‎Raphael‎

‎Raphael, Thomas‎

‎The Anti-Suit Injunction Updating Supplement Oxford Private International Law Series‎

‎OXFORD UNIVERSITY PRESS 2011-01-29. 1. paperback. Used: Good. 9.21x6.14x0.26. Buy with confidence. Excellent Customer Service & Return policy. OXFORD UNIVERSITY PRESS paperback‎

書籍販売業者の参照番号 : SONG0199588473 ISBN : 0199588473 9780199588473

‎Raphael, Timothy,‎

‎The President Electric‎

‎like new. unknown‎

書籍販売業者の参照番号 : 6547912 ISBN : 0472050737 9780472050734

‎Raphael, Timothy‎

‎The President Electric: Ronald Reagan and the Politics of Performance Theater: Theory/Text/Performance‎

‎University of Michigan Press 2009-10-12. Illustrated. paperback. New. 6.00x0.90x9.00. Buy with confidence. Excellent Customer Service & Return policy. University of Michigan Press paperback‎

書籍販売業者の参照番号 : DADAX0472050737 ISBN : 0472050737 9780472050734

‎Raphael, Wassim‎

‎Calcul pratique du béton armé selon l'eurocode 2: Dimensionnement ferraillage et applications Omn.Univ.Europ. French Edition‎

‎paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback‎

書籍販売業者の参照番号 : 3838182480.G ISBN : 3838182480 9783838182483

‎Raphael, Wesley‎

‎Converting the Soul: Deuteronmy ~ Making Peace with God's Law‎

‎paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback‎

書籍販売業者の参照番号 : 1304493105.G ISBN : 1304493105 9781304493101

‎RAPHAEL, Wassim‎

‎ÉTUDE DU FLUAGE DES STRUCTURES EN BÉTON ARMÉ ET PRÉCONTRAINT: NOUVEAU MODELE ET CALCULS FIABILISTES Omn.Univ.Europ. French Edition‎

‎paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback‎

書籍販売業者の参照番号 : 6131542554.G ISBN : 6131542554 9786131542558

‎Raphael,Frederic‎

‎Heaven & Earth SIGNED COPY‎

‎London: Jonathan Cape. This is a Near Fine Copy of this Book in Publisher's dark green cloth with gilt title lettering to spinein a Near Fine Dust-jacket with NO chips or tears to the outer edges of the dust-wrapper.Not price clipped and this copy has been Inscribed by the Author on the front free endpaper and also signed by him without dedication on the top edge of the Title Page.The Inscription on the ffep reads. For Paul with much love from the author & his January 1985'' The book has a firm binding with no hinge weakness.There is just a little tanning or age toning to the text block edges.Uncommon signed title 8vo 310pp First UK Edition 1st Impression 1985 . Near Fine. Hardcover. First Edition. 1st Printing. 1985. Jonathan Cape hardcover‎

書籍販売業者の参照番号 : 85118 ISBN : 0224022946 9780224022941

‎RAPHAEL. Raffaello Sanzio d'Urbino 1483 1520‎

‎Angels appear to Abraham Apparuerunt ei tres viri et cucurrit Abraham de ostio Tabernaculi sui et adoravit in Terram‎

‎Rome 1774. Copper engraving by Ottaviani after drawings by Savorelli and Camporesi printed in light brown coloured ink with contemporary hand-colouring. Neat marginal restoration. A stunning plate from "Logge di Rafaele nel Vaticano": with contemporary colouring of the highest quality from the golden age of the hand-coloured print. The scene in the main panel shows the three angels that appeared to Abraham and told him that he and his wife Sarah will have a son.<br/> <br/>A very fine image from the second part of a work titled "Loggie di Rafaele nel Vaticano" depicting the decorative work executed by Raphael and his assistants between 1518-1519 in the Vatican. They were drawn by Gaetano Savorelli a Roman painter and draughtsman best known for his Raphael drawings and Pietro Camporesi a Roman architect who worked for Pope Clemens XIII and Pius VI on rooms for the Vatican Museum. The first to illustrate the famous frescoes these beautiful plates were probably planned as early as 1760 but were not executed until 1772 to 1776. The plate is remarkable not only as the first important visual record of Raphael's work but also for the quality of the hand-colouring - the work on this image is in our opinion some of the greatest to be produced in Europe during the whole of the eighteenth century: the golden age of the hand-coloured print. They were remarkable not just for their size and magnificent colouring but also because of the influence they had on contemporary taste. The decision was made to "borrow" elements from Raphael's Vatican tapestries and insert them where the original frescoes were in too poor a state to be legible. The finished plates therefore represented an amalgam of design elements presented with a crisp freshness of colour that held enormous appeal and did much to stimulate the taste for the "grotesque" in the Neo-classical period. A year after the death of his principal patron Julius II Raphael succeeded Donato Bramante in 1514 as the official Vatican architect. Having previously adorned the "Stanze" or chambers of Julius on the second floor of the papal apartments in the Vatican palace he was commissioned by Leo X in 1517 to decorate the adjacent Logge. He designed an elaborate cycle of ornamental frescoes for the room's ceiling vaults doors and auxiliary pillars which were executed by his assistants Giulio Romano and Giovanni da Udine. Twelve of the quadrilateral ceiling vaults were adorned with murals of familiar Old Testament scenes and one with a scene from the New Testament while the more decorative frescoes painted on the pilasters by Udine were covered with imaginative compositions of 'grotesque' motifs like foliage fruit and chimerical beasts.<br/> <br/>Cf. Brunet IV 1110 & 1111; cf. Berlin "Kat". 4068 & 4066; "Raphael Invenit: Stampe da Rafaello" 1985 Ottaviano 22; cf. "Raphael: Reproduktions-graphik aus vier Jahrhunderten" Coburg 1984 104 & no. 245. unknown books‎

書籍販売業者の参照番号 : 20164

‎RAPHAEL. Raffaello Sanzio d'Urbino 1483 1520‎

‎Decorative pilaster with fruit flowers and tendrils‎

‎Rome 1772. Copper engraving by Ottaviani after drawings by Savorelli and Camporesi printed in light brown coloured ink with contemporary hand-colouring. Trimmed to platemark left margin. Good condition. A highly decorative print from the famous "Loggie di Rafaele nel Vaticano" series with contemporary colouring of the highest quality from the golden age of the hand-coloured print.<br/> <br/>A very fine image from the first part of a work titled "Loggie di Rafaele nel Vaticano" depicting the decorative work executed by Raphael and his assistants between 1518-1519 in the Vatican. This remarkable print one of the first to be published of the decoration of the Logge on the main storey of the Vatican apartments was probably planned as early as 1760 but was not executed until between 1772 and 1776. The project as a whole was carried out by the painter Gaetano Savorelli the draughtsman Ludovico Teseo the architect Pietro Camporesi and the engravers Giovanni Ottaviani and Giovanni Volpato. The plate is remarkable not only as the first important visual record of Raphael's work but also for the quality of the hand-colouring - the work on this image is in our opinion some of the greatest to be produced in Europe during the whole of the eighteenth century: the golden age of the hand-coloured print. The whole series was of importance not just for the size and magnificent colouring of the prints but also because of the influence they had on contemporary taste. The decision was made to "borrow" elements from Raphael's Vatican tapestries and insert them where the original frescoes were in too poor a state to be legible. The finished plates therefore represented an amalgam of design elements presented with a crisp freshness of colour that held enormous appeal and stimulated the taste for the "grotesque" in the neo-classical period.<br/> <br/>Cf. Brunet IV 1110; cf. Berlin Kat. 4068; cf. Lambert Pattern and Design V. & A.: 1983 p. 26; "Raphael Invenit: Stampe da Rafaello" 1985 Ottaviano 11; Raphael: Reproduktions-graphik aus vier Jahrhunderten Coburg: 1984 p. 104. unknown books‎

書籍販売業者の参照番号 : 21936

‎RAPHAEL. Raffaello Sanzio d'Urbino 1483 1520‎

‎Decorative pilaster with fruit flowers and tendrils‎

‎Rome 1772. Copper engraving by Ottaviani after drawings by Savorelli and Camporesi printed in light brown coloured ink with contemporary hand-colouring. Good condition. Sight size: 43 x 17 inches. A highly decorative print from the famous "Loggie di Rafaele nel Vaticano" series with contemporary colouring of the highest quality from the golden age of the hand-coloured print.<br/> <br/>A very fine image from the first part of a work titled "Loggie di Rafaele nel Vaticano" depicting the decorative work executed by Raphael and his assistants between 1518-1519 in the Vatican. This remarkable print one of the first to be published of the decoration of the Logge on the main storey of the Vatican apartments was probably planned as early as 1760 but was not executed until between 1772 and 1776. The project as a whole was carried out by the painter Gaetano Savorelli the draughtsman Ludovico Teseo the architect Pietro Camporesi and the engravers Giovanni Ottaviani and Giovanni Volpato. The plate is remarkable not only as the first important visual record of Raphael's work but also for the quality of the hand-colouring - the work on this image is in our opinion some of the greatest to be produced in Europe during the whole of the eighteenth century: the golden age of the hand-coloured print. The whole series was of importance not just for the size and magnificent colouring of the prints but also because of the influence they had on contemporary taste. The decision was made to "borrow" elements from Raphael's Vatican tapestries and insert them where the original frescoes were in too poor a state to be legible. The finished plates therefore represented an amalgam of design elements presented with a crisp freshness of colour that held enormous appeal and stimulated the taste for the "grotesque" in the neo-classical period.<br/> <br/>Cf. Brunet IV 1110; cf. Berlin Kat. 4068; cf. Lambert Pattern and Design V. & A.: 1983 p. 26; "Raphael Invenit: Stampe da Rafaello" 1985 Ottaviano 11; Raphael: Reproduktions-graphik aus vier Jahrhunderten Coburg: 1984 p. 104. unknown books‎

書籍販売業者の参照番号 : 17012

‎RAPHAEL. Raffaello Sanzio d'Urbino 1483 1520‎

‎Decorative pilaster with fruit flowers and tendrils‎

‎Rome 1772. Copper engraving by Ottaviani after drawings by Savorelli and Camporesi printed in light brown coloured ink with contemporary hand-colouring. Good condition. Sight size: 43 x 17 1/4 inches. A highly decorative print from the famous "Loggie di Rafaele nel Vaticano" series with contemporary colouring of the highest quality from the golden age of the hand-coloured print.<br/> <br/>A very fine image from the first part of a work titled "Loggie di Rafaele nel Vaticano" depicting the decorative work executed by Raphael and his assistants between 1518-1519 in the Vatican. This remarkable print one of the first to be published of the decoration of the Logge on the main storey of the Vatican apartments was probably planned as early as 1760 but was not executed until between 1772 and 1776. The project as a whole was carried out by the painter Gaetano Savorelli the draughtsman Ludovico Teseo the architect Pietro Camporesi and the engravers Giovanni Ottaviani and Giovanni Volpato. The plate is remarkable not only as the first important visual record of Raphael's work but also for the quality of the hand-colouring - the work on this image is in our opinion some of the greatest to be produced in Europe during the whole of the eighteenth century: the golden age of the hand-coloured print. The whole series was of importance not just for the size and magnificent colouring of the prints but also because of the influence they had on contemporary taste. The decision was made to "borrow" elements from Raphael's Vatican tapestries and insert them where the original frescoes were in too poor a state to be legible. The finished plates therefore represented an amalgam of design elements presented with a crisp freshness of colour that held enormous appeal and stimulated the taste for the "grotesque" in the neo-classical period.<br/> <br/>Cf. Brunet IV 1110; cf. Berlin Kat. 4068; cf. Lambert Pattern and Design V. & A.: 1983 p. 26; "Raphael Invenit: Stampe da Rafaello" 1985 Ottaviano 13;Raphael: Reproduktions-graphik aus vier Jahrhunderten Coburg: 1984 p. 104. unknown books‎

書籍販売業者の参照番号 : 17014

‎RAPHAEL. Raffaello Sanzio d'Urbino 1483 1520‎

‎Eve Conceived Cain and his brother Abel Concepit Heva et peperit Cain Frantremque ejus Abel‎

‎Rome 1774. Copper engraving by Ottaviani after drawings by Savorelli and Camporesi printed in light brown coloured ink with contemporary hand-colouring. Good condition. Shaved within plate mark expert neat repairs to left margin one just affecting the image area. A stunning plate from "Logge di Rafaele nel Vaticano": with contemporary colouring of the highest quality from the golden age of the hand-coloured print.<br/> <br/>A very fine image from the second part of a work titled "Loggie di Rafaele nel Vaticano" depicting the decorative work executed by Raphael and his assistants between 1518-1519 in the Vatican. They were drawn by Gaetano Savorelli a Roman painter and draughtsman best known for his Raphael drawings and Pietro Camporesi a Roman architect who worked for Pope Clemens XIII and Pius VI on rooms for the Vatican Museum. The first to illustrate the famous frescoes these beautiful plates were probably planned as early as 1760 but were not executed until 1772 to 1776. The plate is remarkable not only as the first important visual record of Raphael's work but also for the quality of the hand-colouring - the work on this image is in our opinion some of the greatest to be produced in Europe during the whole of the eighteenth century: the golden age of the hand-coloured print. They were remarkable not just for their size and magnificent colouring but also because of the influence they had on contemporary taste. The decision was made to "borrow" elements from Raphael's Vatican tapestries and insert them where the original frescoes were in too poor a state to be legible. The finished plates therefore represented an amalgam of design elements presented with a crisp freshness of colour that held enormous appeal and did much to stimulate the taste for the "grotesque" in the Neo-classical period. A year after the death of his principal patron Julius II Raphael succeeded Donato Bramante in 1514 as the official Vatican architect. Having previously adorned the "Stanze" or chambers of Julius on the second floor of the papal apartments in the Vatican palace he was commissioned by Leo X in 1517 to decorate the adjacent Logge. He designed an elaborate cycle of ornamental frescoes for the room's ceiling vaults doors and auxiliary pillars which were executed by his assistants Giulio Romano and Giovanni da Udine. Twelve of the quadrilateral ceiling vaults were adorned with murals of familiar Old Testament scenes and one with a scene from the New Testament while the more decorative frescoes painted on the pilasters by Udine were covered with imaginative compositions of 'grotesque' motifs like foliage fruit and chimerical beasts. The biblical scene depicted shows the infant brothers Cain and Abel vying for their mother's attention. Adam is sowing nearby.<br/> <br/>Cf. Brunet IV 1110 & 1111; cf. Berlin "Kat". 4068 & 4066; "Raphael Invenit: Stampe da Rafaello" 1985 Ottaviano 22; cf. "Raphael: Reproduktions-graphik aus vier Jahrhunderten" Coburg 1984 104 & no. 245. unknown books‎

書籍販売業者の参照番号 : 17011

‎RAPHAEL. Raffaello Sanzio d'Urbino 1483 1520‎

‎Joseph and His Brothers Vidi consurgere manipulum meum et stare vestrosq: manipulos adorare meum . Et vidi quasi solem et lunam et stallas undecim adorare me‎

‎Rome 1774. Copper engraving on two joined sheets by Ottaviani after drawings by Savorelli and Camporesi printed in light brown coloured ink with contemporary hand-colouring. Neat marginal restoration. A stunning plate from "Logge di Rafaele nel Vaticano": with contemporary colouring of the highest quality from the golden age of the hand-coloured print. The main panel shows Joseph telling his brothers of his prophetic dreams "Hear my dream which I dreamed. I thought we were binding sheaves in the field: and my sheaf arose as it were and stood and your sheaves standing about bowed down before my sheaf . I saw in . another dream as it were the sun and the moon and eleven stars worshipping me."<br/> <br/>A very fine image from the second part of a work titled "Loggie di Rafaele nel Vaticano" depicting the decorative work executed by Raphael and his assistants between 1518-1519 in the Vatican. They were drawn by Gaetano Savorelli a Roman painter and draughtsman best known for his Raphael drawings and Pietro Camporesi a Roman architect who worked for Pope Clemens XIII and Pius VI on rooms for the Vatican Museum. The first to illustrate the famous frescoes these beautiful plates were probably planned as early as 1760 but were not executed until 1772 to 1776. The plate is remarkable not only as the first important visual record of Raphael's work but also for the quality of the hand-colouring - the work on this image is in our opinion some of the greatest to be produced in Europe during the whole of the eighteenth century: the golden age of the hand-coloured print. They were remarkable not just for their size and magnificent colouring but also because of the influence they had on contemporary taste. The decision was made to "borrow" elements from Raphael's Vatican tapestries and insert them where the original frescoes were in too poor a state to be legible. The finished plates therefore represented an amalgam of design elements presented with a crisp freshness of colour that held enormous appeal and did much to stimulate the taste for the "grotesque" in the Neo-classical period. A year after the death of his principal patron Julius II Raphael succeeded Donato Bramante in 1514 as the official Vatican architect. Having previously adorned the "Stanze" or chambers of Julius on the second floor of the papal apartments in the Vatican palace he was commissioned by Leo X in 1517 to decorate the adjacent Logge. He designed an elaborate cycle of ornamental frescoes for the room's ceiling vaults doors and auxiliary pillars which were executed by his assistants Giulio Romano and Giovanni da Udine. Twelve of the quadrilateral ceiling vaults were adorned with murals of familiar Old Testament scenes and one with a scene from the New Testament while the more decorative frescoes painted on the pilasters by Udine were covered with imaginative compositions of 'grotesque' motifs like foliage fruit and chimerical beasts.<br/> <br/>Cf. Brunet IV 1110 & 1111; cf. Berlin "Kat". 4068 & 4066; "Raphael Invenit: Stampe da Rafaello" 1985 Ottaviano 22; cf. "Raphael: Reproduktions-graphik aus vier Jahrhunderten" Coburg 1984 104 & no. 245. unknown books‎

書籍販売業者の参照番号 : 20167

‎RAPHAEL. Raffaello Sanzio d'Urbino 1483 1520‎

‎Last Supper Discumbentibus et edentibus Discipulis dixit Jesus unus ex Vobis me proditurus est‎

‎Rome 1774. Copper engraving on two joined sheets by Ottaviani after drawings by Savorelli and Camporesi printed in light brown coloured ink with contemporary hand-colouring. Neat marginal restoration. A stunning plate from "Logge di Rafaele nel Vaticano": with contemporary colouring of the highest quality from the golden age of the hand-coloured print. The main panel shows the moment during the Last Supper when Jesus announces that one of the twelve disciples will betray him.<br/> <br/>A very fine image from the second part of a work titled "Loggie di Rafaele nel Vaticano" depicting the decorative work executed by Raphael and his assistants between 1518-1519 in the Vatican. They were drawn by Gaetano Savorelli a Roman painter and draughtsman best known for his Raphael drawings and Pietro Camporesi a Roman architect who worked for Pope Clemens XIII and Pius VI on rooms for the Vatican Museum. The first to illustrate the famous frescoes these beautiful plates were probably planned as early as 1760 but were not executed until 1772 to 1776. The plate is remarkable not only as the first important visual record of Raphael's work but also for the quality of the hand-colouring - the work on this image is in our opinion some of the greatest to be produced in Europe during the whole of the eighteenth century: the golden age of the hand-coloured print. They were remarkable not just for their size and magnificent colouring but also because of the influence they had on contemporary taste. The decision was made to "borrow" elements from Raphael's Vatican tapestries and insert them where the original frescoes were in too poor a state to be legible. The finished plates therefore represented an amalgam of design elements presented with a crisp freshness of colour that held enormous appeal and did much to stimulate the taste for the "grotesque" in the Neo-classical period. A year after the death of his principal patron Julius II Raphael succeeded Donato Bramante in 1514 as the official Vatican architect. Having previously adorned the "Stanze" or chambers of Julius on the second floor of the papal apartments in the Vatican palace he was commissioned by Leo X in 1517 to decorate the adjacent Logge. He designed an elaborate cycle of ornamental frescoes for the room's ceiling vaults doors and auxiliary pillars which were executed by his assistants Giulio Romano and Giovanni da Udine. Twelve of the quadrilateral ceiling vaults were adorned with murals of familiar Old Testament scenes and one with a scene from the New Testament while the more decorative frescoes painted on the pilasters by Udine were covered with imaginative compositions of 'grotesque' motifs like foliage fruit and chimerical beasts.<br/> <br/>Cf. Brunet IV 1110 & 1111; cf. Berlin "Kat". 4068 & 4066; "Raphael Invenit: Stampe da Rafaello" 1985 Ottaviano 22; cf. "Raphael: Reproduktions-graphik aus vier Jahrhunderten" Coburg 1984 104 & no. 245. unknown books‎

書籍販売業者の参照番号 : 20170

‎RAPHAEL. Raffaello Sanzio d'Urbino 1483 1520‎

‎Moses Descends from Mount Sinai Descendit de Monte Sinai tenens Tabulas in manibus: Videbantq: Filii Israel cornutam faciem ejus‎

‎Rome 1774. Copper engraving on two joined sheets by Ottaviani after drawings by Savorelli and Camporesi printed in light brown coloured ink with contemporary hand-colouring. Neat marginal restoration. A stunning plate from "Logge di Rafaele nel Vaticano": with contemporary colouring of the highest quality from the golden age of the hand-coloured print. The main panel shows Moses coming down from Mount Sinai holding the tablets bearing the ten words of the Covenant his face "horned from the conversation of the Lord". Aaron and the children of Israel seeing the face of Moses "horned" are afraid to come near.<br/> <br/>A very fine image from the second part of a work titled "Loggie di Rafaele nel Vaticano" depicting the decorative work executed by Raphael and his assistants between 1518-1519 in the Vatican. They were drawn by Gaetano Savorelli a Roman painter and draughtsman best known for his Raphael drawings and Pietro Camporesi a Roman architect who worked for Pope Clemens XIII and Pius VI on rooms for the Vatican Museum. The first to illustrate the famous frescoes these beautiful plates were probably planned as early as 1760 but were not executed until 1772 to 1776. The plate is remarkable not only as the first important visual record of Raphael's work but also for the quality of the hand-colouring - the work on this image is in our opinion some of the greatest to be produced in Europe during the whole of the eighteenth century: the golden age of the hand-coloured print. They were remarkable not just for their size and magnificent colouring but also because of the influence they had on contemporary taste. The decision was made to "borrow" elements from Raphael's Vatican tapestries and insert them where the original frescoes were in too poor a state to be legible. The finished plates therefore represented an amalgam of design elements presented with a crisp freshness of colour that held enormous appeal and did much to stimulate the taste for the "grotesque" in the Neo-classical period. A year after the death of his principal patron Julius II Raphael succeeded Donato Bramante in 1514 as the official Vatican architect. Having previously adorned the "Stanze" or chambers of Julius on the second floor of the papal apartments in the Vatican palace he was commissioned by Leo X in 1517 to decorate the adjacent Logge. He designed an elaborate cycle of ornamental frescoes for the room's ceiling vaults doors and auxiliary pillars which were executed by his assistants Giulio Romano and Giovanni da Udine. Twelve of the quadrilateral ceiling vaults were adorned with murals of familiar Old Testament scenes and one with a scene from the New Testament while the more decorative frescoes painted on the pilasters by Udine were covered with imaginative compositions of 'grotesque' motifs like foliage fruit and chimerical beasts.<br/> <br/>Cf. Brunet IV 1110 & 1111; cf. Berlin "Kat". 4068 & 4066; "Raphael Invenit: Stampe da Rafaello" 1985 Ottaviano 22; cf. "Raphael: Reproduktions-graphik aus vier Jahrhunderten" Coburg 1984 104 & no. 245. unknown books‎

書籍販売業者の参照番号 : 20168

‎RAPHAEL. Raffaello Sanzio d'Urbino 1483 1520 Nicolas DORIGNY 1648 1746 engraver‎

‎Psyches et Amoris nuptiae fabula a Raphaele Sanctio Urbinate Romae in Farnesianis hortis Transtyberim ad veterum aemulationem ac laudem colorum luminibus expressa a. Dorigny. delineata et incisa et a Ioanne Petro Belloriio notis illustrata‎

‎Rome: Domenico de' Rossi 1693. Large folio. 10 hand-coloured engraved plates by Dorigny on laid paper each 15 7/8 x 26 inches approximately titles and imprints printed in gold black ink-ruled borders each plate cut to the edge of the image mounted on large sheets of contemporary thick laid paper each 29 3/8 x 40 3/8 inches approximately. Unbound<br/> <br/>A very fine suite of richly hand-coloured plates offering a stunning visual record of one of the best of the decorative interior schemes carried out by Raphael in Rome.<br/> <br/>This wonderful series records Raphael's 'Cupid and Psyche' series of frescoes carried out by him between 1516 and 1518 in the Loggia of Psyche in the villa Farnesina in Rome. The series also comes with a title and an eleventh plate of the ceiling fresco in the adjoining Sala di Galatea executed in 1512: neither the plate nor the title are present here. Originally published by the Rossis the engravings are the work of Nicolas Dorigny 1658-1746 who lived and worked in Rome between about 1690 and 1719. The painter classicist and art historian Giovanni Pietro Bellori 1613-1696 provided the text at the foot of the plates appropriate excerpts from Apuleuis's Golden Ass.<br/> <br/>"Raphael Invenit: Stampe da Rafaello" 1985 Dorigny 37-46; cf. Brunet IV 1111; cf. Berlin Kat 4066. Domenico de' Rossi unknown books‎

書籍販売業者の参照番号 : 15680

‎RAPHAEL. Raffaello Sanzio d'Urbino. 1483 1520. Giovanni OTTAVIANI engraver‎

‎Seconde Parte delle Logge di Rafaele nel Vaticano che contiene XIII. Volte ed i loro respettivi Quadri‎

‎Rome 1776. Large folio. 29 1/4 x 26 3/4 inches. 12 of 13 hand-coloured engraved plates each printed on two joined sheets by Ottaviani after Gaetano Savorelli and Pietro Camporesi. Interleaved with blanks. Bound without the engraved title soft vertical center crease light abrasions in the images some marginal chips and edge tears to a few plates. A very fine set with particularly fine contemporary hand-colouring of the second part of this great work which concentrates on the quadrants above the windows and doors in the Vatican Logge.<br/> <br/>The work was completed in three parts and depicts the decorative work executed by Raphael and his assistants between 1518-1519 in the Logge on the main storey of the Vatican apartments. The remarkable prints the first to be carried out of the decoration of the Logge were probably planned as early as 1760 but were not executed until 1774 to 1776. The project was carried out by the painter Gaetano Savorelli the draughtsman Ludovico Teseo the architect Pietro Camporesi and the engravers Giovanni Ottaviani and Giovanni Volpato. The plates were remarkable not just for their size and magnificent colouring but also because of the influence they had on contemporary taste. The decision was made to borrow elements from Raphael's Vatican tapestries and insert them where the original frescoes were in too poor a state to be legible. The finished plates therefore represented an amalgam of design elements presented with a crisp freshness of colour that held enormous appeal and did much to stimulate taste in the neo-classical period.<br/> <br/>Raphael Invenit: Stame da Rafaello 1985 Ottaviani 18 21-33; cf. Brunet IV 1110; cf. Berlin Kat. 4068; Raphael: Reproduktions-graphik aus vier Jahrhunderten Coburg 1984 p.104. unknown books‎

書籍販売業者の参照番号 : 27836

‎Raphael; [Robert Thomas Cross]‎

‎Raphael's Astronomical Ephemeris for 1842 1878 and 1891‎

‎London: Printed and Published by the Author; Robert Thomas Cross 1896-1910. Paperback. Very Good. 7.5" by 5". None. Three scarce reprints of Raphael's important ephemeris for various years across the nineneenth century. Three scarce volumes of 'Raphael's Astronomical Ephemeris' reprints of the late nineteenth and early twentieth centuries for the years 1842 1878 and 1891.This series of ephemeris originated by Robert Cross Smith an astrology using the pseudonym 'Raphael' first published in the early nineteenth century though the name was owned by a handful of people during the decades. The 1842 'Ephemeris' was by a Mr. Medhurst whereas both 1878 and 1891 were by Robert Thomas Cross who was still 'Raphael' by the time that these reissues were published. The Raphael ephemeris present a series of tables used in astrology to determine the position of the sun moon and planets. Each of these volumes details their positions for each of the years. Thus these scientific works offer a unique insight into life during these years. The original Raphael Robert Cross Smith was significant for popularising the system of astrological house division known as the Placidean. In the original publisher's paper wraps. Externally generally smart a little edge worn. Wraps are age-toned with spots and handling marks. Wear to the backstrip of 1842. Internally firmly bound. Pages are bright and generally clean with a few spots and pencil marks. Pages of 1842 are unopened to the fore edge. Very Good Printed and Published by the Author; [Robert Thomas Cross] paperback‎

書籍販売業者の参照番号 : 959P15

‎Raphael; [Robert Cross Smith (1795-1832), pseudonym]‎

‎Raphael's Mundane Astrology or the Effects of the Planets and Signs Upon the Nations and Countries of the World‎

‎London: W. Foulsham and Co. Limited 1910. Later Printing. Hardcover. Later Printing. Hardcover. Robert Cross Smith 1795-1832 was an English astrologer writing under the pseudonym of "Raphael". He married in 1820 and moved to London where he became interested in astrology. Together with G. W. Graham he published a book on geomancy in 1822. Smith began to edit a periodical entitled The Straggling Astrologer in 1824 but failed to receive enough subscribers and the periodical had to be discontinued after a few issues. He collected the issues of the failed periodical in a volume entitled The Astrologer Of The Nineteenth Century in the same year. From 1827 until his death in 1832 he edited an astrological almanac entitled The Prophetic Messenger. Also published by Smith was The Familiar Astrologer and A Manual of Astrology both in 1828. Smith died on 26 February 1832 in London. His almanac continued to be edited as Raphael's Ephemeris and would become a standard work in British and US American astrology. Raphael's Ephemeris popularized the system of Placidian system of astrological houses in the English-speaking world and in modern western astrology in general. Published posthumously. Mild wear to boards evidence of label on tp bumped corners toning else tight bright and unmarred. Gray cloth with black titling decorations. Small 8vo. 80pp. Illus. b/w charts. W. Foulsham and Co., Limited hardcover‎

書籍販売業者の参照番号 : 11243

‎Raphael; [Smith, Robert Cross]‎

‎Raphael's Sanctuary of the Astral Art; Elysium of Astrology: Being a Book for the Boudoir Drawing-Room Table and Evening Parties Containing a Complete Geomantic Cabinet Illustrated with Emblematical Pictures of the Twelve Celestial Houses; Also Spirits of Earth Air Fire and Water &c. &c. &c.‎

‎London: William Charlton Wright n.d. 1834. First Edition. Hardcover. Very Good. Contemporary gilt-ruled calf gilt-stamped ornament on raised bands and in spine compartments inside gilt dentelles t.e.g.; 12mo 4.25 x 7.25 inches; pp. i-vii 1 blank 3-220 plus full-color folding frontispiece. Light scuffing along joints and edges of boards; tiny chips at spine tips. Frontispiece torn along creases leaving 2 whole and intact panels bound in and the rest detached but complete and laid-in. An easy repair. The rest of the text block is nice and bright with just a few instances of some very faint foxing. A nice copy of an uncommon title. <br/><br/> William Charlton Wright hardcover‎

書籍販売業者の参照番号 : D6891

‎Raphael; [Robert Cross Smith (1795-1832), pseudonym]‎

‎The Book of Fate. Whereby all Questions may be Answered Respecting the Present and Future‎

‎London: W. Foulsham and Co. Limited 1910. Later Printing. Hardcover. Very Good. Later Printing. Hardcover. Robert Cross Smith 1795-1832 was an English astrologer writing under the pseudonym of "Raphael". He married in 1820 and moved to London where he became interested in astrology. Together with G. W. Graham he published a book on geomancy in 1822. Smith began to edit a periodical entitled The Straggling Astrologer in 1824 but failed to receive enough subscribers and the periodical had to be discontinued after a few issues. He collected the issues of the failed periodical in a volume entitled The Astrologer Of The Nineteenth Century in the same year. From 1827 until his death in 1832 he edited an astrological almanac entitled The Prophetic Messenger. Also published by Smith was The Familiar Astrologer and A Manual of Astrology both in 1828. Smith died on 26 February 1832 in London. His almanac continued to be edited as Raphael's Ephemeris and would become a standard work in British and US American astrology. Raphael's Ephemeris popularized the system of Placidian system of astrological houses in the English-speaking world and in modern western astrology in general. Published posthumously. Mild wear to extremities toning else tight bright and unmarred. Red cloth with black titling decorations Small 8vo. 180pp. Illus. b/w charts. W. Foulsham and Co., Limited hardcover‎

書籍販売業者の参照番号 : 11239

‎Raphael; Et Al‎

‎RAFAEL EN ESPANA Raphael in Spain‎

‎M. C. D. G. B. A. A. New. 1985. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request – – IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in Spanish. 164 pp. With 183 ills. 10 col. . 28 x 22 cm. -- with a bonus offer-- . M. C. D. G. B. A. A. paperback‎

書籍販売業者の参照番号 : 66902

‎Raphael; G Greatbach‎

‎The cartoons of Raphael. Engraved by G. Greatbach from the originals at Hampton Court Palace‎

‎London New York The London Printing and Publishing Company 1855. Hardcover. Good. 44 cm. Loose as issued held in cloth portfolio. Spine perished. Includes seven plates. Each plate accompanied by leaf with descriptive letterpress. "The cartoons were produced by Raphael to form the groundwork or patterns for . tapestries" - Introduction. London, New York, The London Printing and Publishing Company hardcover‎

書籍販売業者の参照番号 : 2105190078

‎Raphael; Jurg Meyer Zur Capellen‎

‎Raphael : a Critical Catalogue of His Paintings Volume 2: the Roman Religious Paintings Ca. 1508-1520 Catalogue Raisonne Catalog Raisonné Complete Works Life and Work Raisonnee‎

‎Arcos Verlag. New. 2005. Hardcover. 3935339216 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in English. 296 pages; over 130 illustrations including 32 in color. Catalogue Raisonne Catalog Raisonné Complete Works Life and Work Raisonnee Arcos Verlag hardcover‎

書籍販売業者の参照番号 : 86962 ISBN : 3935339216 9783935339216

‎Raphael; Lutz‎

‎Beyond Coal And Steel: A Social History Of Western Europe After The Boom‎

‎Polity Pr 2023. Paperback. New. Polity Pr paperback‎

書籍販売業者の参照番号 : Atlantic-9781509554386 ISBN : 1509554386 9781509554386