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Qian, Pu (Unirule Inst Of Economics, China)
Research On Efficiency And Fairness Of Resources Allocation By China's Governmental Administration
new. unknown
Referenz des Buchhändlers : 35780659-n ISBN : 9813278609 9789813278608
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Qian, Shangwu (Peking Univ, China)
Essentials Of Quantum Mechanics And Relativity
Hardback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; Quantum mechanics and relativity are two important topics of modern physics. This book serves as an introduction to the essential topics in the fields. It is suitable for a one-semester course for undergraduate students.The book is conc hardcover
Referenz des Buchhändlers : ria9789811221187_inp ISBN : 9811221189 9789811221187
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Qian, Sima
The First Emperor: Selections from the Historical Records Oxford World's Classics
Oxford UK: Oxford University Press 2007. Paperback. Very Good. 8vo - over 7" - 9" tall. Oxford World's Classics Trade Paperback in Very Good Condition. Translatated with an Introduction and Notes by Raymond Dawson and with a Preface by K. E. Brashier. Clean and unmarked illustrated wraps with slight wear to some edges; tight and solid glued binding square; pages clean no markings of any kind. Sima Qian tells the story of the First Emperor founder of the Qin dynasty which unified China in 221 BC and created an imperial legacy that lasted until 1911. He describes the political and brutal events that led up to the foundings of th dynasty and its aftermath. Sima Quian recounts the building of the Great Wall and the building of his magnificent tomb now world famous after the famous terracotta warriors were excavated in 1974. 165 pp with Explanatory Notes and Index. 5 x 7.75 inchres. 2007 Oxford University Press Oxford UK Oxford University Press paperback
Referenz des Buchhändlers : 026847 ISBN : 0199226342 9780199226344
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Qian, Sima (ed & transl.)
Selections from Records of the Historian 3 Vols. (Library of Chinese Classics). 2. Ed.
Beijing: Foreign Language Press & Hunan Peoples Publ. House 2010. zus. ca. 1200 S Kart.mS. *sehr gute Expl.*.
Referenz des Buchhändlers : 275897
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Qiang, Xin (Fudan University, China)
Mainland China's Taiwan Policy
Paperback / softback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; This book analyses Beijing’s changing policy towards Taiwan during the Kuomintang and Democratic Progressive Party administration. It will help researchers understand Beijing’s security and diplomatic policies and appeal to governm paperback
Referenz des Buchhändlers : ria9780367756291_inp ISBN : 0367756293 9780367756291
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Qianlong Emperor of China 1711 1799
The Visit of the Teshoo Lama to Peking: Chien Lung's Inscription
New. unknown
Referenz des Buchhändlers : A9781313603201 ISBN : 1313603201 9781313603201
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QIANLONG 乾隆, Emperor of China
Yu xuan Tang-Song shi chun 御é¸å”宋詩醇 Finest Pieces of Tang and Song Poetry Selected by the Emperor
47 juan & two vols. of index in 25 vols. 8vo orig. wrappers some light browning throughout. China: after 1760.<br /> <BR> <BR> An early edition first printed in 1751 of this selection of poetry by eight famous writers from the Tang 618-907 CE and Northern and Southern Song 960-1279 CE periods. Nominally the collection was made by the Qianlong emperor who was himself a productive poet. If one goes by the number of poems published in Qianlong’s name the emperor “was by far the most prolific poet in Chinese history†he published more than 42000 pieces†Fang Chao-ying “Hung-Li†371. Those poems probably were not all his creation however; the man had an empire to run. Similarly this collection of the poetry of earlier masters probably owed a lot to Grand Secretary Liang Shizheng æ¢è©©æ£ 1697-1763 minister of the Board of Personnel who headed the team of compilers. The woodblock printing reproduces the original calligraphy of the “imperial brush†however.<br /> <BR> <BR> The poets in the collection include Li Bai 701-762 Du Fu 712-770 Bai Juyi 772-846 and Han Yu 768-824 of the Tang as well as Su Shi 1037-1101 and Lu You 1125-1210 of the Song. In the selection of poets and poems the compilers put emphasis on the expression of “filial loyalty†zhongxiao å¿ å a core value for the Confucian monarchy. The styles of the poets were attributed to their lived experience so that the poems became seen as representing their character.<br /> <BR> <BR> The collection has been criticized for focusing on only the biggest names of the Tang and Song periods featuring a selection of only eight poets. Yet the collection was very influential. Its publication preceded the reinstitution of a poetry element in the civil service examinations which retroactively drew attention to the book. Notably this fact was highlighted by the famous statesman and zealous Neo-Confucian Chen Hongmou 1696-1771 then governor of Jiangsu when he requested and received permission to reprint it in the province in 1760 whence this copy; see below. Furthermore in two separate sessions of the civil service examinations during the Qianlong reign — one local examination and one high-level examination — the collection was mentioned in the policy section of the exam. Prospective candidates would have taken note of such mentions and this collection liley ended up on the reading lists of many hopefuls. For a time the collection was prescribed reading for new Hanlin Bachelors at the Qing court and among the reading population writ large it helped establish Su Shi’s and Lu You’s reputations as poets. <br /> <BR> <BR> The book was finished in 1750 and printed the following year. As mentioned above it was reprinted in Jiangsu in 1760. It is possible that this copy belongs to this reprint edition even though the actual printing using the same blocks might be later. The book was reprinted again as a woodblock printing in Zhejiang in 1877. Later copies based on this edition carry the date 1877 after the imperial preface.<br /> <BR> <BR> Very good set preserved in four hantao. Minor spotting here and there and occasional light dampstaining.<br /> <BR> <BR> References<br /> <BR> <BR> Blog post by “Shanben guji†entitled “Shanben guji huozi taoyin ben Yuxuan Tang Song wenchun shichun kaolüe†https://www.sohu.com/a/592207984_562249.<br /> <BR> <BR> Fang Chao-ying. “Hung-Li.†In Eminent Chinese of the Ch’ing Period. Edited by Arthur W. Hummel. Vol. 1. Washington D.C.: United States Printing Office 1944. unknown
Referenz des Buchhändlers : 9136
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QIANLONG, Emperor of China (1711-1799) Dazhang YANG (fl1770-1790). l. 17
Triumphal Feast for the return of General Fukang'an after the suppression of Taiwan from Pingding Taiwan deshung tu Victorious Battle Prints of the Taiwan Campaign.
Beijing: The Chinese Imperial Court c.1790. Original copper-engraving 50 x 86.7 cm overall sheet 54 x 90.5 cm showing the imperial reception of the victorious army and its commander the military officer Fukang'an d. 1796 from the extremely rare set of the Qianlong battle prints relating to the Taiwan Rebellion 1787-1788. Slight dust-soiling small tear without loss and minor crease to right hand outer margin generally very good. The Qianlong battle prints are a series of prints from copper engravings dating from the second half of the 18th century which provide an extremely interesting example of the interaction of Chinese and European artistic practices. The prints were commissioned by the Qianlong emperor of the Qing dynasty 1644-1911 who ruled from 1735 to 1796 and depict his military campaigns - known as The Ten Great Campaigns Shiquan Wugong - in China's inner provinces and along the country's frontiers. The master illustrations for the earliest of the these engravings were large paintings executed by European missionary artists employed at that time at the court in Beijing. These artists include Italian Jesuit Giuseppe Castiglione 1688-1766 French Jesuit Jean-Denis Attiret 1702-68 Bohemian Jesuit Ignatius Sichelbarth 1708-80 and the Italian Augustinian missionary Jean-Damascène Sallusti d. 1781. The engravings of the first set of 16 paintings Suite de seize estampes representant les conquetes de l'Empereur de la Chine Paris 1767-1774 commemorating three campaigns against the Dzungars and the pacification of XinJian 1755-1759 were not produced in China but rather in Paris at that time home to the best European artisans working in this technique. The emperor even decreed that the work should emulate the style of the Augsburg copper-engraver Georg Philipp Rugendas the Elder 1666--1742 whose work he knew. Small-scale copies of the paintings by Castiglione and his Beijing colleagues were sent to Paris to be transferred on to copperplates printed and then sent back to China along with the plates and prints. To commemorate later military campaigns additional sets of engravings were executed in Peking by Chinese apprentices trained by the Jesuits and differ markedly in style and elaborateness from those of the Paris series; the print offered here from the campaign relating to the Taiwan Rebellion 1787-1788 is an example of one of these engravings produced in China by Chinese artists. They are easy to to be quickly identified as they have calligraphic poems in Chinese composed and written by the Qianlong Emperor unlike the French ones which have the typical imprint of artist and engraver beneath the image. The Taiwan Rebellion 1787-1788: In 1786 Taiwan's Heaven and Earth Society comprising Ming loyalists rose up in revolt under their self-proclaimed king Lin Shuang-wen. His army soon comprised some 50000 people and by 1787 the rebels occupied almost the entire part of southern Taiwan. The initial Qing troops sent to suppress the rebellion were poorly organised and were easily defeated by the insurgents. Eventually the Qing court sent General Fukang'an with 20000 reinforcements which being better equipped and more disciplined quickly suppressed the rebels capturing the ringleader Lin Shuang-wen. Impressed by the wall paintings and the engravings he had commissioned from the Jesuits at the imperial court to commemorate his central Asian victories against the Dzungars see above Emperor Qianlong commissioned similar commemorative prints to be made of his campaign against the Taiwanese. By the time of the Taiwan campaign however all four of the Jesuit painters who had worked on the first series had died. Therefore Chinese court painters trained by the Jesuits were entrusted with the task. The scenes in the present lot were designed by Jia Quan and Li Ming who were used to working in the Jesuit tradition. They are dated 1787 1788 and 1789 with the series of prints being published in 1790. Thus these engravings provide an extremely interesting example of the interaction of Chinese and European artistic concepts as well as an indication of the fascinating relationship of the Jesuit artists in Beijing with the Qing court. Qianlong's battle copper prints were just one of the means the Manchu emperor employed to document his campaigns of military expansion and suppression of regional unrest. They served to glorify his rule and to exert ideological control over Chinese historiography. Seen in their political context the Qianlong prints represent a distinct and exceptional pictorial genre and are telling examples of the self-dramatization of imperial state power examples of which are obviously found in multiple cultures. The East Asia Department of the Berlin State Library holds a set of five series with a total of 64 prints. Rare. A complete copy of the Qianlong battle prints relating to the Taiwan Rebellion from the library of Norman Bobins fetched £81900 at Christies in July 2023. Library of Congress; cf. the Norman Bobins copy sold at Christies in 2023. [Beijing: The Chinese Imperial Court, c.1790]. unknown
Referenz des Buchhändlers : 61018
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QIANLONG; Qianlong Emperor of China 1710 1798
Four Hand-Coloured Copper-plate Etchings from the Conquest of China.
1775. QIANLONG EMPEROR OF CHINA 1736-1796. Suite of four engravings depicting the conquests of the Qianlong Emperor. From the suite of sixteen engraved plates. Printed in Paris under the direction of Charles-Nicholas Cochin. Broadsheets image size: 515 x 890 mm. Preserved in the contemporary French green paper mounts with black ink outline borders. Professionally framed. With the original French printed labels describing the individual engravings affixed to back of frames. Paris 1769-1774. These four contemporary hand-coloured engravings represent individual scenes from the exceedingly rare series of sixteen engravings commissioned by the Qianlong Emperor to commemorate the victory of his 1755-1760 military campaigns against the Western Mongols. The four plates are: I. "General Fou Te Accepts the Surrender of the Ili" showing the triumphal march of the Emperor and his general to Beijing. Drawn by Sichelbart and engraved by B.L. Prévost in 1769 Pirazzoli-t'Serstevens 1; II. "The victory of Khorgos." in the Spring of 1758 against the forces of Amoursana. Drawn by J. D Attiret cut by C. N. Cochin and engraved by J. Ph. Le Bas in 1774. Pirazzoli-t'Serstevens 4; III. "The great victory of the Qurman." on February 3 1759 when the Chinese general Fou-te with only 600 soldiers defeated an army of 5000 Muslims. Drawn by Damasceno and engraved by A. de St. Aubin in 1770. Pirazzoli-t'Serstevens 8. IV. "The Emperor Gives a Victory Banquet to the Officers and Soldiers who have distinguished themselves in battle" at Tseu-kuang-ko the Imperial Palace Gardens Beijing on July 5 1754. Drawn by Castiglione and engraved by J. Ph. le Bas 1770 Pirazzoli-t'Serstevens 16. These large Chinese-French prints are among the most impressive works ever produced by the method of copper engraving. This is the first series of engraved plates to document the conquests of the Qianlong Emperor. They represented an amalgam of Chinese imagery Italian interpretation and Parisian copperplate engraving at its apogee. The drawings were supplied by Jesuit artists attached to the Emperor's court in Beijing. Upon completion they were shipped to France for engraving as the craft was unknown in China. After the Emperor was shown battle prints by the Augsburg artist Georg Philipp Rugendas 1666-1743 he wished to see his military conquests recorded in intaglio prints as well. He therefore ordered his Jesuit court painters Giuseppe Castiglione 1688-1766 called "Lang Shining" Jean Denis Attiret 1702-1768 "Wang Zhicheng" Ignaz Sichelbart 1708-1780 "Ai Qimeng" and Giovanni Damasceno Sallusti i.e. Joannes Damascenus a SS. Concepcione d. 1781 later bishop of Beijing called "An Deyi" to prepare sketches for the prints which they did in 1764 and 1765. Four of the drawings had been completed by the time of Castiglione's death when the decision was made to send the work to France via the ships of the Compagnie des Indes. According to the Emperor's decree no expense was to be spared. The first four drawings reached Paris in the autumn of 1766 and the remaining twelve in July 1767. The Marquis de Marigny director of the Academie Royale de Peinture et Sculpture decreed that the work should be carried out under the supervision of Charles-Nicholas Cochin 'fils' 1715-1790. As the French paper manufacturers did not have paper of the desired proportions the paper-merchant Prudhomme was ordered to make it to custom; the new size was called Grand Louvois. The copperplates were imported from England. Cochin chose Beauvais for the actual printing of the sheets on the grounds that he was "the only one who can be completely trusted both regarding his talents as well as his honesty which is well-known." The work proceeded slowly; standards of the highest quality were called for and some of the pictures especially the one by Sallusti needed careful editing. The original order was for 100 copies of each print but by 1768 this figure was increased to 200 copies so that at least 100 would survive the journey back to China ! -- however several authorities claim that many copies were lost at sea. In any event the final delivery was not shipped until 1775 occasioned in part by the difficulty the printers had producing a uniform series of prints from drawings by different artists. Three of the initial drawings were made by Attiret six by Damasceno one by Sichelbart and at least two by Castiglione; the remaining are unsigned but have been attributed to Castiglione by C. & M. Beurdeley and others. The engravers were L.J. Masquelier 1 J. Aliamet 2 J. Ph. Le Bas 5 A. St.-Aubin 2 F.D. Née 1 B.L. Prevost 2 P.P. Choffard 2 and N. de Launay 1. The Emperor's instructions stated that all the impressions were to be sent to him along with the original copper plates. However there is plentiful evidence that prints were pulled for the King of France and influential persons in Paris as well. Most of the surviving sets and individual prints appear to belong to this surreptitious group. The above series is not only a landmark in the history of Chinese and European art but also testifies to the direct artistic cooperation between China and Europe in the eighteenth century. It has been a common misconception that China was only interested in itself and detested the foreigners -- here the Emperor himself proved the contrary. VERY RARE IMPRESSIONS WITH CONTEMPORARY FRENCH HAND-COLOURING. The complete set of sixteen black and white engravings or a few individual prints from this set have come onto the market for sale only rarely. We can locate no other examples of any of the prints with contemporary colouring having been for sale or in public or private collections. PROVENANCE: Robert Barnwell Roosevelt 1829-1906 the uncle of Theodore Roosevelt and great-uncle of Eleanor Roosevelt. He was an early conservationist and worked for the protection of waterways. Roosevelt served in Congress and was later appointed to a diplomatic post in the Netherlands. He is credited with influencing his nephew Theodore Roosevelt to become a conservationist. With the ownership label "R.B. Roosevelt/ 26 East 20th Street/ New York" attached to the verso on one print. Cohen-De Ricci 1012-1013. Cordier Bibliotheca Sinica 641-642. Fünf Jahrhunderte Buchillustration 141. Brunet V 1178. P. Pelliot "Les conquêtes de l'empereur de la Chine" T'oung Pao ed. H. Cordier & P. Pelliot vol 20 1921 pp. 183-274. Michèle Pirazzoli t'Serstevens Gravures de conquêtes de l'Empereur de la Chine Kien-Long au Musée Guimet 1969. Hartmut Walravens "The Introduction of Copper-Engraving into China" 62nd IFLA General Conference August 25-31 1996. unknown
Referenz des Buchhändlers : 169181
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Qiao Yun
Alte chinesische Gartenkunst.
Leipzig, Koehler & Amelang, 1988. 31 cm, 240 Seiten, mit zahlreichen Plänen und Farbfotos, weißes Leinen, Original-Schutzumschlag. 2. Auflage ehemaliges Büchereiexemplar, Schutzumschlag und Einband mit Folie überzogen, Büchereistempel und handschriftliche Eintragung vor Inhaltsverzeichnis, gutes Arbeits- und Leseexemplar.
Referenz des Buchhändlers : 14017AB
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Qiao Yun
Alte Chinesische Gartenkunst. Aus dem Chinesischen.
Leipzig, Koehler & Amelang, (1986). 4°. 240 S. mit 209 farbigen Abbildungen. Original-Seideneinband mit Schutzumschlag. Dieser teils leicht beschabt, ansonsten sauber.
Referenz des Buchhändlers : 8841AB
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Qiao, Colllen (Kotler Marketing Group, China)
Marketing Strategy In The Digital Age: Applying Kotler's Strategies To Digital Marketing
Paperback / softback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; The market changes faster than marketing. In essence marketing strategy has undergone only two eras the entity era and the bit era also known as the industrial age and the digital age. In the age of digital society all CEOs CMOs an paperback
Referenz des Buchhändlers : ria9789811218385_inp ISBN : 9811218382 9789811218385
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QING CHINA.
Manuscript recording a voyage to China and impressions of its major cities.
At sea & China: 1842-48. This ground is under English control though their authority is might makes right An American second mate's eyewitness account embellished with his illustrations of China in the wake of the First Opium War. Venturing east on a Jardine Matheson specie and opium runner he becomes an old China hand and an astute observer writing of early colonial Hong Kong and Shanghai trade arrangements and the sights and sounds of the coast. The first half consisting of diary entries written during the voyage from the United States describes how he became an adventurer almost by accident. "On the 1st of Sept. 1842 being in Boston and out of employ having spent all my money and bored my friends until they were tired of me I shipped in the Schr Gazell" p. 1. The Gazelle a watercolour of which opens the manuscript was an 115-ton Aberdeen-built schooner bought by Jardine Matheson from the opium merchant Robert Bennet Forbes. On 19 September 1842 it is loaded with guns two six-pounders and a nine-pounder muskets and its cargo of nine boxes of specie putting to sea with a company of nine. The Gazelle's path is recorded through 30 pages of detailed entries many giving latitudes and longitudes. He writes of variable weather entailing risk of drowning fish and barracuda dolphins and the ship's resident dog which derives much amusement from catching fish flopping onto the deck. Crossing the Equator brings back memories of his line-crossing ceremony when he received on King Neptune's orders "a confounded shaving - tar and grease for lather and an iron tool for a razor. I was deluged with about 20 buckets of water" pp. 15-17. Rounding the cape he cannot help "thinking what an eggshell I had ventured to double the cape in an American Pilot boat" p. 22. Their impending arrival in China is signalled by encounters with the American merchant vessel Morrison - operating between New York and Canton - and the Gazelle reaches Macao on 22 February 1843. The remainder of the manuscript records his impressions of China. These take the form of recollections written in the late 1840s - this retrospection is measured and evidently the product of considered thought rather than impulse. Macao their first port of call "is the most healthy place in China and much the pleasantest" p.31 but in the wake of the First Opium War it has been replaced by Hong Kong as the centre of the China trade. Following their arrival the Gazelle is reassigned from transporting specie to running opium among Macao Hong Kong and China's coastal cities affording the writer a hefty pay rise and opportunities to explore new parts of the country in the coming years. His memories of Hong Kong as it was in 1844 are vivid. He remembers the gunshot in the late evening that signalled the beginning of a curfew for all Chinese residents and recalls the anchorage at Whampoa the home to a fleet of 12 European opium vessels each manned with 100 men and presenting "a most formidable appearance" p. 34. Accompanying this description are pencil drawings of the different boats found on the bustling Pearl River. Hong Kong's local inhabitants do not make a positive impression. "The Chinese are the most adept thieves I ever saw. As I once heard a sailor say they would steal your teeth and come next day for your gums. They even come on board of ships at the risk of being shot and steal things off the deck" p. 36. Ships at anchor are inundated with washerwomen vendors and tailors the long braided queues of the men causing much confusion to the European eye. A particularly memorable character is "Boston Jack" the Chinese man who arranges everything that American ships might need while in port. "He made one voyage to Boston about 45 years ago and on his return became a comprador having got a smattering of English and by dealing honestly has amassed a large fortune. He is a fine old man about 73 or 4 and speaks very good English. He keeps only 6 wives" p. 38. Space is also devoted in the manuscript to the fine beef and the abundance of tropical fruits and vegetables that the region has to offer. His work for Jardine Matheson takes him to many of the most important cities in China. Time in Canton offers the chance to see the contrast between the hong quarter and the squalor of the rest of the city. Near the Bogue of Tigris nine large forts equipped with 1000 guns built in the wake of the war face incoming vessels. Concerning Amoy he records and sketches in pencil the distinctive appearance of its junks while Chusan stands out for its industrious citizenry food and many statues and idols including several that he believes mirror Biblical scenes. Shanghai with its newly established foreign concessionary areas is now a centre of opium trading receiving 1400 chests per month although foreign ships are confined to Suzhou Creek and cannot yet enter the port. He sketches one of the 3000 junks in the city's waters at any one time as well as a rough map and notes that the city's inhabitants are much preferred over their Canton compatriots for their "civil and obliging" manner p. 48. "All the merchants live on the English ground it being more convenient to trade. There are from 40 to 50 European residences here and a very large trade which is gradually insuring sic a great deal of opium is bartered here for tea & silks" p. 49. The right to trade is backed by force: "this ground is under English control though their authority is might makes right" ibid. The manuscript ends mid-sentence on its 50th page but not before the writer has described in detail the use of Spanish dollars in Shanghai and the materials used to build houses in the city. There is no indication of his subsequent pursuits or whether he lived to see the China he knew - a country on the cusp of colonial modernity - pass into history. Octavo notebook 252 x 165 mm. Opening full-page watercolour 12 illustrations and plan in pencil. Original blue linen pink patterned endpapers edges sprinkled blue 49 pages neatly written in black ink 38 unused blanks. Notebook worn and shaken with sewing loose a few closed tears internally touching a few letters only. A very good example. unknown
Referenz des Buchhändlers : 170558
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Qing Xuantong China, Kaiser
Ich war Kaiser von China : vom Himmelssohn zum neuen Menschen die Autobiographie des letzten chinesischen Kaisers / Pu Yi. Hrsg. und aus dem Chines. übers. von Richard Schirach und Mulan Lehner
München : Dt. Taschenbuch-Verlag. Hardcover. Gut. Ausgabe: Ungekürzte Ausg. Umfang/Format: 452 64 Seiten : 107 Illustrationen 19 cm Anmerkungen: Lizenz des Hanser-Verlag München Erscheinungsjahr: 1987 Gesamttitel: dtv 10710 : Biographie Einbandart und Originalverkaufspreis: kartoniert : DM 16.80 Das Leben Pu Yis des letzten chinesischen Kaisers ist eine der unglaublichsten Geschichten unseres Jahrhunderts. 1906 geboren wurde er mit zweieinhalb Jahren auf den Drachenthron gesetzt 1912 mußte er abdanken. 1943 ernennt man ihn zum Kaiser des Satellitenstaates Mandschuko. 1950 wurde Pu Yi von den Sowjets an die Volksrepublik China ausgeliefert und neun Jahre lang umerzogen bis Mao ihn 1957 begnadigte. 1967 starb er als loyaler Bürger der Volksrepublik China. Diese in atemberaubenden Bildern geschilderte Autobiographie war die Vorlage zu dem mit neun Oscars ausgezeichneten Film des italienischen Regisseurs Bertolucci Der letzte Kaiser. gepflegtes Exemplar nur kleine LesespurenBuchblock altersgemäß gebräunt München : Dt. Taschenbuch-Verlag hardcover
Referenz des Buchhändlers : L00013808 ISBN : 3423107103 9783423107105
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Qing Xuantong, China, Kaiser (Verfasser)
Ich war Kaiser von China / Pu Yi. Hrsg. und aus dem Chines. übers. von Richard Schirach und Mulan Lehner
Berlin : Verl. Neues Leben. Hardcover. Gut. Umfang/Format: 540 Seiten : Illustrationen 212 cm Anmerkungen: Lizenz des Hanser-Verlag München Wien Einbandart und Originalverkaufspreis: Gewebe 3-355-00848-6 Gewebe Sachgebiet: Geschichte und Historische Hilfswissenschaften Nach 47jähriger unumschränkter Herrschaft setzt die Kaiserinwitwe Ci Xi 1908 den kaum dreijährigen Pu Yi als Thronfolger ein. Ohne Berührung mit der Außenwelt wächst er in den Mauern der Verbotenen Stadt auf hin- und hergerissen zwischen vier Müttern behütet durch ein Heer von Eunuchen. Hinter den schillernden konfuzianisch-ehrbaren Fassaden gehören Intrigen und Verbrechen im Kampf um Macht und Einfluß ebenso zum Alltag wie prunkvolle verschwendungseifernde Zeremonien und sinnentleerte Rituale. Als Pu Yi von den republikanischen Kräften gestürzt wird ist er bereit mit allen Mitteln seine Wiedereinsetzung als Monarch zu betreiben. Lebensuntüchtig psychisch deformiert unfähig Entscheidungen zu treffen stellt er sich in den Dienst der Japaner wird zum Marionettenkaiser von Manzhouguo politisch entmündigt gedemütigt erpreßbar. Das Jahr 1945 sieht Pu Yi in sowjetischer Gefangenschaft Todesangst und Mißtrauen beherrschen ihn als er an ein chinesisches Straflager ausgeliefert wird_ Das neue China jedoch glaubt an die Möglichkeit der Umerziehung Die Autobiographie die Pu Yi geschrieben hat ist das Ergebnis eines langwierigen von Gewissensqualen und Selbstzweifeln getragenen Denkprozesses. Schonungslos und ungeschönt schildert sie die Metamorphose eines Mannes vom skrupellosen feudalen Despoten zu einem Menschen der um geistige und moralische Verantwortung ringt und schließlich als freier Bürger zu seiner wahren Identität findet. Bertolucci hat in seinem preisgekrönten Film Der letzte Kaisers dieses beispiellose Schicksal vor einem bewegten zeitge- schichtlichen Hintergrund dokumentiert. gutes Exemplar ordentlich Berlin : Verl. Neues Leben hardcover
Referenz des Buchhändlers : B00060732 ISBN : 3355008486 9783355008488
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Qing Xuantong <China, Kaiser>
Ich war Kaiser von China. vom Himmelssohn zum neuen Menschen ; die Autobiographie des letzten chinesischen Kaisers.
München, Dt. Taschenbuch-Verl., 1987. 4. Aufl./71.-110. Tsd. 19 cm. 452 S. : 107 Ill. kart. Minim. gebr., guter Zust. dtv ; 10710 : Biographie 110
Referenz des Buchhändlers : 47320AB
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Qing Xuantong <China, Kaiser>
Ich war Kaiser von China. vom Himmelssohn zum neuen Menschen.
München/Wien, Hanser, 1987. 4., erw. u. erg. Aufl. 21 cm. 516 S. : Ill. OK. Leicht gebr., gut erhalten. 4
Referenz des Buchhändlers : 46949AB
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Qing Xuantong, China und Kaiser
Ich war Kaiser von China. Vom Himmelssohn zum neuen Menschen. 4.erweiterte und ergänzte Auflage
Carl Hanser Verlag, 1987. 516 S. Gewebeeinband.
Referenz des Buchhändlers : 1226376
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Qingxi, Lou
Les Jardins Chinois.
Beijing, China Intercontinental Press, 2003. 23 cm. 136 S. mit zahlr. teils farb. Abb. Illustrierter Originalkarton (Softcover). Di 1-ban. Tadelloses gepflegtes Exemplar. Cultural China Series.
Referenz des Buchhändlers : 16506AB
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Qingzheng, Wang; Scott, Rosemary E.; Chen, Jennifer
Serene Pleasure: The Jinglexuan Collection of Chinese Ceramics
A clean, unmarked copy with a tight binding. 72 pages. Many color photos.
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Qiu Meiqian (Editor)
Top Hotel,
Shenzhen, Metto, 2009. 4°, 331 S. mit zahlr. ganz- oder doppelseitigen Farb-Abb. von sehr exklusiven Hotel-Interieurs in China (Lobby, Bar, Restaurant, Spa, Zimmer etc.), Text zweisprachig: English and Chinese, original Leineneinband mit dem illustr. original Schutzumschlag, der Umschlag hinten etwas berieben bzw. beschabt, sonst ein schönes, sauberes Exemplar (Vo1)
Referenz des Buchhändlers : 36552AB
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Qiu Xiaolong (Autor) Lyriker Literaturkritiker Massaker am Tiananmen Platz China Washington Universitat St. Louis chinesische Li
Shanghai. Mondkuchen und Pflaumenregen Gebundene Ausgabe von Qiu Xiaolong Autor Lyriker Literaturkritiker Massaker am Tiananmen Platz China Washington Universität St. Louis chinesische Literatur und Sprache Dr. phil. Susanne Hornfeck Germanistin Sinologin Übersetzerin Taipei C.H. Beck Übersetzerpreis Autor Metropole Tradition Sinnenreise Yu-Garten Suzhou-Oper Karaoke Long-Hua-Pagode Jinmao-Tower Hochhausviertel Pudong
Carl Hanser Verlag GmbH & CO. KG 2007. 2007. Hardcover. 216 x 12 x 14 cm. Die einzelnen Kapitel stellen eine Mischung aus Zeitgeschichte kulturellen Besonderheiten kulinarischen Erklärungen Anekdoten und Beschreibungen neuer Erfahrungen dar. Wie man es von dem Autor gewohnt ist lesen sich seine Texte leicht und unterhaltsam. Zwischendurch schaltet sich die Übersetzerin ein um ebenfalls ihre Erfahrungen dieser kulinarischen Reise wiederzugeben; dabei spricht sie auch immer wieder Probleme bei der Übersetzung der Namen bestimmter Speisen an. Leider wird aus dem Zusammenhang nicht immer klar wer von beiden gerade berichtet; allerdings spielt dieser Umstand beim Entdecken der vielen kulinarischen Köstlichkeiten eine untergeordnete Rolle. Wer Shanghai mit Autor Qiu Xiaolong und Übersetzerin Susanne Hornfeck erleben und mehr über chinesisches Essen erfahren will liegt mit Shanghai - Mondkuchen und Pflaumenregen" genau richtig. Die Melange aus Anekdoten Informationen Rezepten und weiterführenden Hinweisen gefällt und macht Lust darauf Shanghais Spezialitäten selbst einmal kennenzulernen. Von Art déco und Singsong-Girls bis zur boomenden Hafenstadt und Metropole der ZukunftAll das war und ist Shanghai. Zwischen den kontrastreichen Welten von Tradition und Moderne unternehmen der bekannte chinesische Krimiautor Qiu Xiaolong und die Sinologin Susanne Hornfeck eine exotisch kulinarische Sinnenreise. Auf ihren Streifzügen durch die Stadt wird alles probiert was die lokale Küche an Essen und Trinken zu bieten hat. Zahlreiche Rezepte runden diesen Band aus der Reihe "Oasen für die Sinne" ab. <br/><br/>Die einzelnen Kapitel stellen eine Mischung aus Zeitgeschichte kulturellen Besonderheiten kulinarischen Erklärungen Anekdoten und Beschreibungen neuer Erfahrungen dar. Wie man es von dem Autor gewohnt ist lesen sich seine Texte leicht und unterhaltsam. Zwischendurch schaltet sich die Übersetzerin ein um ebenfalls ihre Erfahrungen dieser kulinarischen Reise wiederzugeben; dabei spricht sie auch immer wieder Probleme bei der Übersetzung der Namen bestimmter Speisen an. Leider wird aus dem Zusammenhang nicht immer klar wer von beiden gerade berichtet; allerdings spielt dieser Umstand beim Entdecken der vielen kulinarischen Köstlichkeiten eine untergeordnete Rolle. Wer Shanghai mit Autor Qiu Xiaolong und Übersetzerin Susanne Hornfeck erleben und mehr über chinesisches Essen erfahren will liegt mit Shanghai - Mondkuchen und Pflaumenregen" genau richtig. Die Melange aus Anekdoten Informationen Rezepten und weiterführenden Hinweisen gefällt und macht Lust darauf Shanghais Spezialitäten selbst einmal kennenzulernen. Von Art déco und Singsong-Girls bis zur boomenden Hafenstadt und Metropole der ZukunftAll das war und ist Shanghai. Zwischen den kontrastreichen Welten von Tradition und Moderne unternehmen der bekannte chinesische Krimiautor Qiu Xiaolong und die Sinologin Susanne Hornfeck eine exotisch kulinarische Sinnenreise. Auf ihren Streifzügen durch die Stadt wird alles probiert was die lokale Küche an Essen und Trinken zu bieten hat. Zahlreiche Rezepte runden diesen Band aus der Reihe "Oasen für die Sinne" ab. Carl Hanser Verlag GmbH & CO. KG hardcover
Referenz des Buchhändlers : BN14488 ISBN : 3836300508 9783836300506
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Qiu Xiaolong (Autor) Lyriker Literaturkritiker Massaker am Tiananmen Platz China Washington Universitat St. Louis chinesische Li
Shanghai: Mondkuchen und Pflaumenregen Audiobook Audio CD von Qiu Xiaolong Autor Lyriker Literaturkritiker Massaker am Tiananmen Platz China Washington Universität St. Louis chinesische Literatur und Sprache Dr. phil. Susanne Hornfeck Germanistin Sinologin Übersetzerin Taipei C.H. Beck Übersetzerpreis Autor Herbert Schäfer Sprecher Wortproduktionen WDR SWR Schauspieler Düsseldorfer Schauspielhaus Metropole Tradition Sinnenreise Yu-Garten Suzhou-Oper Karaoke Long-Hua-Pagode Jinmao-Tower Hochhausviertel Pudong
Griot Hörbuch Auflage: 1. Aufl. Oktober 2007. Auflage: 1. Aufl. Oktober 2007. Hardcover. 14 x 124 x 14 cm. Moderne Metropole faszinierende Tradition – Qiu Xiaolong weltbekannter Krimiautor und die Sinologin Susanne Hornfeck erzählen uns mehr von Shanghai unternehmen zwischen den Welten dem alten und neuen Shanghai eine Sinnenreise. Sie holen Atem auf der Uferpromenade dem „Bund“ und im 500 Jahre alten Yu-Garten. Sie besuchen die fast vergessene Suzhou-Oper und versuchen sich an Karaoke. Und sie bewundern die Long-Hua-Pagode genauso wie die 88 Stockwerke des Jinmao-Towers im imposanten Hochhausviertel Pudong. Dabei wird deutlichEin Leben zwischen zwei Welten kann nur eine Bereicherung sein. Sie wichtigsten Rezepte im Booklet. Über den AutorSusanne Hornfeck Dr. phil ist Germanistin und Sinologin Autorin und Übersetzerin. Fünf Jahre lebte und lehrte sie in Taipei. 2007 wurde sie mit dem renommierten C.H. Beck Übersetzerpreis ausgezeichnet.Qiu Xiiaolong wurde 1953 in Shanghai geboren. Er arbeitete als Übersetzer Lyriker und Literaturkritiker. 1988 reiste er in die USA und kehrte nach dem Massaker am Tiananmen Platz nicht nach China zurück. Seit 1994 lehrt er an der Washington Universität St. Louis chinesische Literatur und Sprache.Herbert Schäfer ist bekannt durch Wortproduktionen beim WDR und SWR. Der ausgebildete Schauspieler spielt am Düsseldorfer Schauspielhaus. <br/><br/>Moderne Metropole faszinierende Tradition – Qiu Xiaolong weltbekannter Krimiautor und die Sinologin Susanne Hornfeck erzählen uns mehr von Shanghai unternehmen zwischen den Welten dem alten und neuen Shanghai eine Sinnenreise. Sie holen Atem auf der Uferpromenade dem „Bund“ und im 500 Jahre alten Yu-Garten. Sie besuchen die fast vergessene Suzhou-Oper und versuchen sich an Karaoke. Und sie bewundern die Long-Hua-Pagode genauso wie die 88 Stockwerke des Jinmao-Towers im imposanten Hochhausviertel Pudong. Dabei wird deutlichEin Leben zwischen zwei Welten kann nur eine Bereicherung sein. Sie wichtigsten Rezepte im Booklet. Über den AutorSusanne Hornfeck Dr. phil ist Germanistin und Sinologin Autorin und Übersetzerin. Fünf Jahre lebte und lehrte sie in Taipei. 2007 wurde sie mit dem renommierten C.H. Beck Übersetzerpreis ausgezeichnet.Qiu Xiiaolong wurde 1953 in Shanghai geboren. Er arbeitete als Übersetzer Lyriker und Literaturkritiker. 1988 reiste er in die USA und kehrte nach dem Massaker am Tiananmen Platz nicht nach China zurück. Seit 1994 lehrt er an der Washington Universität St. Louis chinesische Literatur und Sprache.Herbert Schäfer ist bekannt durch Wortproduktionen beim WDR und SWR. Der ausgebildete Schauspieler spielt am Düsseldorfer Schauspielhaus. Griot Hörbuch hardcover
Referenz des Buchhändlers : BN14508 ISBN : 393946127X 9783939461272
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Qiu Xiaolong
Il Poliziotto Di Shanghai
br. ed. 235pp.
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Qiu Xiaolong
La ragazza che danzava per Mao
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Qiu, Xiaofei
Divination.
New York, Pace Publishing, 2021. 78 Seiten. Durchgehend bebildert. OLn. Schönes Exemplar.
Referenz des Buchhändlers : 92742AB
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Qiu, Xiaolong
Die Frau mit dem roten Herzen : ein Fall für Oberinspektor Chen / aus d. Amerikan. von Susanne Hornfeck.
Wien: Zsolnay, 2004. 380 S. 8°. Deutschsprach. Ausg. Bibl.- Einbd.
Referenz des Buchhändlers : 46478
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Qiu, Zhenhai
Anders schreiben, anders denken. Manipulative Taktiken und politische Denkmuster in der deutschen und chinesischen Presseberichterstattung. Medien in Forschung + Unterricht / Ser. A Bd. 43
Tübingen, Niemeyer, 1997. X, 205 S. 22 x 15 cm, Broschur [4 Warenabbildungen]
Referenz des Buchhändlers : 38912
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Qu Yuan and Others
The Songs of the South: An Ancient Chinese Anthology of Poems By Qu Yuan And Other Poets
16mo, br. ed. pp.352, The Songs of the South is an anthology first compiled in the second century A.D. Its poems, originating from the state of Chu and rooted in Shamanism, are grouped under seventeen titles and contain all that we know of Chinese poetry's ancient beginnings. The earliest poems were composed in the fourth century B.C. and almost half of them are traditionally ascribed to Qu Yuan.
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Qu Yuan, Hunag Shenfu Ed.
QU YUAN ET LE LI SAO , texte , etude et commentaires
161pp. In-8. illustr. planches
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Qu, Ge (Chinese Academy of Sciences, China)
Enzyme Engineering
Hardback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; N/A hardcover
Referenz des Buchhändlers : ria9783527350339_inp ISBN : 3527350330 9783527350339
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Quan Cui Beijing Normal University China
Carbon Foot-print of Industrial Nation and climate change
Delve 2020. 1ST. Hardcover. New. Delve hardcover
Referenz des Buchhändlers : DBS-9781774072226 ISBN : 177407222x 9781774072226
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Quan Cui Beijing Normal University China
Carbon Foot-print of Industrial Nation and climate change
Delve 2020. 1ST. Hardcover. New. Delve hardcover
Referenz des Buchhändlers : DBS-9781774072226 ISBN : 177407222x 9781774072226
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Quan Cui Beijing Normal University China
Energy in Agroecosystem
ARCLER PRESS 2020. 1st. Hardcover. New. ARCLER PRESS hardcover
Referenz des Buchhändlers : DBS-9781774072240 ISBN : 1774072246 9781774072240
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Quan Cui, Beijing Normal University, China,
Carbon Balance and Management
Delve 2020. 1ST. Hardcover. New. Delve hardcover
Referenz des Buchhändlers : DBS-9781774072103 ISBN : 1774072106 9781774072103
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Quan Cui, Beijing Normal University, China,
Carbon Balance and Management
Delve 2020. 1ST. Hardcover. New. Delve hardcover
Referenz des Buchhändlers : DBS-9781774072103 ISBN : 1774072106 9781774072103
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Quan Cui, Beijing Normal University, China,
Carbon Balance and Management
Delve 2020. UNKNOWN. Hardcover. New/New. Delve hardcover
Referenz des Buchhändlers : AME_9781774072103 ISBN : 1774072106 9781774072103
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Quan Cui, Beijing Normal University, China,
Carbon Foot-print of Industrial Nation and climate change
New/New. Brand New Original US Edition Perfect Condition. Printed in English. Excellent Quality Service and customer satisfaction guaranteed! unknown
Referenz des Buchhändlers : BIBNN-146781 ISBN : 177407222x 9781774072226
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Quan Cui, Beijing Normal University, China,
Carbon Foot-print of Industrial Nation and climate change
Delve 2020. UNKNOWN. Hardcover. New/New. Delve hardcover
Referenz des Buchhändlers : AME_9781774072226 ISBN : 177407222X 9781774072226
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Quan Cui, Beijing Normal University, China,
Energy in Agroecosystem
ARCLER PRESS 2020. 1st. Hardcover. New. ARCLER PRESS hardcover
Referenz des Buchhändlers : DBS-9781774072240 ISBN : 1774072246 9781774072240
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Quan Cui, Beijing Normal University, China,
Energy in Agroecosystem
ARCLER PRESS 2020. UNKNOWN. Hardcover. New/New. ARCLER PRESS hardcover
Referenz des Buchhändlers : AME_9781774072240 ISBN : 1774072246 9781774072240
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Quan Cui, Beijing Normal University, China,
Forest Nutrition Management
New/New. Brand New Original US Edition Perfect Condition. Printed in English. Excellent Quality Service and customer satisfaction guaranteed! unknown
Referenz des Buchhändlers : BIBNN-148491 ISBN : 1774072238 9781774072233
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Quan Cui, Beijing Normal University, China,
Forest Nutrition Management
Delve 2020. 1ST. Hardcover. New. Delve hardcover
Referenz des Buchhändlers : DBS-9781774072233 ISBN : 1774072238 9781774072233
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Quan Cui, Beijing Normal University, China,
Forest Nutrition Management
Delve 2020. 1ST. Hardcover. New. Delve hardcover
Referenz des Buchhändlers : DBS-9781774072233 ISBN : 1774072238 9781774072233
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Quan Cui, Beijing Normal University, China,
Forest Nutrition Management
Delve 2020. UNKNOWN. Hardcover. New/New. Delve hardcover
Referenz des Buchhändlers : AME_9781774072233 ISBN : 1774072238 9781774072233
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Quan Tangshi / Takeo Hiraoka
T'ang Civilization Reference Series, No. 1: T'ANG CALENDAR. [Tang Civilization Reference Series, Tang Calendar]
Kyoto, Jimbunkagaku Kenkyusho Kyoto University, 1954. 383 (1) pages. - Publisher's gilt titled orange-colour cloth-binding in the publ. slipcase; 4to.(ca. 26 x 19 x 2 cm).
Referenz des Buchhändlers : 2407100213xbvk
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Quaroni, Pietro
Russen und Chinesen : die Krise d. kommunist. Welt / aus d. Ital. übertr. von Irene Steidle.
Frankfurt a.M. : Scheffler, 1968. 318 S. 8°. OLwd mit SU.
Referenz des Buchhändlers : 18127
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Quaroni, Pietro
Russen und Chinesen. Die Krise der kommunistischen Welt.
Frankfurt/Main, Scheffler Verlag, 1968.
Referenz des Buchhändlers : 21463
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Quartal-Berichte der Chinesischen Stiftung
1. Jahrgang. Als Fortsetzung der Monats-Berichte der Chinesischen Stiftung. 4. Jahrgang. ANGEBUNDEN: Quartal Berichte der Chinesischen Stiftung. 2. Jahrgang, 1. Lieferung, 31. März 1851. ANGEBUNDEN: Neueste Nachrichten aus China. Nr. 1, 1. April 1851 - Nr. 8, 1. November 1851.
Kassel, Verlag der Expedition der Chinesischen Stiftung, 1850 -1851. 140; 48; 128 S. Halblederband der Zeit.
Referenz des Buchhändlers : 24216AB
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Quennell, Peter & Hodge, Alan (editors)
History Today : July 1975
No marks or inscriptions. No creasing to covers. A very clean very tight copy with bright unmarked boards, slight tanning to pages and no bumping to corners. 69pp. Periodical magazine with feature articles on Kosciuszko - Polish Champion of American Independance - 18th century, Voyage of Admiral Cheng Ho - trading China to India and Africa - 15th century, English forests, Spaniard Diego de Landa in Mexico - 16th century, Survival of Don Quixote and the 16th century Spain it was based on, 19th centurry Russians in Central Asia and British Missions and the wives of Crimean War soldiers who served as cooks, laundresses and nurses plus book reviews and letters.
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