Professional bookseller's independent website

‎Contemporary look‎

Main

Parent topics

‎Decorative arts‎
Number of results : 28,471 (570 Page(s))

First page Previous page 1 ... 340 341 342 [343] 344 345 346 ... 377 408 439 470 501 532 563 ... 570 Next page Last page

‎Booth-Clibborn, Edward - Editor.‎

‎EUROPEAN ILLUSTRATION. The Eleventh Annual of European Editorial, Book, Poster Advertising, Unpublished Work, Film Animation and Design Art.‎

‎196 p. Over 188 p. 152 of the illustrations are printed in full color. Of special interest to us is the one illustration by Kevin Grey that shows a White English Bull Terrier. Folio. 320 mm. Original full cloth binding. Original dust jacket, very slightly soiled at the edges. Near fine. European Illustration is an annual that brings together the best in European illustration art from magazines, newspapers, advertising, books, posters, packaging and animation art. It is a revealing collection handsomely presented. Included is an index of artists, art directors, designers, publications, publishers, writers editors, and clients, etc. The concept for this Annual was created and promoted by Edward Booth-Clibborn, chairman of the Art Directors Club of Europe, and a cutting-edge publisher. The itroduction is by Peter Blake. The illustrations included are often quite remarkable, and always reproduced and printed in the best possible manner. First Edition. The original retail price was $60.00. **PRICE JUST REDUCED! W72‎

‎Booth-Clibborn, Edward - Editor.‎

‎AMERICAN ILLUSTRATION 10 Celebrating the Tenth Annual of American Editorial, Book, Advertising, Poster, Promotion Art, Maps and Charts, Unpublished Work, and Film Animation.‎

‎196 p. Over 270 p. Most printed in colors on heavy matte paper. Folio. 320 mm. Original full cloth binding. Original dust jacket, very slightly soiled at the edges. Near fine. American Illustration is an annual that brings together the best in American and Canadian illustration art from magazines, newspapers, advertising, books, posters, packaging and animation art. It is a revealing collection handsomely presented. It includes an index of artists, art directors, designers, publications, publishers, writers editors, and clients, etc. The concept for this Annual was created and promoted by Edward Booth-Clibborn, chairman of the Art Directors Club of Europe, and a cutting-edge publisher. The illustrations included are often quite remarkable, and always reproduced and printed in the best possible manner. First Edition. The original retail price was $60.00. W72‎

‎Grolier Club; Bookbindings = French; Paricaud, Henri (Introduction).‎

‎RELIURE FRANCAISE CONTEMPORAINE. Exposition Organisee par La Societe Francaise 'Les Amis de la Reliure Originale.‎

‎Small oblong 4to. Printed wraps. Highly illustrated in color. 20th Century French artistic bindings. Striking designs an conceptions. A wonderful catalogue. REF 20‎

‎Booth-Clibborn, Edward - Editor.‎

‎AMERICAN ILLUSTRATION 4: The Fifth Annual of American Editorial, Book, Advertising, Poster, Promotion Art, Unpublished Work and Film Animation.‎

‎Over 320 p. 315 illustrations, including 298 plates in full color. Printed on coated paper. Folio. 320 mm. Original full cloth binding. Original dust jacket. Near fine. American Illustration is an annual that brings together the best in American and Canadian illustration art from magazines, newspapers, advertising, books, posters, packaging and animation art. It is a revealing collection handsomely presented. It includes an index of artists, art directors, designers, publications, publishers, writers editors, and clients, etc. The concept for this Annual was created and promoted by Edward Booth-Clibborn, chairman of the Art Directors Club of Europe, and a cutting-edge publisher. Designed by Roger Black, this volume has a special introduction by Marshall Arisman. The illustrations included are often quite remarkable, and always reproduced and printed in the best possible manner. First Edition. The original retail price was $60.00. W72‎

‎Adler, Elmer; et. al.‎

‎ELMER ADLER In the World of Books. Reminiscences of Frederick B. Adams, Jr. / John T. Winterich / Lawrence Thompson / Kneeland McNulty / Al Hine / David Jackson McWilliams / Edward Naumburg, Jr. / Philip C. Duschnes / Elmer Adler. Edited by Paul A. Bennet‎

‎pp. (11), 114. 12 mo. 185 mm. Cloth covered boards binding. Embossed stamp and ownerships of Marvin Sukov. Printed by the Princeton University Press and Meriden Gravure Co. Designed by P.J. Conkwright. Total edition limited to 2100 copies, and distributed to the: Friends of the Princeton Univ. Library (750); Grolier Club (800); Typophiles (400); La Casa del Libro, San Juan, Puerto Rico (150). Hardbound. Very good. REF 8‎

‎Nelson, Roy Paul.‎

‎THE DESIGN OF ADVERTISING.‎

‎303 p. Illustrated. 285mm. Original full glossy paper binding, worn. Second edition, seventh printing. ECONOMICS/BUS BX 1‎

‎Metropolitan Museum of Art; Grancsay, Stephen V.‎

‎HISTORICAL ARMS AND ARMOR Twenty Plates with an Introduction by The Metropolitan Museum of Art. MCMXXXV.‎

‎pp. (6) + 20 Fine photogravure-like photographic plates of wonderful arms and armor from their collections. Real treasures. 12 mo. 190 mm. Handsome printed wraps. ART 1‎

‎Lower Paxton Township.‎

‎COMPREHENSIVE PARK AND RECREATION PLAN FOR THE TOWNSHIP OF LOWER PAXTON. Volume 1, Inventory. Volume 2, Analysis/Recommendations.‎

‎Two volumes. Zerox Copies. 4to. Original spiral bound wraps. PA PAMPH 20_7 BX2‎

‎Aldiss, Brian W.‎

‎HELLICONIA SPRING. Introduction by T. A. Shippey. Illustrated by David Deitrick.‎

‎pp. viii, 361 + Color Artwork by David Deitrick. Ribbon bookmark. All edges gold. Sm. 4to. Original full orange-red embossed leather binding, boards pictorially decorated in gold. Spine lettered and decorated in gold with raised bands. Hardbound. Collector's Edition. A Great copy, as new. These Leather Bound Easton Press Books Make Great Gifts! SHELF NW33‎

‎Chekhov, Anton (1860-1904).‎

‎TWO PLAYS: The Cherry Orchard; Three Sisters. With an introduction by John Gielgud and illustrations by Lajos Szalay.‎

‎pp. xxii, 153 + Plus Color Portrait Frontis and full page color drawings by Lajos Szalay. Text drawings. Designed by Bert Clarke of the Garamond Press. Type set in English Monotype Garamond. Moire silk pastedowns and endpapers. Ribbon bookmark. All edges gold. Original Easton Press bookplate, not filled in. Sm. 4to. Original full embossed leather binding, elaborately decorated in gold. Raised bands on spine. Hardbound. Collector's Edition of the 100 Greatest Books ever written. A lovely copy, as new. These Leather Bound Easton Press Books Make Great Gifts! SHELF NW33‎

‎Dumas, Alexandre (1802-1870).‎

‎THE THREE MUSKETEERS. With Illustrations by Edy Legrand and a Preface by the Author.‎

‎pp. xx, 420 + Plus color Portrait Frontis by Richard Sparks and full page drawings by Edy Legrand. Designed by George Macy. Ruled in light blue throughout. Double column. All edges gold. Ribbon bookmark. Moire silk pastedowns and endpapers. Sm. 4to. Original full blue gray embossed leather binding, gold decorated in a formal Gallic pattern of panels and fleurs-de-lis. Spine lettered and decorated in gold with raised bands. Hardbound. Collector's Edition of the 100 Greatest Books ever written. A Lovely copy, as new. These Leather Bound Easton Press Books Make Great Gifts! SHELF NW33‎

‎Shakespeare, William (1564-1616).‎

‎THE TRAGEDIES of William Shakespeare. George Rylands, Introduction and Agnes Miller, Illustrations.‎

‎xxii, 1362 + Plus Color Portrait Frontis by Mike Rodericks and wood engravings by Agnes Miller Parker. Moire silk pastedowns and endpapers. Ribbon bookmark. All edges gold. Sm. 4to. Original full brown embossed leather binding, boards ornately decorated in gold. Spine lettered and decorated in gold with raised bands. Hardbound. Collector's Edition of the 100 Greatest Books ever written. A Lovely copy, as new. These Leather Bound Easton Press Books Make Great Gifts! SHELF NW34‎

‎Dickens, Charles (1812-1870).‎

‎GREAT EXPECTATIONS. Illustrated by Edward Ardizzone.‎

‎pp. vii, 457 + Plus Color Portrait Frontis by Mike Rodericks and chapter head line drawings by Edward Ardizzone. Designed by Joseph Blumenthal with Baskerville typeface. Moire silk pastedowns and endpapers. Ribbon bookmark. All edges gold. Sm. 4to. Original full embossed tan leather binding, decorated and lettered in gold. Raised bands on spine. Hardbound. Collector's Edition of the 100 Greatest Books ever written. A lovely copy, as new. These Leather Bound Easton Press Books Make Great Gifts! SHELF NW32‎

‎McIntyre, Vonda N.‎

‎TRANSITION. Introduction by James Gunn. Artwork by Jill Bauman.‎

‎pp. x, 290 + Color Frontis by Jill Bauman. Moire silk pastedowns and endpapers. Ribbon bookmark. All edges gold. ** Signed by the author. 8vo. Original full embossed blue gray leather binding, decorated in gold. Raised bands on spine. Hardbound. Signed First Edition. A Great copy, as new. These Leather Bound Easton Press Books Make Great Gifts! SHELF NW33‎

‎Hawthorne, Nathaniel (1804-1864).‎

‎THE SCARLET LETTER.‎

‎pp. viii, 280 + Color Portrait Frontis by Richard Loethle and drawings by W. A. Dwiggins. Designed by W. A. Dwiggins. Baskerville typeface. Moire silk pastedowns and endpapers. Ribbon bookmark. Sm. 4to. Original full embossed scarlet leather binding, boards decorated with a large letter A in center of an ornate circle of gold. Spine decorated and lettered in gold with raised bands. Hardbound. Collector's Edition of the 100 Greatest Books ever written. A Lovely example, as new. These Leather Bound Easton Press Books Make Great Gifts! SHELF NW33‎

‎Rostand, Edmond; Untermeyer, Louis.‎

‎CYRANO DE BERGERAC. a heroic comedy in 5 acts by Edmond Rostand in a new English version by Louis Untermeyer with illustrations drawn by Pierre Brissaud.‎

‎pp. xvii, 210. Illustrated with water-colors by Pierre Brissaud, key black printed by Photogravure and Color Company, hand-colored by Walter Fischer; designed by George Macy; printed by The Marchbanks Press; set in linotype Times Roman; Curtis rag paper. Inked ownership of Jefford F. Oller on front fly leaf. 7 x 10 1/4 inches. Bound by Frank Fortney in full patterned French brocade, gold stamped leather spine label. Original slip case, spine darkened. Fifteen hundred copies have been made, of which this is copy number 769 and it is signed by the illustrator, Pierre Brissaud. Fine. Fine Books from the Limited Editions Club make great gifts. SHELF W89‎

‎Scott, Sir Walter.‎

‎WAVERLEY. Or: 'Tis Sixty Years Since. With an Introductory Essay by Andrew Lang and Illustrations by Robert Ball.‎

‎pp. xxvii, 447. Illustrated with pencil drawings in monochrome and color by Robert Ball, the color plates printed by Crafton Graphic Company; printed at The Stinehour Press, set in intertype Waverley; Curtis Colophon paper. 6 5/8 x 9 7/8 inches. Bound by Russell-Rutter Company in full ginger top-grain cowhide, gold-stamped with a design by Mr. Ball. Original slip case. Fifteen hundred copies have been made, of which this is copy number 769 and it is signed by the illustrator, Robert Ball. Fine. Fine Books from the Limited Editions Club make great gifts. SHELF W92‎

‎London, Jack.‎

‎THE SEA WOLF. With Illustrations by Fletcher Martin and an Introduction by Edmund Gilligan.‎

‎pp. ix, 354. Illustrated by Fletcher Martin with line drawings and paintings; designed by Ernst Reichl; set in monotype Times Semi-bold and Mistral; Strathmore natural vellum-finish paper. Inked ownership of Jefford F. Oller on front fly leaf. 7 3/4 x 11 inches. Bound by Russell-Rutter Company in full Irish linen, silk-screened with a design by Mr. Martin. Original slip case. Fifteen hundred copies have been made, of which this is copy number 420 and it is signed by the illustrator, Fletcher Martin (1904-1979). Fine. Fine Books from the Limited Editions Club make great gifts. SHELF W89‎

‎Melville, Herman.‎

‎BILLY BUDD AND BENETO CERENO. With an introduction by Maxwell Geismar and paintings by Robert Shore.‎

‎pp. xv, 176. Illustrated with casein paintings by Robert Shore, printed by Holyoke Lithograph Company; designed by Eugene Ettenberg; printed by A. Colish; set in monotype Bell; white Mohawk antique paper. Inked ownership of Jefford F. Oller on front fly leaf. 7 1/1 x 10 7/8 inches. Bound by Russell-Rutter Company in full white sailcloth with spine hubs, stamped in black leaf. Original slip case, white sailcloth and green paper sides and spine title label. Bottom edge slightly soiled. Fifteen hundred copies have been made, of which this is copy number 420 and it is signed by the illustrator, Robert Shore (b. 1924). Fine. Fine Books from the Limited Editions Club make great gifts. **PRICE JUST REDUCED! SHELF W89‎

‎Schreiner, Olive.‎

‎THE STORY OF AN AFRICAN FARM. With an Introduction by Isak Dinesen and Illustrations by Paul Hogarth.‎

‎pp. xvi, 260. Illustrated with Paul Hogarth crayon drawings and with color lithographs printed by The Curwen Press; designed by Hans Schmoller; printed at The Westerham Press; set in monotype Dante; Hollingworth rag paper. Inked ownership of Jefford F. Oller on front fly leaf. 7 1/4 x 11 inches. Bound by Russell-Rutter Company in full bark cloth from Uganda; title stamped in gold with a design by Mr. Schmoller. Original slip case. Slip case very tight, binding very slightly rubbed. Fifteen hundred copies have been made, of which this is copy number 420 and it is signed by the illustrator, Paul Hogarth. Fine. Fine Books from the Limited Editions Club make great gifts. SHELF W92‎

‎(Stendhal) Marie-Henri Beyle.‎

‎THE CHARTERHOUSE OF PARMA. The Translation by Lady Mary Loyd. Revised by Robert Cantwell, the Preface by Honore de Balzac and Illustrations by Rafaello Busoni.‎

‎pp. xx, 392. Illustrated with two-color lithographs by Rafaello Busoni, printed by Reehl Lithograph Company; designed by George Macy; printed by the Printing House of Leo Hart; set in monotype Cochin; Curtis rag paper. 6 7/8 x 10 1/4 inches. Bound by Russell-Rutter Company in quarter imported natural linen stamped in brown leaf, French marbled-paper sides. Spine very slightly soiled. Original slip case, spine darkened. Fifteen hundred copies have been made, of which this is copy number 769 and it is signed by the illustrator, Rafaello Busoni (1900-1962). Born in Germany, Busoni gained fame in the U.S. as an artist, illustrator, and children's book author. Fine. Fine Books from the Limited Editions Club make great gifts. SHELF W89‎

‎Wells, H. G.‎

‎TONO-BUNGAY. With an Introduction by Norman H. Strouse & Illustrated by Lynton Lamb.‎

‎pp. xiii, 395. Illustrated by Lynton Lamb with paintings and drawings; designed by Bert Clarke; printed at The Thistle Press; set in monotype Caslon Old Style; Curtis Colophon laid paper. Inked ownership of Jefford F. Oller on front fly leaf. 6 3/4 x 9 1/4 inches. Bound by the Russell-Rutter Company in full woven forest-green cloth, very slight spotting tail of spine. Original color printed paper spine label. Original yellow slip case, slightly soiled. Fifteen hundred copies have been made, of which this is copy number 420 and it is signed by the illustrator, Lynton Lamb (1907-1977). Fine. Fine Books from the Limited Editions Club make great gifts. SHELF W92‎

‎Tegner, Esaias.‎

‎FRITHIOF'S SAGA. Translated into English verse by Henry Wadsworth Longfellow, Lucius Sherman, Thomas and Martha Holcomb, and William Lewery Blackley with the introductory notes to the cantos by Longfellow and the general introduction by Bayard Taylor. Ill‎

‎249p. Illustrated with pen drawings by Eric Palmquist; designed by Karl-Erik Forsberg; hand-set in Berling Roman (first use) on Lessebo special paper. 4to. 7 1/8 x 10 7/8 inches. Bound by P. A. Norstedt & Soner (Royal Printing House) in half natural Swedish linen, stamped in red and black, decorated paper sides, gold-stamped. Original slip case, paper spine label slightly worn. Number 769 of an edition limited to only 1500 copies, signed by the artist, Eric Palmquist. A very good copy. The books published by the Limited Editions Club are justly treasured for the quality of the texts, the beauty and artistry of the illustrations, the creativity of design, and the overall excellence of the paper, presswork, and binding. Each book would make a wonderful gift for any occasion. W97‎

‎Thackeray, William Makepeace.‎

‎THE NEWCOMES. Memoirs of a Most Respectable Family edited by Arthur Pendennis Esq. With an introduction by Angela Thirkell and with illustrations by Edward Ardizzone. (Two Volumes).‎

‎Two Volumes. Illustrated with pen drawings by Edward Ardizzone; hand-colored, in pochoir, by Maud Johnson; designed by John Dreyfus; set in monotype Scotch Roman on toned esparto paper. Sm. 4to. 6 3/4 x 9 3/4 inches. Bound by The Leighton-Straker Bookbinding Company in quarter black linen stamped in gold, sides printed with a color lithograph by the artist. Original black slip case houses both volumes, slightly worn. Inked ownership of Jefford F. Oller, the original subscriber, on front fly leaves. Includes the Monthly Letter. Number 420 of an edition limited to only 1500 copies, signed by the illustrator, Edward Ardizzone. An Excellent Copy. The books published by the Limited Editions Club are justly treasured for the quality of the texts, the beauty and artistry of the illustrations, the creativity of design, and the overall excellence of the paper, presswork, and binding. Each book would make a wonderful gift for any occasion. **PRICE JUST REDUCED! W91‎

‎Thackeray, William Makepeace.‎

‎THE HISTORY OF PENDENNIS. His Fortunes and Misfortunes. His Friends and His Greatest Enemy. With an Introduction by Robert Cantwell and with Illustrations by Charles W. Stewart. (Two Volumes).‎

‎Two Volumes. Illustrated with color drawings by Charles Stewart; designed by John Lewis; set in monotype Ehrhardt on Basingwerk Parchment paper. Sm. 4to. 6 3/8 x 9 3/4 inches. Bound by The Russell-Rutter Company in full yellow fabric blind-stamped with a design by Mr. Stewart, gold letter spine label. Original dark yellow slip case houses both volumes, very slightly rubbed. Number 769 of an edition limited to only 1500 copies, signed by the illustrator, Charles W. Stewart. Excellent copy. The books published by the Limited Editions Club are justly treasured for the quality of the texts, the beauty and artistry of the illustrations, the creativity of design, and the overall excellence of the paper, presswork, and binding. Each book would make a wonderful gift for any occasion. W91‎

‎Voltaire (Francois Maire Arouet).‎

‎THE HISTORY OF ZADIG OR, DESTINY. An Oriental Tale. Translated out of the French by R. Bruce Boswell with the introduction by Rene De Messieres and the decorations and illustrations by Sylvain Sauvage.‎

‎172p. Illustrated with pen and water-color drawings and elaborate page frames by Sylvain Sauvage, key black printed in collotype by Louis Duval; hand-colored by Etienne Girardot; designed by Henri Jonquieres; set in monotype Pastonchi on Lana paper. 8vo. 6 1/2 x 8 1/2 inches. Bound by Russell-Rutter Company in full brown linen, decorated with oriental figures in gold, blue leather label, gold-stamped. Original marbled gold slip case, slightly chipped. Number 769 of an edition limited to only 1500 copies. The books published by the Limited Editions Club are justly treasured for the quality of the texts, the beauty and artistry of the illustrations, the creativity of design, and the overall excellence of the paper, presswork, and binding. Each book would make a wonderful gift for any occasion. W35‎

‎Jackson, Helen Hunt.‎

‎RAMONA. A Story by Helen Hunt Jackson. With an Introduction by J. Frank Dobie and Illustrations by Everett Gee Jackson.‎

‎pp. xv, 428. Illustrated with color drawings by Everett Gee Jackson; designed by Saul Marks; set in monotype Bembo on Curtis rag paper. Sm. 4to. 7 x 10 1/4 inches. Bound by The Russell-Rutter Company in full woven fabric, paper spine label designed by the artist. Original brown slip case. Inked ownership of Jefford F. Oller, the original subscriber, on front fly leaf. Includes the Monthly Letter. Number 420 of an edition limited to only 1500 copies, signed by the artist, Everett Gee Jackson. A Fine Copy. The books published by the Limited Editions Club are justly treasured for the quality of the texts, the beauty and artistry of the illustrations, the creativity of design, and the overall excellence of the paper, presswork, and binding. Each book would make a wonderful gift for any occasion. **PRICE JUST REDUCED! W91‎

‎Johnson, Ben.‎

‎VOLPONE OR THE FOX. A Comedy by Ben Jonson first acted in 1605. With a new introduction by Louis Kronenberger and illustrations by Rene Ben Sussan.‎

‎pp. xxi, 163. Illustrated with water-colors by Rene ben Sussan, key black printed in collotype by Louis Duval, hand-colored by Maurice Beaufume; designed by Francis Meynell; hand-set in fell types; William Nash special paper. 4to. 7 1/2 x 11 1/2 inches. Printed and bound by the Oxford University Press in half sanguine buckram, gold-stamped, decorated ivory buckram sides. Original slip case. Inked ownership of Jefford F. Oller, the original subscriber, on front fly leaf. Includes the Monthly Letter. Number 420 of an edition limited to only 1500 copies, signed by the illustrator. Fine copy. The books published by the Limited Editions Club are justly treasured for the quality of the texts, the beauty and artistry of the illustrations, the creativity of design, and the overall excellence of the paper, presswork, and binding. Each book would make a wonderful gift for any occasion. **PRICE JUST REDUCED! W96‎

‎Howells, William Dean.‎

‎THE RISE OF SILAS LAPHAM. With an Introduction by Henry Steele Commager and Illustrations by Mimi Korach.‎

‎pp. xiii, 365. Illustrated with paintings by Mimi Korach, printed by Crafton Graphic Company; designed by Richard Ellis; set by Wescott & Thomson in Linotype Caledonia on Curtis white wove paper. 4to. 7 1/8 x 10 5/8 inches. Bound by Russell-Rutter Company in full natural buckram printed with a four color panorama of Boston's Beacon Street that takes in both front and back covers and the backstrip. Gilt lettered spine very slightly darkened. Original slip case, slightly sun darkened at fore edges. Inked ownership of Jefford F. Oller, the original subscriber, on front fly leaf. Includes the Monthly Letter. Number 420 of an edition limited to only 1500 copies, signed by the illustrator. Very good copy. The books published by the Limited Editions Club are justly treasured for the quality of the texts, the beauty and artistry of the illustrations, the creativity of design, and the overall excellence of the paper, presswork, and binding. Each book would make a wonderful gift for any occasion. W97‎

‎Landor, Walter Savage.‎

‎IMAGINARY CONVERSATIONS. Selected & Introduced by R. H. Boothroyd.‎

‎pp. xii, 304. Designed, printed, and bound by Giovanni Mardersteig; set in monotype Fontana (first public showing) on Maslianico hand-made paper. Uncut and unopened. Title page printed in red and black. Front fly leaf slightly torn at margin. Original dust jacket, spine slightly browned. Sm. 4to. 6 3/4 x 10 inches. Original binding in full natural, decorated linen stamped in brown and gold. Original dark brown slip case, very slightly worn. Number 413 of an edition limited to only 1500 copies, signed by Hans Mardersteig. Excellent copy. The books published by the Limited Editions Club are justly treasured for the quality of the texts, the beauty and artistry of the illustrations, the creativity of design, and the overall excellence of the paper, presswork, and binding. Each book would make a wonderful gift for any occasion. W90‎

‎Maupassant, Guy de; Hearn, Lafcadio.‎

‎THE TALES OF GUY DE MAUPASSANT 1850: 1893. The Translations by Lafcadio Hearn and Others Chosen & With an Introduction by Justin O'Brien. The Illustrations from Water-Colours by Gunter Bohmer.‎

‎pp. xii, 472. Illustrated by Gunter Bohmer with water-colors printed by The Holyoke Lithograph Company; designed by Sir Francis Meynell; set in monotype Plantin on Abbey Mills paper. Sm. 4to. 6 3/4 x 9 3/8 inches. Bound by The Russell-Rutter Company in full blue buckram, gold-stamped brown-cloth labels. Original marbled paper slip case, very slightly worn. Inked ownership of Jefford F. Oller, the original subscriber, on front fly leaf. Includes the Monthly Letter. Number 420 of an edition limited to only 1500 copies, signed by the artist, Gunter Bohmer. A fine copy. The books published by the Limited Editions Club are justly treasured for the quality of the texts, the beauty and artistry of the illustrations, the creativity of design, and the overall excellence of the paper, presswork, and binding. Each book would make a wonderful gift for any occasion. **PRICE JUST REDUCED! W98‎

‎Leonard, William Ellery.‎

‎BEOWULF. Translated into Modern Verse by William Ellery Leonard. With a Preface by the Translator and Illustrations by Lynd Ward.‎

‎pp. xv, 152. Chapter and margin drawings. Full page colored lithographs by Lynd Ward, printed in process offset by Duenewald Printing Corporation; designed by Eugene M. Ettenberg; printed by The Gallery Press; set in monotype Janson; Ticonderoga Text paper; bound by Russell-Rutter Company in half blue linen, gold and silver stamped, decorative Swedish paper sides. Text printed in blue, tan and black. 4to. 8 3/8 x 11 7/8 inches. Original slip case. Number 420 of an edition limited to only 1500 copies. Fine copy. The books published by the Limited Editions Club are justly treasured for the quality of the texts, the beauty and artistry of the illustrations, the creativity of design, and the overall excellence of the paper, presswork, and binding. Each book would make a wonderful gift for any occasion. W44‎

‎Morier, J. J.‎

‎THE ADVENTURES OF HAJJI BABA OF ISPAHAN. With a Preface by Sir Walter Scott and Illustrations by Honore Guilbeau. (an Introduction by E. G. Browne and the Author's Two Introductory Epistles). (Two Volumes).‎

‎Two Volumes. Illustrated with pencil drawings by Honore Guilbeau; designed and decorated by W. A. Dwiggins; set in linotype Electra on Worthy special paper. Sm. 4to. 6 3/4 x 9 1/4 inches. Bound by The Russell-Rutter Company in half calf, gold-stamped rose paper sides printed with design by Mr. Dwiggins. Volume One rubbed. Volume Two darkened and rubbed. Original gold design slip cases which houses both volumes, very slightly worn. Inked ownerships. Number 794 of an edition limited to only 1500 copies, signed by the illustrator, Honore Guilbeau. The books published by the Limited Editions Club are justly treasured for the quality of the texts, the beauty and artistry of the illustrations, the creativity of design, and the overall excellence of the paper, presswork, and binding. Each book would make a wonderful gift for any occasion. W90‎

‎Schiller, Johann Christoph Friedrich von.‎

‎WILLIAM TELL. Translated from the German in the Meter of the Original by Theodore Martin. With an Introductory Essay by Thomas Carlyle. Illustrated by Charles Hug.‎

‎163p. Illustrated with lithographs by Charles Hug; designed by Walter Diethelm; printed and bound by Fretz Freres; hand-set in Diethelm Antiqua type (first use); Zerkall rag paper; half brown linen, gold-stamped natural wood sides. 4to. 7 1/2 x 10 1/2 inches. Original slip case. Inked ownership of Jefford F. Oller, the original subscriber, on front fly leaf.Includes the Monthly Letter. Number 420 of an edition limited to only 1500 copies, signed by the illustrator, Charles Hug. Fine copy. The books published by the Limited Editions Club are justly treasured for the quality of the texts, the beauty and artistry of the illustrations, the creativity of design, and the overall excellence of the paper, presswork, and binding. Each book would make a wonderful gift for any occasion. W42‎

‎Scott, Sir Walter.‎

‎IVANHOE. Illustrated by Edward A. Wilson. (Two Volumes).‎

‎Two Volumes. Illustrated in pen and dry-brush by Edward A. Wilson, the key black printed by The Photogravure and Color Company, hand-colored by Walter Fischer; set in linotpe Baskerville on Curtis special paper. Sm. 4to. 6 1/8 x 9 1/4 inches. Bound by The Russell-Rutter Company in full linen with a red American Indian design, gold-stamped spine. Original rose slip case houses both volumes. Number 769 of an edition limited to only 1500 copies, signed in green ink by the illustrator, Edward A. Wilson. A Fine Set. The books published by the Limited Editions Club are justly treasured for the quality of the texts, the beauty and artistry of the illustrations, the creativity of design, and the overall excellence of the paper, presswork, and binding. Each book would make a wonderful gift for any occasion. W90‎

‎Sheridan, Richard Brinsley.‎

‎THE RIVALS. A Comedy. With an Introduction by John Mason Brown and Illustrations by Rene Ben Sussan.‎

‎pp. xxii, 149. Illustrated with hand-colored copper-etchings by Rene ben Sussan, hand-pulled by Paul Haasen, and hand-colored by Maurice Beaufume, designed by Oliver Simon; printed and bound by The Curwen Press, set in monotype Ehrhardt; Barcham Green mould-made paper; full yellow buckram, gold-stamped. 4to. 6 7/8 x 10 3/4 inches. Original slip case. Very slightly rubbed. Inked ownership of Jefford F. Oller, the original subscriber, on front fly leaf. Includes the Monthly Letter. Number 420 of an edition limited to only 1500 copies, signed by the artist in purple ink. The books published by the Limited Editions Club are justly treasured for the quality of the texts, the beauty and artistry of the illustrations, the creativity of design, and the overall excellence of the paper, presswork, and binding. Each book would make a wonderful gift for any occasion. W42‎

‎Sterne, Laurence.‎

‎A SENTIMENTAL JOURNEY THROUGH FRANCE AND ITALY. With etchings by Denis Tegetmeier.‎

‎pp. vii, 136. Illustrated with full page etchings by Denis Tegetmeier; designed by Eric Gill; printed and bound by Hague & Gill; hand-set in Bunyan type, designed by Gill, and first used in this book; full tan buckram, stamped in blue, red and gold. 4to. 9 1/8 x 11 1/2 inches. Top edge gold. Binding curiously stained at bottom front corner and rear top corner. From the original slip case? Paper slip case paper label has slight chipping. Number 413 of an edition limited to only 1500 copies, signed by Denis Tegetmeier and Eric Gill. The books published by the Limited Editions Club are justly treasured for the quality of the texts, the beauty and artistry of the illustrations, the creativity of design, and the overall excellence of the paper, presswork, and binding. Each book would make a wonderful gift for any occasion. W42‎

‎Tarkington, Booth.‎

‎MONSIEUR BEAUCAIRE. Illustrated and Decorated by T. M. Cleland and with a Preface by J. Donald Adams.‎

‎121p. Illustrated with water colors by T. M. Cleland; set in monotype Caslon on Ragston paper. Decorative title page. 8vo. 5 3/4 x 8 1/4 inches. Bound by Russell-Rutter Company in Schumacher two-tone floral beige damask. Spine label printed in gold. Original slip case. Inked ownership of Jefford F. Oller, the original subscriber, on front fly leaf. Includes the Monthly Letter. Number 420 of an edition limited to only 1500 copies, signed by the artist and designer, T. M. Cleland. Very fine copy. The books published by the Limited Editions Club are justly treasured for the quality of the texts, the beauty and artistry of the illustrations, the creativity of design, and the overall excellence of the paper, presswork, and binding. Each book would make a wonderful gift for any occasion. W35‎

‎Bulfinch, Thomas.‎

‎THE AGE OF FABLE OR STORIES OF GODS AND HEROES. Introductory Essay by Dudley Fitts. Illustrated by Joe Mugnaini.‎

‎pp. xix, 230. Illustrated with lithographs by Joe Mugnaini, printed by George C. Miller; designed by Robert Dothard; set in Linotype Caledonia; natural white Strathmore paper. 4to. 8 1/2 x 11 inches. Bound by Russell-Rutter Company in half white vellum, stamped in black and gold, decorated paper sides. Very slight soiling on tail of spine. Original slip case. Inked ownership of Jefford F. Oller, the original subscriber, on front fly leaf. Includes the Monthly Letter. Number 420 of an edition limited to only 1500 copies, signed by the illustrator, Joe Mugnaini. Very good. The books published by the Limited Editions Club are justly treasured for the quality of the texts, the beauty and artistry of the illustrations, the creativity of design, and the overall excellence of the paper, presswork, and binding. Each book would make a wonderful gift for any occasion. **PRICE JUST REDUCED! W96‎

‎France, Anatole.‎

‎THE CRIME OF SYLVESTRE BONNARD. [Member of the Institute] The Translation by Lafcadio Hearn with an Introduction by A.S.W. Rosenbach and Illustrations by Sylvain Sauvage.‎

‎pp. viii, 190. Water-colors by Sylvain Sauvage, printed in process offset by Duenewald Printing Corporation; designed and printed by Edward Alonzo Miller at The Marchbanks Press; set in linotype Caslon; Miliani Gilio paper; bound by Russell-Rutter Company in full green linen, stamped in green and gold from design by LeRoy H. Appleton. 4to. 9 1/8 x 11 3/8 inches. Top edge gold. Front inner hinges cracked. Paste downs and fly leaves slightly stained. Original black slip case chipped at corners. Number 413 of an edition limited to only 1500 copies, signed by the Illustrator. The books published by the Limited Editions Club are justly treasured for the quality of the texts, the beauty and artistry of the illustrations, the creativity of design, and the overall excellence of the paper, presswork, and binding. Each book would make a wonderful gift for any occasion. W38 x2‎

‎Smollett, Tobias.‎

‎THE ADVENTURES OF PEREGRINE PICKLE. In Which is Included Memoirs of a Lady of Quality. With an Introduction by G.K. Chesterton and Illustrations by John Austen.‎

‎Two Volumes. pp. xxiii, 782 (1) + Plates in color. Small folios. Designed, printed, and bound (in full green linen, gold stamped) by John Johnson, at the Oxford University Press; set in Monotype Bell; on William Nash Special paper. Dust jackets and slipcase show some soiling and wear. Number 413 of an edition limited to only 1500 copies, signed by the artist. In the autumn of 1750 Smollett set out for Paris in order to collect material for another novel. The result of the tour was The Adventures of Peregrine Pickle, published in 1751. In some respects, this is the most remarkable of Smollett's novels; it is, also, the longest, and it maintains its vivacity and vigour throughout. Peregrine is a scoundrel with a very moderate sense of shame; he is also, in his elegant and rather witty way, a bully of the most refined cruelty, who is not content to feast on others' folly, but likes to pay for the feast with all kinds of insult and annoyance. It is still a fun read today. A handsomely produced edition. These would make a great gift. W96‎

‎Le Sage, Alain Rene.‎

‎THE ADVENTURES OF GIL BLAS OF SANTILLANE. Translated by Tobias Smollett; with an Introduction by J. B. Priestley; and Water Color Illustrations by John Austen.‎

‎Two Volumes. pp. xxvi, 660 (1) + Collotype Plates, hand colored by Daniel Jacomer. Small folios. Designed, printed, and bound by John Johnson, at the Oxford University Press; set in Monotype Fournier; on William Nash Special paper. Dust jackets slightly soiled. Slipcase is quite broken and worn. Number 413 of an edition limited to only 1500 copies, signed by the artist. A handsomely produced edition. These would make a great gift. W96‎

‎Patent Office Reports.‎

‎ANNUAL REPORT OF THE COMMISSIONER OF PATENTS, FOR THE YEAR 1847. U.S. House of Representatives.‎

‎pp. 1004 + Eight lithographed Plates. Foxed. Aged. Original full cloth binding, worn. Hardbound. Good. **PRICE JUST REDUCED! BOX 66 Basement‎

‎Patent Office Reports.‎

‎ANNUAL REPORT OF THE COMMISSIONER OF PATENTS, FOR THE YEAR 1851. PART I ARTS & MANUFACTURES. U.S. Senate.‎

‎519 p. + Two lithographed plates of items for the Chinese market. Foxed. Original full purple cloth binding. Hardbound. Good. BOX 66 Basement.‎

‎Patent Office Reports.‎

‎ANNUAL REPORT OF THE COMMISSIONER OF PATENTS, FOR THE YEAR 1852. PART I ARTS & MANUFACTURES. U.S. Senate.‎

‎484 p. Foxed. Original full purple cloth binding. Hardbound. Good. BOX 66 Basement‎

‎Patent Office Reports.‎

‎ANNUAL REPORT OF THE COMMISSIONER OF PATENTS, FOR THE YEAR 1853. PART I ARTS & MANUFACTURES [MECHANICS]. U.S. House.‎

‎510 p. Illustrated throughout in white on black woodcuts. Foxed and damped. Original full purple cloth binding. **PRICE JUST REDUCED! BOX 66 Basement‎

‎Patent Office Reports.‎

‎ANNUAL REPORT OF THE COMMISSIONER OF PATENTS, FOR THE YEAR 1855. ARTS & MANUFACTURES. U.S. House.‎

‎Two volumes. pp. 784; 380. The second volume contains the drawings and illustrations for the patents. Foxed. Original full black cloth binding. Hardbound. Good. BOX 66 Basement‎

‎Patent Office Reports.‎

‎ANNUAL REPORT OF THE COMMISSIONER OF PATENTS, FOR THE YEAR 1856. ARTS & MANUFACTURES. U.S. Senate.‎

‎Three volumes. pp. 640; 518; 593. The third volume contains the drawings and illustrations for the patents. Worn original full black cloth binding. Scarce. Hardbound. Good. BOX 66 Basement‎

‎Patent Office Reports.‎

‎ANNUAL REPORT OF THE COMMISSIONER OF PATENTS, FOR THE YEAR 1859. ARTS & MANUFACTURES. U.S. House.‎

‎Two volumes. pp. 813; 740. The fascinating drawings and illustrations for the patents are in volume two. Some age toning. Original full black cloth binding. Spines taped. Hardbound. Good. BOX 66 Basement‎

‎Patent Office Reports.‎

‎ANNUAL REPORT OF THE COMMISSIONER OF PATENTS, FOR THE YEAR 1860. ARTS & MANUFACTURES. Vol. II. U.S. House.‎

‎Volume Two only (Plates). 643 p. Original full black cloth binding, chipped. Great Civil War era commercial and industrial illustrations. Hardbound. Good. BOX 66 Basement‎

Number of results : 28,471 (570 Page(s))

First page Previous page 1 ... 340 341 342 [343] 344 345 346 ... 377 408 439 470 501 532 563 ... 570 Next page Last page