‎Design‎

‎Bhutan / Zillyoen's Design & Photography (Concept, Research etc)‎

‎Bhutan - Popular Attractions : A Pictorial Guide to all the Popular Places Trekking Routes with Maps Rural Life and Festivals in Bhutan‎

‎2014. Thimphu Megah Publications 2014 quer8° 172 S. mit zahlr. Farb-Abb. Kartendarstellungen Illustr. etc. Text: englisch illustr. original Pappband schönes sauberes Exemplar re04 Abholung im Ladengeschäft in Frankfurt am Main Nordend ggü. Musterschule möglich. Das spart die Portokosten. Pickup at the store in Frankfurt am Main Nordend close to Musterschule is possible. It saves the shipping costs. unknown‎

Riferimento per il libraio : 34545AB ISBN : 9993620459 9789993620457

‎iF International Design Forum‎

‎iF Design Awards 2013: Product Vol. 1 Vol. 2‎

‎Prestel Publishing 2013-05-25. Bilingual. hardcover. New. 10.63x0.00x10.63. Buy with confidence. Excellent Customer Service & Return policy. Prestel Publishing hardcover‎

Riferimento per il libraio : DADAX3791348108 ISBN : 3791348108 9783791348100

‎INTERIOR DESIGN‎

‎Hon-Shu Oriental Wallcoverings.‎

‎Chattanooga: Gilman Wallcoverings Inc. c.1960. A tradesman's sampler of materials to meet the growing enthusiasm for Japanese aesthetics in post-war America. "Hon-Shu oriental wallcoverings when installed by a competent paperhanger. can assure you of a perfect installation with distinctive design quality and the charm of the orient". Landscape quarto 208 x 270 mm. Original red cloth metal post-binder spine and front cover lettered in white and black white vignette of Mount Fuji on front board printed and manuscript price list on inner front cover printed introductory leaf 72 leaves each a textile sample mounted on card printed with price information and dimensions. Cloth faded and soiled in places 3 samples sometime trimmed affecting approximately one third of each: a very good example. hardcover‎

Riferimento per il libraio : 173625

‎Eye, Design‎

‎Princess Castle Busy Builds‎

‎bundle. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. unknown‎

Riferimento per il libraio : 1836001460.G ISBN : 1836001460 9781836001461

‎[FASHION -- ORIGINAL DESIGN ARCHIVE] [ROSS MIZELLE, Marian Adrienne(Designer); GERNES, Sara Desaix McManigal Evans (Pres of Gern‎

‎An eye-catching archive of 150 original fashion designs by young Marian Ross created primarily for the Gay Gibson label at Gernes Garment Co. through the 1960’s with some of her late 1950’s designs for women’s wear reflecting the very influential fashion trends of Dior Givenchy Cardin Courreges and Simonetta. Many reflect into the 1960’s Dior’s “New Look†with emphasis on hourglass figure small waist billowing skirts and elegant cocktail dresses along with those of slimmer fashions and clean lines of Coco Chanel with a focus on translating these for young women juniors and young teens marketed throughout the Midwest under the Gay Gibson label.‎

‎New York NY Kansas City MO & Carmel Santa Barbara & San Francisco CA: Marian Ross Mizelle Madrigal 1955-1974. Four Vols. and original Store Sign for Carmel CA boutique. Folio. 2 - 12 x 15.25 in. & 2 - 13 x 19 in. 48; 48; 48; 48 pp unpaginated. all w/ mylar sleeves archival black paper insert backings with 151 original designs in gouache watercolour chalk and pen & ink 38 in pen & ink or pencil sized from 7 x 11 in. up to 10 x 15 in. and nearly all signed by Marian Ross three feature original fabric sample swatches affixed to them including one w/ pencil MS “Winner†and mimeographed description affixed to verso several of them are translucent pochoir stapled to backing paper many are on thick stiff studio board while others on assorted textured paper stock. In addition there are three newspaper and magazine clippings 1966 & 2013 a photostat copy of early Ross Mizelle “Mod†fashion designs and original black & white silver gelatin photo of young Marian Ross modeling a wedding dress. All are preserved in flexible vinyl portfolios printed labels on spines some minor scuffing & shelfwear to portfolios occasional very minor closed tears or edgewear to the designs a few w/ minor holes from removed staples still an exemplary archive of designs together with the original Madrigal signboard sized 16 x 27 in. from their Carmel CA store. This sensational archive of original fashion designs for Kansas City MO based department store suppliers by Marian Ross Mizelle before her move to California in the 1970’s to establish the Madrigal boutique with her husband Elliot A. Mizelle 1916-2007. These vividly reveal the Mid-20th-Century fashion trends following World War II. Many of the designs in this collection reflect the transition from the late 1950’s elegance and emphasis on Dior’s “New Look†highlighting femininity and opulent use of fabrics towards the more youthful designs emerging out of Swinging London which were a slimming down beginning to raise hemlines with short skirts bolero tops and increasing influence of Pierre Cardin Andre Courreges and Givenchy. The Mid-20th-Century saw a tremendous upsurge in marketing slimmer lines tighter fitting bodices and fashions emerging from such cultural events as Audry Hepburn in her iconic 1961 “Breakfast at Tiffany’s†film which heavily influenced a generation of young women.Young Marian Ross b. 1936 after completing her Fashion Academy certificate in 1955 free-lanced and worked in the New York fashion industry before landing with the influential and hot-selling Gay Gibson label with Gernes Garment Co. in 1961. The Gernes Garment Co. had been originally founded in 1928 by Sara Desaix Gernes 1896-1978 and her husband Alexander Gernes 1882-1947 to market her groundbreaking fashion designs targeting everyday fashion for young women juniors and teens. Her designs proved very popular as she initiated and fashioned sizing and dresses and clothing for teenagers through young college-age women and her designs proved very successful and were marketed through Chicago’s Marshall Field’s department store. By 1961 the Gernes Garment Co. moved their design and pattern making department to New York to capture young fashion designers such as Marian Ross as well as be closer to the influential couturier houses in New York & Paris. The Gay Gibson label was marketed in Mademoiselle Seventeen Glamour and Vogue magazines with Twiggy often modeling Gay Gibson dresses in the 1960’s. Marian’s designs were inventive playful and emphasizing movement as well as comfort. Many of the fashion patterns depict her models in flats ballet flats or even shoeless while dressed in elegant evening or formal dress. Also depicted are designs such as billowing harem pants modified and sleek upscale poodle skirts and Tartan patterned capes pockets dresses and accessories. Others encompass swimwear ski wear as well as the emphasized and often enforced domesticity of the late 1950’s to 1960’s with stylish plaid house-dresses in the kitchen and bar as well as frequent use of lace. The Gay Gibson label maintained a showroom at 1407 Broadway on the 39th Floor in New York ad held over 24 showings from 1961-1969 including Junior Dresses Summer Collections Spring Junior Collections as well as Holiday and Resort collections. By the early 1970’s the label was having financial difficulties and the popularity began to drop with the company run by Desaix Gernes her mother and husband Paul before folding a few years after Sara Desaix Gernes’ death. Marian and Elliot Mizelle established Madrigal Inc. name chosen because of the seductive chic of Manhattan’s Le Madrigal restaurant and grew into a legendary luxury boutique at one point operating store fronts in Santa Barbara downtown San Francisco and Carmel CA. In her 2015 interview for “Women in Business†with the Carmel Pine Cone Marian stated she “wanted to be an actress but it didn’t work out that way. I used to sketch a lot so I studied design instead. Everything I touched while was designing worked. I got a lot of jobs and was featured on a lot of Seventeen magazine covers.†This cataloguer could find not similar extant archive of original designs for the 1960’s period of the Gay Gibson label or for Marian Ross Mizelle; See: Interview with Desaix Gernes Garment Industry Oral History Collection The Kansas City Public Library Jan. 14 2005 SC229 Series 2 2024; Gay Gibson Vintage Fashion Guild 2025; Donnelly Garment Company vs. International Ladies Garment Workers Union et al Photographs Clothing Demonstration The Pendergast Years Kansas City in the Jazz Age & Great Depression 2025. Marian Ross Mizelle, Madrigal, hardcover‎

Riferimento per il libraio : 62463

‎Masterman, Walter; Dust Jacket Design By E Mcknight Kauffer‎

‎2. L. O. " / 2Lo Dust Jacket Only No Book‎

‎London Uk: Gollancz 1928. 1st Edition 1st Printing. No Binding. No Book Included/Good. Dust Jackt Only For First Edition Gollancz 1928. Would Be Near Fine No Wear Or Tear But A Little Pinkish Dampstaining To Flaps And Rear Panel. Se Wikipedia: Edward Mcknight Kauffer 1890 -1954 Was An American Artist And Graphic Designer Who Lived For Much Of His Life In The United Kingdom. He Worked Mainly In Poster Art But Was Also Active As A Painter Book Illustrator And Theatre Designer. Edward Leland Kauffer Was Born On 14 December 1890 In Great Falls Montana. By 1910 He Had Moved To San Francisco Working As A Bookseller And Studying Art At The California School Of Design From 1910 To 1912. At Around This Time Professor Joseph Mcknight Of The University Of Utah Became Aware Of Kauffer's Work Sponsored Him And Paid To Send Him To Paris For Further Study. In Gratitude Kauffer Took His Sponsor's Name As A Middle Name. Kauffer Stopped In Chicago For Six Months In 1912/1913 And Studied At The Art Institute Of Chicago. While There He Witnessed The Armory Show One Of The First Major Exhibitions To Introduce The Styles Of Modernism To American Viewers. This Likely Had A Major Impact On Kauffer Who Would Work In Many Of The Same Styles Throughout His Career. He Arrived In Paris In 1913 And Studied At The Académie Moderne Until 1914. In Paris In 1923 He Met The Textile Designer Marion Dorn 1896-1964 And Subsequently Lived With Her In London From Late 1923 To July 1940. They Married In 1950 And Moved To New York Until His Death In 1954. Kauffer Moved To London Upon The Start Of The First World War And Remained There For Most Of His Career. He Was Briefly Associated With Robert Bevan's Cumberland Market Group And Had A One-Man Show At The Omega Workshops. In Brighton On The South Coast He Designed A "Novel" Mural For The Lobby Of Embassy Court A Modernist Block Of Flats Designed By Wells Coates In 1935. The Mural Consisted Of "Monochrome Photographs . Printed Directly On To A Light-Sensitive Cellulose Coating". Kauffer May Be Best Known For The 140 Posters That He Produced For London Underground And Later London Transport. The Posters Span Many Styles: Many Show Abstract Influences Including Futurism Cubism And Vorticism; Others Evoke Impressionist Influences Such As Japanese Woodcuts. He Created Posters For Shell Oil The Great Western Railway And Other Commercial Clients And Also Illustrated Books And Book Covers. Later He Also Became Interested In Textiles Interior Design And Theatrical Design. He Returned To New York City In 1940 At The Beginning Of The Second World War And Tried To Find Work In Advertising. He Struggled In The More Competitive Atmosphere Until He Was Approached To Do A Series Of Posters For American Airlines In 1947. American Airlines Remained His Primary Client Until His Death In 1954. <br/> <br/> Gollancz unknown‎

Riferimento per il libraio : 059012

‎[MODERNISM -- FURNITURE DESIGN]. KOCH, Alexander‎

‎Einzelmobel und neuzeitliche raumkunst. . . .‎

‎Darmstadt Germany: Verlagsanstalt Alexander Koch 1930. 4to. 8 183 9 pp. Including many photo plates some colour plates illustrated ads. Pictorial white publisher’s cloth with sleek cover art & lettering in red black & white by designer Ludwig Kozma beveled boards minor shelfwear very light interior toning as usual still a VG copy. First edition of this splendidly illustrated work by the pioneering interior design and architectural publishing house who first launched periodicals and publications on German design and interior decoration in the 1880’s and following World War I into the 1920’s was one of the premier proponents of the Modernist aesthetic. Designers featured within encompass Le Corbusier Ludwig Kozma Laszlo Carl Muller Sobotka Vinecky Fritz Gross and many others. Verlagsanstalt Alexander Koch, hardcover‎

Riferimento per il libraio : 63608

‎NEW YORK NATIONAL ACADEMY OF DESIGN & FLORENCE: UFFIZI GALLERY‎

‎painters by painters. Exhibition and catalogue made possible by United Technologies Corporation.‎

‎New York: 1988. First Edition paperback issue. Published in conjunction with an exhibition. Text by Caterina Caneva and Antonio Natali. folio. pp. 108. profusely illus. many in colour. biblio. index. wrs. Fine copy. dola3256 [New York: 1988] paperback‎

Riferimento per il libraio : dola3256

‎[TEXTILES & WEAVING -- MID-CENTURY MODERN DESIGN/WOMEN]. SELANDER, Malin‎

‎Swedish handweaving. Translated by Karin Haakonsen-Melander.‎

‎Goteborg Sweden: Wezata Forlag 1959. Tall 8vo. 128 pp. Colour plates weaving patterns & designs photo illustrations text diagrams throughout. Quarter-beige cloth over colour-illustrated boards black lettering on spine minor shelfwear slight rubbing to lower fore-edges still NF copy signed by author on ffep. First edition in English signed of this exceptional and influential Mid-20th-Century work on Swedish handweaving and design. Selander heavily influenced American weavers not only with her Weaving patterns 1956 and the present title but her extended workshop and lecture tour in 1960 through 28 cities. Not only did she introduce techniques of colour blending of strands to enrich the colour pallet but also advised on how to design their own cloth patterns. See: Marion Marzolf The Swedish Presence in 20th-Century American Weaving Textile Society of American Symposium Proceedings 314 2006. Wezata Forlag, hardcover‎

Riferimento per il libraio : 59254

‎[Art Design] Matta-Clark, Gordon‎

‎You Are the Measure.‎

‎New Haven:: Yale University Press 2007. First Paperback Printing. A Fine copy of this paperback edition in a Fine dye-cut jacket. In artworks that combined minimalist conceptual and performative practices Matta-Clark gave primary importance to the individual and considerations of everyday life. This comprehensive book incorporates important new information from the Matta-Clark archive presenting a compelling reappraisal of the unique beauty and radical nature of Matta-Clark’s punnings plans performances and interventions evident in the many media in which he worked: sculptural objects most notably from building cuts drawings films photographs and documentary material. he son of Chilean Surrealist painter Roberto Matta and godson of Marcel Duchamp Matta-Clark trained as an architect. He is renowned for his poignant use of urban landscapes creating many site-specific works often outside of a museum or gallery context in New York and abroad. In this handsome book distinguished scholars of contemporary art provide new insights into Matta-Clark’s work: the reception of his art during his lifetime; the impact of his socially engaged lifestyle; the production of his films; his photography in particular his collages that have not been thoroughly explored; the creation and conservation of his building cut Splitting; and much more. Yale University Press, paperback‎

Riferimento per il libraio : 26339

‎[AUTOMOBILES -- DESIGN]. [WALKER, George W].‎

‎Styling at Ford Motor Company. . . .‎

‎Dearborn MI: Ford Motor Company 1957. 4to. 43 5 pp. Colour photos and colour designs throughout. Colour-printed softcovers gilt white red & black NF copy. First edition of this rare catalogue touting the design and concept work of George Walker and his team at Ford in 1957. After the departure of Bill Schmidt Walker was promoted to Vice President and director of the styling office overseeing the development of the popular Ford Thunderbird the design changes for the Lincoln Continental the unbuilt Ford X-2000 Concept Car and even a drawing of a version of the Ford Nucleon which was intended to eventually feature a miniaturized nuclear reactor to power the vehicle. This catalogue shows the building of the concept car clay model how the upholstery and interior are developed fabrication and more. Walker 1896-1993 studied with famed industrial designer Harley Earl a fashion designer and art director in Cleveland before being brought into Ford following World War II. Ford Motor Company, paperback‎

Riferimento per il libraio : 55856

‎[CHRYSLER -- DODGE DESIGN CONCEPT ARCHIVE]. [REED, Stewart, et al (Designers).‎

‎An uncommon factory photo archive for the Chrysler Corp. design group and concept cars on the eve of the 1979 bailout featuring primarily designs for the 1978 & 1979 Chrysler 300 as well as the Dodge Charger a re-badged Mitsubishi Galant Lambda Chrysler Cordoba Chrysler Newport a rally car racing version of the Dodge Omni and even a very early proposed concept design for the Dodge Minivan which would transform the U.S. auto market in the 1980’s.‎

‎Los Angeles CA & Detroit MI: Chrysler Corp. ca. 1978-1980. 4to. 103 colour and black & white photographs sized 8 x 10 in. w/ nearly all featuring inventory numbers on versos many w/ concept artist’s identifying marks at lower fore-edge of images all w/ 3-hole punch at upper fore-edge. Black vinyl 3-ring binder manuscript label on spine w/ 1 sheet of manuscript tucked-into front cover entitled “Image Studies†rounded corners slight shelfwear light toning to leaf of manuscript NF exemplar. A fascinating Chrysler Corp. Design Group photo archive documenting the development of the full scale mock-ups and designs for the 1978 & 1979 Chrysler 300 Chrysler Cordoba as well as the rebadged Dodge Charger early concepts for the Dodge Minivan 5 years before introduction and the under appreciated Dodge Omni rally car. Many of the Chrysler concept car designs included here are signed by such artists as Svensen Kreiling and the famed Stewart Reed. The album opens with concept car designs for the 1979 Chrysler Cordoba 300 offering views of a concept car mock-up not only featuring a split between two different designs but also different wheels as well as views of the designs littering the walls and ceilings of the Chrysler Corp. Design Group studios. It also shows the nascent red & blue pinstriping on silver when the eventual production model featured that on a white background. Also shown are the development photos for the rebadged Dodge Challengers and Dodge Chargers basically reusing the Mitsubishi Galant Lambda as a base. Many of these Chrysler/Dodge/Plymouth Mopar concept cars are shown with a variety of artists’ renderings for Targa tops sleek modern lines and colours which unfortunately for Chrysler never made it into general production because if they had Chrysler may not have needed the 1979 bailout by the US Government. Of particular interest are the artists renderings of a 1978 Dodge Omni as a rally car and two very early concept designs for the Dodge/Chrysler minivan project led by Stewart Reed. The unsung Dodge Omni and Plymouth Horizon developed by Chrysler’s European Division were Chrysler’s first front-wheel compact car beating the K-Car to market by over three years and with its’ handling and popularity even received the attention of Carroll Shelby who worked to convert them into true performance race cars. The Minivan would remake the American auto market from the time of its eventual production introduction in 1984 revive the fortunes of Chrysler and spawn many competitors such as the Chevrolet Astro Ford Aerostar Toyota Previa and many others. Reed worked in Chrysler’s design group from 1971 to 1980 as part of the initial Minivan design team then Toyota’s Calty Design Research Inc. in Newport Beach CA and after 1994 operated his own design studio in Plymouth MI creating such concept vehicles as the 1998 Gear Box SUV and the 2001 Cunningham C7 Car. See: David Zatz The Chrysler Cordoba And 300: “Personal Luxury†Allpar Feb. 9 2017; Pete Dunton 1978-1990 Dodge Omni -- the Little Car that Rescued Chrysler Old Car Memories Nov. 24 2018; William Stopford The Most Obscure Special Editions and Forgotten Limited-Run Models: Mopar Edition Part III -- A Trip to Aspen Curbside Classic Nov. 13 2015. Chrysler Corp., unknown‎

Riferimento per il libraio : 56289

‎[WINDOW DISPLAY DESIGN]. [TRACY, Charles A]‎

‎The art of decorating show windows and interiors. . . A complete manual of window trimming. . . .‎

‎Chicago: The Merchants Record Company 1906. 4to. 403 7 pp. plus 4 pp. publ. ads. 100s of photo illusts. diagrams text illusts. plates. Brown embossed publisher’s cloth gilt lettering & border on front cover gilt lettering on spine minor shelfwear minor bumping to corners some minor rubbing edgewear slightly shaken still VG- copy. Third edition of this fascinating and lavishly illustrated guide to preparing window displays and advertising displays in shops mercantiles department stores grocery stores exhibitions and more. This work offers an early visual record of the explosion of shop window advertising that emerged as a marketing force in the late 1890s when many cities were electrified and window displays could be lit at night creating a fairy tale splendor. Charles Tracy details the efforts of the shop decorators and how shop window mannequins became established above all other marketing in the textile and fashion industry. Automatons lighting fixtures mechanical engineering and many other skills were combined into creating amazing special effects at the beginning of the 20th century replete with Art Nouveau and Victorian design elements. Theme windows became wildly popular and the new idea of window shopping changed perceptions of city shopping districts as well as offered women a new freedom to move around in public without chaperones. This substantially expanded edition over the 1904 printing adds substantial material and illustrations to the “Electricity in the Windows†“Mechanical Displays†“Electro-Mechanical Displays†“Photographing Windows displays†and many others. See: Window Shopping - A photographic history of the shop window 2011. The Merchants Record Company, hardcover‎

Riferimento per il libraio : 52800

‎[TEXTILES DESIGN -- CARPETING]. MARCHETTI, Thomas‎

‎Designing with flowers. Volume two. Portfolio of photographs.‎

‎Leigh-on-Sea: John Crossley and Sons 1941. 4to. 25 black & white photographs printed on thick glossy photo stock numbered at corners w/ captions below sized 10 x 12 in. Preserved in black cloth portfolio white lettering on front cover & spine w/ black ties at fore-edge w/o lower flap some rubbing edgewear minor bumping to corners still G exemplar w/ NF photos. First edition of this second volume in Marchetti’s series of design photographs instructing weavers designers and salespeople on how to incorporate floral designs into carpets for the home and business. Marchetti d. 1969 director of John Crossley L. Sons Ltd. Carpet Manufacturers was a progressive and influential figure in British design who began his career with the firm in 1935. John Crossley and Sons, hardcover‎

Riferimento per il libraio : 50563

‎BY DESIGN ROYALTY ESCROW ACCOUNT‎

‎By Design Grade 4 Student Edition‎

‎hardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover‎

Riferimento per il libraio : 1465201009.G ISBN : 1465201009 9781465201003

‎URBAN ENVIRONMENT DESIGN‎

‎VISION IN CHINA CHINES CONTEMPORARY ARCHITECTURE PB 2015‎

‎USA Edition . New. Brand New! Fast Delivery This is an International Edition and ship within 24-48 hours. Deliver by FedEx and Dhl & Aramex UPS & USPS and we do accept APO and PO BOX Addresses. Order can be delivered worldwide within 6-10 days and we do have flat rate for up to 2LB. Extra shipping charges will be requested if the Book weight is more than 5 LB. This Item May be shipped from India United states & United Kingdom. Depending on your location and availability. unknown‎

Riferimento per il libraio : CBS 9781910596050 ISBN : 1910596051 9781910596050

‎Mito Design‎

‎100% Design Portfolio‎

‎hardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover‎

Riferimento per il libraio : 8496309568.G ISBN : 8496309568 9788496309562

‎Charles S Anderson Anderson Design Co/ Michael J Nelson‎

‎Fluffy Humpy Poopy Puppy: A Ruff Dog-Eared Look at Man's Best Friend‎

‎Harry N Abrams Inc 2006. Turtleback. New. illustrated edition. 176 pages. 8.50x6.50x0.75 inches. Harry N Abrams Inc unknown‎

Riferimento per il libraio : 1-0810970570 ISBN : 0810970570 9780810970571

‎Kent, Rockwell; Typographical Design By T M Cleland‎

‎Voyaging: Southward From The Strait Of Magellan‎

‎New York Ny: G. P. Putnam's Sons / Knickerbocker Press 1924. 1st Edition 1st Printing. Hardcover. Very Good/No Jacket. Plates And Illustrations In Text. Xv 184 Pp. #32 Of A Limited Edition Of 110 Copies Of Which 100 Were For Sale. Faux Vellum Spine Blue Boards Spine An Cover Labels Printed In Blue Blue And White Illustrated Endpapers The Trade Edition Had Map Endpapers. First Edition Signed By Kent On Limitation Page And Again In The Two Color Woodcut Bound Before The Half Title And With The Extra Illustration Not Present In The Trade Edition Placed After The Introduction. Light Wear Showing With Tinybumps/Splits/ Frays At Corners. Hinges Tight. Faint Damp Stain In Small Area At Top Of Spine Panel Affecting Upper 2/3 Of The Spine Label And 1/2" Across Bottom Edge Of Spine. <br/> <br/> G. P. Putnam's Sons / Knickerbocker Press hardcover‎

Riferimento per il libraio : 059773

‎Bruno Munari‎

‎Nella Notte Buia‎

‎Mantova: Maurizio Corraini 1996. hardcover. boards covered with black paper with blue lettering illustration. clean. no markings or signs of ownership. no bumps. strong binding.; unpaginated. illustrated pages of black gray glassine-ish. attachments and cuts. english text version. reissue of 1956 original. First Edition Thus. Hardcover. Near Fine Plus/No Jacket as Issued. Illus. by Bruno Munari. 8vo - over 7¾" - 9¾" tall. Reissue. Maurizio Corraini Hardcover‎

Riferimento per il libraio : 25592 ISBN : 888625038X 9788886250382

‎De Ronsard, Pierre, Translation By Curtis Hidden Page, And Inscribed By Him With An Originalk Poem; Design By Bruce Rogers, And‎

‎Songs And Sonnets Of Pierre De Ronsard Gentleman Of Vendomois: Selected And Translated Into English Verse With An Introductory Essay And Notes‎

‎Boston / New York: Houghton Mifflin & Company 1903. Hardcover. Very Good. Xxxvi 137 Pp. Red Boards With Paper Spine Label. #353 Of A Limited Edition Of 425 Copies. First Printing. This Copy One Of The Author's Copies Signed By Bruce Rogers At Top Of Front Free Endpaper With The Author's Inscription Below: "To Hobart C. Chatfield-Taylor In Grateful Remembrance Of True Kindness True Friendship True Love Of The Poets / His Fellow-Translator / Curtis Hidden Page / December 1909 / This Book Begun At Gilmanton In New Hampshire In The Summer Of 1902 And Finished In New York In The Following Winter." Small Private Library Section Label At Top Of Front Pastedown. Signed In Full By Page Beneath His Poem On P. Vii And With An Eight Line Poem Hand Written And Initialed By Page On P. 1. Extra Spine Label Tipped On To Rear Endpaper Fine. Also With Another Copy Number 340 In Slipcase Numbered 340 Less Used But Spine More Browned Also With A New Extra Spine Label At Rear. Rogers Reportedly Considered This As Favorite Amongst All The Books He Designed. <br/> <br/> Houghton Mifflin & Company hardcover‎

Riferimento per il libraio : 045636

‎Pamela Golbin; Fabien Baron; Preface By Helene David-Weill; Signed By Nicholas Ghesquiere; Design By Fabien Baron, Photography B‎

‎Balenciaga Paris‎

‎New York: Thames & Hudson 2006. 1st Edition 1st Printing. Soft cover. Fine/Fine. 227 Pp. White Cloth Spine White Covers Printed In Grey With French Flaps Matching White Dust Jacket And Endpapers Printed In Grey. First American Printing. Fine In Fine Dust Jacket. Signed By Nicolas Ghesquiere On The Title Page. Nicolas Ghesquière 1971- Is A French Fashion Designer Who Has Been The Creative Director Of The House Of Louis Vuitton Lvmh. After Working As An Assistant To Designer Jean-Paul Gaultier From 1990 To 1992 He Went On To Work At Pôles Designing Its Knitwear Line Followed By A Series Of Inauspicious Assignments With Different Companies Including The Italian House Of Callaghan. Ghesquière Eventually Landed A Job Doing The Licensing For Paris Fashion House Balenciaga And Designing For The Asian Market. In 1997 At The Young Age Of 25 Ghesquière Was The Surprise Choice To Head Balenciaga Promoted To Creative Director Of Balenciaga After His Dutch Predecessor Josephus Thimister Was Fired Following A Highly Unsuccessful Show. He Was Put In Charge Of The Brand's Entire Image From Clothing And Accessories To Store Design And Advertising. While Working As The Label's Creative Director Ghesquière Continued To Design Two Italian Collections - Trussardi Then Callaghan - Until 2001. Callaghan's Spring 2001 Ready-To-Wear Show Was The First Ever In New York For The Then 35-Year-Old Fashion House And Also Served As The Us Debut For Ghesquière. At Balenciaga Ghesquière Soon Became Known For His Sense Of Contrast Such As Pairing High-Waisted Skinny Pants With A Voluminous Blouson Or A Tightly Cut Wool Jumpsuit With Billowing Sleeves. His Work Soon Turned Balenciaga Into A Critically Acclaimed Fashion House. His Biggest Commercial Success Was The Lariat Bag With Braided Handles And Dangling Zipper Pulls. The Gucci Group Ppr Bought Balenciaga In 2001. Ghesquière Who Wanted To Stay And Expand Balenciaga Could Only Be Bought Through The House. "It Is A Happy Relationship" Ghesquière Said. "It Has Worked Because They Wanted Me To Explain What I Wanted To Do With Balenciaga Not The Other Way Around." Ghesquière's Collections Have Had A Considerable Commercial Impact Particularly Through His Influence On Other Designers Including His Former Staff Members Julien Dossena Camille Miceli And Natacha Ramsay-Levi. During His 15-Year Tenure At Balenciaga Ghesquière Is Widely Credited With Having Helped Turn The Fashion Label Into One Of The Fastest-Growing And Most Profitable Brands Of Parent Ppr. During That Time He Assembled One Of The Largest Production Teams In Paris With Upwards Of 30 People In The Design Studio And 50 In The Fabrication Ateliers. In November 2012 Ppr Announced His Departure From Balanciaga. On 4 November 2013 Ghesquière Officially Replaced Marc Jacobs At Louis Vuitton As Creative Director For The Women's Collections. On 5 March 2014 Ghesquière Had His First Show Under The Lv Brand. Since Joining Louis Vuiton Ghesquière Has Regularly Showcased His Designs With Shows In Architectural Landmarks Including The Louvre In Paris - It Was The First Time The Museum Had Allowed A Fashion House To Stage A Show There -; Monaco's Palace Square 2014; Bob Hope's House In Palm Springs 2016; The Niterói Contemporary Art Museum In Rio De Janeiro 2016; The Miho Museum Near Kyoto 2017. Fondation Maeght In Saint-Paul De Vence 2018 And The Twa Flight Center 2019. Ghesquière Designed A Series Of Character Skins For The Video Game League Of Legends In 2019. In October 2000 Ghesquière Was Named Avant-Garde Designer Of The Year At The Vh1/Vogue Fashion Awards And A Year Later He Was Named Womenswear Designer Of The Year By The Cfda. In 2006 He Was Among The Time 100 Most Influential People. Ghesquière Was Described As "Fashion's Most Sought-After And Influential Figure" By American Vogue And Was Also Cited As The International Designer Of The Year In 2014 By The British Fashion Awards. <br/> <br/> Thames & Hudson paperback‎

Riferimento per il libraio : 046073 ISBN : 0500513155 9780500513156

‎Kooler Design Studio‎

‎365 Quick Cross Stitch Christmas Designs‎

‎paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback‎

Riferimento per il libraio : 0881959715.G ISBN : 0881959715 9780881959710

‎DESIGN] Kamisaka SEKKA, Artist‎

‎Kairo - One Hundred Patterns of Waves‎

‎Teramachi Nijo Kyoto Japan: Yamada Unsodo Book. Very Good. Pictorial Paper Covered Boards. First Edition. Folio - over 12" - 15" tall. 37 pages held together with 2 brads top end. 35 pages with tissue guards over multiple lovely woodblock prints either 96 or 102 depending on how one repeated image is counted. With an additional full page black and silver woodblock print on rice paper 9" x 12 1/2" laid in. No date in English circa 1902-1905. Laid into original folio black paper covered boards printed in silver Art Deco design with title artist and publisher printed in English front and back. Front and back pages printed in Japanese. Very Good cloth at spine torn at top and bottom edges rubbing to boards at edges. Some tissue guards creased or torn the woodblock prints are all bright and Fine. Kamisaka Sekka 1866-1942 was aan important early 20th c. Japanese artist known as the father of modern Japanese design and the last great master of the Rinpa traditional school of art. RARE one copy found in current commerce lacking the additional woodblock print and 8 copies found at WorldCat. Yamada Unsodo Hardcover‎

Riferimento per il libraio : 009472

‎Institute of Store Planners' Store Interior Design; National Retail Merchants Association Staff‎

‎The Best of Store Designs‎

‎P B C International Incorporated 1986. Hardcover. Very Good. Disclaimer:A copy that has been read but remains in excellent condition. Pages are intact and are not marred by notes or highlighting but may contain a neat previous owner name. The spine remains undamaged. At ThriftBooks our motto is: Read More Spend Less.Dust jacket quality is not guaranteed. P B C International, Incorporated hardcover‎

Riferimento per il libraio : G0866360123I4N00 ISBN : 0866360123 9780866360128