‎Gavarni‎

‎Gavarni, Paul‎

‎Les Lorettes. "Ninie tu as la du champagne qui n'est pas mauvais ." Lithograph‎

‎Paris: Chez Aubert & Cie 1857. Very good condition. Handsomely hand colored lithograph highlighted with gum arabic by Paul Gavarni 1804 - 1866 French satirical artist noted for his clever observations of contemporary life and elegant genre scenes and imitated by artists such as James McNeill Whistler. <br /> <br /> Depicting an amorous couple in a bedroom a bottle of champagne and flute at their feet. Printed at upper right border is the number 72. Paper size approximately 9 1/2 x 12 1/2" Chez Aubert & Cie unknown‎

Bookseller reference : 24515

‎Gavarni, Paul‎

‎Les Martyrs. "Deux heures de pose hors de tour". Lithograph‎

‎Paris: Imp. d'Aubert 1857. Very good overall. Caricature by Paul Gavarni 1804 - 1866 French satirical artist noted for his clever observations of contemporary life and elegant genre scenes and imitated by artists such as James McNeill Whistler. <br /> <br /> Depicting a young female model in long red dress posing in artist's studio with engaged artist his head down at the left. Magnificently hand colored lithograph highlighted with gum arabic printed upper right border is the number 7. Slight foxing mostly in margins. Paper size approximately 9 1/2 x 12 1/2". Tipped on at right edge to heavier stock. Imp. d'Aubert unknown‎

Bookseller reference : 24522

‎Gavarni, Paul (1804-1866); Lucien Stupulkowski (Engraver).‎

‎Man Holding his Top Hat.‎

‎Paris: French Publisher circa 1841. Book illustration. 225 x 140 mm. sheet. Very Good a few specks of foxing missing lower right sheet corner.Provenance: From the collection of the Late Frederick G. Ruffner Jr. founder of Gale Research Detroit. [Paris: French Publisher, circa 1841]. unknown‎

Bookseller reference : 71-3246

‎Gavarni, Paul (1804-1866); Henri Desire Porret (Engraver).‎

‎Man with hands in his pockets.‎

‎Paris: French Publisher circa 1841. Book illustration. 193 x 145 mm. sheet. Very Good short tear at left sheet edge missing upper left sheet corner.Provenance: From the collection of the Late Frederick G. Ruffner Jr. founder of Gale Research Detroit. [Paris: French Publisher, circa 1841]. unknown‎

Bookseller reference : 71-3242

‎GAVARNI, Paul [pseudonym of Guillaume Sulpice Chevallier]‎

‎Manteau d’Arlequin Le‎

‎Paris: Imp. Lemercier 57 R. de Seine 1852. The Harlequin Coat<br /> Twelve Lithographed Plates by Gavarni<br /> <br /> GAVARNI Paul pseudonym of Guillaume Sulpice Chevallier. Le Manteau d’Arlequin par Gavarni. Paris: Imp. Lemercier n.d. 1852.<br /> <br /> Large folio 14 9/16 x 10 1/2 inches; 370 x 267 mm. Twelve lithographed plates. Title from front cover.<br /> <br /> Publisher’s dark blue pebble-grain cloth with covers decoratively stamped in blind and front cover lettered in gilt. Expertly and almost invisibly rebacked with the original spine laid down. Yellow coated endpapers all edges gilt. Minimal marginal foxing to a few plates otherwise a very fine copy.<br /> <br /> Scarce; no copies recorded by OCLC and no copies seen at auction since at least 1975.<br /> <br /> The plates are captioned:<br /> <br /> 1. “…oui mon chair Auguste Ge suis décidé arestée dan les queur tant que mon poliçon de direqueteur aura çelui demi laissée…â€<br /> 2. “…alors si vous permettez j’aurai l’honneur de vous envoyer ma voiture à onze heures…Ça me botte.â€<br /> 3. “…Ah! M’ame Ado’phe! M’ame Ado’phe!…je ne serais pas ce que je suis sans mon vieux serpent de mère!â€<br /> 4. “—Qu’est-ce que tu dirais d’une bague comme ça toi qu’on donnerait à ton épouse—Je dirais que c’est du faux.â€<br /> 5. “…et je vas tout à l’heure être précipitée les quatre fers en l’air du sommet de la tour du nord!…tout ça Messeigneurs rapport à ma vertu.â€<br /> 6. “—Voyons chaste auteur de mes mots vous me faites un rôle…—Inouï!—Quel costume—Une mise indécente est de rigueur.â€<br /> 7. “—Eh! bien tu verras ma fille comme tu le seras toi dans tous tes états aux débuts de ta petite…C’est aux miens que fallait voir feue ma mère.â€<br /> 8. “LE MOSIEU DE LA DÉBUTANTE.â€<br /> 9. “LE MARI DE MA’M’SELLE CIGALE.â€<br /> 10. “—C’est ma drôlesse qu’est applaudie!…et qui qu’a l’malâ€<br /> 11. “—Tenez M’ame Cabestan vous ne saisissez pas le poème…—Si mais qu’est-ce que nos petites font dans le dessous—Faut bien qu’on garde les vases sacrés!—C’est donc des manières de vestales—Sensé.â€<br /> 12. “—Si le parterre est gentil mon bonhomme y a de quoi…une fichue situation à nettoyer!…c’est fini: le Scélérat a déjà le pied sur la poitrine de l’autre qui n’en peut plus et à la vue de la Baronne sans=dessus=dessous le Sénéchal est comme imbécile…et on ne sait pas où est la clé!…sans compter que la nuit tombe et que le château brûle pendant que…tu ne donnerais pas deux sous de l’honneur de ma Dame!…me v’là et paf! ça y est…mais avec leur satané pistolet je m’abîme tout le doigt.â€<br /> <br /> Armelhaut & Bocher 1152-1163. Paris: Imp. Lemercier, 57 R. de Seine, 1852 unknown‎

Bookseller reference : 05356

‎Gavarni, Paul‎

‎Masques Et Visages French Edition‎

‎hardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover‎

Bookseller reference : 1019683252.G ISBN : 1019683252 9781019683255

‎Gavarni, Paul‎

‎Masques Et Visages French Edition‎

‎paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback‎

Bookseller reference : 1146649517.G ISBN : 1146649517 9781146649513

‎GAVARNI, Paul‎

‎Masques et Visages‎

‎Paris: Paulin et Lechevalier 1857. hardcover. very good. Paul Gavarni. Text in French. With small b/w woodcut illustrations throughout. 270 pages. 8vo rebound in modern navy cloth with part of original cover mounted. Paris: Paulin et Lechevalier 1857. Inner hinges re-enforced still a very good copy with light scuffing and fading to original front wrapper.<br/> <br/> Paulin et Lechevalier unknown‎

Bookseller reference : 308856

‎Gavarni, Paul‎

‎Masques et Visages. Les Partageuses. Madame de Chateaurouge s il vous plait Tiens! c est mon Pierrot ! Original-Lithografie‎

‎Paris: Lemercier Libraire Nouvelle 1870. paperback. gebraucht gut Original-Lithografie unter Passepartoutkarton montiert Papier außerhalb der Darstellung minimal fleckig sonst GUTES EXEMPLAR. 20 x 162 cm. Für Ihre Zufriedenheit versenden wir mit DHL und ausschließlich mit Trackingcode für eine sichere Sendungsverfolgung! Weitere Angebote unter antiquariat-kastanienhof Lemercier, Libraire Nouvelle paperback‎

Bookseller reference : BB38427

‎Gavarni, Paul (pen name of Sulpice Guillaume Chevalier). (1804–1866); Aubert, printer.‎

‎Mon petit homme faut être raisonnable….c'est mon parrain qui veut ansolu ment me faire un sort dans son bien des Bouches-du-Rhône pour l'education de sa petite….je vas le laisser la mienne." from Les Lorettes: courtesans of Paris. First edition of the lithograph.‎

‎Paris: Chez Bauger Chez Aubert 1841. Lithograph sur blanc; contemporary handcolored. 33.3 x 23.5 cm. Plate no. XII from the series: "Les Lorettes." Armelhault and Bocher no. 774. Les Lorettes described by scholars:MLA citation: Murphy Libby and Greggor Mattson. A la Recherche des Femmes Perdues. Oberlin College 2016.Prostitution was a common social phenomenon that was practiced by women regardless of class but the type of prostitute varied depending on the status of the men involved. The social standing of prostitutes often shifted throughout their lifetimes but their roles generally remained within four basic levels of prostitution. This exhibit focuses on these four important types of prostitutes imagined and mythologized in various media of the time. The lorette the aspiring courtesan was the prostitute of mystery elusive and secretive often evading the government’s health regulations. The grisette was a prostitute from a working-class background often found inhabiting the apartments of young Parisian students. The fille publique or streetwalker was from the lowest class of prostitute and often attracted the poorest customers. Walking the street alone or in groups la fille publique was most vulnerable to police repression. And finally women in “maisons closes†or brothels catered to men of different social classes. The most luxurious brothels attracted middle class men with their continuous business. These women though varying in status participated in a form of sexual commerce that was common in French society in the 19th century. Paris: Chez Bauger, Chez Aubert, 1841 unknown‎

Bookseller reference : 16-6134

‎Gavarni, Paul (1804-1866)‎

‎Nocturne à deux nez. Deux tours à la clef. - Altcolorierte Lithographie‎

‎Aubert & Cie Paris um 1840. Maße: ca. 165 cm x 215 cm im Passepartout gering gebräunt. - Aus der Reihe: Impressions de menage No. 16 - unknown‎

Bookseller reference : 1292aa

‎Gavarni, Paul" (Sulpice Guillaume Chevalier).‎

‎Oeuvres Choisies de Gavarni."‎

‎<p>Paris: J. Hetzel 1845-1848. With notes by Theophile Gauthier. Paul Gavarni was the pseudonym of Sulpice Guillaume Chevalier a popular illustrator and cartoonist. In this series each story has its own illustrated title page and an introduction by Gautier. The stories themselves consist of full-page illustrations with narrative captions. Contents include "les Enfants Terribles 1845" "les Actrices 1845" "les Lorettes" "Traduction en Langue Vulgaire 1845" "Fourberies de Femmes en Matiere de Sentiment 1846" "Clichy" "Paris le Soir" "le Carnival a PAris 1847" "Paris le Matin 1847" "les Etudiants 1846" "la Vie de Jeune Homme 1848" and "les Degardeurs." 19th century Parisian life in all its glory absurdity and strangeness. Four volumes bound in 1/4 crimson calf over marbled boards. Raised bands and gold spine lettering. A few spots on calf backstrips but a very good set overall. Four volumes 26 cm. Unpaginated about 150 pp. each b/w fill page plates throughout.</p> J. Hetzel hardcover‎

Bookseller reference : 49512

‎Gavarni, Paul‎

‎Oeuvres Choisies: Les Etudiants . etc‎

‎J. Hetzel 1847. First Edition. Leather Binding. Good/No Jacket As Issued. 4to - over 9¾" - 12" Tall thin. Wear to extremities chiefly to head and foot of spine; chipping and rubbing; slight wear to lower edge of upper cover; slight rubbing and browning to covers chiefly at edges; spine and upper inner hinge detached; slight internal browning and/or foxing chiefly unaffecting most plates. ca. 300 pages including plates; unpaginated. Text in French chiefly captions. Probable later issue of one of the better contemporary selections of works by the noted French caricaturist lithographer watercolorist and designer 1804-66; pseudonym of H. G. S. Chevalier; preceded by a 3-page preface by Theophile Gautier for 'Les Etudiants'. Contains: 'Les Etudiants' 1846; 48 plates; 'Paris Le Matin' 1846; 7 plates; 'Paris Le Soir' not dated; 12 plates; 'Etudes de Moeurs Contemporaines' 1846-47; including 'Fourbieres des Femmes' 20 plates 'Les Enfants Terribles' 3 plates and 'La Vie de Jeune Homme' 14 plates; 'Le Carnaval a Paris' 1846; 23 plates; and 'Les Debardeurs' not dated; 15 plates. Bound in half brown morocco over dark brown marbled boards gilt-stamped spine with raised bands light brown marbled endpapers some foredges untrimmed brown silk bookmarker. Sold 'as is'.Gavarni Paul illustrator; 152 Engraved Illustrations / Plates. J. Hetzel unknown‎

Bookseller reference : L062910

‎Gavarni, Paul‎

‎OEUVRES CHOISIES DE GAVARNI - EDITION SPÉCIALE PUBLIÉE PAR «LE FIGARO» POUR SES ABONNÉS COMPRENANT: LES ENFANTS TERRIBLES - TRADUCTION EN LANGUE VULGAIRE - LES LORETTES - LES ACTRICES - FOURBERIES DES FEMMES EN MATIÈRE DE SENTIMENT - CLICHY - PARIS LE SOIR - LE CARNAVAL À PARIS - PARIS LE MATIN - LES ETUDIANTS DE PARIS - LA VIE DE JEUNE HOMME - LES DÉBARDEURS. SUIVIES DE L'OEUVRE COMPLÈTE PUBLIÉE DANS LE DIABLE À PARIS SOUS CE TITRE «LES GENS DE PARIS». 520 DESSINS AVEC LEURS LÉGENDES‎

‎Paris 1857 J. Hetzel et Blanchard. In French. Folio 122pp. each page with several lithograph illustrations 520 total 3/4 cloth marbled boards spine label. Owner name stamp on front blank. Good hinges cracking spine ends a bit worn spine label rubbed some scuffing on marbled boards. . hardcover‎

Bookseller reference : a49911

‎Gavarni, Paul‎

‎Paris am Tage und bei Nacht. Sechs Karikaturenfolgen nach der Ausgabe von 1846‎

‎Dortmund Verlag Harenberg Kommunikation 1979. 192 S. Brosch. Die Bibliophilen Taschenbücher Nr. 137 unknown‎

Bookseller reference : 31178 ISBN : 3883791377 9783883791371

‎GAVARNI, Paul [pseudonym of Guillaume Sulpice Chevallier]; [pseudonym of Guillaume Sulpice Chevallier]‎

‎Paris le Matin bound with La Boite aux Lettres‎

‎Paris: Caboche Gregoire / Chez Aubert 1838-1839. Two Incredibly Scarce Gavarni Albums Bound Together<br /> A Total of Forty-Three Marvelous Hand-Colored Lithographs<br /> <br /> GAVARNI pseudonym of Guillaume Sulpice Chevallier. Paris le Matin. Paris: Chez Aubert 1838-1839. bound with La Boite aux Lettres. Paris: Caboche Gregoire / Chez Aubert 1839. <br /> <br /> First editions. Folio 13 1/8 x 9 5/8 in; 334 x 245 mm. Paris le Matin with twelve and La Boite aux Lettres with thirty-one of thirty-four hand-colored lithographed plates; a total of forty-three plates most heightened with gum arabic.<br /> <br /> Bound to contemporary French style c. 1920 in quarter black morocco over marbled boards. Smooth spine ruled in blind and lettered in gilt marbled endpapers top edge gilt others uncut. A very fine copy of two extremely scarce Gavarni albums.<br /> <br /> ABPC Index 1923-present records no copies of Paris le Matin at auction within the last eighty-eight years. Only one copy of La Boite ux Lettres has come to auction within the last thirty-six years and it contained only fourteen of the called-for thirty-four plates.<br /> <br /> Only one copy of Paris le Matin is found in institutional collections worldwide at the Getty Research Library. OCLC records only five copies of La Boite aux Lettres in libraries throughout the world.<br /> <br /> Paris le Matin Paris Morning and La Boite aux Lettres Mailbox are typical - if exceedingly scarce - examples of Gavarni turning his satiric eye on the customs and manners of the French petit bourgeoisie. Paris le Matin limns the morning activities of Parisians; La Boite aux Lettres is a charmingly amusing survey of writing sending and receiving letters in Paris of the era.<br /> <br /> La Boite aux Lettres lacks the last three plates XXXI XXXIII and XXXIV. The institutional copies appear to be incomplete as well but it seems that the copy under notice is as complete as has ever been seen within our lifetime and is likely to remain so for many years to come.<br /> <br /> Armelhault & Bocher 902-913 Paris le Matin. Armelhault & Bocher p. 88 11 unnumbered 348-397. Paris: Caboche Gregoire / Chez Aubert, 1838-1839 unknown‎

Bookseller reference : 05959

‎Gavarni, Paul‎

‎Pictures by Gavarni Classic Reprint‎

‎paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback‎

Bookseller reference : 1332827365.G ISBN : 1332827365 9781332827367

‎Gavarni, Paul. (French, 1804-1866).‎

‎Portrait of Melanie Waldor as Gulnare the leading character in the ballet ‘Le Corsaire’.‎

‎Paris: Leon Curmer 1843. Lithograph. 23 x 17.5 cm sheet. Very Good minor surface rubs light specks of foxing. Paris: Leon Curmer, 1843. unknown‎

Bookseller reference : 71-9718

‎Gavarni, Paul‎

‎Pourboires de Femmes. En Mature de Sentiment. 2e Seri "Allen au ball de l'Opera." Lithograph‎

‎Paris: Imp. d'Aubert 1857. Very good overall. Caricature by Paul Gavarni 1804 - 1866 French satirical artist noted for his clever observations of contemporary life and elegant genre scenes and imitated by artists such as James McNeill Whistler. <br /> <br /> Depicting a husband and wife debating the merits of attending the Opera with a particular acquaintance. Richly hand colored lithograph highlighted with gum arabic printed upper right border is the number 30. Slight foxing mostly in margins.<br /> <br /> Paper size approximately 9 1/2 x 12 1/2". Tipped on at right edge to heavier stock; closed tear right edge through printed border but not affecting image. Imp. d'Aubert unknown‎

Bookseller reference : 24521

‎GAVARNI, Paul [pseudonym of Guillaume Sulpice Chevallier]; [pseudonym of Guillaume Sulpice Chevallier]‎

‎Souvenirs du Bal Chicard‎

‎Paris: Bauger & Cie. 1839. A Unique Copy of Gavarni's Classic<br /> Featuring The Colorist's Models<br /> <br /> GAVARNI pseudonym of Guillaume Sulpice Chevallier. Souvenirs du Bal Chicard. Paris: Bauger & Cie. n.d. 1839-1843.<br /> <br /> A unique copy comprised of colorist Edouard Bouvenne's models. Large quarto 13 1/2 x 10 1/2 in; 341 x 266 mm. A suite of twenty hand colored lithographs representing the travesties of men and women commissioned for Le Charivari. Printed by Aubertet et Cie. All plates mounted on stubs.<br /> <br /> Fourteen plates have "Modele" stenciled in color at foot; five have "Modele" inked in Bouvenne's hand and Bouvenne has boldly signed and dated thirteen plates; only the first plate is unmarked by Bouvenne in any way. <br /> <br /> The plates are captioned: 1. “Chicard;†2. “Un Covage Civilizé;†3. “Balochard;†4. “Mr. Floumann;†5. “Pétrin;†6. “Commissaire de Marine;†7. “Général Étranger;†8. “Insulaire de n’importe où;†9. “Troubadour;†10. “Titi;†11. “Agréable;†12. “Cacique;†13. “Emir;†14. “Andalouse;†15. “Triton;†16. “Garde Champêtre;†17. “Bourguemestre;†18. “Robinson;†19. “Minon-Minard;†and 20. “Pistolet.â€<br /> <br /> Imprints vary slightly. Plates 1 2 3 4 5 and 20 have no publisher’s imprint; plate 6 has imprint: “Chez Bauger R. du Croissant 16;†plate 8 has imprint: “Chez Bauger & Cie. R. du Croissant 16;†plates 17 18 and 19 have both imprints: “Chez Bauger R. du Croissant 16†and “Chez Aubert Place de la Bourse;†plates 7 and 9-16 have imprint at foot: “Se Vend chez Bauger & Cie. Editeurs des Dessins de la Caricature du Figaro et du Charivari Rue du Croissant 16†plates 9 10 14 15 and 16 have additional imprint: “Chez Aubert gal. Véro-Dodatâ€.<br /> <br /> Early twentieth century green cloth front cover with maroon morocco label bordered and lettered in gilt spine with maroon morocco label lettered in gilt. A few plates with light foxing. Eighteen of twenty plates with Bouvenne's ink and/or color smudges at margins demonstrating their work-plate status.<br /> <br /> Second only to Daumier as the greatest social commentator and satirical artist of nineteenth century France Gavarni produced the work under notice during his first period whence he confined himself to the study of Parisian manners particularly those of the city's youth. Souvenirs du Bal Chicard Memories of the Chicard Ball dates from when he was in charge of the journal Le Charivari and was a regular at Paris's most prestigious balls for which he often designed many costumes. During this time many of his finest lithographic sets drew their subject matter from these costume balls including Souvenirs du Bal Chicard .<br /> <br /> “Costume balls had been a part of carnival celebrations in France since the fifteenth century but their popularity was unprecedented during the period of the July Monarchy. At first private and aristocratic they became increasingly popular among the new bourgeoisie and the aspiring lower classes when they could afford them. One of the more exclusive expensive fifteen francs and licentious of these bal masqués was also one of the most popular. The Bal Chicard was given by a prosperous businessman Alexandre Lévêque who was called by the nickname Chicard. Gavarni was a friend of Chicard’s and as a result was one of those regularly in attendance. In this image “Chicard†from Souvenirs du Bal Chicard a series of twenty lithographs published in Le Charivari between 1839 and 1843 we see one of the parodies of the earlier historic costumes of the bal masqué made famous at the Bal Chichard along with some wilder forms of dancing†Beatrice Farwell The Charged Image: French Lithographic Caricature 1816-1848 p. 86.<br /> <br /> “ In another image “Troubadour†from the same series…Gavarni depicts an uninhibited dancer whose cap rests temporarily on the bottle of wine on the floor behind him. Gavarni’s intention here has obviously been to capture the character of the wild dancing for which the Bal Chicard was noted. In a pentimento he has disguised a previously drawn extended arm by incorporating it into the drapery that flies off at the left but it remains easy to visualize the figure with three arms. Gavarni not only drew the costumes he saw at the balls but also designed costumes for use there. This troubadour’s costume purports to be a version of the late medieval doublet and hose with anachronistic modifications frequently seen at the Bal Chicard here emphasized by the pipe in the reveler’s mouth†Beatrice Farwell The Charged Image: French Lithographic Caricature 1816-1848 p. 88.<br /> <br /> Armelhaut and Boucher L’Oeuvre de Gavarni pp. 253 524 and nos. 257 “Chicard†and 2280 “Troubadourâ€. Paris: Bauger & Cie., 1839 unknown‎

Bookseller reference : 05960

‎Gavarni, Paul (1804-1866).‎

‎Standing Man with Quill on his Ear.‎

‎Paris: French Publisher circa 1841. Book illustration. 210 x 140 mm. sheet. Very Good a few specks of foxing.Provenance: From the collection of the Late Frederick G. Ruffner Jr. founder of Gale Research Detroit. [Paris: French Publisher, circa 1841]. unknown‎

Bookseller reference : 71-3248

‎Gavarni, Paul (pen name of Sulpice Guillaume Chevalier). (1804–1866); Aubert, printer.‎

‎Tu n'as plus le sou!.et la bicoque de ton grand-père puisqu'on t'en donne/quarante mille francs qu'est-ce que t'en fais.je ne sais pas comment tu n'es/pas honteux un homme comme il faut d'avoir une maison rue Bar-du-Bec". from Les Lorettes: courtesans of Paris. First edition of the lithograph.‎

‎Paris: Chez Bauger Chez Aubert 1841. Lithograph sur blanc. Contemporary handcolored. 33.3 x 23.5 cm. Plate no. XXXVI from the series: "Les Lorettes." Armelhault and Bocher no. 798. Les Lorettes described by scholars:MLA citation: Murphy Libby and Greggor Mattson. A la Recherche des Femmes Perdues. Oberlin College 2016.Prostitution was a common social phenomenon that was practiced by women regardless of class but the type of prostitute varied depending on the status of the men involved. The social standing of prostitutes often shifted throughout their lifetimes but their roles generally remained within four basic levels of prostitution. This exhibit focuses on these four important types of prostitutes imagined and mythologized in various media of the time. The lorette the aspiring courtesan was the prostitute of mystery elusive and secretive often evading the government’s health regulations. The grisette was a prostitute from a working-class background often found inhabiting the apartments of young Parisian students. The fille publique or streetwalker was from the lowest class of prostitute and often attracted the poorest customers. Walking the street alone or in groups la fille publique was most vulnerable to police repression. And finally women in “maisons closes†or brothels catered to men of different social classes. The most luxurious brothels attracted middle class men with their continuous business. These women though varying in status participated in a form of sexual commerce that was common in French society in the 19th century. Paris: Chez Bauger, Chez Aubert, 1841 unknown‎

Bookseller reference : 16-6136

‎Gavarni, Paul (1804-1866); Henri Desire Porret (Engraver).‎

‎Woman holding bouquet of flowers.‎

‎Paris: French Publisher circa 1841. Book illustration. 195 x 145 mm. sheet. Very Good missing lower left sheet corner.Provenance: From the collection of the Late Frederick G. Ruffner Jr. founder of Gale Research Detroit. [Paris: French Publisher, circa 1841]. unknown‎

Bookseller reference : 71-3243

‎Gavarni, Paul (after); Lemercier (engrav.).‎

‎â€Papier A Lettres†plate no. 9 from the Physionomies Parisiennes series A&B Catalog no. 1858 IX.‎

‎Paris: Le Charivari1858. . 11.25 x 16.5 inches 28.5 x 42.5 cm. A&B No. 855. Unbound sheet. Very good with light spotting on left side. Original black and white 19th century lithograph by Paul Gavarni. Additional text on bottom reads: “Par Gavarni†and “Imp. Lemercier Paris.†Published in Le Charivari. En Francais. Paris: Le Charivari,1858. unknown‎

Bookseller reference : 19-8243

‎Gavarni, Paul (after); Imprimerie d'Aubert & Cie. (engrav.). C. ie‎

‎“Comment! Le Champ que j’ai seme What! The field I sowed.†plate no. 2 from L’Eloquence de la Chair series A&B Catalog no. 545.‎

‎Paris: Le Charivari1843. 9.75 x 14.25 inches 25 x 36.5 cm. A&B No. 545. Unbound sheet. Very good with marginal creasing. Original black and white 19th century lithograph by Paul Gavarni. Additional text on bottom reads: “Par Gavarni†“Imp. d’Aubert & Cie†and “Chez Pannier Edit. R. du Croissant 16.†Published in Le Charivari text verso. En Francais. Paris: Le Charivari,1843. unknown‎

Bookseller reference : 19-8240