007138 9782711007134
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Raphael Romi
Méthodologie de la recherche en droit : Master et doctorat ancienne édition
Lexis Nexis 2006. Paperback. Very Good. Former library book. Edition 2006. Ammareal gives back up to 15% of this item's net price to charity organizations. Lexis Nexis paperback
書籍販売業者の参照番号
: I-217-074 ISBN : 2711010848 9782711010844
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Raphael Romi
Méthodologie de la recherche en droit : Master et doctorat ancienne édition Raphaël Romi
Lexis Nexis. Softcover. Méthodologie de la recherche en droit : Master et doctorat ancienne édition <br/><br/>Méthodologie de la recherche en droit : Master et doctorat ancienne édition Lexis Nexis paperback
書籍販売業者の参照番号
: BN103816 ISBN : 2711010848 9782711010844
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Raphael Romi
Méthodologie de la recherche en droit : Master et doctorat ancienne édition Raphaël Romi
Lexis Nexis. Softcover. Méthodologie de la recherche en droit : Master et doctorat ancienne édition <br/><br/>Méthodologie de la recherche en droit : Master et doctorat ancienne édition Raphaël Romi Lexis Nexis paperback
書籍販売業者の参照番号
: BN326669 ISBN : 2711007138 9782711007134
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Raphael Rom
Name Assignment in Computer Networks
PN. New. 1982. Soft Cover. Date is original print. This is a reprint edition. . PN paperback
書籍販売業者の参照番号
: 766673
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Raphael Robinson
Pathogénie Et Traitement des Hématuries Rénales Dites Essentielles Classic Reprint French Edition
hardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
書籍販売業者の参照番号
: 0267954050.G ISBN : 0267954050 9780267954056
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Raphael Rogers
Representations of Slavery in Children’s Picture Books
Paperback / softback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; Drawing on critical race theory critical race feminism critical multicultural analysis and intertextuality this book examines how slavery is represented in contemporary children’s picture books. paperback
書籍販売業者の参照番号
: ria9780367441456_inp ISBN : 0367441454 9780367441456
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Raphael Rogers
Representations of Slavery in Children's Picture Books: Teaching and Learning about Slavery in K-12 Classrooms
Paperback / softback. New. paperback
書籍販売業者の参照番号
: A9780367441456 ISBN : 0367441454 9780367441456
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Raphael Rogers
Representations of Slavery in Children's Picture Books: Teaching and Learning about Slavery in K-12 Classrooms
Hardback. New. hardcover
書籍販売業者の参照番号
: A9781138739208 ISBN : 1138739200 9781138739208
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Raphael Rogers
Representing Black Girl Magic with Contemporary Picture Books
like new. unknown
書籍販売業者の参照番号
: 48385074 ISBN : 103238641x 9781032386416
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Raphael Rogers
Representing Black Girl Magic with Contemporary Picture Books
Paperback / softback. New. <p><b>Representing Black Girl Magic with Contemporary Picture Books</b> explores how culturally inclusive picture books centered on Black girls provide educators with opportunities to teach about race racism and sexism in the classroom.</p> paperback
書籍販売業者の参照番号
: B9781032386416 ISBN : 103238641x 9781032386416
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Raphael Rogers
Representing Black Girl Magic with Contemporary Picture Books
Paperback / softback. New. <p><b>Representing Black Girl Magic with Contemporary Picture Books</b> explores how culturally inclusive picture books centered on Black girls provide educators with opportunities to teach about race racism and sexism in the classroom.</p> paperback
書籍販売業者の参照番号
: A9781032386416 ISBN : 103238641x 9781032386416
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Raphael Rohr
Rettung marsch!: Lösch- und Hilfeleistungseinsatz Jugendfeuerwehr richtig gut ausbilden Lösch- und Hilfeleistungseinsatz / Raphael Rohr
ecomed Sicherheit 2015. 2015. Rettung marsch!: Lösch- und Hilfeleistungseinsatz Jugendfeuerwehr richtig gut ausbilden Lösch- und Hilfeleistungseinsatz <br/><br/> ecomed Sicherheit unknown
書籍販売業者の参照番号
: BN72916 ISBN : 3609611545 9783609611549
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Raphael Rosenberg und Max Hollein
Turner - Hugo - Moreau von Raphael Rosenberg und Max Hollein abstraktes Kunstschaffen ungegenständlicher Bilder vor 1900 Werke Abstraktion Kandinsky avantgardistische Kunstform Maler Graphiker Bilder ohne erkennbaren Gegenstand Landschaftsmaler Joseph Mallord William Turner 1775-1851 Dichter und Zeichner Victor Hugo 1802-1885 französischer Symbolist Gustave Moreau 1826-1898 tröpfelt Farbe auf das Blatt spritzt sie vom Pinsel populäre Wirkungsästhetik Zeichnungen Zeichenmittel Techniken des Farbauftrags abstrakte Bilder Medien Gustave Moreau Aquarelle Ölskizzen Künstler Traditionen theoretische Reflexion der Wirkung von Linie Farbe und Komposition auf den Betrachter Meister Edgar Degas George Sand Wilhelm von Kaulbach abstrakte Bildform Ausstellung Kunstwerke
Hirmer 2007. 2007. Softcover. 278 x 24 x 34 cm. abstraktes Kunstschaffen ungegenständlicher Bilder vor 1900 Werke Abstraktion Kandinsky avantgardistische Kunstform Maler Graphiker Bilder ohne erkennbaren Gegenstand Landschaftsmaler Joseph Mallord William Turner 1775-1851 Dichter und Zeichner Victor Hugo 1802-1885 französischer Symbolist Gustave Moreau 1826-1898 tröpfelt Farbe auf das Blatt spritzt sie vom Pinsel populäre Wirkungsästhetik Zeichnungen Zeichenmittel Techniken des Farbauftrags abstrakte Bilder Medien Gustave Moreau Aquarelle Ölskizzen Künstler Traditionen theoretische Reflexion der Wirkung von Linie Farbe und Komposition auf den Betrachter Meister Edgar Degas George Sand Wilhelm von Kaulbach abstrakte Bildform Ausstellung Kunstwerke Ein völlig übersehener Bereich abstrakten Kunstschaffens wird erstmals erschlossendie Geschichte ungegenständlicher Bilder vor 1900. Werke von Turner Hugo und Moreau zeigen daß Abstraktion existierte bevor sie von Kandinsky und seinen Zeitgenossen zur avantgardistischen Kunstform erklärt wurde. Anders als weithin bekannt haben Maler und Graphiker bereits vor dem 20. Jahrhundert Bilder ohne erkennbaren Gegenstand geschaffen. Die prominentesten Beispiele stammen aus dem Werk des Landschaftsmalers Joseph Mallord William Turner 1775-1851 des Dichters und Zeichners Victor Hugo 1802-1885 und des französischen »Symbolisten« Gustave Moreau 1826-1898. Turner etwa tröpfelt die Farbe auf das Blatt oder spritzt sie vom Pinsel und setzt sich zugleich intensiv mit der in England seit dem 18. Jahrhundert sehr populären Wirkungsästhetik auseinander. Victor Hugo versteht sich in erster Linie als Dichter und hinterläßt dennoch rund 4000 Zeichnungen in denen er sich verschiedenen Zeichenmitteln und Techniken des Farbauftrags widmet. Und kein anderer Maler des 19. Jahrhunderts hat abstrakte Bilder in so unterschiedlichen Medien und mit so verschiedenen Absichten produziert wie Gustave Moreau. Die Zeichnungen Aquarelle und Ölskizzen der Künstler lassen vor allem zwei Traditionen sichtbar werden die Kontext und Intentionen erklärendie Faszination für durch den Zufall entstandene Bilder und die theoretische Reflexion der Wirkung von Linie Farbe und Komposition auf den Betrachter. Vergessene und neu entdeckte Werke der Meister rücken im vorliegenden Band in den Blick und werden mit abstrakten Bildern anderer Künstler wie Edgar Degas George Sand und Wilhelm von Kaulbach verglichen. Die besprochenen Arbeiten waren in der Regel nicht für die Öffentlichkeit bestimmt - die Errungenschaft des frühen 20. Jahrhunderts war also nicht die Erfindung einer abstrakten Bildform sondern die programmatische Ausstellung solcher Bilder als Kunstwerke. <br/><br/>abstraktes Kunstschaffen ungegenständlicher Bilder vor 1900 Werke Abstraktion Kandinsky avantgardistische Kunstform Maler Graphiker Bilder ohne erkennbaren Gegenstand Landschaftsmaler Joseph Mallord William Turner 1775-1851 Dichter und Zeichner Victor Hugo 1802-1885 französischer Symbolist Gustave Moreau 1826-1898 tröpfelt Farbe auf das Blatt spritzt sie vom Pinsel populäre Wirkungsästhetik Zeichnungen Zeichenmittel Techniken des Farbauftrags abstrakte Bilder Medien Gustave Moreau Aquarelle Ölskizzen Künstler Traditionen theoretische Reflexion der Wirkung von Linie Farbe und Komposition auf den Betrachter Meister Edgar Degas George Sand Wilhelm von Kaulbach abstrakte Bildform Ausstellung Kunstwerke Ein völlig übersehener Bereich abstrakten Kunstschaffens wird erstmals erschlossendie Geschichte ungegenständlicher Bilder vor 1900. Werke von Turner Hugo und Moreau zeigen daß Abstraktion existierte bevor sie von Kandinsky und seinen Zeitgenossen zur avantgardistischen Kunstform erklärt wurde. Anders als weithin bekannt haben Maler und Graphiker bereits vor dem 20. Jahrhundert Bilder ohne erkennbaren Gegenstand geschaffen. Die prominentesten Beispiele stammen aus dem Werk des Landschaftsmalers Joseph Mallord William Turner 1775-1851 des Dichters und Zeichners Victor Hugo 1802-1885 und des französischen »Symbolisten« Gustave Moreau 1826-1898. Turner etwa tröpfelt die Farbe auf das Blatt oder spritzt sie vom Pinsel und setzt sich zugleich intensiv mit der in England seit dem 18. Jahrhundert sehr populären Wirkungsästhetik auseinander. Victor Hugo versteht sich in erster Linie als Dichter und hinterläßt dennoch rund 4000 Zeichnungen in denen er sich verschiedenen Zeichenmitteln und Techniken des Farbauftrags widmet. Und kein anderer Maler des 19. Jahrhunderts hat abstrakte Bilder in so unterschiedlichen Medien und mit so verschiedenen Absichten produziert wie Gustave Moreau. Die Zeichnungen Aquarelle und Ölskizzen der Künstler lassen vor allem zwei Traditionen sichtbar werden die Kontext und Intentionen erklärendie Faszination für durch den Zufall entstandene Bilder und die theoretische Reflexion der Wirkung von Linie Farbe und Komposition auf den Betrachter. Vergessene und neu entdeckte Werke der Meister rücken im vorliegenden Band in den Blick und werden mit abstrakten Bildern anderer Künstler wie Edgar Degas George Sand und Wilhelm von Kaulbach verglichen. Die besprochenen Arbeiten waren in der Regel nicht für die Öffentlichkeit bestimmt - die Errungenschaft des frühen 20. Jahrhunderts war also nicht die Erfindung einer abstrakten Bildform sondern die programmatische Ausstellung solcher Bilder als Kunstwerke. Hirmer paperback
書籍販売業者の参照番号
: BN18129 ISBN : 3777437557 9783777437552
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Raphael Robert Cross Smith 1795 1834
Fortune-Telling Raphael's Pythoness of the East; or Complete Key To Futurity Translated from the Original MS. of The Celebrated Mystical Divining Book Formerly in The Possession of Her Imperial Majesty Empress Josephine.
London: W. Foulsham & Co Ltd 1894. Book. Good. Hardcover. ---------------<br />The first 12 pages contain 144 questions relating to all the causalities and events of a human life divided into twelve houses each having a separate and distinct class of twelve questions. The remainder of the work is divided into 12 circles each circle containing the sixteen geomantic oracles of twelve answers each thus forming 2304 answers to the 144 questions. ------------ <br />Publisher's cloth with black titles and decorations. Bindings are tight and square. Text clean light even toning. Shelf handling wear with age-soiling and rubbed corners and spine tips. Early signatures loose with older tape reinforcement.16mo; 5.5 inches tall. 212 pages with 4 pages of publisher's adverts. A reprinted edition. ----------- <br />Robert Cross Smith was an English astrologer writing under the pseudonym of 'Raphael' was a pioneering modern astrologer was the first of a lineage of British astrologers to use the pseudonym Raphael with his writings. -------Subjects: Fortune-Telling; occult; zodiac . W. Foulsham & Co Ltd hardcover books
書籍販売業者の参照番号
: 013927
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Raphael Robert T. Cross
Raphael's Private Instructions in Genethliacal Astrology Adapted for Those Who are Advanced in the Study of Astrology
Chicago: George Engelke The Aries Press 1935. Hardcover. Black and silver patterned cloth with silver cover label. Some bumping to spine ends and corners some rubbing to joints. Some discoloration to endpapers. Ownership inscription on front endpaper some notations on rear endpapers. Pages lightly tanned otherwise unmarked. Very Good. . VeryGood. Hardcover . George Engelke, The Aries Press 1935 hardcover books
書籍販売業者の参照番号
: 35386
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Raphael Rubinstein
Critical Mess: Art Critics on the State of Their Practice
Hard Pr Inc 2007. Paperback. New. 1st edition. 125 pages. 9.00x6.00x0.50 inches. Hard Pr Inc paperback
書籍販売業者の参照番号
: 1-1889097675 ISBN : 1889097675 9781889097671
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