‎Design‎

‎Design, Whyitsme‎

‎Knitting Graph Paper: Funny Sheep Wool Blank Knitter’s Journal 4:5 Ratio Design Notebook‎

‎Independently published 2019. Paperback. New. 120 pages. 11.00x8.50x0.28 inches. Independently published paperback‎

Référence libraire : 2-1093990384 ISBN : 1093990384 9781093990386

‎Lettering Design Co. Staff‎

‎Lettering For Beginners: A Creative Lettering How To Guide With Alphabet Guides Projects And Practice Pages‎

‎CreateSpace Independent Publishing Platform. Used - Good. Ships from the UK. Former library book; may include library markings. Used book that is in clean average condition without any missing pages. CreateSpace Independent Publishing Platform unknown‎

Référence libraire : 45242562-20 ISBN : 1546947299 9781546947295

‎Sidney, Ronnie, 2nd, Imagine That! Design‎

‎Nelson Beats The Odds‎

‎Used - Very Good. Former library book; may include library markings. Used book that is in excellent condition. May show signs of wear or have minor defects. unknown‎

Référence libraire : 47557267-6 ISBN : 0996532412 9780996532419

‎Design, Dadamilla‎

‎My Camp Journal: A Fun Journal for Girls to remember every moment of their incredible adventures at Camp! Cute Llama Cover‎

‎paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback‎

Référence libraire : 1097588068.G ISBN : 1097588068 9781097588060

‎Daily Design Studio‎

‎Cupcake Journal: Blank Lined Gift Notebook with Cute Kawaii Cupcakes Design‎

‎paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback‎

Référence libraire : 1689939036.G ISBN : 1689939036 9781689939034

‎Brinks, John Dieter (ed.); Juergen Seuss (Design)‎

‎Vom Ornament zur Linie. Der frühe Insel-Verlag 1899 bis 1924. Ein Beitrag zur Buchästhetik im frühen 20. Jahrhundert‎

‎Laubach and Berlin: Triton Verlag 2000. First edition. Hardcover. Very good- to fine condition. 1/2000. Folio. 391 3pp. and portfolio with 20 facsimile enclosures. Original blue cloth with gilt lettering and ruling on spine gilt publisher's device on cover of portfolio housed in matching blue paper-covered slipcase. Blue endpapers. Two title pages printed in red and black with variant publisher's devices. Printed to heavy paper. Blue ribbon marker. <br /> <br /> Publication documenting the early work of the Insel-Verlag Insel Publisher from 1899 to 1924. A contribution to the aesthetics of book publishing in the early 20th Century. With contributions by John Dieter Brinks Susanne Buchinger Marcus Haucke Kurt Ifkovits Renate Müller-Krumbach Theo Neteler Lindsay Newman Gerhard Schuster Barbara Stark Roland Stark Klaus Weber Marcus Behmer Franz Blei Rudolf Borchardt Harry Graf Kessler Anton Kippenberg Rudolf von Poellnitz Henry van de Velde and Stefan Zweig.<br /> <br /> Illustrated with two hundred and forty sample images of book binding art and design of Insel publications one hundred and forty of those in color some with gold overprinting; includes seven folding plates. Contains appendix with listing of Insel publications and notes. The portfolio contain twelve numbered facsimile reproductions of color endpapers for special publications and eight facsimile reprints of original publisher's advertisements for their publications. Exquisite publication of a extraordinary publisher. Text in German. Slipcase with few small chips and bumps along edges. Lightly rubbed. Volumes in fine condition. Triton Verlag hardcover‎

Référence libraire : 54514 ISBN : 3935518005 9783935518000

‎Blecher Carl Text; Otto Arpke Drawings & Design; Alexander Kogan Ed.‎

‎Dr. Selle-Eysler A.G. Berlin. 25th Anniversary Issue‎

‎Berlin: Dr. Selle-Eysler A.G. 1930. First printing. Softcover. Very good- to fine condition. Folio 15 1/4 x 11 3/4". Unpaginated 45 leaves. Original stiff ivory paper boards with embossed circular company logo in silver and red on cover with tissue guard in original stiff ivory parchment dustjacket with gilt lettering and red and black ruling on cover. Frontispiece silkscreen. Double page silkscreen with white lettering on gilt background announcing the 25th company anniversary. The dedication page with a silkscreen with gilt lettering and the founder's portrait Dr. med. Gustav Selle in gilt and black both silkscreens. Second frontispiece with gilt company buildings in gilt title page with bold gilt lettering and red and black ruling. Decorative initials. <br /> <br /> Lavish company history of the Selle-Eysler A.G. one of the first industrial graphic design companies specializing in photographic photomechanical and electromechanical procedures to prepare artwork photographs and graphic design for the printing process. Following the title page four pages with high quality offset reproductions of photographs of the company founder Erich Zander the cofounder Siegmund Labisch both full page and five members of the corporate board on one page. The photographs are rendered in photogravure and many of the designs with gilt overprinting.<br /> <br /> Striking work celebrating the 25th anniversary featuring the highest quality of graphic design and printing stating an example for the company intrinsically linked to the history of these techniques. This book is profusely illustrated with numerous b/w and color photographs of prepress procedures printing facilities company employees and contains an extensive section with color reproductions of various magazines including :Elegante Welt" "Das Magazin" "Wahre Geschichten"Deutsche Illustrierte" "Lustige Blätter" and others printed by the company. Includes various diagrams. Typesetting clichés and printing by the Dr. Selle-Eysler AG. Printed to heavy flat as well as glossy paper. Scarce in original dustjacket.<br /> <br /> Text in German. Dustjacket with light wear along edges minor chips and creasing closed tears reinforced with clear tape along inside bottom of front flap cover and spine and lightly rubbed. Binding with small strip of sunning along top of front cover interior in fine condition. Dr. Selle-Eysler A.G. unknown‎

Référence libraire : 51604

‎Borg, Nils (cover design)‎

‎Songs of the Lincoln Brigade VINYL RECORD‎

‎New York: Stinson Records 1953. Later repressing. Vinyl album. vg-. Square Quarto 11 1/4". Original illustrated album cover with white lettering on cover. Protected by modern mylar. Cover design by Nils Borg. <br /> <br /> Vinyl record album 33 1/2 RPM Long Play containing the Stinson Records repressing of the album original issued as "Songs of the Lincoln and International Brigade" in three records in 1940. The original album was produced by Moses Asch for his Asch record label and contains songs performed by members of the Almanac Singers including Pete Seeger Bess Lomax Baldwin Hawes and Tom Glazer and Woody Guthrie. The original record set consisted of three 78 records and a total of 6 songs. This single album reissue removes 2 of tracks and adds an additional 6 tracks performed by Ernest Bush And Chorus for a total of 10 tracks.<br /> <br /> - Side A Band 1: The Peat-Bog Soldiers. Band 2: Hans Beimler. Band 3: Song of the International Brigades. Band 4: Freedom. Band 5: Song of the United Front. Side B Band 1: The Four Insurgent Generals. Band 2: Cook House. Band 3: Spanish Marching Song. Band 4: Quinte Brigada. Band 5: Quinte Regimento.<br /> <br /> The Abraham Lincoln Brigade was an international brigade of volunteers for the Republican cause during the Spanish civil war with the album containing "the songs of the men who left home and safety behind them in 1937 to fight Fascism" in Spain. The record label originally had an association with Moses's Asch's Asch and then Folkways label's. Stinson was initially known for its release of recordings made in the Soviet Union. It issued recordings by folk and blues music including recordings by Woody Guthrie and Josh White and was known for an association with leftist politics.<br /> <br /> Back cover with listing of folk music recordings released by Stinson Records. <br /> <br /> Album cover with same wear along edges bottom edge with three inch closed tear with minor scuffing and lightly rubbed. Vinyl with some light scratches. Missing inner record sleeve. Cover and record in vg- condition overall. Cover protected in modern mylar. Stinson Records unknown‎

Référence libraire : 50129

‎Taubert, Eberhard; Fritz Hippler (Design)‎

‎Illustrierter Film-Kurier. Der Ewige Jude Illustrated Film-Courier: The Eternal Jew‎

‎Berlin: Vereinigte Verlagsgesellschaft Franke & Co 1940. First edition. Loose leaf. Good to good- condition. Quarto. 8pp. Original photo-illustrated wraps with white lettering on cover. Illustrated promotional supplement of the periodical Illustrierter Film-Kurier in gravure. The 1940 film "Der ewige Jude" is a propaganda documentary about the world Jewry after an idea by Eberhard Taubert.<br /> <br /> As part of Goebbels' anti-Semitic strategy this film followed the 1937 art exhibition "Der ewige Jude" in Munich and the publication of a book in the same year and with the same title both with derogatory captions asserting the "degenerate Jewish race." Goebbels took an active role in the production of the film and insisted on Fritz Hippler as the director for the film. After the invasion of Poland Goebbels instructed Hippler to send camera crews to Poland to collect footage of Polish Jews. The film starts with an "impressive" foray through the Jewish ghettos in Poland depicting the Jews in filthy living conditions making a living through profiteering instead of honest work. The footage was manipulated in a way to show the Jews as originating in Palestine and from there flooding the earth drawing parallels to the way rats spread through new territory stressing the Jew's ability to adapt to various life styles. <br /> <br /> The promotional is illustrated with photomontages depicting Jews from various walks of life Polish street scenes a Rabbi holding up a knife in line with the brutal depiction of a Shechita as the face of Jewry juxtaposed with gleaming pictures of content German people and thankfulness towards a government willing to solve the "Jewish problem." Text in German. Illustrated wraps with some wear horizontal fold small creases and chips along edges and covers reinforced with transparent tape; administered with a quarter inch tape along inside edges along bottom and foredge on back cover. Same with centerfold along bottom and foredges. Vereinigte Verlagsgesellschaft Franke & Co unknown‎

Référence libraire : 50407

‎Sindler, Adolf (Hrs.); Manfred Luhr (Editorial and technical management by); Fritz Heinze, Fritz Buchse (Graphic design by); Han‎

‎Schlemihl: Blatt für Humor im Kriegsgefangenenlager 307. Blatt No. 4‎

‎Fanara Egypt: Der Tribüne 1947. First edition. Softcover. g to g. Folio. Unpaginated. 11 leaves. Original illustrated wrappers. This rare issue of "Schlemil" a German POW Camp Newspaper provides a first-hand account of the feelings and emotions of the men as well as their day-to-day activities during their internment in Fanara Egypt. This issue the fourth was the first published in 1947 issues 1-3 were published in 1946. The last issue No. 8 was also also published in 1947 shortly before the prisoners were shipped home 1947 through 1948. Of all the German POW camps camp 307 had the highest rate of German mortality. The reason can primarily be found in the harsh climatic conditions. Indeed unlike to the soldiers of the Africa corps who were fit for the tropics the soldiers who were taken prisoners in Italy Greece and its islands had many difficulties with the climate in Egypt. Hot wind and sandstorms in spring great heat in summer and severe cold in the winter impaired life in the strange climate. This led to the well known "Declaration of the captured Lutheran Pastors in Egypt". The front cover of this copy of "Schlemihl" features a drawing depicting a German POW painting a newlywed couple with the year 1947 at the upper left corner. The illustrator must have expressed to see his wish come true being freed and shipped home and marry his sweetheart. The newspaper contains poetry and short stories with a strong anti-Nazi stance. There are 5 other illustrations throughout the whole issue. Each leaf is printed on recto only. Some age-toning and creasing to wrappers with tiny chipping and closed tear at upper front and back cover. Upper corner slightly creased throughout. Text in German. Wrappers in overall good interior in good condition. Declaration of the captured Lutheran Pastors in Egypt:<br /> <br /> The captured Lutheran Pastors in Egypt moved by the emotional situation of their fellow prisoners in the Middle East which has become extraordinarily critical and in obedience to their sworn duties of office would like to make the following declaration before the British authorities before the German public before their fellow prisoners and also before the Christians of the world.<br /> <br /> For at least the last two and a half years and for the most part substantially longer periods German Prisoners of War have been held in the Middle East whose number at this time amounts to more than 60 000. They have been put to work in a climate which for half the year is positively unbearable for a European. Through the long duration of imprisonment through the separation from their relatives through the bad news from home through the impossibility of effectively helping them their relatives and for many the “C†people through the completely immeasurable continuance of their imprisonment the emotional burden of these prisoners has reached a degree which gives grounds for the gravest fears for the future.<br /> <br /> The symptoms which are already manifesting themselves are shocking enough: the incidences where prisoners break down emotionally so completely that they become mentally ill are increasing. Alone in one Work Company 2719 of 5000 men no fewer than six prisoners have been admitted to the appropriate department of the British military hospital because of mental illness. Above all the cases are increasing where prisoners are ending their own lives which appear unbearable to them. In the last month in just one of the three British Military Districts in Egypt five cases of suicide are known to us.<br /> <br /> This is because the majority of Prisoners of War in the Middle East have come to a total collapse of trust in the promises and declarations of the British custodial powers. The emotional strain which has arisen from this among the Prisoners of War is extreme. The most important reasons to name only these few which have led to this crisis are the following:<br /> <br /> 1. At the end of last year more than eighteen months after the capitulation the Prisoners of War were advised of the Repatriation Plan as it was to be binding for the year 1947. This Repatriation Plan gave the individual the opportunity to envisage within an admittedly broad framework according to his score and his political classification his return home. This plan has not been carried out.<br /> <br /> On 30 September 1947 the British Government announced that it would be necessary for it to reduce the repatriation to a fraction of the planned quota because of shortages of ships. Can one think ill of Prisoners of War that they held the following declaration which had been printed in the papers for some time against the British Prime Minister Attlee: that the work of the Prisoners of War at this time was the only available reparation from Germany and could not be done without Or that they received the impression from the speech to the Lower House on March 27 of the Member of Parliament for Ipswich Mr. R.R. Stokes that the reason for the sluggish pace of the repatriation from the Middle East is that the local British authorities held the manpower of the Prisoners of War to be so indispensable that they would simply have to wait for repatriation Can one think ill of the German Prisoners of War who due to previous experience are already full of mistrust today take into consideration that the almost complete halt to repatriation will not just last until the end of the year but that probably the closing date for repatriation the end of 1948 won’t be adhered to<br /> <br /> With great and honest thankfulness the Prisoners of War of the Middle East have experienced the intervention for the easing of the lot of the captured and their speedier return home by men of the British public above all from a great number of Bishops the Member of Parliament Stokes a man such as Viktor Gollancz and finally a group of more than sixty Lower House members. In the Middle East hardly any of this has come about and the result is growing bitterness and hopelessness instability and despair amongst the Prisoners of War. <br /> <br /> 2. A further and exceedingly grave burden for the morale and emotional bearing of the Prisoners of War lies in the recently released regulation that in future Prisoners of War will only be allowed to take in the vicinity of ten pounds of approved luggage to Germany. Germany faces another winter of starvation. Thousands of Prisoners of War have saved their hard earned tiny wages for months and years and have allowed themselves nothing in order to be able to bring a few tins of fat which is lacking most and other foodstuffs to their relatives. Many came to terms with the repeated deferment of their repatriation and found themselves a new mainstay by telling themselves: I can help my relatives to at least a small extent by sending along foodstuffs especially fat with returning comrades.<br /> <br /> Because of the new announcement all this is brought to nought. It has aroused bitterness particularly because it is so completely incomprehensible. The foodstuffs in question are in the markets in Egypt and can be obtained in the camp canteens in great quantities to be used by the Prisoners of War at will. Why should they not be able to save these and take them home No one is hurt by this and the money which is spent stays in the country. <br /> <br /> Finally particularly destructive and embittering is the thought that contrary to the natural development of things where the treatment of Prisoners of war should be gentler and better with the growing interval since the end of the war it is only becoming sharper and more severe. The Prisoners of War can absolutely not understand that they who have actually already have been discriminated against through their late return home are further discriminated against in the hardest and most burdensome way by the aforementioned announcement while the comrades who were lucky enough to return home earlier could take such foodstuffs so vitally necessary for a starving Germany freely and without limits.<br /> <br /> 3. A further hardship and exceedingly heavy emotional burden is the treatment of the Prisoners of War who have placed under “Automatical Arrest†A.A. namely those whose identity is suspected to be that of a wanted war criminal or those who are needed as witnesses in such a case. They are held in custody here indefinitely often being unable to discover why and without sentence. Despite the fact that the British authorities have had at least two years and often considerably longer at their disposal to prove identities and make investigations in countless cases the affected Prisoners of War are put under “A.A.†only hours before their repatriation. In two cases men were even fetched down from the repatriation ship a procedure which it is hardly too harsh to characterise with the expression “emotional abuseâ€. <br /> <br /> Apart from all rules about humanity this kind of procedure also contradicts all accepted laws in the Allied countries in that Prisoners of War are punished for being war criminals when they haven’t been convicted. Indefinite imprisonment for a Prisoner of War who has waited for repatriation according to a classification and score is nothing other than punishment.<br /> <br /> An example: A Prisoner of War rank Oberfeldwebel Staff Sergeant was placed under “A.A.†in December 1945 without being given any notice because he was mistaken for his brother a Leutnant Second Lieutenant who had died in the war. His assertions were not believed. He pointed out that a comrade of his dead brother could be found in the same camp and could be interrogated about this. This was refused. Only after the intervention of a Lower House member Mr. Stokes who was approached about it was the case taken up. The interrogation of the commandant was carried out and the affected person released although subject to the agreement of a superior central office. He has still not been repatriated to this day despite being scheduled for repatriation by British doctors since April because of severe asthma. That is one of several dozen cases.<br /> <br /> It is understandable that the feeling of complete absence of rights emotionally oppresses particularly these Prisoners of War and brings them to despair. <br /> <br /> 4. The Prisoners of War gratefully acknowledge that the vast majority of commandants of camps and of work companies honestly strive to lighten their burden through good food through the improvement of canteens and recreation rooms through sporting events radio cinema theatre and musical performances and also through opportunities for further education. They have complete understanding for the fact that because of their special situation in Egypt their freedom of movement cannot be as extensive as in England itself.<br /> <br /> What they do not understand however is the severity of punishment with which often only a trifling offence is often only punished by mistake. In many cases the admissible maximum penalty – twenty-eight days’ detention - is lengthened. In most of the cases the severity of the punishment bears no relationship to the severity of the misdemeanour. An example: In recent times a Prisoner of War was punished with fourteen days’ detention and loss of Work Points ie the extension of his captivity by many months because he had accidentally and not on purpose had the command post flag of a passing British military car. Examples of this sort could be continued for a long time. The severity of such penalties have a particularly hard emotional effect on the Prisoners of War who are in the third to fifth year of their captivity none of them any longer in complete possession of their emotional resilience. They therefore experience these punishments as more severe than another person would. <br /> <br /> We captured Lutheran Pastors in Egypt have hitherto purposely kept silent before the public about the completely unnecessary cases of severity and the partly open injustice for example physical mistreatment of Prisoners of War in the Detention Centres. We have tried through personal calls at the responsible British departments to do away with these things in the belief that this was about the unauthorised actions of a subordinate authority such as they appear in every human community.<br /> <br /> We asked ourselves earnestly whether we could continue to keep silence in the present situation. In thinking this we considered that one had - and rightly so - reproached our Nation and our Lutheran Church with silence when we should have spoken out. In the Stuttgart Declaration of October 1945 the Lutheran Church did penitence for this failure before the whole world.<br /> <br /> From this in earnest self-examination we came to the opinion that in further silence toward the injustice that has happened and still does happen to the Prisoners of War in the Middle East we would be guilty before the office of spiritual care which is our command before our consciences before our Lutheran Church in Germany and our German People and not least before God the Lord in front of whose Judgment Seat we will all one day need to answer for ourselves. We would have to be silent if our opponents in the past war had told us that they wanted to fall upon us in the name of revenge and retaliation. Then we would only have been able to say to our fellow captives: See where unlawfulness and Godlessness lead; see how the dreadful law of retaliation makes itself felt! In that case we could only have bowed dumbly before the deserved justice of God.<br /> <br /> But our former opponents did not say this. Rather they ceremoniously proclaimed that in the names of justice and humanity and in the spirit of Christendom with their unchanging qualities they had gone into the war and brought it to an end. In this spirit they would lead our people in a new way.<br /> <br /> That however gives us the courage and the right; today it lays the holy duty upon us as spiritual carers for our fellow captive brothers with all the earnestness of our duty of care to beg their leading personages and their responsible authorities to no longer passively watch the injustice that has been and is still being done to the Prisoners of War in the Middle East but rather to remedy the great spiritual need and despair which daily continue to gain ground through practical effective and quick measures.<br /> <br /> We have the bitter and serious concern that otherwise our fellow captives in the Middle East will lose the ultimate and best thing that we in the spirit of Christ so dearly wanted to show them how many have already lost it!: the belief and trust that in this world not power not the spirit of vengeance and retribution not the justice of the strong have the last word; rather that co-existence in the spirit of right justice humanity reconciliation and brotherly helpfulness within nations and between nations is possible.<br /> <br /> In the name and by order of the captured Lutheran Pastors in Egypt.<br /> <br /> Signed Norbert Rückert<br /> <br /> Dean of Pastors for the Middle East<br /> <br /> P.W. Camp 380<br /> <br /> 11 October 1947. Der Tribüne unknown‎

Référence libraire : 39069

‎Oldenburg, Claes; Hardt Hanson (design by); Barbara Rose (text)‎

‎Claes Oldenburg: Notes‎

‎Los Angeles: Gemini G.E.L. 1968. First edition. Softcover. vg- to vg. Small quarto. 27 loose leaves housed in a printed white illustrated portfolio. Black and white lettering on the front cover and spine. A finely produced smaller-scale prospectus promoting Swedish-American artist Claes Oldenburg's project titled "Notes". Contained are 12 color plates printed in offset showing the images that comprise handmade book which was ultimately produced in larger scale lithographs. The plates here each measure 1/ 1/4 x 6 1/4" and each is accompanied by a text plate from the author describing the image. Each of the works from this "suite of monuments" is derived from an illustrated or sketched "note" page by the artist inspired by either a product physical object location landmark or a combination thereof. There is an initial four pages of text at the front including three by art historian and critic and Barbara Rose and a final leaf containing a blank order form for the full-scale lithographic book.<br /> <br /> Portfolio with a small closed tear at the top of the front cover as well as some foxing along the edges of the covers and interior. Minor foxing along the top edge of the initial text pages. Portfolio in good leaves in very good- to very good condition overall. Gemini G.E.L. unknown‎

Référence libraire : 49048

‎Moriyama, Daido (森山 大道); Peter B. Willberg (design)‎

‎Daido Moriyama SIGNED W/ SIGNED ORIGINAL PRINT‎

‎London: Guiding Light/Michael Hoppen Gallery 2004. Limited first edition. Softcover. near fine. 1/100. 15 1/2 x 11 1/2". Elephant folio. 82pp. 2. Unbound folded leaves. House in a lined translucent and re-sealable electrostatic shielding bag with a hand-numbered sticker on the front. Printed photo-illustrated b/w wrapper with pink lettering on the front cover. #95 from a limited edition of 100 numbered copies with a signed original 8x10" b/w print. Print protected in plastic. This copy is also signed by the photographer on the front cover of the publication in black marker. <br /> <br /> A large scale catalog issued in conjunction with the exhibition Daido Moriyama: Vintage Prints at the Shine Gallery and Michael Hoppen Gallery London held February 2004. Profusely illustrated throughout with finely printed large scale b/w photographic reproductions after unpublished images from the acclaimed Japanese photographer's work. Initial text from photographer William Klein and gallerist Michael Hoppen on the interior front cover. <br /> <br /> From the publisher: "A collection of rare vintage prints from Moriyama's own personal collection providing a substantial body of work from the 1960's 70's and 80's previously unseen in public. A stray dog is caught in strong shadows against a high-contrast background piercing the viewer with an unwavering gaze. The best-known image of Moriyama it encapsulates perfectly the detached observation and raw unsettling style of this highly influential Japanese photographer. Along with Eikoh Hosoe and Kikuji Kawada Moriyama has gone from being one of Japan's most radical and rebellious photographers to being one of it's most celebrated and important visual artists today the Japanese equivalent of Robert Frank. Recently Moriyama has had important retrospectives at the San Francisco Museum of Modern Art the Shimane Art Museum Kashiro Art Museum Japan and the Fondation Cartier." <br /> <br /> Catalog and print both in near fine condition overall. Guiding Light/Michael Hoppen Gallery unknown‎

Référence libraire : 48646 ISBN : 0953845176 9780953845170

‎Jaroslav; Stanislav Hak (Ill.); Vit Plechac (design)‎

‎Herrenvolk. 26 Epigramü O Teutonskych Spasitelich Sveta. Psano V Letech 1939–45 Master race. 26 Epigrams about the Teutonic Saviors of the World. Written from 1939–45‎

‎Jaromer: Printed by Vaclav Vara 1945. First edition. Softcover. Very good condition. 1/500. Duodecimo 6 1/8 x 4 5/8". 35 2pp. Original lithograph on cream string-bound stiff wraps with red lettering on cover. Frontispiece lithograph. Privately printed from the upcoming collection Nova Europa. Publication mocking the "Teutonic Sprawl." Dedicated to all compassionate fellow citizens. Collection of twenty-six acrid epigrams depicting the German invaders their traits their cruelty and the loathing of the Czech people towards them including a good pinch of sarcasm. Includes quotes from German poets Erich Kästner and Johann Wolfgang von Goethe and a few passages in German.<br /> <br /> "Self-Praise Stinks<br /> If the truth of this proverb did not fall into disrepair<br /> The Germans would choke in a terrible stench."<br /> <br /> "Exemplary District Mustergau; in German<br /> Do you know the land where envy and stupidity blossoms<br /> You don't know it – It's called Sudetenland."<br /> <br /> Laid in a printed obituary 8 1/2 x 6" with black border featuring a swastika at the top with Czech caption "Each balloon burst at some time. It floats and then bursts" followed by a stinging text oozing of sarcasm: "We are announcing to the general public all over the world and the surrounding villages that due to an act of providence in real time our dear beloved irreplaceable and unforgettable "Her Generosity" has left us." The flyer is signed Herrenvolk Traitor-Collaborator NSDAP. funeral institution of the Third Reich.<br /> <br /> Text in Czech. Sting lightly frayed at bottom with minor wear to pamphlet. Laid in obituary with quarter inch closed tear and minor chips along edges. Printed by Vaclav Vara unknown‎

Référence libraire : 48078

‎Design, Whyitsme‎

‎A4 Notebook 8mm: Orange and Grey Plaid Lined Exercise Book‎

‎Independently published 2019. Paperback. New. 100 pages. 11.69x8.27x0.23 inches. Independently published paperback‎

Référence libraire : 2-108019858X ISBN : 108019858X 9781080198580

‎Bayer, Herbert (Design)‎

‎Wunder des Lebens Collection: Leaflet Das Wunder des Lebens: Ausstellung am Kaiserdamm WITH Amtlicher Führer durch die Ausstellung Das Wunder des Lebens. Berlin 1935 23rd of March through the 5th of May WITH Wunder des Lebens Booklet WITH Wunder des Lebens: Der Gläserne Mensch. Ausstellung des Deutschen Hygiene-Museums WITH Three Photo-Postcards: Ausstellung "Das Wunder des Lebens" Berlin 1935 Der gläserne Mensch‎

‎Berlin: Gemeinnützige Berliner Ausstellungs- Messe- und Fremdenverkahrs-G.m.b.H. 1935. First edition. Softcover. vg. Being educated at the Bauhaus in Weimar from 1921–1925 among others by Johannes Itten Paul Klee and Wassily Kandinsky Herbert Bayer had been appointed the head of the Bauhaus workshop Print and Advertising in Dessau in 1925. After the takeover by the Nazis in 1933 Bayer and his staff dorland studio worked for the Nazis designing exhibition literature as well as propaganda material. His first design of an exhibition and its catalog was for the groundbreaking NS-Exhibition "Die Kamera - Ausstellung für Fotografie The Camera - Exhibition for Photography." The second major project was the 1934 exhibition "Deutsches Volk - Deutsche Arbeit German People - German Work." Again he and his "dorland studio" designed the exhibition catalog. And in 1935 the third exhibition "Das Wunder des Lebens" followed by the exhibition "Deutschland" on the occasion of the Summer Olympics in 1936.<br /> <br /> The collection of items here relate to the exhibition "Das Wunder des Lebens" propaganda for the racial ideology of the National socialists. It was shown in Berlin at the Kaiserdamm and the Deutsche Hygiene-Museum Dresden in 1935 and traveled to other locations e.g. Vienna and Krakow.<br /> <br /> 1. Duodecimo. 8pp. Original illustrated folded leaflet with white lettering on cover. Advertisement for the exhibition "Das Wunder des Lebens: Ausstellung am Kaiserdamm." Cover design by Herbert Bayer signed in plate. A sticker of the shoe store Leiser a participant in the exhibition tipped to bottom half of cover near spine.<br /> <br /> This important exhibition was another step into the direction taken with the exhibition "Deutsches Volk - Deutsche Arbeit" in Berlin 1934. The exhibition "Das Wunder des Lebens" introduced new exhibition techniques around the theme "Der Mensch The Human." The major themes of this extensive exhibition were "Die Lehre vom Leben The Teachings of Life" with its hightlight sculpture "The Vitreous Human" produced of "Cellon" a cellulose acetate "Träger des Lebens Bearer of Life" featuring the German family and finally the "Erhaltung des Lebens The Preservation of Life" exhibiting facts about the health system in Germany. One of the highlights of the exhibition was the so-called Mikrovivarium a collection of small life-forms visible only through a microscope. Next to the thematic description of the exhibition the leaflet contains general information about the exhibition and two maps with information on transportation to the location within and from outside Berlin. Extremely scarce leaflet for the exhibition in near fine condition.<br /> <br /> 2. Amtlicher Führer durch die Ausstellung Das Wunder des Lebens. Berlin 1935 Kaiserdamm. Octavo. 160 viii 32pp. Original wraps with photomontage cover by Herbert Bayer. Official guide for the exhibition "The Miracle of Life." An important work by Bayer who designed both the exhibition "The Miracle of Life" and the exhibition catalog. Illustrated throughout with photographs and diagrams. Laid in two b/w postcards of the exhibition one of the the "Honor Hall" at the exhibition. Light weaar along edges of wraps minor chips and creasing and 0.5" closed tear at tail of spine.Wraps in overall good interior in very good condition.<br /> <br /> 3. Octavo. 20pp. Original color-illustrated stapled booklet. Elaborate avant-garde design incorporating various styles e.g. photomontage surrealist and constructivist elements. The booklet with its modern visual aesthetics propagates the Nazi utopia of an Aryan society. The text is a romanticized though detailed version of the exhibition themes "Die Lehre vom Leben The Teachings of Life Träger des Lebens Bearer of Life and Erhaltung des Lebens The Preservation of Life" with an extraordinay visual display reproduced in high-quality color offset. Missing the cover with the Herbert Bayer design. Light wear along edges. Overall in very good condition.<br /> <br /> 4. Duodecimo. 32pp. Original stapled glossy wraps featuring color lithograph with blue lettering on cover. Exhibition at the German Hygiene Museum "The Vitreous Human." The concept of this traveling exhibition on hygiene curated by Dr. Herbert Michel from the Dresden Hygiene Museum differs from most exhibitions in that it is presenting a homogeneous whole rather than a number of single works. It's main feature was the "Vitreous Human" a sculpture of the human being prepared of "Cellon" a cellulose acetate.<br /> <br /> 5. Three photo-postcards announcing the 1935 exhibition "Wunder des Lebens" in Berlin one featuring a photograph of the sculpture "Der gläserne Mensch" another showing one of the galleries of the exhibition in Berlin both in b/w and printed by Industrie-Fotografen Klinke & Co. Berlin. The third b/w photo-postcard features the "Ehrenhalle Honor Hall" of the exhibiton "Das Wunder des Lebesn" without photo credit. <br /> <br /> In his foreword Dr. Herbert Michel department supervisor at the museum emphasizes health as the great treasure of the individual and therefore the people at large. He strikes the typically nationalistic cords in depicting "the human as the highest organism a living example of the leadership principle. as part of the people he is obligated to develop his body to its highest capacity to acquire all inherited assets. The purpose of this exhibition is to help understand this concept." The guide contains chapters elaborating on the various functions of the body supported by b/w reproductions of photographs from the exhibition including a photograph of the Museum. There are no references to originators of exhibited works. Front cover with minor creasing. Some age toning of block. Wraps and interior in overall very good condition. Gemeinnützige Berliner Ausstellungs-, Messe- und Fremdenverkahrs-G.m.b.H. unknown‎

Référence libraire : 43227

‎Буревій, К. (K. Burewij); Р. Шевченко (R. Shevchenko, ed.); Вадим Меллер (Vadym Meller, art design by)‎

‎Ð. Бучма: МонографіÑ/ A. Buchma: Monohrafiya/ A. Butschma: Monographie UKRAINIAN FILM MONOGRAPH‎

‎Kharkiv: Рух Ruch 1933. First edition. Hardcover. fair to vg. Quarto. 105pp. 1. B/w photo-illustrated dust jacket with black lettering on red on the front cover. Yellow cloth boards with red lettering and a cut/out from a b/w photograph mounted on the front cover. Red endpapers. This scarce work is a comprehensive monograph on the life and early career of acclaimed Ukrainian stage and film actor Amvrosi Buchma 1891-1957. Buchma's most notable film roles are perhaps in Aleksandr Dovzhenko's "Arsenal" 1929 pictured in this book and Sergei Eisenstien's "Ivan the Terrible Pt. I & II" 1944 and 1958. He was a prominent member of the Berezil theater from 1922-1936. Issued to commemorate the 25th anniversary of his entry to the stage as a professional actor the publication is illustrated throughout with countless b/w photographic reproductions and covers the actor's work on both stage and screen. Index of images and table of contents at the back.<br /> <br /> Biographic text captions throughout and index in both Ukrainian and German. <br /> <br /> Dust jacket with some tears and reinforced with Japan tissue. Binding lightly sunned with some minor rubbing and bumping to extremities. Interior front cover with name of a previous owner in ink. Minor smudging throughout. Dj in fair binding in very good interior in very good condition overall. Extremely scarce. Protected by modern mylar. English text on the bottom of the last page: "Life and Work of the Ucranian sic actor Amvrosi Buchma by Kost Burovi. Рух (Ruch) hardcover‎

Référence libraire : 45815

‎Bogucki, Janusz (edited and introduction by); W. Bowoski (cover design); I. Jaronsinska (photography by)‎

‎Nowa Sztuka Czasów Rewolucji Pazdziernikowej The New Art of the Times of the October Revolution‎

‎Warsaw: Galeria Wspólczesna/ Biuro Wydawnicze "Ruch 1967. First edition. Softcover. vg- to near fine. Small quarto. Unpaginated. Illustrated red white and black wrappers with black lettering on the front cover. This publication is a catalog for the exhibition of the same name held at the Galeria Wspólczesna in Warsaw November- December 1967. <br /> <br /> The head of the gallery Janusz Bogucki conceived the exhibition to introduce or reintroduce the current generation of Poles to the avant-garde and political art graphic design photography and propaganda work of many of the leading modern artists of the of the early Soviet era. The show opening coincided with the fiftieth anniversary of the October Revolution and displayed numerous works from Alexander Rodchenko David Buliuk El Lizztsky and Kazimir Malevich among many others. Includes 23 pages of captioned b/w photographic reproductions of works shown at the exhibition. <br /> <br /> Text in Polish. <br /> <br /> Wrappers with some light rubbing to extremities and some creasing along the edge of the front cover near the spine. Minor smudges on the back cover. Wrappers in very good- interior in near fine condition overall. Protected by modern mylar. Quite scarce. Galeria Wspólczesna/ Biuro Wydawnicze "Ruch unknown‎

Référence libraire : 45404

‎Stary, Oldřich (preface by); Karel Teige (design and cover by)‎

‎Výstava Mezinárodní Nové Architektury. Putovní výstava korporace "Deutscher Verband" a Soubor Ceskoslovenské Nové Architektury Exhibition of International Modern Architecture. The Traveling Exhibition of the "Deutscher Werkbund" and a Selection of Czechoslovak Modern Architecture‎

‎Prague: Klub Architektu Stavba 1929. First edition. Softcover. vg- to near fine. Octavo. 4 1/4x 8". 23pp. 9. Grey staple-bound wrappers with red lettering on the covers. This scarce publication is a catalog for the modern architecture exhibition of the same name held at the Central Library of Prague May 15-31st 1929. Based on the successful "Neues Bauen" exhibition organized by the "Deutscher Werkbund" in Stuttgart this exhibition combined the works feature there with additional sections of Czech modern architecture for a total of 415 designs. Among those whose work was featured were many of the greatest modernist architects and designers of the era including Le Corbusier Walter Gropius Jaromír Krejcar "E. Lisickij" El Lissitzky Peter Behrens Kazimir Malevich Ludwig Hilberseimer Andre Lurcat Erich Mendelsohn Mies van der Rohe J. N .Sobolev Mart Stam Richard Neutra Hans Scharoun Bruno Taut J. J. P. Oud Henri van de Velde Adolf Meyer Hans Poelzig Gerrit Rietveld and Frank Loyd Wright as well as Czech architects Antonín ÄŒerný Bohuslav Fuchs Karel Chochola Adolf Loos and Vít Obrtel. The catalog lists those architects and designs exhibited and includes a preface by Czech architect and professor OldÅ™ich Starý 1884-1971 and nine pages of advertisements at the end. <br /> <br /> Text in Czech.<br /> <br /> Wrappers with light rubbing to extremities and minor foxing and smudges to the covers. Wrappers in very good- interior in near fine condition overall. Extremely scarce. Klub Architektu Stavba unknown‎

Référence libraire : 45443

‎Msciwujewski, Mscislaw (ed.); Bruno Schulz (design)‎

‎Mlodziez. Vol.5 No. 4. Novemeber/December 1937 Youth. Magazine of the National Gymnasium‎

‎Drohobycz/Drohobych: Komitetu Redakcyjnego Uczniow Panstw. Gimn. w Drohobyczu 1937. First edition. Softcover. vg to near fine. Large octavo. 15pp. 1. Original tan illustrated stapled wrappers with black and white lettering on cover. Design and cover illustration by Bruno Schulz depicting the buildings of Drohobycz. This is vol. 5 issue 4 from the youth magazine November/December 1937. Co-published by students of the "State Gymnasium of Jagiello High School" and the private "Co-Educational Sienkiewicz High School" the periodical ran from 1933-1938. The publication covers the topics of celebrations of the Polish Independence Day November 11 gymnasium chronicles contribution on sports poetry and other material. Illustrated with two b/w reproductions of photographs. The final chapter of memoirs describes the Scout Units of the gymnasium and its history. Photographic reproductions from glass negatives courtesy of "Skauts."<br /> <br /> Wrappers with minor smudges and scratches to the front cover. The back cover contains light scribbling in pet at the top left corner. Wrappers in very good interior in near fine condition overall. Extremely scarce. Bruno Schulz 1892-1942 was a Polish Jewish novelist and painter who studied and lived most of his life in Drohobycz. <br /> <br /> Editorial attribution of the cover to Bruno Schulz in the second issue of the magazine where the editor thanks Schulz for his contribution. Komitetu Redakcyjnego Uczniow Panstw. Gimn. w Drohobyczu unknown‎

Référence libraire : 40404

‎Scott, W. A.; C. Nahl & H. Eastman (design and illustrations by)‎

‎The Giant Judge or the Story of Samson The Hebrew Hercules‎

‎San Francisco: Whitton Towne & Co 1858. Hardcover. g- to g. Octavo. 324pp. Original blind-stamped cloth with gilt lettering on spine. Illustrated frontispiece. The life of Samson presents many examples of the principle on which the providence of God is conducted his power to deliver his people by whatever means he pleases the bitter consequences that results to them from their sins and the terrible judgments with which he overwhelms his enemies. Illustrated throughout with a total of 14 woodcut illustrations mostly plates with a few in-text. Binding with some bumping rubbing and sunning to extremities. Covers with some staining and scratches. Interior with light foxing. Starting at a few pages throughout. Binding tight overall. Binding in good- interior in good condition overall. Whitton, Towne & Co hardcover‎

Référence libraire : 43744

‎Lemonds Dale T.; Marion B. Lemonds ed; Debra D. Lemonds design‎

‎Dale's Tale: The Life and Times of Dale T. Lemonds an Autobiography‎

‎Rancho Cucamonga CA: Lemon Turtle Hawk Press 2016. First edition. Softcover. new. Lg. sq. octavo. 150pp. French wraps with photo-illustrated covers. Autobiography by Dale T. Lemonds who in 1947 floor directed WTMJ-TV's first broadcast. Born in 1918 his stories describe growing up on a farm near the family sod house in Furnas County Nebraska; life in 1940's California supervising the wing section of the first DC-4 at Douglas Aircraft in Santa Monica; operating radio for the U.S. Army in Europe during WWII; marriage to Milwaukee native Marion Binzel family life retirement stroke rehab and later years in Rancho Cucamonga California. In addition to a first-person narrative that recounts the early days of television 1947–1980 there is a descriptive list of 33 shows Lemonds produced and directed at WTMJ in Milwaukee Wisconsin including: The Man Next Door Rhythm Roundup Woman's World Behind the Screens What's New in the Kitchen Time Out With Thomas Kids Klub Bowling with the Champs and the 1960 presidential-primary broadcast of Meet the Press on which he assisted NBC's Frank Slingland. Portrays a lifelong passion for music playing the trombone photography and making movies two of which are depicted: a murder mystery and a fishing trip in the San Gabriel Mountains. Sidebars: woodworking; cars; TV advertising; and working with legendary NBC director Harry Coyle on two World Series 1957 & 1958: Milwaukee vs. N.Y. Yankees. Profusely illustrated with photography film frames TV-station memo scripts sets balops hand-drawn floor plan and thumbnail sketches for title card and props. Frontispiece dedication table of contents afterword acknowledgments photography credits and index. Lemon Turtle Hawk Press unknown‎

Référence libraire : 42408

‎Manelis Judith Concept and Editorial Direction by; Aaron Kessler Creative Direction and Design by; United Jewish Appeal Prepare‎

‎This Shall Tell All Ages: Art Music and Writings of the Holocaust‎

‎New York: United Jewish Appeal 1981. First edition. Softcover. g. Small folio. 23 1pp. Original illustrated wrappers. Laid in a hand-signed typed letter from Judith Manelis announcing the publication of this work and dated May 29 1981. The music literature and art of the Holocaust speak to us with special poignancy. For during a time when normal communication remained impossible and the cries of agony defiance and muted hope were unheard by most of the world's population men women and children still found the inner courage to express their most intimate emotions by creating songs drawings poems and writings. This extraordinary booklet records their enduring spirit and inner courage in the nightmare world of the Nazi camps. The works of art reproduced in this volume were created between 1940 and 1945 in concentration camps and ghettos by victims of Nazi oppression and rescued after the Holocaust by Miriam Novitch and other members of the Ghetto Fighters Kibbutz in Israel. They are part of a collection over 2000 drawings in the Ghetto Fighter's Museum located on the Kibbutz. Upper spine creased and corners slightly bumped thus affecting pages throughout. Wrappers and interior in overall good condition. United Jewish Appeal unknown‎

Référence libraire : 38858

‎Ruppersberg Allen; Gary Krueger phtography/design‎

‎23 Pieces‎

‎Los Angeles: NP 1969. First edition. Softcover. vg. Octavo Oblong. 29 leaves. Original spiral bound stiff wraps with handwritten lettering on cover. 23 pieces leaves of photographic plates of late sixties Los Angeles environment. Motives listed at end of publcation. First artist book by Allen Ruppersberg one of the first generation of American Conceptual artists. lightly age-toned. Binding and interior in overall very good condition. NP unknown‎

Référence libraire : 34419

‎Cool Design‎

‎American Muscle Cars Coloring Book: Vintage and Modern Vehicles Hours of Fun and Education For Kids and Adults‎

‎Paperback / softback. New. paperback‎

Référence libraire : B9798591378820 ISBN : 9798591378822 9798591378

‎Rich Sky Design‎

‎100 Days of Math Power: Multiplication Drills for Young Learners: daily math practice designed to help kids build confidence and master multiplication skills.‎

‎Paperback / softback. New. paperback‎

Référence libraire : B9798343593198 ISBN : 979834359319x 9798343593