‎Gavarni‎

‎Gavarni, (Paul; d. i. Sulpice Chevalier).‎

‎Masques et visages. Notice par C.-A. Sainte-Beuve.‎

‎Paris C. Levy ca. 1860. . Beschabt Ecken bestoßen Erste Lage lose. Paris, C. Levy, [ca. 1860]. unknown‎

Bookseller reference : 273

‎Gavarni, (Paul) (= di. Chevalier, Hippolyte Sulpice Guillaume). d. i.‎

‎Oeuvres choisies de Gavarni. Revues corrigées et nouvellement classées par l'Auteur. Études de moeurs contemporaines. La Vie de Jeune Homme. Les Débardeurs. Avec des notices en tete de chaque serie par P.-J. Stahl. 4e serie.‎

‎Paris J. Hetzel / Garnier fres 1848. Gavarni - 4°. 3 Bl. 30 ithogr. Tafeln; 2 Bl. 50 lithoghr. Tafeln 2 S. Inhalt. Halbfranzband d.Zt. Rücken u. Ecken fachgerecht restauriert Lederrückentorso mit Leder unterlegt Band 4 von 4. - Carteret III262; Vicaire III953 Paris, J. Hetzel / Garnier fres 1848. unknown‎

Bookseller reference : EEzz9066

‎Gavarni, [Paul].‎

‎Les lorettes vieilles. Blatt 21-30: "Masques et visage".‎

‎Paris Librairie nouvelle ca. 1860. . 10 Karikaturen mit Bildunterschriften in französischer Sprache. - Der Zeichner u. Graphiker Paul Gavarni d.i. Hippolyte Sulpice Guillaume Chevalier 1804-1866 war ein wichtiger Mitarbeiter der satirischen Zeitschrift "Le Charivari". - Kap. beschabt Papier mäßig stock- bzw. fingerfleckig. - Exlibris des österreichischen Schriftstellers Kunsthistorikers u. Kunstkritikers Alfred von Wurzbach Ritter von Tannenberg 1846-1915 aV. Paris, Librairie nouvelle, [ca. 1860]. unknown‎

Bookseller reference : 56851

‎Gavarni, [Paul]‎

‎Oeuvres choisies de Gavarni.‎

‎1848 . 2 Werke in 1 Band. Paris: J. Hetzel Garnier Frères 1848. Lex.-8°. 1 Titelvignette. 30 50 Holzstiche auf 80 Taf. 1 Holzstich auf Einband. Bildverzeichnis Broschiert mit Percalinumschlag Papier altersbedingt leicht gebräunt; Ecken leicht bestossen und teilweise mit kleinen Fehlstellen ohne Textverlust; Pewrcalinumschlag mit leichten Randläsuren; sonst altersmässig gut erhalten unknown‎

Bookseller reference : 77667BB

‎GAVARNI, DAUMIER et al.‎

‎L'Age d'or : livre instructif et amusant deÌdi ÌaÌ€ la jeunesse‎

‎Paris: Chez prinipaux libraires 1842. First edition. A first printing of the full first year of this journal for children. full of engraved illustrations by Gavarni Daumier etc. The magazine was issued in 12 monthly parts throughout 1842. Here gathered together with a separate half title and title page date 1843. Burgundy leather spine with green paper covered boards. Gilt titles. The spine and boards are a little rubbed but sound and holding well. There is foxing to the first and last few pages but most of the text block is clean. A nice copy of a rare item. Each of the issues is 32 pages in length. Final page blank apart from printer's details to December issue. 25cm x 16.5cm. Conforms to WorldCat OCLC Number: 78219850. . Première édition. Premier tirage de la première année complète de ce journal pour enfants. Plein d'illustrations gravées par Gavarni Daumier etc. Le magazine a été publié en 12 parties mensuelles tout au long de l'année 1842. La revue a été publiée en 12 parties mensuelles tout au long de l'année 1842. Elle est ici réunie avec un demi-titre séparé et une page de titre datée de 1843. Dos en cuir bourguignon et plats recouverts de papier vert. Titres dorés. Le dos et les planches sont un peu frottés mais ils sont sains et tiennent bien. Il y a des rousseurs sur les premières et dernières pages mais la majeure partie du texte est propre. Un bel exemplaire d'un ouvrage rare. Chaque numéro compte 32 pages. La dernière page est vierge à l'exception des détails de l'imprimeur pour le numéro de décembre. 25 cm x 165 cm. Conforme à WorldCat Numéro OCLC : 78219850. Chez prinipaux libraires hardcover‎

Bookseller reference : 4876

‎Gavarni, ie., Sulpice-Guillaume Chevallier. i. e.‎

‎Grand album Gavarni. 40 des plus jolies caricatures de Gavarni.‎

‎Paris: Beauger et Cie; Lith Coulon et Cie n.d. about 1850. Acceptable. 35 cm; Lithographed title page and 40 full-page lithographed plates with captions. Bound in plain black morocco with leather backstrip decorated in gilt. Head and tail worn with loss. Corners and edges worn with some fraying. Light scattered foxing. <br /><br />One of the great masters of lithography" says Gordon N. Ray. Beauger et Cie; Lith Coulon et Cie hardcover‎

Bookseller reference : 5995

‎GAVARNI, Paul [pseudonym of Guillaume Sulpice Chevallier]; DAUMIER, Honore; VERNIER, Charles; TRAVIES, Charles Joseph‎

‎A fine album of thirty-three superb hand colored lithograph plates heightened with gum arabic‎

‎Paris: Chez Aubert 1837. An Amazing Collection of Thirty-Three Superb Hand Colored Lithographs <br /> By the Best French Caricaturists - From Some of their best Series<br /> <br /> GAVARNI Paul. pseudonym of Guillaume Sulpice Chevallier. DAUMIER Honoré. VERNIER Charles.TRAVIES Charles Joseph. <br /> <br /> A fine album of thirty-three superb hand colored lithograph plates heightened with gum arabic. Comprising 15 by Paul Gavarni; 7 by Honoré Daumier; 4 by Bouchot; 3 by Travies; 2 by Charles Vernier; 1 by Provost and 1 by Pruche. Paris: Chez Aubert ca. 1837-1850.<br /> <br /> Oblong quarto 9 5/8 x 12 7/8 inches; 244 x 237 mm. Thirty-three fine hand colored lithographs all heightened with gum arabic. The fifth plate Les Enfans Terribles slightly shorter at outer margin. Some very occasional marginal soiling otherwise a remarkably fine and clean suite.<br /> <br /> Contemporary quarter green scored calf over dark red cloth boards smooth spine elaborately decorated in gilt yellow endpapers.<br /> <br /> A very fine collection of hand colored lithographs by Gavarni Daumier Bouchot Travies Vernier Provost and Pruche.<br /> <br /> These are from the series Les Étudiens de Paris; Les Domestiques; Contributions Indirectes; Scenes Bachiques; Les Enfans Terribles; Les Debardeurs; Fourberries de Femmes; Le Carnaval; Émotions Parisiennes; Les Rues de Paris; Soins Tyranniques; Chasse et Peche; Les Francais Croqués par eux Mèmes; Ce Que Parler Veut Dire; Les Gamins de Paris; Paris le Soir; and Moeurs Conjugales.<br /> <br /> An amazing collection of thirty-three fine hand colored lithographs by the best artists from some of their best series.<br /> <br /> The Plates:<br /> <br /> 1. LES ÉTUDIANS DE PARIS.<br /> - Combien<br /> - Devine….<br /> - Trente francs.<br /> - Quatre francs!<br /> - Cré nom!<br /> Gavarni<br /> <br /> THE STUDENTS OF PARIS.<br /> - How much<br /> - Guess….<br /> - Thirty francs.<br /> - Four francs!<br /> - Create name!<br /> <br /> 2. LES DOMESTIQUES.<br /> Ah! Madame fait elle même son marche!! Eh bien elle aura la bonté de chercher une cuisinière car je ne veux pas me gâter la main dans une baraque!!! Pruche<br /> THE SERVANTS.<br /> Ah! Madam does her own walking!! Well she will be kind enough to look for a cook because I don't want to spoil my hand in a shack!!!<br /> <br /> 3. CONTRIBUTIONS INDIRECTES.<br /> Quand vous allez au bal n’oubliez pas l’impôt du portier si vous ne voulez pas coucher dans la rue. Bouchot<br /> INDIRECT CONTRIBUTIONS.<br /> When you go to the ball don't forget the porter's tax if you don't want to sleep in the street.<br /> <br /> 4. SCENES BACHIQUES.<br /> C’est ce polisson d’pavé qui est gras comme un moine!!!. Travies<br /> BACHIC SCENES.<br /> It's this prankster who is as fat as a monk!!!.<br /> <br /> 5. LES ENFANS TERRIBLES.<br /> - Décidément mon cher ami vous n’êtes pas de force au piquet: je vous enfonce.<br /> - Oui! Mais comme Papa vous a bien enfoncé aussi pas vrai père Dans l’affaire des suifs!<br /> Gavarni<br /> THE TERRIBLE CHILDREN.<br /> - Certainly my dear friend you are no match for the picket: I will push you down.<br /> - Yes! But as Daddy fucked you too right father In the tallow affair!<br /> <br /> 6. LES DEBARDEURS. <br /> Va dire à ta mère qu’a te mouche. Gavarni<br /> STEVEDORES.<br /> Go tell your mother what's wrong with you.<br /> <br /> 7. LES DEBARDEURS.<br /> Comment Lili ne reconnait pas son Nini! Gavarni<br /> STEVEDORES.<br /> How Lili doesn't recognize her Nini!<br /> <br /> 8. LES DEBARDEURS.<br /> - V’là trois heures Titine; filons! Faut que je sois levé au petit jour….<br /> - Moi dormir si peu! J’aimerais mieux pas….<br /> Gavarni<br /> STEVEDORES.<br /> - It’s been three hours Titine; let's go! I have to be up at dawn.<br /> - Me sleeping so little! I'd rather not.<br /> <br /> 9. LES DEBARDEURS.<br /> Monter á cheval sur le cou d’un homme qu’on ne connait pas t’appelle çà plaisanter toi! Gavarni<br /> STEVEDORES.<br /> Riding a horse on the neck of a man you don't know that's a joke you!<br /> <br /> 10. Fourberies de Femmes.<br /> EXPLICATIONS.<br /> - Mais écoulez donc ce que vous avez éerit!. mon Gustave je….<br /> - eh! Bien oui Monsieur eh bien oui! Est-ce ma faute si bous ne comprenez pas tout ce qu’il y a d’amour pour vous dans ce billet écrit á un autre!.<br /> Gavarni<br /> Women's tricks.<br /> EXPLANATIONS.<br /> - But let go of what you have written!. my Gustave I.<br /> - hey! Well yes sir well yes! Is it my fault if you don't understand how much love there is for you in this note written to someone else!.<br /> <br /> 11. Fourberies de Femmes.<br /> DES REPROCHES.<br /> Comment C’est avec moi une amue intime Que tu agis amsi!. comment! Tu as ton Gustave Anatole Barbesau le pantalon garance le grand blond… Gavarni<br /> Women's tricks.<br /> CRITICISMS.<br /> How Is this an intimate affair with me That you act amsi!. how! You have your Gustave Anatole Barbesau the madder pants the tall blond…<br /> <br /> 12. Fourberies de Femmes.<br /> UN CABINET PARTICULIER.<br /> Le garçon a dit un chapeau roe un voile un châle noir… Gavarni<br /> Women's Tricks.<br /> A PRIVATE CABINET.<br /> The boy said a roe hat a veil a black shawl.<br /> <br /> 13. FOURBERIES DE FEMMES.<br /> En matière de Sentiment.<br /> 2e. Serie.<br /> - Comment ma petite je viens de rencontere ton mari avec Monsieur Edouard!.<br /> Gavarni<br /> WOMEN'S TRICKS.<br /> In matters of Feeling.<br /> 2nd. Series.<br /> - What my little one I just met your husband with Monsieur Edouard!.<br /> <br /> 14. FOURBERIES DE FEMMES.<br /> En matière de Sentiment.<br /> 2e. Serie.<br /> - Ce Mosieu Ernest est assez bien…<br /> - Ah! Dieu! Tu troves! Tu aimes donc les grandes barbes.<br /> Gavarni<br /> WOMEN'S TRICKS.<br /> In matters of Feeling.<br /> 2nd. Series.<br /> - This Mosieu Ernest is quite good…<br /> - Ah! God! You find it! So you like big beards.<br /> <br /> 15. Le Carnaval.<br /> - Ah! Mon Dieu!. c’est mon mari ma petite mon vrai mari! Le queux!<br /> - Voyons! Ne va pas le reveiller bête! Allons allons ailleurs…<br /> Gavarni<br /> The carnival.<br /> - Ah! My God!. he’s my husband my little one my real husband! The one!<br /> - Let's see! Don't go waking him up stupid! Let's go somewhere else.<br /> <br /> 16. Le Carnaval.<br /> J’vous dis que vot femme a insulte la mienn M’sieu! – Jé vous dis qué noir Mosieu!. Gavarni<br /> The carnival.<br /> I tell you that your wife insulted mine Sir! – I tell you that black Mosieu!.<br /> <br /> 17. ÉMOTIONS PARISIENNES.<br /> Comment à Chaillot!. Mais en montant vous m'avez dit Bercy - vous m'avez payé et je vous ai dit merci!. <br /> - Cré nom de nom!. allons reconduisez-moi. - du tout il est minuit nous ne marchons plus. - Cré nom de nom!.<br /> DR 701 Daumier<br /> PARISIAN EMOTIONS.<br /> - What do you mean: to Chaillot! You wanted me to drive you to Bercy you paid me I thanked you. <br /> - Damned. Drive me back! <br /> - I can't we don't drive past midnight. <br /> - Damned damned.<br /> <br /> 18. LES RUES DE PARIS.<br /> - Ah! – Oh! – Pardon! – Excusez! – Eh bien! – Voyons! – Sapristi! – A la fin! Passerez-vous à droite ou à gauche Travies<br /> THE STREETS OF PARIS.<br /> - Ah! - Oh! - Pardon! – Excuse! - Well! – Let’s see! – Sapristi! - At the end! Will you pass to the right or to the left<br /> <br /> 19. LES RUES DE PARIS.<br /> Mon Dieu Monsieur je vous demande mille pardons!. il y a erreur… je croyais faire une plaisanterie à mona mi que voilá! Travies<br /> THE STREETS OF PARIS.<br /> My God Sir I ask you a thousand pardons!. there is a mistake. I thought I was making a joke on my friend that there you go!<br /> <br /> 20. SOINS TYRANNIQUES.<br /> Encore un peu!. Allons donc! – Mais non mais non. – Laissez donc faire c’est bon encore un peu! – Vraiment je vous assure que non cela me fait mal. – Ah! Bah! Pas de façons tenez encore ça. Bouchot<br /> TYRANNIC CARE.<br /> A little more!. Come on! - But no but no. – Let it go it’s okay just a little longer! – Really I assure you that no it hurts me. – Ah! Well! No way hold on to that again.<br /> <br /> 21. CHASSE ET PÊCHE.<br /> Votre fusil c'est bien mais j'ai encore besoin de votre bourse. DR 303 Daumier<br /> HUNTING AND FISHING.<br /> Your rifle is already something now I still need your purse.<br /> <br /> 22. LES FRANÇAIS CROQUÉS PAR EUX MÊMES.<br /> Mr. Alfred. ce n’est pas ici mesdames mais c’est égal si vous voulez entrer… Vernier<br /> THE FRENCH PICTURED BY THEMSELVES.<br /> Mr. Alfred. it's not here ladies but that's all the same if you want to come in.<br /> <br /> 23. LES FRANÇAIS CROQUÉS PAR EUX MÊMES.<br /> Effet de mirage. Vernier<br /> THE FRENCH PICTURED BY THEMSELVES.<br /> Mirage effect.<br /> <br /> 24. CE QUE PARLER VEUT DIRE.<br /> Je chante mon oncle parcequé je suis contente. Et que c’est notre signal. Bouchot<br /> WHAT TALK MEANS.<br /> I sing uncle because I am happy. And that is our signal.<br /> <br /> 25. LES GAMINS DE PARIS.<br /> C’est pas’ceque t’as des sabots. q’uien Gugusse prète-moi donc tes sou’iers j’vas lui tremper une soupe!. Provost<br /> THE KIDS OF PARIS.<br /> Don't you have clogs. Hey Gugusse lend me your shoes I'm going to dip some soup into him!.<br /> <br /> 26. CE QUE PARLER VEUT DIRE.<br /> Comment donc Madame mai nous réglerons ça quand vous voudrez. Ah! Si j’avais su je t’aurais fait manquer ta soirée… Bouchot<br /> WHAT TALK MEANS.<br /> So Madam we will sort it out whenever you want. Ah! If I had known I would have made you miss your evening.<br /> <br /> 27. PARIS LE SOIR.<br /> Amanda!. prête-mo ton tire-botte. Gavarni<br /> PARIS IN THE EVENING.<br /> Amanda!. lend me your boot jack.<br /> <br /> 28. PARIS LE SOIR.<br /> Angelique! Angelique!. elle n’y est pas… cependant sapristie! Je vois une paire de bottes… Gavarni<br /> PARIS IN THE EVENING.<br /> Angelique! Angelique!. she's not there. however sapristie! I see a pair of boots.<br /> <br /> 29. MÅ’URS CONJUGALES.<br /> Et les cinq francs de ce matin - Mais je te les dis: trois livres et demie de tranche au petit os deux sous de foie un ognon brûlé ça nous fait 58; une demi-once à priser un quarteron de sucre; six liards de graine de lin voila donc 3 francs 10 sous. - Eh bien! il reste trente sous - Oui mais les carottes! je connais vos carottes Madame Grimblot - je n'en avalerai plus!. DR 626 Daumier<br /> CONJUGAL MORES.<br /> - And the five francs from this morning <br /> - But I tell you 3 1/2 livres for a cut of a little bone. two sous for liver a burnt onion that makes 58 a half ounce of snuff a quarter pound of sugar six pennies for linseed. hence there is three francs 10 sous. <br /> - Eh well there remain 30 sous. <br /> - Eh but the carrots! <br /> - I know your carrots Madame Grimblot I won't swallow any of those any more. <br /> Note: Play on words. "carottes" means carrots and also to play a trick on someone<br /> <br /> 30. MÅ’URS CONJUGALES.<br /> Le trépas du caniche. <br /> Oh mon Dieu mon Dieu est il possible!. pauvre zozore ma joie ma consolation je ne le verrai plus!. ah! je vois que je n'y survivrai pas. - Malheureuse épouse! comme le tien mon cÅ“ur est navré. Viens sur mon sein nous confondrons nos larmes. Hélas! que veux tu: nous sommes tous mortels! DR 651 Daumier<br /> CONJUGAL MORES.<br /> The Demise of the Poodle. <br /> - Oh my God my God is it possible. my poor Zozore my joy my consolation I shall never see him again. ah! I shan't survive. <br /> - Wretched wife! like yours my heart is saddened. Come to my bosom and we shall mingle our tears. Alas what can we do. we are all mortal!<br /> <br /> 31. MÅ’URS CONJUGALES.<br /> Oui chère amie jaloux tant que tu voudras!. Mais j'ai quitté le Poste de la Mairie pour voir si personne n'est au mien. DR 633 Daumier<br /> CONJUGAL MORES.<br /> Yes love you may call me overly jealous. But I had to leave the post at City Hall in order to see whether anybody had taken mine here!<br /> <br /> 32. MÅ’URS CONJUGALES.<br /> C'est ma femme!! oh! scélérate pendant qu'on me fait la barbe elle me fait la queue! DR 645 Daumier<br /> CONJUGAL MORES.<br /> There goes my wife!! Oh the wretch while I'm having a shave she's making a cuckold of me!<br /> <br /> 33. MÅ’URS CONJUGALES.<br /> Le mari Bobonne veux-tu l'étrenne de ma barbe. <br /> La femme à part Dire que je suis unie à une pareille mâchoire!.<br /> DR 644 Daumier<br /> CONJUGAL MORES.<br /> Husband: My dear how about a first kiss on my chin <br /> The wife aside: To think that I am married to this face! Paris: Chez Aubert, 1837 unknown‎

Bookseller reference : 05940

‎Gavarni, Paul (1804-1866); Lucien Stupulkowski (Engraver).‎

‎Art Collector.‎

‎Paris: French Publisher circa 1841. Book illustration. 196 x 152 mm. sheet. Good a few specks of foxing missing lower left sheet corner.Provenance: From the collection of the Late Frederick G. Ruffner Jr. founder of Gale Research Detroit. [Paris: French Publisher, circa 1841]. unknown‎

Bookseller reference : 71-3241

‎Gavarni, Paul (pen name of Sulpice Guillaume Chevalier). (1804–1866); Aubert, printer.‎

‎Bonjour mon Colonel! comment nous trouvons nous ce matin du coup d'epee d'hier au soir --Mais pas mal et toi mon auteur First edition of the lithograph.‎

‎Paris: Aubert. 1843 . Lithograph sur blanc. 33.3 x 24.5 cm. Armelhault and Bocher no. 242 second state of 3. . Paris: Aubert. 1843 unknown‎

Bookseller reference : 16-6138

‎Gavarni, Paul (pen name of Sulpice Guillaume Chevalier). (1804–1866); Aubert, printer.‎

‎C'est vieux et laid mon cher; tu es floué comme dans un bois. from Le Carnaval à Paris. First edition of the lithograph.‎

‎Paris: Chez Bauger 1842. Lithograph sur blanc. 33.3 x 24.5 cm. Armelhault and Bocher no. 247. Paris: Chez Bauger, 1842 unknown‎

Bookseller reference : 16-6137

‎Gavarni, Paul (After, 1804-1866); Gihaut freres (Lithographer).‎

‎Claudine: Etudes d’Enfants.‎

‎London: Charles Tilt circa 1847. Hand-colored lithograph. 35 x 28.5 cm sheet. Good some foxing tear at right sheet edgeProvenance: ancienne galerie Vandevoorde 22 rue Vignon Paris. London: Charles Tilt, circa 1847. unknown‎

Bookseller reference : 71-6760

‎Gavarni, Paul (After, 1804-1866).‎

‎Coquette de Village‎

‎Paris: Hautecoeur Martinet circa 1875. Hand-colored etching and engraving. 28.5 x 17.5 cm sheet. Very Good some foxing in the margins missing lower right sheet corner.Provenance: ancienne galerie Vandevoorde 22 rue Vignon Paris. Paris: Hautecoeur Martinet, circa 1875. unknown‎

Bookseller reference : 71-6847

‎Gavarni, Paul -‎

‎Der Liebesspiegel. Der Pariser Künstler Gavarni als Gestalter des esprit. Einführung und Bildtexte von Edwin Wieser.‎

‎Affoltern Ähren-Verlag 1953. . 4° nicht paginiert 9 Seiten Text Titelbild und 76 Tafeln. Orig.Leinen mit OSU. Affoltern, Ähren-Verlag, 1953. unknown‎

Bookseller reference : 5472

‎Gavarni, Paul‎

‎Der Provinzler in der Grosstadt Classic Reprint German Edition‎

‎hardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover‎

Bookseller reference : 0666515883.G ISBN : 0666515883 9780666515889

‎GAVARNI, PAUL‎

‎Der Provinzler in der Grosstadt. Text nach Pierre Durand.‎

‎Hardcover. Good. G. Hirth's Verlag/Munchen 1922 IN GERMAN. Cover text and binding show very moderate wear. A nice older copy. hardcover‎

Bookseller reference : CD-8GIV-V6UT

‎Gavarni, Paul et Adolphe Portier‎

‎Douze nouveaux travestissements‎

‎Paris. Au Bureau du Journal les Modes Parisiennes. 1856. Hardcover. Gut. C4 --- Recueil de 12 belles planches en couleurs représentant des femmes en robes gravées par Portier = 12 col. plates = kolorierte Stahlstichtafeln In-4 un peu taché sur les bords = a little stained at the edges = leicht fleckig an den Rändern Titel mit Wasserrand marmorierter Priv.-Hln.-Bd. dabei/avec ca: ALBUM KEEPSAKE des costumes de la cour francaise depuis Charles VII jusqu'a Louis XVI dessines par Compte-Calix sans page de titre juste 20 col. planches In-4 1854 Paris. Au Bureau du Journal les Modes Parisiennes. 1856 hardcover‎

Bookseller reference : 008813

‎Gavarni, Paul (pen name of Sulpice Guillaume Chevalier). (1804–1866)‎

‎Encore soif !.ah ! ça Mimie t'as donc le torse assuré contre le champagne " . Original lithograph.‎

‎Paris: Pannier circa 1843. Lithograph sur blanc. 27. 5 x 20cm. Plate no. 33 from the series: "Le Carnaval a Paris." Armelhault and Bocher no. 415 State ii/iii. Paris: Pannier, circa 1843. unknown‎

Bookseller reference : 16-5526

‎Gavarni, Paul. (1804-1866).‎

‎Faits et Gestes Proprietaire: Mon cedre du Liban. No. 1 from the series ‘Faits et Gestes Propreitarie’.‎

‎Paris: Chez Aubert circa 1847. Lithograph. 33 x 25 cm sheet. Good minor surface soiling light specks of foxing throughout. Paris: Chez Aubert, circa 1847. unknown‎

Bookseller reference : 71-8976

‎GAVARNI, Paul [pseudonym of Guillaume Sulpice Chevallier]‎

‎Fourberies de femmes Second Series Complete‎

‎Paris: Chez Aubert gal. Véro-Dodat 1837. The Complete Second Series of Fourberies de Femmes<br /> With Fifty-Two Lithograph Plates by Gavarni <br /> <br /> GAVARNI pseudonym of Guillaume Sulpice Chevallier. Fourberies de femmes. Paris: Chez Aubert gal. Véro-Dodat n.d. 1837.<br /> <br /> Second Series Complete. <br /> <br /> Folio 13 1/8 x 9 7/8 inches; 334 x 251 mm. Fifty-two lithograph plates. Eight-page publisher's catalog bound in at end. Plate no. 13 with an expertly and almost invisibly 3 1/8 inches repaired marginal tear. All plates with two small 'unidentified' circular stamps on the lower blank corners. Some occasional light and mainly marginal foxing still an exceptional example.<br /> <br /> Bound ca. 1840 in quarter maroon roan over maroon grained paper boards front cover lettered in gilt smooth spine plain endpapers. Extremities of binding rubbed. A wonderful example. loosely inserted at the end are three duplicate plates nos. 7 23 & 25 all with the same small marginal stamps.<br /> <br /> “In 1837 Gavarni began his connection with Le charivari which did not conclude until 1848. In all he drew 1054 lithographs for his journal…Most of these appeared in series some twenty-five of which extend to ten or more plates and were afterwards published by Aubert in albums. Perhaps the best of these collections are Fourberies de femmes en matière de sentiment Les étudiants de Paris Les débardeurs and Les lorettes; but some of the rest are of hardly inferior interest. Still further series contributed to periodicals other than Le charivari were also issued as albums. Baudelaire had this part of Gavarni’s work particularly in mind when he wrote…that ‘the true glory and the true mission of Gavarni and Daumier has been to complete Balzac.’ Certainly the pictures of Parisian society provided by the two artists perfectly complement each other. Daumier’s preoccupation was the working middle class with faces and figures heavily marked by life. Gavarni remained for the most part outside the humdrum bourgeois round. He preferred to show ‘youth at the prow and pleasure at the helm.’ His pretty girls and sleek young men are bent on enjoyment. They live lives of graceful dissipation with love intrigues and balls on the one hand and pawnbrokers’ shops and debtors’ prisons on the other. Their motto is carpe diem and they rarely think of the day or reckoning†Ray p. 217. <br /> <br /> “After the initial success of Caricaturana Philipon proposed to Gavarni that he draw ‘Mme. Robert Macaire’ for Le charivari. He responded with twelve studies of female deception in which he seems to have adopted Vigny’s belief that ‘A woman more or less is always Delilah.’ They made little impression but three years later Gavarni returned to the theme in a subtler and more amiable way with one of his most searching and amusing series. In no. 37 he offers this exchange: ‘How did you know papa that I loved Mr. Leon—Because you always talked to me about Mr. Paul.’ Gavarni’s playful mastery of female psychology is not the only attraction of the series. If Daumier could not draw a pretty woman as is sometimes alleged Gavarni at this period could hardly draw an ugly one†Ray pp. 220-221. <br /> <br /> Armelhault & Bocher 662-702; Ray The Art of the French Illustrated Book 151. Paris: Chez Aubert gal. Véro-Dodat, 1837 unknown‎

Bookseller reference : 06055

‎Gavarni, Paul (Guillaume-Sulpice Chevallier) ; Olson, Nancy‎

‎Gavarni The carnival lithographs‎

‎Gallery. As New. 1979. Paperback. 0894670093 . FREE UPGRADE to Courier/Priority Shipping Upon Request – – IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - 48 pp. With one text ill. And 18 pls. 26 x 21 cm. -- with a bonus offer-- . Gallery paperback‎

Bookseller reference : 64998 ISBN : 0894670093 9780894670091

‎Gavarni, Paul ( Pseudonym of (Hippolyte-Guillaume-Sulpice Chevalier); Edited by Albert Smith‎

‎Gavarni in London: Sketches of Life and Character with Illustrated Essays by Popular Writers‎

‎London: David Bogue 1849. Book. Very Good. Hardcover. First Edition. 4to - over 9¾" - 12" tall. "The illustrations designed and drawn on wood by Gavarni and engraved by Henry Vizetelly". Contains extra pictorial illuminated portrait title page plus 23 other tissue-protected illustrations each at the head of a chapte except for the frontispiece. With armorial bookplate of William L. Scott to front pastedown along with smaller bookplate from the Virginia Warren Collection of Old London Street Cries. Very Good bound in contemporay half calf over marbled boards back with five raised bands black leather label with gilt lettering marbled end pages boards a bit rubbed at edges small chip to board rear cover. Subjects illustrated include Acrobats Thieves The Barmaid The Opera The Casino and The Orange-Girl. The illustrations and interior quite clean and lovely a handsome copy. David Bogue Hardcover‎

Bookseller reference : 007768

‎Gavarni, Paul (pen name of Sulpice Guillaume Chevalier). (1804–1866); Aubert, printer.‎

‎Jésus! comment que tu oses manger des champignons! Tes chamignons ma biche c'est comme les homes: rien ne ressemble aux bons comme les mauvais"from Les Lorettes: courtesans of Paris. First edition of the lithograph.‎

‎Paris: Chez Bauger Chez Aubert 1841. Lithograph sur blanc. 33.3 x 23.5 cm. Plate no. XI from the series: "Les Lorettes." Armelhault and Bocher no. 773. Les Lorettes described by scholars:MLA citation: Murphy Libby and Greggor Mattson. A la Recherche des Femmes Perdues. Oberlin College 2016.Prostitution was a common social phenomenon that was practiced by women regardless of class but the type of prostitute varied depending on the status of the men involved. The social standing of prostitutes often shifted throughout their lifetimes but their roles generally remained within four basic levels of prostitution. This exhibit focuses on these four important types of prostitutes imagined and mythologized in various media of the time. The lorette the aspiring courtesan was the prostitute of mystery elusive and secretive often evading the government’s health regulations. The grisette was a prostitute from a working-class background often found inhabiting the apartments of young Parisian students. The fille publique or streetwalker was from the lowest class of prostitute and often attracted the poorest customers. Walking the street alone or in groups la fille publique was most vulnerable to police repression. And finally women in “maisons closes†or brothels catered to men of different social classes. The most luxurious brothels attracted middle class men with their continuous business. These women though varying in status participated in a form of sexual commerce that was common in French society in the 19th century. Paris: Chez Bauger, Chez Aubert, 1841 unknown‎

Bookseller reference : 16-6135

‎Gavarni, Paul (After, 1804-1866); Geoffroy (Engraver).‎

‎La Cassolette.‎

‎Paris: L’Artiste circa 1875. Hand-colored etching and engraving. 28.5 x 17.5 cm sheet. Very Good some foxing in the margins missing lower right sheet corner.Provenance: ancienne galerie Vandevoorde 22 rue Vignon Paris. Paris: L’Artiste, circa 1875. unknown‎

Bookseller reference : 71-6846

‎Gavarni, Paul (After); Frey (Lithographer).‎

‎La Jour de l’An.‎

‎Paris: French Publisher circa 1836. Hand-colored lithograph. 29.5 x 22.5 cm sheet. Very Good light foxing in the margins water staining in margins.Provenance: ancienne galerie Vandevoorde 22 rue Vignon Paris. Paris: French Publisher, circa 1836. unknown‎

Bookseller reference : 71-6717

‎Gavarni, Paul‎

‎Le Diable Paris. Paris et les Parisiens la plume et au crayon; Volume 01 French Edition‎

‎Wentworth Press 01-08-2018. hardcover. New. 6.14x1.75x9.21. Buy with confidence. Excellent Customer Service & Return policy. Wentworth Press hardcover‎

Bookseller reference : DADAX0274480018 ISBN : 0274480018 9780274480012