‎Gavarni‎

‎Hoffmann Gavarni‎

‎Salvator Rosa.‎

‎français In-8 de 159 pp.; cartonné toile satinée de l'éditeur. Collection des Fermiers Généraux. Illustrations de Gavarni. Edition hors commerce, un des 6000 exemplaires sur offset blanc, celui-ci n° 2027.‎

‎Hoffmann Gavarni‎

‎Salvator Rosa.‎

‎français In-8 de 159 pp.; cartonné toile satinée de l'éditeur. Collection des Fermiers Généraux. Illustrations de Gavarni. Edition hors commerce, un des 6000 exemplaires sur offset blanc, celui-ci n° 878. Un nom manuscrit en troisième garde.‎

‎Gavarni Paul‎

‎Masques et Visages‎

‎In 8°, br. edit. ill., pp. 216. Autoritratto all'antip., num.se inc. xilografate n.t. Rinforzo al dorso con carta decorata a mano.‎

‎Gavarni (Guillaume Sulpice Chevalier)‎

‎Album Comique par Gavarni, En Vente Au Bureau du Journal Amusant & du Petit Journal pour Rire.‎

‎In 4°; (1 b.), 26, (1 b.) cc. Brossura editoriale con titolo impresso in nero al piatto anteriore. Qualche lieve dfoxing e per il resto, esemplare in buone condizioni di conservazione. Guillaume Sulpice Chevalier, pseudonimo di Paul Gavarni (Parigi, 1804 - 1866) fu un celeberrimo illustratore, disegnatore e pittore francese. Precoce talento per il disegno, l'autore si propose, fin da giovane, di sviluppare nuove tecniche e materiali incisori, sfruttando nuovi prodotti chimici non prima utilizzati. Già a 20 anni impressionò l'editore Blaisot che gli propose alcuni lavori. Utilizzando i soldi guadagnati si trasferì nei Pirenei dove aveva idea di recarsi per realizzare una serie di ritratti di costumi popolari che uscì poi nel 1828, già firmati con il suo nome d'arte di Gavarni, ispirato da una catena montuosa vista durante il suo soggiorno pirenaico. Nel 1830 iniziò a lavorare per la rivista "La mode" che gli diede grande successo in patria ma anche in Inghilterra, ricevendo anche l'apprezzamento di diversi personaggi importanti come ad esempio Balzac. In questo periodo sperimentò nuove tecniche litografiche. E' di questi anni una delle sue più drammatiche esperienze che segnò anche la sua opera futura. Sulla scorta del successo ottenuto puntò tutti i suoi guadagni nella creazione di una rivista tutta sua che uscita con il titolo di "Journal des Gens du Monde" nel 1835 e che fallendo quasi subito, portò Gavarni, ridotto sul lastrico, in galera per un anno. Questa esperienza la ritroviamo nel 1837 nella serie uscita sulla celebre rivista Charivari, intitolata Fourberies des femmes en matière de sentiments, nella quale denunciava il mondo degli affari. La serie ebbe di nuovo un enorme successo e portò Gavarni ad esser chiamato a presentare tavole su tutti i principali giornali dell'epoca e facendo dell'artista, uno dei più celebri personaggi della sua epoca. Avvicinandosi alla metà del secolo, il suo stile cambiò e si diresse verso temi di denuncia sociale. Nel 1847 si trasferì a Londra, secondo Gavarni, città più adatta a comprendere il suo desiderio di ritrarre i personaggi e la vita dei bassifondi malfamati chiudendosi sempre più in se stesso e nella sua arte. Tornato a Parigi si dedicò sempre di più alla critica sociale ma anche agli studi matematici e meccanici che da sempre lo avevano appassionato fino a diventare la sua attività principale a partire dal 1860, data che segna anche il suo abbandono del disegno. Morì nel 1866, universalmente riconosciuto come uno dei più grandi illustratori dell'ottocento.‎

‎BALZAC, Honore de.‎

‎Le Père Goriot.- Gravures hors-texte en couleurs d’après les meilleurs artistes romantiques.‎

‎grand in-8°, 250 pages, front., broché, couv. Bel exemplaire [GD8-8] Illustrations de Gavarni, Henry Monnier, Tony Johannot, etc.‎

‎[GAVARNI] - COLLECTIF.‎

‎Le Diable à Paris.- Paris et les Parisiens. Illustrations par GAVARNI. Preface de Jean Derens.‎

‎in-8, 380 pages, illustrations en noir et blanc de Gavarni, broche, couv. Textes de G. Sand, Stahl, Gozlan, Pascal, Fr. Soulié, Ch. Nodier, Briffault, Balzac, A. Karr .... Précédée d"uune histoire de Paris par Th. Gautier.- Illustrations par Gavarni, vignettes de Bertall. Bon etat. [NV-31] Bon etat.‎

‎Homere Veda Vyasa Marie de France Burger Hoffman Ludwig Tieck Ch. Dickens Gavarni H. Blaze‎

‎Le Pleiade. Ballads Fabliaux Nouvelles et Legends.‎

‎Paris: L. Curmer 1842. First edition of this collection which Carteret considers to be one of the most important illustrated books of the 19th century. Octavo elaborately bound in full red morocco with elaborate gilt titles and tooling to the spine in six compartments within raised gilt bands elaborate gilt ruling and stamping to the front and rear panels gilt turn-ins and inner dentelles elaborately decorated green morocco doublures hand-stitched patterned endpapers all edges gilt with intricate botanical carvings illustrated with eleven frontispiece titles by Trimolet Charles Jacque Penguilly etc. and numerous vignettes throughout the text. In fine condition. Rare and desirable. "This collection of ten short narratives mostly Gothic or exotic from the literatures of several countries is one of the most charming books of the Romantic period" Ray. L. Curmer unknown books‎

Riferimento per il libraio : 123046

‎DAUMIER Honore; GAVARNI; BOUCHOT; Philipon Charles‎

‎Musée pour rire Le‎

‎Paris: Chez Aubert 1839. With 50 Hand-Colored Lithographs<br/>including Nine by Honoré Daumier and Fifteen by Gavarni<br/><br/>DAUMIER Honoré Gavarni and others illustrators. ALHOY Maurice Louis Huart and Charles Philipon editors. Le Musée pour rire. Dessins par tous les caricaturistes de Paris; Texte par MM. Maurice Alhoy Louis Huart et Ch. Philipon. Paris: Chez Aubert Editeur des Cent-et-Un Robert-Macaire 1839<br/><br/>Volume II only of 3. First edition. Quarto 10 3/8 x 8 1/8 inches; 265 x 207 mm. i-ii half-title verso blank iii-iv title verso blank v-vi Table 200 pp. With 50 numbered 51-100 hand-colored lithographs heightened with gum arabic by Honoré Daumier nine Gavarni fifteen Frédéric Bouchot seventeen Benjamin i.e. Benjamin Roubaud four Bourdet three Grandville one and Edme-Jean Pigal one. Heavy spotting in places but mainly to text leaves. Plates generally clean.<br/><br/>Publisher's silk patterned paper over boards covers decoratively stamped in gilt smooth spine decoratively stamped and titled in gilt. Rebacked with the original spine laid down. With the engraved bookplate of author and collector Jaques Robiquet on front paste-down. <br/><br/>A reasonably priced album containing fine hand-colored lithographs of Bouchot Daumier & Gavarni etc. etc.<br/><br/>"The house of Aubert was ingenious in marketing its products. Its lithographs.were published one by one in periodicals like Le charivari and together in suites by the same artist without letterpress. Still a third form of publication was in albums made up of lithographs by several artists with accompanying texts. These collections most commonly took the form of volumes with the generic title Paris comique which consisted of twenty colored lithographs accompanied by quite unrelated texts. Aubert remarked that the resulting hodgepodge had ‘a plan that is easy to follow for it consists in not having any' and in fact this was indeed a frugal procedure for reusing old texts and already published plates. The interest of the various volumes of Paris comique resides entirely in the lithographs they happen to contain. It can be considerable however since Daumier and Gavarni are the predominant artists. Le musée pour rire represents a more considerable effort on the part of Aubert. To accompany 150 lithographs including forty-five by Daumier among them twenty-seven from Croquis d'expressions and eight from La galerie physionomique and forty-two by Gavarni new commentaries were commissioned on each plate all except two by Alhoy and Huart. Daumier's lithographs were trimmed slightly and their captions were relettered. The designs of the other artists were provided with decorative frames. The whole was then published in three handsome volumes and in copies with expert contemporary coloring like this one Le musée pour rire is among the freshest and most attractive of romantic illustrated books" Ray The Art of the French Illustrated Book.<br/><br/>Le Musée pour Rire "contained 150 lithographs by Daumier Gavarni Bouchot Traviès etc. These are re-impressions some of them in mirror image which had previously already been used for publication in Le Charivari. Most prints of the series ‘Croquis d'expressions' are contained in the book. The name of the series is missing and the texts were printed in a different type than in the original Charivari version. We do not consider these prints original lithographies but rather prints ‘after Daumier'". <br/><br/>Ray The Art of the French Illustrated Book 164. Paris: Chez Aubert, 1839 unknown books‎

Riferimento per il libraio : 04829

‎Gavarni‎

‎Le Diable a Paris. Paris et les Parisiens. Two Volumes in Four‎

‎Paris: J. Hetzel 1846. First Edition. Page size: 10-1/2" x 7". I lxxx 363pp; II xxxii 380pp; in two text volumes; numerous vignettes 212 illustrations in two plate volumes; contemporary quarter deep blue-green morocco over marbled boards title and volume in gilt on the spine marbled endpapers. Minor rubbing to the extremities limited abrading to the marbling causing loss in a few small areas boards exposed at the corners 1" band of discoloration to the front board beginning at ½" from the top edge and descending 8" but pronounced only near the top impression from the half-binding of another volume on the front board of Volume III hinges beginning to show on Volumes I and II occasional foxing and minor discoloration.<br/> Gordon Ray in The Art of the French Illustrated Book describes this title as „something of a potpourri". The texts are by well-known writers including Balzac Gauthier Musset George Sand and the publisher Hetzel. Although there are historical geographical and statistical details about the city of Paris the bulk of the text is made up of stories and dialogues with Parisian subjects. The illustrations are wood engravings. Ray states the "most impressive are the 208 .after Gavarni." Sulpice-Guillaume Chevallier known as Gavarni also worked in lithography. In either medium his psychological portraits were telling. Ray especially praises his wood engravings for this title however noting that they were superior to much of his other work and all new conceptions not versions of his lithos. Hetzel imposed unity on the texts and images by presenting them as documents bearing on the Devil's visitation of Paris. This is the culmination of the Romantic tradition of diablerie and the last of the big books of collaboration. Ray The Art of the French Illustrated Book #236. J. Hetzel unknown books‎

Riferimento per il libraio : 8462

‎Gavarni and others illustrators‎

‎Le Diable a Paris. in 2 vols. Paris et les Parisiens. MÅ“urs et coutumes caractèes et portraits des habitants de Paris tableau complet de leur vie privée publique politique artistique littéraire industrielle etc. etc. Texte par MM. George dDe Balzac Taxile Delord Alphonse Karr Méry A. Juncetis Gérard de Nerval Arsène Houssaye Albert Aubert Théophile Gautier Octave Feuillet Alfred de Musset Frédéric Bérat précédé d'une Histoire de Paris par Théophile Lavallée. Illustrations Les Gens de Paris Séries de gravures avec légendes par Gavarni. Paris comique vignettes par Bertall. Vues monuments édifices particuliers lieux célèbres et principaux aspects de Paris par Champin Bertrand d'Aubigny Français‎

‎Paris: J. Hetzel 1846. First edition. Two large octavo volumes 10 3/8 x 6 7/8 inches; 263 x 175 mm. Contemporary half black hard-grain morocco ruled in gilt over black morocco-grain paper over boards. Smooth spines decoratively tooled in gilt and blind and lettered in gilt. Marbled edges and endpapers. Minor rubbing to extremities head of spine of Volume II expertly and almost invisibly repaired front hinge of Volume I cracked but sound. Minimal foxing and soiling. Small area of surface abrasion to upper blank margin of plate Artistes —6 facing page 160 in Volume II where it was once adhered to the facing page. Bookplate Bibliothèque de A. Vautrain on front pastedown of each volume. Collating 4 xxxii 380; 4 lxxx 364. Wood- engraved title vignette in each volume 212 wood-engraved plates 208 after Gavarni and four after Bertall with tissue guards and numerous wood-engraved head- and tail-pieces vignettes and initials. This copy with a duplicate of the plate facing in Volume I. Music. Overall an excellent copy.<br/><br/>"The book appeared in part-issues at the rate of one or two a week between April of 1843 and December of 1845. The major attraction of Le diable à Paris resides in Gavarni's plates which are of even greater interest than the 320 wood engravings of his Oeuvres choisies 207. The engraving is superior for the most part and they are new conceptions not versions of his lithographs. He limits himself almost entirely to single figures or pairs evoked with his usual concentration and psychological subtlety. He had a free hand with his subjects since his designs are quite unrelated to Hetzel's text. As usual he arranged them as series some of which those devoted to writers and politicians for example are largely unprecedented in his previous repertory. He invaded Daumier's world with success in the fifteen plates of ‘Bourgeois' exampled in the self-satisfied worthy reproduced II 328" Ray.<br/><br/>Hiler 237. J. Hetzel unknown books‎

Riferimento per il libraio : 3650

‎GAVARNI pseudonym: CHEVALIER Sulpice Guillaume 1804 1866.‎

‎Autograph poem and letter signed "Gavarni" under the title "L'anglais" with stationery stamp of Bath England on upper right‎

‎Bath c. 1850. Very Good. 1 page 205 x 129mm; small cello tape repair on lower left later docketed Alfred Guidant and Gavarni lightly toned. Gavarni was a French illustrator and caricaturist whose work is widely known for its polished wit and cultured observation of life of his time. About 1831 Gavarni began publishing his ironic scenes of contemporary life and praise from writers such as Honore de Balzac gained him popularity. Gavarni worked for journals like La Mode L'Artiste La Silhouette his most known work appeared in Charivari and the weekly paper L'Illustration. He also illustrated the first collective edition of Balzac's works and Eugene Sue's Wandering Jew. He is known for his sketches of social contrasts between extremes of luxury and poverty. This tendency was strengthened by a visit to England in 1849. He returned from London deeply impressed with the scenes of misery and degradation which he had observed among the lower classes of that city. This unique autograph poem and combined letter with mention of delivering the letter by Alfred Guidant of London refers to the English land as friend to which he greets with a hearty "Bonjour l'anglais." The message clearly reflects Gavarni's newfound confidence and solidarity with human nature found opposite the English Channel. <br/><br/> unknown books‎

Riferimento per il libraio : 6500

‎GAVARNI Paul‎

‎Fashionables‎

‎Paris: Chez Tessari et Cie. 1837. Extremely Scarce <br/>No Auction Records<br/>No Copies in Libraries Worldwide<br/><br/>GAVARNI pseudonym of Guillaume Sulpice Chevallier. Fashionables. Paris: Chez Tessari et Cie. n.d. 1837. <br/><br/>Large quarto 13 1/8 x 10 1/16 inches; 333 x 255 mm. Twelve hand-colored lithographed plates heightened with gum arabic depicting couples during the twelve months of the year. Plates lithographed by Lemercier. <br/><br/>Contemporary half red morocco ruled in gilt over marbled boards by Canapé et Corriez stamp-signed on front flyleaf. Smooth spine decoratively tooled and lettered in gilt top edge gilt marbled endpapers. Some light foxing a few plates slightly browned. Tiny portion of lower corner of the plate "Août" torn away. Two bookplates and remains of a third on front pastedown. An excellent copy of this extremely scarce series of plates. Not in Colas Hiler or Lipperheide.<br/><br/>Each plate Janvier to Decembre depicts the appropriate fashion for each month of the year.<br/><br/>A work of incredible scarcity with no copies at auction since ABPC began indexing in 1923. No records in OCLC and KVK OCLC notes one of the lithographs Avril at Clark Art Institute. <br/><br/>"In 1837 Gavarni began his connection with Le charivari which did not conclude until 1848. In all he drew 1054 lithographs for his journal.Most of these appeared in series some twenty-five of which extend to ten or more plates and were afterwards published by Aubert in albums. Perhaps the best of these collections are Fourberies de femmes en matière de sentiment Les étudiants de Paris Les débardeurs and Les lorettes; but some of the rest are of hardly inferior interest. Still further series contributed to periodicals other than Le charivari were also issued as albums. Baudelaire had this part of Gavarni's work particularly in mind when he wrote.that ‘the true glory and the true mission of Gavarni and Daumier has been to complete Balzac.' Certainly the pictures of Parisian society provided by the two artists perfectly complement each other. Daumier's preoccupation was the working middle class with faces and figures heavily marked by life. Gavarni remained for the most part outside the humdrum bourgeois round. He preferred to show ‘youth at the prow and pleasure at the helm.' His pretty girls and sleek young men are bent on enjoyment. They live lives of graceful dissipation" Ray The Art of the French Illustrated Book p. 217. <br/><br/>Armelhault & Bocher 2331-2342.<br/><br/><br/>The Plates:<br/><br/>1. Janvier<br/>2. Février<br/>3. Mars<br/>4. Avril<br/>5. Mai<br/>6. Juin<br/>7. Juillet<br/>8. Août<br/>9. Septembre<br/>10. Octobre<br/>11. Novembre<br/>12. Décembre. Paris: Chez Tessari et Cie., 1837 unknown books‎

Riferimento per il libraio : 04851

‎GAVARNI‎

‎Masks et Visages‎

‎Paris: Paulin et Lechevalier 1857. First Edition. hardcover. near fine. Frontispiece portrait fully illustrated in black and white 267pp. slim 8vo 1/2 green morocco pebbled green cloth gilt-stamped raised bands ornately gilt spine a.e.g. Paris: Paulin et Lechevalier 1857. Near fine.<br/><br/> Paulin et Lechevalier unknown books‎

Riferimento per il libraio : 91052

‎LABEDOLLIERE Emile De; GAVARNI illustrator‎

‎Londres et les Anglais‎

‎Paris: Gustave Barba nd. Pale foxing first few leaves with some light damp staining. 4to. 380 pages. Frontispiece with 25 engraved plates throughout. Marbled paper over boards with gilt-stamped spine. FIRST EDITION. Text in French. <br/><br/> Gustave Barba hardcover books‎

Riferimento per il libraio : 19294

‎Gavarni pseud of Sulpice Guillaume Chevalier illus: Mery Joseph‎

‎PERLES ET PARURES caption title . LES JOYAUX FANTAISIE . MINÉRALOGIE DES DAMES PAR LE CTE FŒLIX with: LES PARURES FANTAISIE . HISTOIRE DE LA MODE PAR LE CTE FŒLIX‎

‎Paris: G. de Gonet et al.& a Leipzig: Chez Charles Twietmeyer 1850. Two volumes. 4316pp. plus frontis and fifteen plates; 2300pp. plus frontis and fifteen plates. Large octavo 27.5 x 18.7cm. Very handsome 20th century half tan morocco raised bands ruled in blind lettered in gilt and marbled boards t.e.g. others rough-trimmed with the original decorative pictorial rose-on- cream wrappers bound in. Occasional very minor foxing or dust-soiling wrappers a trace soiled with a couple of small edge mends a handful of small creases or snags to the edges of the lace borders see below light rubbing to extremities but a near fine large crisp set. First editions in the most desirable form with the texts printed on vélin and with the frontispieces and plates engraved by Geoffrey after Gavarni delicately hand- colored. The plates are of particular interest because in this format they are printed on sheets with elaborate and delicate stencil-cut lace pattern frames and borders. The plates "are studies of beautiful women fashionably attired for the most part which were drawn in London. Méry wrote the 'fantasy' accompanying them to fit Gavarni's designs.in this special edition.Gavarni's designs become fashion plates of the first order" - Ray. "La réunion des deux ouvrages avec les gravures à marges de dentelles est assez rare à recontrer" - Carteret. RAY FRENCH 209a-210. CARTERET III:460-1. VICAIRE V:770-1. G. de Gonet [et al]...[&] a Leipzig: Chez Charles Twietmeyer hardcover books‎

Riferimento per il libraio : WRCLIT46300

‎Gavarni Paul ie. Sulpice Guillaume Chevalier Balzac Honore et al. i. e.‎

‎LE DIABLE A PARIS - PARIS ET LES PARISIENS - MOEURS ET COSTUMES CARACTERES ET PORTRAITS DES HABITANTS DE PARIS TABLEAU COMPLET DE LEUR VIE PRIVEE PUBLIQUE POLITIQUE ARTISTIQUE LITTERAIRE INDUSTRIELLE ETC. ETC.‎

‎Paris: Publie par J. Hetzel 1845. Two volumes. Thick quarto. 19th century three quarter crimson morocco raised bands spines gilt extra t.e.g. Profusely illustrated with plates and vignettes in text the large majority being after drawings by Gavarni. Very shallow snag at crown of one spine light occasional rubbing at edges otherwise a large generally clean largely untrimmed set. First editions of this ambitious undertaking featuring contributions by Balzac Sue Sand Stendahl Musset Nodier Gautier Nerval and many others preceded by a general history of the city by Theophile Lavallee. The over two hundred wood-engraved plates are based on Gavarni's drawings and Ray lauds them as being "of even greater interest than the 320 wood engravings of his OEUVRES CHOISIES.The engraving is superior for the most part and they are new conceptions not versions of his lithographs.His designs make LE DIABLE A PARIS the culmination of the Romantic tradition of DIABLERIE which began with the lithographic albums of the 1820s. It is also the last of the big books of collaborative illustration." RAY 236. CARTERET III:203-7. Publie par J. Hetzel hardcover books‎

Riferimento per il libraio : WRCLIT29295

‎Alhoy Maurice; Louis Huart; Charles Philipon; Honore Daumier; Gavarni.‎

‎Le Musée pour rire‎

‎Paris: Chez Aubert 1839-40. First edition. The great Parisian caricaturists of the mid-19th-century: Daumier Gavarni Grandville Travies and others represented with original lithographs illustrating short prose pieces by Alhoy Huart and Philipon. 27 cm; 3 volumes in two. 150 lithographs including 45 by Daumier among them 27 from "Croquis d'expression" and 42 by Gavarni. Half titles present. Plates not colored in. Bound in recent green crushed morocco over marbled boards ruled in gilt; spines titled in gilt. Marbled edges. Endleaves foxed; some scattered toning. Overall a clean copy. References: Ray #164 "one of the freshest and most attractive of romantic illustrated books"; Carteret III 426-27. Chez Aubert hardcover books‎

Riferimento per il libraio : 5976

‎LE SAGE / GAVARNI‎

‎Histoire de Gil Blas de Santillane par Le Sage précédée d'une introduction par M. Jules Janin. Illustrations de Gavarni‎

‎P. Morizot 1865. P. Morizot unknown‎

Riferimento per il libraio : 14097

‎Gavarni‎

‎Masques et Visages. Notice par C.-A. Sainte-Beuve‎

‎Paris Calmann Lévy. Paris Calmann Lévy unknown‎

Riferimento per il libraio : 1829

‎Gavarni HOFFMAN ETA. E. T.‎

‎CONTES FANTASTIQUES. TRADUCTION NOUVELLE. PRECEDE DE SOUVENIRS INTIMES SUR LA VIE DE L'AUTEUR PAR P. CHRISTIAN‎

‎Paris: Lavigne 1843. Hard Cover. Very Good. Gavarni. 8vo. xix 522pp. Original wraps bound in. Quarter leather with ornate spine gilt with gilt title. Head of spine at corners a bit rubbed green mottled paper boards with light edgewear. All edges speckled green. First edition with illustrations by Gavarni finely engraved on wood by Breviere and Nouvion. A very good copy despite some foxing and spotting throughout. Some plates lightly numbered in pencil. Tissue guards to each plate. Tight and square copy. Very good. Lavigne unknown‎

Riferimento per il libraio : 1836

‎Gavarni Paul Bei Lemercier‎

‎Histoire d'en dire Deux"" D'aucuns disent que vol'e M'sieu Mosieu Polyte Veut sauf vol'respect Manger son bien aux truffes ._Au turf ! Pére Pigaud.Genreszene Wortwitz‎

‎unknown. gebraucht gut Lithographie . Darst.: 192 x 162 cm Bl.: 376 x 267 cm Auf Anfrage per E-Mail können Sie die bei uns bestellten Artikel auch in unserer Buchscheune 01796 Struppen Mo.-Fr. 9-16 Uhr oder im Antiquariat Schloss Pillnitz 01326 Dresden Mo.-So. 10-18 Uhr abholen. unknown‎

Riferimento per il libraio : G373

‎Gavarni Paul Bei Lemercier‎

‎Paris le matin ""On demande un remplaçant.""Pariser Leben Militaria Karikatur‎

‎unknown. gebraucht gut Altkolorierte Lithografie . Darst.: 198 x 156 cm Bl.: 316 x 24 cm Auf Anfrage per E-Mail können Sie die bei uns bestellten Artikel auch in unserer Buchscheune 01796 Struppen Mo.-Fr. 9-16 Uhr oder im Antiquariat Schloss Pillnitz 01326 Dresden Mo.-So. 10-18 Uhr abholen. unknown‎

Riferimento per il libraio : G380

‎Gavarni Paul‎

‎Masques et Visages. Les Partageuses. Madame de Chateaurouge s il vous plait Tiens! c est mon Pierrot ! Original-Lithografie‎

‎Paris: Lemercier Libraire Nouvelle 1870. unknown. gebraucht gut Original-Lithografie unter Passepartoutkarton montiert Papier außerhalb der Darstellung minimal fleckig sonst GUTES EXEMPLAR. 20 x 162 cm. Auf Anfrage per E-Mail können Sie die bei uns bestellten Artikel auch in unserer Buchscheune 01796 Struppen Mo.-Fr. 9-16 Uhr oder im Antiquariat Schloss Pillnitz 01326 Dresden Mo.-So. 10-18 Uhr abholen. Lemercier, Libraire Nouvelle unknown‎

Riferimento per il libraio : BB38427

‎Hoffmann Eta gavarni Paul dessins E. t.‎

‎Contes fantastiques‎

‎Rvg 1986. in8. Reli�. 520 pages. Rvg unknown‎

Riferimento per il libraio : 271291

‎Gavarni Louis Halevy‎

‎La Mascarade Humaine. 100 grandes compositions par Gavarni‎

‎Calmann-L�vy 1881. in4. Reli�. 215 pages. Etat Correct / Ancien - Couvertures et Dos d�fraichis coins �mouss�s frott� voir photo - Int�rieur : Bien propre rares rousseurs. Attention : manques � la reliure mais l'ouvrage se tient bien. In-4� raisin reliure de l'�diteur percaline granit�e rouge. Bel exemplaire. Ouvrage rassemblant des dessins humoristiques du grand ma�tre distribu�s selon 5 sections : "Histoire de politiquer" "Les propos de Thomas Vireloque " "Les Boh�mes" "Mani�re de voir les voyageurs" "Les parents terribles". premier plat orn�e d'un motif de marionnettes attach�es � un fouet sur le plat sup�rieur bord� d'une frise de feuilles de houx deuxi�me plat fer dor� figurant les armoiries de C. Magnier reliure dorure Paris �coin�ons et frises noirs plats biseaut�s dessin de Sauze ex�cut� par Magnier 215 pp. 7 pp. catalogue Calmann-L�vy unknown‎

Riferimento per il libraio : 45041