‎Raphael‎

‎Raphael R Abramovitch‎

‎The Soviet Revolution: 1917-1938‎

‎Paperback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; This history originally published in 1962 by the then lone remaining figure in the leadership of the Russian Social Democratic Party is an important contribution to the understanding of the Soviet October Revolution of 1917. It cover paperback‎

书商的参考编号 : ria9781138224759_inp ???????? : 1138224758 9781138224759

‎Raphael Raphael‎

‎A Manual of Astrology or the Book of the Stars: Which Contains Every Requisite Illustration of the Celestial Science; Or the Art of Foretelling . of the Heavenly Bodies Classic Reprint‎

‎paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback‎

书商的参考编号 : 0282112812.G ???????? : 0282112812 9780282112813

‎RAPHAEL Raffaello Sanzio d'Urbino (1483-1520)‎

‎Angels appear to Abraham Apparuerunt ei tres viri et cucurrit Abraham de ostio Tabernaculi sui et adoravit in Terram‎

‎Rome 1774. Copper engraving by Ottaviani after drawings by Savorelli and Camporesi printed in light brown coloured ink with contemporary hand-colouring. Neat marginal restoration. A stunning plate from "Logge di Rafaele nel Vaticano": with contemporary colouring of the highest quality from the golden age of the hand-coloured print. The scene in the main panel shows the three angels that appeared to Abraham and told him that he and his wife Sarah will have a son.<br/> <br/> A very fine image from the second part of a work titled "Loggie di Rafaele nel Vaticano" depicting the decorative work executed by Raphael and his assistants between 1518-1519 in the Vatican. They were drawn by Gaetano Savorelli a Roman painter and draughtsman best known for his Raphael drawings and Pietro Camporesi a Roman architect who worked for Pope Clemens XIII and Pius VI on rooms for the Vatican Museum. The first to illustrate the famous frescoes these beautiful plates were probably planned as early as 1760 but were not executed until 1772 to 1776. The plate is remarkable not only as the first important visual record of Raphael's work but also for the quality of the hand-colouring - the work on this image is in our opinion some of the greatest to be produced in Europe during the whole of the eighteenth century: the golden age of the hand-coloured print. They were remarkable not just for their size and magnificent colouring but also because of the influence they had on contemporary taste. The decision was made to "borrow" elements from Raphael's Vatican tapestries and insert them where the original frescoes were in too poor a state to be legible. The finished plates therefore represented an amalgam of design elements presented with a crisp freshness of colour that held enormous appeal and did much to stimulate the taste for the "grotesque" in the Neo-classical period. A year after the death of his principal patron Julius II Raphael succeeded Donato Bramante in 1514 as the official Vatican architect. Having previously adorned the "Stanze" or chambers of Julius on the second floor of the papal apartments in the Vatican palace he was commissioned by Leo X in 1517 to decorate the adjacent Logge. He designed an elaborate cycle of ornamental frescoes for the room's ceiling vaults doors and auxiliary pillars which were executed by his assistants Giulio Romano and Giovanni da Udine. Twelve of the quadrilateral ceiling vaults were adorned with murals of familiar Old Testament scenes and one with a scene from the New Testament while the more decorative frescoes painted on the pilasters by Udine were covered with imaginative compositions of 'grotesque' motifs like foliage fruit and chimerical beasts.<br/> <br/> Cf. Brunet IV 1110 & 1111; cf. Berlin Katalog 4068 & 4066; "Raphael Invenit: Stampe da Rafaello" 1985 Ottaviano 22; cf. "Raphael: Reproduktions-graphik aus vier Jahrhunderten" Coburg 1984 104 & no. 245. unknown‎

书商的参考编号 : 20164

‎RAPHAEL Raffaello Sanzio d'Urbino (1483-1520)‎

‎Decorative pilaster with fruit flowers and tendrils‎

‎Rome 1772. Copper engraving by Ottaviani after drawings by Savorelli and Camporesi printed in light brown coloured ink with contemporary hand-colouring. Trimmed to platemark left margin. Good condition. A highly decorative print from the famous "Loggie di Rafaele nel Vaticano" series with contemporary colouring of the highest quality from the golden age of the hand-coloured print.<br/> <br/> A very fine image from the first part of a work titled "Loggie di Rafaele nel Vaticano" depicting the decorative work executed by Raphael and his assistants between 1518-1519 in the Vatican. This remarkable print one of the first to be published of the decoration of the Logge on the main storey of the Vatican apartments was probably planned as early as 1760 but was not executed until between 1772 and 1776. The project as a whole was carried out by the painter Gaetano Savorelli the draughtsman Ludovico Teseo the architect Pietro Camporesi and the engravers Giovanni Ottaviani and Giovanni Volpato. The plate is remarkable not only as the first important visual record of Raphael's work but also for the quality of the hand-colouring - the work on this image is in our opinion some of the greatest to be produced in Europe during the whole of the eighteenth century: the golden age of the hand-coloured print. The whole series was of importance not just for the size and magnificent colouring of the prints but also because of the influence they had on contemporary taste. The decision was made to "borrow" elements from Raphael's Vatican tapestries and insert them where the original frescoes were in too poor a state to be legible. The finished plates therefore represented an amalgam of design elements presented with a crisp freshness of colour that held enormous appeal and stimulated the taste for the "grotesque" in the neo-classical period.<br/> <br/> Cf. Brunet IV 1110; cf. Berlin Katalog 4068; cf. Lambert Pattern and Design V. & A.: 1983 p. 26; "Raphael Invenit: Stampe da Rafaello" 1985 Ottaviano 11; Raphael: Reproduktions-graphik aus vier Jahrhunderten Coburg: 1984 p. 104. unknown‎

书商的参考编号 : 21936

‎RAPHAEL Raffaello Sanzio d'Urbino (1483-1520)‎

‎Decorative pilaster with fruit flowers and tendrils‎

‎Rome 1772. Copper engraving by Ottaviani after drawings by Savorelli and Camporesi printed in light brown coloured ink with contemporary hand-colouring. Good condition. Sight size: 43 x 17 1/4 inches. A highly decorative print from the famous "Loggie di Rafaele nel Vaticano" series with contemporary colouring of the highest quality from the golden age of the hand-coloured print.<br/> <br/> A very fine image from the first part of a work titled "Loggie di Rafaele nel Vaticano" depicting the decorative work executed by Raphael and his assistants between 1518-1519 in the Vatican. This remarkable print one of the first to be published of the decoration of the Logge on the main storey of the Vatican apartments was probably planned as early as 1760 but was not executed until between 1772 and 1776. The project as a whole was carried out by the painter Gaetano Savorelli the draughtsman Ludovico Teseo the architect Pietro Camporesi and the engravers Giovanni Ottaviani and Giovanni Volpato. The plate is remarkable not only as the first important visual record of Raphael's work but also for the quality of the hand-colouring - the work on this image is in our opinion some of the greatest to be produced in Europe during the whole of the eighteenth century: the golden age of the hand-coloured print. The whole series was of importance not just for the size and magnificent colouring of the prints but also because of the influence they had on contemporary taste. The decision was made to "borrow" elements from Raphael's Vatican tapestries and insert them where the original frescoes were in too poor a state to be legible. The finished plates therefore represented an amalgam of design elements presented with a crisp freshness of colour that held enormous appeal and stimulated the taste for the "grotesque" in the neo-classical period.<br/> <br/> Cf. Brunet IV 1110; cf. Berlin Katalog 4068; cf. Lambert Pattern and Design V. & A.: 1983 p. 26; "Raphael Invenit: Stampe da Rafaello" 1985 Ottaviano 13;Raphael: Reproduktions-graphik aus vier Jahrhunderten Coburg: 1984 p. 104. unknown‎

书商的参考编号 : 17014

‎RAPHAEL Raffaello Sanzio d'Urbino (1483-1520)‎

‎Decorative pilaster with fruit flowers and tendrils‎

‎Rome 1772. Copper engraving by Ottaviani after drawings by Savorelli and Camporesi printed in light brown coloured ink with contemporary hand-colouring. Good condition. Sight size: 43 x 17 inches. A highly decorative print from the famous "Loggie di Rafaele nel Vaticano" series with contemporary colouring of the highest quality from the golden age of the hand-coloured print.<br/> <br/> A very fine image from the first part of a work titled "Loggie di Rafaele nel Vaticano" depicting the decorative work executed by Raphael and his assistants between 1518-1519 in the Vatican. This remarkable print one of the first to be published of the decoration of the Logge on the main storey of the Vatican apartments was probably planned as early as 1760 but was not executed until between 1772 and 1776. The project as a whole was carried out by the painter Gaetano Savorelli the draughtsman Ludovico Teseo the architect Pietro Camporesi and the engravers Giovanni Ottaviani and Giovanni Volpato. The plate is remarkable not only as the first important visual record of Raphael's work but also for the quality of the hand-colouring - the work on this image is in our opinion some of the greatest to be produced in Europe during the whole of the eighteenth century: the golden age of the hand-coloured print. The whole series was of importance not just for the size and magnificent colouring of the prints but also because of the influence they had on contemporary taste. The decision was made to "borrow" elements from Raphael's Vatican tapestries and insert them where the original frescoes were in too poor a state to be legible. The finished plates therefore represented an amalgam of design elements presented with a crisp freshness of colour that held enormous appeal and stimulated the taste for the "grotesque" in the neo-classical period.<br/> <br/> Cf. Brunet IV 1110; cf. Berlin Katalog 4068; cf. Lambert Pattern and Design V. & A.: 1983 p. 26; "Raphael Invenit: Stampe da Rafaello" 1985 Ottaviano 11; Raphael: Reproduktions-graphik aus vier Jahrhunderten Coburg: 1984 p. 104. unknown‎

书商的参考编号 : 17012

‎RAPHAEL Raffaello Sanzio d'Urbino (1483-1520)‎

‎Eve Conceived Cain and his brother Abel Concepit Heva et peperit Cain Frantremque ejus Abel‎

‎Rome 1774. Copper engraving by Ottaviani after drawings by Savorelli and Camporesi printed in light brown coloured ink with contemporary hand-colouring. Good condition. Shaved within plate mark expert neat repairs to left margin one just affecting the image area. A stunning plate from "Logge di Rafaele nel Vaticano": with contemporary colouring of the highest quality from the golden age of the hand-coloured print.<br/> <br/> A very fine image from the second part of a work titled "Loggie di Rafaele nel Vaticano" depicting the decorative work executed by Raphael and his assistants between 1518-1519 in the Vatican. They were drawn by Gaetano Savorelli a Roman painter and draughtsman best known for his Raphael drawings and Pietro Camporesi a Roman architect who worked for Pope Clemens XIII and Pius VI on rooms for the Vatican Museum. The first to illustrate the famous frescoes these beautiful plates were probably planned as early as 1760 but were not executed until 1772 to 1776. The plate is remarkable not only as the first important visual record of Raphael's work but also for the quality of the hand-colouring - the work on this image is in our opinion some of the greatest to be produced in Europe during the whole of the eighteenth century: the golden age of the hand-coloured print. They were remarkable not just for their size and magnificent colouring but also because of the influence they had on contemporary taste. The decision was made to "borrow" elements from Raphael's Vatican tapestries and insert them where the original frescoes were in too poor a state to be legible. The finished plates therefore represented an amalgam of design elements presented with a crisp freshness of colour that held enormous appeal and did much to stimulate the taste for the "grotesque" in the Neo-classical period. A year after the death of his principal patron Julius II Raphael succeeded Donato Bramante in 1514 as the official Vatican architect. Having previously adorned the "Stanze" or chambers of Julius on the second floor of the papal apartments in the Vatican palace he was commissioned by Leo X in 1517 to decorate the adjacent Logge. He designed an elaborate cycle of ornamental frescoes for the room's ceiling vaults doors and auxiliary pillars which were executed by his assistants Giulio Romano and Giovanni da Udine. Twelve of the quadrilateral ceiling vaults were adorned with murals of familiar Old Testament scenes and one with a scene from the New Testament while the more decorative frescoes painted on the pilasters by Udine were covered with imaginative compositions of 'grotesque' motifs like foliage fruit and chimerical beasts. The biblical scene depicted shows the infant brothers Cain and Abel vying for their mother's attention. Adam is sowing nearby.<br/> <br/> Cf. Brunet IV 1110 & 1111; cf. Berlin Katalog. 4068 & 4066; "Raphael Invenit: Stampe da Rafaello" 1985 Ottaviano 22; cf. "Raphael: Reproduktions-graphik aus vier Jahrhunderten" Coburg 1984 104 & no. 245. unknown‎

书商的参考编号 : 17011

‎RAPHAEL Raffaello Sanzio d'Urbino (1483-1520)‎

‎Jacob's Ladder Vidit Jacob in somnis scalam stantem super terram et cacumen illius tangens Coelum: Angelos ascendentes et descendentes: et Dnum innixum scalæ‎

‎Rome 1770. Copper engraving on two joined sheets by Ottaviani after drawings by Savorelli and Camporesi printed in light brown coloured ink with contemporary hand-colouring. Neat marginal restoration. A stunning plate from "Logge di Rafaele nel Vaticano": with contemporary colouring of the highest quality from the golden age of the hand-coloured print. The main panel shows Jacob at Luza having a vision of the angels ascending and descending by a ladder which reached from earth to heaven.<br/> <br/> A very fine image from the second part of a work titled "Loggie di Rafaele nel Vaticano" depicting the decorative work executed by Raphael and his assistants between 1518-1519 in the Vatican. They were drawn by Gaetano Savorelli a Roman painter and draughtsman best known for his Raphael drawings and Pietro Camporesi a Roman architect who worked for Pope Clemens XIII and Pius VI on rooms for the Vatican Museum. The first to illustrate the famous frescoes these beautiful plates were probably planned as early as 1760 but were not executed until 1772 to 1776. The plate is remarkable not only as the first important visual record of Raphael's work but also for the quality of the hand-colouring - the work on this image is in our opinion some of the greatest to be produced in Europe during the whole of the eighteenth century: the golden age of the hand-coloured print. They were remarkable not just for their size and magnificent colouring but also because of the influence they had on contemporary taste. The decision was made to "borrow" elements from Raphael's Vatican tapestries and insert them where the original frescoes were in too poor a state to be legible. The finished plates therefore represented an amalgam of design elements presented with a crisp freshness of colour that held enormous appeal and did much to stimulate the taste for the "grotesque" in the Neo-classical period. A year after the death of his principal patron Julius II Raphael succeeded Donato Bramante in 1514 as the official Vatican architect. Having previously adorned the "Stanze" or chambers of Julius on the second floor of the papal apartments in the Vatican palace he was commissioned by Leo X in 1517 to decorate the adjacent Logge. He designed an elaborate cycle of ornamental frescoes for the room's ceiling vaults doors and auxiliary pillars which were executed by his assistants Giulio Romano and Giovanni da Udine. Twelve of the quadrilateral ceiling vaults were adorned with murals of familiar Old Testament scenes and one with a scene from the New Testament while the more decorative frescoes painted on the pilasters by Udine were covered with imaginative compositions of 'grotesque' motifs like foliage fruit and chimerical beasts.<br/> <br/> Cf. Brunet IV 1110 & 1111; cf. Berlin Katalog 4068 & 4066; "Raphael Invenit: Stampe da Rafaello" 1985 Ottaviano 22; cf. "Raphael: Reproduktions-graphik aus vier Jahrhunderten" Coburg 1984 104 & no. 245. unknown‎

书商的参考编号 : 20166

‎RAPHAEL Raffaello Sanzio d'Urbino (1483-1520)‎

‎King David in Triumph Subacta Syria tulit David arma aurea et detula ea in Jerusalem‎

‎Rome 1774. Copper engraving on two joined sheets by Ottaviani after drawings by Savorelli and Camporesi printed in light brown coloured ink with contemporary hand-colouring. Neat marginal restoration. A stunning plate from "Logge di Rafaele nel Vaticano": with contemporary colouring of the highest quality from the golden age of the hand-coloured print. The main panel shows King David having subdued Syria returning to Jersusalem with armour made of gold.<br/> <br/> A very fine image from the second part of a work titled "Loggie di Rafaele nel Vaticano" depicting the decorative work executed by Raphael and his assistants between 1518-1519 in the Vatican. They were drawn by Gaetano Savorelli a Roman painter and draughtsman best known for his Raphael drawings and Pietro Camporesi a Roman architect who worked for Pope Clemens XIII and Pius VI on rooms for the Vatican Museum. The first to illustrate the famous frescoes these beautiful plates were probably planned as early as 1760 but were not executed until 1772 to 1776. The plate is remarkable not only as the first important visual record of Raphael's work but also for the quality of the hand-colouring - the work on this image is in our opinion some of the greatest to be produced in Europe during the whole of the eighteenth century: the golden age of the hand-coloured print. They were remarkable not just for their size and magnificent colouring but also because of the influence they had on contemporary taste. The decision was made to "borrow" elements from Raphael's Vatican tapestries and insert them where the original frescoes were in too poor a state to be legible. The finished plates therefore represented an amalgam of design elements presented with a crisp freshness of colour that held enormous appeal and did much to stimulate the taste for the "grotesque" in the Neo-classical period. A year after the death of his principal patron Julius II Raphael succeeded Donato Bramante in 1514 as the official Vatican architect. Having previously adorned the "Stanze" or chambers of Julius on the second floor of the papal apartments in the Vatican palace he was commissioned by Leo X in 1517 to decorate the adjacent Logge. He designed an elaborate cycle of ornamental frescoes for the room's ceiling vaults doors and auxiliary pillars which were executed by his assistants Giulio Romano and Giovanni da Udine. Twelve of the quadrilateral ceiling vaults were adorned with murals of familiar Old Testament scenes and one with a scene from the New Testament while the more decorative frescoes painted on the pilasters by Udine were covered with imaginative compositions of 'grotesque' motifs like foliage fruit and chimerical beasts.<br/> <br/> Cf. Brunet IV 1110 & 1111; cf. Berlin Katalog 4068 & 4066; "Raphael Invenit: Stampe da Rafaello" 1985 Ottaviano 22; cf. "Raphael: Reproduktions-graphik aus vier Jahrhunderten" Coburg 1984 104 & no. 245. unknown‎

书商的参考编号 : 20169

‎RAPHAEL Raffaello Sanzio d'Urbino (1483-1520)‎

‎Loggie di Rafaele nel Vaticano‎

‎Rome 1772. Copper engraving with stunning early colour. Printed on laid paper with added wove margins. In excellent condition with the exception of some light foxing in the margins. Image size: 22 7/8 x 15 3/4 inches. This beautiful perspective view of Raphael's Loggia with contemporary colouring of the highest quality from the golden age of the hand-coloured print served as the frontispiece to the celebrated text "Loggie di Rafaele nel Vaticano".<br/> <br/> This arresting print is a general perspective view of Raphael's design for the Loggia at the Vatican with a large profile portrait of Raphael in a medallion over the entrance to the corridor. The plate served as the frontispiece to the first part of the "Logge di Rafaele nel Vaticano" which depicted the decorative work executed by Raphael and his assistants between 1518-1519 in the Vatican. The project as a whole was carried out by the painter Gaetano Savorelli the draughtsman Ludovico Teseo the architect Pietro Camporesi and the engravers Giovanni Ottaviani and Giovanni Volpato. The plate is remarkable not only as the first important visual record of Raphael's work but also for the quality of the hand-colouring - the work on this image is in our opinion some of the greatest to be produced in Europe during the whole of the eighteenth century: the golden age of the hand-coloured print. The whole series was remarkable not just for the size and magnificent colouring of the prints but also because of the influence they had on contemporary taste. The decision was made to "borrow" elements from Raphael's Vatican tapestries and insert them where the original frescoes were in too poor a state to be legible. The finished plates therefore represented an amalgam of design elements presented with a crisp freshness of colour that held enormous appeal and stimulated the taste for the "grotesque" in the neo-classical period.<br/> <br/> Cf. Brunet IV 1110; cf. Berlin Katalog 4068; Lambert Pattern and Design V. & A.: 1983 p. 26; "Raphael Invenit: Stampe da Rafaello" 1985 Volpato 1; Raphael: Reproduktions-graphik aus vier Jahrhunderten Coburg: 1984 p. 104; G. Marini editor Giovanni Volpato 1735-1803 1988 no. 198. unknown‎

书商的参考编号 : 16447

‎RAPHAEL Raffaello Sanzio d'Urbino (1483-1520) - Nicolas DORIGNY (1648-1746, engraver)‎

‎Psyches et Amoris nuptiae fabula a Raphaele Sanctio Urbinate Romae in Farnesianis hortis Transtyberim ad veterum aemulationem ac laudem colorum luminibus expressa a. Dorigny. delineata et incisa et a Ioanne Petro Belloriio notis illustrata‎

‎Rome: Domenico de' Rossi 1693. Large folio. 10 hand-coloured engraved plates by Dorigny on laid paper each 15 7/8 x 26 inches approximately titles and imprints printed in gold black ink-ruled borders each plate cut to the edge of the image mounted on large sheets of contemporary thick laid paper each 29 3/8 x 40 3/8 inches approximately. Unbound<br/> <br/> A suite of ten engraved plates with very fine original hand colouring offering a stunning visual record of one of the best of the decorative interior schemes carried out by Raphael in Rome.<br/> <br/> This wonderful series records Raphael's 'Cupid and Psyche' series of frescoes carried out by him between 1516 and 1518 in the Loggia of Psyche in the villa Farnesina in Rome. The series also comes with a title and an eleventh plate of the ceiling fresco in the adjoining Sala di Galatea executed in 1512: neither the plate nor the title are present here. Originally published by the Rossis the engravings are the work of Nicolas Dorigny 1658-1746 who lived and worked in Rome between about 1690 and 1719. The painter classicist and art historian Giovanni Pietro Bellori 1613-1696 provided the text at the foot of the plates appropriate excerpts from Apuleuis's Golden Ass.<br/> <br/> "Raphael Invenit: Stampe da Rafaello" 1985 Dorigny 37-46; cf. Brunet IV 1111; cf. Berlin Katalog 4066. Domenico de' Rossi unknown‎

书商的参考编号 : 15680

‎Raphael Rafatpanah‎

‎ReasonML Quick Start Guide: Build fast and type-safe React applications that leverage the JavaScript and OCaml ecosystems‎

‎like new. unknown‎

书商的参考编号 : 35261969 ???????? : 1789340780 9781789340785

‎RAPHAEL Raffaello Sanzio d'Urbino (1483-1520)‎

‎The Lord appears to Issac Apparvit Isaac Dominus et ait: ne descendas in Aegyptum sed quiesce in terra quam dixero tibi‎

‎Rome 1774. Copper engraving on two joined sheets by Ottaviani after drawings by Savorelli and Camporesi printed in light brown coloured ink with contemporary hand-colouring. Neat marginal restoration. A stunning plate from "Logge di Rafaele nel Vaticano": with contemporary colouring of the highest quality from the golden age of the hand-coloured print. In the main panel the Lord appears to Isaac and tells him not to go down into Egypt but to stay in Gerara.<br/> <br/> A very fine image from the second part of a work titled "Loggie di Rafaele nel Vaticano" depicting the decorative work executed by Raphael and his assistants between 1518-1519 in the Vatican. They were drawn by Gaetano Savorelli a Roman painter and draughtsman best known for his Raphael drawings and Pietro Camporesi a Roman architect who worked for Pope Clemens XIII and Pius VI on rooms for the Vatican Museum. The first to illustrate the famous frescoes these beautiful plates were probably planned as early as 1760 but were not executed until 1772 to 1776. The plate is remarkable not only as the first important visual record of Raphael's work but also for the quality of the hand-colouring - the work on this image is in our opinion some of the greatest to be produced in Europe during the whole of the eighteenth century: the golden age of the hand-coloured print. They were remarkable not just for their size and magnificent colouring but also because of the influence they had on contemporary taste. The decision was made to "borrow" elements from Raphael's Vatican tapestries and insert them where the original frescoes were in too poor a state to be legible. The finished plates therefore represented an amalgam of design elements presented with a crisp freshness of colour that held enormous appeal and did much to stimulate the taste for the "grotesque" in the Neo-classical period. A year after the death of his principal patron Julius II Raphael succeeded Donato Bramante in 1514 as the official Vatican architect. Having previously adorned the "Stanze" or chambers of Julius on the second floor of the papal apartments in the Vatican palace he was commissioned by Leo X in 1517 to decorate the adjacent Logge. He designed an elaborate cycle of ornamental frescoes for the room's ceiling vaults doors and auxiliary pillars which were executed by his assistants Giulio Romano and Giovanni da Udine. Twelve of the quadrilateral ceiling vaults were adorned with murals of familiar Old Testament scenes and one with a scene from the New Testament while the more decorative frescoes painted on the pilasters by Udine were covered with imaginative compositions of 'grotesque' motifs like foliage fruit and chimerical beasts.<br/> <br/> Cf. Brunet IV 1110 & 1111; cf. Berlin Katalog 4068 & 4066; "Raphael Invenit: Stampe da Rafaello" 1985 Ottaviano 22; cf. "Raphael: Reproduktions-graphik aus vier Jahrhunderten" Coburg 1984 104 & no. 245. unknown‎

书商的参考编号 : 20165

‎Raphael Raffaello Sanzio da Urbino Frank E. Washburn; Arduino Colasanti‎

‎LE STANZE DI RAFFAELLO‎

‎New York 1936. Limited Edition. Hard Cover. Very Good binding. Limited Edition of Le Stanze di Raffaello with text on the life and work of Raphael in Italian and English and eighteen loose plates laid in at the rear. This copy numbered 1637 of 2000. Quarter paper vellum over tan paper covered boards with gilt lettering. Binding designed to accommodate the loose plates at the rear. Very Good. 238 pp. Folio. Very Good binding. unknown books‎

书商的参考编号 : 285917

‎Raphael Reed, Lynn‎

‎Creating Gender-Fair Schools & Classrooms: Engendering Social Justice For 5 to 13 year olds Lucky Duck Books‎

‎paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback‎

书商的参考编号 : 1412923573.G ???????? : 1412923573 9781412923576

‎Raphael Romeikat‎

‎A PHP compiler for the .NET platform‎

‎like new. unknown‎

书商的参考编号 : 5212084 ???????? : 3836414708 9783836414708

‎Raphael Rohr‎

‎Auf die Plätze . fertig . los! Raphael Rohr‎

‎Auf die Plätze . fertig . los! <br/><br/>Auf die Plätze . fertig . los! unknown‎

书商的参考编号 : BN115068 ???????? : 3609684437 9783609684437

‎Raphael Rottinger‎

‎Führen von Einsatzorganisationen in der Chaosphase : Wie die Zusammenarbeit zwischen Polizei Feuerwehr Rettungsdienst und Spezialkräften gelingt‎

‎Paperback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; N/A paperback‎

书商的参考编号 : ria9783658460969_inp ???????? : 3658460962 9783658460969

‎Raphael Rom‎

‎Multiple Access Protocols: Performance and Analysis Telecommunication Networks and Computer Systems‎

‎Springer New York 2012. Paperback. New. reprint edition. 185 pages. 9.25x6.10x0.50 inches. Springer New York paperback‎

书商的参考编号 : x-1461279976 ???????? : 1461279976 9781461279976

‎Raphael Romi‎

‎Méthodologie de la recherche en droit : Master et doctorat ancienne édition‎

‎Lexis Nexis 2006. Paperback. Very Good. Former library book. Edition 2006. Ammareal gives back up to 15% of this item's net price to charity organizations. Lexis Nexis paperback‎

书商的参考编号 : I-142-460 ???????? : 2711007138 9782711007134

‎Raphael Romi‎

‎Méthodologie de la recherche en droit : Master et doctorat ancienne édition Raphaël Romi‎

‎Lexis Nexis. Softcover. Méthodologie de la recherche en droit : Master et doctorat ancienne édition <br/><br/>Méthodologie de la recherche en droit : Master et doctorat ancienne édition Lexis Nexis paperback‎

书商的参考编号 : BN103816 ???????? : 2711010848 9782711010844

‎Raphael Rom‎

‎Name Assignment in Computer Networks‎

‎PN. New. 1982. Soft Cover. Date is original print. This is a reprint edition. . PN paperback‎

书商的参考编号 : 766673

‎Raphael Rogers‎

‎Representations of Slavery in Children’s Picture Books‎

‎Paperback / softback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; Drawing on critical race theory critical race feminism critical multicultural analysis and intertextuality this book examines how slavery is represented in contemporary children’s picture books. paperback‎

书商的参考编号 : ria9780367441456_inp ???????? : 0367441454 9780367441456

‎Raphael Rogers‎

‎Representations of Slavery in Children's Picture Books: Teaching and Learning about Slavery in K-12 Classrooms‎

‎Hardback. New. hardcover‎

书商的参考编号 : A9781138739208 ???????? : 1138739200 9781138739208

‎Raphael Rogers‎

‎Representing Black Girl Magic with Contemporary Picture Books‎

‎Paperback / softback. New. <p><b>Representing Black Girl Magic with Contemporary Picture Books</b> explores how culturally inclusive picture books centered on Black girls provide educators with opportunities to teach about race racism and sexism in the classroom.</p> paperback‎

书商的参考编号 : B9781032386416 ???????? : 103238641x 9781032386416